Search "bruce+haack+remixes" 70 Items

few paper scuffs

Straight out of Tokyo, the illusive Guchon steps up for the next release on Feelings Worldwide.

One for the heads who like to stay up late and get down with their games consoles, the EP is packed with dance floor curveball material.

Super fun vibes throughout, a slab of Japanese bubblegum pop-house with some bonus breaks and a remix from cult hero Chrissy of Chicago Smartbar fame.

Southern Fried Record’s gargantuan 500th single ‘Role Model’ welcomed back label head Fatboy Slim to the delight of fans around the world. After bonding on a South American tour, Norman Cook asked Parisian DJ,producer, multi-instrumentalist and label owner, Chloe Caillet, to remix Role Model, and she has delivered this monster!

Copenhagen's Asmus Odsat lands on Kora Sounds with three tracks of uplifting breakbeat weirdness, while he continues to explore the landscape between experimentation and functionality. On the B-side Sputnik One delivers a club ready remix of the original title track.

For the thirteenth instalment of the Swinging Flavors catalog, Beat Machine Records presents a gem of pure energy by the talented Kyoto-based producer Naco. Set to ignite dance floors worldwide, this release delivers an electrifying fusion of acid, techno, and breaks, with a rave-inspired twist.

Naco, known for his innovative approach to electronic music, defies convention with his genre-defying sound. Drawing inspiration from Bass, Breaks, and Electro, Naco creates a distinctive sonic landscape that captivates audiences worldwide. Since 2017, he has been at the forefront of the music scene, spearheading 85acid, a label dedicated to showcasing emerging talent from Japan and beyond.

"Wavefunk," the lead track on Swinging Flavors #13, is a testament to Naco's unparalleled creativity and sonic mastery. With its infectious rhythm and hypnotic melodies, the fast-paced percussion and minimal character of the release "Wavefunk" transport listeners to a dimension where the boundaries between genres blur and the energy is palpable.

But the journey doesn't end there. Swinging Flavors #13 also features a remix of "Wavefunk" by We Rob Rave. The Polish duo injects his fresh signature style into the track, taking it to new heights and delivering an unforgettable dance floor experience. Transforming it into a full club experience, increasing the beats, and immersing the listener in a rave-like atmosphere fueled by danceable rhythms and an acid edge that cuts through the dance floor.

Another surprise that comes with the latest Swinging Flavors is 'Pure Water,' exclusively on Bandcamp. Let yourself be carried away by the bouncing sounds that make up this Break-style track, closing an energetic and vibrant release.

Naco's music is really pushing the boundaries of electronic music, inspiring both listeners and fellow artists. With a solid track record and a strong commitment to musical innovation, Naco is definitely going to leave a mark on the global music scene.

Industrias94 is back at the frontline with 3 new rave hits, lovingly pressed on 12” vinyl. Pre-order and digital downloads available now on our Bandcamp.

Euphoria Jones represents a sonic journey towards the golden era of UK hardcore, filling our heads with catchy stabs that will stick with you for days, alongside heavy and distorted drum breaks. After some years mashing dance floors as a dubplate, we are very proud to finally announce its release in a special limited edition.

This record is brought to us by the Sevillian regent of breaks and bass, Hartta! Producer and DJ from Seville, who lived in Bristol for some years where he drank from the legendary local sounds and its soundsystem culture which shaped the current electronic music scene. Alongside Random Vestax, they manage the label-collective Dead Trax, releasing music and putting on iconic club nights featuring local artists and international bookings, some of them playing for the first time in Andalucía, such as Nikki Nair, Aloka or Interplanetary Criminal.

“Who said that the hardcore would die?” Thus yells out the sample in Midnight Eulogy, the second track of this record, which in itself is proof that this genre is more alive than ever. The evolution of 90s breaks crystalizes in this banger, containing all the classic sonic elements from the rave anthems we love, but creating a fresh piece by combining these elements with an idiosyncrasy unique in its species.

The B-side is completed by a radical and ruthless remix of the title track “Euphoria Jones”, by none other than our own Bazofia! From the Fontanal, he brings us an acidic and darker version taking us through an all-terrain 4x4 beat to a drop representing a truly electrifying slap to the face.

For the third label’s release, Clouzer returns to Distant Gaze with “Call of the Abyss,” a six-track EP featuring three originals alongside three remixes from acclaimed artists Damon Jee, Zakmina, and Berlin’s emerging talent, Zee Mon.

At the helm of the EP is Clouzer’s captivating journey, “Voices from the Abyss,” extraterrestrial echoes and pulsating broken beats, embarking on an exploration into the depths of the unknown. The EP’s second track emerges as a powerful stage presence, guided by the haunting vocals of Valentin Henning. Blurred and delayed textures immersing the listener in a mind-altering experience. Pulsating rave energy of “Perpetual” fuses cosmic elements, broken beats, and dark disco bassline, embodying Clouzer’s distinctive sonic identity.

Adding to the EP’s allure are three remixes, each offering a unique interpretation. Zee Mon’s rendition of “Perpetual” channels darkwave energy, infusing the track with an irresistible pulse, a primetime banger on vibing dance-floor. Damon Jee’s remix of “Stalactites” delivers his trademark full-throttle dance-floor oriented dark disco, elevating the EP to the next level of intensity. Finally, Zakmina’s broken beat journey serves as a beautiful sublime culmination of the EP, evoking the feeling of a perfect closing track for an enchanting morning DJ set.

Pclub019 serves as a reminder to always check demos. An instagram DM from AR:MG in Mexico City has proved to be one of the most vibrant records we've ever released.

Includes expert remixing courtesy of Radioactive Man and Sansibar.

¿Dónde está la fiesta?

For the 5th release, Mung Records presents a 12" vinyl Back EP by Denis Kostitsyn with a remix by Marco Pellegrino aka Ancut.

Denis Kostitsyn is a talented musician with an academic conservatory education behind him. In recent years, Denis maintained an active role in the thriving local music scene. His genuine innate feeling of sound contributes to his expeditious advance in electronic music production.

Moisk aka Pletnev & Fourmi Rouz delve into the depths of psychedelia soundscapes with their latest release “Tetris Life’’ on Terra Magica Rec. The duo skillfully balances modular sounds and shimmers through acid synthesizers with a wide range of psychedelic soundscapes from uptempo half-beat to raw, energetic techno trance, inviting you into a mesmerizing sci-fi universe. The EP features tracks like “Tetris Life” and “A Glass of Coke with Ice”, that explore underground ambient deserts and immersive jungle improvisations. This is followed by dark and slow breakbeat cuts that transition into faster-paced, floating atmospheric IDM tunes. The 12’’ contains many choppy old-school loops and uptempo trance breakdowns, as in “Orange Button’’ and “Wrong Stability”. Featuring two weird dub/IDM/breaks remixes by Anatolian Weapons and HSDJs X Listensport to round off the wax. Don’t sleep on it!
On the flip side, a group of eight remixers has united to deliver remixes for all the Club enthusiasts out there. Lipelis sets vinyl lovers on fire with his Dubby Disco Remix of “Salsa Bandida”, while MaSpaventi, Volta Cab, Los Pulpitos, and Hektisch Sprengen DJs bring their soulful and dubby trip-hop torch songs to the release. Prepare yourself for Grischerr & Heap’s glitchy and deconstructed industrial reggaeton remix of “Pájaro del desierto”, along with a powerful deconstructed club beatdown by Kobermann. Jacques Satre’s psychedelic stupdep remix adds the perfect finishing touch to the package.

The album’s B-side and some of the digital remixes occasionally pays homage to the influential sounds from the 1990s era, think Rockers Hi-Fi, K&D, Nightmares On Wax, and Warp, but with a fresh and bold twist that brings a super fat sound to the entire release. Dropping this October 2023 for an endless summer 4eva exclusively on vinyl.

Record has light scuffs.

South Korea various artists remix/edit from some korean stuff…

Step into Simplexia's new adventure, where Mood presents a journey that will take you to feel the freedom to play it making the dancefloor explode in pure ecstasy.

Crucial EP contains 3 original tracks and 2 remixes.

We love all tracks for his unique, whimsical sound: catchy melodies, House/Break-Beat/Electro drums, and an irresistible sense of party. Naux picks up the essence of ''Oblivion'' to transform it into a Bomba, bringing out its strong roots in French House.

Adrià transforms ''Electric Tribe'' into a mix very different from the original, making his Electro influence very present.

This release is a must have in your collection.

Aquasky are a trio that formed in Bournemouth in 1995, inspired by the likes of LTJ Bukem, DJ Krust and Roni Size. They were signed to Moving Shadow for a three-single deal by the strength of the first two tracks that they made together. But the label had a heavy release schedule back then, so it took 2 years for the 3 releases to come out. During that time though they wrote more music for R&S and Reinforced as well as untold remixes. These two tracks were written whilst signed to Moving Shadow but were not released at the time as drum and bass was progressing in style and tempo. So, they were put to DAT and forgotten about until 2015 when the band put out a 20 year compilation, finding the tracks on one of their many DAT tapes.

The music will take you right back to the mid-90’s when the music was deep and rolling and there were no hard and fat rules on how to make drum & bass.

This release has a close connection to Vinyl Fanatiks as the label is run by Brent from Aquasky.

Pressed by the mighty Phil ‘The Vinylman’ East on 180g heavyweight vinyl. This release is a bespoke product as no one record is the same. Designed to look like the planet Mars and part of a 4 vinyl Cosmik series.

Keep em rollin’

Originally released in 1993 on DJ Phantasy’s Liquid Wax label, it has now been repressed in conjunction with Vinyl Fanatiks on Colored Vinyl.

For this release Phantasy teams up with Lynnford Jones from Rufige Kru. In fact, neither of them remember doing these remixes back in the day until they spoke together about them and the memories came flooding back! These are remixes of a Liquid Aliens track previously released on Liquid Wax via Vinyl Fanatiks, but long since sold out.

As always with anything on Liquid Wax, these tracks are big club releases as Phantasy was testing them out at all the raves in the early 90’s. But Phantasy always has a trick up his sleeve that makes his music sound incredibly original and still fresh to this day, 31 years later!

Originally released in 1991 via their own Triple Helix Records, Automation brings us 'The Remixes' EP, featuring 4 tracks that have stood the test of time, bridging the gap between Hardcore, Breakbeat, and Techno. Reissued via MPS!

Questions will inevitably have to be asked here as to how / why Hooj have shamelessly broken the informal UN backed agreement to NOT Remix / RE Release C*f* D*L M*R, Ever Again. But after the Hooj Catalogue owners cajoled the old A +R team into a Hooj Electronic Orchestra album in 2021, the then up and coming Borai + Denham Audio were enlisted for remixes, and fast forward a couple of years, the Bristol duo are smashing it in 2023, and vinyl does indeed beckon. And with some justification it has to be said, as the Bristol duo took chunks of the original Wim Mertens melody and somehow still managed to drag it into new terrain, introducing rough breaks and hardcore sensibilities into proceedings, for the first time in the track's 30 + years journey. On the B - side, another star turn from the early 90's get's the BDA treatment, as Transformer 2's Fruit of Love get's a more polished/ musical approach on the Audio Redux mix ( though with no compromise on bottom end / beats dynamics) , and Borai contributes a rolling, percussive 4/4 dub.

This captivating new journey invites the listener to explore electro from every angle. You’ll find all the beauty of the original sound in Reedale Rise’s remix, with its distinctive sensibility. Daniel Anselmi’s remix will take you back to your first love : club culture !

Lab Music 4th is a solo Ep by Slak with a massive Answer Code Request remix, exploring the world of ambient rooted break-techno with a drum and bass excursion in the remix.

On the A side we find the first two tracks, Reflexion a club oriented break-techno track, combining dark ethereal textures with driving beats and sharp synths. Before Midnight, an elegant yet powerful gem with tribal reminiscences, Roland drums and light pads.

On the B side we have New Horizon, delivering melodic ambient rooted pads and the usual 909 broken beats. Furthermore we have a special drum and bass rooted remix of the same track from Answer Code Request, exploring Idm and d’n’b, combing dreamy moments with strong breakdowns.

Wncl Recordings is back with a series of 2-track 10” vinyl battle weapons for your record box.

South London badman Pepsi Slammer rounds off a bumper year for Wncl with this previously dubplate only affair, backed with a killer remix from Planet Wax cohort, Dexta

The second vinyl release by young, interdisciplinary Dresden label fragmented: is called fragmented:borders (FRAG:002) and features three original productions by fragmented: resident Random Data accompanied by a remix from Warning resident Mars Leder. It is composed of experimental breakbeats de

Stu Chapman is out hardcore hero from down under. Originally from the UK, he packed his bags and his records and moved to sunnier climes, but still has those raw UK flavours still pumping around his veins!

This is the first EP by Chapman on Amen Brother – his previous outings have been on his own Enormous Mouse imprint as well as Remix Records and Ars Musica Imprendere Vitah.

Chapman productions always have a more uplifting feel to them and these are four hardcore anthems to make the ground shake and those hands to reach up to the lazers!

Get tripping on these beats!

Fuse head honcho Enzo Siragusa drops his first EP of 2023 with the long-awaited release of ‘Laughing Tones’, backed by a remix from Subsequent boss Voigtmann.

It’s safe to say that every time Fuse founder Enzo Siragusa steps out on his home label with fresh music, it’s an event that carries a lot of attention and for a good reason. His last EP on the label ‘Dreamscape’ celebrated the imprint’s 50th EP release, while stand-out releases and records dating back to his very first on the imprint back in 2011 have continued to shape and evolve the label’s core identity, pushing the sound forwards while still bringing that trademark ‘Fuse aesthetic’. Returning to the label for his first release of the year, mid-July sees the renowned selector and producer unveil his latest EP ‘Laughing Tones’ as he uncovers a pair of heavily-requested productions that showcase his diverse production range backed by a driving remix from Voigtmann.

“While many people know about the influences I draw from jungle and hardcore, my sound has always been routed within house music. The inspiration behind ‘Laughing Tones’ comes from the house music from the late 90s; Mood II Swing, Inland Knights, the dubs and those deeper b-sides.. this record is a bit of a modern twist on that influential sound” - Enzo Siragusa.

A production drenched in rich melodies, title cut ‘Laughing Tones’ is a bright and lively production as the vibrant, sweeping leads and delicate chords meet a zigzagging, engrossing bassline and skippy percussion arrangements for a deep and bubbly trip through all hours of the night. Next, ‘Blossom’ enters the fray built around killer breaks and subtle low-end evolutions, all accented by jazzy tones and hazy textures, before Voigtmann’s vinyl-only remix of the title cut takes things into more off-kilter territories as eerie interludes, sharp hats, and cosmic tones take hold of things and dive deep into the early hours.

Following on from the success of his 'Muscle Memory EP' on Sherelle and Naina's Hooversound
Recordings and more recently the 'Phase Velocity EP' with Club Glow's Mani Festo, Drumskull
returns to the rave announcing the second release on his own label: Dream Machine.

A collaborative track developed from an initial sketch by South London rave instigator, DJ,
producer and head honcho of the Subsidance collective: Pressa, Dream Machine is an
unapologetic love letter to the all night party. Combining heavy breaks, driving sub bass, an
infectious chord melody, frenetic acid line and lush, soaring synth pad layers, Dream Machine
offers it's hand to pull you deep into the dance. Unashamedly euphoric in it's approach, Dream
Machine has been retooled for all dancefloors by breaks and bass heavyweights Borai and
Settle Down as well as Drumskull himself, reinventing the theme across the tempos ready for
deployment in a wide variety of DJ sets, radio shows and playlists.

Arriving on Friday 12th May 2023 in digital format and 12" vinyl, Pressa X Drumskull are here to
take you for a spin in their Dream Machine, climb inside.

Mastered by Beau at Ten Eight Seven

Artwork by Nuj Aside

After his woozy dark disco EP debut on Nein records, Clouzer returns with Lmntl, a fine collection boasting 4 massive tracks tailored for the “big room” stage. Listening to Clouzer’s cosmic textures, layered abstractions and futuristic soundscapes on Lmntl feels like connecting to an extraterrestrial world. The Berlin-based musician blends electro, broken beats and dirty bass lines, creating immersive and hypnotic environments for people to dwell in. The EP also features a beautiful remix by Sestrica, one of the most vibrant and unique female live acts on the Breakbeat scene.

Bourassa is back and serving us a scorching new summer hit. This time, label boss Smolny doesn't hold back, unleashing a powerful holiday anthem titled "Need Love." If you're truly in dire need of some love, this track is definitely for you!

It starts off slowly and nostalgically, seasoned with a distinct amen break. The growing tension sends shivers down your spine, while a beautiful trance chord intertwines with a long pad in the background. Adding to the flavor is a twisted female vocal that seductively flirts with your senses. It all culminates in a euphoric experience, gradually building up to release the accumulated energy. Finally, everything explodes as a strong and expressive bass line hits you like a ton of bricks.

The following track "Running" takes a more tranquil approach, transporting us to a dreamy realm. Broken drums keep propelling us forward, never allowing us to pause. The melodic chord gracefully emerges, creating a chill atmosphere and setting the mood. After the breakdown, grooving bongos complete the picture.

The B-side features two fantastic remixes of the title track, "Need Love." The first one is a fierce breakbeat roller from Denham Audio. With its powerful bass and mesmerizing droplets cascading in the background, it creates a distinct hypnotic atmosphere. The change in bassline to the typical speed garage sound delivers an even more potent punch at the end.

The second remix is crafted by SLG, who flawlessly captures the sound of the '97s, creating a track in the progressive trance style from that era. A brilliantly composed bass line constantly propels the track forward, building tension alongside the melodic line. A real dance floor killer!

French electronic duo Baraka asked 7 artists they love to add their touch to their first self-titled EP. Big thank you to Blu:sh, Desire, Glen S, Mabel, Spray, Vel & Von Riu for their vision, talent and passion.

Stranger in Paradise. What a name and what a sound!
We fell in love by this remote mysterious producer and his infectious tracks… and the result is this out of nowhere EP.
In this fast forward way of living, Stranger in Paradise brings back a kind of euphoric nostalgia that is missing in our
dancing nights.
To make the choice harder, James Shinra and Jon Gurd capture Groovement's new member vibe and add their
distinctive remix treatment.

London based label and collective Cartulis Music announce their fifteenth release titled “Twilight Expanse” by New-York producer Ebeats. A reissue from the early noughties featuring a previously unreleased Ebeats cut plus two new remixes by the legendary Radioactive Man and Fold associate Voicedrone. The title track is one near and dear to the spirit of Cartulis – an emotive journey through hazy breakbeats, sirens from faraway lands, dramatic narratives battling through each other in a nine minute long piece of music. The rest of the record swings from club-ready techno grooves to various shades of electro – dark and dubby or bright and punchy.

Embarking on a thrilling sonic departure, Michael Claus resurfaces with “Dark Forest,” a 12″ EP that’s sure to incite movement on dance floors everywhere. Shifting away from the chill, down-tempo vibe of his previous release “Lavender Palace,” Claus dives headfirst into the realm of breakbeats, heavy synth lines, and distortion. The two original tracks, “Dark Forest” and “Paranoia,” bear witness to the innovative producer’s penchant for exploration, as he navigates the new BPM range and sound palette with fearless curiosity. Designed for the sub-heavy club sound systems, this EP is destined to reverberate with unbridled energy and intensity. As if the original tracks weren’t enough, the EP also boasts two outstanding remixes that add their own distinct flavor to the mix. Force Placement takes the reins with a jungle-inspired rework, infusing a groovy bass line that rolls beneath a vortex of mind-bending sound effects. This percussive adventure will undoubtedly captivate the senses, transporting dancers to an immersive world of rhythm and intrigue. Further enhancing the EP’s allure, Lara Sarkissian delivers a hazy and psychedelic remix, blending sub-heavy rhythms with mesmerizing sound design. This ethereal concoction showcases Sarkissian’s deft touch and mastery of her craft, as she seamlessly weaves together entrancing elements that complement Claus’ original vision. “Dark Forest” is a testament to Michael Claus’ ever-evolving artistry, and with these remixes, the EP promises to leave a lasting impression on all who dare to enter its enigmatic domain.

Dj Jedi delivers his first release on Burning Bush Communications - a 1992 style uplifting piano anthem on the A side and an exclusive remix by Pianoman of "Come On" on the Flip.

Vinyltrixta (who along with Jimmy J co-founded the Remix Records in Camden, London shop back in the mid 90s) - delivers a stomping 4 track EP in the 1992 breakbeat hardcore style on Return of The Vibe.

Ecstatic Editions is the new label by Eris Drew. Due to changes in the industry, the cost of production, and the wait times for manufacturing, the renowned vinyl-only deejay laments not having more of her favorite producers’ music on vinyl, so she decided to start a label for special vinyl editions, as well as archival releases. The first volume of Ecstatic Editions is an anthology of work previously unavailable on vinyl by the Xi’an-born and Toronto-based musician, Ciel. Her work was the impetus of the label because many of her amazing productions, collaborations and remixes have never been pressed to vinyl. As a producer, DJ, pianist and radio presenter, Ciel’s work is not only prolific and compelling, it involves an international network of individuals, labels, projects and artists; a musical meeting-place of positive intentions and creative interactions. This volume is needed not only because it makes these incredible original productions and remixes available to vinyl DJs, enthusiasts and collectors for the first time, but also because it tells a cohesive story, in a physical object, of an artist with a truly unique rhythmic, melodic and psychedelic style.

Included here are three tracks from The Trojan Horse EP, a track from Naive’s “No Justice No Peace” compilation and fund-raising effort, Ciel’s remix for the Stockholm-based band Off the Meds, a track by Psychedelic Budz (a collaboration between Ciel and fellow Canadian D. Tiffany), a track from the Montreal Bass Coast Music festival’s annual digital-only compilation titled 12 Days, a remix of Toronto's downtempo soul saviors, the electronic duo LAL, and Ciel’s remix for Japanese artist Cuushe, which originally came out digitally on Tokyo’s Flau.

Multidisciplinary artists Lex Rütten and Jana Kerima Stolzer alias A2iCE & BO3 are the faces behind Paryìa records’ fourth release – further manifesting Paryìa's role as a genre-bending entity while also expanding the artist’s respective portfolio. The debut EP Extracted Soil unites four enthralling tracks with broken beats and evocative percussions as the common denominator, including a remix by Mor Elian. With this release Paryìa brings together sound, art and physical elements, conceptually working around the artist's exhibitions, combining different formats and creating space to break out of conventions and experiment freely.

Gab002 sees Gimme A Break Records keep things local with a rowdy EP from Leeds-based DJ and producer Beerus. Over the last six months, Beerus has demonstrated his production power through two bodacious releases on Gunfinger Food’s new sub-label, Booty Frooty Records. Fusing UK styles including hardcore, acid and jungle with US staples such as electro, juke and footwork, Beerus has established a playful sound primed for the dancefloor.

Beerus’s “9000” EP opens with a hardcore weapon which combines rave stabs with Dragon Ball samples and an acid line threatening to spiral out of control at any given moment. “Play This Shit” sees the EP take a sensual turn as Beerus channels the sounds of Chicago with an enticing juke number. “Booty Acid” follows suit, offering up a particularly self-explanatory track title: luscious electro meets 303s. “Love4U” is Beerus’s love letter to the happy hardcore scene as a thumping 4x4 bassline collides with melancholic vocals and piano lunacy. Finally, Beerus rounds off Gab002 in style with the junglist mediation “DO U Want ME”.

Stones Taro returns to Scuffed with three new UK-tinged tracks, backed by a remix from Tim Reaper.

Artesian Sounds welcomes Cicada Ensemble to the label with his debut EP 'Murmuration Clip', featuring a remix from London-based producer Otik.
The title track is light and nimble, swelling with shimmering arps, weighty subs and no kick drum in sight. 'Kepler' layers intricate sound design with head-spinning breaks and an aggressive bassline. 'Buchla & C7' is a five minute epic, patiently building to its climax for almost half of the runtime - a true exercise in tension and restraint. Last but not least, Otik's remix of Kepler slows the original, combining dub infused atmosphere with driving percussion.

At the turn of the ‘90s, British dance music gave birth to two interconnected styles that put heavy sub-bass front and centre: bleep techno and breakbeat hardcore. Such was their popularity that the styles inspired countless imitations and mutations, both within the UK and far beyond.

This is the story told in a major new retrospective from Musique Pour La Danse, Bleeps, Breaks + Bass, a carefully curated and well-informed collection of rare and sought-after tracks from the early ‘90s selected by label founders Olivier Ducret and Bunkerheadz. Available on two limited-edition double LPs (each presented in heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl), compact disc and digital download, Bleeps, Breaks + Bass features artwork by legendary graphic designer Trevor Jackson and extensive liner notes from dance music historian Matt Anniss, author of the acclaimed book Join The Future: Bleep Techno and the Birth of British Bass Music.

A quick glance at the track listing will confirm the depth and variety of Bunkerheadz and Ducret’s selections, which largely sidestep celebrated anthems in favour of overlooked gems, deeper cuts and genuine rarities – all of which have been re-mastered by legendary bleep producer and engineer Rob Gordon (Forgemasters, Xon, co-founder of Warp Records) and half-speed mastered/cut by Sidney Meier at Emil Berliner.

Across the collection you’ll find lesser-celebrated gems from significant figures in the scene (Unique 3’s long-overlooked ‘Digicality’, rare tracks from 4 Hero side projects R-Solution and Tek9); surprise bass-heavy excursions from popular outfits of the period (A Man Called Adam, A Certain Ratio and The KLF’s ‘What Time Is Love’ as remixed by The Moody Boys); significant but frequently forgotten underground anthems (outings from Boneshakerz, Hypersonic, Ubik and Kcc); secret weapons (Three Sons, Heychild, Techno Excursion); and even a sub-heavy classic from Norwegian ambient legend Biosphere. It all adds up to a significant celebration of one of the most fertile periods in the development of dance music with bleeps, breaks and bass.

At the turn of the ‘90s, British dance music gave birth to two interconnected styles that put heavy sub-bass front and centre: bleep techno and breakbeat hardcore. Such was their popularity that the styles inspired countless imitations and mutations, both within the UK and far beyond.

This is the story told in a major new retrospective from Musique Pour La Danse, Bleeps, Breaks + Bass, a carefully curated and well-informed collection of rare and sought-after tracks from the early ‘90s selected by label founders Olivier Ducret and Bunkerheadz. Available on two limited-edition double LPs (each presented in heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl), compact disc and digital download, Bleeps, Breaks + Bass features artwork by legendary graphic designer Trevor Jackson and extensive liner notes from dance music historian Matt Anniss, author of the acclaimed book Join The Future: Bleep Techno and the Birth of British Bass Music.

A quick glance at the track listing will confirm the depth and variety of Bunkerheadz and Ducret’s selections, which largely sidestep celebrated anthems in favour of overlooked gems, deeper cuts and genuine rarities – all of which have been re-mastered by legendary bleep producer and engineer Rob Gordon (Forgemasters, Xon, co-founder of Warp Records) and half-speed mastered/cut by Sidney Meier at Emil Berliner.

Across the collection you’ll find lesser-celebrated gems from significant figures in the scene (Unique 3’s long-overlooked ‘Digicality’, rare tracks from 4 Hero side projects R-Solution and Tek9); surprise bass-heavy excursions from popular outfits of the period (A Man Called Adam, A Certain Ratio and The KLF’s ‘What Time Is Love’ as remixed by The Moody Boys); significant but frequently forgotten underground anthems (outings from Boneshakerz, Hypersonic, Ubik and Kcc); secret weapons (Three Sons, Heychild, Techno Excursion); and even a sub-heavy classic from Norwegian ambient legend Biosphere. It all adds up to a significant celebration of one of the most fertile periods in the development of dance music with bleeps, breaks and bass.

Raito, known for his work in the tech house genre and recordings on Deadmau5' Mau5trap, showcases his love for the UK bass scene with his latest EP, "Black Tracksuit." This collection of tracks draws on influences across the hardcore continuum, delivering a unique and genre-defying sound.

"Black Tracksuit" is a hard-edged mix of grime, jungle and UK garage with a UK influence that sets the tone for the EP. The A-side also features "Foresight," a psychedelic jungle track that constantly evolves, keeping listeners on their toes.

The B-side opens with "Junk Dog," a roughneck hardcore tune that harkens back to the sound of 1992. Rounding out the EP is a remix of "Junk Dog" by London-based producer Basic Rhythm. This straight up drum and bass track strips down the original and transforms it into a bass-heavy drum and bass stepper straight out of 1999.

After we have been rolling out three singles and two remixes, it’s time to present to you the full album by the Belgium duo Pelace, titled ‘Echoes’. The digital version drops October 7 and to make it even better, the album will appear on vinyl too at end the of 2022, which will be the first ever vinyl release on Infinite Depth. The album represents the energetic sound of Pelace (Jordy Cosemans & Janick Warnier), hailing from Hasselt. Besides being Pelace they are very good friends in life, which is playing big part in their tracks. They dug deep into their own experiences and emotions that have been influencing their lives and this resulted in the album. The careful composed collection of tracks forms a 10-track story of uncompromising breaks, deep and compelling melodies and beautiful repetitive vocals. The album starts off with ‘Trapped Forever’. An ambient intro to immediately show their characteristic raw and uplifting synthwork. When it stops it makes sure you want to carry on listening. After the intro, ‘Deep Sea Dreaming’ follows, through which they bring forward their strong breakbeats and firm basslines. Where ‘Deep Sea Dreaming’ is pretty low-key, the next one titled ‘Patterns’ is one of the more compelling tracks on the album. Long-stretched bass lines are forming a solid base, on top of which uplifting arps and pads are making this track very lively. The fourth track ‘Kali’ goes a bit deeper. The track was written and produced when there was the news that clubs were allowed to open in Belgium again. A hard 4×4 kick, raw percussion elements and a driven bass are the key elements. After this it goes through to ‘Forever Together’. This one is about always being Pelace together. It’s a break track with a suppressed, but also very special energy. ‘Break Ups’ represents the more calm and dreamy side of the album. The regular beat gets broken up by a breakbeat, after which it continues in its lo-fi focused four-the-floor pattern. Throughout the track harmonious pads are melting together with high pitched synths, giving you a hopeful and warm feeling. The main song ‘Echoes From The Past’ defines the signature sound of Pelace, a blend of all kinds of electronica. Broken beats, intertwining synths, an appealing repetitive vocal and a reese bass, combined to evoke intense moments on the dancefloor. The eighth track is called ‘Floating’ and refers to old-school no-nonsense electronica. A pulsing and stabby synth, a powerful jungle kick and the up-tempo rhythm are providing a powerful energy. ‘Pushing You Away’ brings us back to the duo’s characteristic drum parts and vocal use, but with a deeper lower part and a somewhat trancey and ravey higher part. Then the cooling-down begins in the form of the outro ‘I Won’t Hesitate’. A very hopeful end to this story told by Pelace.

After two remixes and a contribution to MT’s Sheva compilation, Malka Tuti is glad to welcome monsieur Benedikt Frey to the family
with his first solo EP on the label.

Recall is a 4-track dance ep, with 4 cuts of different flavour and sound.

From deep wavey dub to playful peaktime ravey sounds, Bene is taking the listener on a real journey, providing djs with an eclectic variety of tracks to pump up the dancefloor on different parts of the night....

His unique quirky and trippy sonic signature and production approach (reminiscing the sweet taste of ganja), stands out throughout the ep and it adds a fresh new direction for MT’s ever growing catalogue.

Taiwanese label JIN records enters autumn 2022, with a new promising release by South Korea’s Yetsuby. As always searching for gems in the pan-Asian domain, JIN is delighted to have Yetsuby for its latest/6th release. On this EP, one-half of the ambient duo Salamanda, Yetsuby showcases her expertise in mood setting soundscapes, taking listeners on a sound journey across a wide array of musical spectra. Opening on A1, Yetsuby reinterprets a traditional Korean folk story of a bear devouring garlic and green onions, transforming the animal into a human being. Aptly named ” Bear Becomes The Human,” she transforms the transformed, turning the bear into a buzzing modern drum & bass-fused energetic tune. It turns out garlic is a powerful source after all. B1’s “Jelly” showcases Yetsuby’s talent for stripped-back glitch music: With a minimal bass and drum pattern, the track gently muddles along and presents itself as well suited warm-up track for the earlier hours of any party. For the remix sides, Cleveland delivers a vinyl only remix of “Bear Becomes The Human” with a futuristic house tune filled with jungle like drum pattern and techy yet smooth atmosphere on A2. On B2, New Zealand’s Eden Burns takes an entirely different path on his reinterpretation of Jelly. Embarking from the original pattern, he turns the original into a slow brewing psychedelic trance cracker that seems most suited for the early morning after hours that need an energy boost.

Arriving on Lobster Theremin's White Label on comes a fresh-sounding and typically loud release from Leeds vinyl enthusiast Peaky Beats. Never one to be pigeon-holed into a specific style of music, his recent releases have explored 2-step, speed garage and dub - bringing his wicked ear for big UK blends into the spotlight - and earmarking him as one of the UK's most exciting emerging producers.

On Paradise Falls EP, Peaky Beats unites the worlds of jungle, drum & bass and 2-step on a high velocity, future-facing project, with a little help from contemporary jungle legend Tim Reaper. 'Paradise Falls' is a melodic stepper that ventures close to 150bpm territory. Those skippy UKG elements are all there, but this time with a hefty dose of jungle influence which brings a certain weightlessness to the track. 'Soul Diesel' ventures further into the garage sphere; the velocity diminishing slightly as the vitality continues to soar. Introspective breaks for sunny days.

'Tangerine Dream' is a prime old school cut of dubbed-out nostalgia. Sitting somewhere between The Streets, El-B and Coco Bryce, its deep bass-weight inspires big 'Any Jungle In, Guy?' energy, before Tim Reaper's remix of 'Paradise Falls' blows the bloody doors off with a typically emotive and atmospheric cut of jungle fantasia.

Club Glow co-founder Denham Audio is no stranger to linking up with friends. Running the label alongside fellow breaksmiths Mani Festo, LMajor and Borai, the rave-focused producer has established the imprint as one of a leading name in acid hooks, lairy basslines and whiplash-inducing breakbeats, and here - on Cheeky Sneakers - he readies the release of five varied cuts of lowend pressure and sky-high euphoria alongside Swankout, Thugwidow and Coco Bryce. 'Good Time' does what it says. A cut of happy-hardcore inspired breaks beamed straight from the Midlands; there is just enough headsy energy to keep the chin-stokers entertained, whilst inspiring an emotional, smiling release for those whose infatuations lie closer to ravey keys and Bangface Weekenders. Swankouts second collaboration - 'Keep On' - is a growling slab of screw-face electro and breaks, highlighting both producers' knack for finding the sweet spot between varying forms of UK music - fast, hardcore and dutty, it's a surefire party starter. Thugwidow is introduced on 'Testing My Patience'; the producer has been making a name for himself with some excellent releases on Sneaker Social Club and Circadian Rhythms, and here he and Denham Audio combine on a chugging steamroller of malfunctioning, soulful riddims. It's a dreamy meet on 'Close 2 Me' - Coco Bryce recently collaborated with Amy Dabbs on an excellent jungle EP which received support from BBC Radio 1 and more, and here the Netherlands produce brings his native hardcore spirit to the surface on a pitched-vocal cut of jungle-techno. Seeing out the release is a remix from emerging producer Ravetrx, who has recently enjoyed sessions on Rinse FM and NTS alongside Roni and Hooversound Recordings co-label head Sherelle.

With a string of releases on Hot Haus, Running Out Of Steam and Distant Horizons, M4a4 is no stranger to creating ear-catching dance music against a backdrop of collective influences, ranging from UKG, house and lunging 2-step. The prolific producer now makes his debut for Breaks ‘N’ Pieces - twisting the standard house template; with one eye on the past and another on the future.

‘Cartier’ creates a spark by combining slinky drums and classic house sounds with an M4a4 signature twist; while also offering a zesty 2-step digi-only version. ‘Enchanter’ is a punchier affair, with layers of nostalgia painted vividly within dreamy pads and M1 organs, before ‘Starbeam’ comes in as smooth as a knife to melted butter, with a bassline as tantalizing as it is hard. Each element within its structures supports another - creating a harmonized symphony of dance-floor conduction.

Responsible for some of the best UK induced music of 21’ - Interplanetary Criminal is on hand to remix, this time with a reflective rendition of ‘Starbeam.’ Neon lights luminate a smoke-filled dance-floor in a kaleidoscope of boundless colour, showing another face to Interplanetary Criminal’s seemingly endless talents.

A beautiful and dark record focused in the sounds of the club, Diessa's incredible Szns7n debut draws influence from a multitude of genres such as 140, breaks, trance and gabber. Ascii Fantasy highlights Diessa's talent at combining haunting atmospheres with punching hypnotic rhythms that travel with ease inside and outside the rave. With the B side packing punching remixes by future superstars Grove and Teya Logos this record takes absolutely no prisoners and we are honoured to be putting out Diessa's EP in what is we believe to be her break-out year.

The A1 track means a lot to me because two years ago my parents passed away within two weeks of each other due to cancer. It happened quickly between mid-August and the end of August. This was the saddest time in my life. I was struggling with myself, with the world, with everything. After a few months, I decided to translate my emotions into a song. I wrote this song for them but I was never able to finish it. It felt like I had overproduced it and was missing that special something. My good friend told me, Michael, dont think about the project for a period of time. Sometimes, something will happen when you dont expect it to. After nine months it was Christmas and we did a lets say a corona confirm dinner party. My good friend Basch invited Robert (Owens). Since Basch s mother and Robert are from the same town and maybe the same street in Detroit, they ve been connected to each other for the past 30 years! Robert came to the dinner party and it was synergy. I told him the story and about the missing elements for the song. He listened to it after dinner and said, okay where is your studio? After the Xmas dinner party, we went to my studio where we recorded the vocals. Robert did it on the fly and all friends in the studio cried tears as if there was some kind of magic in the air. Since then, we are working together on something special. It s blossomed into a friendship we both enjoy. The journey ends in London with my all-time favorite Label Fingerlickin Records. I requested a Remix from the Plump DJs and Jem Stone. Both agreed and the results are making this record unique. The Plump DJs Remix is a Uk Breakbeat-Chord-Style groove monster. Jem Stones version is an emotional journey that cannot be explained in words? Blackbox is a project from Tmplt, Robert Owens and Sebastian Sauve. What is in the Blackbox? There is no answer yet, but stay tuned. Sometimes you will find it out.

Brazilian-born, USA-based record label Concreta Sala arrives to the scene in 2021 with a celebration of Brazilian Bass and the culmination of 25 years of research and digging through their EP compilation series Proibidœ. This inaugural volume showcases an original and remastered 20-year-old techno track by the intentionally elusive multi-instrumentalist El Presidente Hi-Fi. Initially released in the year 2000, the aggressive but precise rhythms of “Drop Your Guns” are reworked by three emerging Brazilian artists: Sisto, Mau Maioli, and Hugo Frasa. With the original press limited to 150 copies and instrumental stems lost to the wind back in 2002, Concreta Sala is incredibly proud to bring this release to a new generation of dance floors and headphones via three unique remixes. The original track is transformed into a certified weapon, remastered and repressed in a limited run of only 300 vinyl copies with the highest audio quality. From a listener’s perspective, both sides of Proibidœ VOL. I are loaded with ammunition for any given moment.

UK based producer Hugo Massien has been slowly but surely making a name for himself over the past few years. Metamorphosis marks Hugo’s debut LP on the E-Beamz Record label.

Coming from the end of time and moving towards the future. A '93 original gets dusted down from the Cassette Library shelves, backed with remixes from the leading lights of the UK underground - Skin Teeth, Mani Festo and Denham Audio

One per customer only!

An album had been finished by the spring of ’95 and all recorded onto DAT and placed in a box. K&D pressed up 10 copies and gave 4 away to some suitably eccentric individuals.
Then the room’s doors opened and in a tremendously big cloud of smoke time rushed in, K&D rushed out, and the years went rolling by. The days got filled with remixes, touring and life.

Then in early 2020 that chance moving of a box at the back of a room exposed the DATs and their time transporting properties. As K&D went through them they ended up comfortable and back in the room and that wonderful haze of 1995.

Naissance Musik returns with their fourth release Nm-04, a remix package of the released Hear & San Proper ´- Elephantoms EP . The label welcomes an array of talented producers who are acclaimed DJ's featuring interpretations from Andrea Ferlin, Julie Marghilano, Ohm Hourani & Hear, 3lias & Raphael Merheb. We aim to bring a more dancefloor oriented feel to the package in contrast to the more abstract, ethereal feel of the original release.

Hamburg’s long time standing Goth (Not Goth) / Rock (Not Rock) band outfit The Crystal Apes get a full on electronic remix treatment which has been dubplate tested and dancefloor proved by Intrauterin Recordings mastermind baze.djunkiii as a secret weapon on countless occasions over the past years, slowly and carefully building up towards a full vinyl release.

Modeselektor and Apparat collaborate on this eclectic album. A moody yet bouncing record with some ridiculous Dubstep basslines, 2-Step drums, paranoid Berghain Techno and emotive vocals. A clever and thoroughly entertaining affair. The Special Edition includes awesome visuals courtesy of Die Pfadfinderei and a brilliant Shackleton remix of the Übertrack Rusty Nails.

/ chop suey / Fancy 'What's your name again Busy P remix'