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Release: 2019 / US – Original

Genre: Electronic & Dance

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Cybernetic Defiance And Orgasm 2: Other Sides Of Henry Kawahara

Henry Kawahara

3CD | 2022 | JP | Original (EM)

39,99 €*

10" | 2021 | EU | Original (Vrystaete)

Release: 2022 / JP – Original

Genre: Electronic & Dance

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This anthology is the second compilation from EM Records of the works of the late Henry Kawahara, a media artist and electronic music producer who was particularly active in the Japanese cyber-occult underground of the 1990s, a scene linked with technologies such as 3D (binaural) recordings, brain machines, sound chairs, computer graphics and compact discs. These tracks, produced 1990-95, include a series of recordings described as “Parallel Data Sounds” and “Sound Lsd”, a “new language system that speaks directly to the cerebrum” using “frequency components that are not perceived by the conscious mind”, reflecting Kawahara’s interest in concepts such as astrology, love mantras, and astral projection. Also here are two pieces featuring dolphin sounds and human brainwave feedback, as well as pieces from a recording unit called H Music De-perception (hmd) and a group called Xiaoyun. The majority of tracks here were not originally released under Kawahara’s name, but this compilation is an essential key to decoding the Henry Kawahara saga, and also an unveiling of the secret we planted in the previous release, "Cybernetic Defiance and Orgasm: Essential Henry Kawahara," which Kawahara himself was involved in selecting before his death.

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Journey Of Taro

Gamelan Sketches

23,99 €*

LP | 2018 | DE | Original (Karl)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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“Gamelan Sketches” are studies in Javanese gamelan and electronic music by Journey of Taro (Adrien L’Honoré Naber). The sketches are based on and are part of a collection of music and ideas finding its origin in travelling to Indonesia for more than a decade. During these travels Adrien L’Honoré Naber studied and recorded the music in this region of the world. Journey of Taro is all about tradition collaborating with technology, where old meets new. Gamelan are traditional gong orchestra’s from South East Asia and are fused by Taro with dancefloor music like dubstep and Sound System culture. When Adrien L’Honoré Naber first started going to Indonesia back in 2008 he went on a mission to make field recordings. As companion during his travels he had a MP3 player with him. At that time MP3 players contained about 512 MB so he had to choose his music very carefully. With Amon Tobin, Digital Mystikz, Vex’d and similar artist locked in his headphones he made field recordings over the course of a year and in his head this music started fusing with Indonesian culture. Taro creates an sonic world where he takes you along on his journey’s around different cultures emphasizing the beauty of collaboration, shaping mystical worlds with hypnotizing atmospheres to immerse into stories based on ancient myths, legends and folklore. This is where a blend of gamelan, dub, soundscapes, exotic rhythms, field recordings and underground bass music come together. Selamat dengar dan bersenang senang.

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Nicolas Wiese

Unrelated

10,39 €* 25,99 € -60%

CD | 2000 | EU | Reissue (Pschent)

Release: 2018 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

A download code is included. #3 in the Periklas series comes from Nicolas Wiese, a Berlin based electronic and audio-visual artist. “Unrelated” is available as handnumbered limited clear vinyl LP in silk-screened sleeve and download. Wiese’s latest effort “Unrelated” contains seven new pieces, constructed from sonic elements of various compositions, audiovisual works, fragments, remixes and experiments from a time span of 6 years, drawn from different contexts and a wide range of international musicians and collaborators.

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Stéphane Pompougnac

Hotel Costes 3/Etage 3

13,99 €*

Release: 2000 / EU – Reissue

Genre: Electronic & Dance

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12" | 2023 | US | Original (Detroit Underground)

Kero, Steph Copeland

Syndrome

13,99 €*

Dave Sharp Worlds With Ndio Sasa

Release: 2023 / US – Original

Genre: Electronic & Dance

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Kero & Steph’s landmark collaboration Syndrome now sees a sumptuous release on vinyl and evocative music video, spinning data into densely layered visual treats. Steph’s coolly ethereal voice and poignant writing drift in harmonies atop the sliced-up, glitched, hard-hitting precision of Kero’s productions. The unforgettable directness of her compositional sense is here, as her long resume of scores and placements would suggest. It finds an urban-technological counterpart in Kero’s frenetic sounds. The DU label boss is in full force straight from the chilling post-pop of the opening titular cut. “Walk in the park” is a production masterwork, punchy organic percussion against grinding bass. “Who am I to complain” is at once arresting and vulnerable with vocals, but still packs an emotional gut-punch in the accompanying instrumental. “Count down from 7” is more stripped down and urgent, melodic hooks propelled by lo-fi rhythmic mechanism’s menace. For the remixes, Oberman Knocks unleashes utter digital destruction - computer memory banks dropped through a wormhole. That thoroughly deconstructs Mtch into composite textures -- and opens “Walk in the Park” to near-unrecognizable, yet somehow danceable mayhem. The new physical and motion elements find a visual language for these sonic strata of imagination and digital construction. From designer Christoph Grünberger, known for his tome The Age of Data: Embracing Algorithms in Art & Design, we get the packed outer sleeve and 2D design. These enshroud a calm-looking Steph in a Shibuya Crossing-style trip inside Defasten’s geometries, opposite a catalog of branching visualizations and glyphs. Defasten, known for his live AV work fusing virtual reality and performance, here explodes faceted 3D cubes, in the cover and further in the music video. These pulsing crystalline hyper-geometries delve into data as expressive medium, shifting and vibrating with the glowing tones and crisp percussive hits of Kero and Steph’s composition. It’s a rare music video that matches the music in intricacy and form - a world that can only exist in virtual space, but that feels as immersively dreamy as the sound score. “Sugar coated fabric … in braided covers” and “silver linings” were never so tempting.

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Nairobi Music

LP | 2020 | KE | Original (Dagoretti)

CD | 1993 | EU | Reissue (WRWTFWW)

Release: 2020 / KE – Original

Genre: Electronic & Dance

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"DAVE SHARP called the Dagoretti Records office one day in September, 2016 asking if he could do a recording session in Nairobi. We naturally told him 'Yes!' not believing he might actually come. Through some twist of fate, Dave came into a handful of money and appeared unannounced in May of 2017. NDIO SASA were available without question. An SMS message was sent out to BOAZ JAGINGO (of KENGE KENGE ORUFU SYSTEM). A positive reply came immediately, time was booked at ADA and we were practicing the next day armed with nothing more than a few riffs and ideas. Dave is a well known professional bass player from Michigan with a heavy, distinctive sound with jazz, Indian, funk and metal influences. Boaz is among the best active musicians in Kenya, playing the orutu, a one stringed, violin like instrument from Western Kenya and singing in a traditional Luo style. KABOGE is an accomplished African percussionist who melds numerous percussion styles from East and West Africa. Alongside him is TOMO TSUKAHARA, percussionist from Japan who has lived in East Africa for nearly a decade. PETE LARSON plays the nyatiti, an eight stringed lyre like instrument from the Lake Victoria region of Kenya and the shamisen from Japan. Rounding out the sound is COLIN CROWLEY, a long time resident of Kenya who plays the American banjo in a Malian clawhammer style typical of the ngoni. This was a truly unique mix of people create a truly unique sound. The sessions for the album were nothing short of magical. Dave has brought in a few simple ideas and made almost no demands on what people played or didn't play. The songs you hear on this record arose organically from the unique combination of people who happened to be in the room on that particular day and would have been possible with no other group of musicians.

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Motohiko Hamase

Anecdote

CD | 2023 | EU | Original (Hive Mind)

Release: 1993 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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WRWTFWW Records is proud to announce the official reissue of Motohiko Hamase’s extremely rare live album Anecdote (recorded in 1987). The album is sourced from original masters and available on vinyl (double LP) for the first time ever as well as on CD. It comes with liner notes from the artist. This marks the sixth release from the ESPLANADE SERIES which focuses on the works of Yoshio Ojima, Motohiko Hamase and Satsuki Shibano. Anecdote was recorded live June 12th 1987 at Spiral Garden (Wacoal Art Center) in Aoyama (Tokyo) as part of the Eat Newsic Concert No.3. Motohiko Hamase on electric fretless bass, synthesizers and computer programming, is accompanied by frequent collaborators Toshio Kaji on acoustic piano and synthesizers, and Yasunori Yamaguchi (of #Notes of Forestry fame) on acoustic percussions. The three-man band improvises around Hamase’s unique repertoire of ambient and electronic music, reinterpreting pieces from his albums Reminiscence, Intaglio, and #Notes of Forestry.

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Seljuk Rustum

Cardboard Castles

Release: 2023 / EU – Original

Genre: Electronic & Dance

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As a musician he plays alto saxophone, guitar, percussion and synthesizer with several bands and an expanding collective of like minded artists. Being a self-taught musician, his sound work is an extension of his visual work and his music is a mixture of joyful noise and simple naive melodies.

Seljuk has performed and recorded with artists such as Otomo Yoshihide, Senyawa, Hada Benedito Mateo, Eiko Ishibashi, Mitsuaki Matsumoto, Pisitakun, Yuen Chee Wai, Dharma, DJ Sniff, Maximilian Glass, Duncan Bruce, Hilary Jeffery and Hayden Chisholm. He has also worked with many theatre practitioners & performance artists in India making music for theatre as well as curating shows & workshops with actors and performers from around India.

The recordings on Cardboard Castles were made at Seljuk's studio in Kochi between 2016 and 2021 and were mostly instant compositions and single take recordings created in collaboration with a number of fellow travellers who've passed through the studio. At the inception of the album's creation Seljuk sought to reflect on what freedom means and what the musical limitations of this are, and how his involvement as a free improviser might project fixed ideas onto a listener. He wanted to use an improvisational approach that focussed on presenting ideas with a beauty inherent in their sound, coalescing these into song form. Cardboard Castles is the resulting album and application of these concepts.

We at Hive Mind feel privileged to have worked with Seljuk to bring you these deeply personal and highly idiosyncratic works which really do defy easy description. Ranging from strange and wonky electronic improvisations, gentle acoustic instrumentals such as the lush opener with the input of the Cochin String Orchestra, through experiments in traditional Indian song, this album will keep you guessing. Everything appears touched with a mischievous sense of playfulness that's maybe reflected in the face of the grinning camel that adorns the sleeve. We're sure you'll agree there's plenty to delight the listener on this strange dream of an album, Seljuk's first to receive a physical release.'

The CD version comes in a gatefold card digisleeve in an edition of 250 copies

Seljuk Rustum: Piano, Synthesizer, Sequencer, Acoustic & Electric Guitar, Saxophone, Voice, Percussion Sekhar Sudhir: Violin on Tracks 5, 7&8, Acoustic Guitar on Track 4, Mandolin & Melodica on Track 3 Akshay Ashokan: Electric Guitar on Track 4 Joffy Chirayath: Drums on Tracks 3 & 10 Cochin String Orchestra: Strings on Track 1 (Thanks to Duncan Roy Bruce)

Produced, Engineered & Mixed by Seljuk Rustum Tracks 9,4 & 8 Edited by Sekhar Sudhir Track 3 voice from the Alan Lomax Archive from recordings made in Kerala in the 1970s to document the Malayam language Track 2 was composed for BUS (a theatre performance Written & Directed by Firoz Khan

Album Art: Unknown Artist (found on the walls near Palayam Market, Kozhikode).

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DFA Compilation #2 Box Set

4LP Box | 2022 | UK | Original (Dfa Records)

110,99 €*

Gu-N (Hidenobu Kaneda, Fumio Kosakai, Ryuichi Nagakubo, Morihide Sawada & Ikuro Takahashi)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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“What could have been a mere anthology of the label's uniformly excellent 2004 output is, additionally, a meticulously assembled personal narrative. This is a label that balances its musical and commercial aspirations with an earthy, no-bullshit disposition and-- let's say it-- the world's best fucking handclaps.” - Nick Sylvester, Pitchfork, in the heady days of 2004.

Behold, Compilation #2. A compendium what are arguably the best prime-era DFA cuts, mostly all recorded and/or remixed at the old DFA Studios on W. 13th Street (with some notable exceptions), released as 12-inches and then compiled onto a 3xCD set for convenience because, at the time, people actually bought CDs more than vinyl.

Now, in the spirit of time not really being much of a linear thing anymore, and for our own selfish desire to have this version of Liquid Liquid’s “Bellhead,” produced by the DFA, finally committed to wax, we have reverse engineered this thing back onto vinyl and presented it as a four-record boxed set.

We went back and found the master tapes or files for each song - a not insignificant effort given our habit of disorganization. We then rather painstakingly resequenced and remastered it with the guy we trust with such things: Bob Weston at Chicago Mastering Service. The lacquers Bob cut were plated and pressed at what we believe to be one of the best pressing plants in the country: QRP in Salina, Kansas.

We tell you all of this to say: we took this shit pretty seriously. Because we felt like it was important and because we felt like some folks would really appreciate it. It sounds remarkable. It looks great. (Rob Carmichael re-did the original packaging, adding a new photo from DFA OG Tim Saccenti from one of the original parties at W. 13th St.) Of course, we somehow can’t stop ourselves from making labeling errors - Pixeltan’s “That’s the Way I Like It” somehow escaped the center labels on the fourth record. It’s kind of the DFA curse. Has to be!

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90s Free-Sound

LP | 2022 | UK | Original (An'archives)

29,99 €*

LP | 2020 | JP | Original (Sakura Wrechords)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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On their latest release, An’archives dives into the past, disinterring a revelatory collection of recordings from Japanese free-sound quintet Gu-N. Formed in 1994 by Fumio Kosakai (Incapacitants, Hijokaidan, C.C.C.C.) and Hidenobu Kaneda (Yuragi), alongside Ikuro Takahashi (Fushitsusha, Kousokuya, LSD March), Ryuichi Nagakubo (C.C.C.C., Yuragi), and Morihide Sawada (Yura Yura Teikoku, Marble Sheep), Gu-N played regularly at Plan-B in Tokyo, but released little during their relatively short time together. Hazy and hypnotic, their laminar improvisations, four of which appear on this untitled album, are compelling, oneiric visions for the ear.

In his liner notes for the album, Michel Henritzi writes that these Gu-N recordings situate the group within a broader trajectory of free improvisation and collective sound within Japan – Taj Mahal Travellers, East Bionic Symphonia, Marginal Consort, each of whom sprung, in many ways, from the radical vision and creativity of Takehisa Kosugi. But there’s a unique spirit here that aligns Gu-N with these predecessors, while also marking out singular territory.

Kosakai’s background in noise, via his participation in Hijokaidan and Incapacitants, can be heard in the unrelenting oscillations and heavyweight drones that purr throughout each of these four tracks. Both Kosakai and Nagakubo were members of C.C.C.C., perhaps the clearest precursors to Gu-N in their psychedelic density, though Gu-N trade in C.C.C.C.’s volcanic energy for a more tempered, sensuous exploration of tone and time. There’s also a brutish element to Gu-N’s improvisations – see the saturated spectrum, rumbling and phasing throughout the album, and the crushing, almost Amon Düül-esque drum tattoos that Takahashi pounds out on the second track (recorded in 1998), punctuating the music from deep inside its hallucinatory murk. Elsewhere, as on the third track (one of three recorded in 1994), Kosakai’s cello scrapes out armfuls of buzz-tone as Sawada’s bouzouki trills out, elastic and vibrant, across spindrift electronics and lung-spun winds.

What’s most impressive here, though, is the way each player, formidable musicians in their own right, defers to the might of the communal and the collective. The quintet broke up in 1998, leaving behind scant recorded evidence – just one, self-titled CD, on Pataphysique, released in 1995. This LP is a most welcome addition to the small but blissful body of recorded work made public by this mysterious quintet of spirit channelers.

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Yximalloo

The West Of Yximalloo 3

12" | 2019 | EU | Original (Life Of Marvin)

Release: 2020 / JP – Original

Genre: Electronic & Dance

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The world as we knew it may have unraveled before our eyes, but one thing remains constant, Yximalloo's singular, twisted musical visions keep coming. Here we all are, counting off The End Of Days with the one consolation, that his third volume is here. No, not The Book Of Revelations, but Yximalloo's self compiled bumper-car / helter skelter ride through his voluminous tape and CDr archive, realised over the last 40 years.

Yximalloo, pronounced Ishimaru, has produced over 70 CDrs & tapes since the early 80s, occasionally working with Sympathy Nervous (Vanity) and Jad Fair (Half Japanese), but mostly within his own universe.

An unknown track of his was released in 2013 by Kompakt, as "Wanted". An unknown artist - they had lost the details of the CD he'd sent them but were compelled to release it anyway. It was the only vinyl release of Yximalloo until "Best Of".

Expect more irreverant dialogue between Yximalloo and his musical menagerie, to ricochet the listener from diy rock to Residents-style ditties, to cranked techno, frenetic lost tribe drum workouts, and all the rest.

No herd immunity here, go West young non-binary, for the West is yet to come...

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Life Of Marvin

In The Night

11,99 €*

LP | 2021 | EU | Original (Disasters By Choice)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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One day, deep in the night, these 3 dudes, walking in the night, decided to meet up the day after in the studio for a session in the night. “In The Night” is the result of that night where everything was recorded in just one take in the night. The night after, talking with Francesco Farfa on the phone while he was hangin in a night club, these guys just asked straight if he was available to do the “In The Night Mix/Version” of “In The Night” by In The Night. The resume is that in just 24 hours “In The Night” was born.

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Pleasure

Saint Albans

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Pleasure is a Sydney based music project that utilizes distorted synths, irregular drum beats and fluid song structures to create energetic and hypnotic pieces that straddle the line of bright and abrasive.The trio is comprised of Adam Connelly (synthesizers + vocals) Jonathan Boulet (bass guitar + fx pedals) and Hugh Deacon (drums). When playing live and on record, their music is improvised and unrehearsed with no laptops or backing tracks. “One of us will introduce an idea and the rest will follow.” Their debut LP Saint Albans, was conceived and recorded in a small farm house in the town of Saint Albans, New South Wales, over 3 days from the 12th to the 14th of October 2019. The building has since burned down in the 2019 Australian Bushfires. “We came away from this session with close to 20 hours of material that we edited down into consumable pieces.” This is the case for all tracks except Brain Waste 191013 which was left intact and unedited. They launched the Australian release of the album by playing a 6 hour endurance set in a warehouse in Sydney’s Inner West. “Our sonic influences seem very obvious but we haven't been called out yet. Mainly Boards of Canada, Black Moth Super Rainbow, Aphex Twin, Fuck Buttons, Blanck Mass and Lightning Bolt.” File Under: Eletronic, Hauntology, GhostBox

"Condensing down a mere 20 (!!!) hours of material recorded unrehearsed and improvised over the course of three days in October of 2k19 into nine tracks of 38 minutes total playtime the project caters a playful, warm take on what might be best described as TripHop / DopeBeat-infused live Electronica with a well organic twist, partially drifting into complex and haunted polyrhythmic territories like in "Be Yourself Harder 191012" with its ever spiralling, captivating low-end and heavy drum explosions or the clearly Dub-infused "Taste Mouth 191013" whereas the dark'ish, nightly "Breathe In 191012" brings associations like Morr Music, Jan Jelinek as well the Moritz Von Oswald Trio to mind" (Nitestylez July, Germany)

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4LP Box | 2018 | UK | Original (Brainfeeder)

Brainfeeder X

47,99 €*

Pour Que Les Fruits Mûrissent Cet Été / Op Acht Paarden Wedden

Release: 2018 / UK – Original

Genre: Hip Hop, Electronic & Dance

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Celebrating ten years of Brainfeeder Records. 4 x 12” LPs in 3mm spined sleeves with printed inners housed in a rigid board box with outer slipcase featuring “Brainfeeder X” laser die cut logo, spot gloss details and obi-style band. Artwork by Charles Munka. Includes MP3 download code.

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Karel Goeyvaerts

LP | 2013 | UK | Reissue (Finders Keepers)

The Transcendence Orchestra

Release: 2013 / UK – Reissue

Genre: Electronic & Dance

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Karel Goeyvaerts was born in Antwerp in 1923.
After having received a humanistic education in Antwerp, he took courses at
the Lemmens Institute in Malines. From 1943 until 1947 he studied at the Royal
Flemish Conservatoire of Antwerp. From 1947 until 1950 he studied composition
with Darius Milhaud, music analysis with Olivier Messiaen and was in addition the
pupil of Maurice Martenot at the “Conservatoire
National” in Paris. In 1949 he was awarded the 2nd Prize for Composition and the
Lili Boulanger Prize at the same Conservatoire. He obtained the Halphen Prize in
1950.
During the winter of 1950-51, he wrote the “Sonata for two pianos”. Because of
its decisive and total stylistic novelty he designated this work as “Composition
No 1”, thus rejecting all his former work. With this sonata he created a structural
synthesis of the dodecaphonic system of Anton Webern and the teachings of
Olivier Messiaen and laid the foundations for generalized “punctual” serialism. He
demonstrated the application of this technique on the electronic medium in his
compositions Nrs. 4, 5 and 7. During the period 1951-1956, he influenced directly
through personal contact and intensive correspondence the musical creativity of
Karlheinz Stockhausen, whom he met during the summer-courses of 1951 in
Darmstadt. In 1953, Goeyvaerts and Stockhausen produced the first electronic
music in the studio of the NWDR in Cologne.
In 1 970 th e BRT app oin ted h im as pr oducer at th e “Institute of Psychoacoustics
and Electronic Music” (IPEM) in Ghent. Since 1974 he is in charge of the New Music
productions for BRT-3 in Brussels. Karel Goeyvaerts received several awards,
such as the Koopal Prize in 1967 and the Visser-Neerlandia Prize in 1969. He
also was given commissions by the BRT, the Festiv al o f Fland ers and the NOS
(Nede r- lan ds e Omroepstichting). His works have been performed in several
European countries, in Canada, the United States, Japan and at the festivals of the
“International Society for Contemporary Music” (ISCM) Brussels 1950, Oslo 1953,
Graz 1972 and Bonn 1977.

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Feeling The Spirit

2LP | 2020 | EU | Original (Editions Mego)

27,99 €*

Release: 2020 / EU – Original

Genre: Electronic & Dance

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In the process of relocating to Den Bosch's Willem Twee Studios, The Transcendence Orchestra let love slip deftly out of its gate and reverberate around the walls of the studio's main hall, a high ceilinged former synagogue in the city's old town. Working intensively to capture its echoes, they coaxed it to appear in pipes and strings, directed it through resonant circuits and shepherded it round the room with beaters, horns and rattles.

Having returned home with the recordings, a purpose began to emerge. Through a process of extensive reconfiguration and testing it became clear that the love contained within could transform perception. Under the right circumstances, and accompanied by appropriate technology, it could serve as a map for navigating beginnings and endings. Like some distant mesmerising chant or a psychedelic folk song, it could connect us and reassure us that we can pass through the boundaries and survive. Perhaps not intact but at least whole.

Here is that map, love soaked diligently into its lines, ready to guide those at a loss or reassure those willing to explore.

“Like La Monte Young and The Incredible String Band stuck in an elevator."

Written and produced by Anthony Child and Daniel Bean Mastered by Stephan Mathieu at Schwebung Mastering, January 2020 Cut by Andreas Kauffelt at Schnitstelle, Berlin, February 2020 Cover art by Vidya Gastaldon: L’ange de l’apocalypse (d’après Danby), 2012 / Acrylic and oil on canvas / 100 x 150 cm (39 3/8 x 59 in)

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Tape | 2016 | CA | Original (Inner Ocean)

Futures Volume 3

25,99 €*

Dr Space's Alien Planet Trip

Release: 2016 / CA – Original

Genre: Hip Hop, Electronic & Dance

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We present the third instalment of our mega compilation album, FUTURES Vol. 3, containing 46 artists with 44 tracks running in at 82 minutes. Fam unite on this ultra chill release, featuring the quality grooves of some lo-fi community favourites and some fresh faces to the scene.

This is one for the people, all the studio dwellers lighting up their SP's providing the soundtrack to the forever chill life.

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Volume 3 Feat. Martin Weaver Sky Blue Vinyl Edition

LP | 2019 | EU | Original (Space Rock Productions)

Release: 2019 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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LP | 2019 | EU | Original (DFA)

Essaie Pas

Earth

LP | 2021 | EU | Original (180g X Disk Union)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Montreal duo Essaie pas return to DFA with a 12-inch that picks up where their 2018 album New Path left off. "Earth" is a blistering ride through the rave, an amalgamation of techno and trance. The galloping bassline is the backbone of the song, and Marie Davidson's vocals climb to new heights against synth stabs. "Corps Étranger," with its stuttering percussion, is a slow burner in comparison. For the remix of "Earth," Marco Passarani of Tiger & Woods (Running Back, Numbers) doubles down on the Italo disco angle and doesn't shy away from the more anthemic moments of the original, managing to rework it into something akin to a celebration of this "shithole" we call Earth.

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Bruna Mendez

Corpo Possivel

12" | 2022 | EU | Original (New Interplanetary Melodies)

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Following highly praised releases by Hermeto Pascoal & Grupo, Leonardo Marques, Xenia Franca, Moons, and Gus Levy, 180g and the legendary Disk Union continue to explore the best of today's Brazilian music scene with this wonderful album by Bruna Mendez. A chill, mellow and futuristic musical masterpiece with funky and electronic flavours, Corpo PossÃvel leads the way to the new era of Brazilian R&B.

Bruna Mendez is a female singer/songwriter from the inland city of GoiÃ¢nia, Brazil. Originally a lyricist, she began her musical career in 2008 to express herself as a musician, joining several bands in Rio as well as in her hometown GoiÃ¢nia. After releasing her debut EP "Pra Ela" in 2014, Bruna released her debut solo album "O Mesmo Mar Que Nega a Terra Cede Ã Sua Calma" in 2016, which received critical acclaim in Brazil.

After this first album, Bruna also finds interest in electronic sounds and textures, and starts incorporating these elements into her music. Her second album here, "Corpo Possivel", is the result of such an encounter between electronic beats, addictive melodies and a band and musicians playing a tight and propulsive sound. All of this makes Corpo Possivel an album standing out in today's Brazilian music scene, where many extraordinary talents are produced. 180g and Disk Union are proud to release Corpo Possivel for the first time outside of Brazil. This is an essential LP by an artist promised to a bright future on the Brazilian and international scenes.

This album comes on 180g vinyl format.

---

Credits:

- Recorded in Curitiba / PR / Brazil, between April and July of 2019 by Pedro Soares (jack) at Chucreza Beats, Guigo Berger at Rec'n'Roll, Tiago BrandÃ£o at Voxdei, Vinicius Braganholo at Nico's Studio; in GoiÃ¢nia / GO by Braz Neme at UpMusic, and in Lisboa / Portugal by JoÃ£o de Carvalho at The LX Sound.

- Produced by Gianlucca Azevedo (jan) - Co-produced by Machado (tracks A3 and B1), Pedro Soares (jack - tracks A4 and B2) and Lucas Romero (track B3)

- Voices: Bruna Mendez, Lilian Soares, Layane Soares and Machado - Guitars: Bruna Mendez and Gianlucca Azevedo - Bass: Machado, Leomaristi dos Santos, Rayssa Almeida, Nikko Novak and Gianlucca Azevedo - Saxophone: Gianlucca Azevedo - Drums: Pedro Soares, Eli Lage and Jean Ramos - Vocal Producers: Lilian Soares and Gianlucca Azevedo

- Edit: Bruna Mendez, Gianlucca Azevedo and Amadeus Marchi - Post-production by Bruna Mendez - Mixed by Guigo Berger at Rec'n'Roll Studio (Curitiba / PR) - Mastered by Anderson Guerra at Bunker Analog (Belo Horizonte / MG)

- Art direction: Junior Ribeiro and Bruna Mendez - Album cover photo by Junior Ribeiro - Graphic design: FÃ©lix B. Perini - LP additional design by Nicolas Kerembellec (nker.fr)

- Executive Producer: CecÃlia Brito - LP vinyl production by Greg Gouty (180g) and Yusuke Erikawa (Disk Union)

---

180gdulp06 - Manufactured and distributed by 180g in collaboration with Disk Union Japan, under license from Bruna Mendez.

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Feel Fly

Sacrificio

Always Waiting At Shibuya Station

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Born in 1989, Daniele Tomassini aka Feel Fly, dj, producer, sound composer (he recently completed the soundtrack for the movie I Santi by Giacomo Abbruzzese, awarded at the prestigious CineMed festival in Montpellier), co-founder of the Afro Templum party, already known for his previous works for labels such as Prins Thomas’ Norwegian Internasjonal or the Ibizenca International Feel, lands on Simona Faraone’s label, New Interplanetary Melodies, with his first EP, after having made his debut on the same label as remixer on the EP signed by Leo Young (nim005).

The entire EP is inspired by the ancient and mysterious Etruscan culture, whose peoples inhabited the historical-geographical region of central Italy: all the tracks that compose it were in fact conceived under the cloister of Manu (National Archaeological Museum of Umbria) in Perugia.

The title track, Sacrificio (a1) opens the album with an ecstatic drum-break on which powerful subs stand out, catapulting you directly into the obscure rituals of the haruspices, intent on interpreting the signs of the divine, with the help of mysterious pads and shimmering synths like fires in the night.

Side A continues with Hypnopedia (a2), House music characterised by pressing rhythms and sharp rides that transport us into a dreamy dimension, a nostalgic, evocative dream of worlds that now belong only to the sphere of memory. While in Aisna (a3), which closes the first side, the atmosphere changes decidedly towards progressive house, a sound that has become topical again in recent years, after having raged in the second half of the 90s in those lands that were once called Etruria. And just as the Aisna was an early morning ritual held in a field or a sacred wood, this track has all the makings of a rave at the crack of dawn.

The B side starts on the same wavelength with which the first side closed, Afro Trance Amnesia (b1), in fact it maintains that feeling with the most sweaty dancefloors thanks to its epic breaks and vaguely Trancey arrangements that rest on dragging and obsessive percussions able to smash any kind of dancefloor. With Thi Rie (b2) the groove becomes decidedly more disco thanks to a rolling bass line interspersed with powerful toms and full of suspense thanks to the skilful use of enigmatic pads.

Étoile Romance (b3) is the title of the beautiful piece of Ambient that closes this first EP by Feel Fly on NIM, 6 minutes and more of dreamy arpeggios that fit perfectly into the groove of that Italian tradition of soundtracks and library music that has produced so many masterpieces.

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Shibuya Station

10" | 2022 | UK | Original (Polytechnic Youth)

Stasis Sounds For Long Distance Space Travel I Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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The last Polytechnic Youth release for the foreseeable future (not a final closure point, more a case of let’s see…) is an absolute beauty. A 6 trk 10” mini-LP from Shibuya Station, an all-analogue synth project founded by Marc Schaffer (aka solitude fx, Endphase, Twins Natalia, as well as being the founder of the Anna Logue Records and Nadanna labels). Finding his inspiration in the late ‘70s/early ‘80s synth music and the machines of that period, Marc recorded a few tracks back in 2013 which were further developed by fellow musicians Stefan Bornhorst (The Silicon Scientist), Dave Hewson (Poeme Electronique), Orpheo Weidelt (solitude fx), Kriistal Ann (Paradox Obscur) and Erik Söderberg (Kinder Aus Asbest) over the following years. As Marc says: “Six tracks made it eventually onto international compilations “Tunes That R Attractive!”, “Sie Hat Schenkel Wie Godzilla”, “Jubilee Jamboree: 10 Years Of TuT/RuR” and “Synthesizer Music On Tape” vol.3, which are now presented on a 10” vinyl via the renowned Polytechnic Youth label, who say it’s their last release for awhile, as they concentrate on their new label, Feral Child. Instruments used were Amdek Percussion Synthesizer Pck-100, Boss Voice Transformer Vt-1, Casio Vl-1, Crumar Performer, DSI Mopho, Korg Kr-55b, Korg Ms-20, Moog Little Phatty, Moog Voyager, Novation Bass Station II, Oberheim Dpx-1, Roland Cr-78, Roland Sh-2, Yamaha Cs01, and VST synthesisers ARP Odyssey, EKSSperimental Sounds Es101, Korg Ms-20. The project name is reference to Hachikō, the dog who continued to wait for over nine years following his owner’s death at … Shibuya Station”.

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36 / Zake

12" | 2020 | UK | Reissue (Past Inside The Presen)

33,99 €*

LP | 2020 | EU | Original (Agnes / 4GN3S)

Release: 2020 / UK – Reissue

Genre: Electronic & Dance

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Given the respective outputs of committed ambient explorers and sound designers zake (best known for releasing no less than five fine albums in 2019) and 36 (most recently seen on A Strangely Isolated Place with the superb album "Fade To Grey"), you'd expect this trip into aural deep space to be rather good. It is of course, with the four tracks mixing echoing sonic tones and drifting sound effects with slow-burn electronic melodies and the kind of immersive, sustained chords that were once the preserve of German maestro Pete Namlook. The third track in the suite, appropriately titled 'Stage 3', is little less than stunning, in part because of its grandiose, almost classical intent. No surprise to discover, then, that after a stretch of being out of print it's back via a reissue, this version being a limited clear vinyl edition.

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Isolating

Perennial

LP | 2022 | EU | Original (Macadam Mambo)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Isolating is the industrial solo alter ego of London-based, Stephen Hindman, one half of The Golden FIlter. Coming off of their moody 2020 debut EP on Optimo Music, On August 28th, Isolating will release an analog, lo-fi, gritty full-length LP called Perennial on their own 4gn3s label. Disquieting and dystopian, the album shifts from the beatless drone of ‘Mortification’ to the IDM inspired electro in ‘Sacrament’, each track melding into each other with an unsettling anxiety. The LP mirrors the concepts behind ’Perennial Philosophy’ by Aldous Huxley. Solitarily created in London room on a Modular system, ‘Perennial’ tackles the perspective in spirituality that views all of the world's religions as sharing a single, metaphysical origin, with a nod to the Lucretius quote; “To such heights of evil are men driven by religion.” The album photography of Stephen is by Agnes Haus.

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Veslemes

The Well

17,99 €* 19,99 € -10%

12" | 2020 | EU | Original (CES)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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It was a quiet period but Macadam Mambo is back to present a new LP by the greek musician Yannis Veslemes.
The confirmed artist -who has previously appeared on labels such as Byrd Out, Invisble Inc., Won Ton, Optimo Music or Into The Light, under different projects : Felizol, Steamcut,Sportex or his own name, and composed for movies OST -started to integrate Macadam Mambo on the latest compilation Danzas Electricas vol. 3, and very naturaly proposed his new album. It needs to be said what an honnor to receive such quality music. In term of composition, production and universeit’s a land of influences and uniqueness, in which you will recognise a bit of Yello, Coil, Nick Cave or Igor Wakhevitch vibes embrassing folkloric greek melodies or cosmic pop ballads. It’s brillantly dark, obscure and lightful. A tempest of sensuality and roughness. To say it short it’s EPIC! and will definitely give the recognition that Veslemes deserves as a major composer in Modern Electronic Music.

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Natela Svanidze

Natela

13,99 €*

Dave De Rose & Dan Nicholls

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Natela Svanidze (1926 - 2017) is an Honored Art Worker and one of the most distinguished Georgian composers, whose creations have not been explored and praised sufficiently to this day. Key period of the artist's comprehensive work coincided with Soviet times, resulting in a variety of impediments—both in creative and personal realms of her life. The following issue aims to showcase Natela Svanidze's electronic music recorded in 1974 for her Georgian Lamentations oratorio, part 5. "Epitaphium". The groundbreaking for the time being, as it is based on electronic music, developed into four dynamic waves, with rhythmic whispering of the choirs chanting "eternity". Several aspects make this part exceptional: this is the first electronic music piece in Georgian music, composed by a female composer, and simultaneously recorded on Synthi-100, a popular synthesizer (invented by P. Zinoviev and imported to Moscow from England in the early 1970s) at the time. This very synthesizer was used by E. Artemiev, V. Martinov and I. Bogdanov, as well as famous movie soundtracks, including Stalker by A. Tarkovsky, Sibierade by A. Konchalovsky, A Few Days from the Life of I.I. Oblomov by N. Mikhalkov and many more. This unique recording from 1974 has never been released and can be extremely precious and valuable especialy to modular synth comunity and generaly to all music lovers. Natela's release has been treated with care and it comes supported by 3 young and extremely talented Georgian music producers: HVL; Tamo Nasidze and Mess_Montage.

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Plants Heal

12" | 2021 | UK | Original (Ddr)

Tape | 2022 | UK | Original (Ecstatic)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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100 copies limited edition 12" black vinyl. Printed artworks on labels, black inner sleeve with holes on both sides and 3mm outer sleeve decorated by sticker + A4 paper print about the project including track listing & personnel details.

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More Eaze

The Joker

LP | 2021 | UK | Original (Chinabot)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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mari maurice aka more eaze returns to Ecstatic with a tenderly gorgeous solo side after her standout claire rousay collaboration last year for the same label - a big recommendation if yr into Elysia Crampton, Mica Levi, MBV, Vegyn, Organ Tapes, Grouper, Dntel, Nozomu Matsumoto, Rainy Miller.

Nestling in the space between ambient, indie-/synth-, and what’s now termed hyper-pop, more eaze specialises in lower case songcraft that effortlessly gets under the skin. Featuring notable guest input by Spivak, Dialect, and Pam3, ‘The Joker’ is perhaps more eaze’s most significant long player, forming a filigree distillation of soft-touch, emo-core pop styles wreathed in fractal electronics and blessed by a gentle sensitivity that feels like micro-dosing with mates on a sunny day.

’The Joker’ was inspired by more eaze’s experiences travelling extensively during 2021-22, absorbing and transmuting time spent meeting new people, seeing new places, and watching established relationships change. Like regular spar claire rousay, ‘The Joker’ finds micro-insights crystallised to odd-pop imperfection, merging ohrwurm hooks with field recordings and traces of electronica, R&B, reggaeton, and classic indie-rock chops to divine a personal truth that should resonate with lovers of low key ambient as much as hi-key poptimism.

Through nine subtly effected snapshots of daily life, mari somehow encapsulates the feeling of trying to endear yourself to someone new, the tactility of another’s touch, chuckling at misfired jokes. Beginning with fractured toytronics and autotune vox in ‘yours’, melodies spill over from the Dntel-like licks of ‘fall apart’, to the mutant shoegaze bliss of ‘vindictive’ (it properly sounds like an autotuned version of MBV’s ‘to here knows when’), plus E+E-via-Palmistry reggaeton of ‘hablar contagion', with Spivak lending featherlight vox to ‘a chat’, while ‘comedy’ dials up a sense of outsider irony with a wry shrug.

Liverpool-via-Brooklyn’s Dialect helps seal the deal with the burbling touch of ‘eyeliner’, a fittingly hypnagogic ending to a dreamlike album whose effect lingers like latent fractals of a therapeutic psilocybin session.

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Tafaa

Random Activity (...)

Nested Russian Dolls Of Paranoia

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Tafaa - Random activity of the work of art, escalates an extension of accepted (unproductive) concepts of art, nature and society' is a sound editing project led by Chloé Delarue, a visual artist based in Geneva (ch) in collaboration with Adeena Mey, a curator, art critic, managing editor of the magazine Afterall (Central St Martins, London, UK) and researcher/teacher at Ecal (Lausanne, ch).

Together, they gathered sound artists Jaeho Hwang, Lafidki of the Chinabot label and the performer-composer Seth Ayyaz in a desire to bring together horizons of thoughts with a singular tonality in resonance with the Tafaa* cycle. The release is a continuation of the deployment of Chloé Delarue's solo show - Tafaa - THE Century OF THE Snitch, which took place at the Villa du Parc - Contemporary art center in Annemasse (fr).

The four compositions resulting from this meeting are materialized in a hybrid compilation. Each of the tracks, affected by the aesthetic spectrum of Tafaa - THE Century OF THE Snitch, results from unique paths that each sound artist builds in their own works. This compilation released in the exhibition space and in its vinyl form, was infused under this particular atmosphere with the aura of sodium, as an echo of the previous opus Tafaa - Acid Rave. The title evokes territories in wasteland and multitude of theaters of an urbanity that has become tropical for one night.

For Chloé Delarue, the environment produced under Tafaa - THE Century OF THE Snitch and its aesthetic feeling is linked with the dissemination of these four tracks. As she says, it becomes “like the deep trance of a noise invisible to oneself but that we perceive thanks to the questioning of its own imperception, the work no longer looks at itself, it injects itself.”

Moult and Dystopia by Jaeho Hwang, Pandæmonium Cctv by Lafidki in collaboration with Ayankoko and Pisitakun (from Chinabot) and Apophenic studies | stochastic iqaat by Seth Ayyaz thus bring out, through their sound characteristics, a powerful emotional expanse driven by their glimpse of the conceptual reconfigurations of a world increasingly accessible through its ersatz.

The vinyl title Tafaa - Random Activity (...) is borrowed from Gustav Metzger taken from an extract from his Manifesto On random activity in material / transforming works of art in July 30, 1964.

Chloé Delarue constitutes what she calls environments under the influence of the Tafaa perception system, an acronym for Toward A Fully Automated Appearance. Tafaa is a conceptual organ that she builds as a cognitive outgrowth allowing her access to the reasoning that feeds her work. It is under this name, indexed by a number or a subtitle, that each occurrence of her work has been presented since 2015. Thus, she probes the ambiguous relations that our society maintains with its multitudes of transfigurations, real or simulated, at the time of permanent interconnections and raises questions relating to changes in perceptions and cognitive transformations of our beings under the visible and invisible authority of cosmotechnics.

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Prophetas

Tape | 2022 | EU | Original (Sucata Tapes)

12,99 €*

Meakusma (Generators) Clear Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Third and probably last volume from Gonçalo F. Cardoso’s most disillusioned moniker, Prophetas.

Where the first tape, Reveal, Accept, Remember, Forget, revived mid 50’s ideas of weird hope (ufo sightings, suburbia, space race) and the second, Maury Island Reverie, explored early 90’s disillusionment through a sound world of mall culture, late night cable TV and rampant consumerism, this new work concludes de unplanned trilogy with a more randomised yet no hope approach to the sentiments and concepts explored previously.

Produced over what we call now the pandemic years, and pressed just before the outbreak of yet another war, the feeling here is schizophrenic to say the least : full channel surfing, all tabs open, zero attention span and out of control consumerism has settled into the music (and our lives), the new normal, no time to think, no time for much really, keep going, feel sorry, carry on and die.

The Fake prophets have now established their claws firmly in every corner of our societies, ripping all of our planet benefits whilst leaving nothing in return, the world is now a gigantic cash dispenser, a credit card landfill, everything is up for grabs as long as it can turn a quick profit. Technology? Science? Art? Who needs it when we can just use it to exploit, to make a other quick buck whilst keeping tabs on the population. All this whilst appearing as humanity saviours? I’ve got a plan, it’s ok, let's all go to Mars.

Secret and not so secret wars have been raging since this work was completed. The old present has finally cancelled any possible future, thank god we have the past to look at and wonder… like this tape does, all hail the ubiquitous fake prophets of the 21st century, it’s us!

‘Bring to the storehouse a full tenth of what you earn…I will open the windows of heaven for you and pour out all the blessings you need’ – Malachi 3:10

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Keith Fullerton Whitman

LP | 2022 | UK | Original (Nakid)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Keith Fullerton Whitman brings his 3-part Generators series for Japan’s Nakid label to a close with a third and final instalment that ravishes the senses with hybrid analogue/digital systems tekkerz. Hazing into a solemn start of floating organ and slurred drums, the first part fizzes into action with pranging irregularities, tentatively allowing the system to voice varying pitches and nimble rhythms that resemble balletic footwork plies as much as classically-trained instrumentalist flurries. It’s deeply trance-inducing, meditative gear that over the course of 25 minutes slowly gains momentium and complexity, first adding robust arps to complicate the structure, treading the finest line of chaos and discipline. In time, those arps turn themselves into a rhythm track, landing somewhere between Whitman’s earliest junglist works as Hrvatski and a sort of plucked rhythmic minimalism that reminds us of Mark Fell’s Sensate Focus, gliding on natural, brownian motion and flux of texture, punctuated by what sound likes a plucking of a drum machine from the inside-out. In part 2 the mood pools and diffracts in slow-fast meter, bristling ruptures of atonality that send limbs flailing one way and then another, adding subs for a dimensional shift that’s rhythmically fractured but always grounded at the low registers. The wavy embroidery of Whitman’s machines trigger each other in endlessly fascinating forms of gyring workshop ballistics and dub reverberations. A special bonus piece ‘Meakusma (Generators, Soundcheck)’ is the most curious of the lot, with a lone clarinet heard in the air, perhaps a serendipitous inclusion form someone else’s soundcheck, lending an enchanting depth perception to his frolicking bleeps.

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Special Species' Anthoza Anthology

LP | 2021 | US | Original (Special Species)

23,99 €* 29,99 € -20%

Release: 2021 / US – Original

Genre: Electronic & Dance

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This is the 30th release and 3rd Anniversary of our first tape, so to celebrate the label has brought together friends new and old for a spectacular compilation ranging from ambient to dreampunk to uk garage to house. All proceeds from this release will be donated to the Coral Reef Alliance.

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CD | 2021 | EU | Original (Kompakt)

Pop Ambient 2022

11,24 €* 14,99 € -25%

Tape | 2022 | UK | Original (The Tapeworm)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Note: With THE Purchase OF THE Vinyl OR THE CD YOU Will GET THE Single MP3 Files AS Well AS A Continous MIX VIA E-mail. With the cover artwork for Pop Ambient 2022, longtime Kompakt graphic artist Veronika Unland has once again outdone herself. Following the almost baroque, blood-red and jet-black, extremely physical sculptures of Pop Ambient 2021, which emerged from a dark, floral sea like bodies erect for dancing, the front of 2022 is adorned with a pastel-white form, intertwined, folded many times and crisscrossed with delicate shading, which seems to float on a pale pink background; soft, gentle waves woven from Venetian colors that leave the viewer puzzled: Is it a flower, a coral, a mollusk?

Again, the current edition of the tradition-steeped compilation series curated by Wolfgang Voigt is about the persistent and ever-necessary definition of beauty, of reduction, of electronic music of heavy lightness and light heaviness, of ambient's eternal promise of a state of physical and acoustic weightlessness and Pop's of redemption. And about the question why a never arbitrary combination of soundscape, drones, samples and loops, put together in a certain way, can create this feeling of warmth, depth and space, - something three-dimensional, where the imagination feels at home as a fish in the water or a bird in the sky. A key aesthetic stimulus that sends all the senses into a slow glide and drift, after which your synapses feel like they've been bathed in essential oil. Next to Soul, Ambient is probably the most effective musical healing plant of mankind.

Behind the aural test tubes, the who's who of Pop Ambient is once again at work, led for the first time by the highly trafficked Californian duo Blank Gloss, whose debut album "Melt" this year was certified by The Guardian as nothing less than "heartaching beauty". Yui Onodera's "Chrome" as well as "Kari", a cooperation of Markus Guentner and Joachim Spieth, could also be imagined in the score of Denis Villeneuve's new film version of Dune - however, colleague Hans Zimmer managed that quite well without the three. After such wonderful and stylish contributions by Reich & Würden, Triola and Thomas Fehlmann, the ear then lingers a bit longer on the ghostly "Weiht" by Morgen Wurde feat. Maria Estrella, a track like a temple of sound, a deep electronic immersion in a Japanese onsen. In this sea of unnameable time you could sink forever, but with the tracks of Andrew Thomas, Thore Pfeiffer and Max Würden & Pepo Galán the journey slowly comes to an end.

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Blood Music

For The Vagus Nerve

9,74 €* 12,99 € -25%

LP | 2019 | EU | Original (Mule Musiq)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Score for as many players as you like – the recording is for nine.

Play any frequency between 264.94 Hz and 277.18 Hz, held, bent or gliding, between B3 and C#4 – hold this note for as long as your breath and/or heart permits.

If you feel you are in the same heart or breath rhythm of another player, cluster with them, or squirm out from under or over them.

Imagine a pink nerve inside your gut going up into your lungs, into your heart, into your reptilian brain, back into your gut.

Imagine the colour pink on the inside of this nerve.

Stop when you feel your pink nerve is sufficiently soothed into rest and digest.

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Dave Aju

TXLAX

12,74 €* 16,99 € -25%

2LP | 2014 | US | Original (Software)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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TXLAX is Dave Aju’s first album in five years, and we couldn’t be more pleased to present it. As always there is plenty of fresh genre-defying ideas in the music, but this time wrapped in a much more relaxed and focussed aesthetic - a fitting personal soundtrack for the homecom-ing theme of his move back to Los Angeles from Berlin, as the combined airport letters in the title suggest.

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Suicideyear

Remembrance

21,69 €* 30,99 € -30%

Tape | 2021 | US | Original (Flesh And Bone)

Release: 2014 / US – Original

Genre: Electronic & Dance

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Received a 7.3 rating from Pitchfork.

Software Recording Co, the label in part run by Daniel Lopatin aka Oneohtrix Point Never, present a solo release from American producer Suicideyear. The Remembrance EP follows on where the well-received Japan mixtape left off; constructing hard, trap-inspired percussion over gentle, minimalistic ambient soundscapes. The celestial ‘Hope Building A’ fits the EPs title with its nostalgia-tinged, awe-inspiring organ riff complimented by tinkering percussion, widescreen pads and sparse snare fills.

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Documa

Lofi One Two Seven

8,39 €* 11,99 € -30%

Tape | 2020 | US | Original (Needlejuice)

Release: 2021 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Documa is the multimedia project of longtime Northwest Indiana musician Bobby Markos. Markos began writing and releasing music on his own, using analog production methods at home. The project debuted with a collection of songs called “The Color of Documa.” Around the same time, Documa began performing live, marrying audio and visual aspects to create an almost movie-like experience for audience members. The sounds of Documa are heavily influenced by music from the 60s and 70s, documentary soundtracks, and field recordings. The music incorporates fingerstyle guitar playing, as well as electronic compositions and samples to create ambient productions with country-western cadence. Markos relies on a home studio consisting of old reel-to-reel tape machines, VCRs, and cassette decks to engineer Documa recordings.

To integrate a longtime love of film, he founded Documavision, a production company focused on collaborating with other artists, visualizers, and motion graphics. The visual aesthetic focuses on film equipment and methods of the past as well, often using analog cameras, televisions, and VCRs to produce videos.

To close out 2020, Documa has partnered with Flesh & Bone Records to release a series of EPs, starting with the digital release of the EP “3.” and now a cassette release of "Lo-Fi One Two Seven".

RIYL: Duster, Bowery Electric, Codeine, Slowcore meets Downbeat, Tortoise.

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Chinese Hackers

Wiretap

14,99 €*

LP | 2020 | EU | Original (Shapes Of Rhythm)

Release: 2020 / US – Original

Genre: Electronic & Dance

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A download code is included. Smoky Tint Cassette Shell. Dolby B Noise Reduction. Obi-Strip. 3-panel Jcard. Chinese Hackers’ (w i r e t a p) reinvent the vaporwave genre by creating a new style: vaporgoth. Before making vaporwave music, Chinese Hackers had recorded industrial music under several different aliases. Using those dark and noisy inspirations, the sounds of industrial grind and vaporwave birthed a new sound with a bleak spin.

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Awkward Corners

Dislocation Songs

LP | 2022 | UK | Original (Polytechnic Youth)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Dislocation Songs was recorded over the past 3 years – on and off – in Chris Menist AKA Awkward Corners' home studio. It started as a reaction to the UK post-2016's Brexit vote and an emotional response to the negative direction the country is taking with regards to immigration, politics and social priorities. The record shifts between optimism and resignation. The recording process offered emotional catharsis, and a space to summarise feelings that can be hard to put into words. The record is a collection of textures, rhythms and tones touching on downtempo beats, devotional music and electronic sounds. Music you can even meditate to. Chris is joined for three tracks by Sarathy Korwar, who plays tablas in this setting.

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Free / Slope

Blissful Repetitions

LP | 2020 | EU | Original (Fade To Mind)

Release: 2022 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Free / Slope is the project of Swede, Daniel Brandt who has helpfully titled his album to act as a description of its contents therefore taking his cue somewhat from Ronseal (other wood stain providers are available). 'Blissful Repetitions' contains five longform kraut explorations inspired by Swedish scenery and with nods to Spacemen 3, Harmonia and Manuel Gottsching.

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Kingdom

Neurofire

15,59 €* 25,99 € -40%

Release: 2020 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Maga Circe Musica)

Yves Jates

25,99 €*

LP | 2018 | EU | Original (West Mineral)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Discrete consolidations of electronic and classical forms from Yves Jates, debuting on Donato Dozzy & Alicia Carrera’s Maga Circe Musica after Dozzy’s ‘Buchla & Marimba’ expo. Previously best known for his design work as Yko with the Meakusma & Time To Express labels, Yves Jates patently transfers his visual signatures into sound with the kinetic, colourful sound paintings of ‘M’. Hand in hand, electronic and classical structures melt into one another across eight iridescent movements variously conveying moods ranging from neurotic to psychedelic, each puckered into chamber-like scenes that feel like AI renders run off renaissance imagery. His canvas appears 3D and billowing omnidirectional, craftily lit from angles that encourage listeners to ponder them from all sides, and which lure us into beautifully ethereal headspaces. As far as first releases go, ‘M’ is neatly accomplished in a way that speaks to its creator’s classical pathos and feel for electronic ephemerality. With a minimalist palette of shimmering synth and organ tones he creates imaginary spaces with a wholly absorbing sense of light and shadow and natural reverbs that effortlessly suspend disbelief. From the pizzicato spirals of ‘Moment 1’ thru the swaying low register pulse of ‘Moment 8’ he elegantly weaves between hypnotic optimism and reflective states of mind, with passages of sky-kissing bliss turning inward to cloud chamber rumination and more intently future-primitivist metallic plucks, each puckered into concise time frames that keep the feels shaded in shadowy gradients to a real highlight in the lushly offcolour harmonics of ‘Moment 7’ for fans of Ora Clementi, Madalyn Merkey or Topdown Dialectic.

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Exael

Collex

20,99 €*

LP | 2022 | EU | Original (Lith Dolina)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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2022 repress

Exael debuts on Huerco S’ West Mineral Ltd with ‘Collex’, a deep, impressionistic album of ambient soundscaping recorded between Chicago and Berlin, following an excellent split EP with likeminded producer, Ryan Fall a.k.a. uon, as well as a number of compilation appearances with Allergy Season/Discwoman, Physical Therapy and Carpet Group Recordings, the latter of whom coincidentally issued Exael’s self-titled 2017 album under the Naemi alias.Crafted over the two years since their first album, ‘Collex’ finds Exael mining a finer and more elusive variant of ambient music, connecting dots between classic vapor-trail dub and hyper-modern inversions you’d more readily associate with 0PN or Kara-Lis Coverdale. With a richly refractive, iridescent quality, it marks the inward/outward distance travelled between concrète and electronic textures and spatial parameters, manipulating notions of stasis and kinesis with an unfathomable, gaseous quality that also reminds us of classic Vladislav Delay and Robert Henke’s site-specific work.From the milky plumes of ‘Into Deep’, thru the scudding subaquatic electro-dub of ‘Split’, to the bristling gunk of ‘Choeo3’ and the Wanda Group-like subsidence of ‘Cart’, to the lushly fractious flux of ‘Glass In Plastic (with Arad Acid)’ and ‘Anc Alt’, Exael maintains a cool head despite the disorienting G-force and upended context, elaborating a form of simulacra that uncannily reflects the real world’s realigned ideas about gender, mental health, and emotional wealth.Offering a modernist re-vision of classic Chain Reaction and early 00’s dub inversions, it’s an uncanny reminder of a relatively recent era in electronic music that seems far out of reach in the present climate, a perfect accompaniment to that brilliant Pendant album that kicked this fine label off earlier this year.

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Walton

Maisie By The Sea

LP+CD | 2020 | EU | Original (Magazine)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Written over 3 months during Autumn 2020. For Maisie.

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Curd Duca

Waves 1

18,69 €* 21,99 € -15%

Pulse 01 Transparent Yellow Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Waves 1 is the first release of Curd Duca since the legendary Elevator series (1998-2000). Waves is an album trilogy. Waves 2 and 3 will be released on Magazine in 2021. The Box is intended for all three records of the series.

If we think of Curd Duca’s Waves in terms of sound, rather than in terms of form, each track on Waves is actually like the large, illuminated, richly decorated initial letter that introduces the narrative of so many medieval manuscripts. It is as if Duca was collecting extraordinary letters, opening up an alphabet of sounds, and developing a musical phonetics between adjacent terms. From gong to gone; bell to bells minus drone; dome to father.

The real beauty of Curd Duca’s cycle lies in the fact that it opens up differently from so many perspectives. That we can understand it as a collection of treasures, as a commentary on our acoustic environment, as an attempt to dissect the world and stylize its parts. Much like a printer's typesetting box, Duca proposes an inventory of everything that sounds.
Some of the pieces are exaggerations. Some allusions. Others abstractions, parodies, and transfigurations. It is often not even clear whether the music is based on a recording or a synthetic sound. Is the nightjar real or is it a synthetic imitation? Did Duca really use brass and zither sounds or simulate them on the computer? The hermaphroditic nature between reality and arti ciality is a central aspect of Duca’s sound world.

There is only one thing you must not do with this music: trivialize it or underestimate it. With Waves, Duca is exploring the very essence of sound, and its possible meanings and contradictions.

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Syne / Influx

LP | 2022 | US | Original (Past Inside The Present)

LP | 2017 | EU | Original (Ecstatic)

Release: 2022 / US – Original

Genre: Electronic & Dance

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Pulse 01' is the first release in PITP's new series, which is an ongoing exploration of ambient tech, while offering a more structured display of beat-driven ambient music. Pulse 01 features brand new tracks by Syne and Influx. Syne is Dennis Huddleston from the UK, who is most recognized for his ambient work as 36. He returns to his Syne alias for the first time in nearly 5 years, with only his second record since his 2017 self-titled debut LP. 'Dystalgia' is a 12 minute opus, spread over 3 movements. Soaring pads and razor sharp percussion combine for a dynamic, emotionally charged journey in sound. Showing love to the Detroit greats, but recognising the distinct UK influence which made him fall in love with Techno in the early 90's, it's a surprising pivot in Dennis' sound and one which all lovers of beautiful, melodic ambient techno should enjoy. Influx is James Bernard from the US, who is most recognized for his solo work in recent years. Influx was his trance/techno alias for much of the early to late 90's and released his work with well-respected UK and US labels.

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Novo Line

Dyad

7" | 2021 | UK | Original (Ddr)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Novo Line reprises the meter-messing genius of his Movements album with the Dyad mini LP - a brilliantly uncompromising follow-up for Ecstatic. Exclusively using the tools of ’88/’89 professional recording set-ups - namely the Atari ST, but with a slight algorithmic alteration. While it’s increasingly hard to find new tricks in old gear, especially with the resurgence of hardware fetishism and the ubiquity of DAWs, that’s exactly what Nat Fowler has been doing for the best part of a decade as Novo Line. By, in his own words, “misusing one algorithmic composition program (not, by a longshot, a professional music production tool of any epoch) contained in 208kb of data on a 3.5” floppy disk”, He generates and explores new permutations of old music which, ironically enough, sound fresher or at least more innovative than a lot of new music in circulation right now.Inputting ever-changing parameters of melody, and 29 year old algorithms, the machine’s voice is live-mixed and presented un-rendered as maxed-out waveforms via 1MB RAM, resulting in a severely compressed and combusting effect that leave mastering and sound engineers the world over scratching their heads in puzzlement. However, the effect is equally enthralling to anyone whose ears have become overly accustomed to contemporary emulations of ‘space’ in electronic music, and genuinely sound unique in relief of the contemporary field.The release poses a playful question: can a record be ambivalent as to which speed it should be played? Celebrating vinyl and futhermore physical media, the listener is encouraged to find their exact speed of preference with the RPM toggle and pitch slider, that nearly forgotten joy in modifying speed in real time without a CPU mediating between the listener and sound; some tracks stumble heavily at 33rpm like boulders in the tumble dry, while others flash by at 45. In the taut, recoiling thud of Monad, thru the frenetic pop edit of Ennead to the ‘floor-curdling prong of Dyad Marcia on the front, to the forceful New Beat mutation Tetrad, and the mind bending Melpomenean Dyad which closes the LP, its some heavily challenging but deeply satisfying gear that seriously yet playfully messes with convention.Essentially Novo Line is revelling in the pure spirit of computer music and the sonification of dance music as we know it - born in the ’88/’89 phenomenon of techno-house music, including its Industrial/EBM precedents, and its New Beat/Euro House offshoots. And like John McCusker’s delectable artwork of a beige room and monitors interwoven with tubular, computer generated follies, Novo Line provides a captivating perspective that shortcircuits nostalgia’s illness to result in a killer vaccine against/for convention.

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Grande Gufo

17,99 €* 19,99 € -10%

12" | 2021 | UK | Original (Ddr)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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This 7” attempts to represent a time when Ruth Goller, Dario Rossetti-Bonell and Dave De Rose would gather with the intention to create fresh music together, free of stylistic boundaries. Each one of us would bring our own compositions to Ruth's house in Walthamstow where we'd experiment and elaborate them together. You'll be sad to know many other recordings of this era were lost and now only exist in miserable mp3 format... sometimes things like these happen... what to do? Celebrate the surviving tracks with a lathe cut! In the later version of this group we invited our fantastic friend and collaborator Ed Begley to sing with us. We hope you enjoy!

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I Work In Communications

No Signal

27,99 €*

LP | 2021 | US | Original (Freaks)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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25 exclusive limited edition lathe vinyl records hand cut in real time at LoFi Concept. Printed and numbered centre labels in white inner and 3mm spine outer sleeve decorated by sticker + A4 paper print about the band including track listing & personnel details.

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Watkins / Peacock

Acid Escape Volume 3

Cats Do Not Care About Glasses

Release: 2021 / US – Original

Genre: Electronic & Dance

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Watkins / Peacock are an electronic analog-digital hybrid duo, working in an improvisational frame that births a new possibility of tone, rhythm and light. dub moves in synthed atmospheres with joyful, entrancing melodies. Recorded at Santo Recording, Oakland 2019—2020 by Zachary James Watkins. mixed at Santo Recording by Watkins / Peacock. mastered by James Plotkin.

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Juan Moretti

LP | 2019 | EU | Original (Hell Yeah)

The Sound Feat. Brownstudy, Mr Schem & Divine Species

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Summer might be fading away, but the good time grooves keep on coming courtesy of Hell Yeah’s next album project: Cats Do Not Care About Glasses is the latest from all round musical talent Juan Moretti, who fuses together jazz, hip hop, electronics, soundtracks, musical experimentation and much more into a freeform album of intoxicating sonic journeys.
Moretti is a bassist, drummer, composer, arranger, visual artist, DJ, hard clubber and good food lover who has been plotting his own route since the early nineties. He is co-founder of the 3IO jazz band and Things Happen nu disco duo who has been involved with theatre shows, short soundtracks, visual installations, festivals, DJ sets, experimental art and more. Drawing on all that and heading off into the unknown, out of his comfort zone and into brave new sound worlds, he goes where the compositional process takes him without a view to any specific genre or style.
That plays out across the seven suburb tracks, with opener ‘Flare’ managing to be a worldly ambient piece as well as a slow motion acid track, a blissful balearic trip but also a majestic melodic masterpiece. ‘Fahrenheit’ fuses cosmic Sun Ra jazz with glistening electronics that drown you in warm sunshine, and ‘Insane’ has a tropical feeling and gentle bossa rhythm, but intensely freeform synths that tie you up in knots.
The midpoint sinks you into the breezy wind instruments, afro vocals and gently lilting guitar licks of ‘Fortaleza’ before ‘Claustrophonic’ is another celestial electronic jazz epic with withering sci-fi synths and live drums that constantly evolves. A swaggering dub beat and drifting sax line make ‘Moroboshi’ a low key beach club classic in the making, and finally ‘Backdoor (Mad The Cat)’ is a lush hip hop vibe awash with breezy licks and steamy chords.
This is a brilliantly inventive album that brings together jazz, electronics and hip hop in truly magical new ways.

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Inkswel

LP | 2018 | EU | Original (Apparel Tronic)

13,49 €* 17,99 € -25%

Restive Plaggona Black Vinyl Edition

Release: 2018 / EU – Original

Genre: Electronic & Dance

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“The Sound” LP features dope collaborations such as the Detroit vocalist and multi-instrumentalist Brownstudy singing on the opening and title track, the amazing progressive artist Maia Von Lekow giving her voice for B1 track “Mother” alongside Mista Monk, the superb Han Litz’s flute and Trujillo on Kellin’ it & also Divine Species on “Galaxies” and Mr. Shem rapping on A3 track “Dedicated to Mr. Schem”. This work is a bold and captivating selection of different styles belonging to the same soul orchestrated by Inkswel and his musical mastermind, listening to “The Sound” is like jumping on a caravan for a journey where every track is a different stop: crunching beats, deep bass lines, psychedelic melodies. The ingredients for this amazing recipe are all coming from different parts of the planet, a place that Inskwel seem to have written on his palms seen his capability of bringing different music influences under the same roof, where he finally invited Apparel Tronic to hang for a bit.

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Restive Plaggona

LP | 2021 | EU | Original (Fleisch)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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140g clear vinyl housed in a matte 3mm cardboard sleeve. Limited to 200 copies. Fleisch welcomes Restive Plaggona into the fold with eight tracks of rhythmic tension and raw industrial elegance, replete with an atmosphere of the ominous drama that makes this Greek producer’s sound unmistakably his own. All tracks written and produced by Restive Plaggona Mastered by Alain Paul Artwork and design by Niall Greaves

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Revolutions Per Minute (The Art Record)

2LP | 2017 | EU | Original (Song Cycle)

29,74 €* 34,99 € -15%

Old Moon, New Moon / The Image Of 36

Release: 2017 / EU – Original

Genre: Electronic & Dance

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“Revolutions Per Minute” is a two-record album of twenty-one original sound works by artists represented at that time by the Ronald Feldman Fine Arts, Inc. (NY). Each gallery artist was asked to record or provide a 3-5 minute segment for Jeff Gordon’s Greene Street Recording Studio. No further directions were given, and the soundworks are an amazing mix.

List of artists:
Vincenzo Agnetti, Eleanor Antin, Ida Applebroog, Conrad Atkinson, Joseph Beuys, Chris Burden, Douglas Davis, Jud Fine, Terry Fox, R. Buckminster Fuller, Helen Mayer Harrison/Newton Harrison, Margaret Harrison, Piotr Kowalski/William Burroughs, Les Levine, Edwin Schlossberg, Thomas Shannon, Todd Siler, SITE, Komar & Melamid, David Smyth, Hannah Wilke

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Bonnie Mercer & YLP

LP | 2021 | EU | Original (Downwards)

Big Blue Wave Record Store Day 2020 Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Downwards look to Melbourne, Australia’s incredibly fecund experimental scene for this almighty split LP; facing off Bonnie Mercer’s colossal sub-bass drone hallucinations with scorched-earth drug dirges by the YLP duo. If yr into Sunn O))), Earth, The Birthday Party, Spacemen 3, Sun City Girls, Gallon Drunk - this one’s for you. Both sides of ‘Old Moon, New Moon / The Image of 36’ sustain their influences from doom drone, gothic blues rock and post-punk for the already fraught 2020s. Each act renders a certain, ravishing sort of romance from end-of-earth bleakness, sketching out feedback-drenched vistas and sunburned, byzantine visions augmented by drum machines and electronics to blistering effect. Internationally renowned guitarist Bonnie Mercer offers a rare solo suite for her part. Moving beyond her decades of work with bands including Grey Daturas and Breathing Shrine, Mercer generates a transcendent collapse of desert rock forms that will reward listeners with the sandblasted riff textures of ‘Half Moon’, the skull scraping psyche noise lushness of ‘Linda’s Goodman’s Love Signs’, and a deathly crawl to dawn in ‘The Latest Disappointment.’ If you’ve ever seen Sunn O))) play live, Mercer makes use of the same sort of precision tooled grot that turns our insides out - all subharmonic drone and subby gnarrr that’s a properly transformative listening experience at the right volume.

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Ponytails & Cocktails

LP | 2020 | US | Original (Scary Octopus)

18,59 €* 30,99 € -40%

2LP | 2015 | EU | Original (Project: Mooncircle)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Record Store Day 2020 Release.
Limitation: 500 copies.

Ponytails & Cocktails is a collaboration between 5 individuals from all different backgrounds. Front man and lead singer, Chad Dukes hosts a daily sports talk radio program (Chad Dukes VS The World) for over a decade in Washington DC on CBS 106.7 The Fan. He also hosts the everlasting podcast,'' Big O and Dukes'' since 2007, boasting more than 50 Million downloads. Acoustic Guitarist, Dempsey Hamilton, is the owner of Mobius Records in Fairfax, VA. as well as a long time touring sound engineer. Spawned from their love of the Broken Lizard movie ''Club Dread'', Ponytails & Cocktails started as a tribute band to Bill Paxton's character ''Coconut Pete''. They are the Only band endorsed by Jay Chandrasekhar and Erik Stolhanske of the comedy troop ''Broken Lizard''. From there, they decided to write their own material in the same spirit. ''Big Blue Wave'' is their first original album and it debuted at #6 on the Billboard Comedy charts in 2019 and shot up to #3 on iTunes sales the first 2 weeks it was available.They made only 250 hard copies of CD and Tapes and sold them out within the first weekend. This limited edition record comes with a bonus track and skit not included on the CD or Streaming. Think Wheeler Walker Jr. on a beach in Pina Coladaberg.

1.Big Blue Wave 2.Look Behind The Banana 3. Interlude #1 4.Percy Pelican's 5.Son Of A Santa 6.Week Of Tribulations 7.Interlude #2 8.Tacos In Valhalla 9.Canyons Of Urine 10.Putman's Hair 11.Follow The Banana 12. Big Blue Wave (clean)

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Deceptikon

Presidio

There Be Monsters Natural-Marbled Vinyl Edition

Release: 2015 / EU – Original

Genre: Electronic & Dance

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This record took me about 3 years to complete, and I feel like in many ways it’s a return to my roots of introspective, mellow, instrumental electronic music, a “home listening” record instead of a club or dance record. I’ve always tried to not pay attention to trends in electronic music and just make what I like, and this record is the result of going strongly in that direction – I’m making music for myself, and am inspired way more by older music than current trends in electronic music or the latest production techniques. My aim is to make music that stands the test of time.

‘Presidio‘ is very organic – I used a lot of real instruments throughout: rhodes, guitar, bass, melodica, and more. Not many overdubs were used: I was after a loose, human, unquantized feel in much of it. However, I still use a lot of synthesizers and drum machines – I love the contrast between perfectly timed electronic sequences and loose, human, even “sloppy” timing.

About 2 years ago I moved to a remote, forested part of San Francisco – the Presidio, and the isolation of living in the forest next to the Pacific Ocean strongly influenced my approach to recording. My home studio is near the ocean and the Golden Gate Bridge, and is surrounded by miles of trails and foggy eucalyptus groves. At night I hear foghorns, owls, and coyotes. I think living in a place like this has made me more introspective, more creative, and more willing to take my music in directions that are very personal.

Fog is a regular fixture in San Francisco, but it’s especially omnipresent the closer you get to the ocean. Fog and reverb are closely related in my mind – I like creating dense washes of sound in my music, where all of the elements bleed together into a beautiful gaussian blur of sound.

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Rain Dog

2LP | 2016 | EU | Original (Project: Mooncircle)

18,99 €*

12" | 2013 | EU | Original (Project: Mooncircle)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Limited edition of 300 copies on colored vinyl!

‘There Be Monsters‘, the sophomore full length effort by Samuel Evans, or Rain Dog, is an auditory exploration into the unchartered regions of his own mind and the edges of experience. Dealing with many personal changes which continuously prolonged the creation process of the album, Evans channelled and processed a variety of experiences into a highly personal album. Essentially coming full circle, ‘There Be Monsters‘ attempts to draw a map for your mind – it is on the fringes of consciousness that the interesting things happen.

David Foster Wallace wrote ‘loneliness is not a function of solitude’, paraphrasing Marianne More: ‘the cure for loneliness is solitude’. A common thread throughout the album.

After his highly acclaimed debut album “Two Words” in 2014 (BBC Radio 1, BBC Radio 3, BBC 6 Music, Boiler Room, Red Bull, Thump, XLR8R) Rain Dog comes back to deliver his sophomore full length ‘There Be Monsters’. Avoiding the plight of the second album and keeping his signature sound while also not repeating himself, the album is the result of years of work, scrapped previous projects and simplifying his writing process and gaining experience by creating soundtracks for Vice Documentaries. The track titled ‘Eyes On The Aether’ is representative of a turning point and each track has particular relevance to a point in Sam Evans life over the last few years.

‘There Be Monstes‘ comes out worldwide on limited vinyl (including download code).

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Submerse

Algorithms And Ghosts

9,99 €*

2x10" | 2012 | EU | Original (Project: Mooncircle)

Release: 2013 / EU – Original

Genre: Electronic & Dance

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This EP is the outcome of a five month spanning transition between warm and bright summerdays to dark and dusky winterdays resulting in a change of moods that accompany this shift from lights, colours and sounds perceived everyday. It is a soundtrack made for commuting between different places in large urban spaces, filled by swarms of people shoaling and funneling across intersections, subway stations and central hubs like corpuscles pulsating in the cities veins, conducted by invisible algorithms in the symbiotic superorganism that is a metropole.

“I took a lot of inspiration from 3 main points of Tokyo City. There are traditional parks and shrines/temples that really take you away from the high rise buildings and make you feel like you could be in the countryside. Next, there are typical shops, neon lights, offices and general city life, and lastly, there is the red light area which is a great place to see all walks of life, from gangsters, working girls and strange things behind closed doors. I’m fascinated by this place, It seems like another world to me, I’m always drawn to it out of curiosity and the feeling I get while passing though is really inspiring.”

The EP also features a collaboration with Sorrow from Birmingham, UK, who has been making a name for himself in the scene since 2010.

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Robot Koch

Cosmic Waves

12,99 €*

2LP | 2024 | EU | Original (Omniverse)

Release: 2012 / EU – Original

Genre: Electronic & Dance

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After last year`s critically acclaimed full length album ‘The Other Side‘, Robot Koch is back with a new limited double white vinyl 2×10” LP on entitled ‘Cosmic Waves‘.

The EP features both new Robot Koch tracks as well as collaborations he made with affiliated artists. Instead of going the “usual route” by asking fellow artists to simply remix his music, Robot chose to send out half-finished tunes to his selection of musicians in order to have them finish and complete them in their very own way. To avoid the “name-dropping game” of asking the same intrenched names over and over again, he chose to collaborate with young and upcoming artists he personally favors and whose sound he really digs. For this reason the EP includes collaborations with Headshotboyz, Pavel Dovgal, Kuhn, Submerse and Rain Dog.

The EP also features 3 new solo songs by Robot Koch. ‘Nano’ and ‘Follow Birds’ have only been released digitally and will now come out on vinyl for the first time. The title track ‘Cosmic Waves‘, is a new song in the vein of classic Koch tracks like ‘Lights‘ (‘The Other Side’ 2011).

‘Cosmic Waves’ derives from the very old concept that everything and everyone is connected with and through an universal energy that comprises all that is. The music reflects a deep interest in anything spiritual and mythical but also concepts of outer- and inner-space and the balancing of new digital and futuristic influences with nature and ancient wisdom. Therefore, it represents the idea that every matter in this universe exists in this cosmic ocean of waves, constantly materializing and dematerializing. In the words of Bobby Friction of the BBC, Robot’s music sounds like “artificial intelligence discovering religion“.

While this EP is dedicated to the international scene of beat-makers and focuses on instrumental beats again, Robot Koch contiunes writing new material with vocalist John LaMonica (featured on ‘The Other Side’ as a vocalist on songs like ‘Nitesky’). Robot and John are in the studio right now, working on a new project entitled ‘Robots Don’t Sleep‘, a bandproject that takes the songwriting and melody-focus of ‘The Other Side’ to a next level – more info about this will be revealed soon.

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Visioneers

Def Radio

34,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

Colours Revisited Red Vinyl Edition

Adam F

3LP | 2024 | UK | Original (181.0)

62,99 €*

3LP | 2024 | UK | Original (181.0)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2025-02-21

‘Colours Revisited’ is a revision of Adam F’s Mobo Award-winning 1997 debut album, showcasing a rebirth of his groundbreaking work. With restored vintage instruments and new collaborations with UK jazz legends, Adam F recreates his classic tracks. This 2cd/3lp release includes reworked versions of hits like "Metropolis" and "Music In My Mind" and features contributions from vocalists like Kirsty Hawkshaw and the late MC Conrad, adding fresh life to the original material. The album seamlessly blends live instrumentation with 80s British electronica and jazz fusion, making it a must-have for drum & bass and electronic music fans. A free download card accompanies the vinyl releases, offering additional remixes and exclusive digital tracks.

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Adam F

Colours Revisited

59,99 €*

2LP | 2024 | EU | Original (Chapelle Xiv Music)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2025-02-21

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Soulstatejazz

Sol-3

30,99 €*

Highway Of Love Pink W/ Purple Smoke Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-15

The much-coveted project Soul State Jazz, where every record is highly sought after and prized on Discogs, has just unveiled their latest album. Act quickly to secure your copy before they become increasingly rare!

Soulstatejazz's 'sol 3' on Chapelle XIV is a genre-blending double LP led by Tom Ellis, merging jazz, electronic, and house music from studios in Hartlepool and Wales. With virtuosity and diverse instruments, it delivers a transformative, boundary-breaking experience.

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The G

LP | 2025 | US | Original (Newretrowave)

31,99 €*

LP | 2024 | EU | Original (Pingipung)

Release: 2025 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2025-02-21

A massive "Welcome Back" to The G!!! After a span of 3 years plus, the master is finally back with another stellar synth packed album! A must listen for all synth lovers.

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Anadol & Marie Klock

La Grande Accumulation

29,99 €*

2LP | 2024 | UK | Original (No! Label)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Anadol and Marie Klock have teamed up for a joint album, La Grande Accumulation. They met two years ago at a festival in England crowded with violent seagulls and outsider musicians. Klock being prone to barking on stage and Anadol not laughing at jokes she doesn’t find funny, they straight away had the intuition that they would meet again. And so they did, a few months later, at Anadol’s studio in Istanbul.

Today, the two Pingipung artists present the fruit of this musical friendship. La Grande Accumulation was born out of the peculiar atmosphere of the studio neighbourhood in Büyükada, an island where thousands of cats run free and humans randomly destroy things during apocalyptic times when parts of Turkey had just been turned into dust by terrible earthquakes. The French lyrics are inspired by hours of conversations, the music is consequently drenched in absurdity, overflowing with a strong urge to live and enjoy. According to the LP sticker, this album has been certified “Best handshake of 2024”, and stickers never lie.

La Grande Accumulation brings together Marie Klock's mysterious metaphors and Anadol's intriguing radiophonic psych-pop. Stretching forms beyond common sense to see how long they can resist is probably their favourite game. The result are six highly imaginative tracks that challenge the sub-3-minutes standards of Spotify pop.

Gözen Atila aka Anadol is well known to the Pingipung audience, with three solo LPs on the label. Her music follows a kind of collage logic, she interweaves countless styles, combining field and studio recordings with obscure quotation marks here and there. "I hope no one will come and explain this music to me, because it's the most beautiful music there is", says Kristoffer Cornils about her solo album Felicita.

Marie Klock is a French writer and musician who produces songs oscillating between synthpop and neo-folk, full of anarchic humour and existential dread. Her recent solo LP on Pingipung was a captivating tribute to the recently deceased poet Damien Schultz entitled Damien est vivant.

Marie Klock delivers her lyrics in song or spoken word, stream-of-consciousness musings on strange human adventures, and her rich keyboard melodies culminate in a nonchalant dialogue with the bass trombone (La Reine des Bordels). In the opulent opening piece (La Grande Accumulation), a woman is cursed to take home everything she kicks in the street; a bit later, we stumble upon a ghoul hiding in the gutter (Sirop amer), Mona Lisa loses her teeth (Sonate au Jambon) and a warthog struggles to climb the stairs of a silver tower (Sabots triviaux).

La Grande Accumulation was mixed and mastered by Jonas Romann at Chaos Compressor Club in Hamburg and cut to vinyl by Kassian Troyer at D&M in Berlin. It's an audiophile LP that invites to focus on every detail in this heap of musical ideas.

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Whitey

Mental Radio

29,99 €*

Jac Berrocal / David Fenech / Vincent Epplay

Release: 2024 / UK – Original

Genre: Electronic & Dance

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NJ White - aka Whitey - explodes out of the shadows with the announcement of his highly anticipated double LP Mental Radio, out on 3rd October 2024. Pulling in influences from across decades of sound and putting it through the Whitey blender to create something musically fresh, Mental Radio is an album that in turn is furious, raw, amused, politically razor sharp and poignant... a satirical take on 21st Century life, a musical pop art collage.

As an individual, Whitey prefers to speak via his work, and has eluded all interviews for well over a decade - leading one journalist to describe him as 'the musical equivalent of Bigfoot’. Despite this elusive stance, his music continues to rack up many millions of plays and draw fans from all ages across the globe. Across a string of acclaimed albums, Whitey's music has made its mark, from rock'n'roll clubs to electronic dance floors, fashion catwalks to movie soundtracks, television to computer games, from Breaking Bad and the Sopranos to Grand Theft Auto.

Whitey has built a strange home in the shadows between mainstream entertainment and the vanishing underground, an outsider who celebrates his outsider ethos in his work- and yet whose music is embraced by both popular and alternative culture. Whitey is a prominent spokesperson for independent music - his viral letter about 'fair fees for artists' was shared 500,000+ times; and made Newsweek, The Times, BBC Worldwide and the front editorial of Music Week.

Whitey’s back catalogue has previously received praise from the likes of The Independent, The Guardian, Record Collector, Uncut and Rock Sound to name a few. Available as a Double Vinyl LP and CD through NO! Label, published globally by Mute Song and repped for live by William Morris Entertainment - this is set to be a benchmark album of 2024.

Mental Radio is out on digital platforms on 3rd October 2024 with a physical release date of 8th November 2024.

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Broken Allures Transparent Yellow Vinyl Edition

LP | 2024 | UK | Original (Cold Spring)

30,99 €*

12" | 2024 | UK | Original (Nunorthern Soul)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"Broken Allures", the fifth LP from trio Jac Berrocal (NURSE WITH WOUND collaborator), David Fenech, and Vincent Epplay (following releases on Blackest Ever Black, Akuphone, KlangGalerie), furthers their unique recording style with a musique concrète approach to mixing, characterized by the distinctive sound and technique of musicians and producers. Fenech and Epplay have paired with legendary French musician Berrocal, renowned for his collaborations with Nurse With Wound, Vince Taylor, Jaki Liebezeit, Pascal Comelade, Sunny Murray etc. "Broken Allures" is arguably their most coherent and fully accomplished album to date. For this album, the trio has invited two fantastic musicians to compose with them: COSEY FANNI TUTTI and JAH WOBBLE. COSEY FANNI TUTTI (Throbbing Gristle, Chris & Cosey, COUM Transmissions) contributes vocals, cornet, and electric guitar in her unique style. She has also written lyrics for two tracks on the album and brings a radical touch to the instrumental track 'Viva la Hacienda', which, in her own words, recalls her time recording with Throbbing Gristle.JAH WOBBLE (founding member of Public Image Limited, and collaborator with African Head Charge, Brian Eno, Björk, Holger Czukay, Jaki Liebezeit, Bill Laswell, Primal Scream, Evan Parker, Sinéad O'Connor etc) plays a deep bass line on one track. He adds his signature industrial dub sound, with deep sub-bass frequencies.File next to Throbbing Gristle, early Clock DVA, Chris & Cosey, Bill Laswell, Master Musicians Of Jajouka. 1. Warszawa2. Tones Of Blue And Red3. Cerbère Passage4. Outspoken Caress5. Viva La Hacienda6. Zadar Melodia7. Morocco Shanghai8. Broken Allures9. Coiffeur Pour Vince10. Christal Venus11. Sondelimosa12. Preacher Feature

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BJ Smith

Umi Says / Runnin

CD | 2025 | US | Original (Newretrowave)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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This neat slice of mashup-Balearic from BJ Smith is a clever exercise in sample combination. First released in 2013 but reissued again here, we hear two iconic hip-hop tracks - Mos Def's 'Umi Says' and The Pharcyde's 'Runnin' - both laid to serene, lackadaisical Balearic backings. Thus two sunrise classics were born, complementing a very particular kind of rave.

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The G

Highway Of Love

12,99 €*

Jac Berrocal / David Fenech / Vincent Epplay

Release: 2025 / US – Original

Genre: Electronic & Dance

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A massive "Welcome Back" to The G!!! After a span of 3 years plus, the master is finally back with another stellar synth packed album! A must listen for all synth lovers.

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Broken Allures

LP | 2024 | UK | Original (Cold Spring)

LP | 2024 | Original (Cult Measures)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Jinje & A Brief Utopia

We Invisible

12" | 2024 | EU | Original (Foom)

Release: 2024 / Original

Genre: Electronic & Dance

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Earthly Measures & Multi Culti come together to present their first release on new collaborative label 'Cult Measures' - First up is Jinje & A Brief Utopia's - 'We Invisible' - a deep, cosmic, experimental 8 track LP with Afro percussion & Jazz influences - perfect for home listening and peak dance-floor in equal measures. With records out on Mesh, Ostgut Ton, Different, Messrs Kick & Drum, Scene Unseen and his own label, Making Friends, Jinje (aka, Lee J Malcolm) has been making headway with his solo project in the electronic music scene. As the founding member and main song writer of Vessels (Cuckundoo, BIAS/Leaf, Different/PIAS) he has been DJ'ing and performing live for over two decades. A Brief Utopia (a project by Jinje) was born from an EP released earlier this year by Jinje (aka, Lee J Malcolm from Vessels) on Scene Unseen. Stepping away from his usual production duties and focusing more on his passion for live drumming and percussion instruments. This was the starting block for much of the composition on the record. He quickly realized that this would be a brilliant thing to do live and reached out to fellow musicians Danny Templeman (Submotion Orchestra, Gentleman's DubClub) and Nathan Moseley (Fwar, Brolin) to put together a high energy show aimed at clubs and festivals alike. A Brief Utopia brings a colorful, vibrant and visually engaging experience. Drawing on a love of music from around the world focused through a lens of live drumming, tuned percussion and psychedelic synth work. Tracklisting: A1. Submarino A2. We Invisible A3. Belafon Balafon A4. Gourds B1. The Scam B2. PushMePullYou B3. Last Kankabono B4. Polynese

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Bruno Pronsato

Rare Normal

The Brave Ones Marbled Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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First new album in 3 years from Bruno Pronsato, fusing experimental tunings with his signature percussive workouts

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Syst3m Glitch

LP | 2024 | US | Original (Newretrowave)

33,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Chapelle Xiv Music)

Soulstatejazz

Sol-3 Part 2

Release: 2024 / EU – Original

Genre: Electronic & Dance

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10 Years Of Rhythm Section International

12" | 2024 | UK | Original (Boxset)

91,99 €*

Starring Rosi Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Hip Hop, Electronic & Dance

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Rhythm Section International, the impossible-to-define label founded in South East London by Bradley Zero in 2014 has reached the ripe old age of 10 years. Funny thing is, it feels like it could have been almost double that. It’s hard to imagine the Landscape of the London music scene without this foundational force whose influence is felt more than ever.

With this special anniversary release, the label takes stock at this milestone to present a compilation in 3 parts: Past, Re-imagined AND Future: honouring the labels tradition of always paying homage to what has come before while setting sights firmly forwards.

With 100-odd releases in their extended back catalogue covering every imaginable style and boasting influence in every inhabited continent on earth, it’s been quite a decade for the independent label, which began on a shoestring budget with funds made via the now legendary Rhythm Section pool hall parties in Peckham.

From humble beginnings to an era defining output - few would have predicted the slow and steady rise of the imprint and the impact it has had on generations of Dj’s, musicians and listeners - at home and abroad.

Spanning 6 discs and 30 tracks, the compilation begins by taking us on a walk down memory lane and presenting one track from each year of the labels output - highlighting some forgotten classics from the archives over the first 2 discs. For discs 3 & 4, the label invited it’s stable of artists to pick a track from the back catalogue to re-imagine in their own style. This process resulted in some incredibly playful contributions from the likes of Ruf Dug, Session Victim and Private Joy - whose playful reinterpretations add new depth to old material.

Finally, the last 2 discs are entirely new material for 2024, carrying the torch of the previous Shouts compilations - whose sole aim is to shine light on new music from emerging artists

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Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

12" | 2024 | JP | Original (Deep Ground)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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We are thrilled to announce the highly anticipated re-issue of Ash Ra Tempel's legendary 5th Studio Album "Starring Rosi" in our "50th Anniversary Edition". Originally released in 1973, this seminal work remains a cornerstone of the Krautrock and "Kosmische" movement, blending psychedelic rock, ambient soundscapes, and early electronics into a transcendent auditory experience.
The Album has been recorded by Manuel Göttsching in it´s entity, with additional help to come from Producer Dieter Diercks playing bass, percussion, Drummer Harald Grosskopf and of course Rosemarie "Rosi" Müller.
"Starring Rosi" is an essential piece of their continuation of blending cosmic psychedelia, ambient textures, and avant-garde electronic experimentation. Originally released in 1973, this album marked a significant departure for the band, featuring Rosi Müller, who added a lyrical and vocal dimension to the band's typically instrumental soundscapes & Manuel Göttsching background singing.
To many technically Ash Ra Tempel last, yet most accessible, release, although there was the soundtrack to Philippe Garrel´s movie "Le Berceau de Cristal" and there might be some further previously unreleased, music to come out later.

Album Background:
*Starring Rosi* stands out in Ash Ra Tempel's discography for its lighter, more accessible sound, balancing the band's signature cosmic explorations with melodic structures and poetic lyrics.
It marks an unique chapter in Ash Ra Tempel's discography, featuring the ethereal vocals of Rosi Müller alongside Manuel Göttsching's visionary guitar work. The album is a sonic journey that takes listeners through seven distinct tracks, each showcasing Manuel Göttschings pioneering approach to music.
From the dreamy opening track "Laughter Loving" to the meditative "Day-Dream" and the atmospheric "Interplay of Forces," songs that illustrate the band's evolution from their earlier, more intense and improvisational albums, showcasing a more reflective and introspective side .
"The Fairy Dance" is delving into the mystical and meditative, transporting listeners to a dreamlike state.
While "Schizo" sounds like a continuation of the best moments of the previous Ash Ra Tempel records, is the last track "Bring Me Up" an Up-tempo Song that features Manuel as well on vocals.
"Starring Rosi" captivates with its blend of cosmic improvisation and melodic beauty.

Reissue Details:
This reissue of *Starring Rosi* has been introduced and overseen by Manuel Göttsching still, and finalised by his Family exactly to his standards, in which the meticulous approach to his work lives on.
An updated 2024 recut carefully commissioned by Schnittselle in Berlin (who also signs responsible for the previous ART Reissues, likewise, the 2016 E2 E4 Anniversary Edition ensure the warm depth sound while bringing out the rich textures and nuances, all of the original recordings. The reissue is available on 180-gram Black vinyl and a Limited Edition in transparent Pearl Sunrise Vinyl.
Both vinyl editions comes with a replica of the original Vinyl Artwork including it´s original Backside.
The Limited Edition also includes a Poster of the alternate Backside, used later on the CD Editions showing Rosi and Manuel improvising during studio sessions. Also included are prints of previously unreleased Original "The Fairy Dance" Music and "Schizo" Composition Sheets handwritten by Manuel

Tracklisting:
1. Laughter Loving
2. Day-Dream
3. Schizo
4. Cosmic Tango
5. Interplay of Forces
6. The Fairy Dance
7. Bring Me Up

Rediscover the magic of Ash Ra Tempel with this definitive reissue of *Starring Rosi*-a timeless journey through sound that continues to inspire and captivate listeners over five decades later.

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Kaoru Inoue

Rhythms Of Dedication

LP | 2024 | EU | Original (Chapelle Xiv Music)

Release: 2024 / JP – Original

Genre: Electronic & Dance

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Kaoru Inoue releases a new EP "Rhythms of Dedication" on November 3, Record Day 2024, a sequel to the LP "Dedicated to the Island," which received a great response! The EP features a remix by SidiRum, an artist from Argentina who is one of the most talented in the Slow House~Tribal scene, as well as self-reworked tracks from the previous LP, a track on vinyl for the first time, and a previously unreleased track. The album is a collection of organic, left-field dance tracks, in which rhythmic elements are imprinted on excerpts from the previous LP, which was rich in ambient and environmental music.

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Soulstatejazz

Sol-3 Part 1

LP | 2024 | UK | Original (4Bit Productions)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Ulrich Troyer

Transit Tribe

23,99 €*

Home Recordings, 1978-1980

Release: 2024 / UK – Original

Genre: Electronic & Dance

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*** LP with CD in cardboard sleeve & 8 page CD booklet incl. liner notes by Steve Barker & DL Code ***

Ulrich Troyer has been producing music now solidly for over twenty years within a largely genre free framework, but whilst navigating forms such as avant-garde, techno, leftfield, field recording, electronica, glitch and ambient it is the aesthetics of dub that guide his creative direction. Not really recognisable in an orthodox form as remixed versions of roots reggae songs but in the way sonics are manipulated with space, the application and layering of delay, reverb and echo that fixes his output well within the scope of what might be called futurist dub.

The nearest comparisons to his new album Transit Tribe can only be established by a synthesis of some of the more adventurous explorations in modern music such as African Head Charge, Jon Hassell, Pole (Stefan Betke), Bill Laswell or even Miles Davis; featuring a diverse selection of artists and friends not only from Vienna and environs but also from around the world, sounds are not so much fused but allowed to float along the continuous flowing tide of warm waves of bass.

Rather than to allow the names of Ulrich Troyer's collaborators be merely listed in the album credits, what they bring to this joyful affair needs to be outlined, albeit briefly: Co-producer credits go to Osman Murat Ertel from Istanbul, who employed a variation on the old foolproof Nick Lowe method for checking out the impact quality of his own sound productions by playing tracks through his car sound system speakers!
Murat is a member of the electro-psych-folk group Baba Zula where he plays electric saz, oscillators and theremin and played a key part in the creative development of the album. Mamadou Diabate, the balafon master originally from Burkina Faso and now resident in Vienna, has developed his own unique technique of playing solos that replicate the sound of three instruments playing in unison; however the multi-talented Mamadou is engaged here on singing and playing the talking drum. From South Tyrol Reinhilde Gamper is a member of the experimental trio Greifer who are bringing the sound of the zither into the twenty-first century using new playing techniques and electronic gadgets. Susanna Gartmayer is an Austrian composer and bass clarinetist specialising in improv and multimedia sound research. Diggory Kenrick has been engaged with creating new dub fusions and also re-energising classic rocksteady and roots reggae classics, renowned for his interventions on flute. Didi Kern is an electronic dance musician and drummer from Vienna with a focus on free improvised music. Hamidou Koita, a singer and multi-instrumentalist, is from a traditional Griot family in Burkina Faso but now resident in Vienna and a regular musical partner of Mamadou Diabate playing drums and calabash. Austrian Lukas Lauermann is both a studio and live musician playing cello, also working on electronic sound design and writing string arrangements. He has recorded extensively and appeared on stage with both Mark Lanegan and Hans-Joachim Roedelius. Martin Mallaun is a Tyrol-born specialist in both the development of the zither in modern music and also as a researcher in the effects of climate change on the vegetation of Alpine ecosystems. After studying classical percussion Flip Philipp is now a jazz vibraphone player and member of the Vienna Symphony Orchestra. Wolfgang Pfistermüller is a member of the Vienna Trombone Quartet and the developer of the incredible bass-trombone Aurora with its uniquely warm and resonant sound. Roger Robinson is a renowned British poet, winner of many contemporary poetry prizes and member of the experimental music group King Midas Sound. Kwame Yeboah is a Ghanaian born UK based keyboard wizard who tours regularly with Yusuf / Cat Stevens, Ms. Dynamite and Pat Thomas.
So contained on the album is an astonishing mix of musicians and instruments: sounds of cowbells recorded in the South Tyrolean alps processed by modular synthesizers and heavy analogue bass synths combined with instruments such as zither, bass-zither, electro saz, flute, talking drum, trombone, cello, marimba, djembe, contra-alto clarinet, Farfisa - all bound together by organic live-drums and dub effects.
Liner notes by Steve Barker
(DJ, Radio Presenter - On the Wire, BBC 1984 – 2023, now Slack City Radio & reggae/dub columnist and contributor to The Wire)

Credits:

Mamadou Diabate: vocals (3) & talking drum (3)
Osman Murat Ertel: electric saz (6, 7) & guitar (7)
Reinhilde Gamper: zither & bass-zither (9)
Susanna Gartmayer: contra-alto clarinet (8)
Diggory Kenrick: flute (2)
Didi Kern: drums (1, 2, 5, 6, 7, 8), percussion (3, 6)
Hamidou Koita: vocals (3), djembe (3)
Lukas Lauermann: cello (1)
Martin Mallaun: zither (9)
Wolfgang Pfistermüller: trombone (1)
Flip Philipp: c-marimba (1, 9), percussion (6)
Roger Robinson: vocals (4)
Ulrich Troyer: analog synthesizers (1-9), analog drum-machines (1-9), e-bass (1, 5, 7), sampler (1-9), prepared zither (1), field recordings (3, 6, 8), dub effects (1-9)
Kwame Yeboah: rhodes (5), vox (5), farfisa (5)

Written & arranged by Ulrich Troyer except 2 written by Diggory Kenrick & Ulrich Troyer / 3 written by Mamadou Diabate, Hamidou Koita & Ulrich Troyer / 4 written by Roger Robinson & Ulrich Troyer / 5 written by Kwame Yeboah & Ulrich Troyer / 6 & 7 written by Osman Murat Ertel & Ulrich Troyer

Recorded by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna - except: electro saz on track 6, 7 & guitar on track 7 recorded by Osman Murat Ertel at Saniki Studio, Istanbul / flute on track 2 recorded by Diggory Kenrick at Holloway Studio, London / vocals on track 4 recorded by Roger Robinson at Dog Heart City Studios / c-marimba recorded by Ulrich Troyer at Konzerthaus, Vienna / rhodes, vox & farfisa on track 5 recorded by Kwame Yeboah at Kwashibu Music Studio, Accra

Mixed by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna
Produced by Ulrich Troyer & Osman Murat Ertel / kindly supervised by Diggory Kenrick
Cover Artwork: Ink drawings & design by Ulrich Troyer / kindly supervised by Eva Kelety
Mastering & Laquer-Cut: Kassian Troyer at Dubplates & Mastering, Berlin

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The Fast Set

Tape | 2024 | UK | Original (The Tapeworm)

9,99 €*

Cheb Terro Vs. DJ Die Soon

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"In 1978 I started making experimental home recordings with my old schoolfriend Alan Clark. We both had Akai 4000ds reel-to-reels, which made for easy swapping of locations and ideas. We would meet most evenings to record – for the best part of two years. Much of the music on this tape comes from those experiments.

Some of my solo pieces on this cassette were on a compilation cassette I made for my friend Brad Day, who in 1979 was working at Beggars Banquet record shop in Earl's Court. He happened to be playing it in the shop when co-manager Peter Kent walked in and asked who it was. From that I was offered a 7" release on the Axis label Peter was starting with his colleague Ivo Watts-Russell, and my first gig was organised at Mayhem Studio in Battersea, supporting Vice Versa. With another schoolfriend, Steve Player on guitar and Stylophone 350s, my 16-year-old brother Peter Knight on backing tapes and backing vocals, and me on Vcs3 and vocals, we put a set together within a week. The filmmaker John Maybury projected Super-8 films over us at the gig, and suggested we call ourselves The Fast Set – as all three of us were rooted static to the spot with nerves. The name stuck, and it now seems appropriate to retrospectively apply that name to our previous untitled endeavours.

This cassette release is a 'patchwork' I constructed back in 1980 of the late-70s home recordings – both solo or with Alan. There were two projects back then – the experimental pieces, and the electronic 'pop' songs. This release consists of the former, which I feel age has been kinder to. The tapes had remained untouched for over 40 years until I baked and transferred them recently, so please excuse the hiss, distortion, pops, crackles, and wobbles, as I wish to maintain the integrity and home-made feel of the original recordings." – David Knight, London, 10 January 2024.

London-based musician David Knight has been a member of/worked with: The Fast Set, Five Or Six, Shock Headed Peters, Left Hand Right Hand, Arkkon, The Amal Gamal Ensemble, The Stargazer's Assistant, and Lydia Lunch. He wrote and recorded with Danielle Dax throughout the 1980s, and currently works with Stephen Thrower (Coil, Cyclobe) in UnicaZürn.

Recorded between 1978 and 1980 in Battersea, London on an Akai 4000ds and later a Teac 3300sx. Instruments used: EMS Vcs3, Roland System 100, Hohner K4 String Machine, Dubreq 350s, Piano, Guitar, Percussion, Roland Re201 Space Echo, Colorsound Ring Modulator, EHX Small Stone Phaser, Ibanez Standard Fuzz. Written, recorded and performed by David Knight and Alan Clark. Compiled and mastered by David Knight.

Artwork by Danielle Dax.

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Cheb Terro & DJ Die Soon

LP | 2022 | UK | Reissue (Drowned By Locals)

20,99 €*

LP | 2024 | EU | Original (Winthorpe Electronics)

Release: 2022 / UK – Reissue

Genre: Electronic & Dance

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Cheb Terro vs DJ Die Soon features Cheb Terro's posthumous vocals on Die Soon's beats; a work that was finished one day before Terro's tragic passing. Starting somewhere in the last quarter of 2020, having approached Daisuke Imamura aka DJ Die Soon for a release, and just heard about Cheb Terro's work with his Toxic Club, Drowned By Locals made the hook up that would result in a match made in the Underplanet, as Terro would describe it.

Hailing from the city of Sousse in Tunisia, the site of the worst of several Jihadist attacks in recent years, Cheb Terro's writings and delivery embody the violence stemming from the frustration shared by Tunisia's new generation; and reflect sadness, rebellion and an obsession with death.

Rayen Hermassi, aka Cheb Terro, was a multifaceted artist; writer, rapper, video editor, designer and founder of Toxic Club, the first Tunisian movement to merge horrorcore, hip hop, hardcore punk, Memphis gangster rap, devil shyt, vaporware, tinged with occult elements taken from the country's mystic past.

Daisuke Imamura is a Berlin-based artist born in Japan. His releases include 'Kappa Slap' [Morphine Records], in which Die Soon collaborates with Ecko Bazz, Infinite Livez, MC Yallah, Lord Spikeheart from Duma, and MA; and his latest production for Sekelembele split with Swordman Kitala [Hakuna Kulala].

In commemoration of the too-soon departed Rayen Hermassi, Cheb Terro vs DJ Die Soon is planned to release on March 25th, 2022, the day of Rayen's passing, on digital and vinyl - Mastered by Rashad Becker.

Rayen Hermassi's share of proceeds will go to his family.

released March 25, 2022

Music and cover art by Daisuke Imamura
Vocals and lyrics by Rayen Hermassi
Mastered by Rashad Becker

Dbl10lp

Patrick Clarke | The Quietus | The Quietus Albums Of The Year So Far Chart 2022
https://thequietus.com/articles/31727-the-quietus-best-albums-mid-2022
Matador Recommends | Playlist by Matador Records
https://spoti.fi/3yayJRC
Zoe Camp | Bandcamp Daily | Essential Releases
https://bit.ly/3FXDbGV
Emna Maaref | Ma3azef |شب تيرو ودي جاي داي سون(Cheb Terro Vs DJ Die Soon) Review
https://bit.ly/3sKA7Za
Toxic Club | Nika7 Official Video Premiere
https://www.youtube.com/watch?v=CYUHaC2KoDw
Noel Gardner | The Wire — Issue 458 | Cheb Terro Vs DJ Die Soon Album Review
https://bit.ly/3loBBUO
Gonzo (circus) — Mind The Gap 154 | Cheb Terro Vs DJ Die Soon - Pine Review
https://www.gonzocircus.com/mind-the-gap-154/
Clot Magazine | Underplanet Official Video Premiere
https://bit.ly/39xZGWK
Nyshka Chandran | Resident Advisor | Cheb Terro vs DJ Die Soon - Abtal AL Digital Single Review
https://ra.co/reviews/34696
Ransom Note | Posthumous record from Cheb Terro alongside DJ DIE Soon set for release
https://bit.ly/3yJDpjn
Tom Ravenscroft | BBC Radio 6 Music
https://bbc.in/3G4JpVl

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Automatic Tasty

One Foot In The Rave

CD | 2024 | UK | Original (181.0)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Jonny Dillon, also known as Automatic Tasty, has announced the release of his new LP, "One Foot in the Rave," on Winthorpe Records. A staple in the acid-inspired electronic music scene, Jonny has spent the last 15 years releasing music on esteemed labels like Acid Waxa, Further Electronix, Lunar Disko, Wrong Island, and CPU. His debut release on Winthorpe is an 8-track LP of stylish and subtle machine braindance, set to drop on vinyl and digital platforms on October 14th. "One Foot in the Rave" is a vibrant collection that showcases Jonny's signature style--a blend of melodic, melancholic acid jams, bleepy funk, and warm analog electronics. Whether for the stereo or the sound system, the LP moves from the upfront bounce of "The Apocalypse is Now" and "Raymond Tuesday's Big Day Out" to the shimmering reverb of "Starry Night" and the birdsong-infused "Ringfort." Listeners will find themselves in familiar Automatic Tasty terrain, rich with psychedelic exploration. According to Jonny, "What to say about this record? I don't really know and it hardly matters. I wrote them on different bits of gear; ye olde faithful Roland Sh101, my Mc202 (pencil and paper de rigeur), a battered x0xb0x 1.0 (thx Daniel!), a beloved Yamaha Cs-5, a similarly beloved Roland SH5, a truly hammered Juno106, a Roland Jx3p, a Nord something or other, an Mpc2500, my Tr606, and a Vermona Drm1 Mkii being sequenced via a bedraggled Tr626. Also Jay's Tr808 is on there (thx Jay!) and a TR8 being squashed through a Mutronics Mutator (wheee Damo!) and a Zoom H4n recorder. I edited them on a dilapidated laptop, with no headphones or monitors, steering by the tiny speakers on the computer and playing them in my car, twiddling the mix as I went. But these are frivolous and unimportant details. All that matters is that these songs were made out of love. Cheerio, Jonny. P.S.: This record is dedicated to Jay 'Winthorpe' Kelly." "One Foot in the Rave" will be available on vinyl and digital platforms starting October 14th.

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Adam F

Colours Revisited

LP | 2025 | Original (Tonal Union)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Blue Lake

Weft

LP | 2024 | US | Original (Recital)

Release: 2025 / Original

Genre: Electronic & Dance

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Blue Lake's new offering 'Weft' sees its creator Jason Dungan unearth new musical terrain
with a mini-album which presents the projects evolution. Finding inspiration in the craft of weaving and embracing a collective spirit as a band leader, all while readying a new studio album expected later in 2025.

It follows the lauded album 'Sun Arcs' (2023) with Pitchfork naming it (Best New Music, 8.3), amongst numerous other accolades. Blue Lake is the ongoing musical project of American born, Copenhagen based musician Jason Dungan which serves as his artistic platform as composer and collaborator. Developed over the period of 2024 and witnessed at live performances across a swath of European cosmopolitan cities and festivals, the project stands at a new creative juncture. The earthy title track 'Weft' emerges with a sense of ease and familiarity as looping guitar riffs in open tunings bed in around a warm cello pulse that provides the essential heartbeat. These interlinking parts align to create his most explicit version yet of an American writing country music in Scandinavia. Dungan named the release 'Weft' as a reference to the weaving practice of his partner, Danish visual artist Maria Zahle, whose work "Torso" is featured on the album's cover. With her works providing a constant source of inspiration to his music and practice as an instrument-builder, Dungan found a symbiotic connection between their mediums, which is reflected in the music on 'Weft'.

'Weft' is a collection of new works that casts a net into new sound territories with distinctive timbres yet always channelled through the refined lens of Dungan's prism. Infused with an ongoing connection to nature, it furthermore expands his unique meld of off-kilter folk, jazz, country and left-field experimental ambience. 'Weft' then is an accomplishment of growth, of bolder objectives and of collaboration with like minds. The Blue Lake project takes a dynamic step forward venturing into new creative spaces while leaving some clues along the way.

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Nour Mobarak

Dafne Phono

36,99 €*

Cheb Terro Vs. DJ Die Soon

Release: 2024 / US – Original

Genre: Electronic & Dance

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Nour Mobarak’s Dafne Phono is an adaptation of the first opera, Dafne, composed and written by Jacopo Peri and Ottavio Rinuccini in 1598. Drawing on the myth of Daphne and Apollo from Ovid’s Metamorphoses—a story of unrequited love, patriarchal possession, conquest, and transformation—Mobarak’s multimedia and multispecies reimagining splinters the opera’s Italian libretto. Alongside English and Greek versions, it is translated into some of the world’s most phonetically complex languages—Abkhaz, San Juan Quiahije Eastern Chatino, Silbo Gomero, and !Xoon. In this process, the narrative—and an artifact of Western culture—is dismantled, metabolized, and rendered into unruly utterances that shape the sensorium as much as they do the capacity for sense-making. These voices are given material form by a cast of mycelium sonic sculptures whose rhizomatic compositions and broadcasted recordings resemble the formation and mutation of language over time, reconstituting speech into a new, polyphonic body politic, composed of voices whose striking, poetic utterances transfix and transcend meaning.

The A-Side of the record presents a stereo version of Mobarak’s 15-channel sound installation, Dafne Phono. The B-Side uses a recording of a portion of the translation process the libretto underwent in Namibia, live-processed by the artist.

The LP is published on the occasion of Nour Mobarak’s exhibition at The Museum of Modern Art, New York (October 26, 2024–January 12, 2025), with support from Sylvia Kouvali.

Artist Bio: Nour Pamela Mobarak (Lebanese-American, b. 1985, Cairo, Egypt) lives and works between Los Angeles; Bainbridge Island; and Athens, Greece. Her works have been shown at Sylvia Kouvali (formerly Rodeo), London/Paris; Schinkel Pavillon, Berlin; MIT List Visual Arts Center, Cambridge, MA; Amant, Brooklyn; Joan, Los Angeles; Kim? Contemporary Art Centre, Riga; Miguel Abreu Gallery, New York; Hakuna Matata, Los Angeles; and Cubitt Gallery, London. Exhibitions at the Museum of Modern Art, New York, and Castello di Tivoli Museo d’Arte Contemporanea, Turin, are forthcoming. She has performed at Western Front, Vancouver; 2220, the Hammer Museum, and Laxart, Los Angeles; Cafe OTO, London; Renaissance Society, Chicago; the Museum of Contemporary Art, San Diego; and elsewhere. Her music has been released by Recital (Los Angeles), Cafe OTO’s TakuRoku (London), and Ultra Eczema (Antwerp), and she has had sessions on BBC Radio 3, NTS Radio, and Dublab Radio. Mobarak’s writing has been published in Triple Canopy, F.R. David, The Claudius App, and the Salzburg Review, and her first catalog, Sphere Studies and Subterranean Bounce was published by Recital (2021). She received a BA in English and Media Studies from Sussex University and did further studies at Université Paris-Sorbonne, Paris IV. She has held residencies at Denniston Hill, New York and the Institute of Contemporary Art, Los Angeles, and was the recipient of the 2023 Foca fellowship award. Mobarak was a 2024 faculty at Bard College MFA program.

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Cheb Terro & DJ Die Soon

Tape | 2024 | UK | Original (Drowned By Locals)

36,99 €*

Naruyoshi Kikuchi Dub Sextet

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Picture
Coming Soon

The Revolution Will Not Be Computerized

LP | 2024 | JP | Original (Tuff Beats)

49,99 €*

Release: 2024 / JP – Original

Genre: Electronic & Dance

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Mk 3.5: Die Cuts / City Planning Black Vinyl Edition

Mount Kimbie

2LP | 2022 | UK | Original (Warp)

36,99 €*

LP | 2022 | UK | Original (Jazz & Milk)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Dom Maker and Kai Campos have always known how to masterfully synthesise their talents into one singular yet ever changing vision. Since beginning in 2009, their work has morphed from their distinctly British sound of dubstep and techno to the boundaryless and densely packed collaborations of Love What Survives. Five years after that scintillating record, the two take their talents as Mount Kimbie to new extremes by splitting them in half entirely.

Having walked separate paths musically and physically in the world over the years since Love What Survives, Dom and Kai took a literal approach to their latest record, separating it into two distinct, independently produced albums - but linked through shared senses of sonic haziness and melody. Die Cuts shows Dom Maker at a collaborative peak, interspersing vocal cuts, samples, and urban sounds in swiftly stitched vignettes with a slowed down, lo-fi flair. Meanwhile, the chugging beats of City Planning mimic train tracks, as Kai Campos’ album contains rhythmic paintings of urbanity with detailed sonic architecture. These two sides of Mount Kimbie are as different as day and night, yet they inform each other greatly, speaking a simultaneous message from separate locations.

The opening track ‘dvd’ on Die Cuts features a mystical siren song fading in, before slowthai and Danny Brown’s expressive vocals cut through on ‘in your eyes’, trading bittersweet and apoplectic verses. An eerie alarm echoes on ‘heat on, lips on', subsiding with punchy beat and skittering keys, and a scathing, mercurial spoken word spiralling to jazzy loops depicting intimate struggles. City Planning in similar fashion shifts from tense, burrowing bass rumbles to fluttering synth droplets forming rivers of sound. The molten underground beat of ‘Transit Map (Flattened)’ lurches and groans, with piano notes sprawling like the many-coloured intersecting lines of a subway map.

Even when split in two, Mount Kimbie provide yet another total upheaval of their sound, combining their individual strengths for a roaringly creative album on MK 3.5.

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Ifsonever

18,99 €*

Iannis Xenakis - Electroacoustic Works Part 4

Release: 2022 / UK – Original

Genre: Electronic & Dance

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If you ever wondered what ambient music of the 21st century could sound like, then you should explore the musical spheres of "ifsonever". This colorful debut-album draws a blueprint of an urban ambient club record of a parallel universe. A collage of beautifully improvised pieces, strictly recorded in "one takes". A gripping fusion that brings together the warm analog textures of classic vintage synthesizers and electronic urban ambiences.
Trying to appreciate the recent times of silence and deceleration, Daniel Helmer aka ifsonever has quickly developed a tonal language as a solo artist. With a non-compromising approach he would visit his studio, a cozy garden shed, to record one new track a day in strictly analog fashion as "one takes". His aim for this project was to capture the innocence and instinctive creative energy of the present moment. These 9 timeless pieces invite the listener to explore hypnotic and meditative atmospheres such as on the opener "transpose" or on "jonesy dreams of birds", as well as gloomy and almost mystical sounding tracks such as "total global" or "an unexpected error has occurred". ifsonever is a wonderful amalgamation of organic, laid-back sounds and electronic, club oriented elements.
Recorded at a time when social contact was forbidden and culture was at a standstill, many professional musicians felt challenged not to feel useless when performances and sessions in public were cancelled, while the need for expression, participation and communication persisted. What happens when you've read all your books, when you're tired of looking at screens, and when you're digitally saturated? Then the unbearable lightness of being will begin. Daniel Helmer decided to let his creativity flow into a picture depicting that moment in time. He gave himself the opportunity to reflect this period through the creation of music. Not always an easy thing to do when the only social interactions would be cats passing by or the sound of children playing nearby. However that can be exactly the perfect tranquil surrounding to ground oneself in the here and now and draw inspiration from the inside. This self titled album reflects a peaceful journey from start to finish.

Two old friends have been invited to contribute overdubs in hindsight. MillianX is a film composer and noise artist, a colleague from the viennese filmacademy. Both worked together on the film score for the science fiction movie "Rubikon" while the album was in its final stages. So a collaboration was an obvious choice. The creamy arpeggiated synthline created for "jonesy dreams of birds"' was extended by Millianx with some field recordings and a big cloudy synthwave that dips into a vast sea of noise.
Guido Spannocchi is a london based jazz musician. Both knew each other for several years but never had the chance to work together. When Daniel Helmer wrote "an unknown error has occured" he imagined a saxophone layer to accompany the existing synthline. But when the two musicians finally got together to record in the legendary jazz club "Porgy & Bess", Guido just let his creativity flow and jammed freely to the track with a totally unique jazz vibe.
Between film, music & sound Daniel Helmer is continuously searching for a spot to call his own. Expanding boundaries, pursuing the unheard and breaking genre definitions are byproducts of his curiosity and his drive to avoid repetition. Daniel Helmer resides in Vienna where he studied at the local film academy. He became one of the founding members of the techno-punk band "Gudrun von Laxenburg" with album releases on the legendary Skint label, collaborated with Sam Irl on "International Major Label" as the production duo "Mantra Mantra" and released an album as "Yogtze" on Gerd Janson's imprint "Running Back Incantations", together with Feater. At the moment he is focusing on his work as a film composer and is currently working on two feature films in Austria.
"ifsonever" offers a timeless ambience to help you slow down, reflect and enjoy the beauty of nothingness. It might help us to learn and accept a state of being unutilized without feeling futile and benefit from this rare silence.
The cover artwork is a collaboration between Jazz & Milk graphic designer Tim Schmitt and photographer Frank Hulsbömer. A scan of the artist's head, hand and foot was 3D printed, photographed and transformed into an otherworldly scenery that visualizes the musical atmosphere.

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La Légende d'Eer

LP | 2022 | EU | Original (Karl)

LP | 2022 | EU | Original (3XL)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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This album is disc IV "Les Polytopes III" of the 5 LP / 5 CD box set "Electroacoustic Works" that celebrates the 100th anniversary of IANNIS XENAKIS (on May 29th, 2022), one of the most influential 20th century avantgarde composers. All tracks have been newly mixed by longtime zeitkratzer sound engineer MARTIN WURMNEST and mastered by RASHAD BECKER and finally reveal their full sonic range and dynamics.

„Electroacoustic Works“ celebrates the 100th anniversary of Iannis Xenakis (on May 29th, 2022), one of the most influential 20th century avantgarde composers. All tracks have been newly mixed by longtime zeitkratzer sound engineer Martin Wurmnest and mastered by Rashad Becker and finally reveal their full sonic range and dynamics. Booklet with English / German liner notes by Reinhold Friedl (zeitkratzer) and rare photos from the Xenakis archive.

Iannis Xenakis (1922-2001) is one of the most important composers of the 20th century avantgarde whose influence on music can be traced to the present day – not only in the world of conservatory-trained composers but also in various streams of current non-academic underground aesthetics such as experimental electronic music, noise and industrial.

After he arrived in Paris in 1947, Xenakis not only studied composition with Messiaen and later became a member of the famous GRM (Groupe de recherches musicales), he also worked as assistant to the famous architect LE Corbusier and realized a.o. the Philips Pavilion for the World Exhibition in Brussels 1958. His compositions often are based on mathematical principles which give his music an unprecedented aesthetic and “shocking otherness” (The Guardian). Although Xenakis also composed for orchestra (his most famous works are “Metastasis“, “Pithoprakta” and “Terretektorh”), electronic music became his way for exploring new ideas and concepts and to develop new techniques like a graphic interface for sound synthesis or later, when computers were easier accessible, his so-called "stochastic synthesis" (Gendy 3, S.709 > Disc V, Late Works). Xenakis’ first electroacoustic pieces (Disc I) like “Diamorphoses” or “Bohor” turned out groundbreaking works while the latter even caused, as Michel Chion put it, the “greatest scandal of electroacoustic music” on the occasion of its performance 1968 at the GRM in Paris.

His so-called „Polytopes“ (Discs II - IV) were overwhelming multimedia performances with especially designed architectures, laser and light shows etc. where sometimes up to several hundred loudspeakers were used to move the sounds in space. For example his most famous composition “Persepolis”, commissioned by the Persian Shah, premiered in 1971 in Shiraz- Persepolis (Iran) as a performance including light-tracks, laser beams, groups of children walking around with torches and 59 loudspeakers to project the music in an open-air situation.

The most radical aspects of sound can be found in Xenakis' late work and its merciless reduction to harsh, almost ruthless sound synthesis. In the early nineties, he devoted himself to the concept of a composing machine: a machine that designs everything independently and calculates the finished piece, the algorithm is the work.

For the first time, the complete electroacoustic works of Xenakis are now available on record the truly overdue testimony and legacy of a restless investigator and explorer of sound. Years of source studies and comparative research by zeitkratzer director Reinhold Friedl, in collaboration with sound engineer Martin Wurmnest, made these critically reflected stereo mixes possible, which were appropriately mastered by Rashad Becker and which, in addition to the aspect of fidelity to the source, put the listener in the center. Xenakis' adventurous music can now finally be enjoyed in its full sonic range and dynamic.

To quote The Wire’s review from May 2018:
“This is the definitive Persepolis“

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Exael

Ice That Melts The Tips

21,24 €* 24,99 € -15%

Hendrix / Wayne Robert Thomas

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Experiences Limited, now 3XL, with a sick new LP from Exael on a highly atmospheric ambient jungle tip, deploying 30 mins of percussive spasms seeping into smoked-out zoners - highly tipped if yr into anything from Lee Gamble to Malibu.Clearing their cache of stray bullets, Exael returns with a gyring plunge into percussive wormholes and low-lit mood enhancers .The tracks are broadly cleft along schisms of dark/light and demonic/ angelic, switching from restive propellers to more sublime sensations in a fine testament to their practice - making for prob our favourite Exael release thus far. On the “darker” side, they commit the convulsive, fractious footwork pulses and warped tones of ‘Circle (Squishy Mix)’ in a sort of parallel to 33EMYBW’s insectoid rhythms and combustion systems, while ‘Ice That melts The Tips’ trades in rapid, ice-skating thizz and ‘Ghoul Search (Demonic Attachment Mix)’ fires up the junglist particle accelerator for a proper gauntlet of hyper techstep dynamics. The contrast is epitomised by ’Composure’, arranging flinty breaks on a luscious waterbed of floating pads, before ‘Eidolon’ renders a sort of airborne dembow pressure in the vicinity of Ben Bondy & special guest dj’s xphresh works. ‘L-theanine’ closes the session on a fine tread inside emo ambient styles and flurries on the same spectrum between DJ Lostboi and Teresa Winter, complete with a reverberating, half-buried vocal.

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Juniper EP

Tape | 2022 | EU | Original (Past Inside The Present)

12" | 2022 | EU | Original (La Rama)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Another collaborative effort from the consistently fascinating US ambient kings Past Inside The President, this time with Hendrix - not that one - and Wayne Robert Thomas, whose atmospheric guitar-led work has featured several times on the label before. If the average ambient album has its head in the clouds, this is more grounding, more gamboling in the fields perhaps than floating in the ether, with gentle flute and guitar giving the walls of synth sounds some perspective. That said, the closing track of the four, 'Retract R (Type K)', sizzles away like something by Growing or even Spaceman 3 left to fry in the sun. Magnificent stuff..

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Nahash

Stockpiling

8,39 €* 13,99 € -40%

Release: 2022 / EU – Original

Genre: Electronic & Dance

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All comes together to present the 3rd release on La Rama Records. Nahash provides five pieces of varied influence for a cohesive effect, downtempo dance steppers to cinematic breaks for raw human motion.

After releases on Shanghai’s Svbkvlt and Lyon’s Polaar, Nahash goes local with brick and mortar operation La Rama. Working with New Jack samples and obscure orchestral Jazz, ‘Stockpiling’ is Nahash in a dance floor style, providing discerning DeeJays a tune for every moment of the night.

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Would It Sound Just As Bad, If You Played It Volume 2

2LP | 2022 | EU | Original (Other People)

33,99 €*