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Tranceland
V.A.
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Walls And Pals
ZYX Music
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2023
1993
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Search "asics"
Tranceland - Alice In Fashionland
Tranceland
Alice In Fashionland
12" | 1993 | DE | Original (ZYX Music)
3,49 €* 4,99 € -30%
Release: 1993 / DE – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
V.A. - Pals Fm: Floor Materials Volume 2
V.A.
Pals Fm: Floor Materials Volume 2
12" | 2023 | EU | Original (Walls And Pals)
20,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
[Pals FM: Floor Materials Vol.2] is the second dance music compilation from Walls AND Pals. The aim is to share various ideas of dance floors instead of lingering on a certain genre or style, and while being DJ Friendly, it also serves as an exchange ground where production techniques of artists co-exist. All four tracks in [Vol.2] correspond with the common purpose of bringing out ‘Floor Materials’, keeping distinct identity from each musician. In ‘Cofrica’, rapper and producer Simo of Y2k92 injects his long-time affection of Detroit flavor into a minimalistic form. Conversely, Dott from the Thai label More Rice brings intricate and complex rhythms centered around the step sequencer in ‘Antibody Movement’, walking a fine line between House and Techno while the essence of Tech House is preserved . And in ‘Pump It Up’, Acidwork demonstrates what the outcome would be when Electro runs through digital instruments and samplers. Last but not least, Seo John, who put out his first EP [dive] last year from the label Goddezz, follows up with ‘miQro’, creating a different side of Trance that is more adequate for clubs or concrete spaces rather than outdoor raves or festivals. In the same manner with the preceding release [Pals FM: Floor Materials Vol.1], [Vol.2] is a compilation executed by fellow Asian musicians across the region. Beyond the reopened borders, and just like the excitement and stimulus at unusual events, this compilation serves to contribute to the dancefloor as an interesting ‘Material’ than simply as a ‘Tool’.
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