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Side house music project by multi-instrumentalist Craig Fall originally involved with acts like Stevie Wonder and the Beach Boys. Originally released in 1991, both tracks sound like one of the most familiar tracks you've never heard before. A timeless exercise in Balearic nostalgia with sample based accents and catchy keys over downtempo latin percussive beats, guaranteed to change your summer.

Vinyl close to VG+

Close to VG+

Stamped white label. Close to NM.

Limited edition. Hand numbered and stamped inner sleeve.

Close to VG+

Copy closer to NM

Vinyl with scuffs and hairlines

Following up the Ambivalent album from Satoshi earlier this year, these mix out sessions feature Soichi Terada and Kuniyuki on edit and remix duties.

"Coastlines" is reconstructed by Soichi Terada as a house track in his recognizable style, expanding the positive and light dance music appeal of the original. Kuniyuki made two new versions of the track "After New Dawn". Version 1 is a beat-down version that melds the ambience and beautiful melody of Kuniyuki's view of the world, while Version 2, with its percussion, piano, and dubby guitar, will fill up your lacrimal glands...

Hi-Ryze brings you Bitter Pill, 4 fresh techno belters produced under lockdown. A solid mix of classic 4/4 techno and digital acid beats with tight modern engineering by Dave Campbell. Mastered and cut by Curve Pusher.

June 2018, Amsterdam, NL: 12 months ago we concluded a series of experiments with a test subject named Ben Penn. A year on, we decided to repeat this experiment at his Tilburg base. Once again, the results were starting.
After being provided with a sizeable dose of an enhanced and notably stronger derivative of 4-Ho Met (codenamed ST011), Penn not only reported intense hallucinations but also enhanced music production capabilities. With the aid of electronic instruments and hardware, he worked quickly, producing both his trademark “higher level inter-dimensional funk” and compositions that defied our previous expectations.
During the early stages of his ST011 experience, Penn completely ignored the provided Rhythm Composer and instead crafted a colourful, humid, jazzy and beat-free track entitled “Nix”, which boasted loose and fluid synthesizer motifs. As his hallucinatory experience intensified, Penn giddily tapped out tropical rhythms on the provided beat-making device, smothering them in alien electronics and sticky melodies. When we asked what this devilishly good cut was called, he simply replied: “Not Important”.
As the test went on and the most intense symptoms died down, Penn was much like his old self. Before the ST011 wore off completely, he was able to finish two examples of his trademark “inter-dimensional funk”: the skewed, introspective, bassline-driven wooziness of “Ben” and the mazy, kaleidoscopic goodness of “People”. The latter composition was particularly potent and ear pleasing, suggesting that his ST011 experience had finished on an intense high.

The next release on moreaboutmusic comes from one of Chicago house’s best kept secrets, often name checked by legends such as Mike Dunn, Marshall Jefferson, Glenn Underground and Tyree Cooper to name a few.
A DJ and Producer, Hugo grew up during Chicago’s heyday, at one point living with Mike Dunn and Tyree Cooper, where they would spend their days producing and recording tracks on the 808, 303 and 909, along with any other equipment they could get their hands on.
The ‘On to another time EP’ showcases Hugo’s talents, giving you two straight to the jugular acid tracks with ‘In, Out & In (Part 1)’ and ‘In, Out & In (Part 2)’ with the flip seeing the mood shifting slightly with the deeper vibe of ‘On to another time’, the EP finishes up with a cut up disco joint ‘The beat goes’ creating a solid ep and an excellent introduction to Hugo H.

Vinyl with a couple of light scuffs

Following on from the positive feedback for KRL’s “Third“ EP (Quintessentials 62), we had to give the standout track “Never Leave“ the remix treatment. “Never Leave“ is a straight up house track with those beats and rhythmic synths, but with the outstanding vocals of Janine Small it makes it a head turner! The A-side remix, courtesy of Greymatter (Wolf Music, Unique Uncut) keeps the overall vibe of the original, but adds more dirt and bass business ready for club action. The B-side remix courtesy of Quintessentials buddy Loz Goddard (Church, Razor-n-Tape) takes a step into deep broken beat territory while keeping the beautiful vocals. We love both remixes, job’s done!

Blue transparent vinyl

The second Ep on Tief Music takes a slightly different approach incorporating african influences and sounds. Prophets of the south is the production project shared by Cape Town native 'Esa Mervin Granger' and Glasgow's 'Ooft'. Ooft, already an established producer in his own right releasing and remixing on labels such as 'Instruments Of Rapture' and 'Lets Play House' and Esa, one half of the 'Auntie Flo' live show, who is fast becoming recognized as an innovative solo beat maker producing 'african influenced' deep house and releasing on labels such as Burek and his own Rememory imprint met in Glasgow when Esa relocated there from Cape Town a few years back. Esa's African influences and talent for live percussion coupled with Ali Ooft's masterful production skills have come together to create some truly original pieces of music. A1 - The title track 'Ek Maak Julle Dance' means 'I make you dance' in Afrikaans, and it does exactly that. Its uses off beat chord staps along with hypnotic synth sounds to conjure up a ravey afro-house track well adapt for a peak time dance floor. B2 - Portable is originally from the same area of Cape Town as Esa which made him a fitting choice for remix duties. His mix of 'Ek Maak Julle Dance' offers an alternative mood to the original. Portable (aka Bodycode) employs his masterful production skills and programming to create a slightly off kilter but incredibly addictive and mesmerizing track that slowly progresses cleverly capturing the feeling and soul of the original. B1 - 'Boesman Lambada' is a beautifully deep, melodic, rhythmic track which combines lush synths with tuneful Marimba melodies and an eerie lo-fi vocal sample. B2 - 'Die Plain' is a slightly more up beat but equally atmospheric track harnessing a powerful driving bassline, sparing vocal samples and irresistible rhythms so typical of South African produced house music, a perfect example of two sounds coming together and meeting in the middle.

It has been almost a year since the release of Marco Faraone's first album "I WILL WAIT", which came out on Etruria Beat. It was presented in June 2013 at the Panorama Bar, Berlin and got supported by important national and international DJ's/producers , such as Laurent Garnier , who are considered as icons of the electronic music world. After this excellent result, we decided to release some remixes of the most requested and popular tracks of the album, but for such an experimental album, we chose very special remixers to surprise the audience.

A legend to those who know, Todd Sines makes his first appearance on Circus Company in a fit of sharp-edged, wildly expressive house music that harks back to the unhinged early days of the label. Sines has a career that stretches back to the early 9s, having released lauded records under the .xtrak moniker on Peacefrog and 7th City amongst other legendary labels. Under his own name he has delivered equally timeless material on Planet E, Frankie and Morris Audio, but still this summary barely scratches the surface of an artist with a groove so distinctive it would futile to attempt an imitation. A key facet of Sines' material is his ability to match a vivid, futuristic sound palette with a very human soul, and this is no more apparent than on Blowing. The title track alone throws down a challenge to any selector as a bugging line in off-kilter drums and tweaked out synth lines rub up against an utterly soulful vocal turn from Robert Owens in a true definition of 21st century funk. Originally written by Charles Webster, Sines has taken the foundations of the track and twisted it into a shape all of his own. Elsewhere the mood takes a deeper turn, as "Deserted”, "Cave” and "Recover” all plunge into a vision of deep house that retains the emotion while pushing the rhythms into exciting, psychedelic new territory. Even if the tracks go very far out indeed, there's always a tangible beat to hold on to, testing the nerve of the play-it-safe DJ while giving musical explorers music as accessible as it is challenging. While there may be shards of experimentation flying out of these tracks at every angle, the warmth in between the unusual shapes makes Sines' music so very easy on the airs in the same breath.

Twenty’s plenty (apparently), it’s also the number we use to welcome our first artist from the US of A into the fold, Detroit USA to be exact. Francois Dillinger has been doing his thing on labels This Ain’t Bristol, Natural Sciences and Anabatic Records plus others, fusing deep melodic Techno with 909 laden broken beat Electro.

close to NM