Search "the+black+keys" 2783 Items

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Sleep Deprivation Blue Colored Vinyl Edition

2LP | 2024 | EU | Original (Dust Science)

32,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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“Sleep Deprivation” began in 2006, during a time when our sleep patterns were drastically altered by constant travel and late-night gigs. This relentless cycle of broken sleep became a persistent part of our lives, and over time, we noticed something remarkable: our music became more emotional, raw, and vulnerable. Sleep, or the lack of it, affects every aspect of life, and its influence on our creative process was undeniable. For this album, we chose to embrace that emotional intensity, allowing it to take centre stage over traditional arrangements. Sleep deprivation blurs the lines of logic, and the part of the brain that usually handles structure and order begins to falter. In that haze, deeper feelings rise to the surface, unfiltered and honest. With this album, we surrendered to that experience, letting the emotional chaos shape the music, and the result is an exploration of what happens when you’re pushed to your limits, both physically and creatively.

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2LP | 1995 | UK | Reissue (Warp)

Spanners

Release: 1995 / UK – Reissue

Genre: Electronic & Dance

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CD | 2024 | EU | Original (Dust Science)

Sleep Deprivation

Release: 2024 / EU – Original

Genre: Electronic & Dance

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CD | 2022 | EU | Original (Dust Science)

Music For Real Airports

15,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Music for Real Airports is a series of exciting live art events and installations in art galleries/spaces that are artistic response to the reality of occupying the semi-public space of an airport, and a contemporary reply to Brian Eno´s work from the 70s. Produced by musicians and artists with an international reputation - the Black Dog and Human - the project will portray airports as they really are, rather than idealised utopian vision of what they should be. Combining performances of electronic music and live-mixed animation and digital video projected on multiple screens, Music for Release Airports will be a unique, immersive experience that will draw in new audiences to art galleries.

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CD | 2024 | EU | Original (Dust Science)

Other, Like Me

15,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Experience the sonic journey that is The Black Dog's latest album, "Other, Like Me," as they delve into the intricacies of the artist's psyche, questioning the very essence of individuality and creative worth. The album invites listeners to confront darker thoughts about self-identity, imposter syndrome, and the relentless pursuit of creative value, all while celebrating the joy found in the act of artistic creation. In this introspective exploration, The Black Dog challenge both themselves and their audience, creating a musical experience that is profoundly personal and open to interpretation. The themes woven throughout the album are a poignant counterpoint between the shadows of self-doubt and the exuberance of creative expression. It's an inward exploration, offering a place of solace for listeners to find comfort amid the chaos of external influences. The album's title, "Other, Like Me", draws inspiration from an interview with Cosey Fanni Tutti in 1999, resonating deeply with The Black Dog's outsider perspective. The phrase encapsulates the essence of the album, reflecting the band's unique identity and shared experiences, while respecting each member's individual passions and interests. Navigating the waters of cognitive dissonance, The Black Dog bring an authenticity to their music that mirrors the internal and external conflicts of the contemporary music scene. With a commitment to stripping back layers and allowing the heart of each song to shine through, "Other, Like Me" offers a raw and unfiltered musical experience that speaks directly to the soul. It's an invitation to introspection, a celebration of independence, and a testament to the power of authentic artistic expression.

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2LP | 2024 | EU | Original (Dust Science)

Other, Like Me

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Dust Science)

Silenced (Remastered)

32,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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In the enigmatic realm of electronic music, The Black Dog stands as a visionary act, responsible for crafting, among other things, the mesmerising album "Silenced". Notably, this release marks a significant milestone in the band's evolution, being the first album from the new line-up and their collaboration with the fledgling label Dust Science.

Defying industry norms, The Black Dog embodies a Do-It-Yourself (diy) ethos. Their artistic journey remains steadfast, with a commitment to originality and creative freedom, unfettered by the limitations imposed by the commercial music industry.

The record label Dust Science takes pride in championing The Black Dog's musical prowess, with its first release being the band's 4-track EP "Bite Thee Back". However, this EP was only a prototype for the revitalised collective, eventually leading to the composition of Silenced, which followed soon after.

This creative period denotes a fresh start for The Black Dog, a testament to their resilience and a commitment to evolving their sound. The resulting album represents a new beginning, celebrating and transcending the echoes of the past. It redefines the band's sonic landscape and establishes a distinct musical narrative that resonates with dedicated followers and newcomers alike.

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Radio Scarecrow (2023 Remastered)

CD | 2008 | EU | Reissue (Dust Science)

Echoes Of The Night (The Adrian Sherwood Remixes) Green Eco-Mix Vinyl Edition

Release: 2008 / EU – Reissue

Genre: Electronic & Dance

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The Black Dog's highly regarded album, Radio Scarecrow, is now remastered and re-issued on Dust Science, 15 years after its original release on Soma Records.

Two years of constant development culminated in a masterpiece that flows delightfully and hits hard. Marking a true progression from the band's previous album, Silenced, the trio are keen to note:

"The beats are faster and the bass is much heavier - so much so, that it was making us ill, working with the low frequencies for hours on end. We could only do 3 hours at a time on some parts."

Tracks like Floods v3.9 and Beep are a testament to this. With throbbing basslines strong enough to make an impact on the Richter scale, these tracks are best played out on big sound systems.

Radio Scarecrow unfolds gracefully, barely skipping a beat between tracks. The act have created an album that demands to be listened to in its entirety. With elements blending between tracks (the same kick drum being used to very different means in Short Wave Lies and Siiiipher for example) and with constant references to conspiracy theories and the supernatural, The Black Dog present more than a collection of tracks. Influenced heavily by their interest in Magick, Numbers Stations and Electronic Voice Phenomenon (evp), the act have hidden examples of these within their work.

"These transmissions and recordings (and people's interpretations of them) had a strong influence on many of the final concepts and compositions, to the point where we've been embedding coded messages and curses deep inside the tracks".

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Pitch Black

10" | 2024 | UK | Original (Dubmission)

17,99 €*

12" | 2022 | EU | Original (Malka Tuti)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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They say you should never meet your heroes, but for Mike, meeting the legendary Adrian Sherwood has been a transformative experience, leading to creative collaborations that have benefited both of them.

Nearly 30 years after first being mesmerized by OnU Sound’s releases, a cheeky bit of radio ripping serendipitously led to Mike helping Pats Dokter, the label’s official archivist, with his work restoring master tapes, and eventually to him creating visual content for Adrian’s live shows.

A while after this collaboration began, Adrian offered to remix some of Mike’s music, either by his solo project @misledconvoy or our tunes, and it’s four cuts by us that grace this heavyweight platter.

From the dreamy dub of Transient Transmission to the rolling rhythms of A Doubtful Sound, our originals have been re-arranged and dubbed to $%># in Adrian’s signature style, with fluid melodies, pounding basslines and vocal samples awash in a wall of effects.

Trumpets by David “Ital Horns” Fullwood bookend the release, haunting in the first track and celebratory in the last, while Doug Wimbish (Tackhead) added an extra bassline to the heaving version of 1000 Mile Drift, which also features the voice of the iconic Lee “Scratch” Perry.

Reflecting on the collaboration, Mike says, “the whole experience has been slightly unreal, from working on Adrian’s videos to being in the OnU studio and watching him dub-mixing the tracks I’ve made, something I could never have imagined happening!”

Mike isn’t the only OnU fan, as a pivotal moment for Paddy was “watching Adrian mixing Tack>head at the Powerstation in 1995 and seeing the cause-and-effect of what he was doing and hearing the unbelievable sounds coming out of the speakers. It was the first time I’d ever seen somebody dub mix like that.”

The cover of Echoes of the Night is based upon an original artwork by Hamish Macaulay, while the vinyl has been pressed using a 100% recycled compound known as eco-mix, making each record totally unique as the colours subtly change across the pressing run.

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Black Merlin

Surface Air

13,99 €*

2LP | 2000 | UK | Reissue (Dubmission)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Surface Air is the lovechild of a long relationship between Malka Tuti & Black Merlin. After remixing Tapan and Shari Vari for the label, as well as being part of Spectral Empire who released Iron Muscle with us on 2018, George has always been an inspiration for us, both sonically and spiritually. His new record, Surface Air, in which the A-side is accompanied with vocals from Dallas artist Aura Nox, is a slow burning deep record for the late emo hours of the night, for you trippy after hour or your late night drive. On the B-side you can also find a Remix from an artist we’ve been following for years here in MT, and that when his name came up in a conversation with George (bm) as a possible remixer, excitement levels went through the roof. The Remix Wata Igarashi delivered is a stripped down epic ambient track, ala late 90’s Pete Namlook endeavours with some 2022’s Wata Igarashi unique sonic aesthetics.

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Pitch Black

Electronomicon

Small Black Deluxe Edition

Release: 2000 / UK – Reissue

Genre: Electronic & Dance

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Pitch Black’s landmark album is finally pressed on vinyl.

First released in 2000, “Electronomicon” shows Pitch Black developing their deep dubby sound further by creating long and involved song structures that traverse a range of sonic experiences. The resultant album journeys from organic ambience and layered soundscapes to skanking keyboards, cutting acid riffs and thumping rhythmic grooves, with dub being the glue that holds it all together.

“Electronomicon” reached 28 in the New Zealand album charts and led to a sell-out 30-date tour of New Zealand and Australia. It has since gone on to become one of the duo’s most popular albums, regularly finding new fans around the world.

To celebrate the 20th anniversary of the release, the band dug out the original audio files and Angus McNaughton has re-mastered them for this vinyl release.

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Small Black

2LP | 2023 | US | Original (100% Electronica)

43,99 €*

Release: 2023 / US – Original

Genre: Electronic & Dance

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12" | 2021 | EU | Original (Artificial Dance)

Black Merlin

Scape One

Moon Killer Blue Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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For his first release with Artificial Dance, Black Merlin aka George Thompson takes a departure from the hard-wearing techno and intricate field recording work that he has come to be known for. Scape One is a fifteen-minute psychedelic diversion recorded in one continuous live session. While the track’s sonic characteristics may echo dance music from the turn of the millennium, its pulsating rhythm is more suggestive of the slowly evolving landscapes seen outside of a train window as opposed to raves from the late ‘90s. Appearing on the B-side is Gordon Pohl’s remix of Scape One. Like its source material, this track is long and subtle in the way it develops over time, but Pohl dissects the most salient elements of the original to construct a new rhythmic urgency. The high frequency accent that guides the remix does so at a speed that recalls the rotations of Brion Gysin’s stroboscopic Dream Machine, which taps into your brain’s alpha waves, aiding drug-free hallucinations. Pohl and Thompson are frequent collaborators and release music together as Karamika. While Scape One is not a collaboration in the strict sense, there is plenty of crossover in the working methodology of the two musicians, especially when it comes to constructing uncomplicated arrangements. The repetitive nature of their respective tracks locks the listener into a contradictory sensation of travelling whilst staying seemingly motionless. This sensation is not altogether uncommon, but in this instance it’s not quotidian either. The result is a record that unravels slowly, leaving space for the listener to home in on all the available information and, in the process, discover elements that can be just as unnerving as they are satisfying.

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Small Black

LP | 2011 | US | Reissue (100% Electronica)

Lucifer Is A Flower Limited Red Vinyl Edition

Release: 2011 / US – Reissue

Genre: Electronic & Dance

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Originally released in 2011, Small Black's chillwave mixtape classic "Moon Killer" highlights the band's range of influences while masterfully incorporating it all into their signature sound. It is now available for the first time on vinyl with bonus tracks! Limited to 500qty. Comes with a digital download of the album.

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Black Devil

LP+7" | 2020 | EU | Original (Lo)

7" | 2018 | EU | Original (R=A)

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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"Black Devil Disco Club's story is as deep and strange as the music itself. His first album ‘Black Devil Disco Club’ is one of the most enigmatic electronic masterpieces ever made. So ahead of it’s time that no one could believe it was made in 1977 (released 1n 1978). Many thought it was a hoax and that the music was made by Aphex Twin or Luke Vibert but when Lo Recordings released the ‘28 After’ album in 2006, the truth was finally revealed.

Black Devil is the alter ego of Bernard Fevre, a French composer of electronic library music including the magnificent ‘Strange World Of Bernard Fevre’.

Bernard grew up and worked in Paris, and it was the African clubs and rhythms that inspired him to make the ‘Disco Club’ album. With only a small arsenal of electronic keyboards, a vocoder and looped conga drums he made music that transcends time.

Fast forward to 2020 and ‘Lucifer Is A Flower’ is every bit as enigmatic, inventive and inspiring as it’s title suggests. A kaleidoscopic ride into the mind of a musical master. Beautifully packaged with design by Non Format that includes pictures of the devil as a young man, it’s a fitting tribute to a career that has spanned over 40 years of divine and diabolical genius"

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Black Deer

Baseball Shorts / Lasso

10,99 €*

12" | 2024 | EU | Original (Voitax)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Black Deer returns... (70g, 7inch). TIP!

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Monstera Black

Awkward Attraction

11,19 €* 13,99 € -20%

12" | 2023 | EU | Original (Mystic Arts)

Release: 2024 / EU – Original

Genre: Electronic & Dance, Pop

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„Awkward Attraction” captures Monstera Black’s exploration of both embracing and deconstructing pop music. The EP starts off with ‘system’, a piece that echoes a classic song structure while anticipating an unconventional sonic palette, setting the stage for the impending unraveling process that reaches its culmination in the final track, ‘who’s a hoe?’. As the journey unfolds, traditional structures progressively give way to a stream of consciousness, where motif-driven improvisation and softly sung melodies collide with a darker club and experimental soundscape masterfully crafted by alys(alys)alys. The lyrics, infused with provocation and sarcasm, delve into themes of existence and vulnerability, presented through warped vocals and repetitive hooks. „Awkward Attraction“ crafts a taunting atmosphere, challenging listeners to embark on a reflective journey.

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Black Bones

Find The Frequency EP

12" | 2019 | Original (Metalheadz)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Black Bones are the Belfast DJ & production duo comprising of Aaron Black & Timmy Stewart, who have been collecting and playing music for decades. They formed Black Bones to put their stamp on the edits & production world as well as play DJ sets together. An initial edit series created seven highly collectible 12''s, securing plays and plaudits from some of the worlds best DJs & record stores. This led to recording DJ mixes for Apiento's Test Pressing, Tim Sweeney's Beats In Space & recording original material for Touch Sensitive, Hoga Nord, Duca Bianco, Optimo Music & Emotional Response.

Now on Mystic Arts 02 Black Bones pay homage to early rave days, illegal parties, pirate radio culture & 90s breakbeat sounds they both still adore. A side, Find The Frequency, is a ghostly ride through breakbeats & warehouse euphoria. While the flip side, Konstant Kollision is otherworldly bass heavy music that takes in post punk & African Head Charge influences amidst washes of dubbed out delay.

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Black Barrel

Elevate EP

11,39 €* 11,99 € -5%

Release: 2019 / Original

Genre: Electronic & Dance

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Tape | 2019 | EU | Original (Ikuisuus)

Black Trumpets

Natural Screenery

8,99 €*

Release: 2019 / EU – Original

Genre: Electronic & Dance

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12" | 2022 | EU | Original (Malka Tuti)

Black Merlin

Surface Air

6,99 €*

LP | 2023 | EU | Original (Cleopatra)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Cover with a small torn on the frontside and backside!

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Black Plastic

Club Grotesque

26,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | UK | Original (Rough Trade)

Black Midi

Cavalcade

28,99 €*

LP | 2019 | DE | Original (Prophecy Productions)

Release: 2021 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker.

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Thief

Map Of Lost Keys

2LP | 1993 | UK | Reissue (Warp)

Release: 2019 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Limited edition

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Black Dog Productions

Bytes

Release: 1993 / UK – Reissue

Genre: Electronic & Dance

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LP | 2012 | UK | Reissue (Cellule 75)

Black To Comm

Earth

LP | 2021 | US | Original (Gilead Media)

Release: 2012 / UK – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-11-15

Marc Richter aka Black To Comm released his debut record 20 years ago. In 2023 he is still busy releasing music under various disguises and is currently signed to the Thrill Jockey label. To celebrate this anniversary his own Cellule 75 label is re-releasing some classic out-of-print vinyl albums that originally came out on the defunct Type and De Stijl labels. The LP will feature a full-colour lyric sheet / poster exclusive to this edition. After releasing the critically acclaimed Alphabet 1968 on the seminal Type label (Grouper, Jóhann Jóhannsson, Yellow Swans), Richter chose De Stijl for this 2012 album, an American label that had just put out future classics by the likes of Circuit Des Yeux, Hype Williams and Wolf Eyes. Earth is a 2009 silent film by Ho Tzu Nyen, one of Singapore's foremost visual artists. After hearing Black To Comm's Alphabet 1968 Ho Tzu Nyen invited Richter to accompany the film at Berlin's Asian Film Festival, Unsound in Krakow and several other art biennals and music festivals around the world. In his own words: "Most of the music was composed under the influence of heavy pain killers while recovering from a broken leg (the recordings literally took place in bed). The music (like the film) is about slowness and decay, states of unconsciousness, sleeping and waking up, dying and being reborn. The film is a post-apocalyptic collage based on paintings by classical European painters (Caravaggio, Delacroix, Rembrandt, Gericault) -- the music translates this concept employing corresponding collage-based sampling techniques using loops made from vintage vinyl and shellac records combined with acoustic and electronic instrumentation and voice." From the original De Stijl one-sheet: "Richter’s already formidable expressive power stretches over all of Earth. Reflecting the countless cyclical forces that make up, oh, more or less everything we know and are, the music on Earth is bracing, lovely, bustling and still, and at times bittersweet, a commingling of sensations and emotions that can’t be neatly separated from one another. (Earth is complex, as you know.) Guests on Earth include David Aird, a.k.a Vindicatrix (on the Mordant Music label), contributing startling vocal work; Renate Nikolaus on an array of instruments and noise devices; Rutger Zuydervelt (singing bowls); and Christopher Kline (singing saw). Earth is Black to Comm’s seventh album and his debut for De Stijl, following the acclaimed Alphabet 1968 (on Type) and last year’s vinyl-only collaboration with Mike Kelley of Destroy All Monsters (on the En/Of label)." Alex Neilson in The Wire: "The most marked aspect of Earth is the voice of David Aird, aka Vindicatrix. Imperious and dolorous, he has the gravity of post-Climate Of Hunter Scott Walker, David Sylvain or Klaus Nomi stripped of the pathetic ritz. This is something that's easy to do badly, but Aird pulls it off with aplomb. On "The Children" he breaks into a morose yodel, rolling the words around his palate and colouring each syllable black before gifting them to the air. The meaning isn't understood verbally as much as viscerally. Beneath Aird's ululations, Richter casts handfuls of angelic debris from keyboards and digital devices, generating a celestial electronic tapestry reminiscent of Japanese musician Nobukazu Takemura. Sounds vie and twist at frequencies you can't so much hear as feel in the bridge of your nose, and the variety and full-bloodedness of the accompaniment is what prevents Aird's vocal from occassionally lapsing into shtick."

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Mizmor & Andrew Black

27,99 €*

Murder Under Establishment

Release: 2021 / US – Original

Genre: Electronic & Dance

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Portland, OR black-doom powerhouse, Mizmor has joined forces with multi-instrumentalist (and live musician for Mizmor) Andrew Black to create a masterful collaboration titled, Dialetheia. Two massive and introspective tracks fill space and time as we know it with undulating soundscapes - exploring bleak and beautiful isolation. Haunting and hypnotizing, the endless waves of sonic nostalgia, emerge triumphantly through sirens of solace and meditative winds.

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Imperial Black Unit

12" | 2019 | EU | Original (Aufnahme + Wiedergabe)

11,99 €*

Release: 2019 / EU – Original

Genre: Electronic & Dance

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At Zeenath Parallel Heavens

Black To Comm

LP | 2023 | EU | Original (Thrill Jockey / Indigo)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Keys To The Gate Pink Vinyl Edition

Death's Dynamic Shroud

LP | 2023 | US | Original (100% Electronica)

26,09 €* 28,99 € -10%

Senyawa Vs. Black To Comm

Release: 2023 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Keys To The Gate is a cinematic and frenetic electronic album confronting personal and geopolitical fears and anxieties. First single “Love Heat” is emblematic of the manic energy of the album, with wonky synth hooks and Dds’ patented vocal manipulations. And the 7-minute, ever-pulsing “Let Them Live” became a crowd favorite during the recent tour. What writhes from just beyond the gate…

Cover artwork by James Webster

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Alkisah Versi Hitam

LP | 2021 | EU | Original (Dekorder)

Coil Presents Black Light District

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Alkisah Versi Hitam is a radical deconstruction and reimagination of Indonesian duo Senyawa's most recent album Alkisah by Hamburg's Marc Richter aka Black To Comm. The original album was released to critical acclaim in February of this year as a decentralized release on a multitude of labels from all corners of the world, Germany’s Dekorder being one of them. Richter is now completely reinventing the original album from scratch by doing an almost Teo Macero-level production job here, cutting up the originals and (re)constructing new material from scratch.

Arcane chants and vocal cut-ups, fierce freeform percussion, grimy No Wave collage, monochrome drones exploding into multicolour streams, unearthly psychedelic Noise and sheer sonic mayhem, warped discordant rhythms between moments of calming beauty - it's never easy to digest but the outcome is both ecstatic and transcendental - never sounding anything less than a fully formed singular album.

A special cassette version of the album will be released by Jordanian label Drowned By Locals.

Black TO Comm is the moniker of Hamburg composer/musician Marc Richter who is creating intricate multi-layered collage based works for labels like Thrill Jockey, Type and Dekorder. His 2019 album "Seven Horses For Seven Kings" revealed an increasingly angry, transcendental and fearless approach, attaining new levels of urgency through noise, volume, rhythm, repetition, atonality and beauty.

Jogjakarta’s Senyawa embody the aural elements of traditional Indonesian music whilst exploring the framework of experimental music practice, pushing the boundaries of both traditions. Their music strikes a perfect balance between their avant-garde influences and cultural heritage to create truly contemporary Indonesian new music. Their sound is comprised of Rully Shabara’s deft extended vocal techniques punctuating the frenetic sounds of instrument builder, Wukir Suryadi’s modern-primitive instrumentation. Inventions like his handcrafted ‘Bamboo Spear’; a thick stem of bamboo strung up with percussive strips of the animal skin along side steel strings. Amplified it fuses elements of traditional Indonesian instrumentation with garage guitar distortion. Sonically dynamic, the instrument can be rhythmically percussive on one side whilst being melodically bowed and plucked on the other.

They have collaborated and performed with many notable musicians such as Stephen O'Malley of Sunn o))), Otomo Yoshide, KK Null, Keiji Haino, Rabih Beiani, Trevor Dunn, Greg Fox, Arrington De Dionysus, Melt Banana, Damo Suzuki and Oren Ambarchi.

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A Thousand Lights In A Darkened Room Black Vinyl Edition

2LP | 1996 | US | Reissue (Dais)

Elaine Brown & Black Panther Party

Release: 1996 / US – Reissue

Genre: Electronic & Dance

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For those who shine darkly ... During the transitional period in which Coil's primary leadership, Peter “Sleazy” Christopherson and John Balance, reorganized their creative direction by taking on new membership in the group through their inclusion of Drew McDowall, Coil took a drastic turn towards the metaphysical unknown.

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Seize The Time

LP | 2024 | Reissue (Real Gone Music)

43,99 €*

Release: 2024 / Reissue

Genre: Electronic & Dance

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Tobacco of Black Moth Super Rainbow

Hot Wet & Sassy Black & Clear Striped Vinyl Edition

LP | 2020 | US | Original (Ghostly International)

Tobacco of Black Moth Super Rainbow

Release: 2020 / US – Original

Genre: Hip Hop, Electronic & Dance

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It's been four years since Sweatbox Dynasty, the fourth solo LP from Pennsylvanian experimentalist Tobacco. In that time, Tom Fec's project has toured with Nine Inch Nails, provided the theme song to HBO series Silicon Valley, and teamed with Aesop Rock for a collaborative album as Malibu Ken. He now returns to Ghostly International for Hot Wet & Sassy, a full-length album oozing with his most playful and approachable songs to date, which, conversely, express notions of antilove, self-hate, and disappointment in others. Pop impulses have always surged beneath the surface of his sound - blown-out bass, analog synths, drum machines, and Fec's unmistakable analog gurgle and hiss - here they've bubbled to the top. "I feel like it's the most I've been able to refine what I'm doing," says Fec. "For the past decade I've had this motherfxcker on my shoulder that makes me pick away at structure and melody. Purposely covering up moments because I can. That really came to a peak on Sweatbox. So I wanted the opposite this time. Write the songs without ripping them in half. I went from 'what would the Butthole Surfers do?' to 'what would Cyndi Lauper do?'" And what would Trent Reznor do? Fec found his answer straight from the source. Their collaborative track, "Babysitter," fuses their voices into one deranged presence: "I'm the new babysitter," they alert, before pivoting into a menacingly saccharine bridge. The track tumbles on a tom fill, then a punishing synth line rips into a cacophony of drums and feedback like a lawnmower gnawing through the living room carpet. "This was new for me, but I wanted to write a song that was everything I am and have been, and then like one notch further. Trent was the notch further," adds Fec. The collaboration is a work of alchemy seamlessly blending Tobacco's trademarks with Reznor's industrial rust and sonic gore. Downcast, sincere, woozy, "Jinmenken" might be the closest Fec has come to a ballad. "Maybe you can find me down the line," his vocoded delivery bounces along the beat. "It's me trying to write a Jets song," says Fec. Album opener "Centaur Skin" presents the stylistic concoction that has been the Tobacco MO from the beginning, crossing dreamy melodic shimmer with the sinister tones and slime. This has become easier to digest, but also far more potent. A motorik beat steadies the track's galloping arpeggio, acting as a springboard for Fec's dark ruminations as well as an uncharacteristically crystalline synth solo. "It's my feel good self hate anthem. Don't worry, I'm good. It was fun to write." Tobacco hasn't been reinvented, but it has been refined and distilled. Brighter, sharper, and far more dangerous because of it. Hot Wet & Sassy is practically staring at the sun without shades and feeling those corneas roast. Everything looks good as your vision fades. The pop-forward structures exert their undeniable hooks with baneful precision, pulling listeners into their clutches; once there, sugary melody rewards submission.

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Ripe & Majestic

2LP | 2017 | US | Original (Rad Cult)

Release: 2017 / US – Original

Genre: Hip Hop, Electronic & Dance

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D'Marc Cantu / Black Meteoric Star

Split Concept

12" | 2017 | US | Original (Nation)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

The Outcasts Black Vinyl Edition

Morlock

LP+CD | 2022 | EU | Original (Cineploit)

20,69 €* 22,99 € -10%

The Way Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Morlock's 'The Outcasts', the sophomore album of cosmic explorations by synthesist and drummer Andrew Prestidge (Zoltan, Warning, The Osiris Club), is a deceptively accessible fusion of post-punk, electro-pop, Moog drones and Italian prog soundtracks. Blending melody and experimentation into a shifting patchwork of retro-futuristic splendour, these seemingly contradictory elements battle it out in a dream landscape of the ancient and the alien. The influences on the record are vast and varied. As a long-time fan of electronic music, Andrew's compositions can invoke anyone from Tubeway Army, the BBC Radiophonic Workshop or John Carpenter to more abrasive acts such as Killing Joke, The Chameleons or Cardiacs. And that's before we get to Queen's soundtrack to Flash Gordon... In contrast to 2019's debut Morlock release, 'Ancient Paths', rhythm and riffage is to the fore throughout the course of these seven epic tunes. Much more a widescreen version of the band and a collaborative affair, the recording took place in London's celebrated Holy Mountain studios in the spring of 2021. Mixed in Switzerland by Misha Hering (Memnon SA), who also co-writes and adds synthesizers to a number of tracks, the production veers between the pastoral and the urban, from the roots of the Earth to the measureless depths of outer space. The 'Outcasts' concept began with Andrew developing creature designs for an imaginary graphic novel. The eventual Lovecraft-inspired illustrations are accompanied by a conceptual story-cycle originating from the mind of science fiction author Matt Thompson, all produced in a lavish and limited vinyl edition. A heavyweight pressing with grooves deep enough – just – to do the music full justice, 'The Outcasts' is truly an object to savour.

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Lovers Entwined

2LP | EU | Original (Hiraeth)

37,99 €*

The Unexplained Black Vinyl Edition

Release: EU – Original

Genre: Electronic & Dance

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Limited to 400 copies gatefold LP of The Way. Pressed on 180 grams Purple Smoky vinyl with a gatefold glossy jacket. Comes with protective inner anti-static inner sleeves, protective 150 micron outer sleeve and a download card.

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Ataraxia (Mort Garson)

LP | 2020 | US | Original (Sacred Bones)

Beyond The Black Rainbow EP

Release: 2020 / US – Original

Genre: Electronic & Dance

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The pioneering electronic composer Mort Garson (Mother Earth's Plantasia) takes on supernatural phenomena with lush synth grooves on The Unexplained, his only release under the name Ataraxia. Subtitled Electronic Musical Impressions of the Occult, the album explores tarot, astral projection, seances, and more with Garson's signature Moog synthesizer serving as the listener's tour guide to the paranormal. The exploratory, whimsical spirit of its creator is evident throughout the release, but it also takes its subject matter seriously, making it essential for anyone interested in musical conjurations of the occult. This remastered edition marks the first official reissue of the album since its initial 1975 release, and it includes all the original liner notes. About Mort Garson: Morton S. "Mort" Garson was a Canadian-born composer, arranger, songwriter, and pioneer of electronic music. He is best known for his albums in the 1960s and 1970s that were among the first to feature Moog synthesizers. His best-known album is Mother Earth's Plantasia, a 1976 Moog album designed to be played "for plants and the people who love them." Sacred Bones Records has undertaken the project of giving official, licensed reissues to key releases from Mort Garson's catalog, with the intention of bringing these bold masterpieces to a 21st century audience.

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Alex.Do

12" | 2016 | DE | Original (Dystopian)

6,99 €*

The Kid Black Vinyl Edition

Release: 2016 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Kaitlyn Aurelia Smith

2LP | 2017 | EU | Original (Western Vinyl)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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The Works And Days: The Black Sections

C.W. Winter

LP | 2021 | EU | Original

Black Mass Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The Works and Days: The Black Sections' is a sound collage album that emerged out of the production material of the film, The Works and Days (of Tayoko Shiojiri in the Shiotani Basin). The film — winner of the Encounters Golden Bear for Best Film at the 2020 Berlinale — is the second feature of C.W. Winter & Anders Edström. It is an eight-hour fiction shot for a total of twenty-seven weeks, over a period of fourteen months, in a village population forty-seven in the mountains of Kyoto Prefecture, Japan. It is a geographic description of the work and non-work of a farmer. A portrait, over five seasons, of a family, of a terrain, of a sound space, and of a duration. The film was named one of the Ten Best Films of the Year by critics at: Artforum, Cargo, Cinema Scope, Desistfilm, Filo, La Internacional Cinéfila, Mubi, Nobody, Senses of Cinema, and Sight & Sound.

The film is accompanied by this LP, The Works and Days: The Black Sections, by C.W. Winter, and the photo book, Shiotani, by Anders Edström. The album features musical excerpts from Tim Berne & Bill Frisell, Tony Conrad, Graham Lambkin, Mary Jane Leach, Alvin Lucier, Phill Niblock, Folke Rabe, Éliane Radigue, and Akio Suzuki. Producing, editing, and recordings by C.W. Winter. Mastered by Stephan Mathieu.

Winter & Edström’s first feature, The Anchorage, won a Golden Leopard at Locarno Film Festival and won the Douglas E. Edwards Independent/Experimental Film/Video Award from the Los Angeles Film Critics Association. It was named one of the Ten Best Films of the Year by critics at Cinema Scope, Film Comment, Senses of Cinema, Variety, and Indie Wire and was named Best First Film of the Year by The New York Times. Their first film, a documentary short called One Plus One 2 was made in collaboration with the late British guitarist, Derek Bailey. Their film/video work has shown at such venues as the Institute of Contemporary Art (Boston), Centre national de la photographie (Paris), Kunstmuseum Wolfsburg, Fotomuseum Winterthur, NRW-Forum (Düsseldorf), the Harvard Film Archive, Anthology Film Archives, the Wexner Center for the Arts (Columbus), Centre de cultura contemporània de Barcelona, the Tokyo Metropolitan Museum of Photography, and the National Museum of Modern Art (Kyoto).

C.W. Winter was born in California. In 2020, he completed his DPhil in Art Practice & Theory at The Ruskin School of Art at the University of Oxford. He received his MFA from California Institute of the Arts where he studied closely under Thom Andersen, James Benning, and Allan Sekula. His writing has appeared in Cinema Scope, Moving Image Source, Purple, and Too Much. He lives in the United Kingdom where he is currently a Visiting Professor at the Royal College of Art and a Lecturer at the University of Oxford.

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Lucifer (Mort Garson)

LP | 2020 | US | Original (Sacred Bones)

LP | 2021 | EU | Original (The New Black)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Black Mass is an album of supernatural electronics from synth pioneer Mort Garson, the mastermind behind the cult classic Mother Earth's Plantasia. Originally released in 1971, it's his only release under the Lucifer moniker, and it taps into a profound darkness that may surprise fans of his sunnier work. These songs are Garson's synthesizer interpretations of occult and esoteric phenomena ranging from the Satanic black mass, to exorcism, to witchcraft, and beyond, and they've inspired artists from Coil to Oneohtrix Point Never. This deluxe remastered edition presents the album in full with all original liner notes. About Mort Garson: Morton S. "Mort" Garson was a Canadian-born composer, arranger, songwriter, and pioneer of electronic music. He is best known for his albums in the 1960s and 1970s that were among the first to feature Moog synthesizers. His best-known album is Mother Earth's Plantasia, a 1976 Moog album designed to be played "for plants and the people who love them." Sacred Bones Records has undertaken the project of giving official, licensed reissues to key releases from Mort Garson's catalog, with the intention of bringing these bold masterpieces to a 21st century audience.

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Malcolm Pardon

Hello Death

LP | 2017 | EU | Original (The New Black)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Roll The Dice’s Malcolm Pardon makes a rare solo appearance with a long awaited debut album of solemn keys, with his regular collaborator Peder Mannerfelt providing co-production alongside Aasthma bandmate Pär Grindvik. Evidently the more brooding half of Roll The Dice, judging by the air of ‘Hello Death’, Pardon carries over that project’s wistfulness and cinematic qualities to his solo work in eight minimalist works subtly adorned and rendered with atmospheric synth ornamentation by his fellow Swedish collaborators. The results could be called ambient neo-classical for home listening, but is elevated by its synthy input and a tangible kosmiche yearn, opening out immersive space between Pardon’s gently rolling keys and the complementary arps and pads that flesh out the music’s firmament, ultimately casting a sort of lonely, earthly sound that longs for the heavens. It’s almost solo piano, but Pardon’s skeletal loops are augmented with subtle, atmospheric electronic elements from Mannerfelt and Grindvik that imbue proceedings with an almost an Eno-esque quality, echoing the tapey, hypnotic minimalism of “Thursday Afternoon” or the delicate cosmic throb of “Cluster & Eno”. We’ve been subject to far too much solo piano tinkling over the last few years, but “Hello Death” avoids the usual pitfalls. It’s never too pretty or too obvious, avoiding excess and basking in silvery, widescreen subtlety. There’s beauty to be found here, but it’s encased in psychedelic reverberation and woozy, tape-dubbed electronix.

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Roll The Dice

Born To Ruin

17,99 €*

Live At Capela Imaculada Do Semin Á Rio Menor

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Peder Mannerfelt and soundtrack composer Malcolm Pardon reprise their acclaimed cinematic duo, Roll The Dice for a 4th album of moving, widescreen electro-acoustic sound design, ambient and rhythmic noise themes. Huge recommendation if you're into Peder's solo material or indeed Colin Stetson, The Haxan Cloak, John Carpenter, Deathprod, Willie Burns...

It's an intensely physical yet starkly spacious suite of stone cut electronics and frozen instrumental timbres that in the space of ten sensually riveting and often punishing tracks wrest a poignant, timely sense of emotion from oblique, shadowy structures and burning tonal textures.

Issued on the duo’s newly minted label, The New Black, and incorporating the vital input of Per ‘Ruskträsk’ Johansson’s beastly saxophone animations, the results pursue Roll The Dice’s two soundtrack contributions - for the Blanck Mass-curated score to Belgian horror movie The Strange Colour of Your Body’s Tears [2013], and their score/end credits for The Last Panthers - into more visceral psychoacoustic space where there’s scant chance of escaping their gloaming tonal apparitions and tensile, bony percussions.

The set is less a mannered symphony, like Until Silence, and more an urgent, angry clash of duelling jazz noise cyborgs, rendering their sound in sharply angular, convulsive spasms of vacuum-packed wind, wood-on-skin, and black cloud palls whose semi-organic nature is belied by the dry punch of air-tight studio production. The results are more pummelling and angered than anyone has previously heard in their music, forging a much harder nosed, anxious aesthetic whose intent resonates with contemporary political pressures.

In between the muzzled grind and bark of album opener The Derailed and the depressive grip of it’s closing statement, Broken In Time, Mannerfelt and Pardon’s dissected instrumentation is tweaked to aching levels of tension, sometimes a sublime tension as with the wilting keys and weightless bass jabs that support Under The Arches and The Kronos Quartet-like pits of Coffin & Nails, or equally with a death-drive fury in the condensed Faust-meets-Tony Conrad impact of Cannonball, the nerve-biting burnout of Bright Lights, Dark Hearts, and yoked tight into Locked Hands’ breathless escalation of arid white noise and thorny pulse.

By straying from the lighter sensual relief conveyed in their earlier releases, Born To Ruin manifests Roll The Dice’s riskiest but arguably most successful move in ten years of producing together, one which pays off with deeply bittersweet appeal though intimate investment and focussed reception.

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Malcolm Pardon

Tape | 2023 | UK | Original (The New Black)

13,99 €*

2LP | 2010 | UK | Original (Ninja Tune)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Performing in the panoramic splendour of Capela Imaculada do Seminário Menor, Braga, Pardon
spellbinds the attendant audience, and now you at home, across nearly an hour of plangent keys
and synths that elegantly reverberate the space’s stone walls in arcing spirals with a fine grasp of
sublime tension and resolution.
Replete with the sound of audience appreciation in classic live album fashion, the performance
begins with the gentle lift of ‘Beneath the Surface’, with simple piano phrasing buoyed by a bed of
choral loops and strings, and the placid ‘Unsettled Beginnings’ leads to a centrepiece of gloaming
Nordic tension with ‘Blood in the water’ resembling Scandi noir soundtrack taken to further, icier
degrees. The tension resolves with the soothing pastoral wist of ‘April 13th’ appearing like some
spectral reflection on AFX’s ‘Avril 14th’, and ’Silent Rumble’ underscores his melancholic train of
piano thought with a rolling bass menace recalling The Necks via John Carpenter

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Bonobo

Black Sands

27,99 €*

2LP | 2014 | EU | Original (Rough Trade)

Release: 2010 / UK – Original

Genre: Electronic & Dance

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Simon Green aka Bonobo returns with his fourth, most eagerly-anticipated and most accomplished album to date, the magnificent Black Sands on Ninjaaa Tune!

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Dean Blunt

Black Metal

LP | 2011 | NL | Original (Rush Hour Direct Current)

Release: 2014 / EU – Original

Genre: Electronic & Dance

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So while people are still struggling to wrap their heads around Dean Blunt's previous long player The Redeemer, Blunt has already announced his new album and debut for the popular label Rough Trade. The new album is called Black Metal and the ghostly first single is called “50 Cent.” It sounds like neither of those reference points. It doesn’t really sound quite like anything, but still falls into a tradition of rap, rock, and the confessional intimacy of a singer-songwriter. It’s as dark, absorbing, and all-encompassing as that void of an album cover.

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BNJMN

Black Square

6,99 €*

Release: 2011 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 2023 | EU | Original (Amicimiei)

Octofase

Black Rocks

14,29 €* 25,99 € -45%

LP | 2010 | UK | Reissue (Rough Trade)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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AmiciMiei is very pleased to announce the release of Black Rocks, the new album by Octofase.

Black Rocks, recorded during the year 2020, is the project of French multi-instrumentalist Benjamin L. under the pseudonym Octofase.

The singular music of Black Rocks explores several universes. Combining ethereal rock with the ambient undertones, Black Rocks, through its suspended moments, has a magic of its own, deep and emotional.

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Pantha Du Prince

Black Noise

30,99 €*

LP | 2020 | EU | Original (Ninja Tune)

Release: 2010 / UK – Reissue

Genre: Electronic & Dance

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Timely reissue!!

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Bonobo

Black Sands

44,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Only record 2, record 1 is missing! Red vinyl is close to NM. Original inner sleeves. Stuffed corners. 2020 reissue Limited edition. With insert

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LP | 2019 | EU | Original (Aufnahme + Wiedergabe)

: Endgame 69 :

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The threatening sound of helicopter blades rotating, indistinguishable radio messages seeped in static, and the strains of a far-eastern melody open the new album by The Devil & The Universe. Once the beat of the drums takes hold, you are reminded these sounds are being provided by the Viennese trio, who take us 50 years down memory lane with : ENDGAME 69 :

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LP+CD | 2017 | EU | Original (Aufnahme + Wiedergabe)

Folk Horror

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Walpern Redux Clear Vinyl Edition

12" | 2017 | EU | Original (Aufnahme + Wiedergabe)

15,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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This is a limited edition of 500 copies on clear vinyl, with a download code.

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12" | 2014 | DE | Original (Aufnahme + Wiedergabe)

What Time Is Love?

Release: 2014 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

The Last Resort Black Vinyl Edition

Trentemøller

2LP | 2006 | EU | Reissue (Le Vinyle Club)

35,99 €*

Release: 2006 / EU – Reissue

Genre: Electronic & Dance

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The Life & Times Of Gigi Black

SSPS

4LP | 2023 | EU | Original (Nation)

84,99 €*

The Black Hours Turqoise Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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4x LP and Zine (ft. photos, historical text and track narrations by the artist) set. Nation bring it. An essential delve in to the retrospective works of Ssps. Limited edition. No repress. Huge TIP ON This!

" You can't fake the funk, as they say and Ssps is pure funk embodied in all he does, the man oozes the funk 24-7! One of my earliest encounters with Ssps was at one of the infamous Rubulad parties out in Brooklyn.... the man was decked out extravagantly...a cross between Blowfly and some futuristic being zapped down to earth directly from the P-Funk mothership. Who was this masked man? The disco vampire, was beating fast disco tracks relentlessly while slamming in his 707 over the records in real time... not an easy feat, the beauty of the imperfections making it that much more exciting hearing the gallop and wild energy he was bringing to the crowd, we were eating it up. This is Ssps, fearless in his approach and execution, a modernist looking to the future but rooted in the past, an artist committed to his art... all presented with unhinged emotion. It's all or nothing...everything on the table....do or die...the true epitome of style!!!!

Declaring someone a "cult figure" or a "legend" is a huge weight to carry and is often a term that is carelessly thrown around, but those of us who have dwelled in this "underground" over the last 30 years can say with confidence that Ssps is just that to many of us, no questions asked, it's not up for debate.

Now, many years later we see the culmination of his electronic works from 2002-2021 committed to record in this 4xlp, 16 track boxed set (plus 45 page booklet) titled Ssps, "The Life and Times of GiGi Black" thus solidifying Mr. Nicholson's place in the secret world of dance not dance music.

The only way to describe this offering is "full spectrum electronic musical madness" not to be categorized, never to be pigeonholed, full of surprises and straight from the gut with a direct hit to the heart. We could go on about the production processes, about his Furr City studio space or his cross country excursions for work with a truck packed with paintings (but also his music equipment) plugging in and recording during his pit stops in Motel 6's across the US. But again it doesn't do justice to simply have a small peek inside the man's mind... the music is beyond the mind. The process is the process and nothing has or can stand in the way of what the Ssps has done in his long musical life. Punk Rock, Hardcore, House, No-Wave, Industrial, Jakbeat/Slow-Beat and Noise. it's all there for the taking, it's all intertwined. If you want it, you will find it within Ssps's works.

Nicholson's path is the embodiment of true culture within "dance music" cultivated from years of learning, experimenting, and pushing the limits with total commitment and immersion. "The Life and Times of GiGi Black" is true life experience, it is a reflection of someone delving deep into his craft and presenting it with care in opposition to the fast, disposable, self gratifying click bait culture we see dominating the pages today. The proof is here, drop the needle, enter the world of Ssps.

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Dead Space Chamber Music

LP | 2022 | EU | Original (Avon Terror Corps)

The New Backwards Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Here it is, the apex of all Dead Space Chamber Music: 2000 years of mystery (and counting) where seeds of neo-folk, goth, medieval classical and chamber music are ploughed through with the 21st century perspective.

Starved for music with spirit and meaning? Well now you can hear the oldest surviving English love song, adapted Gregorian Chants, Welsh astral wassailing hymns, Roman funeral masses all on one album. Black Hours is a sound world where the pagan rubs shoulders with high Christian ideals and soaring 20th century guitar lines.

The songs on Black Hours were recorded sequentially through this latest plague. Unquestionably, it's a masterpiece and the distillation of everything Dead Space have worked towards. Moments of staggering beauty (Bryd one Brere) balance on a cello string with crushing heaviness (on the epic centrepieces Mari Lwyd / The Pitt). Light and dark; like the fragile balance of life and death, then and now.

The depth and magic crammed into the corners of this album is astonishing. From the tolling bells dividing songs - that must be St Mary Redcliffe or St Thomas the Martyr or St John on the Wall or any other church in Avon the band commune with through their historic Dark Alchemy events. The accompanying booklet even feels like old velum, and holds the key to a lot of the album's visual metaphors and signs. There's many nights and worlds in here!

Us leppers can only squint at the Black Hours; an altar of devotion: aesthetic and pure like the visions of yesteryear. Maybe we need to walk the past with Dead Space's sincerity to make a path through the future? It's no secret how much we love this band, and this is everything we could have dreamed of.

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Coil

LP | 2008 | EU | Reissue (Kontakt Audio)

Whatever The Weather (Loraine James)

Release: 2008 / EU – Reissue

Genre: Electronic & Dance

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“The New Backwards” was conceived by Peter “Sleazy” Christopherson in 2007, revisiting stray tracks which hadn’t seemed to gel with the material he had chosen for the more somber “Ape of Naples” from 2005, Coil’s initial posthumous release, a sort of requiem and a kiss-goodbye to his then recently deceased partner John Balance.

Significantly different to its sister release, this album collects the brilliantly chaotic and outrageously rhythmic material from the original sessions for the album that was begun as early as 1993 and had originally been conceptualised as the follow-up to “Love’s Secret Domain”. These songs are as diverse and wild as the places they originated from, partly infamously spawned in Sharon Tate’s former home in the Hollywood Hills, the Nine Inch Nails home base in New Orleans and London’s Swanyard, remixed and restructured with the help of long-term friend Danny Hyde in Thailand, this collection has its own unique flow and an atmosphere not found on any other Coil release.

Both “ayor” and “Backwards” had by the time the album was first released already become favourites in Coil’s manic live performances. Some of the other tracks had only leaked in demo versions and are here presented updated and polished as Christopherson and Hyde intended them to be heard. It is interesting to consider Balance’s vocal contributions, too. Whilst on the albums Coil did release at the time this material was first put aside (“Black Light District” and “ElpH”) his voice is all but absent, his vocal performances and his lyric writing here are arguably more closely indebted to the previous “Love’s Secret Domain” era, especially the epic “Copacaballa” is noteworthy in that respect. The New Backwards” effectively became the final official Coil studio release of all new material whilst Peter was still alive and is here presented for the first time fully supervised by Danny Hyde, its co-creator. The stunning cover uses a detail from artist Ian Johnstone’s “Cubic Raven” painting, licensed from the estate of IJ..

It is high time to rediscover this timeless album now!

Recorded at Swanyard, London and at Nothing Studios, New Orleans, 1996. Thanks to everyone there, especially Trent Reznor who made it all possible. Written & Produced by Coil & Danny Hyde. Remixed by Peter Christopherson & Danny Hyde, Bangkok 2007. For that session Coil were: Peter Christopherson, Jhonn Balance & Drew McDowall. Mastered by Jessica Thompson. Front artwork by Ian Johnstone. Artwork licensed from The Estate of Ian Johnstone. Layout Cold Graves and Oleg Galay.

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Whatever The Weather Black Vinyl Edition

LP | 2022 | US | Original (Ghostly International)

The Prime Same Black Vinyl Edition

Release: 2022 / US – Original

Genre: Electronic & Dance

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Loraine James' new ambient-minded alias, Whatever The Weather, follows her 2021 solo LP Reflection (Hyperdub). In contrast to her club music sensibilities, this mode embraces keyboard improvisations and vocal experimentation, foregoing percussive structure in favor of shaping atmosphere and tone. From this divergent headspace emerged new coordinates and climates, a new outlet: Whatever The Weather. A longtime fan of ambient-adjacent Ghostly International artists such as Telefon Tel Aviv (who she'd ask to master the album), HTRK (whose singer Jonnine Standish features on Nothing), and Lusine (whom she remixed at the start of 2021), James saw the label as the ideal home for this eponymous album of airy, transportive tracks as they began to formulate. The titling on Whatever The Weather works in degrees; simple parameters allowing James to focus on the nuances as a mood-builder. Her suspended universe fluctuates; freezing, thawing, swaying and blooming from track to track. James describes her jam-based approach for the sessions as "free-flowing, stopping when I felt like I was done," allowing her subconscious to lead. The improvisations have an intrinsic fluidity to them, akin to sudden weather events passing over a single environment - the location feels fixed while the conditions vary. The album opens at "25°C," a sunshower of soft hums and keys. As the longest piece, it serves to establish stability, the inflection point where any move above or below this temperate breeze breaks the bliss. Given James' proclivity for organized chaos in her production, this scene is fleeting, naturally. From that utopia, we plummet to the most melancholic read on the meter, "0°C," its isolated synth line traversing a hailstorm of steely beats and static. Next, the dial jumps for the propulsive standout "17°C." Like a timelapse of springtime in the city, the single accelerates across a frenzy of frames; car horns, screeching brakes, and crosswalk chatter fill the pauses between rapid jolts of multi-shaped percussion. For portions of the work, James leans neo-classical, rendering pensive vignettes of cascading piano keys and warm delay. "2°C (Intermittent Rain)" ends the A-Side on a short and stormy loop; a resulting sense of reset permeates the B-Side's opener, "10°C." The producer mingles intuitively on echoed organ, locking into and abandoning atypical rhythms that suggest her jazz-oriented interests. "4°C" and "30°C" display the range of James' vocal experiments. The former chops and pitches her voice to a rhythmic, otherworldly effect, the latter reveals James at her most straightforward (she cites Deftones' Chino Moreno and American Football's Mike Kinsella as inspirations), singing tenderly and unobstructed for nearly the duration before beats collide in the climax. Whatever The Weather closes at "36°C," while a sweltering heat by any standards the track eases along comfortably on a chorus of synth waves, acting as an apt bookend for this evocative, sky-tracing collection that started in a similar state. Cyclical, seasonal, and unpredictable, true to its namesake.

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Asfast

LP | 2020 | EU | Original (Denovali)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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A Winged Victory For The Sullen

The Undivided Five Black Vinyl Edition

LP | 2019 | Original (Ninja Tune)

Release: 2019 / Original

Genre: Electronic & Dance

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The Imperfect Sea Black Vinyl Edition

Penguin Cafe

LP | 2017 | EU | Original (Erased Tapes)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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The Turning Wheel Black Vinyl Edition

SPELLLING

LP | 2021 | US | Original (Sacred Bones)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 2024 | Original (Relapse)

The Bug

Machine

Release: 2024 / Original

Genre: Electronic & Dance

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Conscience White Vinyl Edition

The Beloved

2LP | 2024 | Original (New State Music)

Highway Of Love Pink W/ Purple Smoke Vinyl Edition

Release: 2024 / Original

Genre: Electronic & Dance

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(Limited run of white heavyweight vinyl, available for the first time, remastered for 2024) After the reissues of The Beloved’s indie–facing compilation of early singles Where It Is and their first studio album Happiness, next up is their second studio album, Conscience. Conscience is a timelessly classic album, still sounding fresh 30 years after its original release.

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The G

LP | 2025 | US | Original (Newretrowave)

The Orb's Adventures Beyond The Ultraworld

Release: 2025 / US – Original

Genre: Electronic & Dance

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A massive "Welcome Back" to The G!!! After a span of 3 years plus, the master is finally back with another stellar synth packed album! A must listen for all synth lovers.

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The Orb

2LP | 1991 | EU | Reissue (Island)

38,99 €*

CD | 2025 | US | Original (Newretrowave)

Release: 1991 / EU – Reissue

Genre: Electronic & Dance

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“The Orb's Adventures Beyond the Ultraworld” is the debut studio album by English electronic music group The Orb. Released in 1991, the double album is a continuous progressive composition consisting of several tracks advancing the "journey" concept. The album's framework is of a two-hour psychedelic trip through music genres and studio electronics, produced to "push the threshold" of live stage performance, and comprising vocal samples and sound effects interspersed with original music.

The Orb are an English electronic music group known for being the pioneers of ambient house. Founded in 1988 by Alex Paterson and The KLF member Jimmy Cauty, the Orb began as ambient and dub DJs in London. Their early performances were inspired by ambient and electronic artists of the 1970s and 1980s, most notably Brian Eno and Kraftwerk. Because of their trippy sound, the Orb developed a cult following among clubbers "coming down" from drug-induced highs. The Orb has maintained their drug-related and science fiction themes despite personnel changes, including the departure of Cauty and other Orb members Kris Weston, Andy Falconer, Simon Phillips, Nick Burton and Andy Hughes. Paterson has been the only permanent member, continuing to work as the Orb with the Swiss-German producer Thomas Fehlmann and, later, with Martin "Youth" Glover, bass player with Killing Joke.

Beyond recognition on their albums and concerts; his unauthorised use of other artists' works has led to disputes with musicians, most notably with Rickie Lee Jones. During their live shows of the 1990s, the Orb performed using digital audio tape machines optimised for live mixing and sampling before switching to laptops and digital media. Despite changes in performance method, the Orb maintained their colourful light shows and psychedelic imagery in concert. These visually intense performances prompted critics to compare the group to Pink Floyd.

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The G

Highway Of Love

Since I Left You 20th Anniversary Deluxe Edition

Release: 2025 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2025-02-21

A massive "Welcome Back" to The G!!! After a span of 3 years plus, the master is finally back with another stellar synth packed album! A must listen for all synth lovers.

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The Avalanches

4LP | 2021 | UK | Original (XL)

58,99 €*

LP | 2021 | EU | Original (Music From Memory)

Release: 2021 / UK – Original

Genre: Electronic & Dance, Pop

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One copy per customer.

The Avalanches are set to commemorate the 20th anniversary of their debut album ‘Since I Left You’ with the release of a deluxe edition this June.

Released in Australia in 2000, and in the US and UK in 2001, ‘Since I Left You’ was hailed as a boundary-pushing release comprised of over 900 individual samples.

The forthcoming deluxe release – out June 4 – features a plethora of additional bonus tracks, including previously unreleased and fresh remixes by the late MF Doom, Black Dice, Leon Vynehall, Sinkane and Carl Craig to name a few. The CD version will also include some of The Avalanches’ remixes of Belle & Sebastian, Manic Street Preachers, Franz Ferdinand and more.

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The Zenmenn

Enter The Zenmenn

26,99 €*

Artefacts Reimaginings From The Original Psychede

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Returning with another debut album for 2021, Music From Memory are delighted to introduce a new band, The Zenmenn, with their first ever release ‘Enter The Zenmenn’. Whilst little about the band is made known, their work is described by writer Winton Rousseauas an “experiment in harmonic convergence emerging from a deep respect for cosmic symmetry and a resistance to the prevailing Zeitgeist.” ‘Enter The Zenmenn’ sounds as old as it sounds new, as organic as it is electric, as harmonic as it is rhythmic, and the album’s fusion of different palettes, colours, tempos, instruments and sources offer a harmonious balance and unity that already feels like the perfect soundtrack to a better world. In a time of what they see as spiritual neglect, it offers a “human kind of stillness” through the “dualistic fusions of complexity and simplicity, mystery and clarity and East and West”. Mfm054 will be released in LP and digital format, comes with artwork by Bráulio Amado, and is expected to be out on April 12th 2021.

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The KVB

2LP | 2023 | EU | Original (Cleopatra)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Wanderers Red, Blue w/ Purple Swirl Vinyl Edition

The G

LP | 2021 | US | Reissue (New Retro Wave)

CD | 2024 | US | Original (Newretrowave)

Release: 2021 / US – Reissue

Genre: Electronic & Dance

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‣ It's Official....SEXY Red, Blue w purple swirl in limited 100 copies.
‣ Printed on 1 180g RED, BLUE w PURPLE SWIRL vinyl with sleek finishing.
‣ Audio mastered for vinyl.

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The Endearing

Internet Friends

13,99 €*

Monsters Clear / Purple Splatter Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2025-02-21

The time is now. The Endearing joins the NRW Roster and delivers a fantastic Neon-Drenched album. A must for all synth lovers. This album is guaranteed to lift the spirits. :)

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The Midnight

2LP | 2022 | Original (Counter)

This Constant Chase For Thrills

Release: 2022 / Original

Genre: Electronic & Dance

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Das Duo Tyler Lyle und Tim McEwan besser bekannt als The Midnight hat sich in den letzten Jahren von einem Online-Phänomen zur Nummer 1 der Billboard Electronic Albumcharts entwickelt. Mit ihrem mitreißenden Sound, der Americana-Archetypen mit einer aufrüttelnden Palette elektronischer Sounds verbindet referenziert er Synth-geschwängerte Filmmusik, Deep House, Pop und Rock. Das neue Album „monsters“ ist eine Fortsetzung des allumfassenden Plans von The Midnight, der eine glühende Fangemeinde generiert hat - eine große Gemeinschaft von Internetkultur-Besessenen, Schlafzimmerproduzenten, Tumblr-Goths, Cosplayern, Teenagern, ihren Eltern und allen dazwischen - die seit fast zwei Jahren nach einem neuen Album schmachten. „‚monsters‘ ist die Geschichte eines Teenagers.“, sagt die Band. „Die Pubertät ist chaotisch, tragisch, brutal, wehmütig und schön. ‚monsters‘ ist all das.“ Vom Artwork des Albums von Aaron Campbell bis hin zu den Songtiteln gräbt die Platte Teenagergefühle durch nostalgische Prüfsteine, wie das frühe Internet, VHS-Kassetten, Playstations oder Filmplakate aus, um die aufregenden und vernichtenden Erlebnisse jener turbulenten Jahre wiederzugeben. The Midnight sind Tyler Lyle und Tim McEwan, die ursprünglich erst aufgrund eines gemeinsamen Musikerkollegen zusammengebracht wurden. Der Instrumentalist und Produzent Tim stammt aus dem Vereinigten Königreich und Dänemark und begann mit der Produktion von Hiphop- und Pop-Acts, während Sänger, Texter und Gitarrist Tyler im ländlichen Georgia aufwuchs und als Singer-Songwriter auch schon mit Folk- und Country-Stars arbeitete.

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The Aloof

2LP | 1999 | UK | Reissue (Acid Jazz)

28,99 €*

Since I Left You 20th Anniversary Deluxe Edition

Release: 1999 / UK – Reissue

Genre: Electronic & Dance

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The Aloof formed in 1990 and forged a reputation as one of the hardest working bands around. While other acts incorporated an electronica into a general rock sound in the early ‘90s, The Aloof were always a pioneering electronic act. Touring alongside the likes of Massive Attack and Leftfield, they released three albums with Warner’s EastWest label: Cover The Crime (1994), Sinking (1996) and Seeking Pleasure (1998). After parting ways with Warner, they were in charge of their own destiny, and formed their own ‘Screaming Target’ label as they set about making a new record.

The resultant album ‘This Constant Chase For Thrills’ has established a reputation as a cult classic, but internal struggles and the wider pressure of the industry meant it didn’t get the coverage it deserved. Despite this, ‘So Good’ became a radio hit after featuring on the US version of Queer As Folk, and remains a fan-favourite. In anticipation of the release, it has finally issued as a single, setting the tone for the full reissue of the LP on Acid Jazz Records.

Defined by a positive DIY spirit as the band moved on their own, This Constant Chase For Thrills, has an Ibiza and Balearic feel, alongside its dark, moody and atmospheric moments. Aside from ‘So Good’ – described as ‘a dark cloud being lifted’ by founding member Dean Thatcher – there is the late night intensity of ‘Doing It For Money’, describing the need to make ends meet in difficult circumstances, which gained attraction when first released. Meanwhile, closing tune ‘Painted Face’ is arguably the album’s standout, infused with wide-eyed psychadelia and open adventure.

“I think ‘Constant Chase For Thrills’ was a return to form for The Aloof and I’m really chuffed this album is going to see the light of day properly and finally get the exposure it deserves” - Dean Thatcher, The Aloof.

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The Avalanches

2CD | 2021 | UK | Original (XL)

Dawn FM Limited Translucent Silver Vinyl Edition

Release: 2021 / UK – Original

Genre: Electronic & Dance, Pop

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The Avalanches are set to commemorate the 20th anniversary of their debut album ‘Since I Left You’ with the release of a deluxe edition this June.

Released in Australia in 2000, and in the US and UK in 2001, ‘Since I Left You’ was hailed as a boundary-pushing release comprised of over 900 individual samples.

The forthcoming deluxe release – out June 4 – features a plethora of additional bonus tracks, including previously unreleased and fresh remixes by the late MF Doom, Black Dice, Leon Vynehall, Sinkane and Carl Craig to name a few. The CD version will also include some of The Avalanches’ remixes of Belle & Sebastian, Manic Street Preachers, Franz Ferdinand and more.

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The Weeknd

2LP | 2022 | Original (Republic)

35,99 €*

Release: 2022 / Original

Genre: Electronic & Dance

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LP | 2017 | US (F Communications)

The KLF

Chill Out

2LP | 2024 | EU | Original (Glitz Audio)

Release: 2017 / US

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Clear vinyl.

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The Glitz

Axen

25,99 €*

Live At Terminal 5 Orchid P

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Heavy support by Radio Slave, Sam Divine, Acid Pauli, Green Velvet and Maceo Plex to name a few, while also being played on radio stations world wide. The album marks the beginning of a new chapter for The Glitz as they embark on a journey beyond the world of electronic music. After a wide range of beautiful, inspiring, provoking and uplifting The Glitz-singles, we are now approaching the full album in all its might. The singles have shown us the diverse soundscapes you can find in Andreas and Daniels musical multiverse, with the genres ranging from the classic House and Techno genres, to also introducing their take on Trip Hop, Neo RnB, Hip Hop, Ballad and Electronica. This journey into their musical realm has resonated with fans and colleagues alike the last months, putting the first single on position 1 in the German Club Charts for four weeks straight (it is still in the Beatport top100 after 7 months). Born out of a desire to create a space to explore and expand their unique sound, their new album is a bold extension of The Glitz vision and purpose. It has been a long time coming and is the result of four intense years in the studio together with the unique and talented singer and songwriter Mulay. And now it is time to present the full album to the world. is the mesmerising product of one of their many jam sessions in the studio. It carries the unique The Glitz fingerprints all over it while also letting them shine in a new context. The slow flowing Hip Hop beat paired with Mulays raw vocals and incredibly poetical and personal lyrics is a must hear for old and new The Glitz-fans alike.

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The Knife

2LP | 2024 | EU | Original (Rabid)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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12" | 2023 | EU | Original (Nacht)

The Pilotwings

Leuven Works

Only One Night Coloured Vinyl

Release: 2023 / EU – Original

Genre: Electronic & Dance

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In November 2021, right before the second lockdown, Guillaume and Louis were invited by the nacht crew in Leuven to play their first dj-set together since the start of the pandemic. At the time, the nacht crew had just received the first physical release on their brand new imprint, and the team was eager to get the record out into the world. For the second release, however, everything was possible. Before the show, somewhere between the obligatory nasal swab and the third drink, the idea of an unusual collaboration sprouted.

Since Louis recently moved to Athens and Guillaume lived in Lyon, the duo found less time and opportunities to work on their shared project. However, wouldn’t Stelplaats be the ideal venue for a temporary studio in which the two of them could create music? For all the frustration the new lockdown on clubs brought with it, one upside to it was that not that long after the birth of this idea, Louis and Guillaume found their way back to each-other and to Leuven. The duo found their workspace in the dark club that is Stelplaats’ staple. For the occasion, the room was equipped with studio monitors, a sofa, and instruments lended by Leuven based musicians.

Leuven Works compiles five tracks that flowed out of the sessions in Stelplaats and is a testament to the week that Louis and Guillaume had under the Stelplaats roof. During their stay, the blood brothers got looked after with love by the nacht team, who provided homemade pizzas and a well-stocked fridge full of Duvels, allowing The Pilotwings to truly root into the Leuven soil and enrich the local landscape with their colourful presence.

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The Hurricanes

12" | 1988 | EU | Reissue (ZYX Music)

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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LP | 2024 | US | Original (Newretrowave)

The Endearing

Internet Friends

LP | 2024 | EU | Original (World Wide Web)

Release: 2024 / US – Original

Genre: Electronic & Dance

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The time is now. The Endearing joins the NRW Roster and delivers a fantastic Neon-Drenched album. A must for all synth lovers. This album is guaranteed to lift the spirits. :)

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The Nightstalker

Isoutopic Fantasia

LP | 2024 | Original (Circus Company)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The Nightstalker - Mystical sounds from the shadows of the night The Zurich duo The Nightstalker, consisting of producers Dan Piu and Popshop (Gary Rich), create a cosmos of sound that plunges deep into the darkness and unfolds an almost magical attraction.

After two acclaimed albums on the Berlin label Childhood Intelligence, they now invite us on a sonic fantasy journey with their new mini-album ‘Isoutopic Fantasia’ on World Wide Web Records.

With six tracks that oscillate between danceable darkness and playful, surreal moments, ‘Isoutopic Fantasia’ embodies a seductive fusion of mystical depth and bizarre beauty. The sounds are addictive and lead us through a musical dream realm where each beat reveals a new twist and the melodies unfold into sprawling, unexpected dimensions. A sonic fantasy carried by the shadows of the night, in which light and darkness unite in a hypnotic dance.

All tracks written & produced by The Nighstalker (Dan Piu & Gary Rich)

Mastering by Johanz Westerman at Ballyhoo Studio (NL)

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The Mole

High Hopes

12" | 2023 | EU | Original (Play It Again Sam)

Release: 2024 / Original

Genre: Electronic & Dance

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High Hopes - New album from the Mole.
High Hopes is 17 songs across 40 minutes on one slice of wax that, as advertised, sounds nothing like last month’s Ep, High Dreams. Here, rather than the long form dance form, is a continuation of the
beat tape pacing from the last album, a collection of moments posing as ideas posing as a narrative stuffed with oddities and surprises that reward the close listen.
What’s heard on High Hopes is the Mole’s exploration of a love letter, from one person to a family, from the northern Pacific to the southern Atlantic, from a boy to a painted bird. Vancouver Island to
Manantiales. The songs range from ambient sound bath and hip hop sludge, up to micro boogie and almost House before tumbling back down and forth again. Bubbling synths, MPCs swung out, samples
chopped and chewed, bass and violins from Rick and Sophie, field recordings of birds and frogs and beaches, friends and family and fiestas. Did we mention the love ?! This album has got it all! Original
collages from Antonio Carrau envelope this wax: jacket, sleeve and cookie.
Antonio’s work is typified by playful combinations and bold statements about living in a embrace of analog and digital health. His collages marry the corporeal world with an updated, digitalized age of
reproduction, inducing feelings of gratitude for the simple everyday scenes we sometimes lose touch with when we forget to slow down. Good living, like breathing, requires inhaling as well as exhaling.
We can’t always produce content, make art, we must also pause, and listen. And enjoy. The Mole is joined by friends and colleagues on several songs included on High Hopes. Rick May plays bass on both Que Rico and album stand out GoinF4er. Sophie Trudeau (Godspeed You Black Emperor) plays and arranges violins on GoinF4er and Danuel Tate (Cobblestone Jazz) and Julz Chaz
(Wagon Repair) both play Vibes and Emaxx throughout the album. Working with these incredible talents not only enriched this album, but fulfilled a long standing goal of the Mole’s; to work again with
the musicians from whom he learned so much. People who helped inform the shape of Mole to come.
The Mole who was As High As The Sky. The Mole has been ‘recognized’ by the ‘global underground’ since his critically celebrated premiere album, As High As The Sky, but his earlier Eps (Wagon Repair, Philpot, Musique Risquee) got the attention of Top DJs, clubs, and festivals around the world first. His sound remains unique, fresh and deep: enjoying plays in a wide variety of spaces and places.
High Hopes is the Mole’s 5th solo album and his 2nd album for Circus Company (The River Widens) who have also proudly released two eps of Mole magic (Little Sunshine, High Dreams).
*Isn’t that too much time for one record? Short answer - No. Long answer - depends on the material. Due to the many quiet passages in the album, the groove spacing can be modulated and the needle
can slow it’s progress towards the center/end resulting in longer sides with continued high gain and low distortion.

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The Weathermen

[Pias] 40 12''

20,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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12" | 2023 | Original (Union Square)

The Rares

Voyager EP

Release: 2023 / Original

Genre: Electronic & Dance

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2x12" | 2023 | EU | Original (Animalia)

The Soulscaper

Inside Voices

LP | 2022 | UK | Original (Wedothings)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Animalia's exploration of the lesser known artists of Melbourne continues with the launch of new sublabel, Cirrus, focusing on non-club, downtempo, ambient and otherworldly sounds from local Australian artists. The first release comprises of dreamy, non-linear modular improvised soundscapes from Melbourne/Naarm local The Soulscaper, a sideproject of Eugene Pascal, member of Animalia's electronic trio Menage. The Inside Voices LP offers a sentimental, familiar musical journey, evocative of the distinctive charms of life in Australia's south-eastern hub. All produced in the northern suburbs of Melbourne/ Naarm, the tracks provide an open window into the studios of the city's deeper side. The LP is a poignant follow on from the musical outputs of Animalia, staying true to the label's deep, cinematic and melodic style.

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The Beetools

Soulnova

LP | 2022 | EU | Original (Ikuisuus)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Brand new Italian label “WeDoThings” is happy to introduce “The Beetools” with the debut album ‘SoulNova: The Magical Tones Revenge’. “The Beetools” are a four elements crew who love music and mostly enjoy live playing instruments and synths. Their roots start from Latin and Electronic Music as well as Funk & Jazz, inspired and influenced by Mambo & Samba rhythms too. Starting from here, they have joined together and created an Italian soup/group as follows: Original Recipe: - take four poor guys with different music styles and put them in a mixing bowl - add few spoons of keys, flutes and some drums - put inside a pinch of synths - mix and fry 180 grams of magical sound - a sprinkle of groove and trumpets on top Everything seems to work fine and now it’s cooked to perfection, ready to please your ears. Strictly serve it hot on a “vinyl plate” It’s a limited pleasure, this one is a keeper !!

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The Parels

Soul Moth

Cosmic Ep Blue Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The Parels (Jim Goodall and Eddie Ruscha) are back with a new LP of morphing 5th world psychotropic music. All manner of bizarre forms take shape and shift throughout the proceedings journeying through exotic psych, swamp funk, musique concrete, and acoustic miniatures all held together by a biomorphic DNA strand that resides somewhere in a subterranean alien cocoon.

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The Rares

12" | 2022 | EU | Original (Union Square)

Tape | 2022 | UK | Original (The Tapeworm)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The Rares return in 2022 with a new EP featuring timeless innovative sounds to bring the listener music that mix vintage and analog sounds with modern technology of today looking for a groovy sound where tension and release create something unique.

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The Howling

All Hail Mega Force