Search "web+web+max+herre" 9 Items

Limited edition tape (100), handnumbered.
A download code is included.

After PORYA HATAMI and SABA ALIZADEH, we are excited to welcome the 3rd Iranian musician on KARL: the sound and new media artist ARASH AKBARI. ARASH AKBARI is a musician, sound, and new-media artist, based in Tehran, Iran. His interest in dynamic art systems, human perception, nonlinear narrative, and the co-existence between physical and digital worlds compelled him to explore the fields of generative systems, interaction design, and real-time processing. He explores the relationship between human, technology, space, and the environment, and examines the ways interactive cybernetic systems, natural emergent
behaviors, and phenomena can evoke meanings as well as social and emotional responses. Akbari directs his experimental practices into audio-visual performances and installations, interactive applications, and multisensory experiences. His compositions investigate experimental approaches to sound generation, field recordings,
acoustic instrumentation, digital synthesis, DSP, and noise to create immersive sonic environments that explore the agency of autonomous systems, indeterminacy, memory, and the perception of time and space. His works have been exhibited in different festivals and exhibitions around the world, such as Athens Digital Arts Festival, Simultan Festival, New Media Fest, 3D Web Fest, Cinnamon Colomboscope, and Graphical Web Conference. He has released albums on Flaming Pines,
Unknown Tone Records, Taalem, and Soft Recordings among numerous other labels. “Fragments Of Yearning”, AKBARI’s latest solo work, is a finely crafted sonic journey into ambient soundscapes, centered around the topics of yearning, memory and humanity. In his own words: “Some moments linger in us, buried in time but molded the eternity. The dusty echoes from the past, yet are vividly unraveled. The irreplaceable momentary fragments of being human.”

We are honored to release ‘A Boy Alone’, a double LP set from Manchester electronic music pioneer Eric Random. Best known for his early recordings for New Hormones and Les Disques du Crépuscule and collaborations with Pete Shelley (Buzzcocks), Cabaret Voltaire and Nico. As an original member of The Tiller Boys with Shelley, Random injected a healthy dose of Krautrock into the dour Manchester post-punk scene in 1978/79 before going solo the following year. Random’s first 7” “Subliminal”/“23 Skidoo” was released in 1981 via Les Disques du Crépuscule and explored ominous sonic surrounds. That same year also saw the release of a second 7" single on New Hormones, “Dow Chemical Company”/ “Skin Deep”. Both tracks offered bubbling, rhythmic sound patterns, and were the first to feature other musicians that would become know as The Bedlamites. Consisting of Lynn Walton on vocals, Ian Runacres and Andy Diagram of Dislocation Dance, and bassist Wayne Worm, aka Wayne Sedgeman. Their debut 12” single “Subliminal Seduction”/“Bedlam-a-Go-Go” was released in 1982 through Plurex, mixing arid funk textures and sparse melodies. That same year the group contributed proto chill-out track “6.55” to Plurex compilation ‘Hours’ and the highly filmic track “In Cassette Conference” to the Touch cassette package ‘Feature Mist’. In 1983, Random spent several months in the Himalayas with a group of musicians from the Kulu Valley and studied non-Western instruments such as tabla. On returning to Manchester, Random convened a new group of Belamites including Walton, Sedgeman and drummer Graham Dowdall aka Dids of Ludus. They released the 12” single “Mad As Mankind”/“Dream Web Of Maya” in 1984 on Cabaret Voltaire’s Doublevision, embracing electronic, industrial and dub styles. In 1985 they contributed the soothing “Pure Power” to Food Records’ “Imminent Episode One” compilation. Our reissue also includes 4 unreleased bonus tracks from Eric’s archives recorded between 1981-1984. The whole set adds up to 115 minutes of sinister, somnambulant Random music. All songs have been remastered by George Horn at Fantasy Studios. Each copy is housed in a gatefold jacket designed by Eloise Leigh featuring a spread of ephemera, photos with liner notes by James Nice of LTM

Intense, electro-acoustic/concrète shadowplay by two masters of their craft, Matteo Castro & Riccardo Mazza aka Lettera 22; riddled with devilish detail certain to grip disciples of Italian horror scores, Valerio Tricoli, Jérôme Noetinger, Lionel Marchetti.

A phantasmagoric episode of intrigue and stuff from the foothills of the Italian Alps, ‘Exposition of Cloves’ portrays Lettera 22 at the peak of their powers. In quick, quick, slow, quick movements, the duo harness a typical array of tape-spliced concrète sampledelia, analog instrumentation, and deft electro-acoustic process, to create spidery webs of texture sound and a sense of space that leads one to constantly look over their shoulder.

The duo’s Nashazphone debut is a significant marker in a catalogue stretching over a decade, executed with a fleeting, dreamlike illusiveness that speaks to their increased familiarity with each other’s creative nature and techniques.

Hailing from a picturesque and historic region of north east Italy, riddled by ravines and sleepy villages, where the Alps slope to the Venetian Lagoon and the Adriatic Sea; Lettera 22’s work has long reflected their locale with a timeless yet contemporary sense of psychodrama where the horrors of the mid C.20th linger as palpably as last night’s spider webs in the street. ‘Exposition of Cloves’ yields the most hauntingly sensorial immersion in their stylized arcana, making up for a notable lack of work since 2016 with newfound relish for their form.

In five fleeting parts they render an uncannily tangible reading of their landscape and inner worlds that feels like flashbacks thru half a millennia of world explorers bringing home exotic spices and their unprecedented sensations, thru to difficult periods of contemporary politics, and the embrace of new artforms such as concrète and electro-acoustic musick, that express the palimpsest of myth, folklore, horror stories embedded in the streets, the hills and themselves.

Black Truffle is pleased to make Oren Ambarchi’s Grapes from The Estate available once more on vinyl. Originally released on CD on Touch in 2004 and reissued on Southern Lord as a limited double LP in 2006 during Ambarchi’s tenure as a member of Sunn O))), Grapes from the Estate was a landmark release for Ambarchi, seeing him expand his sonic palette beyond the clipped, bass-heavy electric guitar tones he was known for at that point. Incorporating subtle layers of strings, keyboards, percussion over a bedrock of his signature guitar tones, in retrospect this album can be seen as the beginning of a broadening and evolution in Ambarchi’s work that would lead to his acclaimed, densely layered epics for Editions Mego, Quixotism (2014) and Hubris (2016). Beginning with the shuddering pure tones of opener ‘Corkscrew’, which looks back to previous guitar-only releases such as Suspension (2001), the album’s next two pieces show a progressive broadening of the instrumental palette and a corresponding move away from textural abstraction and sustained tones towards more traditional notions of musicality. This reached its high point on the album’s third piece, the fifteen-minute long ‘Remedios The Beauty’, where guitars, both acoustic and electric, strings, piano, and bells build from a murmur to an interlockinging web of repeating melodic patterns over gently swinging brushed snare and cymbals. The epic closer, ‘Stars Aligned, Webs Spun’, returns us to a space populated only by the electric guitar, but unlike everything Ambarchi had produced up until this point in his career, the piece has a liquid, psychedelic edge that looks forward to the shimmering harmonics of his more recent work. As Brendan Walls wrote at the time of the original release, this is ‘another outpouring of personal, intimate and enduring music from Oren Ambarchi’. Presented in a stunning gatefold sleeve featuring the original artwork and design by Jon Wozencroft. Redesigned by Stephen O’Malley Remastered and cut by Rashad Becker at D&M, Berlin.

Following hot on the heels of his recent mini-album for Elephant Gait, Italian producer Joseph Tagliabue is back with a full-length album on Glasgow's Invisible, Inc. With Un' Altra Forma Di Vibrazioni Tagliabue continues to expand on the cosmic foundations laid by such pioneering experimental forefathers as Franco Battiato and his ground-breaking abstract ambient work of the '70s and Klaus Schultze whose legendary Innovative Communications label birthed the “Berlin school” sound at the start of the '80s, then tracing a path toward later luminaries like Boards of Canada and Plaid. There's a personal, emotive and ethereal quality also present here conjuring feelings of 4AD's glory years and the likes of This Mortal Coil and Dead Can Dance. However, backwards-looking music this is not. It's fair to say the Milan-based producer is developing his very own distinct sound as he matures from one release to the next and regardless of his wide range of influences, it's Tagliabue's firm grasp of sound design and audio engineering that takes this album far beyond the realm of just “electronica” or “psychedelia” and plants it firmly into a distinctly forward-looking contemporary space of its very own that's as much music for the heart as it is music for the head. Tagliabue provides some insight: “Un' Altra Forma Di Vibrazioni (meaning Another Form Of Vibration in Italian) is a concept album inspired by one of the most sensational scientific discoveries of recent years, namely evidence of the existence of the "Cosmic Web". The album is comprised of ten tracks, each linked to one another, much like the various forms of matter in the cosmic web, and whose meaning can only be understood by listening to them as a collective whole, rather than as separate pieces of music. The album therefore is a well constructed sonic experience fusing elements of ambient, psych, rock, experimental and trance and is designed to be listened to continuously from start to finish; the album's journey through the universal elements is reflected in each track, whose rhythms resonate in harmony with the phenomena they represent, whilst a backdrop of drones and mesmeric grooves contribute to an atmosphere of otherworldly mechanical oneirism."

The Nightstalker - Mystical sounds from the shadows of the night The Zurich duo The Nightstalker, consisting of producers Dan Piu and Popshop (Gary Rich), create a cosmos of sound that plunges deep into the darkness and unfolds an almost magical attraction.

After two acclaimed albums on the Berlin label Childhood Intelligence, they now invite us on a sonic fantasy journey with their new mini-album ‘Isoutopic Fantasia’ on World Wide Web Records.



With six tracks that oscillate between danceable darkness and playful, surreal moments, ‘Isoutopic Fantasia’ embodies a seductive fusion of mystical depth and bizarre beauty. The sounds are addictive and lead us through a musical dream realm where each beat reveals a new twist and the melodies unfold into sprawling, unexpected dimensions. A sonic fantasy carried by the shadows of the night, in which light and darkness unite in a hypnotic dance.



All tracks written & produced by The Nighstalker (Dan Piu & Gary Rich)

Mastering by Johanz Westerman at Ballyhoo Studio (NL)

Yellow-Black-Transparent-Splatter vinyl. Still in shrink, but opened, with hype sticker

LBD Sounds present the new album from World Wild Web. Based in Berlin, this one man band machine from France offers up a beautiful collection of balearic jams, soaked up with instrumental psychedelic keyboards, influenced by traditional music from all over the world. 10 organ-based tracks sound like a dreamy new age voyage from the 70s, yet this music is very here and now.

All the little live jams that this album comprises of have been tweaked and edited, some more and some less, but the feeling of raw improvised music has remained untouched. These don't mean to be no chart hits, actually quite the opposite. It may almost be called a set of B-sides and it would still carry this badge as proud as it gets. It's simple and complex at the same time, this collection has a potential to suck you in, take you for a ride through places unknown and spit you out at the other end.

Was that a dream?