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Peer through the windows of the sun-dappled homes in Sicily and you will be faced with a small, strange ceramic object adorning each hallway. It is a glistening pine cone standing upright – a pigna – the longstanding symbol of Sicilian openness and welcome hospitality.

The pigna is a delightfully unusual and yet apt symbol for the title of the third record from Benjamin Harris, AKA Yarni. Ever since his debut LP release in 2017, Yarni has established a following committed to his musical openness, an intuitive curiosity that has spanned everything from house and techno to cinematic ambience and Japanese percussion, as well as jazz horns and afrobeat fanfares. For Yarni, anything goes and everyone is welcome. Now, Pigna sees Yarni reach his fullest and most musically diverse expression, taking its name and ethos from Sicily, but finding a sonic home in the luscious orchestration of a new ensemble of musicians.

Here, at the helm of a nine-person ensemble, Yarni artfully pieces together live improvisations to create the warmth of a seasoned group performing deep within the groove. Opener “Midnight Getaway” places the listener squarely within the disco-funk of Daft Punk as Yarni’s top-line synth intersects with a rolling bassline and a lyrical flute solo from Rachel Shirley. This optimistic tone of sunlit spaciousness is then heightened on “Utopia”, as Yarni’s horn section comes to the fore to pay homage to the ineffable syncopations of Fela Kuti’s pioneering afrobeat.

Rather than scratch at the surface of these musical genres, Yarni’s attuned ear embodies the emotive essence of his various sounds by paying intimate attention to their creation. There is the punch of that afrobeat sax on “Utopia”; the rhythmic skitter of breakbeats on “The Astral”; the sludging thump of funk in the bassline on “Nova”. Collaborators are given free reign, too, to incorporate their own unique stylings into this remarkable whole, from vocalist Emily Marks’ languid tone on “In A Dream”, to saxophonist Jonoa’s innate swing on “Cherub”, and the metronomic movement of bassist Ally McMahon’s playing throughout.

Listening to Pigna is ultimately to find yourself squarely within the comforting embrace of Yarni’s musical mind. It is a truly LP experience – a record to be placed on the turntable’s platter and then left to play, allowing yourself an immersion in these journeying soundscapes. It is no wonder fellow sonic travellers such as the late Andrew Weatherall and DJ Harvey have been supporters of Yarni’s work, since here is a kindred spirit – an artist shaped in the form of radical openness, speaking the hospitable, universal language of beautiful music.

Peer through the windows of the sun-dappled homes in Sicily and you will be faced with a small, strange ceramic object adorning each hallway. It is a glistening pine cone standing upright – a pigna – the longstanding symbol of Sicilian openness and welcome hospitality.

The pigna is a delightfully unusual and yet apt symbol for the title of the third record from Benjamin Harris, AKA Yarni. Ever since his debut LP release in 2017, Yarni has established a following committed to his musical openness, an intuitive curiosity that has spanned everything from house and techno to cinematic ambience and Japanese percussion, as well as jazz horns and afrobeat fanfares. For Yarni, anything goes and everyone is welcome. Now, Pigna sees Yarni reach his fullest and most musically diverse expression, taking its name and ethos from Sicily, but finding a sonic home in the luscious orchestration of a new ensemble of musicians.

Here, at the helm of a nine-person ensemble, Yarni artfully pieces together live improvisations to create the warmth of a seasoned group performing deep within the groove. Opener “Midnight Getaway” places the listener squarely within the disco-funk of Daft Punk as Yarni’s top-line synth intersects with a rolling bassline and a lyrical flute solo from Rachel Shirley. This optimistic tone of sunlit spaciousness is then heightened on “Utopia”, as Yarni’s horn section comes to the fore to pay homage to the ineffable syncopations of Fela Kuti’s pioneering afrobeat.

Rather than scratch at the surface of these musical genres, Yarni’s attuned ear embodies the emotive essence of his various sounds by paying intimate attention to their creation. There is the punch of that afrobeat sax on “Utopia”; the rhythmic skitter of breakbeats on “The Astral”; the sludging thump of funk in the bassline on “Nova”. Collaborators are given free reign, too, to incorporate their own unique stylings into this remarkable whole, from vocalist Emily Marks’ languid tone on “In A Dream”, to saxophonist Jonoa’s innate swing on “Cherub”, and the metronomic movement of bassist Ally McMahon’s playing throughout.

Listening to Pigna is ultimately to find yourself squarely within the comforting embrace of Yarni’s musical mind. It is a truly LP experience – a record to be placed on the turntable’s platter and then left to play, allowing yourself an immersion in these journeying soundscapes. It is no wonder fellow sonic travellers such as the late Andrew Weatherall and DJ Harvey have been supporters of Yarni’s work, since here is a kindred spirit – an artist shaped in the form of radical openness, speaking the hospitable, universal language of beautiful music.

Eiji Takehana is an originator of the club jazz scene in Japan and a DJ/producer who continues to lead the scene. After 6 years of silence, the long-awaited release of the latest 7inch single is now available. The sound is ferocious yet precise, the finest jazzy drum'n'bass.

A?er the success of the first volume, the second Soul Fingers’s tribute compila&on is released on double vinyl too. Soul Fingers is a wandering black music dancefloor that in 2023 reaches to celebrate 10 years lifelong. Soul Fingers mixes soul, disco and funk, with rap and La&n rhythms. In this brand new compila&on there are some pieces that have really marked great par&es since 2013. This &me featuring soAme carefully selected dancefloor music bombs directly from the hands of Claudio Cavallaro, the leader of the Soul Fingers console.

In 2002, New York producer Ursula 1000 released his groundbreaking, genre-busting album Kinda' Kinky, meshing groovy retro sampladelic licks with modern breaks and beats. For its 20th anniversary this year, Ursula revisits the 60's swinging London mod shaking title track with his own 2022 redux. UK breakbeat master A.Skillz remixes the flipside into a relentless, giggling funky disco monster! The cover design is by world renowned space-age bachelor pad artist Shag.

Emerging from the Toronto warehouse scene, Tush is a rising electronic music act powered by Kamilah Apong and Jamie Kidd. Taking inspiration from electro funk, early disco, post-punk and '90s house; their debut album 'Fantast' embodies the rawness, vulnerability, and intimacy of the dancefloor.
'Fantast' kicks off with the slow burning 'Wavy Baby', an invitation to get close, get intimate and submit to the groove: "Vulnerability is the key to us getting to that next step of intimacy". Up next is lead single 'Chrysalis', a high octane ride through a technicolour fantasy world of heady synths and driving rhythms that propel Kamilah's voice into an erotic stratosphere.
'Don't Be Afraid' is about having the courage to love defiantly, urgently, and with intention. Driven by Jamie's infectious bass lines and FX blasts, it smoothly transforms into an uplifting gospel-infused track.
Two high points of the album, 'Jessica F***' and 'Marathons', highlight Tush doing what they do best. These tracks are the sound of the warehouse scene that birthed the project in the first place and the late night jam sessions that were full of possibility pre-pandemic. Here, Tush really stretch their improvisational muscles - the interplay of raw soulful vocals, hypnotic basslines, synth pads, and heavy disco rhythms is at the core of what makes them so invigorating.
'Fantast' closes with the uplifting sunrise energy of 'My Joy', the light at the end of the tunnel. "This song is enchanted by the backing vocals of my friends and chosen family, who are my cornerstones to working through the wonderful mess that I am". Kamilah adds "The track gives me this feeling that - no matter how hard the world tries to beat it out of me - I can and I have had to work hard to cultivate my own happiness in my own sacred spaces - one of those being Tush. Ultimately, this is all I really need".

Tawoyame Orquesta celebrates their 15th Anniversary with new 7inch release from their new project! The guest remixer features Takeshi Nakatsuka. The band's signature song "Suteki na Ongaku", which was included on their first album, is newly sung by the leader Tomoko Okamura on the original track from 10 years ago!! The flip side features a remix track for the first time. "odo Latin" from the latest full-length album, "Shukuen Fifteen" (urdc82) is remixed by Takeshi Nakatsuka, a wizard of live sound. The remix is a swingin' and breakin' floor-ready tune!!

Albert’s Favourites co-founder Adam Scrimshire is set to release his fifth album 'Believers Vol. 1’, featuring guests And Is Phi, Bessi, K.O.G., Omar, Xana & Faye Houston, Penya, Stac and Tamar Osborn. The album draws from Scrimshire's passion for jazz, soul and electronic music of all styles; from energetic Afro-disco through lushly orchestrated neo-soul to harmonious jazz experiments. 'Anadwo' opens the album, a bright, Afro-disco inspired groove written with Ghanaian artist K.O.G., and is possibly Scrimshire's most extroverted track to date. Regular collaborator Stac and Brighton singer and producer Bessi sing on snappy neo-soul tracks ‘Where Are We’ and ‘Lost In Space And Time’ respectively. And Is Phi brings an eclectic mix of jazz, poetry and improvisation to ‘Chance Me’ while ‘Transformation’ stars acclaimed saxophonist Tamar Osborn. Genre-defying quartet Penya feature on global-jazz epic ‘Tanto Tiempo’ and the incomparable Omar joins with Xana and Faye Houston on album highlight ‘Love Is Loving’. Cosmic-jazz instrumental ‘Peaceless Peace’ closes out ‘Believers Vol. 1’, ending a bold and positive album filled with creativity and joy. “Writing and producing my last album, ‘Listeners’, opened the floodgates for me. I’ve written more in the last 18 months than in years. Practicing for the live band levelled up my playing and opened up possibilities in writing I couldn’t find before. Since then I’ve written more than two albums worth of “Scrimshire” songs. But I really wanted to try and focus the experience and separate between music that represented the positivity and optimism I’ve experienced in recent years against my more introverted and angrier instincts. ‘Believers Vol.1’ represents warmth and hope. Everyone I worked with early in lockdown, seemed to want to express those longings for physical and emotional connection too. The whole album reaches out, I think it’s full of long embraces. But it is also, for me personally a love letter to black music and the black artists that shaped everything I care about sonically, from my very first memories of music until now. It draws from sounds I grew up around in the early to mid eighties, classic records from the seventies that I’ve never tired of, but important dance records from the late nineties and early 2000s that celebrated and subverted those ideas too.” Scrimshire released his fourth album 'Listeners' in summer 2019, which was supported across BBC Radio 6 Music, including an Album of the Day feature, as well as by Jamz Supernova, Jamie Cullum's Radio 2 Jazz Show, Worldwide FM and Amazing Radio. His earlier albums ‘Bight’ (2013), ‘The Hollow’ (2011) and ‘Along Came The Devil One Night’ (2009) were released on the Wah Wah 45s label, where he’s also now a co-owner and director. He has continued to gain support for his successful “Scrimshire Edits” series and has produced and mixed records for artists including Stac, Daudi Matsiko, Bastien Keb, Ronin Arkestra and Jonny Drop. Albert’s Favourites was formed by Adam, Dave Koor, and Jonny Drop, who designed the logo and artwork, and has released records by Hector Plimmer, Ronin Arkestra, The Expansions, Huw Marc Bennett, and Jonny Drop.

Wah Wah 45s make a welcome return to the world of re-issues. Having started out over two decades ago releasing dance floor funk from Benny Poole, Cheyenne Fowler and The Googie Rene Combo, and later re-releasing obscure Kompa-funk from Haitian pianist Henri Pierre Noel, they now turn their attention to an overlooked early 90s acoustic soul gem.
About thirty years ago, music teacher and budding producer Alex Boyesen found himself working as part of the Haringey Music Workshop - a community programme and outreach project funded by the local council in Haringey, North London (coincidentally the area in which the Wah Wah head office is now based!).
"Anyone could come and get lessons for free - ranging from piano, sax, guitar, drums, bass, singing and workshops including choral, jazz band and more." Alex Boyesen
It was during that time that Alex came across a young Sam Edwards.
"One day I went into one of the rehearsal rooms and there, by herself, was this girl playing a piano and singing. It was the most incredible voice I had ever heard."
Before long, the pair were playing all over London as a duo with Alex on guitar and Sam on vocals.
"Sam had never had professional training, she was simply an utter natural."
The Haringey Music workshop was connected with other projects in the borough, in particular a community project called the Selby Centre. Here they ran training programs for young people and one of these was a music business course. The idea was that they found an artist, recorded them and then promoted them. One way or the other they ended up picking Alex and Sam to be on their roster.
"My good friend Nixon Rosembert was brought in to oversee the recordings and they hired the Islington Music Workshop to do the recording. We got musicians from the Haringey Music Workshop to play on the sessions and spent a day recording two songs -American CarsandLife. The training workshop had created a label called Progression Music and out the record went."
Three decades later and out of the blue Alex started to get interest again in the record he'd almost forgotten about all those years ago. It had become something of a sought after gem on Discogs, and there seemed to be an interest in that 'acoustic soul' sound once again.
"I got three people asking if they could re-release it and finally here we are with Wah Wah 45s doing the business after all these years."
It was Hospital Records and Wah Wah 45s founder, Chris Goss, who first brought the idea of releasing this record to the table.
"This is a really special record for me, picked up 30 years ago, from a young James Lavelle at Honest Jon's in Ladbroke Grove. Sam Edwards would go on to perform and write songs with North London's Izit, the acid jazz collective fronted by Tony Colman - with whom I have built a music company, these past 25 years. Alex Boyeson worked with Tony at the Haringey Arts Project, who produced a one-off vinyl release of Alex's two compositions back in 1991. Thanks to Alex and Tony, we have been able to clean-up the original audio, uncover photos and lyric sheets to present, with real love and affection, these two lost gems from a bygone era." Chris Goss, Feb 2021.
The project was then expanded by Dom Servini, who got heavy disco legend Ashley Beedle and co-label owner and erstwhile producer Adam Scrimshire in to take on remix duties.
"When approached by Dom Servini to reworkAmerican CarsI had no idea about the history of the original song. After a good listen myself and studio partner Darren Morris set to work and all I can say that it was a lovely experience keeping the vibe of the original but giving it a spaced out feel in true Afrikanz On Marz fashion." Ashley Beedle, Feb 2021.
"Remixing without multi-tracks always brings a bunch of challenges, getting the balance between the bass and drums in the original and what you want to do with your own version. The song really dictates certain things to you.
But it was such a pleasure to explore that with this beautiful song and vocal performance. So many ways to approach it. I just wanted to draw out more of the melancholy in the original and make it an absorbing experience." Adam Scrimshire, Feb 2021.
Perhaps the last word should be given to Alex himself, who's very much enjoying the new lease of life that his music with Sam is getting.
"As I write this we are trying to locate her, she's somewhere singing something, that's all she ever did. Thanks for being part of my life Sam and I am so glad that this small bit of that time is being remembered." Alex Boyesen, Feb 2021.

With seven releases - including this one - on Schema Records and three - considering also the Cosmorama project - on Milano 2000, Stefano Tirone has tightened his collaboration with the Edizioni Ishtar group. He is today one of the label’s most popular artists, with more than 300.000 monthly listeners and millions of plays of his acclaimed hits on Spotify – more than 3 million overall for his recent digital singles “Blow My Mind” and “No Meio Do Samba”. His previous full-length Body & Soul shows influences from the early ’90s British acid jazz scene and his deep love for the ’70s soul, Brazilian and jazz music that constitute the basic foundations of S-Tone Inc. Here, instead of asking other artists to remix his tracks, Stefano has decided to do that himself, reworking in a nu-disco key the entire “Body & Soul” record, herein named “The Disco Experience”. The title and the graphic layout take us to a period in time between late ’70s and early ’80s when the artist as a teenager, completely absorbed by the sound of disco music, used to go to clubs and discotheques to listen and dance to those unmistakable sonic frequencies. In those years the American DJ Larry Levan and the Italian Mozart and Baldelli used to play their music in front of crowded disco halls, while record labels such as Prelude and Solar set the standards with artists such as D-Train, Sharon Redd, Whispers, Shalamar and their soulful vocals combined to strong basslines, funky guitars and uptempo rhythms. This is how “Body & Soul - The Disco Experience” was born, as an homage to the music that Stefano used to immerse in during those adventurous years, with a few exceptions: “No Meio Do Samba”, a tribute to the house sound of Frankie Knuckles in the early ’90s, and the two downbeat tracks “Flying Away”, with its essential R&B arrangement, and “Midnight Sun”, that keeps its cinematic mood but with a more funky attitude. “Odoya” is the only track remixed by The Invisible Session in a minimal spacey disco arrangement that fits perfectly with the overall sound of the album.

Retromigration returns to Ravanelli Disco Club with a brand new broken beat chanelling track 'Jeffa'. None other than Ron Basejam steps up on remix duties in signature disco don style. He didn’t come alone though, bringing his friends Nephews to the dance on the B side who deliver sunset house grooves in the form of 'Reingelaxed'. To complete the EP Jkriv remixes 'Reingelaxed' into a synth swirling Balearic gem.

Pierre Chiffonnier (author, composer, and performer) borrows elements from pop, electronic music, jazz, and traditional French chanson to create his debut album featuring many instrumentalists. At the crossroads of the concept album and the musical tale, "Fortune" is a unique and multifaceted assemblage, produced by zerolex and influenced by Flavien Berger, Bertrand Belin, Jacques, whose lyrics are inspired by the myth of the ragpicker.

From a previous album dedicated exclusively to Soul music by the Roman producer Nerio Papik Poggi, this new project in the artistic name 'The Soultrend Orchestra' was born in 2017. The album titlereleased that year, '84 King Street', definied the musical genre to which it is dedicated. In fact, the address is that of the legendary New York club Paradise Garage from where Disco music in the late 70s was definitively launched all over the world by deejays David Mancuso and Larry Levan in the first place. So Soul and Disco are the predominance of this first album which has had great success in the sector so much so that the band has performed live in important European festivals. This new album entitled Live For Funk starts from where the first left us musically to enter much more on the Funk sound, especially the English one of the early 80s and the American one linked to jazz musicians such as Donald Byrd or Roy Ayers who have been re-evaluated so much in the years starting from the Acid Jazz scene from the 90s onwards. 15 songs in total, including three covers, all three already released as digital singles. The three covers are remakes of cult songs from past years in the Disco Funk world and exactly Get Down Saturday Night by Oliver Cheatham, Outstanding by the Gap Band and Act Like You Know by the Fat Larry's Band. In the project Nerio Poggi brought with him his historical musicians such as Alfredo Bochicchio on guitars, Peter De Girolamo on keyboards, Massimo Guerra on trumpet, Fabio Tullio on sax, Simone 'Federicuccio' Talone on percussion and Luca Trolli on drums. In addition to a dozen other guest musicians also 8 different singers among which the names of Alan Scaffardi, Al Castellana, Kenneth Bailey and Danny Losito of Kaigo stand out.

7" release of Onegram's Caribbean Reggae Disco cover of INCOGNITO's acid jazz classic "crazy FOR You"! Incognito's smash hit "Crazy For You," released in 1991 during the Acid Jazz boom, has been covered by Onegram in 2024, more than 30 years later, with an exquisite arrangement. The rhythm section is groovier, the horn arrangement is full of Onegram's style, and the steel pan is used impressively to create a fun Caribbean disco reggae song while maximizing the quality of the original. The B-Side contains the ET Edit, which is optimized for DJ play and has a pleasantly pleasant effect processing.

Tear / sticker residue on the cover front!

Thanks to the success of his productions and his remixes, all the works printed on vinyl made by Luca LTJ Xperience Trevisi have been snapped up among his fans and DJs from all over the world. From his past catalog there was still a complete album released only in Compact Disc and in digital format in 2013: Ain't Nothing But A Groove, left behind not because it had anything less than the others but simply to alternate new releases with catalog ones. Now it is finally being printed. The album, strictly in the DJ Friendly version, double vinyl with only two tracks on each side, contains some of his Nu Disco Funk pearls such as: What I Feel, Linear Funk and Get Down. Luca LTJ Trevisi (ltj Xperience) began his career as a DJ and producer in the 80s. As resident DJ of two of the most famous Italian clubs, the Kinky in Bologna and the Cap Creus in Imola, he was one of the first Italian DJs to play House Music and to revive that particular selection of Black Music called Rare Groove mixed with Jazz and Latin-Bossa who gave birth to the Acid Jazz movement at the end of the 80s. His first official release was in 1988 and was titled First Job, paired with Kekkotronics, and was also the first album from Irma Records. The song was included in many compilations and many DJ playlists around the world. In the following years, among his singles we find some song forms that anticipated the Breakbeat genre such as Do n't Stop The Sax and Funky Superfly. He produced Tameka Starr's single Going In Circles, also for Irma Records, which has become a classic of the Downtempo/R&B genre. In the mid-90s he produced some Italian Acid Jazz groups such as Bossa Nostra and Live Tropical Fish and began to select Rare Grooves compilations that have become classics such as Groovy and Suono Libero. At the same time he also started playing outside Italy, in particular at the Blue Note and the Jazz Café in London, at the Giant Step in New York and at the Montreaux Jazz Festival in Switzerland. In 1999 he released his first album under the pseudonym LTJ Xperience entitled Moon Beat which featured Ohm Guru in the production and Taka Boom and Jackson Sloan as vocal guests. Two tracks from the album have become club classics: the Brazilian House version of Sombre Guitar and the chill out Moon Beat. His second album in 2003 entitled When The Rain Begin To Fall features Joe Bataan in the reinterpretation of his most famous song Ordinary Guy which has become a Gilles Peterson classic. After some singles including Organ Mind / I Love you (Larry Heard's favorite track) he dedicated himself to the world of the Nu Disco genre, releasing 5 albums in the genre to date. The latest Deepening of A Groove contains Bad Side with the American singer Anduze on vocals, which is one of his most popular hits, adored by Moodyman so much that he included it in the music of Playstation's Gran Theft Auto which sees him as the protagonist with his avatar.

Deepening of a Groove is the new album, the fifth dedicated to the research of sounds Disco Funk from its origins revisited by today's rhythms and the dancefloor feeling of 2000. For the first time on this album 4 sung songs appear. Bad Side (already released in single version) and Infiltrator are sung by Anduze, soul singer from Los Angeles also known for his collaboration with Parov Stelar. I'm Gonna Funk U and Stranger are sung by the Marche singer AdniL for the first time in collaboration with LTJ.

Serbia's Disco Fruit crew has been putting out lush sounds that take in funk, breaks and soul influences on top of their bread and butter disco grooves for years now. This time they welcome back a label regular, Loshmi, who has put out plenty of edits here before now. His new one 'Dark Night' is a 60s-tinged high speed spy theme with funky brass and bristling drums all overlaid with rock-styled vocal yelps. The instrumental on the flip is a more paired back but just as hustling groove.

Kenichiro Nishihara's very popular song "my leaving feat. mabanua" is finally available on 7inch! The popular song "my leaving feat. mabanua" from the 4th album "Jazzy Folklore" is finally available on 7inch. The flip side features the Esno Remix, which had not previously been released. In contrast to the original, the electro-oriented remix of this track reveals the unfathomable potential of Kenichiro Nishihara and this song.

Journeyman, DJ, radio presenter, beat raconteur – it’s been hard to keep up with all of iZem‘s movements lately. The innovative Lisbon-based French producer has been hard at work on his debut LP Hafa, exploring the sounds of Latin America and North Africa in a vivid analogue-digital, genre-defying soundscape that is sure to leave your head spinning. Inspired by cultural greats like Jack Kerouac, Paul Bowles, Tahar Ben Jelloun and Matisse, iZem spent time soaking up the atmosphere at the inspiring Café Hafa, an idyllic cliff-pop joint overlooking the strait of Gibraltar, in Tangier, Morocco, which has formed a golden backdrop to his debut LP. Brimming with soulful exoticism, personal narratives and adventurous collaborators, Hafa has been an experiment in taking on the afro-centric sounds of his journey to-date by incorporating modern, introspective songwriting and hybrid beats.
Often writing music whilst crossing continents, the only place iZem allows dust to settle is in the heart, heat and rhythms of his local-global future sounds. A decade of nomadism between Spain, Brazil, Argentina, Ireland and Portugal made way for a series of critically acclaimed EP’s and remixes for Soundway, GAMM, Far Out, Agogo, ZZK records, Wah Wah 45s, and Mais Um Discos. Arrival on the global, forward-thinking, artistically leftfield scene was predicted by Gilles Peterson, XLR8R, Okay Player and fellow tropical hed Quantic. iZem is an acronym for “In Ze Early Morning” and his debut album “Hafa” evokes new days dawning in far-off lands and stirring horizons of the present. So if you aren’t hearing iZem’s pastiche of future tropical rhythms and organic grooves on stations such as BBC, KCRW or Funkhaus Europa, then make sure you you catch him raising the dance floor temperature on one continent or another.

Soul Service is a new label from the Atlanta-based party crew of the same name. For their first trick, they enlist the fine sounds of Italian Afro house and disco man Gledd, who shows his skills across blends of Latin, jazz, house, and world music influences. 'Jazz Con Sabor' opens with lots of frosty cymbals and big horn stabs over shuffling drums, then 'Dile' has a more playful and funky skip to it that soon infects your soul. 'No Lo Quiero Saber' (Latin mix) is deeper, more percussive and packed with sunshine from the expressive vocals.

After the first EP released in 2019 with Mother Tongue label, the French band never stopped reinventing itself. Oscillating between future jazz, house, the alchemy found within the band proves to be quite unstoppable. Whether it’s live or in the studio, the Gin Tonic Orchestra reinvents, innovates and experiments constantly. The idea is to create a live experience that resembles a DJ set, strongly influenced by club culture and jazz. For the first album « Shyance », the collective starts with a cataclysmic intro that introduce « No I Can’t Be Free » which connects Stefania EP to the new album. The other tracks cross Fusion (Shyance), Hisaishi harmonies (Yubaba), DnB (Rage Jaune), Deep House (La Couenne Rance), Cosmic Disco (Crush) and Thrash R&B (Can U Plug My Sm58 Tonight).

For more than a decade, Freak Heat Waves have been steadily amassing a cult following and earning acclaim from both critics and underground aficionados alike. Their music is a heady cocktail that defies easy categorization, blending elements of post-punk, psych, dub, ambient, house, and techno. Their eclectic sound has served as the soundtrack to countless DIY punk shows, outsider galleries and sleazy discos, establishing the duo as iconoclasts with a reputation for ignoring expectations and subverting genre conventions. While at times, the term ‘acquired taste’ may have seemed fitting, their latest release offers their most alluring output to date. Mondo Tempo, the duo's fifth LP, released through Vancouver's Mood Hut, was primarily recorded at their home studios in Montreal and Victoria. Building upon the electronic explorations of their previous record, Zap The Planet (Telephone Explosion), they inject their signature sound with a smoother and sweeter blend of dance music. The album’s tracks feature midi smoothness, trance mantras, dancehall grooves, ambient textures and vocal samples, creating a world that is both captivating and immersive. Notably, the lead single “In A Moment Divine” features a collaboration with Cindy Lee, resulting in a dance floor number that boldly ventures beyond the familiar wheelhouses of both acts. With Mondo Tempo Freak Heat Waves solidify their reputation as one of the most exciting and unpredictable acts around.

Californian funk collective Banda Maje put their spin on “Wait For Me”, a disco-funk track by Canadian multi-instrumentalist Franky Selector. The full, vocal version of the re-edit, on side A, sees Franky Selector himself sing in perfect Neapolitan amidst irresistible backing vocals, while the instrumental version is provided on side B. Both versions brim with joy, funk, and Salifornian energy, bringing Italy and Canada closer than ever. Infectious groove has no boundaries.

"Blossometry" is the new EP from French beatmaker Flow-er. In a chill and downtempo atmosphere inspired by Kaytranada, Moonchild, and Dam-Funk, the six tracks oscillate between neo-soul and modern-funk. Several guests enhance this release, including US female rapper Tanajah, already noticed in North Carolina. "Luxuriant Excursion" highlights the guitar and future beats inspirations of Pomrad and the groove of Vulfpeck !

Created by the dynamic duo of Dave Maze and Grammy-nominated Spike Rebel, this album is a one-of-a-kind fusion of funk, disco, afro, and soul, all wrapped in the mesmerizing art of spoken word. “WORDS OF KNOWLEDGE” is a spoken word tribute album to the talented Jerwayne Balentine, also known as J-epic. Jerwayne, who authored the book "words OF KNOWLEDGE," was a remarkable poet, author, producer, and illustrator. Tragically, he passed away in 2020 at the age of 23 due to Muscular dystrophy. All proceeds from the sales of this album will be directed towards funding music programming for young adults with developmental impairments and supporting Muscular dystrophy research.

"BlackFilter is the project of Pellegrino Mazzucchi, a percussionist, DJ, and producer residing in Modena, Italy. Pellegrino became passionate about music at an early age, thanks to the influence of his mother, a Fado singer of Indo-Mozambican descent, and his older brother, a DJ of Latin and World music who encouraged him to study Afro-Cuban percussion. Drums, or "Batuki" (as his mother called them when she was getting mad at him for the continuous rhythm that echoed through the house at all hours of the day), served as Pellegrino's first means of expression. He later expanded his sound palette through experimentation with analog synthesizers and drum machines. The fusion of these elements over time gave birth to the distinctive sound of Black Filter and "Batuki": a dialogue between Afro-Caribbean rhythms and futuristic Jazz with hints of electro and disco, offering the listener a sonic and refreshing sound experience." "Batuki" is out on Ragoo Records.

Alex Attias, El Mustang Project is back with a new album. This second opus features full of new collaborations with on vocals Cecilia Stalin, Rouhangeze and Desney Bailey. Alex worked as well with the keyboardist and instrumentalist genuises Sohan Wilson and Hajime Yoshizawa and with Saxophonist friend Arthur Donnot and Alina Bzhezhinska on Harp. This Album has been made during a two years period between 2019 and 2021. This is a reflection of the various musical styles Alex was listening at home enjoying producing during the lockdown. The 8 first tracks feature a selection ranging from jazz to disco without the dancefloor in mind. It was a various and distant collaborations for the first time and the result is a selection of 12 tracks “ but only 8 for the limited vinyl album”. The remaing tracks are on the ep “life” that came out late december 2021.

Akira Mizumoto is a DJ, editor, and writer. His full album "A.M.", originally released in 2002, will finally be released as an LP on Record Day 2023!! Guest vocalists include Tomomi Sano, Yasuyuki Horigome (ex:Kirinji), and Rie Aoki (flex life). In addition to the remastering of all songs, the artwork will be updated to LP-only version by Keiji Ito, who also worked on the artwork of the original CD. The sound of bossa, jazz, and electronics intersecting with a beat based on 4x4 should be reevaluated today. The music is a collection of gems that color the floor, and we hope that you will experience the reincarnation of club music that transcends the ages and continues to spin.