Search "mobb deep" 331 Items

Blue, red, and yellow vinyl. Minimal edge and corner wear.

Enchanted Rhythms is back with a collection of heavyweight tracks from the legendary Dave Dub.

Artisjok Records is happy to present you the second EP on the label of 'Hyas' - a Lyon based DJ / Producer who knows no bounds in merging different influences. The release kicks off with "Level", a fusion of broken beat and dub techno that creates a deep, textured sound, setting the tone for the entire journey. "Yellow Zushi" follows with a jazzier approach, weaving broken beat drums with smooth, melodic elements. For footwork aficionados, "Dontgiveashit" delivers at 160 BPM, blending a funky, jazzy vibe that captures the producer's energetic yet laid-back style. "In Walked Dub" then introduces the bass-heavy wobble of dubstep, featuring a homemade bassline that will shake any sound system. Finally, "Exclusive" pays homage to the early days of Skream with raw, dubstep-inspired grooves that will resonate with fans of the genre.

After a 2 year hiatus, Madam X's Kaizen imprint comes back full force, with an upgraded aesthetic and brand new wave of leftfield, off-kilter club music. Kzn009 sees one of Manchester's most exciting up & coming producers, Cartridge, mark his debut with a fierce 2 tracker, loaded with soundsystem pressure and gully 130 artillery in the Banada EP. Melodic Grime, moody Dubstep, and sub-heavy textures sprinkle this wobby release, designed for dark rooms, splintered basements and heavy soundsystems. With an impressive back catalogue on Deep Dark & Dangerous, Albion Collective & one half of Regents alongside Manchester kingpin Strategy (Broke'n'£nglish), Cartridge is no stranger to the UK's burgeoning bass music scene.

On the A side, we have Banada, a melodic eastern-flavoured instrumental, with elements of Grime and Dubstep carrying the tune to its arpeggiated crescendo.

A singing voice and raspy melody build the tension before a heavily distorted switch up catches you off guard, leading you further down a Dubstep rabbit hole, and into a world of shady and sinister drops, sitting perfectly alongside the label's strictly hoods-up, heads-down tip.

Teaming up with Kaizen heavyweight and local scene hero Biome on the B-Side, Ricky Rosé has proved a firm favourite for those peak-time, no-holds-barred, bass-in-your-face, power hour moments. Relentless in its metallic bassline and thumping 808 drums, this explosive club tool comes with a solid side-serving of gunfingers and screwfaces.

Frankel & Harper deliver the appropriately named "Return EP" on their council work imprint. following on from the "Crouching Tiger EP", Cwr005 sticks to the signature Council Work sound, bringing together a fusion of UK Garage, Drum 'n Bass, Breakbeat, Dub and many other flavours. The 3 original tracks feature in the shape of Counter Strike, Armshouse and Return, with the release rounded off with an infectious, stripped back remix of the title track from Trule head honcho Al Wootton. From all out dance floor destroyers, to deeper and more cinematic textures, this collection of beats should easily find a home in many record bags.

few paper scuffs

close to NM

The Spellbound EP serves as a profound exploration into GIDEÖN's artistic soul. Commencing with politically charged tracks, "Study War No More" on side A is an acid-garage hybrid rallying support for emergency aid in Gaza. On side B, the euphoric "Marcus Garvey" urges a reconsideration of the life and teachings of the Jamaican activist. "Spellbound" delves into an ultra-deep meditation on black magic, while "Hora De Bailar" transforms into a Latin sleaze-fest, embodying the label's steadfast commitment to militant queer Deep House.

GIDEÖN describes the EP as a faithful representation of his worldview, stating, "Two of the tracks were written to soundtrack the struggles of our time. Both 'Study War No More' and 'Marcus Garvey' are pieces of music created to motivate, elevate, activate, and educate the dance floors of today in preparation for the struggles immediately before us. I see music as a weapon, a weapon in our dance music community’s arsenal that we can use to lubricate, incentivize change around us."

In addition to the politically charged tracks, the EP features two deeper, sleazier offerings that vividly capture the essence of underground queer dance floors and darkrooms. These tracks resonate with GIDEÖN's experiences at renowned clubs like Bassiani in Tbilisi, K41 in Kyiv, Berghain in Berlin, Basement in New York, and Adonis in London.

GIDEÖN boldly declares, "I set out to do EXACTLY what the global religious right-wing extremists are so opposed to: the PROMOTION of homosexuality." This sentiment underscores the EP's mission to advocate for diversity in the face of opposition.

Scott Diaz taps into some old school garage class with this new EP on Pirate Cutxz, but never is it too slavish to the OG sound. Instead, he brings fresh ideas and modern production skills to four characterful cuts. 'Holdtight' opens in bunch fashion with big drums and busy chords dancing about next to yelps and sustained pads. 'So Hot' is a more subtle 2-stepper with a ducking and diving groove bathed in warm synth work and natty bass notes. 'Ikigai' shuts down with some 90s organ chords and sleazy, shuffling speed-garage style drums and well-deployed vocal samples. Effective stuff.

Last Nubian — one of South London’s most electrifying producer/DJ talents — partners with Geneva’s Sweet Fruity Brunch to debut on Errol and Alex Rita’s Touching Bass. Six tracks oozing the grit and groove of inner city LDN with deep house, broken beat and dub at its core.

From the wiggling, jazz-tinged house of the title track and anthemic singalong bruk of “in da morning” (both featuring the honeyed vocals of Achanté) to “unformidable/call it out”’s moody steadiness and the dub that bookends the EP — this is music with soul firmly in its veins.

Fresh from stellar releases on kinship labels, Tiff’s Joints and Ben Hauke’s Woop Records, the Balamii Radio resident has been steadily making moves for the past few years as part of an exciting scene of local producers and DJs. He’s now ready to take things to a new level, developing a live/DJ-hybrid performance (which premiered spectacularly to a hot-footed audience at Gilles Peterson’s We Out Here Festival).

‘Babylon Shuffle’ marks the first of Touching Bass’ 12” riddim packages, bottling the eclectic sounds of their much-loved South London-based dance on wax; custom built for dancefloor damage and beautifully presented in the soon-to-be customary, crimson red house sleeve.

Previous support from Moxie, Shy One, Secretsundaze, Aqwea, Pete Tong, Jamz Supernova, Alexander Nut and more.

Snoozin’ B awake from hibernation. Alec Falconer & Harry Wills team up for their second release with beats to moo-ve you.

Some swingin’, some thumpin’, all groovin’… still snoozin’.

2tuf4u Records are proud to present Undeniable Grooves PT.6, the long awaited and fresh segment from the new series of Hot Garage Vybes, consisting of previously unreleased material from the likes of Gungo Peas (Alex De Joncaire from Switzerland & Karl “Tuff Enuff” Brown), from Santiago Chile debuting his 1 st release on the label Hitch 93. Flipping over on the B-sides, Tuff JAM feat. Pepper Mashey Remixed by UK Dubzz aka Karl Brown and rounding off with the Bournemouth talent of Dynamic Essence, all built for Underground Garage consumption. Watch out for the next series of releases soon to follow.