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Kyle Hall back on Hyperdub for our 10th Anniversary? - Yes please. In fact this is more or less a long delayed EP from the vaults, recorded around the same time as his 2010 ‘Kaychunk’ EP … which just goes to show how ahead of the curve the young Detroit producer is. Starting with 'Girl U So Strong', the track riffs on a distorted arpeggiating bassline, seasick organ and a dubbed out voice, and a flicking metronomic note, starting slowly before shuffling drums give the track some rhythmic focus. Soon a warm melody builds over some happy arpeggios, and the whole track feels like a product of brilliant spontaneous energy. 'Take Me Away' works an 8 bit bassline, bleeps and throbs into an off beat shuffle over a pulsing bass drum, loose and happy, dosed with sunshine and space.

Record has a few scuffs and hairlines.

Ltd edition 300, vinyl only release.

The Duke of Juke returns with a smashing 10", his first release on dutch imprint ANUS Records. Here he shows his variety of musical knowledge fitting our philosophy - be odd, be future, be not too serious. Get to know!

Haunting melancholic songs, indie pop with cinematic flair, presents the first collaboration between the Italian composer Daniele Luppi, known from various film and TV soundtracks, and singer Greg Gonzalez, frontman of the band Cigarettes After Sex. Having worked with the Red Hot Chili Peppers, Danger Mouse and Norah Jones on various projects, Luppi has now found the perfect voice for his bittersweet songs in Gonzales. For fans of Rufus Wainwright and similar delights.

As witnessed in the preceding decades of electronic music fragmentation, it is a bit of a phenomenon that entire threads of sound exist elusively between the tempos and syncopation of rhythm and percussion of each respective genre. just as dubstep was evolved into & somewhat stumbled upon it is somewhat certain that many more areas of illumination lurk in the echoes & shadows of sound. As has been hinted on sonically with Surface Tension I, Clubroot's previous release & first foray into the second decade of the new millennium, the elusive aforementioned producer from St. Albans has managed to alloy a new sound with the swing and BPM of uk garage, space, air and atmosphere of true dubstep, and with all the unparalleled virtuosity and unmistakable aural DNA of Clubroot, which we dare say is rarely equaled. in doing so, clubroot illuminates the realm of uk garage and electronic music in general towards a currently unforeseen future.

"No Hope For Tomorrow", the new album by Bry.Zen, was created as if produced from a sci-fi inspired post apocalyptic universe.Imagine the producer as a wasteland wanderer, stumbling upon a lost studio and spending his time composing music based on inspiration and memories from before the catastrophic events. The music breaks boundries and expresses itself freely. To correlate to reality, this music reminds us that as much as we've seen things crumble around the globe the past year there's always a light that can shine and guide us forward.

This latest release is a switch up for Bry.Zen, reaching out from hip hop and delving into other exciting genres like garage, house, footwork and boom bap, all which share similar sonic qualities. When mixed together, the final project makes for a very unique album. Approach it with an open mind, and you're bound to be inspired!

After our inaugural release by STL we look to a long running UK based artist Soomro. Growing up in the W10 part of London, Honest Jon's was a stones throw away and Soomro's first proper musical eduction. At a young age he was absorbing and digging through various genres and artists like King Tubby, Pink Floyd & Miles Davis, then going onto experience first hand in his teens the 90's golden era of UK underground dance music, from listening to UK Garage artists like R.I.P. Productions and Tuff Jam at the Gas Club to Drum & Bass artists like Dillinja and Source Direct at the Blue Note. These experiences were the foundations that helped shape and influence what Shaun does musically till this day.

Balayage is Garagen Uwe’s first release on the Berlin-based label Beatbude. It’s a two-hits- single that comes with stickers and a business card, in case you wanna do business

Millia, real name Akeem Asani, was born and raised in the Midwest and is now based in the Windy City. With his dancefloor-ready solo project seeing releases on Sweat Equity, Knightwerk, and a string of self-released singles online, Millia has received support from NTS regulars Re:ni & Laksa, Bradley Zero, and Otologic, as well as club and festival plays from Nick León, Tammo Hesselink, Gramrcy, LCY, and Shanti Celeste. For his latest offering, Millia readies two rich organic and dub-influenced tracks for Roy Mills’ Local Knowledge imprint. ‘acab Break’ combines psychedelic samples with tripped out breaks, deep subs, and dense, spacey atmospheres. On the flip, ‘Trip Dub’ delves further into dubwise territory, delivering a tense percussive affair of cavernous soundscapes and weighty drums that stretch effortlessly across the B-side. Elsewhere, with Kindtree and Concave Reflection, Akeem is part of the downtempo super-group Purelink, who enjoyed acclaim with their ‘Bliss / Swivel’ 12” and followed with their debut EP on UwU Dustbath and a performance at New York festival Sustain/Release. Akeem picked up Resident Advisor’s ‘Mix Of The Day’ for his Motion Ward mix in 2022, and has featured DJ mixes with Animalia, Knekelhuis, Warning and c-.

Lotus Wash drops his debut album on LBD Sounds, bringing a whole load of fresh material which came out from his experience as a session musician, and performing his experimental live sets around the Czech Republic. He connects the dots between classically trained musician and modular synth-head, working in Prague's DIY shop and creative community Noise Kitchen. The album spans across 6 original tracks of pure analogue bliss and live ideas, alongside three remixes from his closest allies, local producers Oliver Torr, Vision of 1994, and Hrtl.

The Field Theory was created during a period of deep fascination with quantum physics, with the tracks being conceptually and aesthetically inspired by some of its phenomena. Acoustically, it's mostly a slow and dark affair, with Lotus Wash only letting the light in very briefly when the sun is young (Magnetic Moment), keeping the shutter firmly closed for the rest of the record. His music does not rely on banging beats to drive it, instead letting intense grooves do the job from deep underground, just like on earth-shattering album opener Vacuum Fluctuation. He masters his craft of building atmosphere, a skill learnt during multiple collaborations with various Czech theatres. Of course, he lets the steam out occasionally, and always with devastating effect (Higgs Field, Casimir Force), but mostly choses to keep it capped, humming and hissing. When the sky clears, he opts for a minimalistic and hypnotic approach, only to disturb this peace with a killer bassline in one of the album's highlights – Spooky Action in A Distance – later re-imagined and re-electrified by Oliver Torr. Standard Model is anything but your standard techno, while Hrtl's remix of Magic Moment flirts with techno too, but on a dubbier and brighter side. Bringing the album to a close is Vision of 1994's downtempo take on the same track, finally letting you breathe out.

With a fundamental emphasis on the encouragement of genre hybridization, Evar Records, the Los Angeles-based imprint co-founded by Trickfinger (John Frusciante) and Aura T-09 (Marcia Pinna), continues its momentum with an expansive 9-track collection from Netherlands-based luminary, Limewax.

After making a strong first impression with its 2020 debut offerings, Evar Records has recruited Limewax to carry forward its mission of blurring boundaries and challenging conventions in electronic music. The Ukranian hard drum and bass hero happily obliged, referring to signing with Evar as a breaking point which allowed him, finally, to take full stock of his background in classical and electronic music simultaneously. Although Maxim Anokhin is widely known for his hard-edged breakbeats, releasing on labels such as Tech Itch Recordings, Position Chrome, Freak Recordings, and Prspct, the full scope of his artistry shines through on Untitled.

The opening cut, "Porcelaineworm," is a futuristic electro cut recalling IDM classics like AFX's "XMD5A." Of course, the virtuosic drum programming and hectic D&B sound which Limewax has built his reputation upon is here in spades on tracks like "Stay Lackey. Cuts like "Ushio" and "Whay1" are fascinating studies in contrasts—the former balances bludgeoning techno of the Ansome and Perc variety with a resolve that recalls Fennesz's pastoral glitch abstractions. "Whay1," meanwhile, is sub-rattling drum and bass nuanced by cinematic string themes. "Getupa" is an experimental beat track that truly bangs, its layers of texture and field recordings placing Limewax in the company of bleeding-edge acts like SVBKVLT's breakout star Hyph11E. The very next track, "19NB," is a subtle update to the original minimal technical template established by Detroit icons Robert Hood & Jeff Mills.

While most of the album hurtles forward at hard techno and D&B tempos, "Maleisae" is a sensual 70 BPM track mixing ghostly R&B and acid. That spectacular cut heralds Untitled's intricate denouement. The brief "Wernmqbram" effortlessly reconciles a baroque minor-key piano theme with the renegade snares of classic jungle. "Hasan" is a true "closing credits" master stroke, half-time acid giving way to gorgeous IDM-meets-Blade Runner synth leads.

Far from a genre-jumping hodgepodge, Untitled is a remarkably coherent full-length by a virtuosic artist free to explore the entirety of their creative influences. The Tilburg-based artist cites the poets Marina Tsvetaeva and David Whyte as influential on Untitled and also listened to works by 1771-1862 works by organ builders when crafting the album. The end result reveals Limewax as a masterful, diverse artist, capable of any style he pursues. It's a clear indicator of the boundless promise of Evar's core principle—a staunch refusal to put artists in boxes.

Upsammy enters the acoustic realm with her new side-project Sweepsculp. Five addictive tracks fusing minimalism, IDM, folk, krautrock and various styles of jazz - using only an acoustic guitar besides drums. Live recorded, digitally edited/sculpted and produced in her singular style.

Full printed sleeve with illustration artwork. Limited run of 100 vinyl copies only. Having collaborated with Umwelt on the earlier Mothership compilation (an allied Midnight Shift x Voitax production), the German producer is now handed the reins for full creative curation over the course of six tracks with features from close pals Ngly and Cressida. Awash with a palate of dark and broken sounds yet with touches of warmth and humor, 'Soothing Songs For A Cultured Affair', burrows deep into the mind of the Voitax label boss. Lending from a rich musical upbringing, we witness the evolution of breakbeat and electro as seen through the eyes and ears of a producer at one with his machines.

First taste of the upcoming Tempo Dreams Vol. 5 album, compiled by LA based beatmaker Free The Robots. Coming in with a seperate vibe all it's own, the 7" features the exclusive track "Nasi Goreng", a lo-fi psychdelic beat heavy romp through South East Asia, complete with Gamelan vibes. On the flip, "Marano" is a downtempo ultra bass heavy joint with sparse production, vocal chops and swirling synths.

Sam Kerridge launches a major rethink of his style with the high-velocity tempos and razor-toothed bite of The Silence Between Us.Toiling somewhere between Ueno Masaaki’s Vortices for Raster-Noton, the pitching pelt of La Peste for Hangars Liquides, and the machine convulsions of Somatic Responses, he goes balls-to-the-wall with the breakneck momentum of Possession/Control, harnessing reverse-edited kicks, helter-skelter EBM bass and spectrographic noise ghouls in a surge of searing rave energy.Flipside, those knotty, strobing pulses keen thru empty stomach inversions and bursts of tangled EBM synths on Ascension, which is effectively a snappier edit of the A-side, whilst Radical Possibilities of Pleasure sounds like a field recording from a french hardtek invaded by dildo dibble in choppers and riot gear railing lasers against any unlucky dancers.

Full Dose is back! Once again exporting their distinctive brand of mutated dub directly from Glasgow's Southside. The label's 13th release is the work of a new name: Brollachan - "a shapeless darkness that craves bodily form". As the name would suggest, the music itself evokes a certain eeriness. Brollachan fuses this with the metallic textures and airy rhythms commonly heard on Full Dose records. Tracks like "Hall" could well be written by a smoked-out mythical being, with deep subs and spring reverb-laden tones throughout. Quality stuff. This juxtaposition of influences continues throughout the release. "Graze" has a particular aquatic feel. Sonar-esque synths punch through the haze and sustained synth sounds keeps the track in midwest territory. Despite the obvious variety on show here, Brollachan of course keeps fans of the Full Dose sound on-side. "Mad Dawg" is a grimey take on this. General Midi style sounds appear throughout the intro. This is complimented by intricate drum programming and a growling bassline, to give us a track straight from the 22nd century. 13 releases in and the tight-knit crew behind Full Dose continue to promote a sound that is both unique and reliable - Brollachan is no exception!

Never Sleep welcome Scottish duo 'Alia' into the fold with the Circa 90 EP. Liam Robertson (Clouds) and Andy Graham (Sei A) join forces for devastating effect and blowing the doors wide open on that beautiful middle ground between club and ambient. A mesmerising body of work that spans electronic genres effortlessly and compounds a cinematic quality to every avenue of sound design. 'SunLight' leads the effervescent charge with driving percussion and explosive dynamics whilst 'Circa90' breaks the deconstructed barrier with tones of rave, full bodied bass and pulsive symbiotic breakdowns. A hybrid sound from a contemporary duo that are continuously hitting the right notes. Neil Landstrumm and Stina Nordenstam field record outdoor Fairlight CMI in the Allean Forest.

Amy Douglas should need no introduction, having supplied song-writing and vocal duties for Horse Meat Disco, Róisín Murphy, Luke Solomon, Soul Clap, and worked with Joe Goddard on their Hard Feelings project, Here she teams up with Craig Bratley, who dusts off the analogue synths to produce something which clearly wears its influence on its sleeve, taking in elements of Balearic, Street Soul and early Sheffield Bleep. On the Ashigaru Dub, Craig explores these influences further, the result reminiscent of Mad Professors take on Massive Attack.

Placid Angles, alias of seminal electronic artist John Beltran. Back to is roots on this one, tip!

Edition of 100 - printed sleeve, hand-stamped centre labels.

Finding a rich seam in stark minimalism, soundsystem pressure and fractalised rhythm, Cassius Select is at the vanguard of contemporary broken beats and punishing low end.

This new Select transmission comes correct on Bruk, prodding at the same bold dance futurism already laid down by Siete Catorce and FFT, whilst sounding nothing like either of them. 'Dread Percent's swelling pads and dislocated MC shards are a foil for the ruff angles of 'Fish Tek'. 'Mess Mutual' teases and stalks at a lower tempo and then twists up another set of bars over a bed of alien drone, laying the groundwork for the massive, grime-licked hooks of 'Shake Like Me'.

Hinting at the anthemic while remaining steadfastly cool and deadly, Cassius Select's mutant brand of club has the space and versatility to slip between scenes, doing damage wherever it lands.

One of the top drummers in the Israeli scene, Tel-Aviv based songwriter and producer Beatfoot launches his solo project with the powerful new EP De Vibez, a fanciful gutter-glam cross between stoner-acid-pop and 90’s-garage-punk. Side A contains some stunning originals alongside a surprising cover of a melancholic oldie by the legendary german singer Nico. Side B be the remixes: the first, a colorful club-driven remix by Garzen Records head honchos & electronic duo Red Axes, followed by a groovy down tempo drone version by the mesmerizing Smagghe & Cross.

Rian Treanor re-imagines the intersection of club culture, experimental art and computer music with ‘A Rational Tangle’, his debut quartet of glass-cut, 150bpm hyperprisms for The Death of Rave.

Galvanising and accelerating garage and techno with cuttingly crisp tonal diction and pointillist percussive palette, ‘A Rational Tangle’ demonstrates Treanor’s adroit and finely-nurtured rhythmelodic instincts through a quicksilver syntax of kerned, polychromatic 2-step patterns and whipsmart, emotive jit music.

Functionally titled A1 thru B2, the EP’s four tracks vacillate ping-pong ballistics and recursive melodic motifs constructed in Max/MSP, dancing from pendulous, aerobic minimalism to taut, synthetic tabla grooves with grid melting nous, whilst also taking in gamelan-esque hypeR&B through wormholes of smeared and curdled harmonics, plus one dead lush section of Detroit-via-Yorkshire styled hi-tech funk.

The production is stainlessly dry and future-proof whilst his arrangements are considerately efficient, yet it’s all blessed with a pop or ‘floor-ready turn of phrase that reveals new kinks, fills and twysts with each return listen.

Whichever angle you view it from ‘A Rational Tangle’ forms a rewarding introduction to the work of a very promising and distinct new voice in electronic music.

Rian Treanor (b. 1988) is an artist and producer based in the North of the UK. His practice references the dynamic cut-ups of Fluxus and Dada as much as UK dance music to present an insightful and compelling musical world of interlocking and fractured components. He has formerly studied with Lupo at Berlin’s Dubplates & Mastering, besides years spent running the Enjoy artspace in Leeds.

Inspired by a long lost tale from dark and cold northern lands, written many ages ago, ‘Neida‘ is the story of a young boy who one day noticed an eerie call, so peculiar and odd that he could not resist but to follow it. While it resonated through remnants of ancient settlings, the boy had to overcome many obstacles and solve numerous quests, journey through mystical forests, foggy mountains and ghostly villages, battle the forces of nature and lose himself in this adventure. Finally reaching the ocean after an exhausting voyage, a mysterious invisible force drew him closer and closer to it, suddenly entranced in a state between consciousness, floating underwater, lured by the siren of the sea.

Infant joins Warm Winters Ltd. with "sigla, sone", an album of strikingly personal and diaristic sound postcards. It's an album conveying the most intimate of moments and memories, encapsulating the feelings of entanglement and interdependence. The Michigan-based producer utilises various field recordings from his personal archives (sounds of a burning garage, conversations, Lake Michigan waves, crunching beach shells, starlings nesting in a bathroom vent…) alongside various treatments of the human voice and reworked/resampled work of his to create music that's both tender and unassuming, as well as fascinating and complex. The whimsical and the deeply touching sit side by side on an album that exhibits the magic of what ambient music can mean in 2023.

Mon Goose is multi-instrumentalists Yegang Yoo and Robert Lombardo (both ex-Alex Delivery [Jagjaguwar]). Flowing seamlessly between dance grooves to experimental soundscapes, their songs twist and turn melodically through dense layers, animated by inventive live percussion and a creative melding of electronic and acoustic sounds. A Seoul-native trained in classical piano and composition at an early age, Yegang transplanted to New York City in 2000, where she and Robert began playing music together. Robert's history spans from playing guitar and drums in garages and basements, to the rabbit-holes of experimental and dance musics, to the present where he pulls from all of those influences in the music of Mon Goose and as a sound designer and composer for films. Very Still Right Now lives in the intersection of music to listen to and music to dance to. Showing influences from space disco (stand-out track “I Feel Goose” is gloriously remixed by Lindstrøm) to Krautrock to techno ... to soundtrack records ... to classical ... it shifts and turns, sweeping you unaware from the disco dance floor to the melancholic high seas with a unique ability to contain, expand, and gradually distort moods without sacrificing a sense of lightheartedness. The album is the culmination of several years’ work from the duo, tangled in the wires of an arsenal of analog gear in their basement studio in Greenpoint, Brooklyn, and is the first offering of much to come.

Limited edition of 30 copies on red vinyl for this little beauty produced between Portugal - Greece - Italy.

You may know of “Rude Movements”, an early dance music classic produced by SunPalace (Mike Collins and Keith O’Connell) back in 1983 that brought together proto-house, balearic beats and funky vibes. In 1984, the tune quickly became an anthem that could regularly be heard at David Mancuso’s “The Loft” or at Larry Levan’s “Paradise Garage” for example. Thanks to Mike Collins, the studio veteran still in the business after more than 35 years and currently busy perpetuating the legacy of SunPalace, more material from the archives has been ‘surfacing’ over the past few years on UK-based record labels. After a very productive meeting earlier this year, Parisian label Chuwanaga is really proud to present four unreleased songs produced between 1982 and 1984! Co-written by Mike Collins from SunPalace and Breeze McKrieth, a founder member of Britfunk bands Light Of The World and Beggar & Co, these Lost Songs are the almost forgotten result of this seminal collaboration, an exclusive musical rendez-vous between experienced studio music makers and funksters at the top of their game, including some of the finest Britfunk musicians. Bringing together eighties influences and futuristic sounds, the result covers a wide range of genres, from jazz-funk to new wave: it captured a unique moment in British musical history, a smooth transition to a more electronic sound. Definitely not one to be missed!

Soundtrack for your Pagan rituals next weekend.

For his first solo EP, Tushen Raï designed a record in the form of a colorful patchwork of sounds, a meticulous collage of samples, surrounding noises and synthesizers. Here, Maori percussion dug on field recording discs from the late 60s and 70s meet Indonesian chants recorded on phones and posted anonymously online. A nostalgic yet deeply contemporary testimony to an imagination weakened resulting from the cultural globalization. With Drums Circles, Tushen Raï wants to reconnect with the adventure novels, from Jules Vernes to Barjavel, which nourished his childhood. Thought out as an ode to the diversity of our cultures, our practices and our beliefs, Drums Circles is a cry in favor of open-mindedness and curiosity. It is an invitation to discovery rather than to conquest. A humble invitation to embark on a journey and to collective trance

Ghostbusters (Suzanne Kraft & Anton Pieete) spent all night investigating strange goings-on at a farm cottage, only to find squirrels. (quality record this...sik one)

For Dsd025, we welcome Tom Jarmey to the Dansu Discs team with his new alias ‘Ocean Stirs’. His ‘Through Twist and Seam’ EP takes you on a journey across tasteful, jungle- infused electro, half-tempo rollers and vocal ear candy. It was a breakthrough 2020 for Tom, with numerous releases under both his Tom Jarmey moniker and collaborative project, Mother Of Pearls. Dansu Discs invite him to the crew with an extremely warm welcome.

Written and produced by Thomas Caesar, Guillaume Lespinasse, Axel Ropert-Lemercier and Jean Redondo. Distributed by Chez Emile records. Snowballs provided by Tony Mastroianni on a Kawasaki Z750. Type by Dinamo, Illustration by Almost Free Services.

Limited to 50 units

Garage Hermétique's sub-label dedicated to non-club excursions continues its exploration by welcoming Nummer to its collection of mixtapes.

Let yourself be captivated by the day unfolding under the morning sun, filtered dreamy synths, the memory of distant voices and eerie percussions; echoing in the garden, transporting the listener into a kaleidoscopic realm.

Jonas Landwehr & Felix Fleer, the minds behind R-Imprint, are back with their youngest
brainchild ‘Serial Sound’. They are starting the new label off with an expertly crafted five track
EP ranging from emotive 4 to the floor anthems, over ideosyncratically spaced out IDM
experimentation, to cutting edge UK-infused club weapons. ‘Secrets’ is opening the A-Side with
a raw vocal performance by LAINE, fused with an infectious groove, building up to a euphoric
climax of layered poly-synths, sample flipping and abstract textures. ‘Blinded’ is carrying this
vibe over into a more toolish format while maintaining an intricate narrative arch. ’Water Seven’
rounds off the A-Side with a more dreamy excursion into ambient territory. ‘Windows’ opens
the B-Side with a catchy theme of pulsing modulated chords supported by subtle, micropercussive textures. Aeon is closing off the record with an aggressive, synthetic rhythm,
featuring syncopated vocal slices, contrasted with enthralling pad sounds. With this release the
duo has opened up their sound into a more mature & eclectic direction, while staying true to
their signature brand of contemplative harmonies and detailed textural layering.

Comprehensive, full-spectrum, sonic experiments build for clubs. Uncategorisable in all the right ways. Danny Daze and Jonny From Space team up for their joint Craigie Knowes debut. The ‘Tumbadora’ EP is a masterclass in technical production whilst retaining all the rhythm and power required to destroy dancefloors. It’s one of the listeners and the clubbers. Nick León steps in with a stripped back version of ‘Sweet Spot Radio’ that’s every bit as mind-melting as the 3 original tracks. Prepare for the freefall!

Son Zept - "Northern Ireland's resident electronic compositional polymath" (The Quietus) - debuts on Analogical Force with a 5 track EP. "New Ireland Chrome" comes from the soundtracking of an imagined futurist Ireland. This EP is an inventive genremash of grime, braindance, acid, ambient, rave and other difficult to describe soundworlds. Artwork comes from Geometric Love, UK.