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White Label.
Includes insert.

Label cover.

The first trip on Hardline's forest living, free party going, gary loving cousin Body High. Transcendent sound system music from Melbourne's Sedgwick. 5 spacey wafters that'll make you wish you were in a forest, in a field, on a beach or on a dance floor with your eyes closed swaying about.

Hand numbered limited edition. Writing and sticker on label sticker.

Edition of 500. Includes insert.

It's been a true pleasure but also a rather chaotic experience to follow the progress of Blod from a close distance since the beginning. I have fond memories of receiving the odd cassettes from the early days, like the severely fucked up Unga Röster (later issued as an LP on Förlag För Fri Musik) and the awfully mesmerising Prat Om Depression recording. Returning to Leendet Från Helvetet for the first time for long a while, it's quite evident that the album marked a new phase in the troubled Blod universe. There's few traces left of the found tapes/audial voyeurism and brutish stop/rec editing that made up the first few releases, instead we are served with what is pretty much a proper album in a, sort of, traditional sense.

The record opens with a sole beat from a hand drum soon accompanied by a beautiful and very Blod-ish subtle melody from a glockenspiel but it only takes a few minutes before Gustaf's past as a free jazz aficionado is noticeable with the rather rough saxophone burst of 'Natten'. It's not until the title track that things kicks off for real though, most likely the first example of the sound and, maybe more so, very special feeling that I would say most people associate Blod with nowadays. To me, it's the sound of growing up in Sweden in the 80's; having two channels on the TV, eating brown food, rainy summers, taping commercial stuff on the radio, playing D&D in a purple tent in the garden. Memories of that certain bright light that can occur during the Scandinavian summers, those warm days when the skies are foggy. Long windswept grass and a very peculiar feeling of utter boredom. Arguably, Blod has never sounded more Blod than on this track, this is the very essence of the man's work right here. The progamm continues on side B with the solemn piano piece 'Lust', another saxophone rager and then the flipside's centrepiece 'Tro, Hopp & Kärlek' which pretty much mirrors the title track in it's larger-than-life scope and pure beauty.

2024 is the year that saw iconic trance-act 2 FLYING STONES resurrect.
Early trance with a capital T
Remixed by trance GRANDmasters M.I.K.E. PUSH and NICO PARISI.

This is without a doubt the hottest group of the year in its genre. Every release is sold out in hours.
2 Flying Stones have gained a massive fanbase in the past 30 years thanks to their iconic hits MAYBE TOMORROW, NUCLEAR JESUS IN PARADISE OF LOVE and A GREAT DAY.

2 of these classics have been remixed by none the less than M.I.K.E. PUSH (known from his classics THE LEGACY, TRANZY STATE OF MIND and UNIVERSAL NATION) and NICO PARISI, one of the biggest names in the Benelux underground trance-scene, part of Aqualord and original author of the 2023 monsterhit METRO (covered by Mau P & Kevin De Vries)

For the fifth release of Organic Signs, we pay tribute once again, in an even more special way, to our beloved Digitalis, aka Seb Taylor. Two years ago, we launched the first EP of our label, Digitalis - Soma Junkies, recovering a gem from the British artist. This time, we wanted to go further by presenting a new album concept with impeccable sound, thanks to the mastering by Damian Schwartz. Comprising both released tracks and some unreleased material, The Fourth State serves as a tribute and evolution of Digitalis's only album released in 1998, reminding us of the urgent need to remain vigilant against the most insidious powers of social control.

Spacehop, the starting point. In 1994, after hearing a demo tape, Andy Guthrie (aka 100th Monkey / Funkopath) connected Digitalis with the team of the Spacehopper party at the Que Club in Birmingham. There, Digitalis quickly became a resident, dazzling audiences with his live sets. A premature first track from the early days of his career was never officially released, but many had the chance to enjoy it live on numerous memorable nights.

In Loup Garou, the exquisite taste and mastery of breakbeat rhythms manifest. It's an explosion of rhythm interwoven with trance patterns, and you can also listen to an unreleased digital version, exclusive to Bandcamp. Closing the first side of the record is Repeater, the first track ever released by Digitalis, which laid the foundations for his distinctive sound.One of the most surprising parts of the album unfolds on the B side. Just as we had finalized the selection of tracks, Seb surprised us with a message revealing that he had found old tapes.

This led to a collaboration with Hugh Newman, rich with influences from his alias Shakta, featuring vocal and acid synths that open the portal to a new dimension of auditory frequencies. Osho Drums combines live percussion from Osho, half of the Japanese group UNI, with psychedelic trance riffs and breakbeat rhythms that intertwine without relying on typical formulas.

Figments Of Reality (Trance Mix) would bring the vinyl album to a close, featuring nearly 146 BPM of trance and synth sounds that resonate like thrown objects falling from the sky, landing on the rhythmic grill.

As a final addition to the release, we also present Genetics, a digital exclusive track, another unreleased gem from his early days that deserved to come out of the vault of memories.

Contemporary dancefloor oriented production's by Milan's Joseph Tagliabue featuring top class trance influenced electronic landscapes. Tagliabue’s impeccable groove and sound design combines avant-garde techno and trance aural textures. He arrives on Sound Metaphors’ Bless You label with four new pieces which mark once again his out-of-the-box music approach. A mix of ancestral weaves of Profonda Pulsione, unsettling atmospherics of Plasma and dense hypnotism of Medusa, Onda Sotto’s dominated by enveloping rhythms and transcendental atmosphere. Layered tracks that flowing over alternating cycles, theEP forms a collection of heavy sounds programmed for releasing deep unconscious pulsions and responding to the violence of the world, though not necessarily rationally.