Search "basic soul unit" 878 Items

LP | 2024 | UK | Original (Subtext)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Soundtrack for your Pagan rituals next weekend.

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Zuli

Lambda

LP | 2023 | EU | Original (Nashazphone)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Zuli's widest-reaching and most ambitious album to date, 'Lambda' is a conspicuous left turn for the Berlinbased Egyptian producer. Draped in gauzy, granulated textures and woven with enigmatic vocal flourishes from collaborators Michaelbrailey, Coby Sey and Abdullah Miniawy, it's a vivid, soul-searching set of polychromatic reflections that sets fire to the boundaries between ambient, trip-hop, industrial music, chamber pop and symphonic noise.

In some aspects, 'Lambda' reveals Zuli's softer side; gone are the earth-shaking chopped rhythms and stopstart outbursts of corroded static that characterised his last full length, 'Digla Dive - Live'. But peer beneath the brain burrowing vocal melodies, mangled instrumental loops, anxious poems and subtle, harmonic synth washes and a new kind of intensity lurks in the shadows.

Since his early releases on Lee Gamble's UIQ label and his 2018 breakout 'Trigger Finger', Zuli has notched up major global acclaim for his futuristic, kinetic musical diversions. He cut his teeth supplying beats to local rappers back home in Cairo, soon shifting his attention to the city's burgeoning dance underground, promoting events, DJing prolifically and tirelessly supporting the scene's most experimental fringe. In 2019, Zuli teamed up with Rama to curate the irsh series of video transmissions, evolving the project into a label shortly afterwards. And now situated in Berlin, the duo have extended the concept to encompass an ongoing sequence of genre-averse club nights. All this experience and constant creative motion is etched into the foundations of 'Lambda'. It's an album that plays liberally with euphoria, but feels constantly precarious, intrepidly peering out from its tense internal world.

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Zuli

Digla Dive - Live

3LP | 2013 | UK | Original (XL)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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A central iconic figure in the ever thickening Cairo underground electronic scene, Zuli has crossed borders years ago with a relentless international touring schedule and releases on Lee Gamble's UIQ as well as Haunter Records, now considered as flagship works.

His meticulously crafted sound, located at the crossroads of IDM, Hip-Hop, Jungle and more has never stopped developing. It is characterized by power, precision and very elaborate arrangements.

»Digla Dive - Live« is an additional step further in his extended quest where Studio compositions are constructed in a live setup spirit.

Produced, mixed and recorded live at home in 2022 by Zuli. Vocals by Elvin Brandhi and Rhythms by Karim El Ghazoly on Alteration Jump. Zuli logo by Kareem Lotfy.

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Zomby

With Love

40,99 €*

12" | 2023 | UK | Original (Nunorthern Soul)

Release: 2013 / UK – Original

Genre: Electronic & Dance

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A 33 track monument, based on the rich history of recent dance music. Rave, Jungle, House, Techno & Grime are melted into a wild mixture!

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Zeynep Erbay

Healer EP

11,19 €* 15,99 € -30%

LP | 2021 | EU | Original (Mondoj)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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She may be making her first appearance on NuNorthern Soul, but Zeynep Erbay is no newcomer. A classically trained pianist who took a turn towards the dancefloor while at university, the Turkish DJ/producer earned her first release on Compost Records way back in 2007 after taking part in 2006’s Red Bull Music Academy programme. Since then, her career has been on an upwards trajectory, with releases on Fools Gold and Soul Clap Records confirming Erbay as a genuine rising star of underground electronic music. On the Healer EP, the Istanbul-based producer showcases the more atmospheric, sun-kissed end of her productions, taking a turn away from synth-powered, disco-leaning club tracks towards something more suitable for al-fresco events, sun-down sets, and sofa-bound listening sessions. Inspired by a poem inscribed on the back cover of the EP, Erbay’s two original instrumental tracks simply ooze with emotion. The poem tells the story of a whale searching for her family while helping others along the way, which acts as a metaphor for our wider search for belonging and acceptance. This aural narrative unfolds firstly across ‘Heart of a Healer’, a slowly unfurling stunner in which emotion-rich chords, gentle electronic melodies and Erbay’s poignant and picturesque piano motifs, gently rise above a chunky dub disco bassline and mid-tempo, triple-time drums. Delving further, the effortlessly emotional, life-affirming composition ‘Healer Whale’, where Erbay’s impeccable piano playing ushers in languid, jazz-flecked drums, dubby bass, sumptuous synth-strings and colourful, slow-moving chords. On remix dutires, NYC-based Italian Danilo Braca, who also mastered the release, provides a fine club-focused fix of ‘Heart of a Healer’, laced with crunchy machine drums and undulating Tb-303 acid lines. NuNorthern Soul regular Marshall Watson handles ‘Healer Whale’, first delivering a fine ‘Remix’ version that effortlessly blurs the boundary between dub disco and Balearic nu-disco, before serving up a shorter, ambient ‘Reprise’ version.

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Zaumne

Elevation

12" | 2020 | EU | Original (Knekelhuis)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Zaumne's new album titled Élévation is a multifaceted yet subtle work, an abstract collage that is equally entrancing and immersive. Quoting passages from Baudelaire’s “Flowers of Evil”, the Polish musician promises to elevate the soul and consciousness “Beyond the sun / Beyond the ether”. Yet simultaneously, the artist wants us to stay where we are and focus on the immediate surroundings in search of our personal attachment to the world.

Initially recorded for the WET (Weird Erotic Tension) online community the four pieces are an exploration of erotic aspects of the environment and uncanny intimacy with other beings and objects that dwell in our nearest proximity. Just like on previous releases for labels like Czaszka Rec. or Perfect Aesthetics, on Élévation Zaumne maintains his interest in emotional aspects of sound and internet culture – he builds his compositions from fragments of Asmr-whispered poetry, samples of natural phenomena and field recordings from his family home and its environ.

What starts as an escapist exercise driven by uneasiness and ennui becomes an individual healing process, in which the subject rediscovers the strangely intimate relationship with the world and opens up to almost magical methods of communicating with other beings. Asmr samples and sounds of the artist touching, playing with and exciting different objects are an experiment in establishing contact with the non-human realm and a method of attuning the body and the mind to the reality in which everything is interconnected.

Zaumne tests Einstein’s “spooky action at a distance” through radical, sensual intimacy with what’s near, finding a glimpse of the absolute in his own room, again quoting Baudelaire: “To a child who is fond of maps and engravings / The universe is the size of his immense hunger”.

Zaumne is the moniker of Polish musician Mateusz Olszewski. In the past few years, he has released music on labels like Magia, Perfect Aesthetics, BAS or Czaszka Rec. Élévation, released by Mondoj and initially commissioned by WET, is his first vinyl release. Blending elements of genres like ambient, dub, minimalism and tape music with Asmr samples, field recordings and spoken word, he creates work with deep emotional focus and impact.

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Zaliva-D

Immorality

Orchestral Tape Studies II Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Beijing-based duo Zaliva-D returns with a second installment on Knekelhuis. After last year’s great EP, released on Shanghai label Svbkvlt, Zaliva-D unleashes a new record in these unreal pandemic times. At its core is a concept of data’s capacity to overcome any boundary, whether that’s physical, digital or mental. The material at hand, created after the second European tour, pushes heavily through walls, with bombastically accentuated kicks. Blended with joyous, psychedelic songwriting, it is a testament to the power of music to unite despite involuntary confinement. Artwork by Fenna Fiction. Mastering by Brandenburg.

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Zake

LP | 2023 | US | Original (Past Inside The Present)

26,34 €* 30,99 € -15%

Safe In The Hands Of Love

Release: 2023 / US – Original

Genre: Electronic & Dance

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Ambient innovator make seems to drop something new almost every week. But you won't hear us complain because few have a breadth and depth of sound that matches his lo-fi and absorbing output on his home US label Past Inside the Present. He dropped the first volume of his Orchestral Tape Studies way back in 2019, and finally follows it up now with a second volume. Once again this is a selection of richly layered movements of fragmented orchestral loops that all pay homage to minimalist symphonic composers and orchestras and makes use of field recordings as well as gentle drones to soothe your soul.

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Yves Tumor

2LP | 2018 | UK | Original (Warp)

38,99 €*

Heaven To A Tortured Mind Black Vinyl Edition

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Yves Tumor shows the world that it's Safe In The Hands Of Love with his debut album for Warp.

Released into the wild with no fanfare or prior warning, Yves Tumor makes good on the audience following astonishing singles 'Noid', 'Licking An Orchid (feat. James K)' and 'Lifetime'. Whereas each of these showed a different side to his sound, one that arguably wasn't afraid to immerse itself in the close running interests of skinny-jeans 'n' all indie, heartfelt romantic ballads and soulful RNB bangers, Yves Tumor's seeming refusal to be creatively pigeonholed is the most vital and compelling cog within his musical identity. Walking a tightrope between being on the one hand, one of the most seductive, soulful musicians of modern times, while also being a serious aficionado of harsh n0!se, as made evident with his recent years' live sets which have become something of a legendary experience/assault for each audience that has entered into the high-intensity sound-field that his on-stage presence creates.

Safe In The Hands Of Love captures each and every side of Yves Tumor's musicianship with an elegant mix of pop numbers and more "experimental" de-constructions. With the spirit of Danish noise/synth/punk/tekno institution Posh Isolation running through the lifeblood of the music, so much so that in a perfect bonding two of the Posh Isolation crew's finest Loke Rahbek and Frederikke Hoffmeier both appear on the album in solidarity with Yves' vision. The recordings are uncharacterizable as anything other than Yves Tumor music. From the gothic cloak 'n' dagger cyberpunk punishment of 'Hope In Suffering (Escaping Oblivion & Overcoming Powerlessness)' featuring Oxhy & Puce Mary, through to the 'Economy of Freedom' produced with Croation Amor and moving along with all the sludgy heaviness of a thousand broken hearts, the feelings explored upon offer a kaleidoscopic union of classic songwriting and lobotomized sound experiments. Chapters like 'Recognizing The Enemy' and 'Licking An Orchid' capture a sense of near blissful introspective blues, sounding like Yves is rushing into the deepest moments of winter while his words that are seemingly spun out of tears, begin to freeze in the cold night air. Before 'Let The Lioness In You Flow Freely' could be the Whitehouse and Steve Albini post-rock record that never materialized back in the 1990's, while 'Recognizing The Enemy' further explores the gothic soundscape rock 'n' roll (original and authentic shades, slick back and leather jacket) of 'Noid', ensuring that his stadium-sized approach to crafting earworms is well and truly represented.

Repeatedly carving out a new path within the diamond cut musical trajectory of Klein, Dean Blunt, Radiohead, Coil and Kevin Shields, Yves Tumor's Safe In The Hands Of Love builds upon his recordings for PAN while setting the stage and informing anyone still unsure that Yves Tumor is truly one of the most visionary and singular artists of his generation.

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Yves Tumor

LP | 2020 | UK | Original (Warp)

31,99 €*

Young Druid (John T. Gast)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Just over eighteen months on from the visionary success of 2018's Safe In The Hands Of Love, Yves Tumor pushes visceral sonic boundaries with his new full-length studio album Heaven To A Tortured Mind.
In a sense, Heaven To A Tortured Mind occupies the anthemic soundworld of the androgynous underworld that was explored in Safe In The Hands Of Love. Offering up a dozen pieces of vivid avant-pop (the days when he would fill an album with painterly, semi-concrete ambiences, as he did on 2017’s Experiencing The Deposit Of Faith, appear to have passed).

Co-produced by Justin Raisen (Sky Ferreira, Ariel Pink, Charli XCX) this selection also comes off as slicker than its predecessor, less prone to rupture and seemingly more comfortable with its poppier impulses. There are even moments here which present as a kind of variation on the neo-soul sound that has been turned murky and swampy at Tumor’s mephistophelian hand. As such, along with Tumor’s disruptive contemporaries like Dean Blunt.

Heaven To A Tortured Mind finds Yves Tumor growing into his position as an outsider popstar. The result is a beautiful, forthright LP from a supremely unique talent.

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Young Druid

LP | 2023 | UK | Original (5 Gate Temple)

27,99 €*

Mountainmouth Violet Vinyl Edition

Release: 2023 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Limited copies of this John T. Gast (Apron, Planet Mu, Blackest Ever Black etc) project from 2017 - originally released on a hyper limited CDR. Now on vinyl for the first time featuring all the original tracks Special stuff from this shadow dwelling soul. Really killer.

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Yiannis Iliakis

12" | 2022 | EU | Original (Equinox)

Mountainmouth Clear Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Yiannis Iliakis is a multi instrumentalist and composer from Athens. He is mainly known as a drummer. As such he is a member of the free jazz band Outward Bound as well as a member of the successful Greek progressive rock band Ciccada. However, that’s only one side of Iliakis’ creative efforts. In April 2021, he released his first full length electronic album entitled Vertical Horizon on the Submersion Records, which mostly is an ambient work. Now, with Mountainmouth he opens another chapter for his musical talents. The EP is one of the most thrilling and adventurous takes on what the IDM term usually would suggest. The key song might be the title track “Mountainmouth” – an extremely energetic composition which won’t leave you unaffected. As per most of Iliakis’ songs it is based on originally recorded drums that were heavily edited. In the next step, these were combined with chords, melodies, bass and harmonies on top. The musical result is simply breathtaking - one might even call this track electronica for prog-rock heads. Surely a perfect opener for the release. The next song is Carbonated Soap on which Iliakis is going straight forward. The catchy melody and a fresh uptempo beat are offering something that could even fit well into a club-friendly DJ set. Next up, comes “Infected Walkman”. According to Iliakis, it was the first one he made for this project when he participated in an art exhibition. This track, as well as the following “Sad Plants”, are both down tempo and chilled, yet keeping an experimental vibe without loosing a soulful and human touch. Coming closer to the end, “Exodus Denied” is a brilliant experimental ambient piece, more similar to the works on the Vertical Horizon LP. Finally, the EP ends with a short edit of “Carbonated Soap” that jumps right to the more energetic parts after the first break. Mountainmouth may not be an easy listen at start – but we are sure the music has the power to be another classic release from our catalogue. The EP will be released in July 2022 on a very limited 12" vinyl as well as digitally. The cover artwork was done by Iliakis himself. We are very excited to present a new artist to you on Equinox with so many different talents.

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Yiannis Iliakis

12" | 2022 | EU | Original (Equinox)

Tape | 2024 | UK | Original (Yellow Swans Archive)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Yellow Swans

Out Of Practice I

LP | 2016 | EU | Original (Death & Leisure)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-15

Billed as the first in a series of releases documenting the duo’s reunion last year, ‘Out of Practice I’ finds Pete Swanson and Gabriel Mindel Saloman raiding their archive to excavate a bunch of fragments now arranged into “verrrry loose” songs. The first side was recorded at Denver’s Glob in November last year, and leads in remarkably slowly, spluttering through a haze of garbled noise and close-miked madness before Saloman’s unmistakable sustained wails just about emerge thru the static. Their saturated gusts curl around choral fragments as their guitar slowly mutates into a shoegaze gloop of strangled harmonics. And still, they’re not quite done: when the smoke clears, acoustic twangs shuttle us into a different landscape entirely, flipping the piece on its head. Dubbed at Austin’s Oblivion Access in June, ‘Side B’ is a different rendering of the same basic principles. The duo sail into cacophony quicker, offsetting their pebble-dashed concrète with visceral squeals, and when the harmonic relief finally arrives, it’s blown into foghorn trails of blistered feedback. It’s YS at their most ferocious, spangling through a good few minutes of harsh noise before the feedback wilts into melancholy, leading us out with a slow hum as electrical sparks shimmer into the aether.

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Years Of Denial

Blood Debts

Cosmic Suite 2 - New Beginning

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Blood Debts' is the compulsive debut album from Years Of Denial, the alter-face of London-based French musician/producer and DJ, Jerome Tcherneyan. Though his formulative Marseille youth was spent exploring the darkest corners of post-punk, New Wave, not to mention Public Enemy and the inspirational Mille Plateaux and Basic Channel labels, Tcherneyan, already an extremely capable drummer, quickly extended his sonic palate toward and beyond the bass-heavy electronic isolationism, insistent beats and drone experimentation that's still very much prevalent in his work today.

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Yasushi Ide

LP | 2022 | EU | Original (Grand Gallery)

Yannis Kyriakides & Andy Moor

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Japanese street music icon, Yasushi Ide released new album featuring Don Letts, Josh Milan, Jeff Mills, DJ Krush and more.

"This is a sound track for rude, underground adults! Amazing mixture of reggae, dub, funk, jazz, rock, afro, house. Masterpiece that goes beyond genres of music created by great producer, Yasushi Ide who has relentless motivation and global network of talents." - Shuya Okino (Kyoto Jazz Massive / Kyoto Jazz Sextet)

"Great album! It is amazing to finish such a big project involved many collaborators at this high quality only in a year and 4 months. The magic of Cosmic Suite is there are variety of styles, and it makes you feel deep and spiritual at one point, but at the same time you can feel relaxed. Also, I have to say that the sound quality is great. It sounds very clear and it can only be done with top level recording and mixing professionals." - Ken Ishii

Yasushi Ide is the Japanese street icon. In the 90's he was called "the Guru of Shibuya-kei" which was the movement of Shibuya style of eclectic pop by the artists such as Cornelius, Pizzcato Five, or Original Love who is once again recognized in City Pop revival of recent years. (Yasushi Ide was a manager of Original Love, and also Kenji Ozawa)

Through his works, he has been creating the global network of musicians such as Josh Milan of the Blaze, house music icon, Don Letts, the pioneer of connecting punk rock with reggae, and Jeff Mills, Detroit techno legend, and released a great amount of hi-quality music on his label, Grand Gallery.

The Cosmic Suite project started in 2020, during the pandemic. It started as a project to reconstruct the parts of music Jeff Mills created for Chieko Kinbara, a violinist which Mills produced. However, it turned out to be 36min of spaced themed original track = Cosmic Suite. (There are few phrases of Jeff Mills music left in the final version) This masterpiece created a buzz in the music scene in Japan and overseas, and became Yasushi Ide's new beginning.

In June, 2022, Ide released "Cosmic Suite 2". Originally, Cosmic Suite was an instrumental. "Cosmic Suite" is the reconstruction of "Cosmic Suite 2" with the element of vocals. In this project, Don Letts, Josh Milan, DJ Krush are featured as guest musicians. Moreover, drums of Tony Allen, the legendary Afrobeat drummer, and Style Scott, a drummer known for his works in early days of On-u label, and Gota Yashiki, a Japanese drummer known for his works with Soul II Soul are featured in this album. Also, Japanese brightest talents such as Kan Takagi of Major Force, Kaoru Inoue aka Chari Chari, Tomoyuki Tanaka aka Fantastic Plastic Machine and Calm are featured as artists and engineers. This is the true dream team of the Japanese underground music scene.

The artwork is done by Josue Thomas, the founder of popular fashion brand, Gallery Dept. He is also featured as poetry reading artist in track 1 of "Cosmic Suite 2." Ide and him collaborates in various projects under the concept of "Universal Music Connection."

Yasushi Ide's also well received as a dub artist. (beside his wide range of musical styles) His dub cover of Bill Withers' "Ain't No Sunshine (Space Dub Mix)" is selected for "Late Night Tales mixed by Don Letts" in 2021.

Highlight of "Cosmic 2" is the unique dub sound in tracks such as "Lava" feat. UA, the Japanese singer often described as "Japanese Bjork", and "Sumimasen Suite" feat. Rebel Dread (= Don Letts).

Tokyo is the melting pot of street music from all around the World such as Dub, Jazz, House, Hip Hop, Afrobeat, Punk rock, Techno,,, You can see the influence of all spectrums of rebel music in this album. This unique avant-garde music can only be created by Yasushi Ide, who has been heavily involved in this truly unique music scene for a long time.

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A Life is A Billion Heartbeats

LP | 2015 | UK | Original (Discrepant)

18,99 €* 19,99 € -5%

LP | 2019 | EU | Original (Wah Wah)

Release: 2015 / UK – Original

Genre: Electronic & Dance

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A life is A Billion Heartbeats', continues Yannis Kyriakides & Andy Moor's exploration and mining of the rich and mysterious terrain of Greek Rebetika music from early 20th century. Their first release of this project (simply entitled 'Rebetika') was for the most part taken from a live recording at the CCA, Glasgow in 2006. For that, Yannis had created processed versions of Andy's favourite Rebetika tunes which served as a matrix or palette onto which both musicians then improvised using electric guitar, live sampling and electronics.

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Yan Tregger

To The Land Of No Return

18,69 €* 21,99 € -15%

LP | 2022 | EU | Original (Umor-Rex)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Best known to funk / groove collectors for his 70's library efforts (Freezing Point, The Pop World Of Yann Tregger, Schifters, Catchy, Ducks & Drakes) on such cult labels as L'Illustration Musicale, MTS or Montparnasse 2000 or his late funky disco output via projects like Major Symphony or M.B.T. Soul; french trumpet player / composer /arranger Yann Tregger also devoted time and efforts to delve into electronic sound abstraction when needed. Based around the possibilities of the legendary ARP 2600 synthesizer, To The Land Of No Return was an outrageous and nightmarish collection of sound vignettes that pushed the instrument's capabilities to the limit. Thrilling, uneasy, surreal, spellbinding or just plain spaced out - an album "whose theme is the departure of a psychedelic train on a trip with no return to a lost world, leading its only passenger to unreal adventures" according to composer's words. An essential slice of musical lunacy coming from the most experimental fringes of the french library world!

First time ever reissued on vinyl, remastered from the original tapes in a gimmick cover and a limited edition of only 500 copies!

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Yamila

Visions

Tape | US | Original (Leaving)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Yamila reveals her most intimate catharsis in Visions, an album that brings together and provokes the hallucinatory powers of music. Like an ancient herald, she announces the profound feminine mystique while crossing epic melodies full of pleasure and pain. This album is a journey that prodigiously unites baroque accents, Spanish folklore – such as flamenco – and contemporary electronic music. Her voice and music – sometimes torn and others buoyant – could resemble the score for a biblical passage (ie. visions of the Apocalypse), for they are overflowing with physical ecstasy and sounds that one can touch. Visions is composed of different forms and rhythms. Pieces like "Visions V" evolve intensely with sharp and systematized hits –– powerful layers that bring us closer to Alessando Cortini's Forse era. "Visions II", for its part, shares intensity and power with flamenco ritual patterns, as if it were an old Andalusian scene dripping with oscillations and electric shocks. Yet there are luminous vocal pieces such as "Visions I" (featuring Rafael Anton Irisarri), inspired by Manuel de Falla's Suite Española composed in 1922. Here, an aural chiaroscuro with beautiful voices and choirs is deeply fused with daring drones. And it is in the ensemble of moments of Visions where Yamila's conceptual axis is rendered solid. Pain and glory, lacerating religiosity, feminism cauterized by power, and hallucinations as a source (or pretext/tool) to be heard. Yamila exhibits a profuse aesthetic with her music that calls for a look at the far-past with romanticism and nostalgia. Visions is radiant, intense. A unique album. All songs written and performed by Yamila Ríos (Spain), except “Visions I”, which features Rafael Anton Irisarri. Recorded between the Swedish winter and the Belgian countryside. Additional musicians: Simbad guitar on V-iv and V-I, Vera Cavallin harp on VIV. Mastered by Rafael Anton Irisarri at Black Knoll Studio. NY. Photos by Virginia Rota in Madrid. Design by Daniel Castrejón in Mexico City.

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Xyla

Ways

Release: US – Original

Genre: Electronic & Dance

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Tape | 2023 | UK | Original (Evar)

Xl Order

International Waters

16,99 €*

12" | 2021 | EU | Original (Comic Sans)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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On their debut album International Waters [evar Records], French duo XL Order dive into an aquatic underworld of futuristic trance, brutal bass and tingling techno, exploring the paradoxes between dystopia and utopia. Feelings of melancholia and nostalgia ripple throughout, alongside dark and moody textures, reflecting their ability to conjure sinister soundscapes and hazy melodies.
Due to drop onNovember 10th, the album ebbs and flows between futuristic trance, brutal bass and tingling techno that pens a story of a new world, resulting in a paradox between dystopia and utopia. Feelings of melancholia and nostalgia ripple throughout the album alongside dark and moody textures, reflecting their ability to conjure sinister soundscapes in tandem with hazy melodies.
Drawing influence from the metaphysical painter Jean-Pierre Ugarte and the sci-fi film Blade Runner, as well as the aesthetic of Cyberpunk, XL Order produce sonic elements aligned with each multimedia source. Fusing themes of unity between the ecosystem and mankind, International Waters tells a tale of biodiversity and the perpetual renewal of nature, with or without humanity.
Chilling, cinematic and captivating, the album begins in a mirage of ambient tones, evolving into a trance and techno-flecked collection culminating in ten tracks. With a combination of chuggy rhythms, eerie sound FX and resounding kickdrums, an impression of a new world order gurgles beneath the surface while a shimmering utopia remains just beyond reach.
"Realm" opens the album on an angelic note with spine-tingling chords potent enough to make your eyes water before a flash of AI-like noise ends the track abruptly, catching us off guard. "Ode" follows suit with sombre pads and choppy breaks while a bewitching melody swirls in the atmosphere — a myriad of heart-melting frequencies.
On "Ava", XL Order collaborate with Paris-based vocalist Dovae, whose mechanized vocals simmer between rapid-fire hi-hats and breaksy-percussion. Layered between a succession of claps and alarm-like noise, Dovae's lyrics hypnotize and haunt."Hybride" is a storm of staccato synth notes and metallic percussion, working in symbiosis to create an enticing patchwork of grooves, pulling us towards cyberland. It's a contrast to "Cleanse," which is a thunking trip of cow-bell noises and a doom-inducing bassline, whipping up a frenzy that's apt for peak-time raving.
The hint is in the name on "Clubbing Planet." A robotic vocal echoes in the soundscape as a wonky bassline punctuates the mood. Deconstructed breakbeats add a foreboding feel, alluding to the presence of AI. "Industrial Dance" switches pace to a frantic level as mutant kickdrums pulverize the vibe alongside a corrosive melody. Not for the faint of heart.
"Reef Breaks" takes us underwater with a beautiful trance-flavoured melody, coming up for air with a succession of siren-like notes. Pure, unadulterated euphoria bubbles on "Seamulation," evoking pleasure-filled chaos. It's a contemporary tune down to the last beat, with a confetti-cannon synthline and Eurodance melody.
Closing out on the album with "Digillusion", XL Order focus on natural themes, including the sky, clouds and thunder. They run their own vocals through a vocoder, amplifying the hands-in-the-air vibe that dominates. The idea of the final track is to reflect three emotions that they feel resonate with the vision of XL Order: happiness, melancholy and renewal. It couldn't be more accurate.
XL Order display their idea of the future on International Waters — one that is equally intriguing and terrifying. Merging sci-fi-inspired breaks, AI-shaped techno and classic trance with a nu-skool twist, the pair know their sound and deliver it with panache.

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Xl.Iks

Eobseubnida EP

11,69 €* 12,99 € -10%

LP | 2022 | UK | Original (C.A.N.V.A.S.)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The virgin idealist bedroom producer is buried, now make way for the 4.0 romantic sound designer! After some appearances on various artists, xl.iks unearths his long-time working debut EP and is ready to win the he@rts all around the world with a stunning piece of corrosive-but-sentimental IDM. Entitled "eoseubnida", this record is the result of all the contradictory passions the Grenoble based producer is crossed by. His bad boy tastes for dark, harsh and noisy stuff coexist in harmony with his emo soul interested in flowers, love and birds. In 5 tracks xl.iks expresses this inner duality : tortured beats are enlightened by mellow synths, outdated video games references are bundled up in HD sound design and the whole piece describes the thin line between reality and virtual world. xl.iks definitely belongs to our hypermodern era except the fact that, facing our uncertain future, he prefers to unsheathe the final fantasy sword of poetry rather than the cyberpunk cynism.

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Xao

Wirehead

31,99 €*

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Chrome-plated sound design and bristling textures frame the latest speculative sci-fi experiment from Xao, meshing sonic concepts inspired by Rabit, Visionist and Lotic into the cybernetic scapes of Hyph11E or Algorave proponent Renick Bell.

Xao has been working alongside the C.A.N.V.A.S. label since the beginning, and his second album builds on the promise of 2019's Astral Black-released "Eternal Care Unit", by burying some of his most recognisable inspirations into an algorithmic shimmer of vaporous sound design and cyborg percussion. The roots of ‘Wirehead’ can be traced to the mid 2010s obsession with shaping global club echoes and videogame FX into music that accurately scored our descent into digital dystopia, but Xao makes a clear link between those ideas and the brain-fried cyberpunk vistas of William Gibson. His guiding theme is the idea of the contemporary digital attention economy with its algorithmically-powered tidal wave of content, and the mental states that follows - employing procedural and algorithmic compositional methods to shatter this status quo, reaching in the direction of a proposed "digital spirituality" in the process.

On opening track 'Bone Theory', he burns fragments of death metal into warped airlock club stumbles, welding evocative, clanging sound design to tempered forms of weightless grime and gravel-throated trap. 'Aqua Tofana' is more fucked, sounding like a frosted-glass take on Autechre's latter day post-electro rhythms, or an algorithm-warped AI rendition of Lanark Artefax's 'Touch Absence', while 'Hyperfixate For Me' stutters barely-audible vocals beneath cracked Vladislav delayed percussion and the corrupted data throb of guitar noise and loopy synthesis.

The rest of the album plays like a Johnny Mnemonic-style braindump: the last few years of underground electronic music melted into a frayed patchwork of textures, rhythms and sonic signifiers. It comes to a head on 'I Wed My Shadow', when opera singer Marie Requa Gailey's voice just about cuts through the static like a candle in the dark, making the escape route from the techno dystopia just about visible. Moments later we're exposed to the corrosive 'Ophanim Plushie' - all jazz clatter and anodised rolls, accompanied by drones and squashed breaks that barely make it off the surface. By the time we reach the album's final track 'Threnody for the Child of Omelas', it’s all repair and recovery, twisting beatless echoes from strangled neural networks into blankets of aesthetic warmth.

Wirehead is a smart album that fits well into the deconstructed club/post-club lineage, deploying hyperkinetic sound design and a whelming flux of feelings echoing contemporary classics in its progressive field by TCF or Lee Gamble or indeed the same algo-powered artificiality as James Ferraro, or even the hyperpop set, fused with nu-metal and dembow somewhere between Arca and Oxhy.

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Wynd Chymes

Arrival

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | UK | Original (Discrepant)

Wukir Suryadi

Siklus Dan Doa

12" | 2018 | EU | Original (Teerpappe)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Born in 1977, in Malang, East Java, Wukir Suryadi began playing music for theatre at the age of 12 with the Idiot Thea-ter Studio, and later with the Rendra Theater Workshop. In his solo work, and as a member of Senyawa, Error Scream, Bendera Hitam Setengah, Potro Joyo and other groups, Wukir breaks the boundaries of traditional music, death metal and avant-garde performance. On this new release, “Cycle and Prayer,” recorded in 2023, he expands the edges of his unique artistic world further, by digging in to meditative improvisation, art, and community building in his home workshop in the mountains of central Java. These recordings vibrate inwards, toward the microcosmic ecolo-gies of forests and rivers; they distort outwards, resonating with global waves of apocalyptic change that are forcing all living beings to the edges of existence on earth. The result is a meditative poem that moves, as its titles announce, from phenomena to phenomena, praying that humans find a way out from the depths of the depths to the light that illu-minates the soul.

An essential mode of creative work for Wukir is the creation of unique instruments, using these sound sources as “bul-lets of expression.” In addition to the spear-like tube zither Bambu Wukir, he has created the Solet, Enthong, Garu, Luku, Arrows, and Industrial Mutant instruments, which in addition to being used in live performance, have been ex-hibited in the Instrument Builders Project and the 2017 Jakarta Biennale. In the past few years, Wukir has begun to collaborate with local guitar makers, carpenters, and suppliers of native endemic wood in the mountain region of Salati-ga. Using earthen bricks along with local woods (suren, coconut, mindi, and waru lengis) as building materials, he con-structed a new studio and workshop space in Tingkir, where this album was made. The trees, water and air of the local environment have exerted a powerful influence in Wukir’s documentations of instrumental sound. On this recording, he uses the simple Cetta guitar, an instrument designed in Bali and made for Indonesian children and local communities of folk and popular musicians, in order to explore the different sonic characteristics of a more “normal” instrument built from local wood.

The themes of the album -- cycle and prayer -- arise from a foreboding series of meta-events that shook Indonesia and the world over the past years, following one after the other: the Covid-19 pandemic, the Ukrainian-Russian war, the Kanjuruhan Stadium tragedy in which football supporters were gassed and killed by police, revelations of government failures and corruption, the rise of personal vehicles, the increasing disturbance of natural patterns of the rainy season and other ecological cycles. “In these waves of technology and narratives of truth made for certain interests, playing a sound at a certain frequency and repeating can try to bring images and feelings to a certain point of consciousness,” Wukir told me. “Sound is a prayer that creates a change, whether gradual or rapid, in the behaviour of living things, to face the demands of the time, as humans struggle to live according to what they believe.” The drawings and sketches used for the cover spontaneously emerged alongside the recordings, as an instinctive depiction of “time and sound, nature that is outside of oneself, and nature that is within.”

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Wosto

Gas Geben Mit Der Mofa

12" | 1991 | UK | Original (10)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Wosto creates a brand-new six-track EP for 2019. The title song ‚Gas geben mit der Mofa‘ makes children’s dreams come true… On this record you’ll find Hip Hop, Big Beat and Acid. These tracks will break your bones and you’ll have to run before a child rides the moped like a hurricane inside your head. ‚Battlefield‘ will remind you of bad times and while playing ‚Bauchfletscher‘ we remember worse days of swimming but basically it’s just telling you we are fine.

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Wop Bop Torledo

Kissaway

3,99 €*

Wolf Müller & Niklas Wandt

Release: 1991 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Price tag. seam split

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Dub Dub Dub Dub Dub - The Wmnw Remixes

LP | 2019 | DE | Original (Growing Bin)

Release: 2019 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2022 | EU | Original (Siluh)

Wolf Lehmann

Lucid Living

26,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2001 | US | Reissue (Kranky)

Windy & Carl

Consciousness

Allegiance And Conviction

Release: 2001 / US – Reissue

Genre: Electronic & Dance

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The fourth album from Michigan’s premier space duo, again delivers their shimmering trademark wall of sound, beautiful vocalization, and delicate songcraft. Six sweet and easy new tracks recorded in their home studio in Dearborn, that drift and dream with layered guitars, keyboards, bass and a love-arsenal of delicious effects and distortion.

“These two won’t be happy until they find a combination of sounds that encompasses all feeling, at which point they will then stretch that chord to the vanishing point.” —Pitchfork

“Perhaps it’s a prayer, perhaps a blessing, perhaps a poem full of questions—it hardly matters. Humble, moving, and brilliant.” —All Music

“The Windy & Carl listening experience is akin to the period of peace when one is about to succumb to slumbering; the body is hypnotized yet the mind becomes more and more lucid.” —Tape Op

“There is an airy shaft of light that extends straight through these six extended pieces, offsetting the density of sound with a breezy loveliness that’s almost impossible to articulate, towering on a floating sea of mesmerising, sub-level sounds.” —Boomkat

“Genre descriptions such as ‘ambient guitar soundscape’, ‘wall of sound’ and ‘drone’ fail miserably to capture the astonishing, magical emotional beauty of their pieces.” —Cyclic Defrost

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Windy & Carl

LP | 2020 | US | Original (Kranky)

Allegiance And Conviction

Release: 2020 / US – Original

Genre: Electronic & Dance

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Legendary Dearborn duo Windy & Carl have been crafting inner space electric guitar and bass vistas for nearly three decades now, but their latest feels as vital and vaporous as any peak opus in their vast catalog. Written and recorded across six years, the songs swirl between shoegaze minimalism and stargaze drift, over which Windy Weber whispers veiled poetic narratives of transformation, isolation, and escape.

Allegiance And Conviction is their first album since 2012’s We Will Always Be. The six compositions are something of outlier in their catalog, shorter in nature than most on their previous releases. All of the tracks are saturated with Carl Hultgren’s signature guitar work, intimate constructions of murmurs, drones and his trademark layered filigree, gently amassed into alternately lighter and heavier than air atmospheres.

Despite being their first full-length in more than half a decade, the album fully belongs to the bewitching galaxy of sound Windy & Carl innovated and within which they remain the sole occupants: music of thresholds and peripheries and eternities. Allegiance And Conviction is the multifaceted, contemporary take on their sound.

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Windy & Carl

LP | 2020 | US | Original (Kranky)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2022 | UK | Original (Soul Jazz)

Willie Williams

No One Can Stop Us Now

LP | 2014 | US | Reissue (Temporary Residence)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Willie Williams" seminal "No One Can Stop Us Now" is a cover of Ashford and Simpson"s soul/disco classic "Ain"t No Stopping Us Now", and is simply one of the greatest, most soulful reggae/disco cuts ever made and is the latest in the series of Limited Edition 12"s of all-time Classic Studio One party bombs available on super loud 12". First released on Studio One in 1979, this party anthem features the sublime keyboards of Jackie Mittoo alongside the awesome studio group, The Brentford All Stars (here working under the name The Brentford Disco Set).

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William Basinski

Melancholia

LP | 2021 | EU | Original (Kythibong)

Release: 2014 / US – Reissue

Genre: Electronic & Dance

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- Limited Edition of 2,000 copies- First time ever on vinyl- Remastered from original recordingsOriginally released a year after the increasingly iconic The Disintegration Loops, a decade later Melancholia still stands as William Basinski's second most beloved album. To commemorate its 10-year anniversary, we are honored to present the first-ever vinyl edition of this otherworldly piece of music. Remastered from the original recordings and pressed onto audiophile-quality 100% pure virgin vinyl, this limited-edition vinyl reissue is packaged in a stunning gatefold jacket featuring all-new artwork. It is truly a sight and sound to behold. Like many of Basinski's most soul-stirring works, Melancholia began as a series of short tape loops captured in the early 1980s. Basinski then stored them away for decades, revisiting them at a different time in his life, at which point they took on a stunning new sound all their own - one that many consider to be among the finest of the past decade. "Melancholia is probably the best of Basinski's records until now, even if this is hard for me to say given my love for each one of his releases. This music is so beautifully delicate and sad in its auto-reflective moods, it stands right there with everything ranging from the usual suspects in the 'ambient' field, to a distorted damp ghost of Claude Debussy or Maurice Ravel put into a time machine." - Touching Extremes

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Will Guthrie

People Pleaser Pt. II

2LP | 2024 | EU | Original (Ransom Note)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Black Truffle presents People Pleaser, the new LP from Nantes-based drummer and percussionist Will Guthrie. Initially rising to prominence in Australia as a drummer in the fields of jazz and improvised music, Guthrie later turned increasingly toward electronics and amplified percussion, developing an idiosyncratic style of electro-acoustic performance characterized by shimmering metallic textures, rapid-fire textural transformations and aggressively high volume. Recent years have seen a return to the drum kit in both solo and collaborative work, in performances where Guthrie uses duration and endurance to push at the limits of his formidable technical abilities as a player in the free jazz tradition, working variations on short rhythmic units into an endless flow of non-metered pulse. Although drawing on many aspects of Guthrie’s past work, People Pleaser stands alone in the catalogue of his recorded work. Working fast and intuitively over a period of three weeks, Guthrie has crafted a suite of song-length pieces that combine his drumming with electronics, field recordings, and sampled detritus. Inspired by rough and ready sampling style of producers like RZA, J Dilla and Knxwledge, and by the endless possibilities of musique concrète, People Pleaser uses a highly divergent array of sound sources, building pieces from drum and percussion tracks left over from other projects, audio ripped from skate videos, noise electronics, fragments of a police interrogation, and anything else ready to hand. Guthrie’s unique rhythmic sensibility is the thread drawing all these elements together, his drum performances propulsively rhythmic yet insistently irregular in a way that sometimes brings to mind the uniquely open rhythmic space carved out in the early Weather Report and other classic fusion. Drawing together a manifold of influences in an entirely sui generis way, People Pleaser is a raw, exciting, and surprisingly accessible peak into the laboratory of a unique sensibility.

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Wave Arising

The Rooted Sky

30,59 €* 35,99 € -15%

Warrington-Runcorn New Town Development Plan'

Release: 2024 / EU – Original

Genre: Electronic & Dance

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To be released on Ransom Note Records and marking the debut album of Wave Arising project , "(The) Rooted Sky" is an invitation to an initiatory journey where intuitions are channeled into grooves and otherworldly sonic landscapes . A sound where intense rhythms meet circular expansions .

From various improvisations, the experienced & avant-garde musician Sebastian Vaughan decided to take a fresh look and avoid the use of sampling third parties by crafting compositions. An approach to music as a spiritual path driven all the way long by psychedelic dubby vibes , acidic frequencies & hypnotic repetitions coming from his sound-system culture heritage .

While the tracks "It Comes and Goes" , "Ronde Cinétique" , "Electric Shrine" and "Golden Black" draw contemporary almost cinematic ambiences with vibrant and spacious feelings , "Monin Yiri" , "Sound Loves Dance" & "Grow with the Flow" represent a series of energetic deconstructed leftfields , with the omnipresence of a singular tribalism that emphases the african side of Wave Arising .

On its own "Music without chains" is , as the title underlines , a joyful jam free from any boxes or attempts at confinement .

Finally "Subconscience" arrives like a probe , a dreamlike piece full of endless reverbs from Kynsie's voice ; generating mysterious environments and resonating directly with "Soul Whispers" .

Taking on the challenge of fusion , "(The) Rooted Sky" asks the listener to open up through a collection of progressive tracks reflecting the core of Wave Arising’s spirit : Music & Body as a portal . Through this consciously chosen wide range of dynamics , the producer shows his musical ability to create an unique sonic palette yet staying true to his own personality .

Regarding the cover, the outside is a minimalist yet symbolic photograph of the duo’s hands. As for the interior, Wave Arising is very grateful to welcome primitive artworks by the talented artist Rapoon , one of the founder members of the legendary group Zoviet*France . Continuing with this global vision of intertwined arts, the videos accompanying this record are created by Wave Arising .

Ultimately , the recurrent animistic vibes of "(The) Rooted Sky" give to the album a spiritual ethos directly driven by the book of Nature reminding us that, we are all connected to the Source .

Whatever the "Source" means for each one . . .

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Your Community Hub Purple Vinyl Ediiton

LP | 2024 | UK | Original (Castles In Space)

27,99 €*

LP | 2021 | EU | Original (Affine / HHV Records)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Warrington-Runcorn New Town Development Plan's new album, Your Community Hub, compellingly continues his sonic exploration of the New Towns movement. The issues the councillors, planners, and architects set out to solve still resound and echo throughout society.

For the latest instalment in this unique project, Gordon Chapman-Fox turns his laser eye to focus on Community and the Community Centres that populated Warrington and Runcorn in order to provide all the facilities people needed within a five minute walk from their home. These planning ideas predated the current discussions of fifteen minute cities by fifty years.

Those 50 years have seen a decline in our community centres and services: handy access to a GP or dentist, Post Offices, youth clubs, local shops, banking and much more. Successive governments have undermined and eroded those basic services. The decline in community services has also been matched with a decline in community and shared experiences with a knock-on effect on the population's health and well-being. The disastrous austerity policies imposed over the last 15 years have exacerbated this long, slow reduction in available spaces for people to meet and communicate, with seemingly no recognition of the societal impact that causes. Short-termism at the expense of the community and how we live our lives.

Margaret Thatcher's statement that "there is no such thing as society" has been taken as a mission statement by successive Conservative governments who have aimed to remove as much support and communality from the citizens as possible. It continues now, the wrong-headed idea that everyone can be left to fend for themselves.

Chapman-Fox's latest album decries the cruelty of where we find ourselves in 2024 and his quiet incandescence about the loss of optimism for what communities should be and could be. It's his most powerful work, and as always, it will deeply resonate with those who tune in to his unique vision and unparalleled productions.

All four Wrntdp albums to date have had increasing critical and commercial success. Your Community Hub will resonate with anyone with a social conscience, anyone who feels how badly the state has let us down, and anyone who loves the best synthesiser music currently produced.

As ever, beautifully packaged and designed by Gordon, the album artwork features photographs from the archive of the architect Peter Garvin, which was kindly provided by his son Richard Garvin. The photographs show Peter's work on the Castlefield Community Centre, a sleek modernist structure clad in white ceramic tiles.

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Wandl

Womb

LP | 2017 | EU | Original (Affine)

Release: 2021 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Limited edition of 300 copies on black vinyl.

Wandl, the progressive 25-year-old producer, musician and vocalist from Vienna, is back with his second solo album, "Womb". Following the success of his debut release "It's All Good Tho" (2017), an extensive tour with Bilderbuch in Germany, a performance at Primavera Sound in Barcelona (2018) and several artistic projects (2019), "the master of delayed loops" now delivers a self-produced and highly condensed work of about 25 minutes that focuses on the dark chords of the emotional keyboard.

With "Womb", Wandl engages in musical interspaces where potential clarity gradually dissolve into the nebulous blanket of the night. In the midst, Wandl's distinct voice unites with his characteristic soundscapes and the warm euphony of the piano. His songs deal with self-doubt, emotional inhibition, freedom found in loneliness, undesired social acknowledgement, transcendence and the arrival in the womb of an unexpected maternal reconnection. In the end there is even yodeling.

The usual platitudes of the new economy as crude maximization strategies are thus safely ignored: Wandl is a genre unto itself. Something for your mind, body and soul – in the best sense of the word.

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Wandl

It's All Good Tho

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Osculating Elements... / My God Is Every Bird

Wanda Group

Tape | 2024 | UK | Original (U G Organic Throat Blower)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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2LP | 2000 | EU | Reissue (Keplar)

Vladislav Delay

Multila

31,99 €*

LP | 2019 | EU | Original (Diagonal)

Release: 2000 / EU – Reissue

Genre: Electronic & Dance

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"Multila" was the third album by Finnish producer Sasu Ripatti under the moniker Vladislav Delay. It compiles the "Huone" and "Ranta" 12"EPs Ripatti released on Basic Channel's Chain Reaction label in 1999 and 2000. The album features six hauntingly murky dub ambient tracks and the impressive 22-minute techno odyssey "Huone." More than 20 years after its original release as a full-length CD album (Chain Reaction), these iconic recordings of modern electronic music are now available again as a double vinyl edition, featuring a revised artwork by Marc Hohmann that matches the new design of the »Whisteblower« and »Entain« reissues. "Life films us exactly. Our experience of it, though, lies beyond images and descriptions. Emotions, coming in irrational flashes, are non-figurable. We lose our little connection to them very quickly. We look for forms which promise to take us to our own experience. We construct forms with this in mind: that they can take us to meet the subconscious. Multila's construction is principled this way. Fragments of experience, moments without definition or localisation are captured within tiny fragments of time and then within one's mindspace. We can look into it and see that experience has left some of its data to us. As we receive it, again and again, we are connected and reconnected to certain indefinable moments. Both during and after its recording, Multila is a tool to learn about the unintentional states of us. It is a way to see our own emotional loops. Multila is a soundtrack for vision." - Vladislav Delay in the year 2000 Remaster by Rashad Becker. Vinyl cut by Kassian Troyer at D&M. Artwork by Marc Hohmann.

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Viviankrist

Cross Modulation

14,99 €*

12" | 2020 | EU | Original (Scissor And Thread)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Japanese crustpunk and grindcore icon Eri Fuzz-Kristiansen, aka Gallhammer’s Viviankrist, keeps the curveballs coming on Diagonal with a bloodied mastication of charred noise and and rhythmic electronics, following up the label’s acclaimed sides by Sote and Not Waving/Jim O’Rourke. Co-released with the metal-minded Ritual Productions label, ‘Cross-Modulation’ is a brutal testament to the acridly personalised sound that Viviankrist has explored solo since 1995 in Tokyo, when she performing vocals, sax and SP-202 sampler in her first industrial/noise unit. 23 years later her music is still sorely raw, yet riddled with a new found poignance and atmospheric unease that places her music sometimes as close to Kali Malone’s see-sawing dissonance as the power electronics of Pan Sonic or the possessed pulses of Conrad Schnitzler and Merzbow.

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Villete

Dawn Is Mine

10,99 €*

LP | 2020 | US | Original (Stones Throw)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Villete aka Amsterdam based producer Anne Korteweg returns to Scissor and Thread with a brilliant new EP. Her debut 12″ ‘Girl Next Door’ was released on Scissor and Thread in the fall of 2016 and sold out quickly. Now here with the new EP Dawn is Mine, we are treated to seven tracks of understated, floating beauty. On her new release she explores the more abstract sides of electronic music.

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Vex Ruffin

Liteace Frequency

LP | 2021 | EU | Original (In The Neighborhood Of The Sun, The Moon And The Stars)

Release: 2020 / US – Original

Genre: Electronic & Dance

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When Vex Ruffin’s family moved from Northridge, California to the City of Parañaque in the Philippines, their first car was a Toyota LiteAce. Swooping around the thick Metro Manila traffic between colorful jeepneys and tricycles in the compact van left a strong impression on young Vex. The Toyota LiteAce was immensely popular in early 90s Manila — beloved for its durability and reliability — and enjoys an intense, affectionate following to this day. Vex’s family’s LiteAce would hold his parents upfront, and him and his three younger siblings behind as they cruised in comfort.

Fast forward three decades and Vex is raising two young boys with his wife in the Inland Empire while working two jobs. In between those responsibilities, he cooked up his third Stones Throw LP LiteAce Frequency at his kitchen table, a collection of songs influenced by 70s Manila Sound and Pinoy soul. Other ingredients like Japanese funk, Brazilian sounds, and hip-hop made their way into the recipe. “At my age, you start to reflect,” Vex says, “I’m going back to my roots, channelling that time, mixing nostalgia with how I am right now. ”

What is LiteAce Frequency? “It’s the vehicle that gets you going in the right direction. Hop in and tap into the LiteAce Frequency — it will guide you to the right path.”

“If you don't believe in yourself, that's a fear,” Vex says. “I think everyone is good at something. Everyone has a dream. Sometimes there’s a voice inside you that’s guiding you, and you don't follow it because of fear. This album is about going with your heart. Follow your heart. Self-love. Positive things. Believe in yourself. Going for it.”

Vex Ruffin also finds inspiration in one of his biggest passions — boxing. “Boxing is life. You get hit, you fall down, you get back up, you hit back, but all that matters is that you finish it. Keep coming, don’t stop no matter what.” He feels a close affinity with Bernard Hopkins: “As he got older, he got better. That's me. I'm not getting any younger, but I am getting better. Hopkins has many styles. He can adapt.”

LiteAce Frequency documents Vex’s growth from his first show, more than 10 years ago, in his friend’s backyard. “I’m more mature, more experienced. A lot more mellow. A lot more at peace,” he says.

He compares his music to a kale salad: “It's definitely organic. It’s healthy. There’s not much music like that — healthy music. I’m not perfect — not 100% positive all the time. But my goal is to be that positive influence. When I make the music, it's for myself first and foremost, but it's going to reach people. And it might help them. In the end, I hope that's what it does.”

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Vera Dvale

Garden Of Feelings

15,99 €*

Spiritual Machines 2024 Repress

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Vera Dvale's debut solo album on own imprint is funneling in composition and sonics. Introducing and rounding off with field recordings, from East Norway's countryside and the Pacific coast of Chile, it's in the same manner as 70's psychoacoustic recordings creating "sonic silence" if played at right volume. Title track is an exceeding travel of overtones and presence played on the church organ of Sørfinnset Chapel in North of Norway, feverish and beautiful. The bass rich and synthetically warm "Dove Organ" is outernationally spacious and time consuming, with recordings of ancient melting ice from Spitsbergen. As made for, and by, time & sound.

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VC-118A

2LP | 2021 | EU | Reissue (Delsin)

2LP | 2022 | EU | Original (Hidden Harmony)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-12-16

Following 2019's Inside, Vc-118a returns to Delsin to present Spiritual Machines. Following a re-evaluation of his creative process, Samuel Van Dijk's fourth album encompasses more fluid shifts into abstract and downtempo, dub-inflected realms, without losing sight of the electro and techno qualities that have made Vc-118a so compelling from the beginning. Burnished machine soul, aqueous atmospherics and immaculate drum programming abound, but in the mellow, enveloping sound world of Spiritual Machines you can hear Van Dijk guiding his music into a broader form that sounds at once more assured and more inspired.

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Valentina Goncharova

Ocean

A Patternless & Endless Soul Dark Smokey Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Includes a 12-page booklet, which detailly explain the album conceptual basis, background and creation context, and provides insights into unique sound recording and technical solutions adapted during album recording in 1988. Created and written with direct involvement of V. Goncharova and I. Zubkov. - My task is to allow the listener to penetrate deeper into the music. The music is wholly improvisational. It has no concept in the rational sense of the word. It’s concept is purely intuitive. It presumes The Law of Analogies: “As above so below. Man is the same as the Universe. The Universe is the same as Man.” ("Emerald Tablet” by Hermes Trismegistus"). This intuition is a kind of rephrased logic which uses many more symbols which contain not only philosophical but also imaginative meanings/ visionary interpretations. This music is a stream of consciousness in its purest form: not an imitation of a stream, as in the ‘suggestive poetry’ of the 20th century, but a stream where one flow is superimposed on another (a multilateral passage of recording). And, if we think this flow of music will be better understood under the influence of a verbal flow, then the verbal flow should also be more intuitive and associative, as objective for this short write-up you are currently reading. Ocean did not appear within the coordinate system of logical scientific thinking of the last four centuries. It can be said that it is based on an intuitive concept of representations of the world which are captured in music figuratively. Similar to how myths were created in time immemorial with only partial support from verbal associations. Ocean is an experience of passing the Human Soul and Mind through the different states of the material world: birth, development, and achievement of perfection, transformation at the points of The Way and Silence, the manifestation of the harmony of the world (Om), which until then had remained in a latent state. It is averse to both mainstream contemporary physics and fridge scientific research. It exists outside their explanatory power.

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Valance Drakes

LP | 2021 | EU | Original (Yuku)

12" | 2020 | EU | Original (Emote)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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"Just Valance being Valance, I'm no underground glitch legend or pioneer as I never cared for a title, just an individual who puts sounds together and embraces the outcome whether it's light or dark. Capturing emotions from complex patterns. I don't betray myself. Not for status. Not for power. Not for money. Not to fit into a stereotype. Not to look a certain way. Not for approval as patience and sacrifice is required to build anything.

Some aspects of the world are getting uglier every day and every ray of hope is vital to tilt the balance." - Valance Drakes

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V-Neck

The Lost Recordings

10,99 €*

12" | 2022 | EU | Original (Vivek)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Following the reissue of the V-Neck EP Auto, Emote have sprung back to life with some lost DAT recordings of the band from the late 1990s. These semi live recordings made at the Spike Studios in Fulham where a back to basics project and a deliberate move away, from computer programmed music. The project was heavily influenced by the albums Drastic Season by African Head Charge and Get Up With It by Miles Davis. The tracks contain an array of random procession instruments ranging from African pianos to kitchen utensils, vintage synth tones and drones are provided by an Arp Odyssey and a Korg Ms-20 The tracks where then recorded on to a 8 track real to real Akai X-1810d By the time the delayed Dub Fiction album came out in 2000 the duo had decided to go their separate ways and the project was abandoned. Your record collection will have to be modestly far out not to find this record modestly far out! Supported by Alex Night (Fat Cat Records) and Chloe Alice Frieda (Alien Jams)

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V.I.V.E.K

Colours EP

15,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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V.I.V.E.K announces his second release on the self-named Vivek label. Known for his cult label, System Music, this label focuses more on eclectic 140 bpm outside the realm of the dance floor.

The 4 track EP explores broken beat, ambience, melody and rhythm at 140, something that has been missing over the last few years within the genre. Colours is not only the EP title, but a reflection of the diversity of the tracks. Musicality sits at the heart of this with a nod to easy listening.

“The main focus of this release was to take me out of my musical comfort zone. I wanted to work with other musicians as well as push myself to inhabit new creative ideas.” - V.I.V.E.K

Whether it’s as an artist, label owner, a deep-drawing world-touring selector or system-building soundman behind some of London’s most important dances, V.I.V.E.K has an inherent drive to push things forward and contribute to the craft of music with serious attention to detail. A life-long frequency student dedicated to soundsystem culture, he has total respect for the heritage, value and rich variety of true music, an ability to totally arrest your full attention and imagination with his music... And has done so since he emerged in the early 2000s.

Musically pressed and blessed on key imprints such as his own System Music, Deep Medi, Tectonic and iconic reggae imprint Greensleeves, V.I.V.E.K’s creations are a crucial brew of bass styles encompassing everything from heavyweight bass hypnosis to flighty, steppy garage hybrids via sweet dub soul and all-out low-end pressure. His self-built custom soundsystem, System, meanwhile, is a unique force of nature in UK bass music culture; the most prominent modern system to be established this decade, it’s a whole new chapter in the UK’s longstanding and illustrious history of barrier-breaking soundsystem communities. As such, it attracts committed fans from around the globe and selectors from across the system spectrum.

His label System Music has the same treasured, trusted status; not only as a source of legit never-to-be-repressed artefacts that prize the real value of music, but also as a key platform for encouraging forward-thinking, powerful system music from across the OG – freshmen continuum. Karma to Kromestar, Sleeper to SP:MC, LAS to Egoless: System Music’s celebration of bass music’s sonic scope and nurturing of talent and craft ensures its consistent buy-on-sight ranking.

Most importantly it’s as a selector that V.I.V.E.K’s position is the most vital. The selective tailor of rich, immersive and eclectic sessions, few DJs dig as deep, join the dots or draw for dubs quite like this West London operator. Accentuating his influence as a producer, engineer, dubsmith, label curator and system builder; his creative excursions as a DJ, both on the dancefloor and the airwaves as a broadcaster on the likes of Rinse FM, galvanise his status as one of the most respected, influential and singular artists who is driven by nothing but craftsmanship, unity and the sense of culture that UK bass music needs to thrive and inspire.

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Virtual Dreams: Ambient Explorations In The House & Techno Age 1993-1997

2CD | 2020 | EU | Original (Music From Memory)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Music From Memory is delighted to be turning 50 with a special release: Mfm050 - V/A - Virtual Dreams: Ambient Explorations In The House & Techno Age, 1993-1997 (3xLP/2xCD). The first in a series of compilations, alongside more in depth artist-focused releases, Virtual Dreams will delve into music produced during the 1990’s that redefined the boundaries of ‘Ambient’. This was music that explored the possibilities of Ambient music within a new setting, created often by House & Techno music producers for a world beyond dance floors but made very much with the pre and post-clubbing listener in mind. When House and Techno exploded out of America in the mid 1980s a whole generation was redefined not only musically but also culturally and chemically speaking. Peaking, quite literally, with a second ‘Summer of Love’ in 1988, millions of young people across the world would experience the life-changing ups of a brave new world but with it of course came the downs; enter the concept of a ‘Chill-out’ room. Whilst early Chill-out rooms lacked a specific sound and were often soundtracked by music such as reggae and soul, slowly young Techno and House producers themselves would become increasingly interested in developing a futuristic ‘Ambient’ soundtrack to a world beyond the thud of the main room. ‘Ambient’ in this new age now though had sharper teeth than in Brian Eno's key text for ‘Music for Airports’, instead here the sounds were the mode of transport rather than the backdrop. While the melodies were pretty, the soundscape steered away from the pastoral, dreaming of outer-space and technology as opening up exciting new dimensions. Much like in the first Summer Of Love; the musicians were again exploring psychedelic, mind-altering and transcendental possibilities of music. And also much as in the first Summer Of Love, a psychedelic visual language would accompany the music. Though now the tracks could be accompanied by music videos, utilising early CGI techniques, they would look almost entirely to the future: envisioning technology, nature and humanity intertwined in a new Utopian future. Virtual Dreams of a better world. From Ambient and early Chill-out classics, to lesser known one-off projects, as well as Ambient deviations by some of House and Techno’s leading producers, Volume One of Virtual Dreams features tracks by Bedouin Ascent, LA Synthesis, LFO, Marc Hollander, Mark Pritchard & Kirsty Hawkshaw, Richard H. Kirk and more. To celebrate our 50th release the first 1000 copies include a holographic 'Virtual Dreams' sticker plus a special insert poster with artwork by Victoria Pacheco and design by Steele Bonus.

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Viento Sur - Experimental & Fusion Music from Argentina, A Retrospective from Melopea Discos

LP | 2022 | AR | Original (Vampi Soul)

Release: 2022 / AR – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with bumped corner and beginning of seam split on top spine.

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12" | 2019 | EU | Original (Research And Waves)

Transparencies

9,99 €*

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG

2LP | 2024 | US | Original (Iam8bit)

The Stanley Parable

62,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-15

The Stanley Parable may be satire, but its artistry is sincere. Developer Crows Crows Crows understood that on a fundamental level, in order for its scathing deconstruction of interactive storytelling to really hit, The Stanley Parable had to feel like a polished, impressive piece of narrative fiction, in and of itself. That polish is present everywhere in the game, from its stark, corporate-approved visuals to its superb voice acting, to its extraordinary soundtrack.

The Blake Robinson Synthetic Orchestra, Yiannis Ioannides, Christiaan Bakker, and Tom Schley all contributed pieces to this indelible score. The resulting product is an eclectic mix of whimsical orchestral tunes, surprisingly tense ambient sounds, and heroically inspiring themes, sure to stir something deep within your formerly settled soul. Parody, tribute, and unexpectedly original moments of brilliance are present across the tracklist here in equal measure, each working towards the same cohesive final score.

Now, we at iam8bit are here to bring that very same score to you, presented on wax, with all of the care and consideration it deserves. Introducing The Stanley Parable 2xLP, a collection of the very best songs from the hallmark indie title, spread across two discs and pressed on 100% recycled black wax.

Lovely designers, Dominik Johann and William Pugh, crafted the cover art, which, much like the game itself (and indeed the soundtrack, too) is understated and brilliant — a loving tribute to Stanley’s possibly-traitorous sole companion, The Reassurance Bucket. It makes a mighty fine companion to your very own commemorative The Stanley Parable Collectible Bucket, if we do say so ourselves. And what’s more, that art is printed on recycled, eco-friendly packaging.

Now’s your chance to take home a piece of indie game history. Don’t miss out!

20% of net proceeds from your Stanley Parable purchase will be donated to the non-profit charity 350.org to fight climate change.

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LP | 2024 | JP | Original (Insense Music Works)

Sunset Chillout Breeze

Release: 2024 / JP – Original

Genre: Electronic & Dance

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The LP for "Sunset Chillout Breeze," a compilation featuring a selection of relaxing and comfortable music perfect for chilling out during sunset and feeling the pleasant breeze, will be released on October 30, 2024.

Toru Hashimoto (suburbia) has been a guiding force for music listeners since the 1990s, curating over 350 compilations including "Free Soul," "Cafe Apres-midi," "Mellow Beats," "Good Mellows," "Jazz Supreme," "The Soundscape of Music," and "Incense Music" series. Celebrating 30 years as a compiler, he launched a new compilation series, "Chillout Breeze," in July 2024.

Joining him is graphic designer Jiro Fujita, known as FJD, who has created artwork for various music projects, from jazzy and mellow beats like Nujabes to works by artists like Calm, Sakura Fujiwara, and Keisuke Kuwata. His design work can be seen all over Tokyo, from architecture to hotel lobbies, and shop logos.

This new compilation series "Chillout Breeze," curated by Toru Hashimoto with artwork by Jiro Fujita and mastering by Calm, a top Japanese artist in jazz, chillout, and Balearic music, will release its second volume, "Sunset Chillout Breeze," on September 25, 2024. The vinyl LP, featuring 10 carefully selected tracks from the 17-track CD, will follow on October 30, 2024, and also showcases captivating artwork.

The compilation features a range of tracks from cool and mellow grooves, chillout Balearica, surf×bossa×folky, lovers' rock & dub, to jazzy and mellow beats, creating an ideal collection for an enjoyable lifestyle.

Included are fantastic new covers: "Quiet Moments," a mellow breeze masterpiece by Lonnie Liston Smith, newly recorded by DJ Mitsu the Beats, and "Sunset Red," a twilight breeze gem by Lucinda Sieger, reimagined by NOA NOA.

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Soul Man Explosion Purple Haze Splatter Vinyl Edition

LP | 2023 | EU | Original (Golden Lane)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Soft Focus & Dtm Funk Presents Skrr Volume 2

LP | 2024 | EU | Original (Skrr)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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In each new volume of the series, DTM Funk will collaborate with another befriended DJ/producer, assembling a varied collection of productions representing the sound of the guest selector. For the second edition, we look to Soft Focus, also know as Forbidden Fruit, Title or Toon Janssens. Already for years in the game but still one of Belgium's most skilled producer.

Skrr Vol-002 will focus around the groove that Soft focus brings to the humanity; "downtempo grooves, cinematic sound and abstract waves for the brains, the body and the soul".

Featuring 10 tracks from the likes of Bert Cools, Memotone, Dries Laheye, Arthur Brouns and more.

The compilation perfectly fits the philosophy of the record label. "The meaning of San-Kofa implies that all music comes from somewhere", explains DTM Funk. "If you acknowledge the music's origins and its essence, it becomes so much more valuable, and you become better prepared for the future".

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Smooth Sailing: A Rare Soul Adventure

LP | 2023 | EU | Original (Charly)

32,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Slow (Motion And Movement)

LP | 1980 | Reissue (Be With)

27,99 €*

Release: 1980 / Reissue

Genre: Electronic & Dance

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Welcome to library breaks *chopped 'n screwed*! Slow (Motion And Movement), originally released on Sonoton in 1980, is super-sought-after and full of crazy dubby, super SLLLLLOOOOWWWWW and super HEAVVVVVY library breaks. It's also home to blinding new age/synthy tracks that are equally great. It's really varied throughout, but all absolutely fantastic.

Slow features KPM/Bruton/Sonoton-legend John Fiddy, the mighty Sonoton founder and composer, arranger and conductor Gerhard Narholz in 2 of his best-loved guises - Sammy Burdson and Norman Candler (get it?) - as well as a couple of fine offerings from Antonio Campo.

Heavy opener "Slow Business 1" is veeeerrrrrrryyyyyy slooooooooow with the phased drums so beloved of Narholz but this time delivered by Campo, with a proud, deliberate piano melody and great bassline adorning the creeping rhythm. "Slow Business 2" is equally as slooooooow but without any melodic decoration. Just pure phased drums, folks! Get sampling. "Moody You" is Narholz's first track on the record and what a beauty it is. A languorous, insouciant, slo-mo guitar soul track with warm synths, electric piano and heavy drums. It sounds a wee bit like an erotic film score, and all the better for it. "Slow Groovement" is Campo's final contribution and it's definitely his best. It's an ace, moody-yet-melodic crime/blaxploitation track with gorgeous percussive elements, mellifluous Rhodes and twinkling piano over a fantastic bassline and drums with some great electric guitar soloing halfway through.

"Slow Reactor 1" is Narholz again, under his Burdson pseudonym, and it's him all the way, now, joined by John Fiddy for half the tracks. This one is a tense, phased, slo-mo thriller with mysterious percussive elements and ominous strings. "Threat To Research" contains mysterious, dramatic sounds and heaps of string-assisted tension whilst "Ion Exchanger" is replete with repetitive, strange accents and sounds; all half-tumbling drums and dead tense, again. Truly, a taut experience and ideal for adventurous sample-based beat-heads. "Wave Motions" is a real highlight and the first to feature John Fiddy. It's a beatless ambient banger with slowly changing sound waves. It sounds like Angelo Badalamenti would if he were crafting strung-out teutonic library madness in 1980. The A-Side closes with "Slow Motion Link" which is over waaaay too soon but just simply needs looping. Trust us. Phenomenally dope!

Flip over for "Scenic Vision 1" for here, ladies and gentlemen, we go sublime. It's an absolutely stunning ambient wonder, with slowly changing textures and colours that create a peaceful, gliding, tranquil atmosphere of sheer bliss. You will not want it to end. Whilst "Scenic Vision 2" adds a bass melody, "Scenic Vision 3" uses the same melody but renders it isolated and lonely in the background. Haunting, hypnotic and hyper-beautiful. "Study In Brown" is s a lengthier number, with room to stretch out, and features Fiddy back in the game. Again, a slow, isolated melody gradually segues - by way of Fiddy's mournful electric guitar solo - into a slow heavy rhythm with rumbling, groovy bass and stratospheric drums.

"Deja Vu 1" weaves swirling, disorientating magic. It's described on the original sleeve simply as "indefinite arpeggios inexplicable vision" and we can't put it any better ourselves. "Deja Vu 2" sounds like you've heard it before, it's "as above with melodic line" and really is fun. "Glistening Surface" sounds exactly as you'd expect, all frisson-inducing movements, slow waves and generally peaceful scenic sounds. This remarkable library record closes with "Laser Fight", blasting "utopian percussive sounds" that totally get under your skin like fireworks through your veins. A neat trick!

Established in Munich in 1965 by Gerard and Rotheide Narholz, Sonoton introduced library music to Germany. Initially intended to cater to the country's new TV market, the library also provided an avenue for Gerhard Narholz's astonishing musical prolificacy, and soon became a haven for a wide range of European composers and musicians. In 1969, Sonoton struck a deal with the British label Berry Music for international publishing rights, exposing its catalog to a worldwide audience; when Berry was bought out by EMI in 1973, Sonoton transitioned into a full-fledged international label, with successes in the library and commercial fields and many innovations to its credit. Now a worldwide operation with hundreds of producers and composers under its employ, Sonoton nonetheless remains an independently run business still helmed by its founders - a remarkable achievement in an era when nearly every other major library has been absorbed by a multinational conglomerate.

The audio for Slow (Motion And Movement) has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Skippy White Story: Boston Soul 1961-1967

LP | 2022 | EU | Original (Yep Roc)

28,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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CD | 2021 | EU | Original (Kompakt)

Pop Ambient 2022

11,24 €* 14,99 € -25%

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Note: With THE Purchase OF THE Vinyl OR THE CD YOU Will GET THE Single MP3 Files AS Well AS A Continous MIX VIA E-mail. With the cover artwork for Pop Ambient 2022, longtime Kompakt graphic artist Veronika Unland has once again outdone herself. Following the almost baroque, blood-red and jet-black, extremely physical sculptures of Pop Ambient 2021, which emerged from a dark, floral sea like bodies erect for dancing, the front of 2022 is adorned with a pastel-white form, intertwined, folded many times and crisscrossed with delicate shading, which seems to float on a pale pink background; soft, gentle waves woven from Venetian colors that leave the viewer puzzled: Is it a flower, a coral, a mollusk?

Again, the current edition of the tradition-steeped compilation series curated by Wolfgang Voigt is about the persistent and ever-necessary definition of beauty, of reduction, of electronic music of heavy lightness and light heaviness, of ambient's eternal promise of a state of physical and acoustic weightlessness and Pop's of redemption. And about the question why a never arbitrary combination of soundscape, drones, samples and loops, put together in a certain way, can create this feeling of warmth, depth and space, - something three-dimensional, where the imagination feels at home as a fish in the water or a bird in the sky. A key aesthetic stimulus that sends all the senses into a slow glide and drift, after which your synapses feel like they've been bathed in essential oil. Next to Soul, Ambient is probably the most effective musical healing plant of mankind.

Behind the aural test tubes, the who's who of Pop Ambient is once again at work, led for the first time by the highly trafficked Californian duo Blank Gloss, whose debut album "Melt" this year was certified by The Guardian as nothing less than "heartaching beauty". Yui Onodera's "Chrome" as well as "Kari", a cooperation of Markus Guentner and Joachim Spieth, could also be imagined in the score of Denis Villeneuve's new film version of Dune - however, colleague Hans Zimmer managed that quite well without the three. After such wonderful and stylish contributions by Reich & Würden, Triola and Thomas Fehlmann, the ear then lingers a bit longer on the ghostly "Weiht" by Morgen Wurde feat. Maria Estrella, a track like a temple of sound, a deep electronic immersion in a Japanese onsen. In this sea of unnameable time you could sink forever, but with the tracks of Andrew Thomas, Thore Pfeiffer and Max Würden & Pepo Galán the journey slowly comes to an end.

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LP | 2021 | EU | Original (Kompakt)

Pop Ambient 2022

22,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Important Note: Unfortunately THE Sides ARE Reversed ON THE Vinyl, I.E. THE A-side IS THE B-side AND Vice Versa. With THE Purchase OF THE Vinyl OR THE CD YOU Will GET THE Single MP3 Files AS Well AS A Continous MIX VIA E-mail. With the cover artwork for Pop Ambient 2022, longtime Kompakt graphic artist Veronika Unland has once again outdone herself. Following the almost baroque, blood-red and jet-black, extremely physical sculptures of Pop Ambient 2021, which emerged from a dark, floral sea like bodies erect for dancing, the front of 2022 is adorned with a pastel-white form, intertwined, folded many times and crisscrossed with delicate shading, which seems to float on a pale pink background; soft, gentle waves woven from Venetian colors that leave the viewer puzzled: Is it a flower, a coral, a mollusk?

Again, the current edition of the tradition-steeped compilation series curated by Wolfgang Voigt is about the persistent and ever-necessary definition of beauty, of reduction, of electronic music of heavy lightness and light heaviness, of ambient's eternal promise of a state of physical and acoustic weightlessness and Pop's of redemption. And about the question why a never arbitrary combination of soundscape, drones, samples and loops, put together in a certain way, can create this feeling of warmth, depth and space, - something three-dimensional, where the imagination feels at home as a fish in the water or a bird in the sky. A key aesthetic stimulus that sends all the senses into a slow glide and drift, after which your synapses feel like they've been bathed in essential oil. Next to Soul, Ambient is probably the most effective musical healing plant of mankind.

Behind the aural test tubes, the who's who of Pop Ambient is once again at work, led for the first time by the highly trafficked Californian duo Blank Gloss, whose debut album "Melt" this year was certified by The Guardian as nothing less than "heartaching beauty". Yui Onodera's "Chrome" as well as "Kari", a cooperation of Markus Guentner and Joachim Spieth, could also be imagined in the score of Denis Villeneuve's new film version of Dune - however, colleague Hans Zimmer managed that quite well without the three. After such wonderful and stylish contributions by Reich & Würden, Triola and Thomas Fehlmann, the ear then lingers a bit longer on the ghostly "Weiht" by Morgen Wurde feat. Maria Estrella, a track like a temple of sound, a deep electronic immersion in a Japanese onsen. In this sea of unnameable time you could sink forever, but with the tracks of Andrew Thomas, Thore Pfeiffer and Max Würden & Pepo Galán the journey slowly comes to an end.

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Polyphonic Cosmos: Sonic Innovations In Japan (1980-1986) Compiled By JD Twitch

2x12" | 2022 | EU | Original (Cease And Desist)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Ever since he made his first trip to Japan to DJ, Optimo Music founder JD Twitch has been bewitched by Japanese music, and particularly the vibrant, imaginative, and often far-sighted sounds which emerged from the island nation during the 1980s. Now he’s put years of digging in Japanese record shops to good use on Polyphonic Cosmos, the latest release on his compilation-focused Cease & Desist imprint.

Subtitled ‘A Beginners Guide to Japan In The ‘80s’, the collection offers a personal selection of Japanese gems recorded and released between 1981 and ’86 – a period when advances in recording and musical technology offered the nation’s artists and producers a whole new tool kit to employ. When combined with the unique musical culture of Japan, where local traditions are frequently fused with Western styles to create timeless, off-kilter aural fusions, this embrace of locally pioneered music technology had spectacular, often unusual results.

Eight years in the making, Polyphonic Cosmos provides an endlessly entertaining musical snapshot of Japanese music of the early-to-mid ‘80s with all of the open-minded eclecticism and sonic twists that you would expect from the Glasgow-based DJ.

Compare and contrast, for example, the gently breezy, morning-fresh folk-plus-electronics bliss of ‘ばら二曲 Baranikyoku (Fellini&Rota)’ by World Standard – the most familiar alias of long-serving musician/producer Sohichiro Suzuki – and the hallucinatory, slow-motion tribal rhythms, post-punk rhythms and tape delay-laden electronics of Imitation’s ‘Exotic Dance’. Or, for that matter, the tipsy mid-‘80s electronic reggae of Pecker’s ‘Sha La La’, the grungy but melodic post-punk strut of ‘You Go On Natural’ by Earthling (a track Twitch accurately describes as “sheer unrelenting groove”), and the unearthly, swirling sonics, new age instrumentation and flotation tank vocals of prolific (and seemingly mysterious) act Geinoh Yamashirogumi’s ‘Rimme Kohkyogaku Meiki’.

It’s a credit to JD Twitch’s curatorial skills that the quality never dips, and sonic surprises lurk around every corner. Consider for a moment the hard to describe, far-sighted audio immersion of D-Day’s ‘Ki-Ra’ – all languid post-pop guitar, enveloping chords, spoken word vocals, shuffling 808 beats and marimba melodies – and the two contributions from video games soundtrack specialist (and driving instrumental synth-pop specialist) Hiroyuki Namba.

The collection naturally includes some selections that have long been favourites in Twitch’s DJ sets – see Masumi Hara’s ‘Your Dream’ – as well as a handful of tracks from artists who may be more recognisable to those with only rudimentary knowledge of Japanese musical culture. The great Yasuaki Shimizu, whose work as Mariah has become far better known in recent years thanks to reissues of some of his most magical albums, is represented via ‘The Crow’, a picturesque chunk of horizontal, hard-to-define jazz-not-jazz smokiness, while the collection fittingly concludes with a sublimely funky, oddball electronic workout from Yellow Magic Orchestra legend Ryuichi Sakamoto (the frankly incredible ‘Wongga Dance Song’).

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4LP Box | 2021 | EU | Original (Advanced Public Listening)

On In Out 4lp Boxset

104,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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180g vinyl, including two posters and 4 inserts with extensive liner notes by Ken Hidaka & Naohiro Ukawa (in Japanese and in English). A Solid compilation of exclusive new music on the freshly formed 'Advanced Public Listening Records', Japan. Advanced Public Listening Records is the new Japanese label established by Miho Mepo, a veteran of the Berlin music scene for the past 20 years. After recently coming back to Japan, she decided to start this new, highly conceptual label that symbolizes her unconventional musical vision, experience and network that she accrued while living in Europe. As she has stated, “This is my dedication to the musicians and music lovers everywhere. What the world needs now is pure energy and the essence of real music. Through our label, we strive to share with all, true music created out of miracles and magical moments. I have no doubt that these refined musical vibes will help us grasp the universal nature of true understanding and hopefully assist us in realizing that music has the ability to make us free.” To help launch it, Advanced Public Listening Records is proud to announce the release this compilation, "On in out" "On in out" assembles an incredible array of legendary figures in the electronic music world from different genres and categories whose sonic imprints has dazzled us innumerable times. She asked each artist to create original pieces that epitomized her axiom of “no rules, no ego, no pride but pure essence of real music”. She also wanted them to produce music that “touches one's heart, shake our souls, make us feel emotions that we never knew we thought that we had deep inside.”

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5x12" | 2022 | UK | Original (Nunorthern Soul)

Nunorthern Soul 10

62,99 €*

Release: 2022 / UK – Original

Genre: Electronic & Dance

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A decade is a long time in music, but it feels less epic when the music in question is timeless, picturesque, and immersive. Founded in London by Phat Phil Cooper, run from Bali for a period, and now based in Ibiza, NuNorthern Soul has grown from humble roots to become one of the most popular outlets for Balearic music on the planet. The success of NuNorthern Soul is rooted in Cooper’s ability to pick music to release from a wide variety of artists that fits the label’s colourful, atmospheric, and tactile sonic vision. Over the past 10 years the likes of Private Agenda, B.J. Smith, My Friend Dario, Jim Baron and many more have all had releases on the label with retrospectives also shining a light on the legendary Joan Bibiloni and Ryo Kawasaki. This lovingly curated box set is testament to that curational brilliance, with immersive, yearning efforts from veteran musicians such as Jon Tye (here appearing as Captain Sunshine, via the breath-taking ‘The Oceans Inside’) and the late, great Ryo Kawasaki (remixed by Mancunian, former Body & Soul NYC resident DJ Andi Hanley) being joined by wonderfully on-point productions from relatively recent signings such as Torn Sail (the Balearic folk swell of ‘Disconnected’), George Koultalieris, My Friend Dario and Tambores En Benirras. 10 Years, 5 EPs, 10 tracks, exclusives, previously unreleased and hard to find NuNorthern Soul treasures. Packaged in a full colour commemorative designed box with full colour inner sleeves. 1 track per side of vinyl for maximum audio pleasure. Comes with 4 page NuNorthern Soul insert. Limited edition.

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Motown Collected 2 White Vinyl Edition

2LP | 2023 | EU | Original (Music On Vinyl)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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180 gram audiophile vinyl
Includes insert
Collected part 2 with a selection of early recordings, hits and classic soul and r&b songs of the legendary Motown Records label founded by Berry Gordy Jr.
Featuring 30 classic Motown songs from The Four Tops, Smokey Robinson, The Supremes, Stevie Wonder, The Temptations, Michael Jackson, Eddie Kendricks, The Commodores, Lionel Richie, The Dazz Band a.o.
Limited edition of 2000 individually numbered copies on white coloured vinyl

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Lamkin: Versions & Variants Across The Northern Hemisphere

Tape | 2022 | UK | Original (Death Is Not The End)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Folklorist Derek Piotr teams with Death is Not the End for a third outing, this time plumbing the depths of every archive from West Virginia University to the British Library in search of versions of the ballad Lamkin. Following the template set by Charlie Seeger with his seminal Barbara Allen compilation, Piotr's collection outs versions of the bloody ballad from the last ninety years; most of these renditions haven't been heard by anyone but their original recordists for decades.

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Jeff Özdemir & Friends Volume 3

2LP | 2021 | EU | Original (Karaoke Kalk)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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In the past years, the multi-instrumentalist, composer, producer and music enthusiast Jeff Özdemir had been focusing on organising the Live-Mixtape series in Berlin, inviting numerous artists to join him on stage for every single event. However, the year 2020 put an end to this for all the painfully obvious and obviously painful reasons. Undeterred, he instead put together the third instalment of the »Jeff Özdemir & Friends« series, working with singers, musicians and groups such as Knarf Rellöm & DJ Patex, F.S. Blumm, Joanna Gemma Auguri, Elke Brauweiler and Elmer Kussiac for an 18-track … Now, is this a compilation or an artist album? Well, why just either this or that when it can just be both at once? This is »Jeff Özdemir & Friends Vol. 3« after all, emphasis on »&«.

Released on Karaoke Kalk like its two predecessors from the years 2015 and 2017, respectively, »Jeff Özdemir & Friends Vol. 3« sees the man behind Kreuzberg’s 33rpm record store and the 33rpm Records label showcase his qualities as a people remixer, songwriter and versatile musician. He put together a collection of groovy tunes picking up on funk and afrobeat rhythms, introspective ballads, a musically channeled punk attitude, shoegaze sentiments, spoken word passages, drones, glockenspiel sounds, seriously fun experimentation and much more. Just like on the cover artwork - courtesy of Marion Eichmann, Özdemir’s favourite visual artist - everything here seems to discreetly exist for itself while being tightly connected to everything else at same time.

While artists like Ertan Doğancı, Désolé Léo, eng°n, F.S. Blumm and Zap have been long-term collaborators of Özdemir and were featured on previous instalments of the »Jeff Özdemir & Friends« series, new faces and forces also enter the mix. The melancholic »Love Letters« for example marks the first (though hopefully not last) collaboration with singer Joanna Gemm Auguri, while Knarf Rellöm & DJ Patex’s appearance has been dreamt of collectively but hasn’t been fully realised until now.

Whether it’s Désolé Léo’s French crooner soul, the lo-fi synth pop song »Bored« featuring former Commercial Breakup singer Elke Brauweiler or the many different sounds and styles presented under the name Jeff Özdemir: no decision is ever made between either that or this musical direction, but all are being joyfully enjoyed together. Thus, throughout its 70 minutes, the stylistic diversity of »Jeff Özdemir & Friends Vol. 3« does not once border on randomness. Instead, these sometimes very different songs are marked by a shared atmosphere - a direct result of these very different musicians approaching their studio time together less as a chance to make music but more of a chance to carefully listen to and interact with each other.

Just like you’d expect it from someone deeply connected with the local music community who also happens to run a record store, Özdemir is also the kind of person who’ll hand you the worn copy of a record he has just fished out from the bargain bin because he knows about its potential to change your life. The contributions by Vackrow (»Kleistpark«), Gebrüder Teichmann’s old band BeigeGT (»Disco«), and Otto von Bismarck (»Zu viele Erinnerungen«, produced by The Whitest Boy Alive’s Daniel Nentwig) do not even feature Özdemir, but are simply musical pearls that were (almost) lost in the shuffle of music history and unearthed for this very special occasion. That’s just what friends do, don’t they?

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2LP | 2015 | EU | Original (Karaoke Kalk)

Jeff Özdemir & Friends

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Presented here is the next chapter in the history of Faruk Green's keyboarder and founding member Jeff Özdemir... a compilation of soulful, pop & electronic inspired music. Jeff Özdemir, multi-instrumentalist, composer, producer and owner of the "33rpm Store", an independent record shop in Berlin Kreuzberg, also runs the label 33rpm Records with some of his musician friends.

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If You Want To Make A Lover: Palm Wine, Akan Blues & Early Guitar Highlife, Pt. II

Tape | 2024 | UK | Original (Death Is Not The End)

15,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The second part in a collection encompassing Akan blues, palm wine and early guitar-based highlife music, with recordings dating from the late 1920s through to the end of the 1950s.

The music included here can probably all be said to have all stemmed from a style that initially took root in the Fanti region of coastal southern Ghana. Fusing local percussion instruments with the introduction of western (most notably Portuguese) guitars that had made their way to the Fanti region of southern Ghana via the Kru seamen of Liberia, who are said to have pioneered the distinctive two-fingered style of playing while sailing the high seas.

Mingling amongst the Kru as well as with other sailors and local working-class people during the 1920s & 30s, the guitars infused with the traditional Akan seprewa harp-playing technique, creating a style known as 'odonson' or 'Akan blues' - a rootsy highlife style also commonly referred to as palm wine music, so named after the palm wine bars where the music was commonly performed. Western record companies such as Zonophone, Columbia, Odeon, HMV, and later Decca/EMI's West Africa imprint, released much of the recordings included here - with the earliest inclusions appearing courtesy of George William Aingo, Nicholas De Heer, Edmund Tagoe & Frank Essien, and Jacob Sam's Kumasi Trio (all recorded in London during the late 1920s). The form would become a key element in the popular development of both Ghanaian & Nigerian highlife, as well as the maringa of Sierra Leone, the juju of western Nigeria, and the Congolese "dry" guitar music of central Africa.

With thanks to John Collins and the Bokoor African Popular Music Archives Foundation.

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Hip Hop Collected The Next Chapter Green Vinyl Edition

2LP | 2023 | EU | Original (Music On Vinyl)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Hip Hop Collected - The Next Chapter continues to honour the pioneers of the genre, which officially celebrates its 50th birthday in 2023. Featuring ground-breaking artists and more pioneers of hip-hop including De La Soul, Cypress Hill, gangsta-rap by N.W.A, Dr. Dre ft. Snoop Dogg, party-tracks by Digital Underground, Heavy D & The Boyz, female rappers and groups Da Brat, Monie Love, Salt-N-Pepa and many more covering the broad spectrum of Hip Hop. Hip Hop Collected - The Next Chapter is available as a limited edition on light green (LP1) and white (LP2) coloured vinyl. The album includes an insert with liner notes, photos, and credits. Also available on 180 gm vinyl: Hip Hop Collected / Soul Collected / New Wave Of The 80’s Collected / Girlz ‘n Boyz Collected. T

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Tape | 2016 | CA | Original (Inner Ocean)

Futures Volume 3

Release: 2016 / CA – Original

Genre: Hip Hop, Electronic & Dance

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We present the third instalment of our mega compilation album, FUTURES Vol. 3, containing 46 artists with 44 tracks running in at 82 minutes. Fam unite on this ultra chill release, featuring the quality grooves of some lo-fi community favourites and some fresh faces to the scene.

This is one for the people, all the studio dwellers lighting up their SP's providing the soundtrack to the forever chill life.

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Tape | 2016 | CA | Original (Inner Ocean)

Futures Volume 2

Release: 2016 / CA – Original

Genre: Hip Hop, Electronic & Dance

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Our most ambitious project to date, a massive compilation of talented young producers that are shaping the way forward. This release was conceptualized as a means to unite the music community together and be as inclusive as possible. An album by the people, for the people. With over an hour and a half worth of music you can sit back and vibe to this tape all day!

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2LP | 2020 | EU | Original (Fake)

Fake#1

Release: 2020 / EU – Original

Genre: Electronic & Dance

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2LP gatefold sleeve, 180 grams vinyl and comes with 24 pages magazine designed by Jonathan Castro Alejo with 10 photo stories, 60 photos and 10 poems. The deaf noise of the socialmedialism thrills misery. The hate array, the dreams of profit spurt a modern ideology made of science and technology for a factory shaped city . The user worker. The content product. Login. All in. Proletarian Romance. Life in sharing. Love by the hour. Idealism motel. Sexual class conflict. Moral hierarchy. Fast Sci-Fi. Internet Overdose. Gourmet overexposition. Speed depression. Ethical inquisition. Wellness preservation. Right patrol. Afflicted soul. The information. The information. The information. Like. The new verbs of the power. To like. To be Liked. The followers. The swollowers. Mobile addiction.The window on the wall. The beginning of the century. Political correct. Business coma. Social Warming. Open Sea. Freedom breakdown. West civilization sunset. Block express. External Memory. Extra limb. Grim. Tough solutions required , the destruction of meaning. Emergency exit only. The Absence.

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Erased Tapes 20..---0 Clear Vinyl Edition

LP | 2022 | EU | Original (Erased Tapes)

26,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Following its limited vinyl release on Record Store Day, the results of our Erased Tapes 20･･－－－0 project are now widely available in physical form.

"Especially in this time of isolation we need to remind ourselves of the importance of art, just how magical a medium sound is to express, to raise and answer question marks, to open and mend the soul... it’s the most universally speaking of all languages as it knows no borders."

At a time of global separation, Erased Tapes founder and sonic explorer Robert Raths stitched together a project putting what is most important at the forefront — connection. This collection of works by undisclosed artists from the roster gives space and time to appreciate art at its most honest. By shedding the information noise usually attached to release cycles and by bringing music back to the magic of sound, we're presented with an opportunity for exploration when we need it most.

Robert spoke to Mary Anne Hobbs of BBC 6 Music about how releasing music without revealing its origin through the Erased Tapes 20･･－－－0 morse code series enabled him to share what him and the artists have been working on in real-time as opposed to the usual delays that come with releasing music.

“All the information, all that noise... As much as it can help give context, it also takes something away. It tends to cloud your senses and take away from the magic of when you first hear something that’s completely unknown to your ears. How wonderful a sensation it is to just listen and let the music speak for itself without prejudice or the need for any references.”

— Robert Raths

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12" | 2020 | EU | Original (Earthly Measures)

Earthly Tapes 02

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Part 2 of the compilation series sees the journey evolving, this time with a more upbeat affair. Not much has changed in terms of selection, as we continue to draw inspiration from the wider world, we bring to you the sounds of artists originating from Argentina, Japan, Netherlands, Portugal, Brazil and the UK. Beyond the restrictions of this physical realm, let you ears nourish the mind & soul as they traverse the world for you… Argentinian resident Silvio Astier introduces us to the record with the aptly named ’Santa Maria del Buen Ayre’ - the former name of his hometown Buenos Aires. Easing us in with a wonderfully atmospheric piece, carefully mixing simple percussion patterns with his own well-crafted luscious guitar work. Next up, we have Japan native/Berlin resident Kotoe continuing the flow of downtempo sounds that slowly settle us into this compilation. ‘Ondami’ conjures up images of a distant dream… the floating vocals and echoing chimes capable of drifting the listener to a place of blissful escapism. The tempo is turned up a notch for the last track of side A, provided by UK born folklorica maestro El Buho. Renowned for his love of merging the traditional and natural sounds of South America with modern electronica, ’Swifts’ certainly ticks those boxes with an added touch of dance-floor-ready groove. Portuguese native duo Oxhala continue to push the sounds on the flip side into heavier territory. ’Earth Spirit’ builds from an amalgamation of stomping tribal drums, hypnotically playful keys and distorted vocals, channeling the listener to our innate primitive spirit - this is one for the body & mind. Dutch party-starter Mytron’s contribution ’Oil’ provides the fuel for the party as he turns to fast-paced conga rhythms, cowbells and elephant trumpets. These exotic sounds bounce along with ever-persistent energy to create the soundtrack to a hedonistic carnivalesque celebration of all things wild. If you haven’t already peaked with the previous offering, Brazilian native El Peche wraps things up nicely with track ‘Rastro De Fogo’ (ft. Mari Branco). Tripped out vocals phase in and out as the track is dominated by a tight bassline before delicate keys bring in a softer element to finish.

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Digging Beyond The Crates

2LP | 2017 | EU | Original (BBE Music)

23,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Deutsche Elektronische Musik Volume 2 Special Edition

4LP | 2021 | UK | Original (Soul Jazz)

89,99 €*

Release: 2021 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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This album is the rarest of Soul Jazz's Deutsche Elektronische Musik series! Out-of print since its initial release over 8 years ago and not reissued, it features a monster 2 and ahalf hours of music! Very Limited Edition Super Deluxe Heavyweight Box Collectors' Edition (includes 4 LP + Insert + 2 Art prints + individual inners + download) + excellent extensive sleevenotes (by David Stubbs, writer for Wire/Guardian and author of the definitive 'Krautrock' book) + lots of exclusive photos. This is a one-off pressing of 2,000 copies worldwide.

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Denshi Ongaku No Bigaku / The Aesthetics Of Japanese Electronic Music Volume 2

2LP | 2023 | EU | Original (Cosmocities)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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On this second volume, focus is laid on the boogier side of Japanese sonics, nimbly moving the cursor from jazz to Afro-house, via deep technoid wares and spaced-out funky business. Setting the tone without further ado, Seiji Ono’s sun-streaked chugger ‘Celebrate Your Life’ is the very epitome of a time-proof party anthem; a buoyant and catchy ode to Larry Levan’s Paradise Garage that keeps on giving even after the thousandth listen. A dynamic ride down memory lane, Uyama Hiroto’s Afro-Bossa number ‘Compass’ delivers a suspended moment in time, halfway the soothing ethereality of Brazilian folk and syncopated patterns of African music. Up with the very much sub-Saharan-influenced ‘Pray’, J.A.K.A.M. takes us on a luminous ride across endless dunes of sand and lush oases of melodic abundance and polyrhythmic flair.

Yuu Udagawa turns in the jacking ‘We Float’, a proper NYC-style piece of abstract hip-hop and Chicagoan house laced into one lithe dance-floor churner, whereas Jazztronik summons ancient woodlands spirits on the kalimba-heavy ’Neon Forest’, ushering us into a world of pure soulfulness where ghostly silhouettes float in a haze of shakuhachi flutes and vaporous pads. We all know a classic slab of piano house done the right way is hard to resist, but when Brisa opts for this tried-and-tested route on ’State of Mind’, he nevertheless injects it with the kind of refinement and oomph you simply have to bow down before. The Backwoods remix of Ryoma Takemasa ‘Deepn’’ opens a spacious window that looks out onto a dreamy skyscape where the stripped-back rhythmic grammar of atmospheric techno rubs shoulders with that of electronica’s deep focus.

Not just contributing the aforementioned remix, The Backwoods - alias DJ Kent, steps up with the big-room momentum of ‘Cloud Nine’ - an alt-rock-influenced piece of racing electronics bound for ecstatic after-partying and beachside boogie with your loved one at sunrise. In the hands of Hiroshi Watanabe, 909state ‘RaTaTaTam’ morphs into an entrancingly beautiful mix of slo-burning prog techno and neo-classical orchestration, just as sleek and elegant as it proves deadly in a club context. Graced with similar melodic accoutrements, Satoshi Fumi’s rework of Tomi Chair ‘Remorse’ offers a grandiose and mood-enhancing display of piano-riddled techno bravura, clearly geared up for climactic DJ use. A magmatic finale that lacks neither that stadium-sized oomph, nor Fumi’s hallmark of all-around compositional excellence.

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12" | 2024 | EU | Original (Theoretical Rhythms)

Confessions

14,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Broken Techno/Electronica label Theoretical Rhythms is back with another vinyl release. This time it is a 4-track compilation EP called "Confessions". Featuring a carefully curated selection of tracks from diverse artists, "Confessions" takes you on a journey through emotions, melodies, and introspective narratives. Each track serves as a musical confession, laying bare the artists' innermost thoughts and experiences. The compilation opens with Varna's own Virtually J who masterfully sets the tone for the entire collection with his composition. From there, listeners are guided through a sonic landscape that seamlessly blends genres, showcasing the rich tapestry of musical expression. London duo Getae are showcasing their talent with the dance floor filler "Stumble" and Getsu opens the door to another dimension with his story "Otklonenie". With its minimal composition, broken beats and various effects Getsu invites us to divert from our path and experience another world. The EP concludes with Nickel Eye's "Lodi", a story that starts on a darker side with repetitive rhythm to transform to a jazz epos.

"Confessions" is more than just a compilation; it's an exploration of vulnerability and authenticity. Each artist bares their soul through their music, creating a connection with the audience that goes beyond the surface. "We wanted to create a compilation that goes beyond the ordinary, something that resonates on a deep, emotional level," says Nickel Eye, Theoretical Rhythms' head honcho. "This project is about sharing our musical confessions and inviting others to do the same". With its innovative approach to storytelling through sound, "Confessions" promises to be a standout in the music landscape, inviting listeners to immerse themselves in a musical experience that is both intimate and expansive. "Confessions" is a testament to the power of music to connect, inspire, and evoke raw, authentic emotions. Press play and embark on a journey of musical confessions.

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LP | 2021 | EU | Original (Blank Mind)

Comme De Loin

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Put together during the first lockdown of 2020, this record explores the eerie and the dreamlike - a moment in time when reality felt like fiction; a figurative void in real life. Translating as ‘from afar’ or ‘from a distance’, ‘Comme de Loin’ is derived from Clara de Asís’ recording; exploring the ambiguity between ‘the concrete space and the imaginary space’. This collection of music unites a diverse range of artists interconnected through an aesthetic quality, a freedom in exploring the void. It’s 4am and I’m standing on some grass. There’s a small stone at my feet - a perfect circle on all sides - so I pick it up and walk over to the canal. He steps out from the bushes and I throw the stone into the air with as much height and backspin as I can. His shiny eyeballs roll up to watch it spinning in the black. It slows, stops, then falls to earth. When the stone hits the water there is no splash, just a short, dull thud. He doesn’t reply and skulks back into the bushes on his toes. - Jacob Dwyer Mastered by Marco Pellegrino @ Analog Cut First run of 200

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Tape | 2022 | UK | Original (Death Is Not The End)

Come, Let Us Sing

14,99 €*

Release: 2022 / UK – Original

Genre: Electronic & Dance

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What shall we sing? Folklorist Derek Piotr presents the third and final installation in the Bare family trilogy, this time highlighting lesser-known and garbled versions of local folk tunes, and again braiding the past with the present by incorporating his own contemporary fieldwork of the Bare's living descendants.

Track 1 recorded by Herbert Halpert in Maryville, TN, April 23, 1939.
Tracks 2, 3, 4, 8, 9, 11, and 12 recorded by Herbert Halpert in Elk Park, NC, April 12, 1939.
Tracks 5 and 13 recorded by Herbert Halpert near Morganton, NC, April 19, 1939.
Track 6 recorded by Derek Piotr in Morganton, NC, April 11, 2022.
Tracks 7 and 10 recorded by Derek Piotr in Vilas, NC, April 18, 2022.

Cover image of Mrs. Sabra Bare Hampton courtesy of Della Ruth Harshbarger.

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12" | 2004 | UK | Original (DMC)

Club Cuts 261

6,99 €*

Release: 2004 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Label cover. Promo.

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Bulgarian Beat Wave Volume 1

2LP | 2023 | US | Original (Stereofox Ltd)

42,99 €*

Release: 2023 / US – Original

Genre: Electronic & Dance

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Bulgaria’s Instrumental Scene is Claiming its Spot on the World Music Map with the First-ever Bulgarian Beat Wave Compilation. The goal of the project (recorded deep in the Balkan mountains) is to show the world that while the country is small, the scene is thriving and growing. There's also a mini-documentary available online. Expect anything from jazz, soul, funk, chillhop, and electronic music - with live instruments and even scratching elements by DMC's World Champion for 2022. The compilation was featured on BBC 1, Clash Magazine, Kcrw, RINSE.FM, as well as supported by numerous curators (including Apple Music's BEATstrumentals) & on Bandcamp's front page.

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America Dream Reserve 2023 Edition

2LP | 2023 | EU | Original (Smiling C)

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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2023 edition with new artwork and sleeve. Come with insert/liner notes.

"Welcome to the America Dream Reserve, home to husband & wife duos, pub legends, one-man-bands, preachers’ sons, and country-lounge entertainers..."

About: America Dream Reserve is a home for kindred souls. An hour-long journey into the world of lo-fi drumcomputer folk, disco-pop-lounge, haunting ballads, obscure vanity pressings, and synthesized string ensembles. A collaborative compilation between Charles Bals, creator of the inimitable Club Meduse, and Smiling C.

Compiled by: Charles Bals & Henry Jones.

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LP | 2022 | UK | Original (Full Dose)

Alien Men

22,99 €*

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Alien Men is a 9 track compilation of abstract Dub & Synth experiments by a range of new artists coming out of Glasgow's Southside.

The idea for the compilation came about during a time of lengthy periods of isolation, where loneliness, insecurity and a willlingness to connect with other like-minded souls was challenging or near impossible. The artwork was subsequently created and the music followed, allowing each producer to tell their own story throughout this period.

The music featured, although hard to pin down to one notion, is Bass/Grime-esq, mutant Dancehall in parts with awkward, Ambient synth moments across this essential Club/Not Club record.

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4LP | 2022 | US | Original (Bastard Jazz)

20 Years Of Bastard Jazz

51,99 €*

12" | 2012 | US | Original (Nuearth Kitchen)

Release: 2022 / US – Original

Genre: Electronic & Dance

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From its humble beginnings in 2001, the Brooklyn label Bastard Jazz Recordings has trailblazed a unique path in the world of independent record labels. Appealing to both DJs and music fans from all walks of life, BJR has become known for its eclectic sound & community of global artists from Mumbai to Napoli, New York to Kinshasha, who touch on everything from funk to hip-hop, house music to forward thinking beats, soul to jazz and international sounds, along with its unrelenting commitment to the vinyl medium. This November, the label will be celebrating 20 years of operation in various incarnations and are releasing a special compilation and a DJ friendly 4xLP titled '20 Years of Bastard Jazz' filled with brand new cuts from its current roster, plus a selection of catalog material, some of it classic, some of it overlooked, and some of it unpressed.

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13th District EP

11,99 €*

Release: 2012 / US – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

7" | 1979 | US | Original

Units

Warm Moving Bodies

45,99 €*

7" | 1979 | US | Original

Release: 1979 / US – Original

Genre: Electronic & Dance

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Original Pressing found in drummer Richard Driskell's archives Units were a synth punk band formed in San Francisco in 1978. This was a private release from 1980. "I hate synthesizers but both sides of this make me eat my words. Listen to "I-Night" and re-evaluate the bloated crap that comes out of most electronic groups. Once the singing starts, though, on "Warm Moving Bodies" I throw in the towel. It's some of the lamest vocal arranging ever to be found anywhere and the words are the standard science-art jokes that've gotten as sickly cute as leopard skin on Saturday Night Live. "I-Night" doesn't fall victim to this syndrome, instead letting loose with one of the wildest riffs this side of Metal Urbain. The words are shuddery and bleak, and the vocals tolerable." Slash Magazine, Vol 3 #3

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Units

High Pressure Days

89,99 €*

2LP | 2003 | EU | Reissue (Pingipung)

Release: 1979 / US – Original

Genre: Electronic & Dance

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Original Pressing found in drummer Richard Driskell's archives. Come housed in original unstamped paper sleeve. Units were a synth punk band formed in San Francisco in 1978. This was a private release from 1979. "Synthesizer bands don't normally thrill. Rather, they tend to lull the listener, falsifying and distorting the images and ideas at hand. San Francisco's Units are not that kind of synthesizer band. All four songs on this EP (even the instrumental!) are straightforward, exciting, lyrical experiments in understanding the beast and making it rock. Two machines and a drummer. Not pastoral visions but urban ones. Not peaceful, still angry. Not satisfied, still probing and asking questions. New life brought to old techniques. How surprising. How wonderful." New York Rocker, November 1979

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Umeko Ando

Upopo Sanke

30,99 €*

CD | 2024 | EU | Original (Pingipung)

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

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“Upopo Sanke“ means “Let's sing a song" in the Ainu language. Umeko Ando (1932-2004) was one of the best-known artists of the Ainu, an indigenous, long-suppressed community in northern Japan. She sings their traditional songs together with Oki Kano on the Tonkori harp, who also recorded the album. The two are supported by members of the female vocal group Marewrew as well as Ainu percussionists, a string player and a male singer who provides rhythmic shouts and also throat singing. The call-and-response structure of many of the songs is performed with a mantric quality in a vocal style that is perhaps best described as elastic and breathing. There seems to be a gentle smile in every note and syllable. This music softly hits the heart.

Upopo Sanke was recorded on a farm in Tokachi in the summer of 2003. We hear dogs barking, a distant thunderstorm and voices imitating animals. The liner notes that accompany the 2LP release gather the anecdotal memories of Umeko Ando and Oki Kano about the stories of the 14 songs. Oki Kano is a musical ambassador of the Ainu culture who tours worldwide with his Oki Dub Ainu Band and also gives solo concerts, always playing the Tonkori, the five-stringed Ainu harp.

The Ainu have suffered from the oppression of their culture and language by Japan, especially since the 18th and 19th centuries. Only recently, in 2008, were the Ainu officially recognized again as an indigenous people culturally independent of Japan. As a result of the marginalization, there are now only a few hundred native speakers of the Ainu language left, making it a particularly worthy object of preservation.

"Upopo Sanke" was mixed again in part by Oki Kano, before being mastered and cut to vinyl by Kassian Troyer. The 2LP plays on 45rpm and it sounds fantastic. This album was the second album by Umeko Ando, the follow-up to „Ihunke" and also re-released in 2018 by Pingipung together with Oki Kano.

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Umeko Ando

Ihunke

16,99 €*

LP | 2015 | DK | Original (Tartelet)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Umeko Ando (1932-2004) was a folk singer from Japan. She was a representative of the Ainu culture on the Hokkaido Island in the north of Japan. “Ihunke” is her first album which was recorded with the Ainu musician and dub producer Oki Kano in 2000. The 16 Ainu songs on “Ihunke” are delicate, natural gems. They are built on Oki Kano’s Tonkori patterns (a 5-string harp), over which Umeko Ando develops her repetitive, mantric vocals, often in a call-response manner. Oki Kano is one of very few professional Tonkori players who performs worldwide with his Oki Dub Ainu Band. The songs possess a mystical energy – when crows call accurately with Ando’s brittle voice in the first song, it seems like natural powers join in with her music. Her voice sounds like animals of the sky and the forest. Oki Kano: “It was a lot of fun to record with Umeko Ando. Many Ainu hesitate to break from tradition - if Umeko hadn’t been so flexible to work with the younger generation and recording technology, this album would never have happened. Our sessions were intense, and we were proud and happy about making such beautiful music.” Upcoming in autumn: remixes of “Ihunke” by Tolouse Lowtrax, M.Rux, DJ Ground, El Buho Mark Peters, Gama, Andi Otto, and Dreems.

Historical background: Only recently (in 2008) have the Ainu officially been acknowledged as indigenous people who are culturally independent from Japan. This record is an example of how their music has been passed on through generations in the underground Ainu communities while it was oppressed by the Japanese hegemony. It deserves a huge audience.

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Uffe

Radio Days

LP | 2024 | UK | Original (World Of Echo)

Release: 2015 / DK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl closer to VG+. Promo copy with white labels

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UEVPD

Tape | 2022 | UK | Original (Past Inside The Present)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-18

UEVPD - Usage/Efficiency/Variance/Platform/Domain - is the solo project of Dominic Goodman, a former member of Mosquitoes and currently one half of Komare.

The self-titled UEVPD debut LP, released on 22nd November via World of Echo, consists of eight sequentially numbered electro-acoustic tracks made over approximately five years, living recordings that have morphed in shape over time, each systematically stripped back to their elemental form before being deemed complete. From the outset, Goodman purposefully deployed a relatively limited array of equipment and adopted a determinedly minimalist approach to composition, a practice in restraint that privileges detail and nuance. Field recordings, made using a combination of dynamic, condenser, contact and electret microphones, geophones and hydrophones, were allied to a basic modular/analogue synth setup, allowing for little in the way of excess or indulgence.

The results are markedly defiant, displaying an expert exercise in control and restraint that lets in little light but plays a great service to space and time. This is patient, claustrophobic sound design that bears out the value in attentive listening, a meditation on the acceptance of passing time, change, growth, death and regeneration. As such, listeners might connect associative lines with the likes of Pan Sonic and Mika Vianio’s solo work, Emptyset and Civilistjavel (who’s Tomas Bodén shows up on mastering duties here), though this remains distinctively Goodman’s vision, a continuation of his interests shown in Mosquitoes and Komare that further pushes out into the murky unknown.

UEVPD is released digitally and on vinyl in an edition of 250, each in hand printed, die cut sleeves.

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Tyresta

Infinite Branches

LP | 2024 | UK | Original (Keroxen / Discrepant)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Infinite Branches' explores multi-textural sound illustrations that encompass an array of calm tones and gentle movements. The ep features four beautiful arrangements by the artist with eight reworked vignettes- where two branches of the theme share a certain commonality, but never intersect. Infinite Branches is a compelling and inspirational paean to various forms and patterns of the ambient genre which include reworks by: 36, zake, Pausal, City of Dawn, Ai Yamamoto, awakened souls, Patricia Wolf, and Christina Giannone.

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Tupperwear

Pentagonono

17,59 €* 21,99 € -20%