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The latest offering from French shape-shifter Maxime Primault (High Wolf, Black Zone Myth Chant, etc.) is both a distillation and deepening of psychedelic soundsystem strategies honed across a decade plus of production and performance, in crisscrossing trenches of vibrational exploration. The four cuts comprising IN D EV IL were born of bass and syrup, designed as anthems for baser desires: “I just wanted to make bangers really.” Alien squelches and insectoid chatter pulse above thick swells of low end, intercut with sirens, screwed voices, and seasick wobble, alternately pummeling and prismatic. Masterfully disorienting, flickering with FX, drops, and narcotic murmuring, at the threshold of dissociative and dubstep. Recent years spent performing in clubs influenced Primault’s listening habits, both in taste and production methods, skewing towards a starker contrast of highs and lows. IN D EV IL encapsulates this evolution, hallucinatory but urgent, like DJ tools for an underworld afterhours: tight, tripped, and lightless. The EP’s tracks vary in energy and density but share Primault’s premise of “tunes that sound fat and heavy.” Club music as dimensional gateway, booming and liminal, rippling with tremors, texture, and undertow. Whether deployed in public or private, these designs manifest vividly altered states, testament to their creator’s omnivorous vision of rhythm and sound.

Berlin producer Robot Koch is back for his third full length release, “The Other Side”.

Although Robot Koch has an international reputation as being “One of Europe's finest producers of the beat generation“ (Low End Theory), he is much more than just a beatmaker… “(Post)-dubstep infused Electronic Hip Hop“ is far too constrained a label to understand what this producer is all about. Instead of following the sound of his previous albums “Death Star Droid” (“Essential listening” – Bobby Friction BBC) and “Songs For Trees and Cyborgs“ (“Music for a modern age that has rarely sounded so good” – Boomkat), Koch takes the genre defying ingredients from these previous records to another level. There still are some of those “Galactic ten ton beats and space age melodies“ (Dazed and Confused) that made the previous albums staple drops in the playlists of Mary Anne Hobbs, Starkey, Daedelus and Gaslamp Killer to name a few, but there is a new dimension to Koch's production and songwriting that didn’t show on his previous records.

The cinematic vibe of tracks like “Nitesky”, the quirky and moody feel of “Bugs” and the electricity of “Tapedeck” show how Koch more than ever manages to create intimate and timeless pieces of music that are soulful, deep, mysterious and that will appeal to fans of cutting edge Electronica and modern pop music alike. This is the most personal record of Robot Koch to date. Instead of going for big name features Koch teamed up with lesser know artists like Kansas based vocal talent John LaMonica, long time friend and theatre composer Nielson and mexican singer/songwriter Graciela Maria to find the right voices for his compositions. John LaMonica infuses his whimsical and heartfelt melodies that breathe an air of darkness and nostalgia with Koch's fresh and forward thinking instrumentals to create something that fans of Radiohead, The XX and Jamie Lidell should not sleep on.

After the release of the John Robinson collaboration album (“Robot Robinson” – Project Mooncircle) earlier this year, it seems surprising how extensive Robert’s output is, but don’t be mistaken, this album is a longer term project than just releasing the songs Koch made in the last year. Some of the songs found on “The Other Side” were made seven years ago.

Berlin producer Robot Koch is back for his third full length release, “The Other Side”.

Although Robot Koch has an international reputation as being “One of Europe's finest producers of the beat generation“ (Low End Theory), he is much more than just a beatmaker… “(Post)-dubstep infused Electronic Hip Hop“ is far too constrained a label to understand what this producer is all about. Instead of following the sound of his previous albums “Death Star Droid” (“Essential listening” – Bobby Friction BBC) and “Songs For Trees and Cyborgs“ (“Music for a modern age that has rarely sounded so good” – Boomkat), Koch takes the genre defying ingredients from these previous records to another level. There still are some of those “Galactic ten ton beats and space age melodies“ (Dazed and Confused) that made the previous albums staple drops in the playlists of Mary Anne Hobbs, Starkey, Daedelus and Gaslamp Killer to name a few, but there is a new dimension to Koch's production and songwriting that didn’t show on his previous records.

The cinematic vibe of tracks like “Nitesky”, the quirky and moody feel of “Bugs” and the electricity of “Tapedeck” show how Koch more than ever manages to create intimate and timeless pieces of music that are soulful, deep, mysterious and that will appeal to fans of cutting edge Electronica and modern pop music alike. This is the most personal record of Robot Koch to date. Instead of going for big name features Koch teamed up with lesser know artists like Kansas based vocal talent John LaMonica, long time friend and theatre composer Nielson and mexican singer/songwriter Graciela Maria to find the right voices for his compositions. John LaMonica infuses his whimsical and heartfelt melodies that breathe an air of darkness and nostalgia with Koch's fresh and forward thinking instrumentals to create something that fans of Radiohead, The XX and Jamie Lidell should not sleep on.

After the release of the John Robinson collaboration album (“Robot Robinson” – Project Mooncircle) earlier this year, it seems surprising how extensive Robert’s output is, but don’t be mistaken, this album is a longer term project than just releasing the songs Koch made in the last year. Some of the songs found on “The Other Side” were made seven years ago.

After last year's release of his debut full length album entitled “Death Star Droid” Berlin stromtrooper Robot Koch kept himself hella busy. In 2010 alone he dropped the new Jahcoozi album “Barefoot Wanderer” on BPitch, released his EP “Listen To Them Fade“ on Project:Mooncircle, did a bunch of remixes and productions for both major and indie artsits and played stunnig live shows everywhere from Low End Theory in LA to the Sonar Festival in Barcelona.

And now he's back to do some serious damage with his 2nd LP “Songs for Trees and Cyborgs”.

The album shows Robot’s versatility as a producer – it mixes and blends fresh, forward thinking electronic beats with heartfelt melodies and organic live instumentation.

On choice tracks Mr. Koch teams up with the likes of Boxcutter (Planet Mu), 1000 Names (Black Acre), Doshy (Robox Neotech), RQM (Baby Sumo) and Graciela Maria (Project Mooncircle) to present the point where dubstep, hip-hop and its myriad of influences fuse into a kaleidoscopic collage of sounds.

Artwork by 44 Flavours.

After last year's release of his debut full length album entitled “Death Star Droid” Berlin stromtrooper Robot Koch kept himself hella busy. In 2010 alone he dropped the new Jahcoozi album “Barefoot Wanderer” on BPitch, released his EP “Listen To Them Fade“ on Project:Mooncircle, did a bunch of remixes and productions for both major and indie artsits and played stunnig live shows everywhere from Low End Theory in LA to the Sonar Festival in Barcelona.

And now he's back to do some serious damage with his 2nd LP “Songs for Trees and Cyborgs”.

The album shows Robot’s versatility as a producer – it mixes and blends fresh, forward thinking electronic beats with heartfelt melodies and organic live instumentation.

On choice tracks Mr. Koch teams up with the likes of Boxcutter (Planet Mu), 1000 Names (Black Acre), Doshy (Robox Neotech), RQM (Baby Sumo) and Graciela Maria (Project Mooncircle) to present the point where dubstep, hip-hop and its myriad of influences fuse into a kaleidoscopic collage of sounds.

Artwork by 44 Flavours.

Dom Maker and Kai Campos have always known how to masterfully synthesise their talents into one singular yet ever changing vision. Since beginning in 2009, their work has morphed from their distinctly British sound of dubstep and techno to the boundaryless and densely packed collaborations of Love What Survives. Five years after that scintillating record, the two take their talents as Mount Kimbie to new extremes by splitting them in half entirely.

Having walked separate paths musically and physically in the world over the years since Love What Survives, Dom and Kai took a literal approach to their latest record, separating it into two distinct, independently produced albums - but linked through shared senses of sonic haziness and melody. Die Cuts shows Dom Maker at a collaborative peak, interspersing vocal cuts, samples, and urban sounds in swiftly stitched vignettes with a slowed down, lo-fi flair. Meanwhile, the chugging beats of City Planning mimic train tracks, as Kai Campos’ album contains rhythmic paintings of urbanity with detailed sonic architecture. These two sides of Mount Kimbie are as different as day and night, yet they inform each other greatly, speaking a simultaneous message from separate locations.

The opening track ‘dvd’ on Die Cuts features a mystical siren song fading in, before slowthai and Danny Brown’s expressive vocals cut through on ‘in your eyes’, trading bittersweet and apoplectic verses. An eerie alarm echoes on ‘heat on, lips on', subsiding with punchy beat and skittering keys, and a scathing, mercurial spoken word spiralling to jazzy loops depicting intimate struggles. City Planning in similar fashion shifts from tense, burrowing bass rumbles to fluttering synth droplets forming rivers of sound. The molten underground beat of ‘Transit Map (Flattened)’ lurches and groans, with piano notes sprawling like the many-coloured intersecting lines of a subway map.

Even when split in two, Mount Kimbie provide yet another total upheaval of their sound, combining their individual strengths for a roaringly creative album on MK 3.5.

Galvanica: a voice with unusual qualities, refined and balanced, also high-pitched, sensual, embellished by an orgasmic inspiration with fluid and spaced solos in hypnotic rhythms that often change scenery. ‘Nightlights in Japan’: an extraordinary piece of pure and profound creativity where each version seems to have been built apart and where the West meets the East. A splendid interpreter for a truly stunning piece, as fresh and far-sighted as the day it was recorded at Studio Emme in Calenzano by Marzio Benelli with the Yamaha DX7 synth and Linn 9000 drum sequencer that are at the base of the piece - made and re-interpreted in the four original versions, all sung in the Eastern Asian pentatonic scale. ‘Nightlights in Japan’ was also written by Massimiliano Orfei, at the time collaborator in the advertising projects from label Smash One Music of Pino Toma, the producer who drew new inspiration to venture into the record market, which, in 1987 became everyday more difficult and this song was considered out of fashion - even if each version seems to have been built as a unique composition and it was expertly arranged by the talented Giorgio Costantini (Giokost as composer). We’ve clarified as to whom Galvanica's velopendulus belongs, to rightly consider this artist as a contributive voice of disco music, despite being part of the ‘second wave’ of the Italo-Disco scene having contributed to it as Otero, Belen Thomas, Angelby and previously with the disco-project Plustwo creating ‘Melody’ (which after 40 years gets a new extraordinary success with 134 million plays on TikTok and around 18 million streaming).

‘saturday Specials’ sees the legendary Bristol drum & bass don Clipz remixing Everything Is Recorded’s acclaimed second album ‘Friday Forever’ in its entirety. Released Digital on 29th January via XL Recordings, ‘saturday Specials’ is Clipz’s first album length project and is a drum & bass masterpiece, split across three 12” vinyl editions. The album features a host of the original album’s vocalists and collaborators (including Berwyn, Ghostface Killah, Aitch, Sampha, Flohio and A.K. Paul) weaving in and out of Clipz's trademark future-facing productions.

2nd pressing on black vinyl! A child agrees then screams the name. Kid-o-suke. Did you hear that right? The music trickles in. It sounds like it was made in a toy factory. Hold on. Let me reach for the button over there. Childhood memories. The magical sounds of a roundabout sending you to sleep. The wonders of the world seen through eyes that don’t yet ully comprehend and ears that find musical potential in everything. Two kindred souls find each other, distance never the issue, they share and laugh the only way they know how.

Project: Mooncircle, as the name reveals, has been on a journey to the moon since day one, exploring the frontiers of music and art, always looking for new discoveries and giving a different perspective to look at the earth. In it’s 10 year history the label has published roughly 100 releases by equally as many artists from all corners of this globe and, therefore, the selection of sounds on this compilation represents the development of the label from the past, present and going into the future.

Some of the artists featured on this compilation have been a part of the label from its very beginning, like CYNE, Manuvers and Jahbitat, whose song will be the last one he produced and published under this moniker, while others, like Robot Koch, fLako and Long Arm, are outstanding examples of its growing popularity and success. Furthermore, the box also features an exceptional selection of close musical friends and inspirational artists like Jehst, Dday One, Kwala and Ichiro_, just to name a few.

The logo and artwork represent someone who was very close to the label, especially in the early years but unfortunately passed on and whom this box is dedicated to. Featured on the compilation are artists such as Mike Slott x Diane Badié, CYNE, Sweatson Klank aka Take, Jahbitat, Robot Koch, fLako, Jehst, Beat Butcha, Long Arm, Kelpe, Pavel Dovgal, Blossom, Daisuke Tanabe, Dday One, Inner Science, Substantial, Arts The Beatdoctor, Rain Dog, Kidkanevil + Microkorg by Dorian Concept, John Robinson, Sorrow, Rumpistol, The Red Baron, Christoph El’ Truento, 40 Winks, Sina., 1000Names, DZA, Ichiro_, EAN, Tom Dicicco, Headshotboyz, Graciela Maria, Gards From KC, Sekuoia of Kilimanjaro, Sense of The Q4, Sneaky, I.V.A., Empt, John LaMonica, Mike Gao, Bambooman, Manuvers, Krts, Kwala, Soosh, Memotone, Sun Glitters, Called Understandable Souls & Szenario.
The limited box includes 2 white & 2 black vinyl LP’s with 32 tracks, 13 additional digital bonus tracks, a T-shirt (only at HHV) and a poster (with digital download code) all in a specially designed box that features a special light-reflecting varnish, which makes this truly a collectors and music lovers item.

Berlin-based label Project: Mooncircle and it’s two sublabels Project Squared and Finest Ego is an official label from HHV. It was founded in 2002 and is specializing in the conjunction between electronic and organic music. The label, at first envisaged as a compilation project only, soon released the first instrumental and vocal solo releases by such artists as The Q4, CYNE, Mr Cooper, Robot Koch, fLako, 40 Winks, John Robinson & MF Doom, DZA, Krts, Sina., Graciela Maria, Manuvers, Lambent, Lewis Parker, Non of Shadowhuntaz, Strand, Ta-Ku, Mika Gao, Onra, Obba Supa, Asusu, Furesshu, AnD. Kowton or Glen Porter. The work of illustrators and graphic designers such as Bioniq, Dan May, Iain McArthur, Ima One, LNY, Gordon, 44 Flavours, La Mano Fria, and The Binh create images that accompany the acoustic spaces.
Project: Mooncircle with its various producers & vocalist shall be an interesting experience for anyone looking for the extraordinary.

A&R: Laurent Fintoni, Jinna Morocha, Karolina Kaczor, Gordon Gieseking and Malte Tarnow. Mastering by Sven Friederichs. Artwork and original paintings by Gordon, LNY & Bioniq. Webdesign 2006 – 2012 by Thimo Hörster & Hendrik Stein. Animation trailer by Sebastian Muñoz.

Release date: March, 23rd.

10th Anniversary Showcase with Mike Slott, Robot Koch, fLako, Long Arm, Jehst, Arts The Beatdoctor, Sekuoia of Kilimanjaro, & Graciela Maria @ Club Gretchen in Berlin, Kreuzberg – March, 17th!

Berlin producer Robot Koch is back for his third full length release, “The Other Side”.

Although Robot Koch has an international reputation as being “One of Europe's finest producers of the beat generation“ (Low End Theory), he is much more than just a beatmaker… “(Post)-dubstep infused Electronic Hip Hop“ is far too constrained a label to understand what this producer is all about. Instead of following the sound of his previous albums “Death Star Droid” (“Essential listening” – Bobby Friction BBC) and “Songs For Trees and Cyborgs“ (“Music for a modern age that has rarely sounded so good” – Boomkat), Koch takes the genre defying ingredients from these previous records to another level. There still are some of those “Galactic ten ton beats and space age melodies“ (Dazed and Confused) that made the previous albums staple drops in the playlists of Mary Anne Hobbs, Starkey, Daedelus and Gaslamp Killer to name a few, but there is a new dimension to Koch's production and songwriting that didn’t show on his previous records.

The cinematic vibe of tracks like “Nitesky”, the quirky and moody feel of “Bugs” and the electricity of “Tapedeck” show how Koch more than ever manages to create intimate and timeless pieces of music that are soulful, deep, mysterious and that will appeal to fans of cutting edge Electronica and modern pop music alike. This is the most personal record of Robot Koch to date. Instead of going for big name features Koch teamed up with lesser know artists like Kansas based vocal talent John LaMonica, long time friend and theatre composer Nielson and mexican singer/songwriter Graciela Maria to find the right voices for his compositions. John LaMonica infuses his whimsical and heartfelt melodies that breathe an air of darkness and nostalgia with Koch's fresh and forward thinking instrumentals to create something that fans of Radiohead, The XX and Jamie Lidell should not sleep on.

After the release of the John Robinson collaboration album (“Robot Robinson” – Project Mooncircle) earlier this year, it seems surprising how extensive Robert’s output is, but don’t be mistaken, this album is a longer term project than just releasing the songs Koch made in the last year. Some of the songs found on “The Other Side” were made seven years ago.

Berlin producer Robot Koch is back for his third full length release, “The Other Side”.

Although Robot Koch has an international reputation as being “One of Europe's finest producers of the beat generation“ (Low End Theory), he is much more than just a beatmaker… “(Post)-dubstep infused Electronic Hip Hop“ is far too constrained a label to understand what this producer is all about. Instead of following the sound of his previous albums “Death Star Droid” (“Essential listening” – Bobby Friction BBC) and “Songs For Trees and Cyborgs“ (“Music for a modern age that has rarely sounded so good” – Boomkat), Koch takes the genre defying ingredients from these previous records to another level. There still are some of those “Galactic ten ton beats and space age melodies“ (Dazed and Confused) that made the previous albums staple drops in the playlists of Mary Anne Hobbs, Starkey, Daedelus and Gaslamp Killer to name a few, but there is a new dimension to Koch's production and songwriting that didn’t show on his previous records.

The cinematic vibe of tracks like “Nitesky”, the quirky and moody feel of “Bugs” and the electricity of “Tapedeck” show how Koch more than ever manages to create intimate and timeless pieces of music that are soulful, deep, mysterious and that will appeal to fans of cutting edge Electronica and modern pop music alike. This is the most personal record of Robot Koch to date. Instead of going for big name features Koch teamed up with lesser know artists like Kansas based vocal talent John LaMonica, long time friend and theatre composer Nielson and mexican singer/songwriter Graciela Maria to find the right voices for his compositions. John LaMonica infuses his whimsical and heartfelt melodies that breathe an air of darkness and nostalgia with Koch's fresh and forward thinking instrumentals to create something that fans of Radiohead, The XX and Jamie Lidell should not sleep on.

After the release of the John Robinson collaboration album (“Robot Robinson” – Project Mooncircle) earlier this year, it seems surprising how extensive Robert’s output is, but don’t be mistaken, this album is a longer term project than just releasing the songs Koch made in the last year. Some of the songs found on “The Other Side” were made seven years ago.

After last year's release of his debut full length album entitled “Death Star Droid” Berlin stromtrooper Robot Koch kept himself hella busy. In 2010 alone he dropped the new Jahcoozi album “Barefoot Wanderer” on BPitch, released his EP “Listen To Them Fade“ on Project:Mooncircle, did a bunch of remixes and productions for both major and indie artsits and played stunnig live shows everywhere from Low End Theory in LA to the Sonar Festival in Barcelona.

And now he's back to do some serious damage with his 2nd LP “Songs for Trees and Cyborgs”.

The album shows Robot’s versatility as a producer – it mixes and blends fresh, forward thinking electronic beats with heartfelt melodies and organic live instumentation.

On choice tracks Mr. Koch teams up with the likes of Boxcutter (Planet Mu), 1000 Names (Black Acre), Doshy (Robox Neotech), RQM (Baby Sumo) and Graciela Maria (Project Mooncircle) to present the point where dubstep, hip-hop and its myriad of influences fuse into a kaleidoscopic collage of sounds.

Artwork by 44 Flavours.

After last year's release of his debut full length album entitled “Death Star Droid” Berlin stromtrooper Robot Koch kept himself hella busy. In 2010 alone he dropped the new Jahcoozi album “Barefoot Wanderer” on BPitch, released his EP “Listen To Them Fade“ on Project:Mooncircle, did a bunch of remixes and productions for both major and indie artsits and played stunnig live shows everywhere from Low End Theory in LA to the Sonar Festival in Barcelona.

And now he's back to do some serious damage with his 2nd LP “Songs for Trees and Cyborgs”.

The album shows Robot’s versatility as a producer – it mixes and blends fresh, forward thinking electronic beats with heartfelt melodies and organic live instumentation.

On choice tracks Mr. Koch teams up with the likes of Boxcutter (Planet Mu), 1000 Names (Black Acre), Doshy (Robox Neotech), RQM (Baby Sumo) and Graciela Maria (Project Mooncircle) to present the point where dubstep, hip-hop and its myriad of influences fuse into a kaleidoscopic collage of sounds.

Artwork by 44 Flavours.

This is a story about a young Russian girl named Jinna Morocha who had a vision of one day flying to the Moon.
Many years ago during the hard times of life in Moscow, the young girl saw the Moon consciously for the first time and at that very moment the dream began. These vivid thoughts remained in her mind and she started to ask herself “How can I get to the Moon?“. Soon she found the label Project: Mooncircle over the internet and told them her story, at once she saw a chance to come a few steps closer to her dream. By now Jinna lived in Germany and it was possible for her and the label to meet, her key question was “Can you bring me to the Moon?“. The answer was a faltering “No, but maybe we can let you fly to the Moon in your mind. Let’s build the soundtrack to this vision, close your eyes, clear your thoughts and let us begin on your journey“.

That was the beginning of “The Moon Comes Closer“, come embark upon this voyage with us lead by the next level soundscapes of:

Robot Koch, fLako, Pavel Dovgal, I.D. 4 Windz, John Robinson, Lambent, 813, Nienvox, Juj, Mr Cooper, MyOwn, Long Arm, Daisuke Tanabe, Graciela Maria, Scienz Of Life, Andy Kayes, Abnormal, Capella, Comfort Fit, Kansano, Gards From KC, Puzzle, Sense of The Q4, Sotu The Traveller, V. Raeter, Himuro Yoshiteru, Skyence, Dexter, Portformat, 40 Winks, Dela, Brazzaville & Killing Skills.

This is a story about a young Russian girl named Jinna Morocha who had a vision of one day flying to the Moon.
Many years ago during the hard times of life in Moscow, the young girl saw the Moon consciously for the first time and at that very moment the dream began. These vivid thoughts remained in her mind and she started to ask herself “How can I get to the Moon?“. Soon she found the label Project: Mooncircle over the internet and told them her story, at once she saw a chance to come a few steps closer to her dream. By now Jinna lived in Germany and it was possible for her and the label to meet, her key question was “Can you bring me to the Moon?“. The answer was a faltering “No, but maybe we can let you fly to the Moon in your mind. Let’s build the soundtrack to this vision, close your eyes, clear your thoughts and let us begin on your journey“.

That was the beginning of “The Moon Comes Closer“, come embark upon this voyage with us lead by the next level soundscapes of:

Robot Koch, fLako, Pavel Dovgal, I.D. 4 Windz, John Robinson, Lambent, 813, Nienvox, Juj, Mr Cooper, MyOwn, Long Arm, Daisuke Tanabe, Graciela Maria, Scienz Of Life, Andy Kayes, Abnormal, Capella, Comfort Fit, Kansano, Gards From KC, Puzzle, Sense of The Q4, Sotu The Traveller, V. Raeter, Himuro Yoshiteru, Skyence, Dexter, Portformat, 40 Winks, Dela, Brazzaville & Killing Skills.