Search "lunice+one+hunned" 71 Items

Very close to NM. White label, stickered.

2020 reissue.

Sit down in your comfiest jawn, strap those noise-cancelling jawns on and prepare for those jawns in your eye sockets to tumble out your head when you hear this collection of thumping jawns whipped up by Philadelphia’s BPMF. One half of legendary electro duo Synapse with John Selway (who he co-runs the equally-esteemed Serotonin imprint with), BPMF has been churning out no-nonsense electro smangers and experimental techno since the early 90s. Currently he holds the title of Eastern Pennsylvania’s premier live-PA electro dad while also running his own label, Schmer. Various Jawns is exactly that; four varied jawns packed on one plate. ‘Tell Mommy Bye’ is an electro ripper in the true American lineage while ‘Trunq’ and ‘J’pn’ are lighter, more noodling affairs. This plate’s entrée, ‘House of Jawn’, is a fourteen-minute knob-twiddling trip through the twisted fever dream of a raver long past. Thankfully our esteemed producer has given us a respite from the beatdown about halfway through. Drop the needle there to start the adventure at the Lower House of Jawn if brevity is your thing, man.

Repress.

Sealed copy.
Cover corners slightly dented.

Curtis Electronix follows up on Cem3340 - Suburbs Disorder LP with a master from the Motor City. Dj Nasty aka Detroit's Filthiest is one of the original creators of the Ghettotech sound in the early 90's. 4 tracks made of dirty bass, soulful strings and hi speed 808 patterns. If you don't know what ghetto style is by now, he will break it down for you.

Writing on label sticker.

From the harsh shores of Gothenburg, Sweden, the mysterious industrial/EBM lady BodyKarin emerges, ending up in Berlin together with Cynthia Stern to change the concept of techno insanity. Together they have created Facket Strejkar and this is their first own release, preceded by the collaboration with Subhead and Dave Tarrida on Subhead Xtras003. No one really knows what genres Facket Strejkar belongs in. Is it techno? Electronic body music? Industrial? Or just complete senselessness? Prepare to twitch.

Cover has a small cut on the front-upper left corner, otherwise NM.

Vinyl with a couple of light scuffs

Picture Disc Edition.
Includes original inner sleeve with seam spits.

In thin cardboard slipcase.

Vinyl with scuffs and hairlines

Vinyl close to VG+

New album from one of the big legendary Detroit producers. Aesthete is a warm journey into deep timeless electronix sounds, highly recommended!

Still in shrink but opened with hype sticker. tiny wear. Limited edition.

Label cover.

Sealed copy!

Cover with a small tear on top spine. Still in shrink, but opened

Vinyl with a couple of light scuffs, closer to VG+. 2 Black labels, on some copies one label is written with a marker "Instruments Of Darkness'' (not on this copy).

Record is close to VG+.

Generic label cover

Cracked corners. 1998 repress.

Vinyl close to VG+

This is a limited edition of approximately 300 copies on 140 grams black vinyl plus 6 unreleased bonus tracks and a UV laminated outer sleeve. As part of the emerging alternative rock/post-punk movement, Proxies was formed around 1978-79 in Thessaloniki, Greece, by Dimitrios Bitzenis (guitar), Jiannis Nastas (bass), George Pavlidis (lead singer), Manolis Trihakis (keyboards), and Lazaros Pliampas (drums). This formation got very well known locally by playing covers of Roxy Music, Talking Heads, Magazine, Devo, Television, Stranglers and other New wave bands. When Pavlidis left Greece, Nastas also left Proxies to form his own band, thus leaving Bitzenis behind as the new lead singer, guitarist and synth player, Trihakis on synth and bass, and with Pliampas still on acoustic drums. That formation almost got an contract with EMI but Xristos Vatseris (RIP), owner of the independent Thessaloniki based record company CVR, took Proxies under his wings so that they could keep control over their work. Eventually – in 1983 – their debut album “Groovin’ over Beirut“ was released, recorded at the CVR studio together with engineer Kostas Kosmatopoulos (RIP). Bitzenis and Trihakis then went to the UK to study and almost got signed to Virgin Records who loved their music. Unfortunately they had to return to Greece to do their military service and the dream was over. In 1984, Pliampas left the band and the second album “Eastern Side of Love“ was released. It featured a cover of the traditional Greek song “Fishing Boat“ which became a huge hit and made Proxies a well-known name all over Greece. Trihakis eventually left the group due to not agreeing to the musical direction Proxies was about to pursue. In 1991, Bitzenis released a new album together with his cousin Nikos Bitzenis (who later formed the band Mikro and co-founder of Undo Records), and a final album together with Marina Jele in 1994 before Proxies went quiet. This re-issue features a bonus LP with six previously unreleased tracks recorded between 1982 and 1985.

Limited Edition.
180 g black DMM cut vinyl.
Includes postcards and poster.

This release is limited to 350 copies on 180 g black DMM cut vinyl in a high gloss gatefold sleeve with 3 postcards (signed), poster, and sticker. “Electric sound-waves that pulse through our sleep …and our dreams”. Quieter Than Spiders release their long-awaited debut album Signs of Life. The Chinese-Anglo band was formed in Shanghai in 2012 and has been quietly rising to prominence among the electronic music community with what the group self-styles as ‘Shanghai Synthpop’. Online music magazine The Electricity Club included Quieter Than Spiders in a list of their favourite new artists and described them as “What OMD would sound like if they formed in the 21st Century”. The album was recorded in both Shanghai and the UK and was mastered in Germany by Stefan Bornhorst (aka The Silicon Scientist). The group did not use a formal recording space which gave them the opportunity to experiment. “We used minimal equipment which gave us the opportunity to record songs in a variety of places. We even recorded parts in an old deserted Shanghai building earmarked for demolition, and in an overgrown tunnel that we found deep in the English countryside”.

Sticker on cover.

white label copy. Writing on label sticker.

Blue vinyl

Blue vinyl

Taking the baton from MW for the second volume of Casting Shadows we invite The Hague mainstay, Intergalactic Gary, to let us peep into his crate of secret gems. A true music archaeologist and one of the leading lights of the Netherlands’ West Coast scene for over 30 years, his knowledge spans across genres and decades. Opening proceedings on the A side, we go back to one of Andrea Benedetti’s acid classics – this time revisited at 33rpm, morphing it into a slow-burning dancefloor grinder. On the B-side, Italo disco duo GAG get a re-airing of their lost classic Flyin’ Bolero. Quad, the UK duo formed by Mark Carroll and Pete Diggens, closes the EP with a deep breakbeat excursion originally released on Kinetix.

Cover with tear and writing on the front, light ring wear.

Delsin turns its attention to the archives of one of the great early pioneers of Dutch techno - Eevo Lute Muzique. The label was founded in 1991 by Wladimir Manshanden and Stefan Robbers (who was already recording seminal early techno records as Terrace for Djax-Up-Beats). Channeling the inspiration of the Detroit originators and mixing it up with their own synth pop and new wave influences, Manshanden and Robbers (adopting the Florence alias) forged a bold aesthetic with Eevo Lute, both musically and visually. This was an early iteration of techno as listening music, with an emphasis on expression and narrative over dancefloor functionality, helped in no small part by Manshanden's striking poetry. This double set of remastered, reissued tracks gathers together the earliest Florence and Wladimir M. material, largely recorded between 1991 and 1994, across five discs - the definitive document of a treasured piece of Dutch techno history. Comes with inlay and liner notes by Oliver Warwick.