Search "The Pharcyde" 283 Items

Zapatilla, better known as Louis Hackett, is a founding member of Brownswood 's Owiny Sigoma Band and key collaborator on Eska's Mercury nominated debut album, but has a neat side hustle making house music with one foot in the gentle melodies of Balearic beat and another in the irresistible energy of Afrobeat. It's a recipe that he continues over onto this fine four tracker, which opens with the smoothly grooving but lively 'Like Dat' before 'Zimzimmer' builds up around a gently frenetic Afro guitar riff. On the flip, 'Disco Facial' is slower and more retro, with a synth line that could be from a lost John Carpenter soundtrack. 'Self Isolated' completes the package in its most esoteric fashion, another synth work rooted in the past, this time perhaps echoing the approachable experimentalism of Jean Jacques Perry.

Just what do you do with talent from the coldest corners of the world? Perhaps it’s not entirely surprising that such warmth resonates in Yaniel’s musical outlet, given his connection to Funk runs deep. Transcending genre limitations, he belies any classifications with a significant piece of equipment, the electric guitar. Yaniel successfully blends streetwise entertainment with a lasting message: A man’s gotta do what a man’s gotta do to save his soul and come out of this madness alive. Just real musicians, real moments, and real feelings. He controls the steering wheel and smiles with confidence on the way to his destination.

Keita Sano joins forces with fellow Japanese producer Xtal and makes a welcome return to Delusions following last years amazing Love Is Emotion EP.

Those familiar with Keita’s production will know that his sound is a unique blend of raw, crunchy disco beats, touches of acid and a left-field sensibility which creates an intense and captivating atmosphere on the dance floor. A vibe that has seen his tracks become secret weapons for DJ’s as diverse as Ivan Smagghe, Pablo Fierro, DJ Nature, Frank Tope and Hot Toddy.

Kicking off the EP we have a track called Broken, a high energy and uplifting slice of loopy filter disco which hits all the right notes. Things roll along perfectly, building to a crescendo as a full on string break cuts loose, everything dropping away before slamming in with timbale fills joining the party.

Let Us Have Nice Days, The Sun is up next and makes great use of a classic Italo bassline to drive the track along whilst dub delay FX and side chained pads keep the energy bubbling. Bending bass synth notes bring an extra bit of drama without upsetting the flow and rolling 16th note intensity from the bassline. Feel the love!

Closing the release, we have Time Passing which slows the BPM slightly for a chugging slice of string-drenched gorgeousness. Drop this at sunset and watch as this melancholic gem creates a little bit of magic on the dance floor.

A three track 12” running at 45 rpm throughout. Limited 300 copy run pressed to 180g (+/- 5%) virgin vinyl, clear outer bags, cover and label, deluxe antistatic sleeve. Custom special marble vinyl.

Viscardi & Il Duo Magnetico is the collaborative project between italo-swiss DJ, producer and singer Pascal Viscardi, Yavor Lilov and Alain Sandri, respectively drummer and percussionist of the swiss cult band L’Éclair. The three musicians joined forces in Geneva and worked in the studio for the past two years with Viscardi as the main vocalist, Lilov producing the tracks and playing drums, bass and keys, and Sandri on guitar, percussions, and backing vocals. The result is a unique and contemporary version of italian pop, peppered with new-wave, boogie, disco and world music references.

After the release of the first two singles, Sale Sole & Jamba Club in June 2023, Cosmic Romance is proud to present their first full-length effort: Elka Mare.

Like a mystical portal that opens on a digital journey through sunny Boogie and Mellow Reggae, Art Pop and Ambient New Age, the eight songs that make up the album draw on a vocabulary composed of fragmentary images, unusual verses and original assonances, where maritime themes mix with the gray of the city and the Neapolitan dialect sparsely appears; witness to a paternal emigration. The journey sounds like dreaming of Campania beaches in the midst of Geneva traffic, or fantasizing about speeding motorboats and Balearic bonfires while listening to Enzo Carella on the sixth floor of a council building. And then dance until the sun rises on the last slow song of the night.

The Ravanelli disco crew is proud to welcome Belgian artist vhyce on the label with a magnificent 4 tracks EP.
Italian disco legend Ltj Xperience on remix duties.

Blue & Yellow Translucent vinyl

Editorial is back again with another stacked 12 Inch with familiar faces and a new arrival to the label. Art of Tones kicks things off with Bootyshaker, inspired by UK compadre Red Greg. With a driving funky bassline, this jam is a bonafide party starter!

The mysterious Barry Prophet surfaces again with a laid back slo-mo boogie vibe on Closer. Flip the wax for Editorial stalwart Matt Hughes and his class funky guitar and bass work on Walk the Chalk . Next up is Italy's Special Q bringing his nu-disco sound proper. finally, The Sellout's close out the ep with a heady downtempo smokey joint.. As you know , this is : The way we groove!

The Owl & Posse EP brings together several artists on one fresh 12" that explores many Leftfield disco sounds and adjacent grooves. Pete Le Freq opens things up with the vocal-infused disco-funk of 'The Way Down' complete with splashy cymbals and elastic bass. The Owl's 'JBs Funk' is a horn-led jam that draws its samples from James Brown and Fingerman & Chewy Rubs's 'Revolution NY' has some big synth strings and unifying vocal calls over a nice organic rhythm. Monsieur Van Pratt's 'Guaranteed' is a pure good time groove with joy in its bones and soul in the lung-busting diva vocals.

Wolf Music reissue offshoot, Nothing Is Lost, strike gold again with their second release. The four track sampler cherry picks some of the greatest dub mixes to grace the legendary Easy Street label’s hall of fame, reissued and remastered. Side A serves up two proto-house bombs dubbed out to the high heavens by the one and only Paul Simpson. Firstly, Sleeque’s sumptuous ‘One For The Money’, gets a tougher makeover with Simpson’s classic touches to the drums, echoes in all the right places and delicate splices of choice vocal refrains and piano stabs. Likewise for the A2, Simpson focuses in on that peach of a bassline from Paradise Girls – Holding Back, coupling it with Special-Intention-esque synths and cascading percussive ripples. On the flip side, it’s a Blaze masterclass. First up, Alexander Hope (aka Josh Milan / one half of Blaze) ‘Let The Music Take You’. Produced alongside Blaze counterpart Kevin Hedge, the track gets the remix treatment from Klub Head – a further alias the two held. Honing in on the vibraphone mastery and bumping house rhythms they juice up the original with all the ethereal soul you could ever want. Closing out the EP, a onetime collaboration between Blaze and Otis Vick, System VIII’s super soulful ‘Underground (Untouched Dub)’. Josh Milan’s exquisite and iconic vocals marry with sweet sax licks providing the perfect late night groover or, just as equally, the ultimate beachside roller.

The superb Make Up series hits release number three and in doing so heads back to the trio that started it all. The combination of Chicago house originator Chez Damier, Adeen label head Camille and Italian talent Nico Lahs is a dream team indeed and they serve up some crucial edits that cover a wide sonic range. There are standout cuts on the first 12" such as 'Dance to Freedom' and 'African Bump' while jazzy grooves define 'Sunny' and 'Changes' is all about getting that dance floor vibing. This is another in-the-know musical voyage from this crew that more that deserves a spot on your shelves.

To celebrate 10 years of one of London’s most loved underground club nights, Tangent, Mr Bongo are thrilled to launch this new compilation series. Crafted by its two residents, John Gómez and Nick the Record, it aims to transmit a taste of Tangent’s spirit. A party rooted in inclusivity and open-mindedness, whose name captures the spontaneous switches in musical direction that are a defining element of their nights. For the compilation, the pair have cherry-picked a selection of their prized, rare and dancefloor-ready tracks from around the globe, that have soundtracked the past decade of parties.

Friends for close to 20 years, music lovers, record obsessives and internationally renowned DJs in their own right, John and Nick have two lifetimes worth of musical knowledge to draw from. John a long-standing NTS Radio resident and compiler for Music From Memory. Nick one of the UK’s go-to record dealers, resident DJ since the ‘90s at one of Japan’s pioneering parties, Life Force, and co-captain / co-edit-expert of Record Mission with Dan Tyler (Idjut Boys).

In 2014, the pair decided to bring some of Life Force’s grassroots principles to the UK, whilst channelling underground clubbing institution Plastic People’s meticulous attitude to sound. Tangent grew from being a small gathering of friends, to an established fixture in London’s nightlife, whilst always maintaining a strict no guest DJ policy. “As London’s clubs have become increasingly reliant on international guests, we wanted to emphasize the importance of a club night growing through its residents”, John and Nick reflect. With 10 years of the duo at the helm, an intimate connection between DJ and dancefloor has been built, allowing for freedom of expression on both sides of the decks.

Tangent reaches around the globe and across different eras to make connections that stimulate emotional reverberations in the unfamiliar. Where the blissfully Balearic ‘Laberinto’ by Miguel Perikás, goes hand-in-hand with the Cameroonian hip-house of King B.’s ‘Love is Crazy’. The thundering ‘Amek Amek’ by L'Innovateur Djoe Ahmed et le Zoukabyle, rubs shoulders with the soulful Caribbean-influenced touch of Champagn’s ‘Bel Ti Négress’. And Pellegrin El Kady’s afro-cosmic ‘Seiva de Carnaval’, crosses paths with Kajou’s Kompa disco anthem ‘Tet Chajé’.

Tangent’s longevity is in part down to it having always embraced contemporary sounds. The sub-rattling bass of Srirajah Sound System’s stunning Molam dub stepper ‘Si Phan Don Lovers Rock’ and the slow, woozy mantra of leftfield dancehall explorer Androo’s ‘Lyriso’, are two shining examples.

This compilation represents an ongoing dialogue between past and present, transporting listeners to the heart of a pure musical experience, where open minds and open hearts are eager to follow the tangent.

To celebrate 10 years of one of London’s most loved underground club nights, Tangent, Mr Bongo are thrilled to launch this new compilation series. Crafted by its two residents, John Gómez and Nick the Record, it aims to transmit a taste of Tangent’s spirit. A party rooted in inclusivity and open-mindedness, whose name captures the spontaneous switches in musical direction that are a defining element of their nights. For the compilation, the pair have cherry-picked a selection of their prized, rare and dancefloor-ready tracks from around the globe, that have soundtracked the past decade of parties.

Friends for close to 20 years, music lovers, record obsessives and internationally renowned DJs in their own right, John and Nick have two lifetimes worth of musical knowledge to draw from. John a long-standing NTS Radio resident and compiler for Music From Memory. Nick one of the UK’s go-to record dealers, resident DJ since the ‘90s at one of Japan’s pioneering parties, Life Force, and co-captain / co-edit-expert of Record Mission with Dan Tyler (Idjut Boys).

In 2014, the pair decided to bring some of Life Force’s grassroots principles to the UK, whilst channelling underground clubbing institution Plastic People’s meticulous attitude to sound. Tangent grew from being a small gathering of friends, to an established fixture in London’s nightlife, whilst always maintaining a strict no guest DJ policy. “As London’s clubs have become increasingly reliant on international guests, we wanted to emphasize the importance of a club night growing through its residents”, John and Nick reflect. With 10 years of the duo at the helm, an intimate connection between DJ and dancefloor has been built, allowing for freedom of expression on both sides of the decks.

Tangent reaches around the globe and across different eras to make connections that stimulate emotional reverberations in the unfamiliar. Where the blissfully Balearic ‘Laberinto’ by Miguel Perikás, goes hand-in-hand with the Cameroonian hip-house of King B.’s ‘Love is Crazy’. The thundering ‘Amek Amek’ by L'Innovateur Djoe Ahmed et le Zoukabyle, rubs shoulders with the soulful Caribbean-influenced touch of Champagn’s ‘Bel Ti Négress’. And Pellegrin El Kady’s afro-cosmic ‘Seiva de Carnaval’, crosses paths with Kajou’s Kompa disco anthem ‘Tet Chajé’.

Tangent’s longevity is in part down to it having always embraced contemporary sounds. The sub-rattling bass of Srirajah Sound System’s stunning Molam dub stepper ‘Si Phan Don Lovers Rock’ and the slow, woozy mantra of leftfield dancehall explorer Androo’s ‘Lyriso’, are two shining examples.

This compilation represents an ongoing dialogue between past and present, transporting listeners to the heart of a pure musical experience, where open minds and open hearts are eager to follow the tangent.

To celebrate 10 years of one of London’s most loved underground club nights, Tangent, Mr Bongo are thrilled to launch this new compilation series. Crafted by its two residents, John Gómez and Nick the Record, it aims to transmit a taste of Tangent’s spirit. A party rooted in inclusivity and open-mindedness, whose name captures the spontaneous switches in musical direction that are a defining element of their nights. For the compilation, the pair have cherry-picked a selection of their prized, rare and dancefloor-ready tracks from around the globe, that have soundtracked the past decade of parties.

Friends for close to 20 years, music lovers, record obsessives and internationally renowned DJs in their own right, John and Nick have two lifetimes worth of musical knowledge to draw from. John a long-standing NTS Radio resident and compiler for Music From Memory. Nick one of the UK’s go-to record dealers, resident DJ since the ‘90s at one of Japan’s pioneering parties, Life Force, and co-captain / co-edit-expert of Record Mission with Dan Tyler (Idjut Boys).

In 2014, the pair decided to bring some of Life Force’s grassroots principles to the UK, whilst channelling underground clubbing institution Plastic People’s meticulous attitude to sound. Tangent grew from being a small gathering of friends, to an established fixture in London’s nightlife, whilst always maintaining a strict no guest DJ policy. “As London’s clubs have become increasingly reliant on international guests, we wanted to emphasize the importance of a club night growing through its residents”, John and Nick reflect. With 10 years of the duo at the helm, an intimate connection between DJ and dancefloor has been built, allowing for freedom of expression on both sides of the decks.

Tangent reaches around the globe and across different eras to make connections that stimulate emotional reverberations in the unfamiliar. Where the blissfully Balearic ‘Laberinto’ by Miguel Perikás, goes hand-in-hand with the Cameroonian hip-house of King B.’s ‘Love is Crazy’. The thundering ‘Amek Amek’ by L'Innovateur Djoe Ahmed et le Zoukabyle, rubs shoulders with the soulful Caribbean-influenced touch of Champagn’s ‘Bel Ti Négress’. And Pellegrin El Kady’s afro-cosmic ‘Seiva de Carnaval’, crosses paths with Kajou’s Kompa disco anthem ‘Tet Chajé’.

Tangent’s longevity is in part down to it having always embraced contemporary sounds. The sub-rattling bass of Srirajah Sound System’s stunning Molam dub stepper ‘Si Phan Don Lovers Rock’ and the slow, woozy mantra of leftfield dancehall explorer Androo’s ‘Lyriso’, are two shining examples.

This compilation represents an ongoing dialogue between past and present, transporting listeners to the heart of a pure musical experience, where open minds and open hearts are eager to follow the tangent.

To accompany Situationism’s brand new compilation album, the unstoppable Dr Packer selects four of the heaviest cuts for this limited 12” sampler. Up first the man himself Dr Packer provides an exclusive, unreleased, bumping dancefloor friendly remix of ‘Sugar Daddy’, before Black Science Orchestra’s Ashley Beedle works his magic with this broken beat styled reworking of Situation ft Andre Espeut – ‘You Gotta Move’. On the flip side, Peza serves up an acid tinged disco workout in the form of ‘On It’ with George Kelly closing out Vol. 1 with a killer dub of Katzuma – ‘All Night’

G&D back with their 7th release of edit series. Limited press to 300 handwritten numbered copies. No Repress. Various Artists for fantastic edit label, here a Guest Special Edition for fired dancefloor as usual. Essential !! Supported around the world by the best Disco Djs.

In The face of adverse clubbing conditions the irrepressible deejay harvey releases volume three of the mercury rising compilation triptych. Representing what could’ve been and what shall be in the hallowed hall which is Freddys nightclub pikes Ibiza in the future. Put it on, turn it up, feel the magic till we meet again.

Secrets Of Sound sold out their first release in quick fashion and now they return with a second instalment in the Exotic Origins series, designed to take you a million light years away from your current reality and deep into the far depths of space with eight superbly cosmic explorations of ambient and downtempo magic. Italians Do It Better man Johnny Jewel kicks off with some sultry sax-laced sounds, David Lynch's musical partner Dean Hurley crushes on shimmering pads and Pye Corner Audio bring a little intergalactic tension. Elsewhere there are sugary synths from Legowelt, suspensory pads from TM Solver and plenty more to help you escape to another dimension. Add to that the fact it arrives on a random variety of different vinyl colours and comes with a download code, and you've got rather a nice package.

The Sound Of Love International 004 is a particular poignant collection of rarities, collectables and unearthed gems, pulled together by the Italian DJ and crate digger Budino. For the last two years, the pretty coastal town of Tisno in Croatia has been devoid of the (now) legendary Love International week-long celebration of music, leaving thousands of revellers and regular devotes with only the sounds of Love International to keep the spirits strong until the next time friendships are rekindled and dance resumes under the sun and the stars. Luckily, the fiesta is scheduled for a return to Tisno from 13th – 19th July 2022. Budino, AKA Valentina Bodini, has a lifelong passion for vinyl, amassing an enviable collection of multi-genre LPs and singles via her years spent in Italy and now in Berlin. As resident DJ for Discodromo’s CockTail d’Amore parties, her enthusiasm for music and digging knows no boundaries, and her instalment into the Sound Of Love International series gives us an aural insight into her musical realm. Musically, The Sound Of Love International #004 is a smorgasbord of sound. Opening with the glacial tones of Peter Seiler’s 1986 new-age gem ‘Serengeti’, the twelve track selection glides through proto-house, tribal ambience, industrial EBM, balearic dance and so much more. It’s a testament to the ground- breaking nature of these tracks that most of the music here was originally released some 30-40 years ago. Inclusions from Oliver Leib’s The Ambush project, Vibes Of Rhythm and Scott Edward stem from the post house & techno explosion of the early 90s, whilst the early proto-electronic experiments from the likes of Kirlian Camera, Clock DVA, Bourbonese Qualk and Pyrolator are welcomely revived for a new audience. Interestingly, a flexi-disc only release of ‘Hark’ by William Orbit & Laurie Mayer’s early 80s Torch Song project is also included here, elongated by Budino herself in the edit suite. Two brand new productions from DJ Blasy and Budino & Berko ensure that business is brought bang up to date, offering a unique and modern spin on the sounds of Budino, and her tantalising selection on this compilation.

Vintage house and disco don Dave Lee knows a thing or two about serving up irresistible and timeless cuts and that's what he does here with the 24th instalment of the long-running Attack The Dancefloor series on his own Z Records. The man himself kicks off with Maurissa Rose on the loosely chugging, deep and soulful 'Open Me Up' (a first taste of the upcoming album together). He then slips into US garage style with his popular remix of The Trammps' 'I've Gotta Stand Up' that harks back to the glory days of 90s Soulful House. Felix Buxton's Celestial Being & Citizens Of The World Choir's 'Raise The Vibration' gets a gloriously sunny and positive Crackazat club mix before Lee closes the release with squelching synth in the form of his Boogified mix of Soul Dhamma's classic 'Flower.'

The 21st Attack The Dancefloor is brimming with Class-A disco boogie action.

Heading things up is the brand new Jimpster remix of Mistura featuring a tongue in cheek monologue from Canadian poet Jemini. Jimpster’s Jazz'd Up mix starts off stripped right back, based around a 303 bassline, it builds and builds and builds ending with a deep powerful version that satisfies both the soul and dance floor.

Backing this side up is Birdee’s euphoric, piano stomping, hands in the air remix of the ZR classic ‘Do What You Feel’ from 1991. On the flip is Lakeshore Commission's latest floor burner ‘In 2 The Light’ featuring Bluey from Incognito. Shuffling Philly drums, soaring strings and a phunked out bass guitar make for a late night dancefloor heater. Finishing off the 12” is the appearance of Destiny II’s ‘Play 2 Win’ on wax for the first time. It’s a serious menagerie of driving live bass, Prelude style boogie synths & the occasional vocoder. Add in anthemic vocals courtesy of Angela Johnson and you have one of the years most played new disco songs.

Volume 20 of Attack the Dancefloor kicks off with what we think will be a future classic – ‘Atlantia’ by Level 42’s Mike Lindup. A stunning mid-tempo boogie cut with great spacey production, excellent lyrics and an extended mix by Dave Lee.

Next up is Lazywax’s synth heavy, 80s soul style rework of the forthcoming Raw Essence ‘Do it Again’, the original being featured on Produced With Love 2.

Flip it over for Dave’s much played take of Jungle’s crossover hit ‘Keep Moving’, which gives the song an authentic bassline driven disco mix. Last up Chicago’s Emmaculate delivers a live instrumentation filled afro disco version of Doug Willis feat Zeke Manyika ‘Dougswana’.

INFRACom!, one of the longest operating Independent labels in Germany, celebrate its 30yrs anniversary with a vinyl compilation consisting of tracks that have never been released on vinyl before. Label co-founder Jan Hagenkötter handpicked these from various artist in the catalog, true to the spirit of the label and its operator – We couldn´t save the entire planet but we still like to save your soul. Most of the tracks included on the compilation were released only on CD and then digitally in the so-called 2000s or noughties, as it was very difficult to release any album on vinyl during that time due to the situation in the music market. The artwork was once again designed by Rafael Jimenez Heckmann, a well-known graphic designer from Offenbach. The inlay was designed by the long time friend & well known artist Jim Avignon. INFRACom!, once started locally in Frankfurt with artist like Shantel who released his first recordings on the label. He is featured by a collaboration with the Brazilian duo Rosanna & Zélia. Soon INFRACom! expanded to an international platform for artist from all over the world like Jhelisa (usa), Mop Mop & Gabriele Poso…both from Italy, Metropolitan Jazz Affair the brainchild of French producer and musician Patchworks, Taxi from the UK, Rime from Finland or Aromabar from Austria…all with different styles of music. The vision of the two founders Jan Hagenkötter & Namé Vaughn was and still is artistically oriented and has never favored just only one style of music. The roots of INFRACom as a label are based in the various form of black music culture - conditiopned to the influences and personal history of the two founders - but also deeply rooted in the club and DJ culture and various forms of electronic music. The compilation can only show a small glimpse into the universe with tunes that stand the test of time. One of the best examples is Matthias Vogt with whom the label has a long standing collaboration and who just this year released the album Pianissimo on INFRACom!. He can be heard with his Matthias Vogt (Jazz) Trio in a cinematic remix from Joash and two pieces by the highly successful [re:jazz] band which he leads. With Valique we are happy to feature a Belarus/Russian artist on the release these days….one who already showed ten years ago on his album artworks what he thinks about the politics of his government. As an open minded label and ethnical diverse ppl. we think “Fuck Putin and his disciples and like-minded people, but let's not condemn all Russian-born people. Some prefer to worship Herbie Hancock...like Valique and we want to support that.” With Nekta, Dublex Inc. feat Stee Downes and Kosma this release features three more artists from various regions in Germany, each with their great moments.….and last but not least the mysterious Woodland Conclave (UK)…a waltz and a story yet to be told and hopefully will be…on INFRACom!…in the near future!

Another disastrous Poppers attempt at making people feel like dancing, this time featuring a promo release for DJ Tranquilos - a completely unknown "artist", never booked before DJ, virgin territory for bookers. Guaranteed to offer anything but tranquility to the listener. French vocal epic HiNRG pop cover and Soca dancefloor bulldozer on the A side. Heavy percussive acoustic drums with extraterrestrial synths and a sound effects DJ tool on the B side. Mastered for maximum dancefloor impact - only for true Peak Time DJs.