Search "twit+one" 120 Items

For the fifth release of Organic Signs, we pay tribute once again, in an even more special way, to our beloved Digitalis, aka Seb Taylor. Two years ago, we launched the first EP of our label, Digitalis - Soma Junkies, recovering a gem from the British artist. This time, we wanted to go further by presenting a new album concept with impeccable sound, thanks to the mastering by Damian Schwartz. Comprising both released tracks and some unreleased material, The Fourth State serves as a tribute and evolution of Digitalis's only album released in 1998, reminding us of the urgent need to remain vigilant against the most insidious powers of social control.

Spacehop, the starting point. In 1994, after hearing a demo tape, Andy Guthrie (aka 100th Monkey / Funkopath) connected Digitalis with the team of the Spacehopper party at the Que Club in Birmingham. There, Digitalis quickly became a resident, dazzling audiences with his live sets. A premature first track from the early days of his career was never officially released, but many had the chance to enjoy it live on numerous memorable nights.

In Loup Garou, the exquisite taste and mastery of breakbeat rhythms manifest. It's an explosion of rhythm interwoven with trance patterns, and you can also listen to an unreleased digital version, exclusive to Bandcamp. Closing the first side of the record is Repeater, the first track ever released by Digitalis, which laid the foundations for his distinctive sound.One of the most surprising parts of the album unfolds on the B side. Just as we had finalized the selection of tracks, Seb surprised us with a message revealing that he had found old tapes.

This led to a collaboration with Hugh Newman, rich with influences from his alias Shakta, featuring vocal and acid synths that open the portal to a new dimension of auditory frequencies. Osho Drums combines live percussion from Osho, half of the Japanese group UNI, with psychedelic trance riffs and breakbeat rhythms that intertwine without relying on typical formulas.

Figments Of Reality (Trance Mix) would bring the vinyl album to a close, featuring nearly 146 BPM of trance and synth sounds that resonate like thrown objects falling from the sky, landing on the rhythmic grill.

As a final addition to the release, we also present Genetics, a digital exclusive track, another unreleased gem from his early days that deserved to come out of the vault of memories.

The third edition of our 2xLP Suntrip Classix series is now available! We chose the name Gaia for this one. And as usual, it has a reason. The front picture is made on earth (or Gaia). And its not just earth, it is the beach of ZNA festival. On this soil we celebrated the music and our life so deeply. We are lucky beings to live on such a wonderful planet so the Gaia artwork is a tribute to our mother earth!

The photography was made by Simeon Van Der Hoeven and the people on the cover are all volunteer on the festival itself! :) And the music? Well, the name Suntrip Classix says exactly where this is all about. 8 of our most acclaimed, wanted and loved tracks, finally available on vinyl :)

Vinyl with many scuffs and hairlines

Trance Pandemic is back with new full cover EP - masterpiece of Dima Phase designer.

The musicians' solo sound is changing, they continue to search for themselves, thereby releasing without losing the atmosphere and drive in their music.

Komponente takes its rhythm from 707 drum machines and 80s synths, adds a TB 303 and wraps it in long pad melodies in Boston Dynamics.

In Acid Explorer, he builds electro-trance with the sound of a nuclear siren using Elektron machines and packs everything into his favorite voice presets from Korg. New and old music technologies are intertwined into one whole, giving birth to new sounds from the late 20th and early 21st centuries.

Kurilo continues to work with modern sound machines, drawing on the best and creating a smooth, even groove.

If you like trance synthesizers, mysterious melodies, then your choice is Eating Raoul, nothing more, a sound inspired by the New York night where Evgeniy currently lives.

Not From New York carries a different trip, but no less atmospheric, deep bass and acid accents - everything you need for a dense sound on your sound system, be it a club or rave party or a home sound system or headphones.

In general, although the release is different, it is united in one thing: atmosphere and melody.

Twisted Utopia is jeku’s first solo release on Harmony. The EP is a funky and eclectic synthesis dedicated to rhythm lovers. Twister Utopia’s progressive roller weaves high-energy elements with a splash of sonic psychedelic textures.

Side A kicks off with “Rhythm Circuit” galactic, drum-driven tunes, followed by “Frantic Antics,” whose rich chord progression is paired with airy vocals and wiggly basslines.

On the B-side, “The Future” delivers prog-infused euphoria beat-matched to perfection. The EP is wrapped up with “Borealia,” a multi-layered symphony of transcendence and tempo shifts.

[ni:'o] is the final project for Neo Festen’s studies at the Conservatory of Amsterdam, marking a milestone in his musical journey. The five-track EP showcases a blend of energetic yet deep sounds, exploring emotional themes throughout.

"Test Run 4 U," a standout track, carries a long expressive story, while "Protocol 1.625" is an fun experiment to the use of different time signatures.

[ni:'o], Introduces the listener to his personal and approach to dance music.

While this EP closes one chapter, this is just the beginning.

Another banger from the golden era of 2 FLYING STONES.
"MAYBE TOMORROW", is 2 FLYING STONES’ signature track. It was remixed by NICO PARISI earlier this year and now has been remodelled by one of the biggest names from the North-of-France-Scene from the same era: LA BUSH TEAM.
Original vinyls from LA BUSH TEAM are for sale on 2nd hand-sites for over 200€, and they are rare, that combined with the hype surrounding 2 FLYING STONES, makes this release a no-brainer….

Another banger from the golden era of 2 FLYING STONES.
"KALYPSIA" is in the same league of the classic anthems "MAYBE TOMORROW", "NUCLEAR JESUS IN PARADISE OF LOVE" and "ANALOG SIGNAL."
This 2024 rework of the 1996-original follows up the highly wanted onesiders "MAYBE TOMORROW (NICO PARISI REMIX)", "A GREAT DAY (PUSH REMIX)" and will without a doubt be one of the most-wanted items of 2024’s fall.

2024 is the year that saw iconic trance-act 2 FLYING STONES resurrect.
Early trance with a capital T
Remixed by trance GRANDmasters M.I.K.E. PUSH and NICO PARISI.

This is without a doubt the hottest group of the year in its genre. Every release is sold out in hours.
2 Flying Stones have gained a massive fanbase in the past 30 years thanks to their iconic hits MAYBE TOMORROW, NUCLEAR JESUS IN PARADISE OF LOVE and A GREAT DAY.

2 of these classics have been remixed by none the less than M.I.K.E. PUSH (known from his classics THE LEGACY, TRANZY STATE OF MIND and UNIVERSAL NATION) and NICO PARISI, one of the biggest names in the Benelux underground trance-scene, part of Aqualord and original author of the 2023 monsterhit METRO (covered by Mau P & Kevin De Vries)

Picture Disc

Writing on label.

Evasione Digitale once again teams up with Italian techno legend Marco Bellini, an iconic figure in the vibrant Italian club scene of the ‘90s, renowned for his residencies in clubs like Aida and Area City in the northeast region of the Mediterranean peninsula. An extravagant and hypnotic character, he also became famous for his clamorous peak time drive-ins into the clubs on his Harley Davidson. Bellini, aside from djing at infinite nights and afterhours, produced a bunch of records, including one of his best collabs with the late Alberto Bertapelle on Mammut Records. Their partnership contributed to the label's unique style with distinctive dark arpeggiated basslines, metallic drum breaks, and dubbed-out excursions. We are glad to present the second split EP that explores the sound of Marco Bellini on Mammut Records. Carefully remastered by Manmade Mastering, they’re now ready to hit the dancefloors again.

close to NM

1992 was a wild year. For planet earth. For humanity. People desired for escapism, and some producers just had the jive they yearned for. Endless kick drum excitement under a roof of strings. Up there in clap heaven, the chords fly candid, and all that hi-hat suspense fashions bliss. These dancers met an angel, circulating eternally towards the strobe. Oh, how they wished all that trance never ends in 1993, when CJ Bolland, one of the most influential and successful producers Belgium created in the nineties, dropped “Camargue”. An instant trance techno classic. Atemporal, abnormal, amoral. Raved together with British producer Cisco Ferreira for Belgium’s finest R&S records. Both worked on many sensual club music artworks together. Like “Tokyo”, the B-Site with an A-Note. Tripping fast, more hi-hat ecstasy, techno kicks, somewhere Goa is in there. Those where the 1990ees. Those days in fast pace. Blissed with trance of techno glam.

Writing on label.
Small sticker on back cover.

CRUDE’s second record release features one of the most promising artists from the underground music world - DJ RAT. Hailing from the American Pacific Northwest, DJ RAT’s signature sound is characterised by an eccentric, distinguishing and uncompromising approach - seamlessly blending intense, arcane and mystical elements in order to create a captivating experience. Side A kicks in with Nocturne, the EP’s leading track that guides the listener into a veil of mystery with its enigmatic melody and its pulsating basslines that gradually build intensity while maintaining an underlying sense of tranquillity. Hexosphere’s rhythm is edgy and straightforward with a trippy nature. There’s an ever-evolving dynamic throughout the four tracks, alternating between driving rhythms and moments of serene psychedelia - exploring the duality of light and dark and evoking a feeling of introspection. The B-side takes off with Corridor, an oscillating tension-builder. Corridor’s distorted synths and glitchy effects cascade over pounding drums, creating a chaotic yet mesmerising soundscape. Telepathic Climax weaves in and out with shimmering and alluring shifts that add depth and dimension to the track. Atmospheric and trippy textures create a sense of space and immersion throughout the journey of the EP - with illuminating elements piercing through the darkness.

Evasione Digitale once again teams up with Italian techno legend Marco Bellini, an iconic figure in the vibrant Italian club scene of the ‘90s, renowned for his residencies in clubs like Aida and Area City in the northeast region of the Mediterranean peninsula. An extravagant and hypnotic character, he also became famous for his clamorous peak time drive-ins into the clubs on his Harley Davidson. Bellini, aside from djing at infinite nights and afterhours, produced a bunch of records, including one of his best collabs with the late Alberto Bertapelle on Mammut Records. Their partnership contributed to the label's unique style with distinctive dark arpeggiated basslines, metallic drum breaks, and dubbed-out excursions. We are glad to present the first of two split EPs that explore the sound of Marco Bellini on Mammut Records. Carefully remastered by Manmade Mastering, they’re now ready to hit the dancefloors again.

For its second release, System of Objects is proud to welcome another British artist: Graham Dowdal aka Gagarin and his debut eponymous album. This 90s ambient techno hidden gem was released as a CD on Graham’s own imprint, Geo Records, in 1997. The album is on par with the genre’s masterpieces such as Sun Electric, Sandoz and Locust, and truly showcases Gagarin ingenious work. Here he explores a wide range of tempos from dark trance-infused techno to melodic ambient bliss, and lush intricate downtempo to intelligent extraterrestrial jungle. This is really a one of a kind discovery, albums like this don’t pop up every day.

A group of friends go sailing and one disappears. The others start
searching for her. But it gradually becomes apparent that she won’t
be found. So the friends return home one by one. Only the missing
girl’s lover and her best friend remain.They have begun an affair.
As the lovers come together the girl’s disappearance is all but
forgotten.

From Michelangelo Antonioni — “Auteur of eerie angst”
(L’Avventura) by Richard Skinner from Vade Mecum Essays,
Reviews & Interviews (Zero books, 2015).

Price tag.

Italian Progressive Trance Holy Grail! “Fabula”, one of the most sought after dance rarities of the 90s, gets the reissue treatment via Ultimo Tango - romantic strings, quirky acid riffs, blissful pads, sharp kicks - a beautiful, timeless fantasy awaits!

Spray retires the eponymously, to instead seek Punctuality; a new label for ‘dastard club elegies in the dark’ hosted by the maestro himself. Blu:sh clocks in to provide the imprint’s inaugural extended player with U is for U and me, a pentagonal suite of nocturnal seductions for ‘U’, our dear listener, from ‘he’, its rosy-cheeked conductor.

B is for Blu:sh (sometimes Benoit B and Terra Utopia), a froward node in the artist’s trilateral soul whose previous charm offensives for Roza Terenzi’s Step Ball Chain and Rey Colino’s Kalahari Oyster Cult under the alias signalled the arrival of a new challenger to the ‘hits parade’. U is for U and me provides distinct variations on the theme of ‘club allure’, five tracks of sparkling body music that captivate in its relentless drive for kinetic salvation.

“A quick glance at the watch, and they’re off!”
AM PM strikes first more night than day, its throbbing bass line locks shoulders with precision rhythms within its psychedelic landscape. Whirlwind Mindsets is sassier, opting for more bump while the track’s aural mesh is grazed by sharp textures of live wires and melodious bleeps.

“... and they get back under way!” Magnetized Your Soul soundtracks the self-actualisation of sonic sophistication, applying the rave pressure with a current of discordant pads and haunted vocals bound by twisted attraction. Pixelated Pleasure Dome is pure sleaze, a wiggle-fested romp of leering subs and thunderous groove of pure self indulgence. High In Cloud City offers the finale of heads-down speedy exuberance with faint breaks and non-stomp pump right up until curtain call.

Written & Produced By Blu:sh
Mastering & Cut: Marco Pellegrino Distributor: One Eye Witness Artwork: Lucia Dominguez Release Text: Nevan Jio

Another EP from the vaults of West Coast rave scene specialists, Michael Kandel and Tom Chasteen. A side has two versions of a fast passed dancefloor oriented production tactfully presenting woven layers of rhythmic elements underneath dubbed out effects, “Crazy Jane” possibly channeling moments of Debbie Harris' “Heart of Glass” on LSD. B side gets more aggressive on many levels with a bit of a downtempo Gabber feel to it, raging synths and generous cymbal action all around, 3 versions, one of them featuring samples from Jimmy Stewart's 1946 monologue in “It's A Wonderful Life”, another one with very non-western elements mixed in, and finally Juan Ramos bringing a very dancefloor friendly version with a slight Euro-Dance late Hi-NRG edge to it. "Recorded in Heaven".

Price tag.

Air Kraft Vision was a unique live act renowned during the late '90s and early '2000s for their live sets performed at the finest Tuscan clubs like Jaiss, Imperiale, Insomnia and the infamous open-air afterparty, The West. The group was composed by Francesco Passantino, Davide Cali and Roberto Bonini (Robo). The peculiarity of AKV was to replicate the spontaneity of studio live sessions in clubs, bringing almost all their machines and hardwares on stage. The same attitude was reflected in their productions: one mixer, rough analog sounds and three minds perfectly synchronized with each other. Evasione Digitale is proud to reissue "Wavy Gravity”, originally released in 2001, a totally refreshing approach to Italian progressive music.

Ships in a label sleeve.

A new type of sound from uhinged live-performer and a one-woman fun tribunal. It's glossy, noisy, raw, futuristic, sensual, frivolous, dark, wonky, slow and fast alike - yet in all those variations, rather suited for bigger PAs. Tracks on Cracked, serving assorted sweets make heaven utilize pummeling yet unequal kickdrums and vary in tempo.

Side A turns risky breaks into an oddly enjoyable experience while the tracks on B flip trance motifs into rather serious, darker futuristic ride. Isabella's work also happens to be a link between Rhode Island's noise scene & pranksters from Börft Records, Herrensauna's dancefloors and halls of Berklee College of Music where she lectures.

Official reissue of this techno classic by Desert Storm, one of the most important records from the early Soma catalogue, now repressed 30 years after the original release. Also including Psycho Drums remix.