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Close to VG. Original pressing!

Green coloured vinyl.

Record 1 is NM. Small seam split.

Limited edition.

Record has some hairlines and a few superficial scratches.
Label on side A not completely intact. Writing on label side B.

Cover with slightly bumped corner

Label cover.

Record with just a few paper scuffs.
Ships in a label sleeve.

Cover with a seam split at the upper edge.
Record with just a few paper scuffs.

close to NM

Originally released on Volume and Tension in 1994, the 'Duster' EP was one of only two releases Toby Warren completed under the Hi Tech Criminal moniker, it has since gone on to become a rare gem of a record that swaps hands for princely sums. Klasse Wrecks is very pleased to announce the re-issue of the original tracks on vinyl and digital and happy to announce an exclusive-never-heard-before mix of the title track. The 4 tracker harks back to a period in time when creativity and originality was at an all time high in dance music. The tracks on the 'Duster' EP defy categorization, part bouncing House, part progressive and driving Techno...all good.

Vinyl is close to NM! Stamped generic sleeve.

Cover with seam split.
Record is close to VG+.

close to NM

Purple vinyl.

single sided

close to NM

Dedication with autopgraph on cover. White labels

incl. Bodyjack Remix

The thirteenth release maybe unlucky for some, but not here. With label head Oli Furness delivering the Weather Underground EP featuring a shudderingly good Bodyjack remix. Music is Love Records make their own luck as always.

Comprising of the standard format from Music is Love with includes 3 tasty originals paired with a killer remix. The crew deliver just that.

Crash Gordon opens the vinyl with a BANG. It's off kilter groove is an instant head nodder and super infectious. Oli always pushing the boundaries with his production and with this we get a nice display of his skills, bringing out the tone and life in the sounds. Bodyjack has the task of remixing Crash Gordon and steers the off kilter track into much heavier territory. Something Bodyjack does so well, heavy and rolling whilst keeping you firmly locked in.

The B side opens with a big party track entitled Big booty girls, a track ready to make any party lose their Sh*t. Heavy machine drum grooves as are often found on the Music is love boss's tracks and yet again they are central here, a heavily distorted 707 cowbell driving the frenzy is the most notable. Killer stuff.

To round up the ep we find the track 64. This is a continuation of the party vibes of the B1 but done in a very different style. Here we find the vibes of late 80's Miami, Booty shaking 808 drum patterns and funky ass loops. Staples of Mr. Furness's Sound.

June 2018, Amsterdam, NL: 12 months ago we concluded a series of experiments with a test subject named Ben Penn. A year on, we decided to repeat this experiment at his Tilburg base. Once again, the results were starting.
After being provided with a sizeable dose of an enhanced and notably stronger derivative of 4-Ho Met (codenamed ST011), Penn not only reported intense hallucinations but also enhanced music production capabilities. With the aid of electronic instruments and hardware, he worked quickly, producing both his trademark “higher level inter-dimensional funk” and compositions that defied our previous expectations.
During the early stages of his ST011 experience, Penn completely ignored the provided Rhythm Composer and instead crafted a colourful, humid, jazzy and beat-free track entitled “Nix”, which boasted loose and fluid synthesizer motifs. As his hallucinatory experience intensified, Penn giddily tapped out tropical rhythms on the provided beat-making device, smothering them in alien electronics and sticky melodies. When we asked what this devilishly good cut was called, he simply replied: “Not Important”.
As the test went on and the most intense symptoms died down, Penn was much like his old self. Before the ST011 wore off completely, he was able to finish two examples of his trademark “inter-dimensional funk”: the skewed, introspective, bassline-driven wooziness of “Ben” and the mazy, kaleidoscopic goodness of “People”. The latter composition was particularly potent and ear pleasing, suggesting that his ST011 experience had finished on an intense high.

Cover close to NM

Luv Jam, Maxim Lany, Katorski, Scott Ferguson are the peeps doing good here!

Vinyl close to VG+

Label cover.

Continuing their quest to unearth deep house gems new and old, Vibes & Pepper introduce the world to Manuel Keyz with a killer four-track workout that makes all the classic moves. The strings and keys come in seductive, nocturnal arrangements, while the snippets of vocal come from true soul divas, all atop of bumping garage house funk. The tune that stands out to our ears is "Orange Love", replete with sexy saxophone fit for Lil Louis and dreamy key flourishes that give a considered and wistful tone to the track, but really there's plenty to work with on all four corners of this EP.

close to NM

Record is close to NM.

Stamped White Label.
Sticker on label.

Cover with beginning of seam split on top spine

Writing on label sticker.

White vinyl. Cover with seam split and creases