Search "It\s A Musical" 4967 Items

LP | 1970 | EU | Reissue (Wah Wah)

Release: 2011 / EU – Original

Genre: Hip Hop, Electronic & Dance

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The Invisible Architect is the third full-length album by like minded production duo and long-term friends 1000 Names. Unlike their previous releases, which focused more on technology and machinery, they drew their inspiration for this album from the unconscious moments that just happen during live shows or studio improvisations, those happy accidents when the music emerges out of the chaos with no traceable origin. In these unconscious moments, it seems, the invisible architect – a mysterious natural power – creates this untouched and raw music, almost like the geological formation of rocks in a mountain or the trees in a forest are formed by the fundamental forces of nature.
In their own words: “It’s a mystery where the music comes from and why it sounds the way it does. We look for the answer in the garden of the invisible architect – and try just to be…“

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107-34-8933

Numbers

20,99 €*

Tqaseem Mqamat El Haram 2016-2019 Red Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Electronic & Dance

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If you check the credits of The Rolling Stones' Goats Head Soup LP from 1973 you'll find a certain "Pascal" listed on the percussion section. That is none other than Los Angeles based artist Nicolas Pascal Raicevik (1933-1994), aka 107-34-8933, aka Head, aka Nik Pascal, aka Nik Raicevic. Besides his hitting the bongoes on the Stones album, Nik was a great artist on his own, both as a painter and as a musician. As a musician, he was a pioneer in the use of synthesizers, preceeding the Berlin school by some years when his Head LP was released on on Buddah in 1970. Buddah probably saw in Head the opportunity to cash in some money from the remains of the psychedelic scene - the three tracks on the LP are named after drugs used in the late sixties. The sounds, however, are accomplished works that show Raicevic as one of the most interesting pioneers in the use of synths. The album probably didn't do too well, since Buddah didn't renew the contract with Raicevic, who instead took his own way releasing his works on his very own Narco Records and Tapes label. Between 1968 and 1975 Narco would issue 4 LPs credited either to Nik Raicevic (Beyond The End... Eternity) or Nik Pascal (The Sixth Ear, Magnetic Web and Zero Gravity) plus one credited to 107-34-8933 (Numbers, which is in fact the same LP as Buddah's Head, albeit with different cover art). Copies of these LPs came with an ironic sticker over the shrinkwrap that read "Do not listen to this LP if you are stoned".

Numbers was the first reference in the Narco catalogue (NR101), each of the three tracks it contains is named after a drug: Cannabis Sativa, Methedrine and Lysergic Acid Diethylamide. The album was credited to 107-34-8933, there is no date of release on the disc, some sources take it as back as 1968 - in any case, this is the same record that was issued on Buddah in 1970 credited to Head and eponymously-titled. The Wah Wah reissue features the original cover artwork from the Narco edition.

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1127

LP | 2021 | EU | Original (Nashazphone)

LP | 2017 | EU | Original (Project: Mooncircle)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The unmissable, head-twisting debut LP by Cairo’s 1127 returns on red vinyl pressing for those who missed its shockwaves for the first time back in summer 2019, Huge recommendation if you’re into Autechre, Arca, Crowww, Rabit... Getting right under the skin with its hugely variegated palette of brutalist, rhythmic power electronics and evocative location recordings, ‘Tqaseem Mqamat El Haram 2016-2019’ resembles something like a soundtrack to a Neil Blomkamp flick set it Cario, Egypt, 2050 where stifling heat and pollution means everyone wears breathing apparatus and hover cars sputter about its dusty sprawl. It’s surely one of the most shocking and transfixing sides from North Africa this side of the debut LPs by 1127’s peers, Myslma and Zuli, and should be prized by anyone with an ear for futurist rhythms and microtonal synths of a modern, Afro-futurist order. Comprising collaged chunks from 1127’s archive arranged in a seamless, diffracted flow that recalls Autechre as well as the mutant adjuncts in Arca’s &&&& or Croww’s ‘Prosthetics MechaMix’, the results feel as though scraped from the insides of 1127’s skull, capturing and rendering the sounds of Cairo street raves ricocheting with spasms of gristly noise, strafing into pockets of cutthroat flashcore and dropping out into smoky, intimate scenes of Arabic dialogue, all threaded together with a distinctive taste for metallic microtonal synthlines and coruscating noise.

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1954

A Part Of Me

20syl, Christophe Panzani

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Limited edition of 300 copies on black vinyl!

‘A Part Of Me‘ is the debut album by Ivan Arlaud alias 1954, a young musician from Lyon, France. It’s an immersive journey between nostalgic and synthetic sounds, melancholia and hope, fears and confidence. He contrived to describe all the bright, warm, cold and dark moments of his restless imagination in rhythms without being intrusive. As the title says, it’s his personal disclosure.

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Sula Bassana

LP | 2024 | WW | Original (On And On)

22,99 €*

LP | 2022 | EU | Original (Studio Mule)

Release: 2024 / WW – Original

Genre: Electronic & Dance

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The "Sula Bassana" project marks the fusion of two distinct but complementary musical worlds: that of 20syl, electro-hip hop producer and DJ, and that of Christophe Panzani, versatile jazz musician. The album is an ode to contemplation, an immobile voyage embodied by the Gannet, the symbol of their creativity as they fly across styles and soundscapes.

The duo affirm their complicity with the eponymous track "Sula Bassana", where 20syl's sophisticated electro production blends with Christophe Panzani's melodious instruments. The track was accompanied on its release by a remarkable interactive video that poetically retraces the journey of a gannet.

The album also features a number of enriching collaborations. On "Dreams", they invite Yael Naim with her haunting voice and poignant harmonies. "Nuevo Mundo" invites La Chica to take us into a vibrant and eclectic atmosphere, fusing electro rhythms with Latin influences. Finally, "Playtime" features jazz pianist Eric Legnini, whose subtle chords and virtuoso improvisation infuse the album with a refined energy.

"Sula Bassana" is a space where the duo asserts itself with confidence, a rich and varied musical exploration, transcending the boundaries of genres to offer a unique and captivating sonic experience.

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222

Song For Joni

12" | 2023 | UK | Original (Utopia Originals)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A pure journey inward into the headspace of an artist, that reveals his gaze at the earth-ly zones he walks in: “Song for Joni”, the new album by Japanese musician Shunji Mori, brings pure natural music full of artificial nuances who create in conversation with ana-logue tones a new kind of musical nature, loaded with vibrant seasons, unknown to us, the unwise humans. moreover, the album is a fine continuation of Japan’s rich ambient leaning music traditions, carrying them into Lorren Connor’s like pending guitar galaxies.

In the 1990s Tokyo based Mori was part of the trip hop, nu-jazz, deep house, and down-tempo duo natural calamity, releasing a string of albums and EP’s on labels like legend-ary London based imprint Nuphonic, Japanese Idyllic Records or Down 2 Earth Record-ings.

In 2003 he launched the instrumental guitar duo Gabby & Lopez with his buddy Masayuki Ishii. Together they created three albums and performed live. Additionally, Mori plays improvisational concerts with Japanese musician, multi-instrumentalist, and stage direc-tor Daiho Soga and finds time to invent his very own, charismatic guitar music.

His solo work now finally gets introduced with a full-length album for Studio Mule, con-sisting of recent and a decade ago compositions, all merely recorded with the electric guitar, pedals, and field recordings.

In the center of “Song for Joni” is the guitar, spreading longing, drifting melodies. Free floating, yet deeply felt compositions, performed in an accurate journey music style. around the string notes, ambient landscapes soar and vanish.

In some moments, the guitar works like a slow-mo yacht rock lead, flying speed less over and under imaginative sonic clouds. Then, Mori’s music distributes psychedelic ef-fects in the tradition of krautrock legends like Günter Schickert, just without the echo fuzz.

Additionally, in warm vibrating seconds, his creations remind on the calm flashes in the musical work of English photographer, musician, and artist designer Steve Hiett, while Mori’s ambient spheres come close to the magic vibe of records like “Pier & Loft” by his fellow countryman Hiroshi Yoshimura.

A mixture, that transports considerate listeners into the meditative world of Shunji Mori, a calm island of bliss, made for all those that follow the heedful path of life.

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3 Men Gone Mad

You Try

LP | 2022 | EU | Original (Dallas)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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3 Men Gone Mad were an independent group formed in Blackburn and Darwen in the UK. They fused electronic sounds with rock and were prolific in the 1990s when they became cult favourites amongst those who know. You Try is a much sought-after collection that has been restored by Utopia Records many years after it made its way onto John Peel's 1991 Festive 50. He heard in it a mix of The Clash, Joy Division and Talking Heads and that still rings true. The main mix has a raw energy that captures the angst of Britain at the time - and still today, frankly. A spaced-out dub brings a fresh feeling of euphoria and an extended B-side mix draws out this record's undeniable pleasures.

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300,000 V.K.

Der Sturm

LP | 2022 | UK | Original (C.A.N.V.A.S.)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Finally, the 300.000 V.K. project's album, DER Sturm, has seen the light of day. The material for it was initially compiled around 2010, but the recordings were lost and then sporadically leaked out in various forms over the next ten years, until two years ago when a full album was assembled from the fragments. The release was then further delayed by the Covid epidemic and, additionally, for a further year by vinyl pressing delays. The album is now here at last, more or less in its original form, also with the design, conceived over a decade ago.

DER Sturm is a metaphysical album of techno-electronic provenance, with themes that draw on planetary, atmospheric, cosmic, interstellar communication and the journey of radio waves, yet it also features tracks such as Grozny and Exodus, which directly touch on more Earthly themes (war and refugees).

300,000 V.K. or Dreihunderttausend verschiedene Krawalle (Three Hundred Thousand Various Uproars) is a project originally established in 1982 as a more experimental offshoot of the Laibach Kunst music section, defined in Laibach's founding manifesto (10 Items of the Covenant) as a 'retrospective futuristic negative utopia'. The original members and founders of the project were Dejan Knez and Tomaž Hostnik. Later this Laibach 'sub-group' was joined by Iztok Turk and Peter Mlakar, and the first album - 'Peter Paracelsus' - was only released on Nika + Ropot Records in 1994.

In terms of authorship, DER Sturm is a solo project, formally signed by Baron Reichenbach, A. D. Knez and Elk Eber. It is one and the same person, but mentally split and multiplied. Dejan Knez, who is also a co-founder of Laibach, experienced a lightning strike in 1987 and with it a kind of cosmic enlightenment, which unfortunately also resulted in a deepening bipolar disorder, which led to personality stratification and occasional episodes of manic depression. His cooperation with the parent group Laibach therefore became rather disturbed and limited after 1987, and since 2006 it was almost completely interrupted, however he remained a respected member of the group on the symbolic level. In the meantime, he devoted himself more to work on the 300,000 V.K. missiles.

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33-69

Symmetry Systems Transparent Blue Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Billy Bultheel & Alexander Iezzi aka 33’s killer debut LP of sharp cuts between hardcore rave, DIY classical chamber music, Trance arps and performance art punk - think a Duma throwdown with Diamanda Galas and yr halfway there.

Pitting Anne Imhof-collaborator Billy Bultheel in a ravenous session with Iezzi and a host of input from Naked, Dylan Kerr, Ivan Cheng, and Patrick Belaga; ’33-69’ stages an opulent complex of numerological enigmas and swarming spirits unbound from tradition. Disrupting disciplines and paradigms in each cut, they enact a ravishing rush of dancefloor drama and tormented cabaret that feels like the 1920’s rushing into the 2020’s, resulting in a time-sick and urgent avalanche of ideas from Leider or Baroque barbed in noise and hardcore rave alacrity, like a performance art piece held in the midst of Berghain or Kit Kat club’s most spangled, gloriously messy moments.

As the first C.A.N.V.A.S. release of 2022, ’33-69’ builds on the sprawling ideas and feelings outlined by Olan Monk, Lugh, Elvin Branhdi, Michael Speers and Alpha Maid since 2018 with a strident confidence that meets the new decade head-on, face-first, as it gets to grips with new cultural schisms and energies. Tearing out with the shearing digital noise and soaring elegance of Ivan Cheng’s vox on ‘369’, it prangs out between machine-gunned trance techno in ‘Fireworks’ to operatic pipe organ and string processional ‘Sexus’ starring countertenor Steve Katona (collaborator of Pan Daijing and specialist in Bach recitals), beside an extraordinary mauling of industrial and BM ritualism on ‘The knife’ featuring a feral Naked in its seat-edge first half.

The second half slips below the belt with a virulent thrust in the panel-beating techno tribalism of ‘Pigeons’, and hinges around brusque techno triplets with the cabaret keys and Italianate trance motifs of ‘Sirens’, before PAN’s cellist-composer Patrick Balaga helps pull it back from the brink in ‘Thomas The Obscure’, lending a fine temper to the crazed/reflective narrative before it launches in a full out techno assault on ‘Heaven’s blade’ and the smoky, distorted growl of ’Speed and beer’ makes perhaps the most unhinged and ultimately moving use of a brass section you’ll likely hear for time.

Stunning.

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12" | 2022 | UK | Original (Past Inside The Present)

Stasis Sounds For Long Distance Space Travel I Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Symmetry Systems' is the new LP by Dennis Huddleston AKA 36. Inspired by Warp's 'Artificial Intelligence' releases from the early 90's, it's a melodic, synthesiser-driven record, with a wink to the past and a nod towards the future. "I have a deep love for those early Warp albums, particularly the Artificial Intelligence compilations. It was a wonderful time for UK electronic music. That beautiful, warm machine sound, with an optimistic (if somewhat naive) vision for the future. I found the whole thing incredibly inspiring and wanted to revisit those memories, albeit with a 36 twist" Like 'Wave Variations' before it, this record explores various approaches to the theme, with each track directly inspiring the next one. All tracks are sequenced in the order they were made. 'Symmetry Systems' is a collection of hypnotic machine music, made with a delicate human touch.

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36 / Zake

12" | 2020 | UK | Reissue (Past Inside The Presen)

Release: 2020 / UK – Reissue

Genre: Electronic & Dance

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Given the respective outputs of committed ambient explorers and sound designers zake (best known for releasing no less than five fine albums in 2019) and 36 (most recently seen on A Strangely Isolated Place with the superb album "Fade To Grey"), you'd expect this trip into aural deep space to be rather good. It is of course, with the four tracks mixing echoing sonic tones and drifting sound effects with slow-burn electronic melodies and the kind of immersive, sustained chords that were once the preserve of German maestro Pete Namlook. The third track in the suite, appropriately titled 'Stage 3', is little less than stunning, in part because of its grandiose, almost classical intent. No surprise to discover, then, that after a stretch of being out of print it's back via a reissue, this version being a limited clear vinyl edition.

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2LP | 2011 | EU | Original (Project: Mooncircle)

It's The Trip

Release: 2011 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Join 40 Winks on a road trip to anywhere. Bring your music player and tell your honey you won’t be home for dinner. It’s the trip, not the destination.“
About 40 Winks:
No hay banda! (“there is no band”, Mulholland Dr. 2001) pretty much sums up where 40 Winks aims to go with its instrumental hip hop: meticulously chop and paste samples together, to create an atmosphere of beats and vibes which steps beyond unimaginative loops. 40 Winks hit the scene in 2002, with a whole slew of laidback beats. Eager to share their sound with the world, they released a couple of albums independently. The attention they got from this, allowed them to build with people from around the world. One of these independently released albums, More Than Loops, got reissued in Japan on Swamp Records, after that the ball kept rolling. On their first worldwide release, Extended Pleasure on Escapism Records (2005), they reached listeners well beyond the (instrumental) hip hop community with the song “Melancholia”. After appearances on compilations, like Weapons Of Hope on Little-D (2006), they got a chance to do their thing on the renowned label, Merck Records with Sound Puzzle (2007). All this led them back to Europe, where the German based Project: Mooncircle welcomed them with a spot on the compilation Heart On The Right Spot (2007) and a full album The Lucid Effect (2008). In 2009 they took some time off, doing solo stuff and remixes. In 2011 40 Winks is back with a double LP called It’s The Trip (2011) on Project: Mooncircle.
Artwork By Afreux.

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LP | 2011 | EU | Original (Project: Mooncircle)

It's The Trip HHV Bundle

17,99 €*

Release: 2011 / EU – Original

Genre: Hip Hop, Electronic & Dance

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LP | 2008 | EU | Original (Project: Mooncircle)

The Lucid Effect

11,99 €*

Release: 2008 / EU – Original

Genre: Hip Hop, Electronic & Dance

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40 Winks are known for their laidback atmospheres and vibes. However, after 5 years of looking for the perfect beat, they decided to break free from the usual mold and dive into the unknown for this project. Having reached listeners in different scenes and parts of the world, they decided to incorporate all those genres and styles into their own, to create an instrumental hip hop album in which the traditional boundaries of rhythms, tempos and sampling techniques are wildly stretched. Instrumental hip hop aficionado or not, music lovers are bound to find a treat in this one!

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CD | 2008 | JP | Original (Project: Mooncircle)

The lucid effect

11,99 €*

52 Commercial Road Remixes Splattered Vinyl Edition

Release: 2008 / JP – Original

Genre: Hip Hop, Electronic & Dance

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52 Commercial

12" | 2022 | EU | Original (Destroy Oh Boy)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | UK | Original (Metron)

7fo

Music For Himitsu

LP | 2022 | EU | Original (Conatala)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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For Métron Records' tenth album release, the label welcomes back Japanese artist 7FO (rvng, Bokeh Versions, EM Records) for his second album on the imprint. Originally created to accompany a 2014 exhibition by Osaka art collective Himitsu, Music For Himitsu has now been remastered and pressed to vinyl for the first time. Made up of ceramicist Shiori Nishino, photographer Hiroshi Nakamura and landscape gardener Takashi Torigoe, Himitsu showcased an elemental combination of light (photography), water (plants) and earth (ceramics) to explore a locale of beauty where harmony and discord coexist. Realising their show was missing one final piece of the puzzle, they asked fellow Osaka native 7FO to create a soundtrack for the show. The work was played on a loop throughout the run and on one occasion was performed live. ‘‘The idea was to be in harmony with the exhibition but to stick out a little. We aimed to create an exquisite image that would serve as a backdrop, but not be hidden.’’ Constructed using improvised guitar loops, field recordings and 7FO’s now signature ellipsoid effects and found sounds, the music was originally recorded over an old 90s pop mixtape picked up at an audio store in Nishinari Ward, Osaka. In the spirit of the show, the cassette tape was reclaimed and given a new life as the substrate for Music For Himitsu. The cascading water and verdant soundscapes, shimmering textures of light and tertiary percussion all evoke feelings of nascent optimism. Repetition collides with subtle tonal variation as sections swell, build and mutate organically into vast soundscapes that imbue the digital with the natural.

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7fo

Ran - Bouten

LP | 2021 | EU | Original (Sentient Ruin Laboratorie)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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“When I started working on the piece in March of 2020, I had only decided to record it in the way I wanted to. The coronavirus was spreading globally, and the situation was gradually changing into something very serious. With no gigs scheduled and hardly seeing anyone, I felt as if my spirit was in a slightly deeper place than usual during the production. I sat down in front of my equipment as if I were dropping a fishing line into a quiet lake. I kept feeling that something new was lurking beneath the water surface. I was trying to catch that something that seemed to be just out of reach, that floated in and out of sight like a speck of smoke. “ ＿Referenced from: Afterword of 7FO「Ran - Bouten」 2021 brings a new album by Osaka electronic musician / producer 7FO. This work is a departure from the recent global ambient / new age approach, and the unique sound aesthetic created using only hardware equipment is a new frontier of 7FO or a return to his origin. "Ran - Bouten" is a new electronic music album with a poetic sensibility using machines.Discovered by overseas labels such as Rvng intl., Bokeh Versions, and Metron-and with the release that followed EM Records in his hometown Osaka, it's like his personal folk craft that was once quietly played at his own pace. Music has reached listeners around the world. In recent years, he has been touring from a famous performance with Tapes at the Belgian "Meakusma Festival 2019" to a Japan-Korea tour. "Ran - Bouten" was born as a result of facing the sound alone without being asked by anyone to cool down the heat when the steaming and intense experience had settled down. Inside the cool electronic sound like a water bath, you can feel the maker's heart sending hot blood.Peep into the condensed universe of a home-recorded miniature world that looks like an independent production of unknown age. He was alone in a dark room, making full use of KAWAI's 1990 digital and FM synthesizers , tracing the shape of nature and resonating the micro and macro sound worlds. The Rhythm and melody that continues to the Paradise Pure Land, which floats in a dreamy atmosphere, is the true value of 7FO even without his guitar play.Mastering by Makoto Oshiro, which supports everything from home listening to club sound systems. Hiroaki Hidaka designed the jacket to make the image of the sound appear cool and friendly everywhere.

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8 Hour Animal

Resigner

19,19 €* 31,99 € -40%

2LP | 1991 | UK | Reissue (Universal)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The Sound Of Dissolving Reality, Shattered Nerves And Unraveling Hope. Enigmatic Blackened Harsh Industrial Hallucination 8 Hour Animal Debuts With "Resigner", A Nerve-Wrecking Full Length Offering Of Vitriolic Aural Annihilation That Transitions The Most Caustic And Confrontational Fringe Of Harsh Industrial To Its Most Extreme And Overwhelming Consequences Yet. Through A Masterful Juxtaposition Of Harrowing Atmospherics, Oppressive Soundscaping And Raw Ferocity On "Resigner" 8 Hour Animal Blurs Beat-Driven Electronic Industrial, Scathing Power Electronics, Blackened Metallic Drone, Dark Ambient And Pure Noise Into An Hallucinogenic And Caustic Forty-Plus Minute Nightmare Of Pure Aural Obliteration.

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808 State

Ex:el Blue Vinyl Edition

40,84 €* 42,99 € -5%

LP | 2021 | EU | Original (Squama)

Release: 1991 / UK – Reissue

Genre: Electronic & Dance

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UK National Album Day Limited Release. Originally released in 1991, ex:el was the third studio album by 808 State, and the last to feature founding member Martin Price. The album contains guest vocals from Bernard Sumner of New Order in the single ‘Spanish Heart’, and Björk with ‘Qmart’ and ‘Ooops’, paving the way for early concepts of modern electronic music. The release comes as a limited-edition 140-gram blue vinyl.

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9ms

Pleats

A.A.L. (Against All Logic)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A download code is included. 9ms is the duo of Simon Popp and Florian König. On their wide ranging debut album ‚Pleats’ the tech-savvy drummers offer grooves from the dubbier realms of World Music and Krautrock - some meditative and light, some thick as wall and steady as a clock. The album was recorded live in a large wooden hall in the Bavarian Alps with only three microphones. Using various infrared and magnetic field sensors, Popp and König were able to translate their movements into control voltage, which they then used to trigger and tweak synthesizers and a myriad of effects. A way for two humans to become one with their mystic machinery.

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Illusions Of Shameless Abundance

12" | 2020 | US | Original (Other People)

8,99 €*

The Lights Are On But No-One's Home

Release: 2020 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Near Mint

tiny wear. slightly warped VG+ vinyl

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A Bad Diana

LP | 2007 | EU | Reissue (Optimo Music Archiv)

LP | 2022 | US | Original (Mello Music Group)

Release: 2007 / EU – Reissue

Genre: Electronic & Dance

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A Bad Diana is a project from Diana Rogerson, someone I first became aware of aged 12 when I read about Nurse With Wound and their United Dairies label in Smash Hits magazine. I was confused, mystified and intrigued in equal measure, and a couple of years later as a result I bought my first Nurse With Wound album. This led to an interest in all things NWW related. I guess Diana could be described as the matriarch of the Nurse With Wound world but she also had her own very distinguished pre-history with Fistfuck, an early-80s extreme noise outfit. She then made two mid 80s cult classic albums as Chrystal Belle Scrodd, both far out there rollercoaster rides of audio wildness, highly recommended to anyone with wide open ears. She then moved to rural Ireland and raised a family. There was the odd collaboration and then in 2007 A Bad Diana’s “The Lights Are On But No-One’s Home” was released on CD. I feel this is her meisterwerk and it has become something of a cult favourite over the years. Now for the first time, almost two decades later it is available on vinyl on Optimo Music Archiv. Produced in association with Steven Stapleton and Colin Potter from Nurse With Wound and irr. app. (ext.)’s Matt Waldron this is some seriously beautiful and strange listening. Next level sound design means this is an incredible headphone record but it is also a deeply warm and engaging home listening gem. Beautiful, magical, ultra hypno, soulful reverberations with the deep emotion of Diana’s voice tones and bio-vibrations.

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A.Billi & The Lasso Free

Holy Body Roll

30,99 €*

Release: 2022 / US – Original

Genre: Electronic & Dance

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12" | 2021 | UK | Original (Mute)

A Certain Ratio

ACR:EPA

18,99 €*

Release: 2021 / UK – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Aufnahme + Wiedergabe)

A.F. Moebius

Eine Auswahl

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The Drum Is The Shaman's Horse

A Handful Of Dust

LP | 2023 | US | Original (Carbon / Feeding Tube)

25,19 €* 35,99 € -30%

The Eightness Of Adam Qadmon

Release: 2023 / US – Original

Genre: Electronic & Dance

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With the death in 2020 of long-standing occasional third member Peter Stapleton (percussion / electronics), A Handful of Dust has regrouped as the core duo of Alastair Galbraith (violin, guitar, cello, piano, drums) and Bruce Russell (guitar, electronics). This new set of live-to-four-track recordings from January 2022 is the first album to be wholly recorded 'in the studio' since 1995's Towards a Soundtrack to the 'Anabase' of St-John Perse. Committed to tape at the Rugby Hotel in Dunedin, the four-track recordings were played back in the room where they were made and recorded again, this time to Android telephone, to make a digital mono master which you hear on this record. Unadorned, brutal and sonically austere, this new set captures the 'wild Mercury sound' for which this long-standing unit is rightly feted among cognoscenti of the Antipodean New Thing. Three pieces that will pop your third eye in seconds flat. Astral travel for now people. Duck and Sally continue their unplanned career in the extreme abuse of the rock'n'roll toolkit. Drowned Phoenician sailors bob disconcertingly to the surface while the captain's tower rocks to a sustained monomachy 'twixt Ezra Pound and T.S. Eliot, brought back from the grave for that specific purpose. Don't be shy - please jump out of your window. You know you gotta trust us, when you need a friend...

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A Handful Of Dust

LP | 1994 | EU | Reissue (Ikuisuus)

13,99 €*

LP | UK | Original (Baroque Sunburst)

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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Originally released on cassette by Corpus Hermeticum (Hermes003), 1994. All sounds by Alastair Galbraith and Bruce Russell.
"New Zealand is on summer holidays all through the month of January. For some reason I had the house to myself, the wife and kids were elsewhere. Alastair Galbraith brought over some instruments and we plugged in a cassette recorder. We spent the sunny afternoon setting up combinations of instruments and seeing what happened.
We had recorded the Concord LP the year before and done two gigs at the Empire tavern that became The Philosophick Mercury. The idea of Dust was taking shape through experimental practice. Some of it worked better than other bits, but it all made sense as a collage of sound, pointing in the direction of freedom. Our collective practice was making leaps and bounds; and starting to get heard abroad. In Australia the young Jon Dale was listening:
'The Eightness Of Adam Qadmon was one of the first releases I heard from A Handful of Dust… I've always been drawn to this cassette for its utterly unique, acroamatic sensibility - it seems less interested in third-eye-rupturing … and more about a late night session, bleeding into early morning, under the influence of heady wisdom and headier substances… What we had here was very much the real deal, collective and solo eviscerations from the heart of sound itself. I love it, unconditionally.'
Jon got the time of day wrong, but not much else. Going back to this session recently, I became aware of the strange, ungainly and unrepeatable shapes our practice assumed during these first forays into total free improvisation. Re-mastered with help from Lasse Marhaug, at the request of some visionary Finns; here Adam Qadmon, the ur-Golem, comes again. Walking from the graveyard of the past, blinking in the autumn sun, and shaking twenty-five years of clay from his coat."

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A. Hutchie

Potion Shop

Release: UK – Original

Genre: Electronic & Dance

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Trifecta Gold / Black Split Vinyl Edition

A.L.I.S.O.N, Viq, Krosia

LP | 2023 | US | Reissue (Stratford Ct.)

Release: 2023 / US – Reissue

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Envlp_imprint)

A-Man

On Trappist-1

8,44 €* 12,99 € -35%

12" | 2021 | EU | Original (Amore)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Trappist-1 is a cold dwarf star in the constellation Aquarius. It was discovered in 2000 and has a planetary system of seven known planets. Located 40.7 light-years away it is estimated to be 7.6 billion years old, making it older than the Solar System. In 2023 A-Man leaves Earth on his discovery. Alone but full of dreams, he crosses deep space and reaches the system. But soon an unexpected “contact” will interrupt his journey...

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A Mountain Of One

Custards Last Stand

12" | 2021 | EU | Original (Amore)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A Mountain Of One are set to return to the musical landscape with their brand new track “Custard’s Last Stand”, released 30th July through new label Amore via Above Board distribution. It is the first new piece of music the band have released in over a decade.

”Custard’s Last Stand” shows the band, made up of musical soulmates Mo Morris and Zeben Jameson, have lost nothing in the past decade. Recorded over Skype during the coronavirus pandemic, with Mo now in Bali and Zeben in west London, it is a shimmering, modern classic, experimental but accessible, melodic and adventurous. As ever, it is utterly unique, made in a musical universe all of their own.

“Custard’s Last Stand” EP is out 27th August, and will come with an incredible Denis Bovell Dub Remix, as well as another new track “Stars, Planets, Dust, Me”. The full EP package will come with a dub remix from musical pioneer Dennis Bovell.

The forthcoming album will be released this autumn. The whole project has been mastered then remixed for a forthcoming album by the legendary Ricardo Villalobos.

When they first started performing, they quickly became one of the most-acclaimed bands out there, with the likes of i-D, Sunday Times Culture, Pitchfork, NME and more raving about them and their inspired and original approach, led by Mo and Zeben’s almost telepathic understanding.

Sold-out shows and awesome reviews followed with “Collected Works” and “Institute of Joy”, two phenomenal records that have stood the test of time, criss-crossing folk, jazz, dance, rock and psychedelia.

A Mountain Of One have collaborated to create a coming together of music and virtual reality. With NYX VX, the band have developed a virtual world, one that will help provide inspired opportunities for artists looking to identify, connect and engage with audiences on multiple levels. This is the first stage of a new world that people will be building out and inhabiting, as venue for performances, home for musical and visual archives, space for play and exploration. Welcome to 'Stars, Planets, Dust, Me'.

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A Mountain Of One

Dealer

2LP | 2021 | EU | Original (Re:Discovery)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A Mountain of One return with their second single from eagerly awaited forthcoming album "Stars Planets Dust Me". "Dealer" sees them push further into the Cosmos with a modern take on the electronic disco pulses of Kraftwerk and Giorgio Moroder mixed with organic sensibilities, Electric sitar and reverse guitar akin to the heady moments of The Beatles track "Tomorrow never knows". Criss crossing Balearic, psychedelia, disco and electronica. ”Dealer” shows the band, made up of musical soulmates Mo Morris and Zeben Jameson, have lost nothing in the past decade. Recorded over Skype during the coronavirus pandemic, with Mo now in Bali and Zeben in west London, a shimmering, modern classic, experimental but accessible, melodic and adventurous. As ever, it is utterly unique, made in a musical universe all of their own. When A Mountain Of One first started performing, they quickly became one of the most- acclaimed bands out there, with the likes of i-D, Sunday Times Culture, Pitchfork, NME and more raving about them and their inspired and original approach. Sold-out shows and awesome reviews followed with “Collected Works” and “Institute of Joy”, two phenomenal globally acclaimed albums that have stood the test of time, This heady odyssey is mastered again by Global Electronic music icon "Ricardo Villalobos", and soon to also be remixed by Ricardo on a full album of his interpretations of the forthcoming album. Their first single "Custards last stand" from the forthcoming album had radio support from NTS radio, Worldwide FM / BBC 6. The forthcoming album “Stars Planets Dust Me” will be released March of 2022.

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A Positive Life

Synaesthetic

27,99 €*

12" | 2022 | UK | Original (Nummer Music)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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re:discovery records is proud to announce the reissue of 1993's 'Synaesthetic' by A Positive Life. This seminal release is revered and beloved by fans and followers of early 90's electronic, IDM, techno, dub and chill out music. Key tracks include the Orb-esque 'The Calling', the magnificent 'Pleidean Communication' and the chill out dub classic 'Aquasonic' among others. This new reissue also adds the track 'Warehouse 5am' which was orginally only releases on the American cd version and not the original vinyl. Spread across 2 vinyl with new updated artwork by Grid Pattern and insert input from the label and the artist themselves, this will surely be the reissue highlight of 2021.

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A Psychic Yes

Ep4

12" | 1996 | EU | Reissue (F Communications)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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On his fourth EP, Tim Crombie aka A Psychic Yes invites us to follow him off the beaten track – or dancefloor. With their mix of leftfield grooves, intuitive instrumentation and dreamlike field recordings, these cuts apply club principles to the soundscape of a distant yet familiar world. A bus radio clamours in a terminus in South India. Industrious algorithms go about their daily routines. The sun breaks through a dense canopy, illuminating the damp undergrowth and the psychedelic critters that call it home. Close your eyes and let your mind and feet lead you. Words by Joe Delon

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A Reminiscent Drive

Flame One

Discerning Spirits Vinyl Edition

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Limited edition remastered, originally released on F Communications 1996. For a long time, Jay Alansky has always had within him the complete music culture, from decadent folk to pre-punk. His Balearic House project 'A Reminiscent Drive' was electro reinvented without samples or computers, by hijacking Burt Bacharach and/or The Residents. For a long time, Jay Alansky has always had within him the complete music culture, from decadent folk to pre-punk. His Balearic House project 'A Reminiscent Drive' was electro reinvented without samples or computers, by hijacking Burt Bacharach and/or The Residents. Enriched with modal mutations, down-sampled drums and creeping tempos, created prophetic electronics by tapping into a giant jukebox, which served as its brain. Otherwise, simply caught up in the emotion, oblivious to references and obsessions.

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A Sinister Light

LP | 2024 | EU | Original (Cold Transmission Music)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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12" | 2023 | EU | Original (Haus Of Beats)

A Tweed

Echinopsis EP

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The Italians Antonio De Oto (A-TWEED) and Valerio Ebert (OLTREFUTURO) are the names beyond Echinopsis EP, the next release on Haus Of Beats. Three tracks with slow yet heavy tribal rhythms, dark, acid and hypnotic. Two deluxe remixes complete the EP, one by the master of rare rhythms, Toulouse Low Trax, working his usual magic, the second by the label associate Odøn, upping the tempo with a fiery electro take.

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LP | 2011 | EU | Original (Erased Tapes)

27,99 €*

Release: 2011 / EU – Original

Genre: Electronic & Dance

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2LP | 2014 | EU | Original (Erased Tapes)

Atomos

26,99 €*

Release: 2014 / EU – Original

Genre: Electronic & Dance

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2LP | 2014 | US | Original (Kranky)

Atomos

Release: 2014 / US – Original

Genre: Electronic & Dance

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Received a 7.3 rating from Pitchfork.

After releasing a first glimpse in the form of the ‘Atomos VII’ EP earlier this year, A Winged Victory For The Sullen finally reveal their second full-length album entitled ‘Atomos’, which besides familiar piano, string and drone sounds also sees the duo introduce flurries of electronics, harp and modular synthesisers.

Wayne McGregor, founder of Random Dance Company and resident choreographer at the Royal Ballet, chose to play the album repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam and Dustin to see if they could write the score for his new oeuvre. The duo were given complete artistic freedom and they treated the score with the same care and attention as their debut album. They recorded more than sixty minutes of music over a four-month period during the summer of 2013 across studios in Brussels, Berlin and Reykjavik, with the help of their long time collaborative sound engineer Francesco Donadello. During the recording process they realised, that this would become their official second studio album. McGregor provided them with the inspiration to expand their sound palette into more electronic territory, whilst keeping their signature chamber sound, resulting in a very unique record.

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The Undivided Five Black Vinyl Edition

LP | 2019 | Original (Ninja Tune)

Release: 2019 / Original

Genre: Electronic & Dance

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A_a (Aka Satoshi Tomiie & Nao Gunji)

Diskordant (Live)

12" | 2024 | EU | Original (Artificial Owl)

X Scroll Area Purple Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Satoshi and Nao performed their live “Diskordant” using their analog machines and object-activated sounds in front of the New York crowd. These sounds are transformed and improvised through reconstruction and sample synthesis.

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AAAA

LP | 2024 | EU | Original (Umor-Rex)

2x12" | 2015 | SE | Original (Northern Electronics)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Through X Scroll Era, Gabo Barranco, aka Aaaa, conducts a rigorous overhaul of the aesthetics and statements of low-profile IDM, trance, and progressive-acid music typical of the early 2000’s. In addition to this inherent and undeniable veneration for the era, the pieces on this album — which originated from recordings and experimental exercises with gear and accidentally became an album — serve also as a kind of retrospective inspection of Mexico City's suburbs (Lomas de Sotelo), with landscapes full of indiscriminate concrete, highways of two and three levels, factories, and parking lots that have supplanted nature with their own detached beauty. It is a sound memory, a specific melancholy that praises skate squads of the area, friends from the past, parties, and substances. It reviews the decline of rave culture but also its resilience and capacity for transformation. What Aaaa offers us with X Scroll Era is an almost multigenerational soundtrack, a memory that feels collective and recollects euphoria, ecstasy, and nostalgia.

After several LPs and EPs (Acid Test, Omnidisc, Janushoved) and several years active in the dance and contemplative electronic music circuit (mutek, Berghain, iii Points, Rbma), X Scroll Era is the first album by Gabo Barranco, aka Aaaa, published on the Mexican label Umor Rex.

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Abdulla Rashim

A Shell Of Speed

27,99 €*

Release: 2015 / SE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

12" | 2013 | EU | Original (Abdulla Rashim)

Abdulla Rashim

Aksum

12,99 €*

Links Berge Rechts Seen Deluxe Edition

Release: 2013 / EU – Original

Genre: Electronic & Dance

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Journey through vivid sonic currents and a state which might as well be regarded as Rashim's magnum opus: this is a new height with a mini album as the sixth release on ARR. The more basic and primal spirit of this release encapsulates Rashim's music in a way which makes total sense. Bound over for tracks, which all displays a different perspective of this dramatic colossus

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Abfahrt Hinwil

2LP | 2020 | EU | Reissue (Lapsus)

LP | 2024 | UK | Original (World Of Echo)

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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From its creation in the late 90s until its closure in 2009, the Toytronic label witnessed a digital revolution that transformed the record industry, turning glitch into a production tool for a whole generation heir to the of bleep 'n' bass sound. Thanks to their impeccable A&R credentials, its head honchos, Martin Haidinger and Chris Cunningham, created an incredible IDM label catalogue, as well as producing their own material under pseudonym Abfahrt Hinwil. Their only album to date 'Links Berge Rechts Seen' [Toytronic, 2002] was released as a compilation featuring tracks from their brief career that over the years has become a benchmark for the Toytronic sound. This album included their first -and only- three releases signed to Expending Records and Toytronic, and also included two previously unreleased songs: 'Planquadrat' and a hidden track at the end of the CD version. Lapsus proudly presents 'Links Berge Rechts Seen', which will be released on vinyl for the first time as part of its'Perennial Series'. The collector's format marbled 2LP is accompanied by a double-sided lithographic print, which includes a unique and exclusive interview from Martin and Chris, talking to prestigious electronic music journalist Philip Sherburne.

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Able Noise

High Tide

Aboutface Presents Pensée Sculpture

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

Able Noise are a cross-continent duo based between The Hague (nl) and Athens (gr), built around the experimental baritone guitar and drum playing of George Knegtel and Alex Andropoulos. After a few formative attempts at collaboration, they officially came together as the Able Noise we see now in 2017, uniting over shared thoughts on art and performance encountered while studying at The Royal Academy of Arts in The Hague. Their first recorded work, a seamless 30 minutes of glistening post-rock anti-formalism, emerged in low-key fashion in 2020 as a cassette through Glasgow’s famed Glarc label. Numerous European wide tours and left-of-centre festival appearances led the pair back to the studio for the recording of debut LP, High Tide, to be released via World of Echo on 1st November.

The shift to a studio environment was a significant one, since Able Noise was primarily conceived as a live band, thinking of and writing for the live concert experience specifically. Consider their practice an Active Performance of sorts, one that seeks to challenge understandings of the medium of the live arena, how its properties and limitations can be addressed creatively, and the dialogical relationship between performer and the audience. Those who have caught them live will have witnessed very physical yet malleable performances, shaped each time by the context at hand, be that the time of day, the acoustic properties of the space, and the shared energy of the assembled patrons.

True to this approach, the pair have embarked upon the recording of their debut album with a similar exploratory impetus. In a studio without a physical audience to confront, the questions are suddenly quite different: how does one create a definitive recorded music initially rooted in improvisation, how is that recording then listened to and understood, and, without the spectacle of performance, how is it possible to work with the sense of hearing alone. Unsurprisingly, the music of High Tide is significantly different to that of an Able Noise live set. Minimalism has been traded for a detail-oriented approach, the limitations of two sets of hands suddenly lifted by the possibilities of multi-tracked thinking, post-production and various processing techniques. Real-time gives way to fragmentation, distortion and dilation, and the shift is notable - High Tide is a woozy and often disorientating listen that plays quick and easy with conventional notions of structure, at once both centreless and impressionistic, yet somehow guided by an imagined formless space.

Reliant much less on their own capabilities - and limitations! - as musicians, Knegtel and Andropoulos heartily invited the contributions of friends from both their local Athenian music community and those made while playing the UK, with the important disclaimer given that anything played during the recording session will not sound the same once on record. The result is duos, trios, quartets and sextets playing in different experiences of time, and on dynamic scales vastly different from one another, brought to equal footing.

Critically, the wholesomeness of their creative communion belies the darker theme of inertia that the pair acknowledge runs throughout the album, a sense of bodies of very different weights and momentums existing alongside each other, either adapting to or clashing with one another. In short, the outside world can’t help but seep in, even as you create within your own hermetic universe - the feeling of hopelessness amidst endless political and social strife, obsolescence in the face of technological development, time’s inexorable march. These are things we’ve all felt, and while High Tide, like much before it, doesn’t provide any definitive resolution for these challenges, it does present its own set of unique possibilities written in the shared language of its creators.

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Aboutface

LP | 2024 | UK | Original (Cordinates)

26,99 €*

LP | 2024 | EU | Original (Reliefs)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Aboutface presents - Pensée Sculpture

Following a period of theta wave and hemi-sync techniques, Le Sculpteur d’Esprit (the Mind Sculptor) arrived in this dimension to transport listeners through 4 portals of altered-consciousness into thought-worlds where interactive sculptures are revealed in their own minds, as the artist themselves.

‘Close your eyes. From the darkness, a transparent triangular pentagonal prism appears in the distance, with its soft outlines refracting all colours from the spectrum. As you gently glide closer, you notice an unfamiliar world through the other side of the prism, this is the portal to your thought sculpture (Pensée Sculpture) number 1’

Fomat: Limited edition of 300 carbon neutral ISCC-certified Bio-Vinyl by Deepgrooves, Amsterdam, NL. Includes an artwork insert with the English translation of the Pensée Sculptures.

Credits: Field recording, clarinet, flute, guitar electronics and all artworks by Aboutface Additional Violin by Taro. Cello by Abdelrahman Hariry (Cello).

Pensée Sculptures channelled by Aboutface, translated into French by Noemie Decaen. Bonus content & the digital version of this release is available via the included Bandcamp download code. All artworks and music by Aboutface.

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Abran

Doppler

17,99 €*

12" | 2023 | UK | Original (Exiles)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Abran, the young French electronic music producer, presents 'Doppler'. This new EP is the fruit of new experiments in the studio. He has found a way to distort the sound and spatialise the instruments so as to immerse the listener in a unique sensory journey. The aim: to translate the famous scientific phenomenon of the Doppler effect into sound and image. Embark on a journey that combines space observation, underwater movements, interstellar travel and extraordinary sensory phenomena... 'Doppler': new EP soon available in Dolby Atmos!

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Abris Gryllus

Nucleus Of The Decay

18,99 €*

LP | 2023 | UK | Original (The state51 Conspiracy)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Nuclear decay occurs when the nucleus of an atom is unstable and spontaneously emits energy in the form of radiation. The result is that the nucleus changes into the nucleus of one or more other elements. These daughter nuclei have a lower mass and are more stable (lower in energy) than the parent nucleus. “Ábris Gryllus is a cross-disciplinary media artist and musician based in Budapest. He is well-known for several projects, collaborations and performative works with choreographers, sculptors, dancers and other musicians. As a tireless artist always open to new possibilities, Gryllus has worked on dance pieces, educational workshops and installations; he is one-half of the beat-oriented group FOR., and not least of all, he produces immersive electronic music under his own name. His solo materials include the frantic vocal-based ‘Canon’ (The Death of Rave) and two releases on Farbwechsel (‘Post_’, ‘A.D.’) that feature a rather focused, slowly forming approach to composition.

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Abstract Concrete

30,39 €* 31,99 € -5%

Abul Mogard & Rafael Anton Irisarri

Release: 2023 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Eight decades in and Charles Hayward (This Heat, Camberwell Now) isn’t slowing down, he’s picking up the pace. Following on from a sensational string of gigs and festival performances, his latest endeavour - Abstract Concrete - is now primed to release this astounding self-titled debut via state51 Conspiracy.

The band features the luminous cast of Agathe Max (Mésange, Ukaea) on viola, Otto Willberg (Yes Indeed, Historically Fucked) on bass, Roberto Sassi (Snorkel, Glenn Branca) on guitar, Yoni Silver (Hyperion Ensemble, Steve Noble) on keyboards and, of course, Charles himself on drums and vocals. With this undeniable experimental pedigree, it’ll likely come as one hell of a surprise that this group are now responsible for one of the most persuasive and hook-laden avant pop albums of the year.

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Impossibly Distant, Impossibly Close Black Vinyl Edition

LP | 2024 | EU | Original (Black Knoll Editions)

30,99 €*

Abul Mogard & Rafael Anton Irisarri

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Abul Mogard and Rafael Anton Irisarri’s partnership unfolded serendipitously at the sold-out opening of the SoundSet Series at Madrid's Condeduque cultural center in 2023 - a program that featured performances by legends such as Autechre and younger artists like Caterina Barbieri and Kmru. The duo's encore that evening, recorded for Spain's Radio 3, resonated deeply with the audience, igniting a creative spark that propelled them to work remotely in their respective studios.

At the heart of their effort lies a delicate balance of restraint and innovation, evident in the live concert track "Waking Up Dizzy on a Bastion." This piece, inspired by their musical sensibilities, serves as a testament to their shared vision and mutual respect. Utilizing a familiar parallel chord progression, the track builds from a simple melodic motif played live on synths that transforms into a call-and-response interplay between Mogard's synth lines and Irisarri's bowed guitar loops, creating a dialogue-like interaction between the musicians. As the piece moves forward, we are greeted by melting guitar patterns (recalling Kevin Shields most lysergic moments on Loveless), followed by an intense subsonic full body massage - the visceral physicality of the Ampeg bass amps and cabinets stacks on full display.

Building upon the energy of that live performance, Mogard and Irisarri crafted "Place of Forever," a companion piece that combines Mogard's Farfisa organ and modular synthesizers with Irisarri's signature guitar tones and looping techniques at his Black Knoll studio in New York. Starting with a somber and minimal tone, the track gradually evolves, unfurling layers of deep bass tonalities draped in blissful gauze as it progresses during its 17-plus minute duration.

The resulting album exudes a profound sense of alchemy, effortlessly weaving intricate soundscapes that feel simultaneously faraway and intimate. The cover artwork, by Marja de Sanctis, depicts a vase sculpture made of unfired clay. Created and photographed by herself, it reflects lights and shadows of fragility. The rawness of the material mirrors the purity and the delicate nature of the improvised duet’s performance. Daniel Castrejón’s design responds to the image transforming the shape of the vase into lines and empty spaces. His typography on the vinyl jacket features a spot varnish, creating a tactile reflection.

Through these joint pieces, Mogard and Irisarri have created a work that encapsulates the dichotomy inherent in its title: impossibly distant, impossibly close.

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Impossibly Distant, Impossibly Close Dark Green Vinyl Edition

LP | 2024 | EU | Original (Black Knoll Editions)

32,99 €*

Abul Mogard & Rafael Anton Irisarri

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Impossibly Distant, Impossibly Close Yellow Green Vinyl Edition

LP | 2024 | EU | Original (Black Knoll Editions)

31,34 €* 32,99 € -5%

LP | 2024 | UK | Original (Miniera)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Ac-893

Supercalideepstate

11,99 €* 19,99 € -40%

Tape | 2022 | EU | Original (Sucata Tapes)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"supercalideepstate encapsulates the transformative power of music born from deep introspection and a heightened state of consciousness. Composed over the course of may and june 2022 in the heart of an Iraq base camp. These four tracks emerged as a result of intense meditation sessions, fueled by inspiration and a profound connection to inner peace.

The creative process was marked by an unshakable sense of flow, as if the music itself were a channel for the artist's heightened awareness.

The resulting tracks are a mesmerizing blend of ambient, experimental, and electronic sounds. Each composition is an invitation to explore altered states of consciousness, with the music serving as a portal to uncharted territories of the mind. The album offers a glimpse into Andrea's inner world, where sound, inspiration, and introspection create a deeply moving and spiritually enriching musical journey."

Vinyl Pressing by AFG Media Company. Produced and mixed by Andrea Carolini. Mastered by MaSpaventi Studio. Graphic Project by Studio Natale.

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ACA

Grillito

12,99 €*

LP | 2019 | EU | Original (Vlek)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Andean inspired home recordings from Tomás Tello - solo and with friends. ACA (roughly translated as right here) is a new project by Tomás Tello enabling him to collaborate with whoever crosses his paths creating a truly mystifying journey of highland mysticism crossed with late night bonfire jams, whichever way you look at it Tello keeps the South American experimentalism torch flying high above in the starry sky. Tomás had this to say about the album: ‘’Where I live the crickets never stop chirping… and during quarantine they kept going and going and going … Grillito (small cricket in Spanish) was recorded in Tavira, Portugal between 2019 and 2020 in various impromptu sessions. Side A begins, appropriately, with the theme Grillito ... the opening is inspired by the music of the Sikuris. Next comes Yarabits, recorded with Raul Jardín and Aya. I recorded the rest of the side by myself including some field recordings of the Quelccaya glaciar in Cuzco, Peru. Side B extends the concept to its illogical conclusion with an infinity mix between the Quelccaya recordings and various songs that I recorded with Daniel Llermaly on bass and a Nintendo making simple beats...I also decided to include an homemade cover of Olas de Verano by Los Pakines and a cumbia samba by Juaneco y su combo. Eventually the album peaks with a long section I recorded with Laura Robles using the Cajón... I mixed those recordings with others of the Pacific Ocean spray in Lima. It’s really nice to have this music committed to tape because when I started playing music it was with Laura Robles, so it's really special to have recorded this! Grillito, for me, is a displacement between different memories and fantasies that appear when I remember traveling on Peruvian roads... each theme is like looking through a window on a bus...you sleep and wake up and you are in another type of territory...in the desert...in the highlands....in the city... in a small town ... next to the sea … inside your memory... these are long, long trips ... The little crickets are there to remind us that we are not alone... a nature musical gift. ‘’

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Accident Du Travail

Live At Café Oto

18,99 €*

Tape | 2022 | UK | Original (Possible Motive)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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We fell in love with their album on Trilogy Tapes and after a coincidental (or not) meeting in Brussels, our 29th release and first ever live album slowly took shape. Recorded in the mythical London Cafe OTO in 2016, the outfit of Julie Normal and Olivier Demeaux explores a beautiful path of arrhythmic music, subaquatic sounds and celestial zones.

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Accou

Rhyme Nor Reason

12,99 €*

LP | 2022 | UK | Original (Hive Mind)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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There was a time when a person would pick up an instrument to compose yet another song for a loved one. A sad figure humming into a microphone, pronouncing the most basic words and forms to convey quantity, quality, fact, statistics and similar sounds describing pain, loss and sorrow. The human brain would perceive the melody sad and perhaps within herself feel a sense of melancholia.

In another parallel world a new composition would then appear. But not one composed on a wooden built instrument, no, sounds made into structures and tables that would assists the listener into providing an additional context and meaning through digital synthesis and quantised harmonies. But who could really tell if these sounds were real? Or where they just sounds impersonating an idea of something?

Rhyme nor reason is as abstract in its shapes and ideas as it is concrete and elegant in its narratives. A carefully crafted wooden cabinet with an over-whelming amount of different drawers and hidden compartments. Each box storing blissful arrangement; a fluorescent stone, a paper note saying something about lunch, some collectible objects, a forgotten token or perhaps an autograph, all so very vibrant and joyful for its possessor.

Deleted files stored on rapidly rotating platters coated with magnetic material. Small, easy to loose SSD memory cards of recorded corrupt files and digital artefacts. Software engineered compositions trying to grasp the shared belief of an upcoming future, vivid and uncertain; birds, waters and long lost recollections. A release unconcerned with the literal depiction of things from the visible world. At least not for now.

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Acid Mothers Reynolds

Volume 2

Strange Bounty / About Life

Release: 2022 / UK – Original

Genre: Electronic & Dance

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'We are extremely happy to present to you the second volume of the explosive collaboration between two legendary collectives of the ecstatic music underground.

In 2017 Kawabata Makoto and his Acid Mothers Temple embarked on an extensive tour of South America. During the tour they carved out time to record and play shows with Argentine 'disembodied' music provocateurs Reynols and the results of these improvised sessions are a unique and exhilarating leap into the infinite...ecstatic, shamanic, truly free psychedelic music, beyond language and beyond all rational thought.'

"Viva Acid Mothers Reynols!" The Wire

"These are the tunes to get your soul flowing!" Anti: Music Review

"where rock’n’roll meets the outer space" aLive Reports

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Act!

LP | 2022 | EU | Original (Halocline Trance)

12" | 2023 | EU | Original (Telephone Explosion)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Toronto-based musician and producer David Psutka aka ACT! (fka Egyptrixx / Anamai / Ceramic TL) releases his latest project ‘Strange Bounty / About Life’ for his own Halocline Trance imprint.

‘Strange Bounty / About Life’ is Psutka’s debut album proper as ACT! following the release of the “sonic mixtape” ‘Universalist’ in 2018 and the augmented reality soundtrack ‘Grey Matter AR’ in 2021; a series of Snapchat filters created by artist Karen Vanderborght and soundtracked by ACT! which explored the poetic and existential potential of AR and social media.

The new album represents a refinement of aesthetic and compositional ideas that exist across Psutka’s various projects and collaborations. It is a bold blend of new psychedelia braided with ecstatic groove. It’s a collage of physical sound, composition and freeform electronics that is simultaneously original, bold, and balmy whilst retaining a certain timeless familiarity and the obvious, indelible hallmarks of Psutka’s creative vision.

“‘Strange Bounty / About Life’ is in some ways my most refined record. The previous period of solo material was quite experimental and spontaneous, whereas this was written slowly and with more intentionality, and as a result, feels very clarified. Robin Dann of Bernice, and Alanna Stuart of Bonjay both contributed lovely vocal work to the record and it was written and performed primarily on guitar. I think it is fair to call this an 'experimental guitar record'.” David Psutka (ACT!)

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Active Suprlus

Mirroring

Actress X London Contemporary Orchestra

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Since stepping into the overflow of coastal dance music currents with a remarkable liquidity of buoyant basslines and undulating rhythms, Active Surplus have stripped back and refined their process. The duo’s lush, singular sound has undergone vaporization. And where there is vapour, there is heat.

The compositions on Mirroring have a subliminal quality. It is as though new elements and sections simply develop out of the ether while the listener is entranced by the interplay of percussion and arpeggiator that defines the first side of the album. They say a watched pot never boils.

The rolling simmer of the album’s first half reaches peak percolation in the midst of Emote Control’s spritely electro shuffle. Even at this energetic height, AS are unafraid to demonstrate masterful restraint, dropping everything out but the drums before we finally hear the bassline for the first time at the 3min mark. It’s the group’s matured sensibility for pacing that begets the hypnotic euphoria abundant on Mirroring.

Cerulean Blue initiates the meditative condensation phase of Mirroring. Rhythms remain propulsive under luxuriating pads which feel like a contemplation on the water’s surface, to which molecules begin to reintegrate. Layers of shimmering synth reflect like sun droplets off the crystalline plane of Silencer while a gentle tide pulses. Docking listeners with a sense of closure, Slow Horizon delivers on its title in mood and atmosphere.

Mirroring is a beautifully contained work from a duo whose musical identity has clarified through intention and ritual. Active Surplus craft compositions that leave space for listeners to be in the room with them as they create. Because mirroring, in essence, is a form of relating.

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Audio Track 5

12" | 2017 | UK | Original (NinjaTune)

13,99 €*

2LP | 2022 | EU | Original (Apollo)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Producer Darren Cunningham aka Actress, joined by the London Contemporary Orchestra, premiere new material as well as expanded arrangements of their dark and brooding electronica. Showcased last year at The Barbican Centre London and Strelka Institute Moscow and in conjunction with Boiler Room this 12” release named simply ‘Audio Track 5’ serves as an introduction to a larger body which will be released on Ninja Tune and Boiler Room TV as both a Long Player and performance piece in Autumn 2017.

Over a decade of releases Cunningham has built a reputation as a fine creator of cerebral abstract techno, or R&B concrète, crafting pulsing kickdrums, jittering percussion and chopped sample loops into churning, rumbling tracks soaked in static. But he has also been on record saying he wants to make ‘classical stuff for a modern generation’.

In this new collaboration, commissioned and curated by Boiler Room and the London Contemporary Orchestra with support from Arts Council England, the London Contemporary Orchestra bring a new dimension to Cunningham’s choice of sounds. With the producer in effect using them as a new instrument, matching his electronic loops with precise manipulation of their acoustic instruments, together they form a heightened kind of chamber music.

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Ada Kaleh

Nodus Tollens

28,99 €*

3LP | 2024 | UK | Original (181.0)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Romanian composer and DJ, Ada Kaleh, reveals a more intricate and textured side to his compositional dexterity, releasing a new album ‘Nodus Tollens’ on the legendary ambient label, Apollo Records.

Composed and recorded between 2010 and 2020, ‘Nodus Tollens’ finds Ada Kaleh departing from the confines of minimal house and techno, and instead exploring the many facets of ambient electronica and minimalism. Drawing inspiration from minimalist artists such as Steve Reich and Terry Riley, four expansive compositions are offered up, each one transcending the boundaries of dance music dogma, and focusing on natural free-form rhythms; meditative and healing frequencies intertwine with special textures, resulting in soothing psychedelia.

Questioning the linear nature of time, each production guides the listener though whirling soundscapes, DMT realms and time loops, creating an aural safe space in which to explore. Propelled by a passion for 60’s & 70’s spiritual jazz, afro-beats and other psychedelic inducing textures, Ada Kaleh describes these musical endeavours as Quantum Techno.

Across two slabs of 12” vinyl, and four distinct passages and states of time (Future, Past, Present and Entropy), ‘Nodus Tollens’ is a seamless listening experience that heralds the development of the composer’s musical journey, which has to date afforded magnetic releases for labels like Dialogue, Rawax, R&S Records and his very own Ada Kaleh Romania imprint. Sleeve artwork on thew album comes courtesy of the super talented artist Anca Popa, now based in Cape Town after a move from her native Romania.

‘Nodus Tollens’ by Ada Kaleh is available on Apollo Records from 25th March 2022.

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Adam F

Colours Revisited

59,99 €*

CD | 2024 | UK | Original (181.0)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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‘Colours Revisited’ is a revision of Adam F’s Mobo Award-winning 1997 debut album, showcasing a rebirth of his groundbreaking work. With restored vintage instruments and new collaborations with UK jazz legends, Adam F recreates his classic tracks. This 2cd/3lp release includes reworked versions of hits like "Metropolis" and "Music In My Mind" and features contributions from vocalists like Kirsty Hawkshaw and the late MC Conrad, adding fresh life to the original material. The album seamlessly blends live instrumentation with 80s British electronica and jazz fusion, making it a must-have for drum & bass and electronic music fans. A free download card accompanies the vinyl releases, offering additional remixes and exclusive digital tracks.

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Adam F

Colours Revisited

17,99 €*

Colours Revisited Red Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Adam F

3LP | 2024 | UK | Original (181.0)

62,99 €*

12" | 2020 | EU | Original (Second Circle)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Adam Oko

Diet Of Germs

Eleven Fugues For Sodium Pentothal

Release: 2020 / EU – Original

Genre: Electronic & Dance

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SC016 sees the re-issue of four tracks taken from a little known cassette only release ‘Diet Of Germs’ by British artist and friend Adam Oko. Originally released in 2015 on the now defunct Astro:Dynamics label the four tracks were recorded in Adam’s bedroom studio overlooking Clissold Park in Stoke Newington, London.
Now based in Tokyo but having spent most of his life living between London & Canterbury, as well as producing music and running a regular radio show on NTS radio, Adam also makes mixed media artwork and designs installations & interiors.
All instruments on ‘Diet Of Germs’ were performed by Adam himself except the solo on Suketo which was played by Raven Bush - Kate Bush’s nephew & was actually recorded in Kate’s old studio in South London.

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Adam Wiltzie

LP | 2024 | UK | Original (Kranky)

33,24 €* 34,99 € -5%

LP | 2023 | EU | Original (Mappa Editions)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The latest suite by composer (and Stars Of The Lid co-founder) Adam Wiltzie took shape following a move north from Brussels into the Flemish countryside, although it was initially inspired by a recurring dream wherein “if someone listened to the music I created, then they would die.”

The album uniquely evokes and evades the allure of oblivion, keening between beauty and ruin, forever unresolved. Wiltzie cites the barbiturate of the title as both muse and sacred escape: “When you are sitting face forward on the daily emotional meat grinder of life, I always wished I could have some, so I could just fall asleep automatically and the feeling would not be there anymore.”

Recorded at Wilzie’s home studio, with strings added in Budapest at the old Hungarian National radio facility (Magyar Radio), the tracks feel simultaneously intimate and infinite, unfolding vistas glimpsed in an inner space.

Robert Hampson of English drone rock icons Loop mixed the album, further lending the music a sense of cinematic expanse and oblique hypnosis.

These are fugue states as much as fugues in a literal classical music sense—smeared epiphanies of uncertain memory and spatial dislocation, coaxed from the unconscious and set aloft.

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Adela Mede

Ne Lépj A Virágra

LP | 2023 | UK | Original (Warm Winters Ltd.)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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A year and a half has passed since Slovak-Hungarian artist Adela Mede self-released her debut album ‘Szabadság’. Its liner notes described it as “a navigation”, a search through “the personal, familial, cultural, folkloric and geographic of her past and present.” Her second album, ‘Ne Lépj a Virágra’ no longer searches; here, she puts down roots and delves deeper into the earthy reality of her home, Central Europe. Mede sings in three languages with newfound conviction and grace – this is an album of profound faith and confidence in the potential of this fertile soil.

Composed and recorded during the last 18 months in Bratislava, Slovakia – a city where three countries meet, where the East and the West collide – 'Ne Lépj a Virárga' translates to “don't step on the flower”. Its themes – budding potential, recognizing the beauty in the ordinary, solidarity, turning despair into hope – emerged through Mede's wholehearted involvement with her community, teaching singing to both children and adults, and various grassroots volunteering initiatives. It features collaborations with local artists, Mede's singing students, as well as fellow Eastern European contemporary artists Martyna Basta and Wojciech Rusin.

Adela Mede embellishes carefully crafted songs with minimalist and folklore influences, but also embraces more experimental approaches. The result is a collection of quite varied yet consistent pieces which highlight Mede's proficiency as a singer, arranger, producer and improviser. It is a grounded, confident next step for the Bratislava-based artist. Whether her vocals are naked, heavily processed, warped and reversed, or looped and layered; whether the production is sparse and minimalist or overwhelming and swampy; none of that changes the fact that the gentle tentativeness of her debut is gone. This is “Central European music”, at its most striking and meaningful: patient, determined, embracing both complexity and possibility.

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Adela Mede

Ne Lépj A Virágra

LP | 2023 | UK | Original (Night School)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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A year and a half has passed since Slovak-Hungarian artist Adela Mede self-released her debut album 'Szabadság'. Its liner notes described it as "a navigation", a search through "the personal, familial, cultural, folkloric and geographic of her past and present." Her second album, 'Ne Lépj a Virágra' no longer searches; here, she puts down roots and delves deeper into the earthy reality of her home, Central Europe. Mede sings in three languages with newfound conviction and grace – this is an album of profound faith and confidence in the potential of this fertile soil.
Composed and recorded during the last 18 months in Bratislava, Slovakia – a city where three countries meet, where the East and the West collide – 'Ne Lépj a Virárga' translates to "don't step on the flower". Its themes – budding potential, recognizing the beauty in the ordinary, solidarity, turning despair into hope – emerged through Mede's wholehearted involvement with her community, teaching singing to both children and adults, and various grassroots volunteering initiatives. It features collaborations with local artists, Mede's singing students, as well as fellow Eastern European contemporary artists Martyna Basta and Wojciech Rusin.
Adela Mede embellishes carefully crafted songs with minimalist and folklore influences, but also embraces more experimental approaches. The result is a collection of quite varied yet consistent pieces which highlight Mede's proficiency as a singer, arranger, producer and improviser. It is a grounded, confident next step for the Bratislava-based artist. Whether her vocals are naked, heavily processed, warped and reversed, or looped and layered; whether the production is sparse and minimalist or overwhelming and swampy; none of that changes the fact that the gentle tentativeness of her debut is gone. This is "Central European music", at its most striking and meaningful: patient, determined, embracing both complexity and possibility.
---
Adela Mede is a Slovak-Hungarian artist who self-released her debut album Szabadság in early 2022 to critical acclaim. The album received glowing reviews in The Wire, The Quietus and Dazed, airplay on NTS, Resonance FM and BBC Radio 6, and was featured in The Quietus' Best albums from Central and Eastern Europe of 2022. Adela Mede has shared bills with artists such as Lucrecia Dalt, claire rousay, Dialect (UK tour) or Grand River in recent months and continues to perform and create site-specific sonic interventions.

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Adela Mede

Szabadsag

23,99 €*

LP | 2021 | EU | Original (Divisi62)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Slovak-Hungarian musician Adela Mede explores the interplay between voice and technology with field recordings. She sings in three languages (Slovak, Hungarian and English). Intimate ambient utterances with themes of spiritual growth accompanied by experimental electronics with a wide scope of influences; from minimalism to folklore. Initially released in early 2022 to universal acclaim on digital and cassette, Night School is extremely excited to share Szabadság on vinyl. Mastered by Rupert Clervaux for vinyl, the clearer format teases out new nuances in the music, revealing a physicality and permanence to Mede’s first masterwork. "Szabadság is a navigation. This debut by Adela Mede, recorded in her family home on the Slovakian border with Hungary, searches through the personal, familial, cultural, folkloric and geographic of her past and present. Examining both the vulnerability and determination of her voice - as it leaves the lips, raw, and in the ways it can be transformed with digital processing - the embodied memories of language, of utterance, are explored. Airy, open sound worlds and tentative strings of improvised naked vocal transform themselves into insistent repetition. Fizzing, sparkling electronics are set against the beautiful grainy depth of field recordings. The locations, these places, are found and lost - home is found and lost - in a dance of fragmented vocal harmonies. Three languages (English, Hungarian, Slovak) weave a song of spring, nature, forgiveness, togetherness and rebirth.” – words by Lisa Busby “Ostensibly speaking, Szabadság, the debut album from Adela Mede, is an avant-garde/experimental composition record with a deep interest in voice. Peel back the layers, and it’s also an art-pop record that reaches for the stars.” - Dazed “The vocals on Szabadság navigate between three languages: Hungarian, Slovak, and English. But the melancholy inflexion in her voice transcends meanings, words, and linguistic systems across any borders.” - The Quietus “It’s an exploration of what it means to find home across different countries, cities and languages, revelling in the dis/comfort of a life stretched across borders” - The Wire

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Adhianto Aryo

Sintaksis

Do You Want To Sit On The Green?

Release: 2021 / EU – Original

Genre: Electronic & Dance

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In ‘Syntactic Structures’ (1957), Noam Chomsky argues that language is unlike behavior, but is instead closer to the physical attributes of us humans. In short, once language penetrates the constellations of our physique, then it could be theoritized as empirical. Chomsky concluded that the human consciousness (at least in the syntactic context), is rather like a pendulum between two opposite poles: structural and creative. Its nature is generative and transformative. Free in metaphysical terms, yet bound by the natural laws of physics. Though abstract and speculative, this idea serves as the point of embarkation for the creation of ‘Sintaksis’ by artist Aryo Adhianto. Grounded by a set of rudimentary rules and minimal orchestration, each composition stretches skeletal rhythmic clauses into free-flowing pulses and timbres. Such is the process of untangling the clot of negative energy present within the artist as an individual, simultaneously governed by ‘feel’ and performative aspects. Despite the inward, expressionistic nature of ‘Sintaksis’, its diction is a direct bi-product of external factors. The accumulated distress and volatility that have become the fabric of normalcy in Jakarta urban conditions are present here in fluctuating sonic forms. This chaotic disposition questions the battle of narratives and the paradigm of the individual’s function in society while treading the path of a broad musical heritage with agility and virtuosic qualities.

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Admiral

LP | 2020 | EU | Original (Wandering Eye)

2LP | 2024 | UK | Original (Spare Thought)

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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After five years from "Cash On The Line" Admiral returns with some hot served distillate of his sweet psychedelic bliss. Admiral takes us on an acid soaked journey through the many realms of consciousness offering a unique and alluring soundscape that defies traditional boundaries."Do You Want To Sit On The Green" sounds like library music coming from a parallel universe where the familiar and the surreal seamlessly blend to create a musical tapestry that is both nostalgic and avant-garde.

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Adult Jazz

So Sorry, So Slow

30,39 €* 31,99 € -5%

12" | 1993 | EU | Original (WEA)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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London-based four-piece Adult Jazz announce their first full-length album in a decade, So Sorry So Slow, out 26 April 2024 via Spare Thought. Alongside the announcement comes lovesick new single ‘Suffer One’ featuring Owen Pallett, a cautious excavation of self and sexuality, clambering across a gorgeously shapeshifting, filmic five-minutes.

Containing some of the band’s most abrasive but gentle, beautiful and melismatic work to date, So Sorry So Slow has many defining characteristics: romance, panic, devotion and remorse, threaded together by an intentionally laser-focused love. It’s deeply personal, bruised and candid in its expressions of tenderness, and deeply pained in its concurrent reflections of ecological regret. Across its hour-long runtime, a delicate, frenetic energy and glacial heaviness coexist, the band pitting those paces against one another. In their richly experimental timbre, dancing strings and fluttering falsettos prang against a bed of brass drones like a wounded bird.

“We started writing in 2017 and began recording in 2018,” says vocalist Harry Burgess. “We genuinely thought it might be finished in 2018! But things kept developing and, having resolutely not struck while the iron was hot, there was no real external push to rush things after that, so we just kept letting things shift and unfold until it felt right. Listening back to my voice notes it’s nice to notice that there are fragments of ideas from the whole period 2017-2023 which have shaped the record.”

Recorded in bursts at studios across London and in the band members’ flats, at Konk, on the Isle of Wight and in Sussex, So Sorry is unambiguous in its evolution. Sonically, there are sparks of the arrhythmic brightness that afforded the band’s critically acclaimed debut album Gist Is its cult adoration, for fans of Arthur Russell and Meredith Monk, but with a blossoming, melancholic darkness often overhead. Piano sprees and luscious string sections appear like low-hanging stars on a night-time drive, whilst plunging vocal distortions and humming brass loops resurrect heavy limbs in a bad dream.

“I usually have objects as kind of totems for ideas,” explains Burgess. “The album initially started out to do with performance… [the totem] was a head mic, one of the subtle skin-tone ones, discreet on the forehead of a West End star. A number of the first songs in their original forms were almost musical theatre piano ballads. I think that was really a device to write about my life as the ‘main character’ (pre internet-speak reframing): regrets about romance, relationships - unsustainable relationships with the self and others.”

“However, once we started writing, the ideas about unsustainable personal relationships, loving unevenly and heartbreak conflated with a more expressly ecological regret. Like contending with big feelings of loss, endings, beauty, desolation, and with how much joy the earth contains in it. Feeling so much gratitude bound up in waves of sadness. Maybe witnessing a slow-motion goodbye to all that, or its last gasps. I love the earth and the life it supports so much. I love how ecosystems fit together - even the brutal stuff. It may be basic to say, but now is the time to be laser focused on that love. I was thinking about human centrality on earth, us as the ‘main character’, the way that is served by faith and romanticism, and the subsequent disingenuous understandings of our position in the ecosystem, as only stewards somehow, rather than subjects. The totems at this point: a herald’s horn, lorry inner tubes, archaeological tools. I guess from doom, industry, history respectively.”

“Now I would say the record is about gripping. Totems being: crampons, rope, drips, desalination equipment, accruing various survival tech. I think gripping sums up both of the threads. There’s the emotionally correct clinging to the earth that is the substrate of everything we value, or the delusional clinging to our imagined dominant position. But also the practical, technological aspects of creating a sustainable relationship, of remaining here. Then I think of romance again.”

So Sorry So Slow comes out 26th April 2024 on Spare Thought, mixed by Fabian Prynn at 4AD Studios and mastered by Alex Wharton at Abbey Road.

Adult Jazz is Harry Burgess, Tim Slater, Steven Wells and Tom Howe.

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Adventures Of Stevie V.

Push 2 The Limit

3,99 €*

Release: 1993 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Aestum Purple Vinyl Edition

Aestum

LP | 2021 | EU | Original (AMMXX)

In A World Full Of Dreams, Huh? Splatter Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Aestum’s self-titled debut album is an in-depth journey into supreme and tranceformative soundscapes. Oscillating around the apex of spacious power ambient and drone, the compositions recorded during 2020 combine monolithic electronica with decaying fantasies and slow-motion euphoria.

The imagination for the album was inspired by the idea of panortosia (universal reform) as described in old scholar books devoted to inter-communication and sacrosanct harmonies in order to find a way into divine temple and shining lux (eternal light). From sonic perspective Aestum created a juxtaposition between warped atmospheres and distant remnants for a state of trance, a multiverse vision of feeling that was evoked by timeless parties and almost religious peak-time club anthems during end of 90’s and 00’s when Aestum as a duo of young friends were entering dancefloors across Europe. With this attitude every composition - often accompanied with dreamy messages and heavenly choirs of Dutch vocalist Bobbie 0rkid - marks its own emotional landscape and reaches new enigmatic spheres.

Influenced by this concept a New York based multidisciplinary artist Emma Pryde created visuals for the album - not just the cover where the story of panartosia is being told across the front and back cover, but also transformative videos for tracks Panortosia and Himmel. Using pure elements like heaven or meadows on the base, she added layers of imagery from sci-fi effects to more ancient and religious images, warping and blending into each other, leading into a fantasy that represents the past and future, and gives a meaningful hope.

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Aexhy

12" | 2024 | EU | Original (Deestricted)

LP | 2023 | EU | Original (Laut & Luise)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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This ambitious production represents Aexhy's vision of a dazzling state of modern hardcore - literally a world full of dreams. Enter this unique adventure and discover the intricate 'heart-core' futuristic interpretation of new rave-style music. The concept features Laze and H369, with additional remixes by Paul Seul, PAX, and vp allowed, making the project even more brilliant and valuable.

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AFAR

The Refuge

A Trip To Bolgatanga Limited Pink Vinyl Edition Poster

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Afar is a Berlin based music duo consisting of Elena on vocals and guitar, and Joseph on synthesizers and live hardware. Their forthcoming album stems from the misty heights of the pyrenees, hidden and sheltered within thick, old walls. The whole album was written and recorded in four winter weeks. An intense and demanding period, yet liberating and empowering. »The Refuge« is the collection of stories, the process of it is a story on its own. All tracks are touching, drifting, driving. Soft and raw voices meet between rough synthesizer lines. The result ranges from powerful breakouts to fragile moments. Honest and vulnerable, bold and brave: A true journey, a real refuge.

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African Head Charge

LP | 2024 | UK | Original (On-U Sound)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Feel The Night / Foxy Lady Record Store Day 2021 Edition

Afrika

7" | 2021 | JP | Reissue

2LP | 2022 | EU | Original (Kompakt)

Release: 2021 / JP – Reissue

Genre: Electronic & Dance

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Record Store Day Japan 2021 release. The world’s first 7-inch reissue from the only LP by the funk band AFRIKA formed in Osaka in 1981!

The album “FUNK CITY” released in 1985, which is popular among domestic and foreign funk-boogie enthusiasts, is a unique work that Japanese people are closest to US funk music at that time.

Under the supervision of the project Tokyo Condition by DJ Notoya, two songs, “Feel The Night”, a boogie track with undulating bass and cutting, and “Foxy Lady”, an electro-funk with a cool development in the second half, are selected from the album and are 7 inches. ·release. 8ronix remastering.

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Agents Of Time

Universo

30,99 €*

CD | 2022 | EU | Original (Kompakt)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Das italienische Duo Agents Of Time war in den letzten Jahren unglaublich fleißig, von der Veröffentlichung einer Reihe klassischer Singles - darunter ihre jüngster Beitrag für Afterlife, "The Mirage", der mehr als fünf Millionen Aufrufe auf Instagram erhielt - bis hin zum Remix von The Weeknds "Take My Breath", der auf dessen aktuellen Album “Dawn FM (Alternative World)” erschien. Aber die bahnbrechendeste Neuigkeit ist erst jetzt endlich da - ihr zweites Album "Universo" ist fertig! “Universo" verbindet ihr Markenzeichen, melodischen Techno, mit einer besonderen Pop-Haltung und findet nach der EP "Music Made Paradise 2020" sein ideales Zuhause bei Kompakt. Eine Seelenverwandtschaft, die absolut Sinn macht.

Andrea Di Ceglie und Luigi Tutolo, die beiden Mitglieder von Agents Of Time, nutzten die Zeit während der Pandemie, um an "Universo" zu arbeiten, einem Album, das lose um ihr "persönliches Universum" herum konzipiert ist, eine Manifestation der Welt, die Di Ceglie und Tutolo in und um ihr Studio herum aufgebaut haben. Das macht den besonderen Glanz und die strahlende Helligkeit von "Universo" aus - es strotzt nur so von Persönlichkeit, Elan und Kraft, das Duo experimentiert mit Musik und erkundet auch noch deren entfernteste Ecken. Wer bei "Universo" nur ein weiteres Album mit melodischem Techno erwartet, wird angenehm überrascht sein - hier ist viel mehr los, und alles ist gleichermaßen spannend.

Nach einer poetischen Eröffnungsgeste - dem wirbelnden, synästhetischen, selbstbetitelten Intro-Track - werden mit dem 2-Step-Pop von “Fallin” alle Erwartungen sofort über den Haufen geworfen. Mit sanfter Klarheit von Gastsängerin Audrey Janssens gesungen, ist “Fallin” ein Traum von einem Song, der an die großen Zeiten von UK-Garage in den frühen 00er Jahre erinnert. "Interstellar Cowboy" ist ein selbstbewusstes, geschmeidig über den Laufsteg stolzierender Disco-Track; das sanfte Moll-Klavier von "Liquid Fantasy" entwickelt sich zu einem wunderbar melancholischen Techno-Pop-Epos, mit Vicky Who?’s Stimme voller Sehnsucht . Danach taucht auch Janssens Gesang auf dem Elektro-Wirbel von "Poison" wieder auf; "Dream Vision" greift die Single "The Mirage" auf, sanft und mit schwungvollen Streichern, voller Dramatik; "Part Of Life" dagegen ist ein echter Schaffel-Stomp.

All der Abwechslungsreichtum lässt eher tanzflächenorientierte Tracks wie "Ciao" noch deutlicher hervortreten - sie wirken noch entschlossener, stromlinienförmiger und dennoch reich an Details, pluckernde, Moroder-eske Bässe treffen auf stroboskopisch blitzende Synths, von denen aus die Melodien ins Firmament schießen. “Universo” fühlt sich textlich dicht an, aber es atmet trotzdem, seine Klänge sind so greifbar, dass man sie anfassen möchte, seine Melodien so verführerisch, dass man sie nicht mehr aus dem Kopf bekommt. “Universo” ist ein wunderschönes, mutiges Album, ein perfekter Treffpunkt von Pop-Melodien und stilvollem Techno: Agents Of Time in excelsis.

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Agents Of Time

Universo

LP | 2020 | UK | Original

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Agile Experiments

Tiatoma

LP | 2023 | EU | Original (Vaagner)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Tiatoma' is a compound latinised spelling of 'τι άτομα' [ti = what? • atoma = atoms/people], a Greek expression which is colloquially used for multiple purposes to show one is impressed, unimpressed or even surprised by people's behaviour. Its interpretation is dependent on the tone with which it's delivered.

The sounds on this record were unravelled by three individual groups of conglomerate atom particles currently experiencing 'life' as a correlational passage of time and space in human format. All this within the limited boundaries of our understanding. These beings came together to experience, express and document sentiments and reactive happenings within real moments spent in the same space interacting through sound.

Saber Rider and Dimitris Foken first met Dave De Rose during Fengaros Music Village (Cyprus, 2014) where he was tutoring a workshop. Unpredictably these grown up youngsters would be there for him to share both friendship and musical exhilaration as Agile Experiments embarked on the making of 'Athens' (Jan/Feb 2019). Together this trio amassed enough outstanding material to feature not only on the Ddr012 release but also to present here another whole batch of extremely lit and unique sounds from the sessions in the Greek capital.

Rider and Foken, who'd already been making fantastic music of their own, were particularly impressive with their use of on-the-fly sampling into lo-fi vintage synths, loop mangling, drone ambience, space, tone, lyrical melodies and precious noise. We are extremely lucky to be able to feature their uncompromising original sound on this release.

We hope that you will truly enjoy these minutes of off-the-cuff cooperative creativity. In good faith and love for people and music, Agile Experiments

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Aging

Reworks (Rewoven)

2LP | 2021 | EU | Original (Sapiens)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Whisky soaked, nocturnal, brooding. Aging’s album »Troubles? I Got A Bartender« was a noteworthy, film-noir infused suite that quietly slipped out on cassette in 2015 by a then budding Manchester avant-jazz ensemble, led by David McLean. In 2020, amidst the pandemic’s tempest and winter's gloom, the idea manifested of showcasing McLean’s slow burning, wistful soirée in a new light via a curated effort by Berlin’s Vaagner label, which invited a series of hand-picked artist to rework selected compositions from the album, rendering its mournful, smoke-tinged resonances into new shapes. Its result is »Reworks (Rewoven)«, and it presents 6 new interpretations by 5 artists. These range from ruminating, tape smudged ambient works interlaced with sublime acoustic strums by fellow Manchester musicians The Humble Bee and Tape Loop Orchestra, to poignant steel guitar renditions by Nashville based Kelby Clark. Furthermore, Barcelona based Dania and London based Laila Sakini, each present pieces that draw the listener into opaque realms harbored by swooning reverie and eerie, glistening prophecy. Carefully assembled across two sides of vinyl, McLean’s penchant for hard-boiled detective novels, vintage Japanese crime flicks and film noir iconography have a continued lurking presence in the reworks, yet the new pieces each add a modern facet to the original’s cinematic narrative, its morose and sulky mood now opening into new avenues of interpretation. And whilst some artists have chosen to dive further into the themes of contentious ambivalence and pensive solitude, others have sought to slightly lift the haze, stirring up melodies tinged with a sense of hope, hinting at times, towards instants of poise and vivacity. In the end this leaves us with a new body of work that manages to feel poignant in its complexity whilst remaining dissonant and elusive in its renditions, hinting at a modern day existence even more opaque, intricate and convoluted than the film noir classics of old might have pictured the world.

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Agoria

.dev

28,99 €*

LP | 2022 | EU | Original (Space Echo)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Agoria’s ‘.dev’ album saw the French polymath known for his forays into visual arts and tech, as well as electronic music production and DJing, deliver a project that dropped on vinyl, digital formats, and an AI player created by Arca and Jai Paul collaborators Bronze.

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Agosta

LP | 2024 | EU | Original (Space Echo)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Roberto Agosta, or just Agosta as he likes to be called, is a Sicilian DJ and producer from Catania active all along the eastern coast of Sicily, a place that proved to be a soulful place and a training ground for a long career, making him an excellent music selector and a reference point in the spread of alternative music. A soundtrack music enthusiast since he was a child, now a vinyl "serial gathere", Agosta has always put his vast knowledge at the service of a very personal sound that sums many different music styles and contaminations, simple and profound but straightforward and direct at the same time. Agosta’s eponymous album, released on LP, CD and digital formats, was conceived during the Covid-19 lockdown, thanks to the precious collaboration of friend DJ and producer Massimo Napoli aka Galathea, with whom Roberto has already started another project called An-an that will produce a new record for Space Echo at the end of 2022. This record highlights a typical chill-out aesthetic, thanks to its trip-hop and ambient rhythms and atmospheres, while a deeper exploration reveals the psychedelic essence of the entire work, a daring and exciting journey in the most primitive Sicily, and the energy that sustains all of its ten tracks. Much of their author and his lifestyle - mainly based on meditation, the search for spiritual elevation, the relationship with nature and the regaining of contact with those particular places and with the people who live there - is revealed by those tracks that constitute a soundtrack for this spiritual but also extremely physical journey. The song titles are, in fact, intrinsically linked to Roberto’s real life: the Gorna and Ilice mountains at the foot of Etna, the Carricante vineyard and its excellent wine, Unna, Three Chestnuts, Varanni, Don Alfio, Lady G. Each of them represents a pleasant and dreamlike narration and the escape from the complex dynamics of a city like Catania, among echoes of the most dreamy Pink Floyd, the softer side of ’70s krautrock, but also the Massive Attack and Tricky’s Bristol scene. There’s also an excellent choice of synthesizers and overdubbed guitars, thanks to the talent of the multifaceted musician and producer Salvo Bruno Dub, and of Manuela Amalfitano, Loredana Poidomani and Deran Obika’s voices. Agosta is an introspective, deep work with a cinematic vocation, perfectly rooted in the territory where it took shape, among sunny landscapes, lush with vegetation but also deserted and arid lands. From Sicily to the cosmos... enjoy!

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Agosta

Reworks And Remixes

26,99 €*

LP | 2020 | EU | Original (Black Sweat)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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One year after his surprising debut, Agosta, the Catania musician-non-musician and Space Echo Records return to the point with “Reworks and Remixes”. Which from the very title disengages itself from the industrial 'album+remix album' chain and on listening reveals itself to be a record capable of moving, in total autonomy from its antecedent, on three different levels of reading. For, at its base, we would say, there is a much more stimulating idea than the simple compulsion from alternative versions, b-sides and so on. Point 1, transfiguration. Because, contrary to the genre stereotype, the remix mode allows songs to express themselves in creative and experimental ways. Point 2, the Rorschach Test. Because, on those songs, there is the personality, that is, the result of the cross-vision with experience, of the individual producers being measured against itself. Point 3, the stage backdrop. That is, its ability to show a cross-section of the current electronic scene in Etna. Agosta wanted some of the pillars of Catania's black-minded electronic scene with him and, together with them, reinterpreted songs from his first album. The result is a work that is as multifaceted, in terms of the specific weight of the artistic individualities involved, as it is homogeneous, in their idea of a sound that is as physical as it is mental and, above all, in terms of a totally Mediterranean underlying taste with which every single track is imbued. Whether it is the pensive house of “Apple 65” or “Lady G” (Butterfly Agosta's Rework) as much as AN-AN's dub on “Varanni”, between Grace Jones and Adrian Sherwood, or Galathea's more psychedelic and twilight Trip-Hop on “Three Chestnuts”. The Shaft-esque swagger of Salvo Borrelli and Reverend James, the donwnbeat pop of “Cellars” by Go.Soul.Map. and the caress of “Hearing The Call” (Lady G In A Rainy Day Version) by The Invisible Session, in which spoken and what they once called nu jazz flirt. Don’t Miss It!!!!

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Agostino Nirodh Fortini

Suoni Immaginari

LP | 2015 | EU | Original (Denovali)

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Before his prolific activity in the field of music therapy, Agostino Nirodh Fortini also embarked on his own path in electronic music. In the early eighties he was a close collaborator of Walter Maioli and Fred Gales, at the time of the pioneering label Sound Reporters. “Suoni Immaginari”, released only privately on cassette in 1988, contains a wide range of keyboards and lots of ethnic field recordings assembled with an absolutely modern praxis ahead of its time. Nirodh imagines his planetary odysseys as a complex of harmonic devices, nebula storms, glassy explosions and gravity-free falls. His operational horizon reflects further cultural ideas and suggestions; not only the artifice between natural sounds and the programmed machine but also the intrusion of arabesque dreams and jungles contaminated by invading insects and mad pipers. These are spectral symphonies which can have analogies with the fourth world of Hassell and Eno.

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Ah! Kosmos

Bastards

LP | 2018 | EU | Reissue (Compost)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Ah! Kosmos is the moniker of Istanbul-based producer and instrumentalist Basak Günak. Bastards digs deeply into the surface and soon turns that hole into a living space, a home for all. Supporting the likes of Darkside, James Holden, Kiasmos, Two Door Cinema Club, Emika, Daddy G (Massive Attack) in her hometown Istanbul, Ah! Kosmos performed at remarkable festivals as Rock’n Coke, Babylon Soundgarden, Venice Electro Festival, Budapest Punkurica Festival, Piknik Elektronik in Brussels, Tokyo Electronic Music of Arts Festival and CitySonic Festival in Mons.

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Ah! Kosmos

Beautiful Swamp

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2022 | EU | Original (PME)

AHO

Odyssey

32,99 €*

3x12" | 2021 | EU | Original (Abrx)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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AHO, the brainchild of Helsinki producer Matti Ahopelto is a talented composer and producer who makes a unique blend of classical and electronica. Naming the likes of Four Tet and Caribou among his fanbase and having landed huge syncs across advertising and film music including Calvin Klein and Netflix, AHO’s blend of ambient electronic textures with vivid classical instrumentation has seen him make a name for himself as one of the most exciting new artists in the contemporary classical sphere. Creating beautiful and at times experimental soundscapes across his new album ‘Odyssey’, AHO showcases some of his most stunning cinematic and expansive work to date. Combining electronic beauty with open-minded contemporary classical music akin to the likes of Ólafur Arnolds and Jon Hopkins, the new album is a perfect representation of the desire for adventure that AHO pursued while making the album – it’s an odyssey: a journey to where unexpected things happen. Featuring guest artists Karina and Spencer Krug (known from the band Wolf Parade), the album is a shamelessly beautiful and emotional collection of tracks.

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Ahraam

Human, All To Human

23,99 €*

It Could Have Been A Beautiful

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Hailing from Seoul, South Korea, Ahraam of Abrx releases first debut studio LP of its kind: >Human, All Too Human<. Totaling 65 minutes of pure and depthful dramatic musical experience, Ahraams first studio LP includes 10 original tracks that binds his distinctive dramatism and sound-design knowledge.

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Aiko Takahashi

LP | 2023 | FR | Original (IIKKI)

22,99 €*

It Could Have Been A Beautiful

Release: 2023 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover has small seam split.

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Aiko Takahashi

LP | 2023 | EU | Original (IIKKI)

Airglow | Memory Bank (Remixed & Remastered) Splatter Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Aiko T. is a concept, an entity, a ghost that appears only through her own music. Aiko has been publishing in other forms since 2020, but always within the sphere of ambient music. This album was born as a long-lasting sound continuum. It was then cut, stitched together and reassembled to give shape and restore unity from the fragments, in order to have an album that shows its completeness halfway between the titles and the compositions themselves. The music was crafted with laptop and various music devices, analogue and otherwise.

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Airglow

LP | 2018 | US | Reissue (Stratford Ct.)