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Checkpoint Charlie – a border crossing that stands for separation and reunion, division and reconciliation. Follow Vision into the deep shadow of the Berlin Wall and witness a fateful love story. КПП “Чарли” – пограничный пункт, означающий разлуку и встречи, разделение и примирение. Следуйте за Vision в глубокую тень Берлинской стены и станьте свидетелем судьбоносной истории любви. Checkpoint Charlie – un poste frontière qui représente la séparation et la réunion, la division et la réconciliation. Suivez Vision dans l’ombre profonde du mur de Berlin et assistez à une histoire d’amour fatidique. Checkpoint Charlie – ein Grenzübergang, der für Trennung und Wiedersehen, Spaltung und Versöhnung steht. Folgen Sie Vision in den tiefen Schatten der Berliner Mauer und werden Sie Zeuge einer schicksalshaften Love Story.

"Down with white supremacy, down with racism". THE Jack Moves originally circulated this track on Soundcloud during the summer of 2000 Racial Justice Uprisings. Star Creature told the crew that they'd be down to release it as a 7inch & donate all proceeds to a good cause. End Racism!

This rare single offers two remixes from tracks from their covers EP V.I.D. (Very Important Discotecas). One is ‘Dame Un Poco De Tu Amor’, starring Baccara, remixed by Rayko. The other is a cover of Radio Futura’s ‘Dance Usted’ remixed by Fundacion’s Miguelito Superstar.

6th Borough Project have just dropped their second LP Borough To Borough to a great reaction with the vinyl holding pole position on the Juno LP chart (knocking Moodymann off the top spot) and garnering much praise from DJ’s and press alike. You know we like a good remix at Delusions Of grandeur and here we present not one but three very different takes on three of the LP tracks. Opening up the A side we have rising star Cuthead serving up his trademark scratchy, swinging MPC beats with clattering percussion and stabbing chords on his excellent remix of Back 2 Black. Perfect, leftfield house music with depth and flair and a perfect example of why the Uncanny Valley regular is picking up so much praise right now. Next up Fantastic Man gets to grips with Read My Mind, bringing a lovely bit of proto-house flavour to the release on this James Mason ‘Nightgruv’ inspired remix. Chiming DX7 synths and lush pads are the order of the day here, creating a lovely warm up vibe before going heads down and dubby for the final 3 minutes. Flipping over we’re treated to some lush, slo-mo-lo-slung vibes on the Ben La Desh remix of Walk Away, the Dutch producer teasing things out with a chugging 7 minute workout which will sound dreamy and creamy on a big system.

6th Borough Project are all set to release the follow up to their 2011 debut LP One Night In The Borough at the start of March. A hectic couple of years have been lived out by Graeme Clark and Craig Smith during the making of their Borough 2 Borough LP with Graeme continuing to play week in and week out as Revenge and setting up his new imprint Roar Groove whilst Craig has established the brilliant Fifty Fathoms Deep label. Studio time has been tight to say the least but that hasn’t stopped the duo from pulling out all the stops and ensuring that this LP surpasses the already sky-high benchmark set by it’s predecessor. As a taster for the LP we present you with this sampler single containing three gems that’ll whet your appetite and leave you gagging for more! Kicking off we have In Your Arms which sees the duo deliver some classic 6BP business with a party-starting house track laced with Philly strings and a heavy dose of soul. Next up things take a slightly darker direction on U Know U with this heads-down track incorporating a crisp, stripped-back beat joined by filtering pads and a distant vocal for company. Flip over for Read My Mind which brings some deep and brooding warehouse vibes to the table. This is the sound of 6th Borough Project doing techno with just a hint of 909 ride adding to the layers of bouncing stabs and off-kilter vocals.

The Crooked Man returns to Bitter End with an 'Emotional Copy Only' limited pre-release of powerful club pieces...

Keen eyed aficionado's may spot the homage to Mel Cheron's classic US label West End Records here
But while their motto may have been 'Where The Sun Sets & The Stars Rise' Bitter End Records embarks on a distinctly more 21st century path to dancefloor salvation...

'Echo Loves Narcissus - Part 1' is the opening salvo in a sonic saga across four movements, marrying, as it does irresistibly uplifting chords and vocal ad-libs to a bass line so thick it'll rattle the windows right out of your ride and knock the tiles straight off the walls of your cerebral restroom.

Once you've adequately composed yourselves, we invite you to the 11 minute MONSTER which is 'Get The Love' on the AA...

This recalls the brief but genre defying 1990 jams from Mundo Muzique's 'Revelation' project: synth assisted house-nosis, buoyed by the mantric voice imploration to accept higher states of carnality atop an immersive blanket of propulsive rhythms.

Once again Bitter End rips up the rule book, and crafts a whole set of new, better ones in which freedom reigns

Light years ahead !

Saturazione Momentanea is the first single from the upcoming album by 291out, set to be released on Tasty Treats Records at the end of this year.

It is a warm soundtrack, built up on a hypnotic groove, enhanced by electric piano and brass solos and it's a blend of electronic music and jazz/fusion, sound of the 70/80's era. B side Saturazione Sistemica is built upon the motif of the other track but create a different atmosphere and it's characterized by a huge brass section, electronic arpeggiators and smooth flute solo.

291out are known for their passion for soundtrack and on these pieces you can hear the influences from notable italian composers such as Riz Ortolani, Francesco De Masi and Augusto Martelli, just to name a few.

SR10 is the brand new spin off label from Samosa Records concentrating on 2 choice cuts from some of the finest producers at the label one each side of a 10” vinyl. It also see’s Samosa announce an exciting collaboration with another of the finest labels out there Tropical Disco who will be handling the digital release for this one down the line.
Launching the brand new imprint it’s only fitting for the label bosses De Gama and Les Inferno to lead things out.
First up is De Gama’s Sometimes Sometimes which see’s him creating a much more reflective track than his previous powerful peak-time percussive club jams. Despite its ever so bluesy laid-back sentiments it’s no less a sublime outing. Velvety smooth the lead vocal is definitely one of those once heard never forgotten magical musical moments. It’s a track of simplicity, a smooth bassline, subtle guitar licks and the wonderful vocal performance. It’s an entrancing life affirming track which has all the hallmarks of a track which absolutely must be listened to again and again. And yeah, maybe just one more time!
Over on the flip Les Inferno takes us off towards classic Philly territory with an equally subtle but ever so funky slice of feel-good disco in ‘Yeah C’Mon’. Smooth percussion, an ever so danceable bassline, brilliantly performed yet subtle keys and another absolute monster vocal. And did we forget to mention the disco flute? Yeah Disco flute, does it get any better. We think not?
This is a 10” which is quite simply undeniable. You must have this in your collection right now because you will need to listen to it time and again. Samosa continues its quest to dominate the disco vinyl landscape with yet another ridiculously superb release.
What are you waiting for just order this and thank us later.

The guys at Pole Jam Vinyl have spent most of the last year involved in an undying quest to seek out new, exciting music.

They would neither be stopped by the Russian tundras nor the deserts of Australia in their search.
Funnily enough, it was actually down-under they discovered Sydney based duo 'Falqo' with their brilliantly chilled and melodic number Across The Sea'.
Then, it really was 'across the sea' they went, all the way to the Ukraine, picking up Sasha Anastasov's laidback, groovy smasher 'Sea For Two'.

Next up was a much shorter trip to Moscow to collect Gayana, a band very much on the rise whose 'Since The Night' has been perfectly reinterpreted by Pole Jam's very own St. Petersburg based all-stars KLar&PF.

Pioneerball is the solo project of Tesla Boy's lead guitarist who makes his second appearance on Pole Jam Vinyl.
This time Pioneerball contributes the stunning opening track 'Deltaplane', a track influenced by obscure Russian cinematic soundtracks. It's combined perfectly with a compelling disco groove, jazzy melodies and organic strings that will make your heart melt.

Back home, with the search having come to a successful conclusion, the Pole Jam Vinyl boys celebrated with a pint - or two!

Following up the first release quickly with Detroit native Paul Alan, who now resides on the sunny west coast. Paul Alan aka Dtchplnes, delivers the smooth latin driven car cruiser “Provider” and the sun blissed slow skate vibes of “Charlevoix”, which also sounds great on 45. The two track 7 inch is wrapped in a treasure map jacket with a compass foil stamp and includes a postcard.

Give It Up Or Turnit a Loose (Edit) by James Brown b/w Web (Edit) by Hampton Hughes / Give It Up or Turnit a Loose (Bonus Breaks) by James Brown| Galaxy Sound Company — Gsc45-044, test pressing | The long-running @galaxy_sound_company imprint has been responsible for some superb re-edits over the years, most of which are pleasingly purist in tone — meaning they are pro rearrangements with no added effects but & needless new beats or cheap trickery like so many out there— making any of their releases cop-on-site. & as you can hear from the test pressing, the 44th in the stellar series delivers yet again.

Side A is a masterclass in breakbeat editing of a b-boy classic sample source. Yes, there are many killer JB edits out in the universe, but when you see that the legendary Black Cash & Theo AKA Thelonious Beats take a turn, you know you gotta cop this mutha on site. Here the edit master bravely returns to one of the main sources of the dawn of hip-hop — JB’s comp “In The Jungle Groove” which was released in 1986 to capitalize on it’s popularity in the genre at the time. The comp is named for a breakdown section that appears in “Give It Up Or Turnit a Loose” which is the workout we have here. JB quiets the band down to handclaps, footstomps & congas played by Johnny Griggs. After he raps a little, JB cues legendary drummer Clyde Stubblefield back in, followed by bassist Bootsy Collins & the rest of the band. JB wasn’t intentionally trying to create a perfect batch of hip-hop samples in the late 60s & early 70s, but he couldn’t have succeeded any better if he had been. This edit may enter well-worn territory but he uniquely delivers an edit that showcases why it inspired so many & still delivers the goods to help you get your party started off right & quickly.

Next up on the flipside we are treated to an edit of “Web” by Hampton Hughes, from his 1974 David Axelrod produced & arranged album “Northern Windows”. Heads will recall it as the core sample for “Off the Record” by Hieroglyphics, from the 1998 LP “3rd Eye Vision”. This jazz-funk burner features a stellar line-up: Piano/keyboards = Hawes Trumpet = Allen DeRienzo, Snooky Young Trombone = George Bohanon Sax/flute = Jackie Kelso, Jay Migliori, William Green Electric Bass = Carol Kaye Drums = Spider Webb

It’s Italian time! Sam Ruffillo is back. Sicilian producer doing smooth Balearic disco with Italian vocals. The direction is clear: Sam Ruffillo’s music brings us back into the Italian riviera and the hippy days of Ibiza in the late 1970ies. Even his way of production is similar to how the early days disco producers in Italia used to work: No samples needed. Instead a few guest musicians come to jam over Sam’s beats in his Italian studio space. Guitar, bass, percussions. Sam later makes the production and added keyboard solos and put together the vibes into what is this new EP. The girl voice comes from Ninfa. It’s the classic studio story: Ninfa is a singer and DJ and friend of Sam. She was hanging at the studio while Sam was finishing these tracks. She stated to sing along… the words came up spontaneously… so they decided to record her and finally decided to keep them. The vibe was too good. Why talk English if u can do it better: in Italian! :) This is second for Toy Tonics after his Sport House EP from last year. Sam also appeared on the solo record of Joel Holmes on Toy Tonics. Together with Kapote Modica he co-produced and made the beats on that record. Now Sam is back with this pure Italian EP. Inclusive remixes by new German artists Gome and Italian Musemeci - known to many from his fabulous Italo-trance releases on Diynamic records.

Eurorack tweaker, 8-bit master, king of carnival madness, Dutch producer Solo moderna is back with his female alter ego singer Krage, for some 80s flavored, chiptune infused, electro-latin bangers. Unofficial Electo-Funk anthems? Sweaty remakes from outta space? who knows.. the only unquestionable thing here is that loads of fun await the crowd when dropping this tasty 7” on the turntable. Certainly not your average tropical music, though.

This double sider stands as a foretaste for the album release in May 2024, that will unite this pair in a perfect fusion of Afro-Latin rhythms and modern synth pop.

Roaaaar time again! Delphi is one half of Tiger & Woods and back with a well-rounded solo effort. Far from unkempt or uninspired, his six efforts are sitting pleasantly between proto-house, Italo fun, new wave instrumentals and future dance. Silicone emotions meet vocodered vector graphics, handy rhythm trax that would have been hot on the mix shows of Wbmx or Wbls are taking turns with neon colored leather hymns and test drive scores. All on one piece of wax. Love the past and join the future!

Toy Tonics main artists Coeo from Munich are back. The 2 guys started their career on Toy Tonics 7 years ago and since then made a long way. Their last EP „Piano Workout“ got heavy support from DJs like Job Jobse, Kim Ann Foxman & Perel and opened a new vibe in their oeuvre: They extended their style to more Balearic, Italo, Synth funk 80ies vibes. “25 Hundred Friends” is an ironic take on Italopop and social media… and will be a song people talk about for sure. “Slipstream” could be big on festivals with its classic DX/baseline and hypnotic vibe. “Midnight Vision” has this light Caribbean and South African influences. The vibe you could feel on Don Laka’s classic “Stages". And fits well with everything Toy Tonics releases in its Mushroom House series. Yeah, Toy Tonics and Coeo open up for even more eclectic influences and extend house music to more levels and styles.

Our beloved Legofunk Records is back with a new fresh and vibrant wax perfect for your summer. This time with Matalo! and his 4 tracks Ep. Really hot stuff!

Gospelhouse from heaven! Yes - this is a very special record: NYC‘s Phenomenal Handclap Band meets London’s Ray Mang - the psychedelic soul disciples meet the disco champ by way of remix. Ray Mang is a hero to fans of underground disco: remixer, collector, producer, DJ - he is part of that magic circle of London DJ connoisseurs around DJ Harvey.

Unknown turns a salvia soaked stroll through sweaty disco shamanism, an uptempo synth powered wig-flipper, backed with a Disco-Soca grail & a persuasively pokey paean to North Africa.

Mousse T. soulbrother, DJ, producer, songwriter, entrepreneur and label owner of his currently 30years celebrating Peppermint Jam Records opened his archives for his longtime bro and producer colleague Rob Hardt. Rob chose Mousse T.’s 2018 single release Melodie featuring Cleah to become an exclusive release on Sedsoulciety Recordings. The twist from a soulful House track to a thriving Electro Boogie bouncer feels so organic, that you hear it as natural and original as such a track can sound. Punters will be Boogie bumping, Electro bouncing, Disco dancing and hip shaking, when they hear ‘Melodie’ (Rob Hardt Mix) on the dance floors worldwide. Already a collector’s item and must have for DJs, in true Sedsoulciety Recordings fashion with a smashing dub version on the flipside. This new release on Sedsoulciety Recordings is an unreleased exclusive vinyl 45!

The Sleepers RecordZ is proud to introduce Jolie Davenport to the world of modern funk music. The Austin, TX-based vocalist brings you two synth-centric hitters, both produced by the backbone of the Sleepers label, Ivan Makvel. In the course of just two tracks, Davenport covers all of the prerequisites for a well-rounded modern day boogie excursion. "Runaway" is made for the dance floor and isn't shying away from its polished, pop sensibility. The chorus is an earworm waiting to get pleasantly stuck in one's mind, gliding perfectly over frenetic bass notes and synth brass chords. "Like That," penned by modern funk mainstay Moniquea, balances the party by taking it to the streets. Makvel's production here is better suited for a cruise down the boulevard in a 60's-era Chevy rather than the club, yet it's also certain to incite involuntary movement the moment you press play. As always, Sleepers brings you these two tracks in physical form via limited edition color vinyl 7" - only 150 copies pressed.

Our French brother returns to TAU with his latest outing, Return From Delta EP - a collection of four tracks that further cement his reputation for classy synthwave-inspired dance floor artillery. Darlyn is based in Valencia, where he is always deeply immersed in his audio lab, concocting new and unique ways to express his creativity. In 2021 he dropped the Doble Impacto EP, and now he’s back to bring us more synthesised freshness as only he can do...

Numero cuatro in the series arrives with Touching Distance- A summertime tour de force effortlessly refined to lure you outside while cleansing you inside. One note guitar licks cozy irresistible gated voxscapes. Think Lotus Espirit Turbo Challenge on the balearen tinged Mulberry Road- Palm Trees , Fire Sunsets and Open Road. Driving, dreamy and subtle come to mind but take a listen for yourself. Just like Ancient Philosophy, there’s no expansion without contractions, day and night, Yin and Yang. The B Side’s Heartbeat Drive low slung pensive breakbeat Rhythm takes the urgency down like a long lost Dub of a mid 80s Ballad. Just Passing Through touches different styles in a culmination of this slightly romantic Art of Noise esque Pop beauty.

Lauer, Benjamin Fröhlich & Time To Sleep Remixes. Dario Dea and Sacha Muki cook up something special on Paradiso. Emotive, gorgeous synthesis across 6 cosmic tracks with a trio of outstanding remixes from Lauer, Benjamin Fröhlich and Time To Sleep.

Limited white label 12-inch from Amsterdam's Relmer International. Dreamy '80s impregnated dancefloor tools. Spaced out and trippy synth gems...TIP!

New Dailysession Volume from D Briggs. Heavy classic sound with bright remixes from Monchan & CSW.

Sometimes a record comes along that is a wonderful anomaly that really is all about the music. Silver Leaf recently appeared on the radar via obscuro diggers on both sides of the Atlantic and landed with a Hey!
What is known about Silver Leaf, beyond that it was a short-lived mid-80s project out of Cincinnati, Ohio, is that it features ex-Zephyr keyboardist John Faris, working alongside the mysterious vocalist Silvia Leaf.
The difference between the blues and occasional psychedelic rock of early 70s Boulder, Colorado's Zephyr and the lo-fi recordings of Silver Leaf are striking, but in Hey! and Can We Rebuild Our City?, the power of the ballad and strong playing of John, is wrapped in mid-80s, mid-States lo fi heaven.
Whether a non-de-plume, Ms Leaf's searing, innocent vocals fly above John's keys and programming. Hey!'s repetitive exhalations act like a mantra to a party, while tom's chime in accompaniment. Here it comes!
Can We Rebuild Our City? starts with Faris' forlorn intro before crashing percussion heads to some kind of wonderful, as Leaf questions a calls to hearts.
Releasing just 3 singles, Silver Leaf's music is unique and essential, an experience and a delight to present.

With this his 3rd Ep for AUS Tee Mango continues to cement his identity as a craftseman of the understated house Groove. EP#3 features a selection of expertly dug samples, that sit effortlessly alongside played keys, drums and percussion. With his love & respect for leftfield house masters Moody & Pepe Braddock worn here like a bage of honour.

The Goods are back with a second single, "Peach," a collection of moods with an obsession for chasing the funk. When their vocalist Black Tree heard the beat for the first time in the studio, lyrics and melodies flowed instantly. He says: "My hope is that it becomes a feel good anthem for sexual liberation. Freedom from shame is after all about opening yourself up to the world and that act of vulnerability breaks down walls and allows us to come together." Reminiscent of early Prince, "Peach" is sure to keep you dancing through the Summer with a tasty combination of sweet melody and juicy rhythm.

After a false start or two, Ess O Ess have finally joined the Kinfolk stable with a thunderous release featuring Laura Lee of Khruangbin fame.
Totem is the name and four versions is the game.
Starting off, the original mix is a wailing guitar-heavy psyche rock out that sees Laura Lee's vocals carrying it across a peyote-filled landscape.
Saul's Swamp Crawl version sees the slow 'n' heavy rock elements kept in the mix but with added electronic flourishes. Head nodding is an optional extra.
The Hardway Brothers decided to tune in with the spirit of Johnny Jenkins and haul it through New Orleans via a pit stop at John Carpenter's desert holiday home.
Otologic bring up the rear with an altogether different take by donning their finest digi dub garb and take it as far away as they can from it's psyche out beginnings

Do It Again label presents 1st release limited press for 2 gems revived by Twice and Volcov masters. As usually... serious diggin'.
The master thunders ! Quality vinyl and perfect pressing for true dancefloor.

Nothing makes us jump up from the desk, shouting 'Whaaaaat ?' like a Bitter End new release. The label continue to forge a path that's entirely their own, with another in the limited pre-release series. 'Kneel B4 Thelma' on side A, flips one of her biggest hits into an utterly futuristic cyborg-Soul anthem. Almost as if we'd all forgotten how good one of Earth's greatest 20th century divas might sound over a filthy 21st century Klanken-banger. On the flip 'Mast Song' transports us to a seaside tavern, where the old folks sit in the back, evoking (and imbibing) strong spirits, with traditional shanty's while the next generation find communion in the gentle throb of the 4/4 in the tap room next door