Search "Jessie+Ware" 639 Items

Release: 2014 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Come Into My Heart (Remix)

1 World

12" | 1991 | EU | Original (FFRR)

3,39 €* 3,99 € -15%

Release: 1991 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Record is close to VG+.

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12" | 2002 | US | Original (Live Wire)

Untitled

Release: 2002 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1994 | UK | Original (Polydor)

Yazz

Have Mercy

Release: 1994 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1994 | US | Original (FFRR)

Consolidated

Cutting

Release: 1994 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Everybody's Got To Learn Sometime / Calling 2 U

Yazz

12" | 1994 | UK | Original (Polydor)

Release: 1994 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

From The Mind Of Lil Louis

Lil' Louis & The World

LP | 1989 | EU | Original (FFRR)

5,99 €*

12" | 2019 | IT | Original (Mixed Up)

Release: 1989 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Includes original inner sleeve.
Small sticker on cover.

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Your Planet Is Next

A New Smile

5,99 €* 9,99 € -40%

Release: 2019 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Tape | 2019 | US | Original (Ehse)

Katie Addada Shlon

Other Rhythms

6,99 €* 9,99 € -30%

DJ Balli Is The Wrong Nigga To Fuk Wiz !

Release: 2019 / US – Original

Genre: Electronic & Dance

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Other Rhythms is Ehse debut of Baltimore-based artist and musician Katie Addada Shlon. Katie performs on traditional instruments and those of her own making, improvising in response to the landscape.Other Rhythms is improvised cello for a collage of field recordings collected in cities and countrysides. It is one part meditation tape, one part endless dérive, one part site-responsive performance, and one part environmental reflection.

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Otoscratch The Ultimate Wax To Remove The Wax!

12" | 2006 | IT | Original (- Belligeranza)

10" | 2014 | UK | Original (Unthank)

Release: 2006 / IT – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

seam split

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Fur

Pulp

Release: 2014 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Love Can Prevail (Remixes)

Electric Wire Hustle

12" | 2015 | UK | Original (Somethink Sounds)

Release: 2015 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

12" | 2021 | DE | Original (Internet Is Over)

Hot City Orchestra

The Planet

Release: 2021 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Asylum Promises & Somnia Vera

Aima

Tape | 2024 | EU | Original (Spomenik Tapes)

7,49 €* 9,99 € -25%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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12" | 2013 | DE | Original (Code Is Law)

Movies For The Blind

7,99 €*

Release: 2013 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG

LP | 2013 | FR | Original (Desire)

Jesse Ruins

A Film

7,99 €*

2LP | 2023 | EU | Original (Haista)

Release: 2013 / FR – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Clear vlue vinyl has a couple of light scuffs, closer to VG+

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Jesse

Descend

8,99 €*

Detour Dub / To Want You Feat. Merel Laine

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: G+, Cover: VG

Cover with seam split.
Records are slightly warped but still enjoyable.

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DJ Sotofett / Vera Dvale

12" | 2018 | EU | Original (Wania)

9,34 €* 10,99 € -15%

12" | 2021 | EU | Original (Internet Is Over)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Fully sonic, percussive & heavily dubbed skeletal tribal-acid-techno with hints of industry as well as digital insects fills DJ Sotofett's A-side. Juxtaposing rumble and lightness the drone landscapes of Vera Dvale features Merel Laine on vocals travelling through the mix & narration of the B-side's entire 13 min. Rather than flabbergasting this split 12" presents the core Wania sound!

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Hot City Orchestra

The Planet

9,79 €* 13,99 € -30%

12" | 2020 | EU | Original (Vary)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Hot City Orchestra delivers the first release of the new label Internet Is Over. The title track "The Planet" is inspired by the earth, nature, birds singing in the sky, an orchestra playing at the Opera House and a 808 looping forever in Downtown Detroit. "Shhh!" has been recorded to 50% on a Modular System in Berlin Neukölln and to 50% on lake Mosvatnet in Norway. Field recordings, ambient noises and a warm modular pad are a reminder to human mankind to “Shhh!” the f*ck up sometimes. "The Creator" on B2 has a master plan: Peace and happiness for every man. The Internet Is Over!

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Schmeichel

Hiconcentrated Music

9,79 €* 13,99 € -30%

12" | 2019 | Original (Music For Dreams)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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After a two year hiatus Vary imprint is back with their third installment called “HiConcentrated Music“ which is a 5 track strong trip through Footwork, Beats, Ambient & R’n’B Bits, produced by Schmeichel in his basement studio underneath the store. Fans of DJ Rashad, RP Boo, post Dilla beat scene to Jordan Rakei should dig this. Comes with another homemade graphic design by Julian Kramer.

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Rheinzand

Blind

9,79 €* 13,99 € -30%

Release: 2019 / Original

Genre: Electronic & Dance

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Free The Robots / Gianni Safred

Autumn 2021 / Autumn 2001

7" | 2023 | EU | Original (Reloved)

9,89 €* 17,99 € -45%

Tape | 2019 | EU | Original (Kinship)

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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With the release of Piero Umiliani’s ‘Discomania (Jolly Mare Lifting)’ Four Flies launched Reloved, a vinyl series where contemporary DJs and producers rework tunes from Italian golden age soundtracks and library music.

The aim of the series is to spark a conversation between past, present and future, joining the dots between Italy’s great film and library-music tradition and a global scene of forward-thinking producers - the names confirmed so far include Dengue Dengue Dengue, Free The Robots, Jolly Mare, Koralle (feat. Illa J), Fratelli Malibu, Mounika, Oké aka Deda, Luke Beats, Ollie Teeba of The Herbaliser and Deca. First in line is the 7” ‘Autumn 2001 / Autumn 2021’, with an original track from Italian jazz pianist and electronic music pioneer Gianni Safred and a rework from musician, DJ and beat maker Free The Robots.

‘Autumn 2001’ comes from the 1978 Italian library LP Futuribile (The Life To Come), a retro-futuristic masterpiece by Gianni Safred, one of the great pioneers of Italian electronic music.

Chris Alfaro, aka Free the Robots, is a musician, beat maker and DJ known for his ability to jump in and out of different sonic worlds, creating a unique signature sound blending electronic, hip hop, jazz and psychedelia.

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God Is God

Gig

12" | 2014 | EU | Original (Wolfandlamb Music)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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God is God is a collaboration between Galina Ozeran & Etkin Çekin.
Metamorphic imagery occasionally placed on a grayscale where it's easy to play. A bug on a silicon valley, turning into a snake and flying away gently with its little wings, joining a cloud disco where people cook fish at the bar and the beetles sing in dark corners.
Downloadcode + sticker included.

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Waves & Us, The

The Waves & Us

Tape | 2014 | EU | Original (Project: Mooncircle)

Release: 2014 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Marking the start of an exciting new collaborative project, Wolf + Lamb proudly share the debut release of The Waves & Us. Formed out of a creative meeting of minds between Maayan Nidam, Markus Nikolaus and Louis McGuire, theirs is a sound that strengthens the storied approach of a live band with the experimental thrust of analogue electronics. Pop and rock fundamentals lend an earthly hook to the tracks, but these are anything but straight-forward songs. Maayan has already forged a formidable career in electronic music, both under her own name and as part of Mara Trax, scoring releases on such celebrated labels as Perlon. Markus performs his own solo project Cunt Cunt Chanel, while Louis is part of Ballet School, a band releasing on noted indie label Bella Union. The whirlwind of creativity that has whipped up around the trio has yielded an album which will follow this single, made up of one-take recordings that capture the energy and adventure that powers The Waves & Us. Maayan's electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed chains of processing and effects with an emphasis on a warm, charmingly rough finish. Markus' guitar undergoes a similar fuzzy treatment while his voice calls out introspective, abstract lyrics to set the mind racing. Louis' bass underpins the music with a dubby sensibility, bringing a necessary balance to the frequency range. Making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the album, providing a little insight into the flutters and fluctuations that shape the development of this project. With their eyes fixed on live performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.

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IIIII (Five Eyes)

Finest Ego | Mother Love

Release: 2014 / EU – Original

Genre: Electronic & Dance

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IIIII (Five Eyes) aka Eugene Chistyakov is a young talent from Ukraine, currently living in riot shaken Kiev. This February we will be releasing his debut album ‘Mother Love’ on limited chrome cassettes and digitally. The album is dedicated to his late mother, who was a great music enthusiast and passed on her appreciation, dedication and talent to him. Soaking in his surroundings like an ethnologist, he used interaction with friends and strangers as inspiration. His music is his way to vent out and deal with negativity wherefore the titles usually give away the events that led to their creation.

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Tape | 2013 | EU | Original (Project: Mooncircle)

Eclipse

7" | 2011 | EU | Original (Pingipung)

Release: 2013 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Every six lunar months – when Sun, Earth, and Moon are aligned – we experience a partial or total lunar eclipse that can be observed anywhere on the night side of Earth. Lunar eclipses can only occur at full moon, that time when the moon is directly opposite Earth in relation to the Sun. Many ancient civilizations cultivated a multitude of myths surrounding these astronomic events, most of them depicting wild animals or mystical creatures eating the moon or crossing it’s path. Tibetan Buddhists say that during a lunar eclipse, our actions, whether good or bad, are multiplied one thousandfold, whereas, in ancient egypt, a lunar eclipse was considered to be the precursor of natural disasters, catastrophes, wars, and diseases and the biggest possible harm would be cast upon the earth if Isfet, the manifestation of the total eclipse and god of injustice and violence, would make the sky fall onto earth and therefore bring chaos upon it.

As the soundtrack for tonight’s lunar eclipse, we selected some exclusive and unreleased songs from Robot Koch, Submerse, Rain Dog, Sieren, Daisuke Tanabe, Lomovolokno, KRTS, and Daixie on this mini-compilation.

Artwork by MN (from Bratislava, Slovak).

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Iso68

Summer Of Seven 6 of 7

LP | 1978 | FR | Reissue (Disques Dreyfus)

Release: 2011 / EU – Original

Genre: Electronic & Dance

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For their Summer Of Seven tracks Iso68 have, as usual, recorded many live instruments. We hear drums, guitar, keys, and brass, mixed into two tight tracks which unfold their addiction not at first glance. But after several plays the two pieces by Florian Zimmer (who also plays with the bands Saroos and Jersey) and Thomas Leboeg (member of Hamburg?s Popband Kante) become essential beauties.

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Jean-Michel Jarre

Equinoxe

Release: 1978 / FR – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1994 | UK | Original (Postmodern Jazz)

Time And Space

Crazy Love Songs

Release: 1994 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 2018 | DE | Original (Karl)

Nicolas Wiese

Unrelated

10,39 €* 25,99 € -60%

7" | 2024 | EU | Original (Intergalactic Research Institute For Soun)

Release: 2018 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

A download code is included. #3 in the Periklas series comes from Nicolas Wiese, a Berlin based electronic and audio-visual artist. “Unrelated” is available as handnumbered limited clear vinyl LP in silk-screened sleeve and download. Wiese’s latest effort “Unrelated” contains seven new pieces, constructed from sonic elements of various compositions, audiovisual works, fragments, remixes and experiments from a time span of 6 years, drawn from different contexts and a wide range of international musicians and collaborators.

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Scloss Mirabell

Requiem For Robots

10,39 €* 12,99 € -20%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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7" | 2024 | EU | Original (TAX FREE)

Mantua

Slot Machine / Paradiso

7" | 2022 | EU | Original (Futura Resistenza)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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" North Italian low ways from sport casino gold members. Including digital bonus!" comes with a download code giving access to an extra track..

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Josie Perry

Adaptations

CD | 2019 | EU | Original (Fördämning Arkiv)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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This 7-inch record contains two audio adaptations by Josie Perry of her performances 'Retainers' and 'Toy Shop'. Josie is based in Glasgow and works mainly between drawing, sculpture, performance and publishing. The performances connected to this vinyl were part of a series made between 2019-20 involving absurd narration, audio loops and suggestive props. 'Beautifully Formed' is a short extract from the longer piece 'Retainers', while 'Toy Shop' uses the full transcript. Both works relate to her interests in materialities of spoken language and alienated voicing, and her background in vocal performance.

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Idea Fire Company

The Island Of Taste

Release: 2019 / EU – Original

Genre: Electronic & Dance

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7" | 2021 | EU | Original (Martin Hossbach)

Michaela Meise

Cemalim

12" | 2019 | EU | Original (Tax Free)

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Under the impression of the racially motivated murders on 19 February 2020 in Hanau, her hometown, the visual artist and musician Michaela Meise recorded the piece "Cemalim" by the Turk Erkin Koray in German translation. The production of the song was supported by the Städtische Galerie Nordhorn and the NS-Dokumentationszentrum München, both of which have included the work in their exhibition programmes this year. Erkin Koray is a representative of the psychedelic Anadolu-Rock and published "Cemalim" as an arrangement in 1973. The original composer, Rafik Başaran, came from the Cappadocian town of Ürgüp, which is also mentioned in the song. "Cemalim" means, translated into German, "My darling Cemal", and is a lament for the dead. Meise wrote the German text based on the translation by Fatih Alasalvaroglu, who also comes from Hanau.Besides the mourning of nine young people, solidarity with the relatives and friends of the murder victims is urgently needed. They have organised themselves in the "Initiative 19 February Hanau" - on their website you can find information about what support they would like to receive. Most of the concert programme of the last two years included anti-fascist songs and was a reaction to the increasing right-wing populism. Folk songs, hits and chansons of the 1960s, published in July 2018 on the album "Ich bin Griechin" (Martin Hossbach), dealt with the experience of the Second World War, told of the longing to leave home or the experiences of a seasonal worker. The songs were composed by the anti-fascist Mikis Theodorakis, the musician Barbara, who survived the Shoah with her family in the underground, and George Moustaki and Alexandra, who crossed both national borders.

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Abdul

Tax12004

7" | 2015 | EU | Reissue (Rohs!)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Nightmarish R'n'B, Bassrock and arcade inspired action by Abdul. Very low business risk. Brought to you by Funkycan & Max Gee

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As If

Moments EP

LP | 2019 | BE | Original (Unknown Precept)

Release: 2015 / EU – Reissue

Genre: Electronic & Dance

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2015, Kenneth Werner aka AS IF has released his first vinyl release with ROHS! - MOMENTS EP. This EP is a pure retro-futuristic Acid-Downtempo vision. Initially it was released on white label 7 inch vinyl of 50 ONLY limited copies. It has been reissued in 2019 with a totally new face/design and on 250 limited copies for the world. This is a pure gold futuristic gem on wax.

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Air LQD

Repeat Itself

11,24 €* 14,99 € -25%

Release: 2019 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 2022 | UK | Original (Intergalactic Research Institute For Sound)

Banu

Transsoundscapes Lp

11,39 €* 18,99 € -40%

12" | 2024 | EU | Original

Release: 2022 / UK – Original

Genre: Electronic & Dance

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South-east Turkey born DJ, sound artist and producer Banu uses music as a political tool. For her, the strong message carried through sound is a vehicle to express emotions as well as a means of fighting against oppression. Using participation, social design, ecology, feminist and queer theory to create multimedia installations with sound as a main element, Banu‘s practice is closer to contemporary art and activist spaces than the club realm.

Banu‘s debut album TransSoundScapes is an exercise in female solidarity between her as a migrant woman and her sisters from the trans community, where an artist from one marginalised group is showing support towards her trans sisters, using her platform to help them amplify their voices and building a bridge towards a mutual understanding of femininity.

Conceptually, TransSoundScapes comes in continuation of Banu‘s previous research-based work, using music as a positive tool for change while working with various marginalised communities. The album originated from the very real experience of being confronted with verbal harassment in Berlin on a daily basis, particularly aimed at her transfeminine friends and companions. As a queer woman of Turkish and Kurdish origin, Banu did not only observe the verbal aggression directed at her friends, but also understood most of the insults shouted in languages such as Arabic. Seeing how she got signifi cantly more verbal violence directed at them when in company of trans people made a lasting impression on her, so she wanted to try and use her relative privilege to amplify transfeminine voices through her music.

Coming from a very conservative family, making music has been her lifelong dream. It was the moment she had the opportunity to work with the iconic Arp 2600 synthesiser (a younger sibling to Eliane Radigue‘s infamous 2500 machine) that all her disparate interests came into place to create an empowering soundscape with the aid of analogue drum machines. TransSoundScapes has a very full, porous sound, where every element that comes into play sounds soft yet clear. Across the 7 tracks, Banu conjures pounding subterraneous bassy techno („Surgery“), slithering tentacular EBM („First Time“) and pulsating cavernous soundscapes („Harem“), where oversized dancefl oor elements are woven with poetic spoken word passages, resulting in sensusous yet political anthems. Banu artfully merges loosely related genres such as techno, electro, dub and sound poems into a sound that is at once deeply personal and extremely compelling.

All of the tracks are collaborative efforts, Banu seeing the process as an exchange of care and shared experiences, while integrating research into her writing process. The lyrics in „Transition (part 1+2)‘‘ are an adaptation of Sara Ahmed’s “Living a Feminist Life”, while „Surgery“ was born out of series of interviews with trans people, channeling the metallic sounds of a surgery room to refer to society‘s perception of transness as a medical condition. Tracks like „First Time feat. Patricia“, „Harem feat. Prince Emrah“ or „We feat. Aérea Negrot“ document her encounters with various trans women, centering their life experiences while also developing a deep dialogue through the process of making music together.

The darkest and perhaps the most emblematic track is ‚‘Bianka (In Memory Of)‘‘, dedicated to the late Bianka Shigurova, a 22-year old Georgian actress found dead in her apartment. It was her Tbilisi photographer friend George Nebriedze who told her Bianka‘s tragic story, whose death is suspected to be an assasination due to transphobia. Banu chose one of Nebriedze‘s analogue photos of Bianka as the album‘s cover art.

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Deep Heavy Fear

Doorway

11,89 €* 16,99 € -30%

CD | 2022 | UK | Original (Past Inside The Present)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The follow up to Deep Heavy Fear's Saâda Bonaire-produced single Dark Days, Doorway sees the group continue its hand-played versus programmed journey into the realms of dance pop. The title track takes a non-linear venture into 9/8 to the floor vocal Balearic/dub territory, via impressions, illusions and misrepresentations, to the reverse - Cherries delivers a simpler, but no less appealing cut, down a classic pop path with tolling guitars and striking percussion. Once again self-pressed & presented in a hand-printed & numbered multi-colour sleeve, designed by vocalist Chloe Grove.

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Zake / Ossa / Fax

Module

12" | 2022 | EU | Original (Ozy)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Esteemed ambient auteurs, zake and ossa's collaborative output continues to soothe and delight in equal measure. After Syntheticopia in August 2022 and the dark long-player 'A Pale Shelter' in 2021 between zake, ossa, and City of Dawn comes Module, a collaboration that includes seasoned electronic producer Ruben A. Tamayo, under the alias FAX. The power trio brings forth an eight-track excursion into heavy ambient atmospheres with moody soundscapes and a real weight of melancholy. As always, the textures are grainy and lo-fi, the drones long-held, and the chords which poke through the clouds, bring subtle rays of hope and optimism. It is the latest and maybe the greatest chapter in this ongoing story from zake and ossa with featured collaborators.

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Pandilla LTD

Aware EP

Ultra Random Analog Orchestra

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The mysterious trio Pandilla LTD provide the first release on Ozy, a new sub-label run by Miguel Melo from Lisbon’s Carpet & Snares family. Never ones to tread the easiest path, Pandilla show off their full range of moods and tempos on this 4-tracker, opening with the jazzy and glitchy breaks of vignette ‘Beat Untitled’. This leads into ‘aWARe’, a downtempo epic of cinematic ambience and released tension that contrasts with the more dancefloor-ready cuts on the B. With its patient dubby tick-tock, ‘Mind Trick’ feels like a long-lost Basic Channel side-project, while the more extrovert ‘Trying To Go’ closes things in style with a shimmy and a shake.

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12" | 2022 | EU | Original (Third Ear)

7" | 2018 | EU | Original (Bastard Jazz)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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When you cut into the present, the future leaks out" William S. Burroughs. Third Ear are proud and excited to release a new Brendon Moeller project exclusive to Third Ear... Ultra Random Analog Orchestra. The project kicks off with 13 tracks released on vinyl over 3 individually released 12" and a digital album with 16 tracks. The music ranges from deep, wide-screen Techno to Ambient and beatless, that pushes the limits of the sonic palette. Artwork by The Designers Republic. Brendon says, "The ability to sculpt an audio collage in realtime employing techniques of randomness is one of my favorite pursuits using a eurorack modular system.

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Free The Robots

Nasi Goreng / Maranao

12" | 2018 | EU | Original (Jezgro)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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First taste of the upcoming Tempo Dreams Vol. 5 album, compiled by LA based beatmaker Free The Robots. Coming in with a seperate vibe all it's own, the 7" features the exclusive track "Nasi Goreng", a lo-fi psychdelic beat heavy romp through South East Asia, complete with Gamelan vibes. On the flip, "Marano" is a downtempo ultra bass heavy joint with sparse production, vocal chops and swirling synths.

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Submechanical

Armoury EP

CD | 2016 | EU | Original (Project: Mooncircle)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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After the last Jezgro release by Merzbow, the forthcoming one will be experimental, noise and dub created by Submechanical, that is no novice in the experimental music. He was one half of noise/dubstep project Cloaks and was involved with the 3by3 label. Among many other releases the latest release on 3by3 was from JK Flesh (Justin Broadrick of Godflesh). When Cloaks ground to a stop, the submechanical solo project was born. Armoury EP is contained of smashing 4 tracks. Tracks Pressure and EA2277 are great openers - slow, eerie noise sounding like it's from the future dystopian wars. Wave after is on B side, a track that is very crushing and distorted dub. The last track is Armoury and it is a hard beating and crunching off beat track.

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Parra For Cuva

Darwis

Tree Times Reh Mix / Fishes Fritz

Release: 2016 / EU – Original

Genre: Electronic & Dance

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A darwīš is a religious monk dedicating his entire existence to the advancement of faith and meditation. Although he believes in Allah, he can be described predominantly as a mystic. Refraining from any form of material wealth and even societal appreciation, holy enlightenment is his true aim.

After finishing up their semester at University, Nicolas and Jonas – or Parra for Cuva & Senoy – decided to pack all their gear into their camper and go on a road-trip down to the eastern coast of Spain.

The car filled with all kinds of gear, from synths to speakers, guitars, and percussions amongst other tools and toys, three creative weeks ensued, creating music with a view out to the sea.

While taking everything in and doing daily trips, the two were able to create enough song ideas in three weeks to spent the rest of the year at home in the studio to finish all arrangements and mixes.

Inspired by the Spanish way of life in a small and historically rich port town, a stark contrast to life Berlin, and soaking up diverse musical influences, the individual titles are highly personal and reflect on specific emotions or intimate experiences.

During the arrangement of the title-song, the percussion track was accidentally dragged to infinity, which resulted in a trance inducing meditative sound that gave them the idea for the title. Watching turkish dervish dancers while listening should therefore enhance the listening experience.

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Jazzo & Melodiesinfonie

7" | 2012 | CH | Original (Ish)

CD | 2010 | US | Original (Alpha Pup)

Release: 2012 / CH – Original

Genre: Hip Hop, Electronic & Dance

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Ish's first 45 single features two brilliant and banging tracks by a young producer duo hailing from Zürich: Jazzo & Melodiesinfonie. After releasing a bunch of mesmerizing and unconventionally fresh beats (or songs if you will) on different digital platforms, it was about time for these two inspired beat heads and record enthusiasts to have their music pressed on vinyl. For the beat-ish series they remixed or rather re-did two of their favorite tracks from their impressive back catalog and spiced them up a notch for the proper punch factor. Striking and stuttering-ly thumping drums, delicately crafted synth melodies, a flair for surprising breaks and melodic changes and gently interlaced singing form an invigorating and unique sound they can call their own. They do though seamlessly join the so called 'beat' scene with figureheads like Flying Lotus, Samiyam, Nosaj Thing, Dibiase a.o.
This is stunning work from two young and already hyped producers we will hear more about in the future!

Limited edition of 500 hand numbered copies, hand silk screen printed in three colors with the red color being infused with deluxe Swiss Kirsch (liquor) from Zug and the black color with a local cheap beer.

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Free The Robots

CTRL Alt Delete

Tape | 2024 | EU | Original (Swims)

Release: 2010 / US – Original

Genre: Hip Hop, Electronic & Dance

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A staggering work of mind-warping electronics, fuzzed-out psych and devastating hip-hop beats, the impending release of Ctrl Alt Delete will catapult Free The Robots to the forefront of the world renowned L.A. beat scene.

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Robert Merlak

Potapanje Brodova

CD | 2024 | UK | Original (Text)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Potapanje Brodova, Hrvatski for “sinking ships”, is a follow-up to Robert’s intricate 2020 album Finomehanika “wherein piano, field recordings and synths are made indistinguishable from one another”, as described by The Wire. The A-side on Potapanje Brodova is compiled and reworked from a soundtrack for an installation of the same name in Rijeka in 2005, about the Croatian port city’s post-war industrial collapse. The original hour-long soundtrack played on a loop during the month-long exhibition, and today resides on a USB stick housed in a rusty steel case with silver ship engraving—a limited edition of 1 copy that is now the property of Rijeka's Museum of Contemporary Arts. The B-side offers a monumental 25-minute prepared piano improv piece recorded in 2004, followed by Hodnik, a track from Finomehanika sessions.

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Four Tet

Three

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Written and produced by Kieran Hebden. Photography by Jason Evans. Design by Jason Evans and Matthew Cooper.

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7" | 2015 | US | Original (Bastard Jazz)

So Sedated

Release: 2015 / US – Original

Genre: Electronic & Dance

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12" | 2016 | UK | Original (Ahead Of Our Time)

Coldcut

Only Heaven

12" | 2024 | EU | Original (Wesa Studio & Few Sounds)

Release: 2016 / UK – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Includes original insert.

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Instant Noodles

Fractured Frequencies

12,34 €* 12,99 € -5%

LP | 2013 | EU | Original (Pingipung)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Instant Noodles for WeSA Studio & Few Sounds.

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Springintgut (Andi Otto)

Where We Need No Map

12,59 €* 17,99 € -30%

CD | 2022 | UK | Original (Where To Now?)

Release: 2013 / EU – Original

Genre: Electronic & Dance

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Six years have passed since the last album by Andi Otto alias Springintgut, (“Park and Ride”, City Centre Offices, 2007). In this period, Otto has done nothing less than inventing a new instru- ment: His “Fello” is a cello with movement sensors attached to the bow and a corresponding software. The development has been kicked off at STEIM in Amsterdam already in 2007. Since then, Otto has achieved vital refinements of the system, cooperated with artists of various fields as diverse as choreographers in Macedonia, theatre in Nigeria and Techno DJs in the Berghain Kantine in Berlin or the Fusion Festival. He even played solo with his instrument on different continents. For this third album, “Where We Need No Map” Otto takes the “Fello” to his studio in Hamburg for the first time. He records his instrument which has until today only been presented live on stage. In these Fello Sessions, the bow gestures immediate- ly modulate and process the amplified cello sound. In the subsequent editings he selects and cuts these sessions and merges them with other styles, such as Skweee, House and Jazz. Springintgut's trademark sound, this unique playfulness, is pre- sent throughout, while the live-processed cello adds an unrivaled deepness. The artist's expeditions even add more colour. Two tracks have been recorded in India. The lead voi- ce in “Bangalore Kids” is a field recording of a schoolboy in Cubbon Park, Bangalore. Andi Otto spends three months in Japan as artist- in-residence in the Villa Kamogawa in Kyoto. Du- ring this concentrated period he produces the more contemplative tracks of the album, like “Ka- mogawa Cycling” and “Western Kyoto”. In Sri Lan- ka, finally, he meets Sasha Perera, the voice of Berlin's Dub Techno band Jahcoozi. They record two songs together. Especially in “Bullet” one can sense the lazy, muggy, peaceful heat of the after- noons in which this beautiful track has been com- posed. These stories may help to locate the music's orig- ins but still the sound of “Where We Need No Map” points us to unknown territories. The journey itself is the reward, let's listen!

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Areliz Ramos

Frio

12,74 €* 16,99 € -25%

12" | 2024 | EU | Original (Intergalactic Research Institute For Soun)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Where to Now? are proud to present the debut LP from Peru based and born Areliz Ramos. ‘Frio’ seeks to explore the common reality of isolation and melancholy which exists when stepping away from our roots towards a solo global exploration of culture and place. Recorded between spells in London, Berlin, and Lima, 'Frio’ attempts to soak up experimental & electronic subcultural scenes within these environments, resulting in a body of work which seeks to connect, longs to feel, and yearns to regain a sense of belonging.

Previously recording under the moniker ‘Milkshlk’ (Female Pressure, Napp), Areliz’s sound shuffles all over the place - from occupying the same deep haze, ethereal, smudged, and downtempo space championed by the likes of Boards of Canada, Odd Nosdam, Seefeel etc, to carrying an unassuming boom bap sensibility and confidence at times, to stepping back and opening widely to experimentation, extended field recordings and tonal subtleties.

The LP begins with title track ‘Frio’, an orchestral and meditative movement in which inaudible, hushed conversations flicker in and out of focus, before the playful piano samples of ‘This Track Is For You’ swing into motion, with a prolonged sampling of a loving ‘pep talk’ from father to daughter welcoming jazzwise flutters and swirling melodies, eventually collapsing under a wave of distortion.

‘Euduvin’ switches focus to what we can only assume is a nod to the warmth and belonging felt for Areliz’s native Peru home, where a long form field recording captures distant nature, environment, and hushed intimate conversations, floating below a swell of warm ambience. All this is intentionally juxtaposed with the start of the next piece ‘Sang’, instantly evoking anxiety and dread, signifying the disconnect between the comfort of ‘home’ and the disconnect felt when moving on… ‘Samos’ develops into a melee of dizzying underwater bass and percussive experimentation, before returning to a wandering dread.

‘Emails’ tells tales of the heart and communication breakdown over what could be a lost cut from Los Angeles era Flying Lotus before we hear the most unnerving cut on the record ‘Kabal’, again conveying isolation and unease via it’s shards of sharp tone and off kilter rhythm, building into a emotive, heads down clash.

‘Driller 1’ sees the return of Areliz’s more exuberant side, where dense, straight faced ambience skittishly flips to sudden joyful bass dives and unpretentious sample phases. ‘Ava’ rounds us out with the hum of Cicada’s, drifting throughout the album’s closing 8 minutes, becoming buried under layers of hopeful texture, and serene warmth.

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Fractal Void

Elemental Collection

12,79 €* 15,99 € -20%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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7" | 2024 | EU | Original (Meakusma)

Yes Indeed

King Of Blue

12,79 €* 15,99 € -20%

7" | 2022 | UK | Original (Hell Yeah Italy)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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King Of Blue by Yes Indeed sees Laurie Tompkins and Otto Wilberg take their eclectic stance on cosmic jazz and electronics to further uncharted and dreamlike territory, encompassing a unique logic of what is harmoniously absurdist.

King of Blue by Yes Indeed sees members Laurie Tompkins and Otto Willberg further dive into their melismatic take on cosmic jazz and new electronics, by way of their highly eclectic and at times nonsensically sensical modus operandi. Their work is defined by an eloquent flurry of ideas, spheres, and signifiers, creating a musical universe of surprising longevity and depth. Treating musical convention with gentle disdain, Yes Indeed take on a variety of genres and moods and switch them around into a beautifully melismatic and dreamlike state of being. King Of Blue is a mini- album of fragmented beauty and warmth. It puts the illogical center stage and gives space to abruptly miniaturist musical ideas, allowing them to take on a meaning bigger than one would expect. It is cosmic music for modern times. A brazen descent into the execution of a fundamentally diversified musical stance.

'Yes Indeed' are Laurie Tompkins & Otto Willberg. Live, they play keys, bouncy bass and sing over tactile, emotive samples. Their music is epic and also somehow wrong, with space for delicacy, straight-up joy and soaring licks. Since 2022’s ‘Rotten Luck’ - their first proper album, on Bison - YI have played across the UK and Europe. Solo, Laurie co-ran the Slip label and has put out CDs on Entr’acte, 33-33 and Hyperdelia. Otto is a roaming bassist in groups like Historically Fucked and Abstract Concrete and his LP of “wildly singular, wickedly trippy and sensual set of fusion jams” (Boomkat) was recently out on Black Truffle.

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Jazz N Palms

Milano

Nested Russian Dolls Of Paranoia

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Hell Yeah is proud to present the return of Jazz N Palms with a superb new project following the success of his Ses Rodes album. 'Milano' as a 7" with radio and instrumental versions alongside an original video and expressive artwork by Parisian studio Nokko.

Jazz N Palms is a jazz-inspired project from Italian DJ and producer Riccio. He started this project after moving to Ibiza and falling under the spell of its ancestral side, its sweet and slow pace of life and the natural rhythms of the beauty in the north of the island. In summer, he served up his fantastic Ses Rodes double album which was dedicated to the original way of life that had remained almost unchanged till the early 80s party explosion.

This new track came about after Riccio heard Piera Martell's 1978 soul-jazz track 'Exotica' in a mix by Phil Mison. The idea was reimagine the song with new lyrics and set in Milan, in the early days when the town was invaded by unusual and exotic palm trees in Piazza Duomo. The song tells the story of a country teenager who is unsure about heading to a big new city after receiving an invitation. The story will retrieve familiar emotions for many of us who have faced similarly important decisions in our life, but this time married to an escapist groove.

For this release, the original 'Exotica' has been fully replayed by contemporary musicians from the multi-genre Italian ensemble 291out, with whom Riccio has worked in the past. It has new lyrics sung in Italian by fellow 291out collaborator Giovanna Lubjan after permission was given by original composer Salvo Ingrassia.

'Milano' is a luxurious soul-jazz fusion. It has exotic guitar lines and gently persuasive rhythms topped by the soaring vocal from Lubjan. A steamy sax helps the temperature rise as the track unfolds and traps you under its gorgeous spell.

This is a timeless package of blissed-out brilliance from Jazz N Palms.

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Prophetas

Tape | 2022 | EU | Original (Sucata Tapes)

Can I Hear The Sound Of A Falling Branch

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Third and probably last volume from Gonçalo F. Cardoso’s most disillusioned moniker, Prophetas.

Where the first tape, Reveal, Accept, Remember, Forget, revived mid 50’s ideas of weird hope (ufo sightings, suburbia, space race) and the second, Maury Island Reverie, explored early 90’s disillusionment through a sound world of mall culture, late night cable TV and rampant consumerism, this new work concludes de unplanned trilogy with a more randomised yet no hope approach to the sentiments and concepts explored previously.

Produced over what we call now the pandemic years, and pressed just before the outbreak of yet another war, the feeling here is schizophrenic to say the least : full channel surfing, all tabs open, zero attention span and out of control consumerism has settled into the music (and our lives), the new normal, no time to think, no time for much really, keep going, feel sorry, carry on and die.

The Fake prophets have now established their claws firmly in every corner of our societies, ripping all of our planet benefits whilst leaving nothing in return, the world is now a gigantic cash dispenser, a credit card landfill, everything is up for grabs as long as it can turn a quick profit. Technology? Science? Art? Who needs it when we can just use it to exploit, to make a other quick buck whilst keeping tabs on the population. All this whilst appearing as humanity saviours? I’ve got a plan, it’s ok, let's all go to Mars.

Secret and not so secret wars have been raging since this work was completed. The old present has finally cancelled any possible future, thank god we have the past to look at and wonder… like this tape does, all hail the ubiquitous fake prophets of the 21st century, it’s us!

‘Bring to the storehouse a full tenth of what you earn…I will open the windows of heaven for you and pour out all the blessings you need’ – Malachi 3:10

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Alex The Fairy

Tape | 2022 | UK | Original (The Tapeworm)

Tape | 2022 | UK | Original (Diskotopia)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Alex the Fairy is an artist based in Berlin producing music with an emphasis on electronic and concrete methods. Alex the Fairy is also part of the 3Ddancer trio, a live act focusing on improvisation and expression using electronics.

Alex The Fairy writes: "I had sent The Tapeworm tracks before, but I was being difficult so was asked to send a new bunch, with a deadline. I sent the new bunch, a fairly odd collection expecting perhaps some of them to be combined with the older stuff but not seeing any coherence in them. I figured The Tapeworm would find at least something. To my surprise the suggestion that came back was exclusively the tracks I had sent the second time, and, re-listening through the tracks in this new order after returning from a Christmas dinner lying on the floor of my nephews bedroom gave them a completely new context. Despite them being quite varied in terms of age (one had been flung together a few days earlier on the train while another was approaching Schulreife) they seemed to meld together in such a way that I hardly recognised them…

Last year my grandmother died. My last grandparent. I had put off seeing her during corona, as I thought it best not to put her at risk and had almost left to visit her days before her death but had delayed my departure because of a medical appointment. My failure to her weighs heavy on my mind - fates grimacing grin: too little, too late. The approaching march of death, one generation closer was a confrontation I wasn't prepared for.

While clearing out her flat in the following weeks I had kept some of my grandfathers cassettes, live recordings of jazz greats, Pink Floyd, Sade and some classical among them, none originals, several presumably from the radio e.g. a church organ rendition of Bach. At the time I wasn't sure why I was hanging on to them, other than the urge to hoard, and that it felt wrong not at least to keep some. Half a year later, half way through mixing this cassette, suffering from my first bout of Covid, I had the insatiable urge to hook up the cassette player I had received from my grandfather after his death around nineteen years earlier and had been dragging along with me since. I stuck a cassette in only to immediately return to the safety of my covers. I began to work my way into what I had saved, hearing the fruits of my grandfathers labour decades before. It felt like quite an intimate interaction with someone I had long lost contact to/was long gone. Quite a wonderful thing, these time traveling cassettes.

I returned to the tracks to mix them shortly before my corona/cassette experience, with a new mixing console at hand. I had been looking for one for several years, but nothing had ever clicked, until I found this old broadcast desk 30 minutes from my place (it also coincided with a payment from a job the sum of which matched the price identically… fates return). Installing became a massive hassle and I doubted my decision continuously, but the further it was implemented the more it made sense. The first track I recorded with the mixer is on this cassette. Shortly before the mixing I was introduced to an Effektgerät by a friend, Rapha. Another good friend Art lent me their one, and I ended up using copious amounts of it throughout mixing, alongside my usual space creators. All the tracks on this release were mixed again on this mixer and are in a sense all a bit of a dub of the originals. I wouldn't have worked this way without the mixer, and the effect gave me a dimension I hadn't had before, so, from a technical perspective, the mixer and this effect define this release, giving it a coherence, at least for me. Emotionally of course the chaos and turbulence of the preceding year and my newfound appreciation for the medium give it a meaning I will struggle to formulate." – Alex The Fairy, Berlin, 9 May 2022

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BD1982

Initiation Insight

Institut Für Elektroakustik Hamburg

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Diskotopia is ecstatic to launch our 11th year with a bombastic new LP from label co-founder Bd1982. Initiation Insight follows 2021's seminal Distance Vision LP - which garnered inclusion in Bandcamp's Best Electronic Music, JunoDaily's Best New Albums, and coverage in The Wire, RA, and Louder Than War - surveying the previously-plotted sonic ley lines and expanding upon them in drastically robust and kaleidoscopic directions.

Musically, the tracks across Initiation Insight have been composed with an ear towards ritualistic structures, with the album's themes touching upon spirituality, hermetic philosophy, dreams, and human evolution in the face of impending natural destruction.

On this release, Bd1982 favors stylistically nomadic production and a drive for emotion over genre constraints to explore further depths of songwriting and structures not yet heard in his previous material. Tribal-informed industrial and molten-electro styles coalesce with both future-facing and ancient-rooted textures – spread across an underlying current of soundsystem-savvy sonics.

Initiation Insight proves to be another major step in the evolution of Bd1982's sound, a caustic yet covalent natural mutation that will appeal to fans of Killing Joke, My Bloody Valentine, PJ Harvey, Cabaret Voltaire, Samhain, and Tricky alike.

Mastered by Dominic Clare at Declared Sound.
Available as a limited-edition cassette.

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Musik Kaputter Geldautomaten

7" | 2022 | EU | Original (Sozialistischer Plattenbau)

Tape | 2021 | EU | Original (Instruments Of Discipline)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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This is the 23 edition of the Department of Akusmatic Science from Institut für Elektroaksutik Hamburg residing in the Musicethnological Devision of the Hanseatic Cultural Property. After three years of research and one year of editing finaly this Issue is archiving field recordings from destroyed (Kaputte) Automatic Teller Machines (atm) or Bankomats. The recordings where gathered by Chrisoph S. from 1980 til 2017 in various places around europe. This compilation offers a selection of these recordings of the music of kaputte geldautomaten on disc. The record comes with fold-out cover, anti-static deluxe sleave and a 16 page booklet with sound shorthand drawings in full color by chrizzi heinen and a scientific epilog by editor f.k. raeithel.

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War Scenes

Induced Sleep

12" | 2021 | EU | Original (Milkman)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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War Scenes continues his techno, hardware odyssey, returning to Instruments Of Discipline with his third EP, ‘Induced Sleep’, featuring a crushing remix from Ayarcana. Induced Sleep is a concept EP, the soundtrack to a generation who have signed themselves into suspended animation to wait out the strife of their times.

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Azu Hoyvoy

Future Literature EP

12" | 2021 | EU | Original (Subtil)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Since 2016, Milkman has been a pioneer in India’s ever-evolving electronic music scene. From building the foundations of India’s warehouse-rave culture, to consistently curating international and local artists at the forefront of the electronic musical underground, Milkman has quickly become a formidable force. Both editions of its festival, ‘Terminal 1’ were highly well-received, and this year, Milkman brings its first ever release as a label to the world. Azu Hoyvoy’s music feels like it has a toehold in the world of left-field dance-floors, while also being comfortable in any post-apocalyptic sensorium you can dream up. This peculiar trait should not come as a surprise. The chaos, darkness, and simultaneous beauty of the city from which he hails all make for a hard cocktail of deep-uplifting-frightening-introspective fervor, spilling appropriately into this record. The twenty-three-year-old Mumbai-native’s previous music is largely dominated by RnB and Soul, and in some ways feels like the proverbial Jekyll to Future Literature’s Mr. Hyde. To the extent that Azu’s previous incarnation still resides in his darker counterpart, it shows in Future Literature’s multi-faceted grooves and syncopations that are relatively unique in this spectrum of electronic music. This collection of tunes finds a very suitable corner in the eclectic and forward-thinking home of Milkman, and the result is an enjoyably mind-expanding, if sometimes disconcerting record.

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Doubtingthomas & Wyro

Zerno

Fair Chance Floating Points Remix

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The Franco-Russian Duo Doubtingthomas & Wyro is teaming up with the infamous Berlin-based Subtil Records. For their 21st release, the label presents a very special EP mixing stratospheric sound design, insane monitoring pressure, and uprights motions composed in the most elegant ways by these two talented producers. On side A “Zerno” will get you projected into the depths of the cosmos with swirling pads and woolen melodies that are nicely layered over grinds and grooves to find the perfect soft but yet powerful drive. “Bloom” on the B side is a mad science experiment with its flawless synth riffs, sophisticated chord arrangements, and uplifting movements, this track is a true soul explorer. To round up the EP on a very sophisticated note the ambient track “Prilivi” on B2 proves the proper musical skills of these guys among the usual cookie-cutter techno.

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Thundercat

12" | 2020 | UK | Original (Brainfeeder)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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12" | 2020 | EU | Original (Climate Of Fear)

TNC6

Laika's Revenge

12" | 2019 | EU | Original (Different Ways)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Berlin / NY collective Climate of Fear releases its debut EP, “Laika’s Revenge” by TNC6 – two tracks of sorrowful and menacing technoid expansions. Side A’s “Escape Pod” shimmers like a mirage on a desert landscape, nearly evaporating in the heat; on Side B the title track is five minutes of roiling thunderstorm ferocity. Following his breakout 2018 lp “Sekundenschlaf” on Blackest Ever Black, “Laika’s Revenge” expands on the artist’s fevered vision of the dance.

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Driven By Attraction

Bubbleon

Tape | 2024 | EU | Original (TAX FREE)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The DW's second release comes from the UK talent Driven By Attraction. His peculiar, eclectic and intimate sound resume the label concept in the better way.

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Peter Graf York

Short Stories

LP | 2018 | US | Original (Beyond Beyond Is Beyond)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Comes with download code. Short stories in form of micro-compositions by international legend PGY. Limited tape with interactive cover design by DJ Shlucht. Mastered by Maximilian Schweizer at Sms™.

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Bart De Paepe

Pagus Wasiae

13,79 €* 22,99 € -40%

LP | 2023 | EU | Original (We Are Unique!)

Release: 2018 / US – Original

Genre: Electronic & Dance

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Belgian-based artist's Beyond Beyond Is Beyond debut. Like Tangerine Dream's early work, Pagus Wasiae casts off a ragged rock shore into a bubbling sea of electronics and navigates by dark starlight, leaving in its wake shadows and smoke. DePaepe charges waves of synth ambience, swirls clouds of electric guitar and summons subtle beats of the earth to make Pagus Wasiae a fully enveloping and dynamic listening experience-astral traveling without moving. Cluster, Taj Mahal Travellers, and Pink Floyd's deepest space excursions may be waypoints Pagus Wasiae's navigation.

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Ichliebelove

Hyperherz

13,79 €* 22,99 € -40%

LP | 2021 | EU | Original (Tax Free)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Hyperherz is ichliebelove's 3rd album for We Are Unique! after the inaugural psychedelic Life-enhancing solutions (2011) and the synthetic Wax and Wane (2015).

Composed by Philippe Raimond and always performed with the help of Alice Champion on vocals, produced by Manuel Duval of the French band Rien Virgule and mastered in analog at the famous Berlin studio Calyx Mastering, Hyperherz is an end-of-the-world record, on which the machines give up the ghost and slowly drift towards a final bug. From this sonic maelstrom full of cracks and artifacts, the group draws amazing melodies, sometimes almost pop, to make unstoppable hits! We can cite the menacing rhythm of Had Some Good times which sounds like a terminally ill Console, the sick choirs of Like a trap whose noisy keyboards exhume a distant phantom of Broadcast, or even De la viande which summons Stereolab to the pagan feast of a sect whose guru Aphex Twin would celebrate the next apocalypse... It's a certainty: all those who linger on these titles will not come out unscathed. The group's most coherent and successful album, which will be a landmark in a unique and incomparable style.

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ccctyyy

Reappearance

End Is Important Clear Vinyl Edtion

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Digital renaissance & romantic ambient by ccctyyy with contributions by isangyi. Reoccurring payment reminder

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Odd Nosdam

7" | 2023 | UK | Original (Where To Now)

Live Performance 2019 - 2020

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Odd Nosdam really doesn’t need an introduction, unless you’ve been living under a rock for the last 20 years then undoubtedly you’ll know what’s up, and what an absolute humbling pleasure it is to now introduce Nosdam to the Where To Now? catalogue with two new cuts that flow from ethereal, meditative contemplation through to downtown abstracted machine damage..

The record opens with ‘End is Important’, A looping, spiritual lament which forces observation, or resolution around the concept of ‘Endings.’ Passages from Tsunetomo Yamamoto’s ‘Hagakure’ seep in and out of the mix throughout, where spiraling and glistening arpeggios dance across a glorious choral mantra, intended to elevate minds towards some kind of plume of awakening. This is a heady and deep cut which finds Odd Nosdam in full introspection mode.

‘Here to Know’ recalls the work of Patrick Cowley in his best downtown ultra slow swinging funk suit, or the more obvious nods to John Carpenter’s Assault on Precinct 13 OST. However, this is far from a straight up ode to creeping machine funk - Nosdam’s injection of energetic, pulsing synth stabs move the piece into a more surreal territory, creating a masterful and experimental injection of life and colour into an otherwise smoked out landscape.

“Where I found myself when Where To Now? reached out - asking if I'd consider a vinyl release with the label - was over in Barcelona spending time with loved ones at my family's apartment in the district of Sant Gervasi.

After my initial contact with WTN?, I ventured north to Cadaqués to visit Salvador Dalí's house in Port Lligat, where Gala & Dalí spent some 50 summers. While inspired asf touring the glorious property, I captured recordings from a looping video screening in an open air theater. These recordings became the foundation of Here To Know.

Sometimes there’s a break in the road. End Is Important was realized after re-watching the Jim Jarmusch film, Ghost Dog. Stealthy and evanescent, a familiar voice carries this slow-diver with a message to the world warped cruiser in all of us.” - Odd Nosdam

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Svetlana Maras

Tape | 2023 | UK | Original (-ous)

Ultra Random Analog Orchestra

Release: 2023 / UK – Original

Genre: Electronic & Dance

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"The nearly infinite improvisational potential in my performances is a result of tweaking the technology, using it in unpredictable ways, musically exploiting it, and maybe even misusing it." - Svetlana Maraš
Composer, sound artist and musician Svetlana Maraš has spent years developing her unique setup for live performances. She builds her live sets as frameworks for exploration by emphasising the sculptural and improvisational potential, rather than reproducibility. The core of Maraš' performative practice lies in the accessibility of all layers of what a 'musical image' at any given point consists of, and gestural manipulation of these layers.

Using micro samples as a basis of her musical vocabulary, Maraš treats her live setup equivalent to an acoustic instrument. Using tablet controllers running a self-built 'Touch Osc' interface, pedals and different pressure- based interfaces, she manipulates and morphs the material with the mindset of a sculptor, while exposing herself to the audience and the room. Her focus lies on the musical form and structure, while the shape of the sounds projected into the performance space define which turn she might take next. Maraš explains: "I am interested how sounds fill up the room, how they spread, how near or far they are, how 'big' or 'small' they seem, how they morph and move." With the set she played from 2019 to 2020, Maraš had reached an extreme regarding the handling and manipulation of micro samples and micro-collaging. -ous is releasing a live recording of this set as deep dive into the vast possibilities of live sound manipulation.

Svetlana Maraš is composer and sound artist active in the field of experimental music. Her work, which she presents internationally, encompasses variety of formats such as live performance, electro-acoustic composition, sound installations and works for the radio. She is the winner of the most prestigious Serbian composition prize "Mokranjac", awarded by the Serbian Composers' Association. From 2016-2021, she was composer in residence and artistic director at Radio Belgrade's Electronic studio, where she established numerous programs such as artistic residencies, educational courses and most notably, restoration of EMS Synthi 100. Currently, Maraš is Professor of Creative Music Technology and Co-head of Electronic Studio at Hochschule für Musik Fhnw, Basel.

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Ep3

12" | 2023 | EU | Original (Third Ear)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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"When you cut into the present, the future leaks out" William S. Burroughs. Third Ear are proud and excited to release a new Brendon Moeller project exclusive to Third Ear... Ultra Random Analog Orchestra. The project kicks off with 13 tracks released on vinyl over 3 individually released 12" and a digital album with 16 tracks. The music ranges from deep, wide-screen Techno to Ambient and beatless, that pushes the limits of the sonic palette. Artwork by The Designers Republic. Brendon says, "the ability to sculpt an audio collage in realtime employing techniques of randomness is one of my favorite pursuits using a Eurorack modular system.

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12" | 2022 | EU | Original (We're Going Deep)

Volume 7

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Sticking to the trusted format of 4 superlative cuts from equally talented producers, the quality and talent on show does not disappoint on Wgd007. Tin Man, Rai Scott, Sound Synthesis & Roger Van Lunteren.

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Lamkin: Versions & Variants Across The Northern Hemisphere

Tape | 2022 | UK | Original (Death Is Not The End)

Feed Me Gently Eartheater Remix

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Folklorist Derek Piotr teams with Death is Not the End for a third outing, this time plumbing the depths of every archive from West Virginia University to the British Library in search of versions of the ballad Lamkin. Following the template set by Charlie Seeger with his seminal Barbara Allen compilation, Piotr's collection outs versions of the bloody ballad from the last ninety years; most of these renditions haven't been heard by anyone but their original recordists for decades.

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Clebs

Tape | 2021 | EU | Original (Climate Of Fear)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Tape | 2021 | EU | Original (Climate Of Fear)

Izabel

Empire Of The Senseless

Tape | 2021 | EU | Original (Climate Of Fear)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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For the tenth edition of its tape series, Climate of Fear presents "Empire of the Senseless," a rippling, brooding session by Izabel. Recorded at an april 2019 party opening for Legowelt, "Empire" shows the Lullabies for Insomniacs boss in a molten halftime groove, drifting from fungal ambient to dark-aura'ed club crawlers. Rich, unnerving, sorrowful and sensuous. Feel your face melt.

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Karen Gwyer

Eternal Unborn Softly

12" | 2021 | EU | Original (Aura Expansion)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Back in February of 2019, Karen Gwyer opened Climate's first party of the year with her DJ debut. She delivered an extended study in mesmeric collage and impossibly deep sonic foraging. Gwyer is known for her unflinchingly adventurous productions and careening, unmistakable live performances. Take a peek behind the curtain and hear some of her most personal inspirations. A love letter to the strange and otherworldly, "Eternal Unborn Softly" plays as fluidly as a half remembered dream.

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Judd Stone & Jayde Lee

Magic Spells

12" | 2021 | UK | Original (Air Miles)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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New release by Boston-based songwriter and instrumentalist Judd Stone and vocalist Jayde Lee.

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Remotif

Gondwana At Noon

12" | 2020 | EU | Original (Northern Electronics)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Air miles return for their next installment with a remix EP from Bristol-based producer, Remotif; including remixes from Nathan Micay, Molly, and label affiliate: Jeigo.

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Free The Id

No Rest Among Angels

DJ Stingray & Skee Mask Remixes

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Through a sleet storm of bunkered kicks and arpeggiation arrives the rushing EP 'No Rest Among Angels' from Free The ID. Best recognised as Internazionale, and for directing the label Janushoved, the principal transmission under this new sign presents a collection of tracks as spartan as they are romantic, contorting the noisiest impulses into a sleek toolset.

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Keleketla!

12" | 2020 | EU | Original (Ahead Of Our Time)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Just Friends (Nicolas Jaar & Sasha Spielberg)

Don't Tell Me

10" | 2014 | EU | Original (Other People)

LP | 1990 | UK | Original (FFRR)

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Limited edition for Record Store Day 2014

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Carlton

The Call Is Strong

CD | 2024 | EU | Original (Karl)

Release: 1990 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl closer to NM

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Wolfgang Seidel

Friendy Electrons

Tape | 2024 | UK | Original (First Light)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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“Friendly Electrons” presents the electronic side of the original TON STEINE SCHERBEN
drummer, book author and longtime CONRAD SCHNITZLER friend / collaborator
WOLFGANG SEIDEL.
Born in winter 1949 in a grey and gloomy post-war Berlin, WOLFGANG SEIDEL’s first encounter
with electronic sounds was at the cinema: the music for “Forbidden Planet“ by LOUIS and BEBE
BARRON sounded like the promise of a bright, exciting future ... but in the 1960‘s, the biggest
thing for young musicians was to play in a rock band, and as the friends around him all already
played guitar, SEIDEL chose the drums and later co-founded TON STEINE SCHERBEN, the
legendary German anarchist band. Around the same time, SEIDEL regularly attended the Zodiak
Free Arts Lab, the birth place of so-called “Kosmische Musik / Berliner Schule“ (TANGERINE
DREAM, CLUSTER, MANUEL GÖTTSCHING etc), and became close friends with CONRAD
SCHNITZLER. Realizing how much more artistic freedom electronic music offers, he grew tired of
playing the same songs night after night, left the band after their debut album had been released
and started experimenting with contact microphones and tape delay (and later, when he could
afford one, with a Buchla synthesizer). SEIDEL joined SCHNITZLER’s group
ERUPTION and
worked with him till his death in 2011 (sometimes credited as WOLF SEQUENZA) on several
albums, and also toured some art institutions presenting SCHNITZLER’s “cassette concerts” (who
had dropped his suitcases with the tape machines in front of SEIDEL’s flat door and appointed him
the “future conductor”).
In the 2000s, SEIDEL started playing drums again, this time in the free jazz / improv scene (a.o.
others with ALFRED A. HARTH and HANS JOACHIM IRMLER), wrote books about his former
band (“S
cherben – Musik, Politik und Wirkung der Ton Steine Scherben“) and Krautrock („Wir
müssen hier raus! Krautrock, Free Beat, Reeducation“) ... and continued his sonic explorations
with his Buchla in his studio in Berlin-Wedding.
When we met at a birthday party, Wolfgang told me about his electronic pieces - I was interested
right away – so he browsed his archive and sent me a selection of tracks. These are often based
on older ideas and sketches that he had completed during the pandemic when there were no
concerts to play. The result is „Friendly Electrons“ – a collection of 18 tracks, inspired by
SCHNITZLER’s collage technique and SEIDEL’s own experiences with improvisation. With the
exception of 2 pieces that are actually composed there were no fixed ideas – simply start from
KR114_W.SEIDEL_infosheet.pdf
scratch and see what happens, review the result from different angles and refine the tracks where
necessary. Whereas electronic music is often considered dystopian, the album title mirrors
SEIDEL’s positive attitude towards modernism, so his electrons are of a friendly kind!

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J. Doursou

The Deafening Veil

12" | 2019 | Original (Ware)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

Following on from his 2022 debut release on American Dreams Records, 'Choreographies of Decay', J. Doursou offers a critical reflection in 'The Deafening Veil' of the West's warped relationship with war in other regions.
The Deafening Veil has early support with reviews confirmed with Mojo Magazine, Headphone Commute (single premiere), A Closer Listen, and Noise Narrative. A writer from Quietus is also pitching to editorial with a review TBC. Doursou began the creative process of the album when Russia invaded Ukraine. The album's lead single, 'song for Elena', is a tribute to Doursou's close friend from Ukraine. The rest of the album critiques the silence that surrounds war in other regions.

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Mathias Schaffhaeuser

Hedonism, What Else EP

Release: 2019 / Original

Genre: Electronic & Dance

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Cassette | 2023 | UK | Original (Already Dead Us)

Bag

Momentary Lapses

LP | 2018 | EU | Original (Drama)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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BAG X COLLAPSING DRUMS is a collaboration between experimental producer Collapsing Drums (Charlie Behrens) and spoken word/electronic duo BAG (Jody DeSchutter and Dan Allison). Modular synth, spoken word, field recording, experimental play and abstract guitar are a few of the practices visited by the project.

Momentary Lapses was born of an improvisational outburst sewn into a back and forth process, the three diverse perspectives nurturing creation and dissection along the way. This album maps multiple landscapes and conditions as drawn by the trio in an exploratory document, providing a journey through textures and atmospheres, beats and spaces, construction and reassembly. During the 18 months of the album’s creation, a series of bereavements disrupted and informed BXCD’s journey.

DeSchutter’s dada-esque verse moves purposely forward, fragmented through synaesthetic habitats. Her words, woven into the electronic compositions of Behrens and Allison, touch on themes of re-interpretation, incongruity, and longing. Momentary Lapses celebrates all that is unknown, pluralistic, and paradoxical as proposed antidotes to a binary mode of knowing. Sonically bridging the gaps between postpunk, IDM and experimental, BAG X COLLAPSING DRUMS promises a fresh take on the possibilities of sonic abstraction.

‘DeSchutter treats words and syllables as malleable matter; haptic objects to be stretched out, twisted and molded. Allison and Behrens’ electronics, taking in dub-deep negative space, pristine sound design and ghostly frequencies, add not so much a backing track as a dialogic component. Pronunciation weaves into beats, language harmonises with pure music, to create an outline of the slippery worlds that can’t be pinned down by either sound or words’ Daryl Worthington, The Quietus

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MB Jones

Rok Spy

14,24 €* 18,99 € -25%

LP | 2019 | EU | Original (Discrepant)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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High quality weirdo political pop from MB Jones (Jee Jee Band, EM Records) - sparse, quirky and strange with English and Korean vocals. TIP!
Recorded in Busan, Republic of Korea by former US special agent MB Jones, ROK Spy documents both his stay in a country on the verge of a nuclear conflict and his mission there (for obvious confidential reasons, the purpose of this mission is only to be referred to in an elusive way). While most of his personal belongings have disappeared – or, more likely, been destroyed – we are very thankful for the safe receipt of a USB stick containing 7 songs recorded in Autumn 2017, alongside a drawing and a few handwritten notes. We are proud to now be able to share these with you.
In order to do so, we hastily came up with a label. The circumstances under which it was born lead us into calling it “Drama”. This release is DRAMA1.
The content of this LP is a seemingly disparate set of pop-not-pop tunes, flirting with dance music on songs like the apocalyptical disco Nuclear War or the bizarre and mind puzzling boogie Pusan Perimeter. Though it is quite hard to put words on MB Jones’s productions (one may accurately call it an “oddball” of a record), his musical testimony may sit somewhere in-between Holger Czukay’s most narrative pieces and Arthur Russel’s most cheerful moments, sharing with these two brilliant musicians a genuine feeling of intimacy emanating from each second of his songs. The only thing that may be said without a doubt is that these 7 songs are the product of someone whose ear has been attentive and receptive to all sorts of contemporary musical genres (from trap to experimental electronic music and EDM).
It’s still not clear whether the cryptic lyrics evoke situations which already occurred, whether they are oracles, some insider’s warnings or whether they are the product of a mind in a hallucinatory state. On Poison Pill – the closing song – he is particularly ambiguous : “the CIA bought me a trip / I put the tab under my lip / They want to build a shopping mall / On the DMZ wall”. We’ll leave the interpretation to you.

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Raed Yassin

CW Tapes

14,43 €* 18,99 € -24%

Our Souls Are In The Hands Of The Translator

Release: 2019 / EU – Original

Genre: Electronic & Dance

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In this 24-minute composition, released here in its original name for the first time, Yassin encapsulates and condenses the aural and sonic landscapes experienced by those who bore witness to the war. In the 1980s, while the Lebanese Civil War, which ravaged the country between 1975 and 1990, was raging, television but particularly transistor radios were the only means through which people heard the news during interminable periods of power cuts or waiting in basement shelters. The audio material was collected by Yassin on his regular trips to the dispersed and neglected archives of militias and political parties, radio and TV stations, and record shops across Lebanon.

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An Era Of Spiritual Tenebrae

LP | 2021 | EU | Original (Modern Obscure Music)

14,99 €*

12" | 2024 | EU | Original (Yes)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Sun Ra's disciple and multiface artist Jamal Moss is back to Modern Obscure Musicafter his debut on the label with the “The Anticipatory Organization” under The SunGod alias back in 2018. J. Moss more known as Hieroglyphic Being is back to the Barcelona based recordlabel with a new aka, OUR Souls ARE IN THE Hands OF THE Transalor. Threeyears after “s..kr.t.z.m", released on Warpfs sublabel Arcola, the chicago electronic-wizar signs “An Era of Spiritual Tenebraeh. The new EP is composed by two 18minutes long freejazz-psycodelic improvisations. A trip to the dark holes of the spaceeternity.

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Yes Yes

Alpha Journey

14,99 €*

12" | 2024 | EU | Original (Les Disques Du Crochet)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Popular party series in Buenos Aires turned into a record label, Yes Yes (composed of Burdie & Mads) finally launch their new project. After only recently beginning their new ventures in the world of music production they debut here as artists and label with this classy 4 track effort whilst enlisting the very capable hands of our guy, Tobi, their good friend and current mentor for remix duties. A brilliant emergence onto the scene and a very fine EP to get things going.

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Flow-Er

Blossometry

14,99 €*