Search "record store day" 50038 Items

Release: 2023 / EU – Original

Genre: Pop

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Ode To Io Remastered Gold Nugget Vinyl Edition

Lowrider

LP | 2020 | EU | Reissue (Blues Funeral)

12" | 2023 | EU | Original (Betino's)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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The ultimate edition of the debut album from the progenitors of Swedish desert-rock, fully remastered with bonus tracks in gatefold sleeve!In the wake of defunct Palm Springs originators Kyuss, musicians worldwide coalesced to craft their own visions for the desert rock sound. Standing foremost among them was Lowrider, whose debut, "Ode to Io," became the blueprint countless others would follow. Following their return in 2020 with new album "Refractions," we proudly reissue their seminal chronicle of rumbling desert-heaviness!In their own words:Ode To Io (1-10) was recorded and produced by ourselves at KM Studios, Karlskoga, Sweden in Novembre of 1999.Tracks 11 & 13-16 were previously released as the Nebula and Sparzanza -Lowrider split singles. We recorded and produced them as well, also at KM Studios, Karlskoga, Sewden in May of 1998 (tracks 13-16) and August of the same year (track 11).Track 12 previously released as the "I Am Vengeance" Soundtrack in 2001. We recorded that some time in 2000 - it's a bit of a blur that one.Peder salvaged his dusty old artwork files in a crate and remastered & updated them from the ground up.Ode To IO cover photographs were captured by Daniel Önnerlöv in 1999 at an old creepy viking burial site, Live photograph from Hellfest 2014 captured by Falk-Hagen Bernshausen Press Quotes: 'Ode to Io is desert-rock in its purest and heaviest form. Almost the whole album is indeed explosive, fuzzy and straight to the point... the best definition of stoner-rock you could get.' - Nuno / Sputnik Music, 'Lowrider paved the way for a whole generation of European fuzz...there was Kyuss in the US, and there was Lowrider here.'" -Beeho / The Heavy ChroniclesThe LP is metallic gold nugget vinyl!

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Micky Milan

Classics & Unreleased

18,99 €*

Chateau Vinyl Solo Nylon (75)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Club culture in France would have been different if not for Micky Milan (real name Milan Zdravkovic). He is one of the true trailblazers of what is known today as French Boogie. It all started when he was the in-house DJ of the highly popular club L''échappatoire in the Parisian suburb of Clichy sous Bois. In those days, he was well connected with Champs Disques, back then, the hippest record shop located on the Champs Élysées and had privileged access to the best imported U.S. 12" thus making his club the undisputed stronghold of disco funk. A significant fact is that he is one of the very few French artists signed on the legendary U.S. Salsoul record label with the song "Quand tu danses". Teaming up with funkateer and close friend François Feldman, the track was recorded with Feldman on keyboards along with the Gibson Brothers on percussions, drums and keyboards, a French group, originally hailing from Martinique and Kamil Rustam who later went on to work to the who&who of soul and funk music adding his powerful licks of funky guitar. The influence of Lamont Dozier of "Going back to my roots", fame is that of a tutelary god all over these tracks. The goal behind this EP is to highlight Micky Milan’s multifaceted musical talents, from disco funk to jazz and synth pop. The record contains two tracks never previously released on vinyl, the groovesque “Paris amour” built on guitar riffs carrying the sexy voice of Alexandra and the instrumental version of "Quand tu danses"; epitomizing the essence of funk and the power of a sound on par with the American productions of the time. Hail to the pioneer

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airbag craftworks

298,00 €*

LP | 2023 | DE | Original (Vertigo Berlin)

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chateau vinyl solo | nylon klein blue stealth edition

chateau vinyl offers a perfectly protected,
shock-absorbing and cushioned space for 75 x 12inches.
two equal subdivisions that can be divided to both sides.
this unique feature makes record selecting more comfortable in different club situations.
each chateau vinyl bag contains the flight cover, an easy, lightweight and highly sustainable
solution to protect and extend the life of your chateau vinyl.
advise to all the flying djs: don't check-in without!

the puristic chateau vinyl solo version comes without the side pouch and docking station.
less is more - if it´s enough for your needs.

_coated water-resistant 2-way zipper
_adjustable 50mm shoulderstrap
_comfortable, cushioned shoulder pads
_easy to clean, cushioned record cases

material: certified cordura® nylon, water-repellent
colour: klein blue

made in germany

35 x 34 x 24 cm

The inner lining is made of recycled material, which is processed depending on availability. This can lead to color deviations on some details of the bag.

pictures: airbagcraftworks.com

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The Teskey Brothers

The Winding Way

Release: 2023 / DE – Original

Genre: Pop

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Shifted Phases-The Cosmic Memoirs

Of The Late Great Rupert J.Rosinthrope

3LP | 2023 | EU | Original (Tresor)

42,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Futura Resistenza)

Anthony Pateras

Two Solos

LP | 2012 | US | Reissue (Red Scare Industries)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Futura Resistenza is pleased to present the latest release from the prolific, restlessly creative composer-performer Anthony Pateras, two side-long pieces - one performed by Callum G'Froerer on double-bell trumpet, the other sung by Clara La Licata - in which soloists are accompanied by numerous pre-recorded tracks of their own instrument or voice, creating acoustic halls of mirrors where the distinction between live performer and recorded accompaniment becomes difficult to perceive. Palimpsest Geometry (2020) for double-bell trumpet & tape works with rapidly pulsed single trumpet notes, at brisk tempos that hover at the perceptual threshold between rhythm and tremolo. The interaction between different rates of pulse produces skittering echoes, as if G'Froerer's layers of trumpets were really a single sound bouncing around the sonic space. There Is A Danger Only Our Mistakes Are New (2021) for voice & tape goes to work on a see-sawing two-note melodic cell, insistently transposed and transposed again, hummed or sung with open vowels, contracting to a semitone and expanding to a minor third. More than anything in the canon of Western art music, the piece calls up the criss-crossing repeated figures of Inuit vocal games or the interlocking repetitions of Banda-Linda music, where rhythmic and harmonic displacements of repeated motifs fuse together individual parts into the illusion of an impossibly rich and multi-faceted unitary sonic organism. Essentially homogeneous in texture yet built up from constantly changing details, broadly static yet always moving and shifting, these pieces exemplify Pateras' recent work while also pushing it into a new, strikingly immediate direction. Here, form grows organically out of the material itself; the results are sparkling, immersive, and quietly uncompromising. (Francis Plagne)

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Masked Intruder

20,99 €*

LP | 2023 | US | Original (Now-Again)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Up until now, the only thing these four crooks were good at making was toilet wine in the joint, but we sent them into Atlas Studios to record with Matt Allison (Alkaline Trio, Less Than Jake, Smoking Popes, etc) and out came a pop-punk/power-pop masterpiece. They looted a vault of hooks, melodies, and many-layered harmonies for this debut full-length. Think Descendents meets Weezer in a dark alley! There’s already plenty of squealers and snitches talking about Masked Intruder, and these thugs have been invited to play all the cool festivals and will be touring with Teenage Bottlerocket in support of this release. It’s fun stuff and you’re gonna like it...or else.

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Fabiano Do Nascimento

Lendas

25,99 €*

Mosainga Re-Visited Splattered Vinyl Edition

Release: 2023 / US – Original

Genre: Organic Grooves

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Lendas is the Brazilian guitarist Fabiano do Nascimento’s fifth album for Now-Again Records. Like his previous albums Prelúdio and Ykytu, Lendas features do Nascimento’s compositions, this time with orchestral arrangements by Vittor Santos and also special participation by Arthur Verocai. Vittor Santos is a composer, arranger, trombonist and music producer from Rio de Janeiro, who has worked in Brazilian music for over thirty years. Do Nascimento and Santos met in Rio in 2017 during the recording of Do Nascimento’s hero, and 70s and 80s Brasilian guitar catalyst Carioca Freitas album Aquarelas. The two bonded over a mutual appreciation for Do Nascimento’s uncle Lúcio and the Bossa Nova star Leny Andrade, both of whom largely influenced Do Nascimento’s musical foundation. In Santos, Do Nascimento found an arranger who was sensitive enough in his orchestrations that he could create an orchestral dialogue between stacks of strings and Do Nascimento’s plaintive plucking. It was only natural to invite the highest regarded, now legendary, 1970s Brasilian arranger, Arthur Verocai, to contribute. Verocai, who had worked with Do Nascimento on his forays in Los Angeles, was pleased to participate. In this way, the circle of old and new, so crucial in Do Nascimento’s work, comes together and flows outwards. “Lendas” translates from Portuguese as "legends,” but the literal translation itself doesn’t describe this album. With Lendas, Do Nascimento recalls memories from places that no longer exist; from fever dreams in the Amazon; from parts of the world we might never see or engage, but can imagine through music. Fabiano Do Nascimento’s Brazilian guitar meets a full orchestra arranged by Vittor Santos and with special participation by Arthur Verocai and his string quartet. Lush yet lively, standing alongside Jorge Ben’s work with Verocai, and Tom Jobim and Baden Powell’s work with Vinicius de Moraes.

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Jeff Mills

12" | 2022 | EU | Original (Psycho Thrill /)

13,99 €*

LP | 2022 | EU | Original (Officehome)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Limited Splatter Vinyl Version! There is no doubt that the native Detroiter Jeff Mills, as >The Wizard<, put his own mark on the Cologne Psycho Thrill club-nights and thus the entire West German Rhine Area in terms of Techno in the years 1991-2007 through his innumerable appearances in the Cologne ClubEvent institution. Mills track >Mosainga<, which was given to Claus Bachor in 1996 for publication on his own label, also played a significant part in this well beyond the 2000s. In 1997 for the first time (unofficially) released in advance via Roland Caspers Essence label on a >Psycho Thrill EP< White-Label limited to 500 copies, Mosainga finally appeared remastered in 2004 on Psycho Thrills own >Motor City Dayz Vol.1< (ptne 2111) compilation including a DJ-friendly bonus loop and then finally made its way straight into the clubs of the world. The track then received renewed attention beyond its natural decay value in the Cologne Bnkr years (2011-2016), which were deeply shaped by Psycho Thrill itself for Colognes nitelife, in which the Cologne label completely redefined the entire Techno culture of the Dome metropolis in its own way 2 be propelled forward once again. The desire quickly arose to give the relatively short running time of the original track of around 4 minutes a more extended club play character, which with the longer running time corresponded even more to the dark, monotonously driving sound philosophy of the old Wkii bunker walls. The two Psycho Thrill >Bnkr boyz< Claus Bachor and Chris Baumann therefore re-edited the track in 2 slightly different, powerful variants, and so >Mosainga< succeeded in becoming a downright hypnotic Future Club Classic, whose bass always hit the audience in sheer quality Club euphoria drove. Berlins own Milton Bradley, a friend of the family who was also often present at the Bnkr turntables, subsequently developed his own two Roland TB303-affine >alien Rain< remixes, which stripped >Mosainga< down to its basic structure. And the two new versions further created a floor-effective 90s Acid-House hallucination feel to keep it movin when the crowd said >Go!<. The occasion of the threshold of the labels 29th to 30th anniversary, was exactly the right time to press the tracks interpretations nowadays on vinyl for posterity. Where the Psycho Thrill Bnkr (somewhere in Cologne ...) and Mills legendary Vinyl sets are long gone, >Mosainga< is >written in stone< so to speak, as a timeless, powerful club-anthem, especially in the current Psycho Thrill residency at Düsseldorfs famous Golzheim Club. And a true masterpiece of top-notch quality >forever and one day<, which still continues to leave time and space Mills unmistakably typical behind itself.

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Roforofo Jazz

Running The Way

Don Cherry & Jean Schwarz

Release: 2022 / EU – Original

Genre: Organic Grooves

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The unbreathable air saturated with moisture, the soggy soil that swallows every step like a starving death, the hostile nature and, finally, the remote swamp. The one they invested in composing Fire Eater. The one they left a few traces in. Tracks that can talk. Six men heavily armed with instruments, a seventh fastest, only weighted by a microphone. They left the inhospitable vegetation, leaving behind a succession of footprints. As we try to follow them, the afrobeat that made it easy to spot them now dissipates into a floating mist. So, we have to connect the radars and try to capture the vintage waves of equipment that emit more than one point but several. Be attentive to jazz solos and funk scarifications, as much as to what could chant and tap on the times of these tight rhythms. Because their blending has become a personal style as much as hybrid, and it is to avoid being watched by asphyxiation that they left the stagnant waters. Escaped from the car sound systems or plastered on the walls announcing their many concerts, it is in the city that they are now detected. Infiltrating them is a daunting task. A track where you have to avoid the vigilance of the electric and venomous keyboards, escape the copper flames and the guitar shears. Enter the choking groove to finally enjoy a purely instrumental passage, sneak in and dance. Progress outside the Afro mangrove, Running The Way nevertheless retains many cables still connected. The bottom of the jeans still ‘Roforofo’. ‘Muddy’ in Yoruba. Just 2 years after the first EP Fire Eater released in 2021, Radio Nova’s crush (title Helelyos enthroned 3 months in playlist), the Roforofo Jazz returns with the LP Running The Way, 8 tracks even more ambitious, with careful production, marking a clear progression in its quest for an increasingly more personal sound and writing. Putting the listener immediately in the tone of his atypical afro jazz rap fury, Love In Time and its sharp rhythmic appeal to the power of the music, in an ultra-energetic piece yet smelling with jazz via well-felt keyboard surges. Side To Side is a rearrangement of a piece by Togolese artist Bella Bello and Manu Dibango, yet glancing towards Motown and resonating like a anthem to life and directions to take to counter the negativity of our modern societies. Then on Stand Up in a more deepfunk US style like Breakestra or The Greyboy Allstars, MC Days (aka RacecaR) switches between fast flows and downtempo in an injunction to all fight for what we believe in. An epic piece concluded with a nod to Master Hendrix… Gas punctuates the A side with a light but saving rhythmic lull, coming closer to a nu-soul atmosphere and punctuated with an explosive refrain in which rap, rock and jazz clash, tending to prove as Days chants that by being more realistic our differences can only fade…Title Shawarma has nothing to do with a Kebab sandwich, although…! Life unfolds like a menu, in which everything is not always to our liking but which teaches us to accept judicious and juicy mixes, and combinations. The result is a joint with an oriental touch, almost ethio, a rhythm that perfectly matches the hip-hop flow and the Roforofo Jazz style.The Big Hustle is a UFO. Articulated around a 20 bars loop that gives it a communicative energy, punctuated by a bass line reminiscent of Fela Kuti’s Colonial Mentality, this title sounds like a highway for frantic breakbeat dancers; epic! From Here To Benin brings us back to the group’s Afro-inspired origins, while injecting a slight dose of well-felt pop music. A piece that encourages travel to learn to share, universally. And finally, Mode For DD, a cover of the instrumental title of the obscure jazz funk of The Awakening, with added voice of Days telling the meaning of life and its mysteries, our beliefs and certainties, as human beings as well as artists.

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Roundtrip - Live At Théatre Récamier - Paris 1977

LP | 2023 | EU | Original (Transversales Disques)

29,99 €*

You Do Your Best To Hide The Good Parts Of Yourself EP

Release: 2023 / EU – Original

Genre: Organic Grooves

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After more than 45 years forgotten in the personal archives of Jean Schwarz, Transversales Disques is very happy to release this previously unpublished recording which brings together the great Don Cherry and his friend, composer Jean Schwarz, pioneer in electro-acoustic music and member of G.R.M. This concert was recorded in 1977 at the Paris MIX festival (Théatre Récamier) organised by G.R.M and hosted by director François Bayle. An elegant mix of spiritual jazz and electronic sounds around this astounding quintet made up of JF Jenny Clark, Nana Vasconcelos and Michel Portal. Remastered from the original master tapes. Exclusive pictures and liner notes

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Laurence Guy

12" | 2023 | UK | Original (Shall Not Fade)

15,99 €*

From Dead Horizon ... To Dead Horizon

Release: 2023 / UK – Original

Genre: Electronic & Dance

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There's no one who does it quite like Laurence Guy. Here he returns with an uplifting house cut that deftly manipulates samples in a 4-track exploration of friendship, imposter syndrome, and life's many other roller coasters.

It was the father of long-time pal and confidant J Peacock whose record collection provided the intricate tapestry of samples that forms 'Can't Find Her'. It's a story of losing yourself, and regaining your purpose by indulging in the unifying potential of creating music collaboratively. The theme of cross-reference is carried through to 'Extremely Present or Present in The Extreme' and 'You Do Your Best to Hide The Good Parts of Yourself'. The first sees a rhythmic shift with shuffly triplet drums that back an old Folk record sample, whilst the title track sees Guy repurpose old vinyl gems to meditate on the universal experience of attempting to conceal our anxieties from others. Finally, 'Waiting For Love' takes a trip down memory lane. Conceived in 2015, it demonstrates Guy's steadfast passion for constructing immersive, enchanted worlds. Over the course of Guy's seven-year career, these worlds have been visited over 52 million times via Spotify alone. As his latest release will confirm, you'd be foolish not to do the same.

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Obscene

LP | 2022 | EU | Original (Blood Harvest)

29,99 €*

7" | 2022 | EU | Original (Blow Up)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Conjured in 2016, OBSCENE are a death metal quartet from Indianapolis, Indiana. Following their Sermon to the Snake demo in late 2017, they quickly caught the attention of Sweden's BLOOD HARVEST, who reissued the demo on cassette and digital formats in early 2018. 2020 saw the release of OBSCENE's debut LP, The Inhabitable Dark. The record, earning year-end accolades from the likes of Zero Tolerance, Invisible Oranges, Grizzly Butts, Last Rites, etc. continues to garner praise of fans and critics internationally. 2020 prevented OBSCENE from performing live; in 2021, the band resurfaced for successful festival appearances at Tri State Terror and Full Terror Assault alongside acts such as Nunslaughter, Wraith, and Bat as well as a Chicago crusher with Skeletal Remains and Molder while resuming writing and recording ...From Dead Horizon to Dead Horizon. Now 2022 sees the release of that highly anticipated second album, ....From Dead Horizon to Dead Horizon. Recorded by engineer Noah Buchanan (Midnight, Nunslaughter) at Mercinary Studios and mastered by Dan Swano (Bloodbath, Hail of Bullets) at Unisound AB, the follow-up to the band's critically acclaimed The Inhabitable Dark full-length is as bulldozingly devastating as it is infectious and memorable. Far and away their most surgical performance to date, ...From Dead Horizon to Dead Horizon bursts at the seams with world-eating rhythms, barbaric riffs, and pained howls at the moon. OBSCENE don't care about reinventing the wheel; rather, they opt to keep the faithful wheel turning. The album is suitably adorned with the cover art of Skadvaldur (Coffin Rot, Ripped to Shreds). To kick of the release of ...From Dead Horizon to Dead Horizon, OBSCENE will be touring the United States in support of Morta Skuld. And the wheel keeps turning!

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Big Boss Man

Juju Funk

12" | 2022 | EU | Original (Delsin)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Grab while you can. The tracks have already received very strong radio responses from around the world. Both tracks being supported by Gideon Coe and Cerys Mathews at BBC Radio 6 Music, whilst Nasser Bouzida from the band discussed the rhythm influences of Return Of Baron Samedi on the Cerys Mathews show. Specialist funk shows from Australia, Germany, France, Canada and the US have already been supporting these tracks. The tracks are also set to appeal to fans of one of Big Boss Man's biggest tracks 'Sea Groove', which is currently one of the UK's biggest home-grown funk recordings on Spotify currently close to 7 million streams. These are the first new releases from Big Boss Man since their fourth album Last Man on Earth on Blow Up Records.

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Artefakt

Brain Dripper EP

LP | 2021 | EU | Original (Legere)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Artefakt dives deeper into their electronic universe with a worthy follow-up on their Days Bygone LP on the Delsin Interstellar series from early 2021. 'Brain Dripper' EP explores adventurous paths in dreamy electronics, experimenting with emotive melodies and floating chords rendered into immersive idm and ambient pieces. On the flip the pair fuses their trademark deep techno jams with stepping electro brain workouts.

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The Superhighway Band

Studio City

Release: 2021 / EU – Original

Genre: Pop

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CD | 1993 | US | Original (Jive)

A Tribe Called Quest

Midnight Marauders

Lieder Aus Der Schmutzigen Küche Colored Vinyl Edition

Release: 1993 / US – Original

Genre: Hip Hop

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lyricism, and impactful social commentary. The album helped cement A Tribe Called Quest as pioneers of the alternative hip-hop movement.

Midnight Marauders continues the group’s fusion of jazz samples and boom-bap beats, much like their previous album, The Low End Theory. However, the production on Midnight Marauders is tighter, more polished, and showcases a richer sound with more layers of sampling and instrumentation.
The album features both Q-Tip (Kamaal Ibn John Fareed) and Phife Dawg (Malik Taylor) at the height of their lyrical powers. Q-Tip delivers introspective, philosophical verses with his signature smooth, laid-back delivery, while Phife Dawg provides sharp, witty, and streetwise commentary, offering a perfect contrast to Q-Tip’s style.

The album addresses a range of topics, from the complexities of Black identity and the state of hip-hop to reflections on love, competition, and the music industry. The lyrics are often intellectual yet grounded in everyday experiences, making them accessible and thought-provoking.
The themes in the album extend to the critique of societal issues like police brutality and systemic racism, but they are presented in a conversational, unpretentious manner.

Key Tracks and Highlights:
"Award Tour" (featuring Trugoy from De La Soul) – One of the album’s biggest singles, this track celebrates Tribe’s success while maintaining a humble, down-to-earth tone. It’s driven by a catchy, upbeat beat and has an infectious hook.
"Electric Relaxation" – A classic, smooth track known for its laid-back vibe and jazzy production. The song features witty, flirtatious lyrics, where both Q-Tip and Phife Dawg reflect on relationships and romance. It remains one of the group’s most popular songs.
"Oh My God" (featuring Busta Rhymes) – A high-energy track that blends frantic, lively production with sharp lyricism from Q-Tip and Phife, while Busta Rhymes brings his signature hype-man energy on the chorus.
"Sucka Nigga" – In this controversial track, Q-Tip delves into the history of the N-word, its reclamation, and the complexities of language in African American culture. The track is a reflective and thought-provoking commentary on racial identity.
"We Can Get Down" – A track that highlights the camaraderie between Q-Tip and Phife Dawg as they rap about friendship and mutual respect, reinforcing the tight bond within the group.
"Clap Your Hands" – With its boom-bap beat and jazz-heavy instrumentation, this track is a quintessential Tribe song, showcasing their ability to create music that is both catchy and intellectual.

Midnight Marauders was produced by A Tribe Called Quest themselves, with the assistance of their longtime collaborator Ali Shaheed Muhammad. The production continues to focus on sampling jazz records, but it’s more refined, with a greater emphasis on layered sounds, creating a warmer, fuller sonic experience.
The album also features funk, soul, and R&B influences, giving it a dynamic, genre-blending feel that set it apart from the more sample-heavy hip-hop albums of the time.

Midnight Marauders was both a critical and commercial success, debuting at #8 on the Billboard 200 and receiving widespread acclaim for its innovative production and insightful lyricism. Critics praised the album for its balance of jazz-inflected beats and clever wordplay, as well as its thoughtful approach to social issues.
The album is often included in "greatest albums" lists and is considered one of the essential works of 90s hip-hop. It influenced a wide range of artists, from Kendrick Lamar to J. Cole, and helped solidify A Tribe Called Quest’s legacy as one of the most innovative and impactful groups in hip-hop history.

Midnight Marauders represents the perfect blend of jazz, hip-hop, and social commentary, with A Tribe Called Quest striking a balance between intellectual exploration and accessible, feel-good music. The album’s cohesive sound, sharp lyricism, and cultural relevance have made it a cornerstone of hip-hop and one of the genre’s most beloved records.

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Sarah Lesch

LP | 2021 | EU | Original (Kick The Flame)

Release: 2021 / EU – Original

Genre: Pop

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Art Blakey & The Jazz Messengers

Live In Moers 1976

2LP | 2016 | EU | Original (Jazzline)

15,99 €*

Release: 2016 / EU – Original

Genre: Organic Grooves

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John Sinclair Presents Detroit Artists Workshop

V.A.

2LP | 2022 | EU | Original (Strut)

31,99 €*

2LP | 2022 | EU | Original (Kompakt)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Strut and Art Yard present the culmination of a 5-year project researching the archives of author, DJ and activist John Sinclair with the first ever retrospective of the influential Detroit Artists Workshop spanning 1965 to 1978. This first compilation of Detroit Artists Workshop is a revelation for any fan of jazz, featuring previously unreleased recordings by Byrd, Moore, English, Woodard, Bennie Maupin and Teddy Harris accompanied by extensive sleeve notes from John Sinclair, Robin Eichele and Herb Boyd. All tracks are remastered from the original tapes by Technology Works.

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Agents Of Time

Universo

LP | 2022 | US | Original (Dirt Cult)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Das italienische Duo Agents Of Time war in den letzten Jahren unglaublich fleißig, von der Veröffentlichung einer Reihe klassischer Singles - darunter ihre jüngster Beitrag für Afterlife, "The Mirage", der mehr als fünf Millionen Aufrufe auf Instagram erhielt - bis hin zum Remix von The Weeknds "Take My Breath", der auf dessen aktuellen Album “Dawn FM (Alternative World)” erschien. Aber die bahnbrechendeste Neuigkeit ist erst jetzt endlich da - ihr zweites Album "Universo" ist fertig! “Universo" verbindet ihr Markenzeichen, melodischen Techno, mit einer besonderen Pop-Haltung und findet nach der EP "Music Made Paradise 2020" sein ideales Zuhause bei Kompakt. Eine Seelenverwandtschaft, die absolut Sinn macht.

Andrea Di Ceglie und Luigi Tutolo, die beiden Mitglieder von Agents Of Time, nutzten die Zeit während der Pandemie, um an "Universo" zu arbeiten, einem Album, das lose um ihr "persönliches Universum" herum konzipiert ist, eine Manifestation der Welt, die Di Ceglie und Tutolo in und um ihr Studio herum aufgebaut haben. Das macht den besonderen Glanz und die strahlende Helligkeit von "Universo" aus - es strotzt nur so von Persönlichkeit, Elan und Kraft, das Duo experimentiert mit Musik und erkundet auch noch deren entfernteste Ecken. Wer bei "Universo" nur ein weiteres Album mit melodischem Techno erwartet, wird angenehm überrascht sein - hier ist viel mehr los, und alles ist gleichermaßen spannend.

Nach einer poetischen Eröffnungsgeste - dem wirbelnden, synästhetischen, selbstbetitelten Intro-Track - werden mit dem 2-Step-Pop von “Fallin” alle Erwartungen sofort über den Haufen geworfen. Mit sanfter Klarheit von Gastsängerin Audrey Janssens gesungen, ist “Fallin” ein Traum von einem Song, der an die großen Zeiten von UK-Garage in den frühen 00er Jahre erinnert. "Interstellar Cowboy" ist ein selbstbewusstes, geschmeidig über den Laufsteg stolzierender Disco-Track; das sanfte Moll-Klavier von "Liquid Fantasy" entwickelt sich zu einem wunderbar melancholischen Techno-Pop-Epos, mit Vicky Who?’s Stimme voller Sehnsucht . Danach taucht auch Janssens Gesang auf dem Elektro-Wirbel von "Poison" wieder auf; "Dream Vision" greift die Single "The Mirage" auf, sanft und mit schwungvollen Streichern, voller Dramatik; "Part Of Life" dagegen ist ein echter Schaffel-Stomp.

All der Abwechslungsreichtum lässt eher tanzflächenorientierte Tracks wie "Ciao" noch deutlicher hervortreten - sie wirken noch entschlossener, stromlinienförmiger und dennoch reich an Details, pluckernde, Moroder-eske Bässe treffen auf stroboskopisch blitzende Synths, von denen aus die Melodien ins Firmament schießen. “Universo” fühlt sich textlich dicht an, aber es atmet trotzdem, seine Klänge sind so greifbar, dass man sie anfassen möchte, seine Melodien so verführerisch, dass man sie nicht mehr aus dem Kopf bekommt. “Universo” ist ein wunderschönes, mutiges Album, ein perfekter Treffpunkt von Pop-Melodien und stilvollem Techno: Agents Of Time in excelsis.

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Fleshies

Introducing The

20,99 €*

LP | 2022 | EU | Original (Black Truffle)

Release: 2022 / US – Original

Genre: Rock & Indie

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Fleshies (est. 1999) are a loud punk band from Oakland, California. They are noted for their intense, wild, and often homoerotic stage presence, abrasive-yet-catchy songs that warp and invert countless rock and punk tropes, radical (verging on wingnut) left-wing politics, and punishing tour schedules from the past (133 shows in 131 days at one point in 2003). They have released numerous well-received albums and singles on labels such as Alternative Tentacles, Recess, Life Is Abuse, Thrillhouse, and Adeline, and are on countless compilations (such as MaximumRocknRoll’s “Noise Ordinance” LP). “Introducing The Fleshies” (Dirt Cult Records), the band’s new full-length album, represents a return to form, capturing the energy, raw power, incisive lyrical commentary/humor, and brutalist melodicism of their earlier releases like “Kill The Dreamer’s Dream” (2001) and “The Sicilian” (2003). Recorded and engineered by Brian Plaskett, mastered by Daniel Husayn (North London Bomb Factory). (The) Fleshies are Mattowar, Yvan Kawecki, John No, Brian Plaskett, and Hamiltron (all of whom are original members). “Fleshies are one of those rare punk treasures that always knows how to kick out the jams live. And while the band labels its genre ‘Mysterious Guy Softcore’ — a play off the once trendy micro-genre of Mysterious Guy Hardcore — its sound is anything but. If you're into frenetic, fast-paced rhythms and off-kilter guitar and vocal workouts, expect to receive your just rewards. Singer John No doesn't sit idle during the band's shows; he can often be found working the crowd into a frenzy.” --Eddie Jorgenson, SF Weekly "These hyperactively yelping Oakland artcore minutemen very much deserve to suck. Yet, somehow, they don't." - Chuck Eddy, Village Voice

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Crys Cole

Other Meetings

LP | 2022 | EU | Original (Siyal Music)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Following on from last year’s acclaimed Sylva Sylvarum, the epic double LP from Ora Clementi (her collaborative project with James Rushford), crys cole returns to Black Truffle with Other Meetings. Originally commissioned and released on cassette by Boomkat Editions in 2021, Other Meetings is a major addition to the body of carefully hewn solo work cole has released over the last decade, offering up two side-long suites of her radically intimate approach to sound. After many years dominated by touring and travel, cole found herself in lockdown in her Berlin apartment, working in a limited space with minimal equipment. Digging through archives of recordings taken overseas and exploring the sonic potential hidden in the objects surrounding her (including a coffee pot and a vase of dying flowers), she crafted what in her liner notes she calls ‘an internal dérive, a journey that drifted through many places without a defining compass’. Totalling over 50 minutes, the two pieces unfold at an unhurried pace, each containing four individually titled subsections. Beginning with a sequence of the highly amplified small sounds characteristic of much of cole’s work, the opening moments of ‘The time between two durations of sleep’ are underpinned by a gentle rocking motion, weaving together contact mic crunch, metallic resonance, glimpses of bird song, and isolated drum machine hits, the sonic space expanding and contracting as focus moves between elements. Briefly side-lined by a tactile but unplaceable sizzling, this complex weave of voices then returns in a kind of dubbed-out ‘version’, the percussive accents echoing around the stereo space. In one of the record’s most beautiful and unexpected moments, these sounds are joined by a sparse melodic line performed on a broken 1980s digital synth, the vaguely New Age timbres being taken on a long, tonally ambiguous wander. Cole’s immersion in memories of travel comes to the fore in the final section of the first side, titled ‘Wat Paknam’ after a royal temple in Bangkok, where snatches of voices, ringing bells and distant waves of chanting blur together with synth tones into an increasingly abstracted wave of sound. The second side, ‘Slices of cake’, opens in a similarly hallucinatory outdoor space of echoing bird song and liquified traffic before abruptly zooming in on a microscopic world of subtly processed and highly amplified objects, explored with a starkness and quiet insistence that calls to mind the fringe not-quite-concrète of outsiders like Paul A.R. Timmermans or Knud Viktor, whose obsessive interrogation of dripping water might also serve as a point of reference for the following sub-section, the aptly titled ‘magischer Abfluss’ (magic drain).

While Other Meetings develops many aspects of cole’s previous work – the hyper-magnification of small gestures, the unsettling edits and fades partly inspired by hypnagogic states, the location recordings smeared into oneiric haze – it is almost as if these pieces are somehow songs, the remnants of an evaporated music of which nothing remains except isolated hits from a synthetic drum, a handful of notes, or simply a duration of emptied atmosphere. Radically reductive yet deeply musical, Other Meetings is a major work from an artist driven by an uncompromising and idiosyncratic vision.

Presented with an inner sleeve with photos and liner notes from the composer and remastered audio.

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Kutiman

Open Black Vinyl Edition

12" | 2022 | EU | Original (Wheel & Deal)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Open is the sixth studio album from acclaimed composer, producer, filmmaker and multi-instrumentalist, Kutiman. It is an addictive & irresistible twelve-track trip taking in elements of classic soul, Middle Eastern psychedelia, Afrobeat, Thai funk, jazz fusion, cosmic library soundscapes and more.

The uptempo “Vanishing Point” opens proceedings, recalling both Abstract Orchestra’s 2017 Dilla tribute and the lounge OST/library music flips of Tosca and DJ Vadim fame.

My Everything introduces prominent guest & frequent Kutiman collaborator, Dekel, whose soul-pop vocals coupled with jangly acoustic guitar riffs tip to contemporary indie artists such as Michael Kiwanuka and SAULT. “A Day Off passes through” Anatolian psych and Khruangbin-esque Thai funk whilst the afrobeat/jazz fusion “Confetti” pays tribute to Kutiman’s other namesake, Fela Kuti.

Dekel rejoins for the beatdown, lilting dub-soul “Believe In You” with hints of Lord Echo and the sun-inflected New Zealand dub-soul sound. The Tuareg-leaning guitar lines on “Canoe” travel across the Saharan desert easterly towards Sudan and Ethiopia by the end, whilst meditative and Coltrane-adjacent album closer “Ripples” provides a final moment of reflection from a truly global excursion of soundscapes.

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Coltcuts

Catnip EP

2x12" | 2022 | EU | Original (Chiwax Classic Edition)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Coltcuts debut EP on Wheel & Deal Records.

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Ian Pooley

Relations

Nancy Sinatra & Lee Hazlewood

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Overthirty years into his career, Ian Pooley continues to be a favourite of house & techno fans and DJs, remaining a highly respected figure within electronic music. He is enjoying one of the most fruitful periods of his career, with fresh material drawing more house and techno lovers to his fanbase, while classic older cuts are being reintroduced to new generations. We are pleased to present you in future some of his timeless past & present releases. Starting with "Relations". This 2x12" came out originally in 1996 on iconic Definitive Records, runned by Richie Hawtin & John Acquaviva. The re-mastered version will be available on solid 180 Gramm vinyl in september. Don't miss!

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Nancy & Lee 8Track Edition

8Track | 1968 | US | Reissue (Light In The Attic)

2LP | 1984 | EU | Reissue (Hot Casa)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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This is an 8track-cartridge, not a music cassette

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Alhaji K. Frimpong

Abrabo

LP | 2022 | EU | Original (Hassle)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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A classic and essential Hi-Life & Afro Funk album from one of the greatest Ghanaian singers and composers, reissued for the first time! The legendary Alhaji Kwabena Frimpong's fantastic rare album was recorded in 1984 in Germany and originally produced and distributed from Hamburg. K . Frimpong was born on July 22nd, 1939 at Ofoase in the Ashanti - Akim district, died Oct 18th 2005 in Kumasi (Ghana). He entered right into music after elementary school by joining "Star de Republic" and later "Oko's band" after which he left for K. Gyasy's band where he worked for more than 6 years. As a prolific songwriter and singer, here's the reissue of his amazing album, a modern fusion of Hi-life and Soul . The excellent background is given by the famous Cubanos Fiesta with members of Vis-à-vis band such as the famous Sammy Cropper on guitar or Slim Manu on bass. Originally produced by Atakora Mensah in Hamburg, this four songs recording is a blend of danceable and spiritual Soul and straight Hi-life. A must-have vinyl of percussive Afro Funk for all the music connoisseurs, Abrabo is a true masterpiece, so hard to find and reaching crazy skills for a decent copy affordable. Remastered by Frank Merritt at The Carvery. Pressed on Replika format. Fully licensed by the Alhaji Kwame Frimpong Family.

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Petrol Girls

Baby Pink Vinyl Edition

31,99 €*

Beyond The 4th Door Transculent Orange Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Time is supposed to mellow us, but for Petrol Girls it has distilled their feminist politics into an ever more potent cocktail. Fitting, given that their logo from day one has been a flaming molotov. Since their formation in 2012, the band has been known for playing fast-paced, chaotic punk that takes aim at everything from sexual violence to immigration policy, but over the last few years their sound has evolved in a more nuanced direction. Their 2016 debut album Talk of Violence was a blast of pure political rage, while 2019's Cut & Stitch saw vocalist Ren Aldridge exploring familiar themes from a more personal perspective. Now their latest offering, Baby - to be released through the London-based independent label Hassle on June 24th - sees the band turn another new corner. This time, by embracing irreverence. "We wanted [this album] to be less epic and less preachy from day one," Aldridge says. "I hate sanctimoniousness. Like, really fucking hate it. But I also know that I have been mega preachy, and felt very pressured to be sanctimonious, because we've always played in a very political punk scene. I lost my fun side, and I really needed to come back to that." Recorded with Pete Miles at Middle Farm Studios in Devon, Baby embraces a more playful sound. A focus on groove and repetition - driven by guitarist Joe York, drummer Zock and bassist Robin Gatt - give the songs a Talking Heads feel, while retaining the band's formative post-punk energy. The lyrics, too, are a departure for Aldridge. While she continues to address heavy topics like burn out, femicide and police violence, the lyrics balance directed anger with tongue-in-cheek humour where appropriate. Angular opener "Preachers" puts the self-aggrandising nature of call-out culture on blast with lyrics like "feeling dead important in the comments", while lead single "Baby, I Had An Abortion" is intentionally puerile from title to finish. On the flip side, tracks like "Violent By Design" see the band kicking back against carceral feminism in the wake of a news cycle dominated by Black Lives Matter protests and PC Wayne Cousins' brutal murder of Sarah Everard. Similarly, "Fight For Our Lives" - a harsh, borderline industrial song - was lyrically co-written by activist and vocalist Janey Starling. Aldridge deliberately wrote the verses to sound like a manifesto, and the lyrics reference Starling's Dignity For Dead Women Campaign with Level Up, which successfully called for the UK media to change the way it reports on fatal incidents of domestic violence. Baby saw Petrol Girls working in new ways - scrapping entire songs rather than trying to force things that didn't feel right, recording to tape for the first time, and deliberately leaving in imperfections. It was a more carefree process, which Aldridge - having gone through a particularly bad period of mental ill-health at the start of 2021 - welcomed. "Our whole thing for a long time, and a big focus of the last record, was

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Eternal Tapestry

LP | 2011 | US | Reissue (Thrill Jockey)

31,99 €*

12" | 2022 | EU | Original (SK_Eleven)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Back on vinyl for the first time in 5 years on translucent orange with green splatter. Download code included. Beyond the 4th Door, delivered an album not unlike Eternal Tapestry's epic live shows. Containing stretches of melodic guitar improvisations, dark brooding songs slowly build and expand to allow in layers of light. The album was created by recording more that two hours of material in their home studio, mostly live, and hand picking the elements that became these 5 tracks. There is a free and open nature to their structure creating a spacious environment for the listener to explore. Harkening back to the early 70's experimental rock that inspired them, such as Popol Vuh, Cluster and Träd Gräs och Stenar, Beyond the 4th Door is an album meant to be listened to in its entirety. Available on limited edition vinyl again, after the original 2011 release and 2016 re-press sold out within months of their respective releases. Eternal Tapestry are in every way musicians of the now. Extremely active in the new underground of cassettes and CD-Rs, releasing limited edition carefully designed albums on the premier purveyors of the counterculture.

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Ignez

Anahata EP

LP | 2022 | EU | Original (El Paraiso)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Berlin-based producer Ignez makes his first full length appearance away from his own respected Somov Records stable, bringing his well-crafted blend of organic minimal techno to SK_eleven with the "Anahata EP". The EP builds on the strong momentum gained over the five self-releases since 2020, leading first with the urgent, trance-inducing "Sahasrara" that builds steadily over a rolling groove littered with natural sound fragments, whilst "Motion" drives forward and explores the spaces in between. The tense "Anahata" is more menacing in its intent, letting off vicious synth swipes amidst tight, shuffling percussion whereas "Kaag X" runs into the red with its muscular groove, cavernous sub-bass and raw, overdriven handclaps.

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Rude Skott Osborn Trio

The Virtue Of Temperance

12" | 2022 | EU | Original (Dream Ticket)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Martin Rude & Jakob Skott Duo released 2 albums in 2020: The Discipline of Assent & The Dichotomy of Control. For the third installation in their Stoic opus, they join forces with Tamar Osborn on saxophone & alto flute. Similar to their first 2 albums, Rude & Skott improvised a tidal wave of ideas and grooves in the studio of Causa Sui's Jonas Munk, the perks of which were shipped to the UK for Osborn's overdubs of echo-drenched sax and wah-flute. An improvisation rippling across time & space, merging a river of constantly in flux head-on improv, as well as making room for floating harmonies and studio-wizardry. Playful, experimental and explorative, the trio ventures into a free wash of exotica drenched in deep modal jazz-vibes - with splashes of something more futuristic and modern. But contrary to what the title suggests, there are also roaring waves of energy, sizzling funky grooves to complement the ambient undercurrent. It's a record akin to the library & film music of the 60's and 70's and an ode to the willful river of experimental moderation. Far in. Bios: Tamar Osborn: Saxophonist, composer and multi-wind instrumentalist is the creative force behind modal jazz ensemble Collocutor (On The Corner Records). She is a long-standing member of the Dele Sosimi Afrobeat Orchestra, performs and collaborates regularly with Sarathy Korwar, Jessica Lauren, Emanative, Ill Considered and DJ Khalab, and is an in-demand session musician. Martin Rude: Multi-string instrumentalist & lead singer in Sun River, as well as stand-in bass player in Causa Sui. Jakob Skott: Drummer in Causa Sui with a slew of side projects on El Paraiso, as well as responsible for the label's visuals.

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DJ Arg

Acid Inferno

Return EP Al Wootton Remix

Release: 2022 / EU – Original

Genre: Electronic & Dance

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DJ ARG is back on Dream Ticket and once again he is Not. Fucking. Around. Four headmelters from the master himself that traverse breaks, house, techno and booty. Hardware was indeed harmed in the making of this record. Live with it!

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Frankel & Harper

12" | 2022 | EU | Original (Council Work)

LP | 2022 | EU | Original (Unique Leader)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Frankel & Harper deliver the appropriately named "Return EP" on their council work imprint. following on from the "Crouching Tiger EP", Cwr005 sticks to the signature Council Work sound, bringing together a fusion of UK Garage, Drum 'n Bass, Breakbeat, Dub and many other flavours. The 3 original tracks feature in the shape of Counter Strike, Armshouse and Return, with the release rounded off with an infectious, stripped back remix of the title track from Trule head honcho Al Wootton. From all out dance floor destroyers, to deeper and more cinematic textures, this collection of beats should easily find a home in many record bags.

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Vomit The Soul

Cold

27,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Habibi Funk)

Majid Soula

Chant Amazigh

24,99 €*

Record Box - Vinyl Record Storage

Release: 2021 / EU – Original

Genre: Rock & Indie

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Born in Kabylie, Algeria - a place that remains fundamental to his career - Majid Soula is a self-made musician, artist and producer. With no formal music education, Majid’s tenacity has led to a career that is still blossoming. His synths, driving drums, guitar & strong lyrics make a unique sound. A strong proponent for the rights of the Amazigh, he has a band that to this day plays shows, most linked to cultural events of the
Amazigh diaspora in France, as well as in Belgium, Russia the UK and Sweden. He was part of a new wave of widely popular and successful Kabyle artists in the 1980s, such as Ait Menguellet, Lounès Matoub, Takfarinas, Idir and many more.

Habibi Funk as a label is dedicated to re-releasing music from “The Arab World”, but this release shows how reductive this term can be, as the countries from North Africa and West Asia being summarized under this term include a vast number of languages and identities. Obviously, headlines sometimes come with limited space, and one can’t avoid using terms that paint a half-finished picture. That being the case, however, we are even more happy that Majid Soula liked our idea to work on a release of a selection of his music with us. The tracks here are incredible and need to be introduced to a new generation of listeners.

For Majid Soula music is more than just entertainment. He considers himself an activist through music, and foremost a “chanteur engagé”, as he says of himself: „I take my inspiration from the daily life of my people and I share all their aspirations, mainly the official recognition
of Tamazight as a language, culture and identity.”

He still works on new music in his small home studio in Belleville and occasionally plays concerts for the Amazigh community of the city.
We sincerely hope that for you reading this and listening to Majid’s album, his music will have the same revelatory feeling it had on us, and that this will be part of a momentum that will allow Majid to keep on working, playing, and sharing his message for many years to come.

As always both vinyl and CD come with an extensive booklet with an interview with Majid Soula plus unseen photos.

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Rollcontainer 12" Aufbewahrung (110)

56,99 €*

LP | 2021 | EU | Original (Fatiado Discos)

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Record Box stands for creative furniture that gives vinyl collectors the chance to create unique pieces of furniture for storing and presenting records. The Record Box roll container is a furniture piece that can be moved around the room.
The set consists of a 12-inch record box that stands on a rollboard. The box offers space for around 110 records. The storage box is connected to the rollboard by specially developed glue dots. The set can be used as side table, roll container, office container for folder storage, a coffee table or a mobile record shelf.
The set offers a price saving compared to buying the elements individually. It is ideal as a creative addition to individually built vinyl furniture from the Record Box system and is available in black and white.

Technical details & components of the set:
• Total dimensions of the furniture: approx. 36x36x46cm (LxDxH)
• 1x rollboard
• 1x 12-inch 110 storage box
• 1x glue dots
• Assembly instructions
• Material: 15 mm MDF with melamine coating – white or black
• Boxes for self-assembly - screwdriver required!

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Di Melo

LP | 2021 | EU | Original (Jakarta)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Di Melo's Debut Album Was Originally Released In 1975 And It's A Fusion Of Genuinely Brazilian Rhythms With Funk, Soul And The Right Amount Of Psychedelia. Di Melo Is One Of The Main Brazilian Soul Music Artists, Seen By Many As Talented And Musically Creative As His Peers Jorge Ben And Tim Maia.Di Melo Went Missing In Action From 1976 To 1997, The Year His Song "A Vida Em Seus Métodos Diz Calma" Was On The Collection "Blue Brazil" From Blue Note Record Label. The Word On The Streets Was That He Was Dead Until 2011, When The Documentary Called "Di Melo, O Imorrível" (Di Melo, The Immortal) Was Released. In This 2021 Edition The Album Contains The Original 1975 Insert With Lyrics Plus Photos From Personal Family Archives And For The First Time The Full Credits With All The Name Of Every Single Musician Who Took Part, Among Them, Hermeto Pascoal.The Young Man Of 25 Coming From The Outskirts Of Pernambuco Was At The Peak Of His Success. Psychedelic Drugs And Cinema References Were Blowing His Mind Away When He Realised That He Was Being Conned By Music Industry Rats. His Songs Were At The Hit Parade On The Radio And His Music Had Been Recorded By Some Of The Biggest Names In Brazil, But What He Was Being Paid For Made No Justice To That. People Say That After Watching The Movie "Blow Up" By Antonioni, Di Melo Himself Beat The S*** Out Of The Publisher Who Paid Him Less Than 10 Dollars For His Rights For The Past Three Months.Such Events, Ran By The Same Strong Personality That Initially Opened Doors, Made Di Melo Ostracized By The Ungrateful Brazilian Music Industry. Perhaps That's What It Took To Make Such A Mythical Album.

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K, Le Maestro

Whip Music

20,99 €*

12" | 2021 | EU | Original (Kompakt Extra)

Release: 2021 / EU – Original

Genre: Hip Hop

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With great notoriety for his reworks across SoundCloud, London native, K, Le Maestro has forged an undeniable signature sound for himself and has made his way from making beats for himself in his bedroom to having his edits widespread across the internet and garnering popularity in the outside world among DJs and music heads alike and earning his co-signs from i.e. Soulection or House Shoes. Now by the age of 22 K, Le Maestro truly has become a master of his art; fusing between different genres while maintaining the signature knock that his instrumentals provide and is now ready to presents his debut album “whip Music”.

The album’s 1st single „why Can’t WE? - a masterclass in playing with momentum and anticipation, showcasing K’s razor sharp feel for building soundscapes and capturing a 90s R&B/HipHop vibe – got picked up by Apple Music’s “Beatstrumentals” Playlist right away. The carefully curated layers of instrumentation make the track meld together into a laid-back, yet head-banger kind of wave.

The 2nd single “out Late” features US singer Amaria and has become a sonic celebration, marrying modern R&B with old-school funk. The angelic voice of Amaria creates a sensual, intimate setting that sits perfectly within K's production of lush synths, heavy drums and a booming bass line. The song will be accompanied by a full length music video.

The 3rd and final single “backseat” features singer Nápoles and feels like a modern take on 90ies R&B ballad complemented by Nápoles´ gentle vocal delivery, reminding of heavyweights such as H.E.R or 90ies super-group EnVogue with its lush harmonies and the smooth instrumentation, contrasted with another heavy synth bass line. The single will also feature a full-length music video.

The album’s artwork was designed by the artist himself while the record contains a double-sided DIN A2 poster, showing the album cover in black & white on one and an alternate anime cover version on the other side.

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Robag Wruhme

Speicher 117

Bull Run Moc Toe (Made in USA)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Dearly beloved, we are gathered together to celebrate the long-awaited matrimony of the DJ and dancer. For many of us, the summer of 2021 appears to be the occasion we have waited for more than a year. And who other than Robag Wruhme to commemorate the soundtrack to this once in a lifetime experience. He makes a return to Kompakt EXTRA’s seemingly endless series Speicher. But is it a follow up to his Speicher 115 of last year? That is a firm “No” though is preceded by a “Yes” so perhaps we should just leave it as a big maybe? It really has no matter in the end when the music is just perfect for This moment. Before you get overwhelmed with emotion, flip that record over and escape to the “Frontex Frappant”. Robag Wruhme provides his signature peak time dexterity, making a solid strike to protect the border between unity and redemption.

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Danner

289,95 €*

LP | 2021 | US | Original (Daptone)

Available Sizes: EU 41½, 42, 47

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With the Bull Run, Danner offers mid-top boots that have been built in the USA with a dedication to quality that goes back to 1932. The Danner Bull Run are utilitarian work boots with a timeless design that stays in style when you punch out. The unlined, full-grain leather upper is the perfect blend of strong and soft, and combined with the Danner Wedge outsole, it offers all-day comfort that lasts.

The features of the Danner Bull Run Moc Toe include:

• oiled, full-grain leather upper
• tone on tone stitching plus contrast stitching at raised U seam
• metal eyelets at 5-eye lacing plus 2 hook rivets at top position
• cushioned EVA footbed
• Danner Wedge outsole (the non-marking, oil-and-slip resistant Danner Wedge outsole provides cushioning, lightweight support, traction, and won't track debris; the soft rubber compound is designed for maximum comfort for long days on smooth indoor surfaces, such as concrete and wood. Not recommended for daily use on asphalt!)
• Danner's stitchdown construction offers increased stability underfoot, plus lots of the Danner stitchdown boots can be recrafted
• Danner logo embossed at tongue
• electrical hazard (EH) footwear is manufactured with non-conductive electrical shock resistant soles and heels
• made in USA

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Innov Gnawa

Lila Black Vinyl Edition

22,99 €*

LP | 2021 | EU | Original (Vampisoul)

Release: 2021 / US – Original

Genre: Organic Grooves

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Daptone Records is honored to announce the release of Innov Gnawa's forthcoming full length, Lila. Hailing from Morocco, but based in NYC, Innov Gnawa have been making waves locally and abroad with their hypnotic live shows - which is why producer, Bosco Mann invited the group to come record at the Legendary Daptone House of Soul. Gnawa is a music and spiritual tradition rooted in Morocco and dates back many centuries. Over the years, the liberated slaves of Northern and Western Africa integrated their musical rhythms and religious beliefs into the culture of Morocco creating a unique style of music and dance called Gnawa. It's not religious music, but rather music and rhythms that promote healing through trance and spirituality. The infectious rhythms of Gnawa songs are invocations for saints and spirits of freedom and liberation.

Gnawa groups consist of a Ma'Alem, or master, who plays the Guembri(or Sintir) - an ancient three stringed bass that later evolved into the modern day banjo, accompanied by a brotherhood of musicians playing the karkabas, which are metal castanets, representing the shackles and chains of slaves. The title of this album, Lila, literally means Night, and is a traditional Gnawa ceremony in which the Ma'Alem and his karkaba ensemble dedicate an evening of healing through music. A traditional Lila has many parts with a very extensive repertoire, and can last anywhere from a few hours to few days, and even weeks in some cases. The hypnotic poly-rhythms, along with incense and ceremonial ambiance induces states of trance in the musicians and guests. This all night rhythm fest is a spiritual ritual that cleanses the body, mind and spirit. It would be impossible to capture an entire Lila on on LP, but what Innov Gnawa delivers is a concise glimpse into this ancient Moroccan tradition. We invite you to immerse yourself into Lila. Experience freedom, liberation and the power of healing through music. You are not alive if this music doesn't move you.

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Afrosound

La Danza De Los Mirlos

25,99 €*

12" | 2021 | EU | Original (Live At Robert Johnson)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Afrosound's Mission Was To Emulate The Guitar-Heavy Tropical Sounds Emanating From Perú And Ecuador At The Time. To Add To The Hippie Vibe, There Were Plenty Of Whacky Improvised Vocal Asides (Called 'Inspiraciones'), Plus Custom Fuzz, Wah-Wah, Flange And Echo Effects Boxes For The Guitar And Keyboards. A Barrage Of Odd Sounding Synths, Drum Machines And Other Electronic Flourishes Were Also Sprinkled In To Spice Up The Proceedings. The Dozen Tracks On Afrosound's Debut Long Play Make For A Surprisingly Diverse Palette From Which These Colombian Musicians Painted Their Daring Portrait Of Peruvian Cumbia, Returning The Favor In Bold Colors That Still Resonate Almost 50 Years Later. "La Danza De Los Mirlos" Kicks Off With Most Famous Afrosound Hit Of All, 'Caliventura', A Genius Blend Of Funk And Cumbia. Aside From The Cumbia Amazónica Title Tune, There Are Several Other Covers Including Three Popular Songs By Nelson Y Sus Estrellas, Plus Radically Reimagined Versions Of Various Colombian Costeño Classics Published By Fuentes. Mario "Pachanga" Provides A Sad But Still Groove-Oriented Christmas Son Montuno / Cumbia Hybrid While Fruko Brings Us The Bomba-Funk Ditty 'El Chorrillo' And The Rocking Cumbia Andina Gem 'Cabeza De Chorlito' Where Sepúlveda Channels Enrique Delgado. Fruko Collaborator Hernán "Hercovalle" Colorado Vallejo Rounds Things Out With The Melancholic Psychedelic Cumbia 'Esperando Por Ti', Proving That Every Tropical Party Has To Have Its Down Side As Well. The Record Was Also Released In The Us, Ecuador, Perú, Panamá, Mexico And Venezuela, And Probably Had An Influence Of Its Own, At Least In South America. The Cover Of This Lovingly Restored Reissue Features The Artwork For The Peruvian Edition, Which Was Licensed And Issued By Lima's El Virrey Label In 1974. The Original Fuentes Artwork, With A Far More Outrageous "Cheesecake" Image, Can Be Seen On The Back Cover.

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Perdu

Soaring Flight

Greg Belson's Divine Funk: Rare American Gospel Funk & Soul

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Live At Robert Johnson welcomes Amsterdam-based DJ and Producer Alain van der Born aka Perdu to the Club, who already made his marks with Releases on Dgtl Records, Heist, and Let’s Play House amongst others. His contribution is a Four Track EP called Soaring Flights, including a Digital only Bonus Track. On this EP, Perdu champions a full-on 1980s sound, which hits more than one Chord in Live At Robert Johnson’s very own set of Styles. Dystopia (co-produced by Tjade) is a High Energy Track, in which a raw and stoic Bass Riff slowly working its way into a Break. It’s the first Break in which the Atmosphere heats up significantly and subsequently sustains for the remainder of this quite enjoyable, and not quite dystopian rush on the Dance Floor. Retrograde immediately kicks off with a South American infused Rhythm Loop, joined by a deep and analogue Bass Serpentine, with bubbly Acid sprinkled along the way. Rise Of F5 brings back those 1980s signature pumping Kick and gated reverb Snare Drums, employing melodic and slightly haunting elements, which eventually dissolve in Euphoria and a Melody to hum along with (or shout, if you prefer). Somehow It’s Different Now concludes in a slightly different and quite mellow vein, that lets you leave this EP on the easy side. Available Digital Only is the Bells Mix Version of Perdu and Tjade’s Dystopia, for those inclined to a more melodramatic Dystopia with added playfulness thanks to, you guessed it, Bells (no whistles, we promise).

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V.A.

LP | 2021 | US | Original (Cultures Of Soul)

LP+7" | 2021 | EU | Original (Betino's)

Release: 2021 / US – Original

Genre: Organic Grooves

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Following on from the success of ‘Greg Belson’s Divine Disco’ series Greg Belson and Cultures of Soul team up again to explore the world of Gospel Funk. Belson is one of the world's leading collectors and DJs of gospel music. You hold in your hands a collection of some of the rarest Gospel funk records from Belson’s amazing collection featuring everything from the laid back breakbeat laced “I Don’t Want to Be Alone" by Allen Gauff Jr to the high octane and socially-on-point take of the Gospel classic ‘This Little Light Of Mine’ by the Gospel Ambassadors to drum break funk of the Wearyland Singers ‘If You See Me Doing Wrong” to the sublime soulfulness of Zella Jackson’s “Days Are Just Like People." Without a doubt though, all of the artists included in this compilation, believed in themselves, the message, and the direction of the Gospel Funk intensity you hear within these grooves. Gettin’ on the Good Foot for God? Listen and decide for yourselves!

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The Big Hustle

For Life

24,99 €*

LP | 2021 | EU | Original (Office Home)

Release: 2021 / EU – Original

Genre: Organic Grooves

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The Parisian jazz / funk collective The Big Hustle returns with the release of their third LP titled For Life published by Betino’s records. The Big Hustle here definitively asserts its identity, once again demonstrating the strength of the collective, and positions itself as the guardian of "real" organic music from the US jazz / funk tradition of the 70's. The group has chosen for this new opus to refocus on the musical core of the band. However a few selected guests are present, for example the virtuoso saxophonist Baptiste Herbin, and Marie Sané, rising star of the Parisian soul scene. The group returns to a musical approach close to their first LP, favoring instrumental titles to vocal pieces. The artistic orientation here has been to favor mastery and precision over spontaneity and the raw side of the beginnings. Funk in all its forms remains the essence of this album, especially on « 78 Funk ». We can also identify influences from jazz, afro pop, hip hop, modern gospel to rock. The overall sound of the album is marked by a more advanced and worked production. We can discover new sounds brought by the post production work that evoke the sound of dub, hip hop etc ... Nicolas Gueguen (Beat Assailant, NTM, Booster…) is once again in charge of the mixing process and brings his savoir-faire to reveal the best of each track and highlight all the subtleties of the arrangements and the interpretation. For Life stands as the continuation of the artistic path of The Big Hustle : an odyssey in the making through the African American musical tradition of yesterday, today and tomorrow. The Big Hustle is definitely ready to evolve in the current musical world and well beyond. For Life!

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Roforofo Jazz

Fire Eater

Dark Myth Equation Visitation

Release: 2021 / EU – Original

Genre: Hip Hop

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Paris based Roforofo Jazz is a 7-piece liveband fronted by Chicago born MC Days (aka RacecaR), with a certain taste for adventurous blends, mixing hip hop, afrobeat and jazz into their very own style. After more than 15 years slashing the afrobeat of Les Freres Smith with his guitar cuts, Martin Smith digged into the musical sediments and silts in a swamp of hip hop, funk groove, afro power, jazz freedom radicality, with a certain taste for adventurous blends. This wax solid 5 tracks Vinyl was recorded live in Montreuil (France) at Studios La Peche, in November 2019, just a few weeks after the band toured in Nigeria and played at the mythical New Afrika Shrine on the occasion of Felabration 2019, where they got invited to perform by the Fela Kuti family for a series of concerts in Lagos. The 5 titles include the single “Fire Eater”, a raw afro hip hop tune mixing rhythms in the tradition of polyrhythm afrofunk tunes, while also alternating in between jazzy mood and burning hip hop anthem. “Dump It” is a dark, mid tempo beat, borrowing the groove signature of ethiopian soul, and coated with hip hop sharp drops, while horns bring the jazzyness through their themes. “Helelyos” is a cover/extrapolation of Iranian singer Zia’s hit, to which Days vocals bring an heavy old school hip hop vibe. “2Kick1” is a relentless afrobeat oriented tune, though with a languorous spacy chorus that breaks with the traditional afrobeat routine. And “What We Think We Saw” ends the EP with an opening to more psychedelic visions, in which a Gil Scott-Heron spoken word style meets jazzy space echoes, flutes under massive reverbs in a global vibe that could remind old analog recordings of Mandrill, Cymande or LKJ.

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Sun Ra

LP | 2020 | EU | Original (Strut)

Sundowner Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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In the years leading up to 1971, Sun Ra wrote many compositions and poems specifically inspired by the ancient African Kingdoms and many others with associated mythological and heliocentric connotations. As such, a visit to Egypt and the opportunity for the Arkestra to play there was a matter of necessity. Ra's first ever concerts outside of the US had occurred in late summer and autumn of 1970 with performances in France, Germany and the UK and a second European tour was arranged for late 1971. At the end of that second tour, Ra caught wind of cheap flights from Denmark to Cairo. This release comprises recordings made by Arkestra member Thomas "Bugs" Hunter made in December 1971 in the streets around the Mena House Hotel, Giza, from a concert held at the house of Goethe Institute ex-pat Hartmut Geerken in Heliopolis, from a live Cairo TV channel broadcast and a concert at the Ballon Theatre in Cairo. The impact and significance of these few weeks upon Sun Ra can be measured by the growth and development of his output over the next few years; the immediate post-Egypt period included new studio and live recordings on the Saturn, Blue Thumb, Atlantic and Impulse labels and the 'Space Is The Place' movie. Ra also edited the three LPs of the 'Live In Egypt' series which were subsequently released on his Saturn record label and its affiliated twin, Thoth Intergalactic: 'Dark Myth Equation Visitation', 'Nidhamu' and 'Horizon'. These three albums are now reissued as single LP editions in their original artwork.

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Kevin Morby

LP | 2020 | US | Original (Dead Ocean)

CD | 2020 | US | Original (Madlib Invazion)

Release: 2020 / US – Original

Genre: Rock & Indie

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In the winter of 2017 I moved back to my hometown of Kansas City from Los Angeles. The move was sudden and unforeseen, just as I was tying a bow on the writing process for what would become my 2019 album, Oh My God. I bought a Four Track Tascam model 424 off of an old friend to help me get to the finish line, but much to my surprise and excitement, this new piece of equipment in my all-but-bare home didn't help complete one album but rather inspire another: Sundowner. The new collection of songs came quickly and effortlessly as I did my best not to resist or refine the songs, but instead let them take shape all on their own. As the songs kept coming I cleared out the crowded shed that was sitting dormant in my backyard and built a makeshift studio before adding drums, lead guitar and piano to complete the demos. Each day I would teach myself basic recording techniques, watching the channels illuminate and pulse as if the machine were breathing, and then emerge in the evenings as the sun was getting low: - around 5:30 in the winter, when the Kansan sunsets look icy and distant, like a pink ember inside of a display case, and 9 o'clock in the summer, when the sunsets are warm and abstract. Landing back home felt jarring juxtaposed with a life full of chaos and adventure with my band on the road. But at the very least, I was happy to have - for the first time in my adulthood - a place to close the door, with no temptations other than to work on music and reflect on what I had built since I left. It was a new form of isolation, one I had never explored or expected to experience. Not ready to let go of the hand of the California desert, I spent the winter decorating the best I knew how; with mementos from my previous home, cactus and aloe vera and covering the walls in pinewood - immediately earning my house it's nickname, The Little Los Angeles. In January 2019 I contacted my friend and producer Brad Cook to help recreate what I had made in my shed. We chose to work in Texas; we wanted to make sure the record was done far away from any coastline, and in the heart of America. Brad played bass and some keys on the album, but beyond that he encouraged and inspired me to play almost everything else. All lead guitar, proper drums (save the drums on "A Night At The Little Los Angeles"), mellotron and what I believe to be the albums secret weapon - a Wwii era collapsible and slightly out-of-tune pump organ - were performed by me. We did, however, bring in James Krivchenia towards the end of the session to fill out the percussion. It was an honor to work with him as he built maracas from pecans and played on the floor of the live room, adding flourish wherever he saw fit. On the last evening of the session, after everything had wrapped, we all climbed on top of an empty water tower on the property, giving us a view in all directions. To the North you could see an endless Texas, with long wisps of cirrus clouds above the desert floor, and to the South there was Mexico, the recent detention camps only a mile beyond, with large cumulus clouds hovering over, bringing us to an ominous pause. To the West, towards the setting sun, the two families of clouds merged, holding the last light of the day in purple and orange. Below, a freight train cut the landscape in half as it whistled in the distance. Almost as soon as the session wrapped, I was off and away on press trips and then proper tours for Oh My God, which came out in April that same year. Sundowner sat inside of a hard drive back at Sonic Ranch and did not see the light of day, until I found myself, as did the rest of the world, stuck inside their home and in quarantine in March 2020. My second year of touring for Oh My God was cancelled. Brad, Jerry and I worked from our respective homes, sending notes back and forth as we worked alone but together to mix the album, and suddenly, just like that, Sundowner was finished. Songs, like sunsets, are fleeting, and it's only due to a willingness and desire to catch them that you ever, if even only for a moment, grab a hold of one. When writing Sundowner, I was lucky to have had the Tascam 424 there to help capture both. Sundowner is my attempt to put the Middle American twilight -- it's beauty profound, though not always immediate -- into sound. It is a depiction of isolation. Of the past. Of an uncertain future. Of provisions. Of an omen. Of a dead deer. Of an icon. Of a Los Angeles themed hotel in rural Kansas. Of billowing campfires, a mermaid and a highway lined in rabbit fur. It is a depiction of the nervous feeling that comes with the sky's proud announcement that another day will be soon coming to a close as the pink light recedes and the street lamps and house lights suddenly click on. -- Kevin Morby, Kansas, 2020.

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The Heliocentrics

Telemetric Sounds

17,99 €*

Jimmy Smith & Stanley Turrentine

Release: 2020 / US – Original

Genre: Organic Grooves

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The UK’s cosmic, psychedelic-funk ensemble issue their second album on maverick producer Madlib’s label, Madlib Invazion. The Heliocentrics’ albums are all confounding pieces of work. Drawing equally from the funk universe of James Brown, the disorienting asymmetry of Sun Ra, the cinematic scope of Ennio Morricone, the sublime fusion of David Axelrod, Pierre Henry’s turned-on musique concrète, and Can’s beat-heavy Krautrock, they have – regardless of the label on which they’ve released their music - pointed the way towards a brand new kind of psychedelia, one that could only come from a band of accomplished musicians who were also obsessive music fans. Drummer Malcolm Catto and bassist Jake Ferguson are the Heliocentrics’ masterminds and producers, and they are obsessive weirdos in today’s musical climate, searching, progressive humans who are often out-of-time with current trends. They have been playing together for nearly two decades and their collective drive is to find an individual voice. The Heliocentrics search for it in an alternate galaxy where the orbits of funk, jazz, psychedelic, electronic, avant-garde and “ethnic” music all revolve around “The One.” With Madilb’s label Madlib Invazion for Telemetric Sounds, the Heliocentrics have returned to develop their epic vision of psychedelic funk, while exploring the possibilities created by their myriad influences – Latin, African, and more.

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Prayer Meetin' Tone Poet Vinyl Edition

LP | 2020 | EU | Original (Blue Note)

42,99 €*

Moanin' Pink Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Joe Harley ist Mitbegründer und Koproduzent des renommierten amerikanischen Vinyl-Labels MUSIC MATTERS. Sein außerordentliches Gespür für die Klangästhetik des LP-Formats brachte ihm den Titel "Tone Poet" ein. Anlässlich seines 80. Label-Jubiläum beauftragte Blue Note Records den "Klangpoeten" damit, einige Alben für eine exklusive LP-Edition zusammenstellen. Diese rein analogen, d.h. ohne digitale Zwischenschritte gefertigten Reissues werden von Kevin Gray (Cohearent Audio) von den originalen Masterbändern neu gemastert und bei Record Technology Incorporated (RTI) auf 180g-Vinyl gepresst. Die Originalcover werden als schwere, laminierte Gatefold-Sleeves faksimiliert. Dabei wird eine Hüllenfertigung angewendet, deren Name nur LP-Gourmets etwas sagen dürfte: Tip-on-Sleeve. Wie zur Zeit der schweren, stabilen Papphüllen der fünfziger und sechziger Jahre wird auch hier eine stabile Papp-Grundlage mit glänzend laminierter Oberfläche verbunden.

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Art Blakey

LP | 1958 | EU | Reissue (20th Century Masters)

18,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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12" | 2020 | EU | Original (Time Is Now)

Baby J & D Jason

Original Bad Bwoy EP

LP | 2020 | EU | Original (Epitaph Europe)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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2022 repress

Four heavy weight steppers sourced from the streets of Leeds, for them dark basements and early morning afters, brought to you from two new bad bwoys on the scene D. Jason & Baby J.

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The Ghost Inside

24,99 €*

LP | 2020 | CA | Original (Warner)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Los Angeles based outfit THE GHOST INSIDE is poised to release their fifth studio album. The self-titled album is a true triumph over adversity. The band was involved in a shocking road collision one tragic night in November 2015; a truck crashed into the band's tour bus near El Paso, Texas, killing both the bus driver and truck driver as well as leaving vocalist Jonathan Vigil, guitarist Zach Johnson, and drummer Andrew Tkaczyk in critical condition. Tkaczyk was in a coma for 10 days and eventually lost his right leg. The metalcore heroes have spent the past four years recovering, with each member documenting their recovery process openly. In February 2019, the band released a video featuring some new music they were working on in the studio. Shortly thereafter, they also announced their first concert since the bus crash. It was to be a "one time only" event to take place in August in Los Angeles. 7000 tickets sold out within five minutes after they went on sale on March 1st. Bassist Jim Riley speaks of the writing process for the new album, "For anyone that has followed the story of THE GHOST INSIDE for the last 5 years, one line in "Aftermath" sums it all up: "Triumph over tragedy". We went into the writing process knowing full well that every song and every lyric would be influenced by what we've been through, but we tried our best for them to be relatable to everyone. With "Aftermath" we let it be much more personal - this one is us telling OUR story. So when it was time to choose a first song to share with the world, it felt right for it to be "Aftermath". It allows anyone that listens into our world, but it also lets us put final punctuation on that chapter of our lives. "Aftermath" is a total catharsis for us. We let it all out in the song so that it's not bottled up inside us anymore and we can heal and move on, since after all, the beat goes on".

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Earl Sweatshirt

Feet Of Clay

12" | 1979 | EU | Reissue (Trad Vibe)

Release: 2020 / CA – Original

Genre: Hip Hop

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Earl Sweatshirt is the virtuosic byproduct of Los Angeles' fertile ground where hip hop sowed it's seeds and historic cultural movements were born. The prodigiously gifted writer, lyricist and producer grew from a zeitgeist of which contemporary collectives in hip hop today are predicated. And while most movements are fleeting as soon as they arrive, Earl pushed forward, documented his growth and self-discovery on record and cemented himself as one of the foremost culturally relevant MC's in the game. One who never strayed away too far from his Los Angeles beat-scene roots. His debut album Doris arrived in 2013 and introduced the world to a more realized vision from him than his.

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Cortex

Medley

OST Color Out Of Space Cosmic Magenta Swirl Vinyl Edition

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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The first reissue of the famous and long-awaited "Medley Maxi 45" by Cortex. Originally released in 1979, this Medley is the perfect tool for DJs (Already played by MCDE at We Love Green Festival as the Final track…).
On B side the “Mary & Jeff (Fender Rhodes Version 77)” was released in 2010 on a very limited 7inch (TV003).
Never republished! Remastered from original tape by Trad Vibe records.

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Colin Stetson

LP | 2020 | US | Original (Waxwork)

35,99 €*

Jonny Kurt Und Die Hühnerficker Kombo

Release: 2020 / US – Original

Genre: Soundtracks

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In partnership with Milan Records, Waxwork Records is proud to announce the deluxe soundtrack vinyl release to COLOR OUT OF SPACE Original Motion Picture Soundtrack by Grammy Award-winning saxophonist and multi-instrumentalist, song writer and composer Colin Stetson!

Directed by Richard Stanley (Hardware, Dust Devil), Color Out of Space is based on the short story by H.P. Lovecraft. After a meteorite lands in the front yard of their farmstead, Nathan Gardner (Nicolas Cage) and his family find themselves battling a mutant extraterrestrial organism as it infects their minds and bodies, transforming their quiet rural life into a technicolor nightmare.

About Colin Stetson:

A highly-coveted collaborator to Bon Iver, Arcade Fire, Tom Waits, LCD Soundsystem, The National and more, Stetson brings with him an expansive body of work that includes both genre-defying, avant-jazz records as well as critically-acclaimed original scores for major film, television and game titles (Ari Aster’s Hereditary, Red Dead Redemption 2). Of the soundtrack, Stetson says:

"The question posed initially when conceiving of this score was what exactly is the sonic representation of a cosmic alien color that does not exist in this terrestrial reality? I began trying to answer that by layering the sounds of coral reefs, processing that cacophony and finding the order revealed through harmonic generation of these hyperdensities, and then continued to chase that same concept of 'transfiguring the natural' down every path and application I could see. Turns out it's somewhere between magenta and hot pink :)"

Waxwork Records is thrilled to present the complete soundtrack by Stetson pressed to 180 gram "Cosmic Magenta" swirled vinyl, housed within a heavyweight printed inner sleeve inserted into an old-style tip-on jacket with film laminate gloss coating, and new art by Matt Taylor.

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LP | 2020 | EU | Original (Phantom)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Art Blakey & The Jazz Messengers

Buhaina's Delight

LP | 1963 | EU | Reissue (Blue Note)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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The drum hero’s classic 1963 album
Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey, during November and December 1961
The Jazz Messengers’ 11th Blue Note album
Featuring the classic Messengers line-up of Freddie Hubbard (trumpet/flugelhorn), Wayne Shorter (tenor), Curtis Fuller (trombone), Cedar Walton (piano) and Jymie Merritt (bass)
Showcasing three classic Shorter compositions (‘Backstage Sally’, ‘Contemplation’, ‘Reincarnation Blues’) plus Fuller’s ‘Bu’s Delight’, Walton’s ‘Shaky Jake’ and a take on Henry Mancini’s ‘Moon River’
Produced by Blue Note co-founder Alfred Lion
Includes photography by BN co-founder Francis Wolff and liner notes by esteemed writer Leonard Feather

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MWM

Phase Case

29,99 €*

12" | 2019 | EU | Original (Jamwax)

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Reinforced case to store and protect Phase and its accessories.

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Mikey Melody

Soldier In Town

13,99 €*

12" | 2019 | EU | Original (Feines Tier)

Release: 2019 / EU – Original

Genre: Reggae & Dancehall

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Michael Edgehill aka Mikey Melody was born in the parish of Portland, Jamaica. As a youth he constantly raised his voice in song and performing with sound system in the neighborhood community. Known by his sweet voice, his friends gave him the nickname «Mikey Melody».
Mikey Melody was influenced by 60’s and 70’s US R&B icons and Jamaican singers like Bob Marley, Sugar Minott, Burning Spear, Dennis Brown, Bob Andy and Half Pint. In the 1980’s he went to Kingston and was identified early by Lord Sassafrass, who gave him his first recording single “Under Mi Fat Thing” that was covered by many reggae artists. He was then signed by Black Scorpio Corporation which he was a singer on the sound system and recording label. He did songs like “World Is A Disaster”, “Jumbo Mi Jumbo”, “Romance For The Moment”, “Ragga Muffin”, “Unemployment”.
He then moved on to Dennis Star Label which he did songs like “Mona Lisa”, “Maranda” and the hit song “Soldier In Town”. Released in 1988 on Dennis Star International records, ‘’Soldier In Town’’ by Mikey Melody is a pure late 80’s dancehall vocal over heavy digital rhythm by Firehouse Crew.

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Pletnev

No Bad Decisions

The Tipping Point Black Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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4 track EP “No Bad Decisions” is Pletnev's debut on Cologne based imprint Feines Tier. And here he matches perfectly with label requirements - hidden melodies, dozens of layers and sounds. Truly simple and addictive music for parties with soul, big or small.

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The Roots

2LP | 2004 | US | Reissue (Geffen)

48,99 €*

12" | 2019 | EU | Original (Domina Trxxx)

Release: 2004 / US – Reissue

Genre: Hip Hop

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Finally back on vinyl. The prophetic album named after Malcolm Gladwell's iconic book is heavily inspired by jazz, funk and soul borrowing samples from Sly and The Family Stone among other ad features such top notch guests as Devin The Dude, Jean Grae and Skillz.

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Kovyazin D

Minimal Funk EP

Karl Hector & The Malcouns

Release: 2019 / EU – Original

Genre: Electronic & Dance

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DOMINA TRXXX welcomes Kovyazin D to the Family! The youg and talented man from Russia already released on well known imprints like CHIWAX and M>O>S Recordings. The Minimal Funk EP is a puperb electro record - worth to check!

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Non Ex Orbis

LP | 2019 | US | Original (Now-Again)

Release: 2019 / US – Original

Genre: Organic Grooves

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Glorious

Turntable Lowboard

219,99 €*

Long Gone Before Daylight

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The Glorious Turntable Lowboard is a high-quality piece of furniture in a retro 1960’s design and is ideal for placement in your living room. With a dedicated surface for a turntable and plenty of space for your vinyl collection, the Turntable Lowboard is ideal as a listening station. The open record crate invites you to dig through your collection and allows direct access to up to 130 12''-records.

• High-quality turntable lowboard in 60s retro design for your living room
• Listening station: provides storage space for a turntabel and plenty of space for records
• Open record crate for diggin through you collection and access to up tp 130x 12"-records
• Front compartment with push mechanism for amplifiers, CDs or boocks
• Cavity on the rear panel hides unsightly wires
• Timeless design made of wood with white high-gloss finish
• Stable and elegant stand made of solid ash wood (white ash)
• Shock-absorbing rubber feet for damping vibrations

Material corpus: MDF wood with white high-gloss veneer
Material stand: Ash wood (white ash)
External dimensions corpus: 862 x 240 x 420 mm (L x H x W)
Overall height: 444 mm
Weight: 17 kg

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The Cardigans

2LP | 2003 | EU | Reissue (Stockholm)

38,99 €*

Release: 2003 / EU – Reissue

Genre: Pop

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2LP | 2018 | US | Original (1st & 15th Prod.)

Lupe Fiasco

Drogas Wave

41,99 €*

Release: 2018 / US – Original

Genre: Hip Hop

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LP | 1999 | US | Reissue (Epic)

Rage Against The Machine

Battle Of Los Angeles

33,99 €*

Release: 1999 / US – Reissue

Genre: Rock & Indie

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2LP | 2003 | US | Reissue (Grand Hustle)

T.I.

Trap Muzik

Release: 2003 / US – Reissue

Genre: Hip Hop

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LP | 1969 | US | Reissue (Traffic)

Bukka White

Parchman Farm

19,99 €*

Kiss The Sky (Melinda Camille, John Robinson & Pat Van Dyke)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Born Booker T. Washington White, Bukka’s trajectory as a blues performer follows a familiar template for his
time. Born in Mississippi, maybe in Houston, MS – maybe in Aberdeen, MS – maybe in 1902, maybe in 1909
or even 1906 he recorded throughout the 1930s. Bukka even recorded while incarcerated in the Mississippi
State Penitentiary aka Parchman Farm. Asked about his time at Parchman White commented “Well, I mostly
played guitar.”
During the 1940s and 50s as Blues moved from the Delta to Chicago, from rural to urban, Bukka’s career went
dormant. And then, like many of his time, his talent was “rediscovered” in the early 60s, in no small part thanks
to a brilliant guitarist in his own right, John Fahey. Performances and all new recordings happened throughout
the 60s, building interest in Bukka White’s Delta roots. This compilation of White’s best early material was first
issued in 1969 (1970 in the US), collecting Bukka’s 78s recorded for Vocalion and Okeh. His influence on rock
performers of that day cannot be understated. He opened for rock bands he’d inspired at venues like The
Fillmore, played his instrument in such a fashion that some said it’s like he was trying to destroy that guitar, his
most famous guitar, a 1933 National Duolian, was even known as “Hard Rock.” And then there’s the fact that
his song “Shake‘em On Down” was so influential on Led Zeppelin that they, “borrowed” from the song for both
“Hats Off To Roy Harper” and “Custard Pie.”
Bukka White was many things, a strong influence on his cousin B.B. King, a cotton picker, a mule driver, a hobo,
a player in the old Negro Leagues, a boxer, a preacher, a convict, a factory laborer and, as celebrated here,
one of America’s blues pioneers.

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Sugar Pie / Glory Black Vinyl Edition

7" | 2018 | US | Original (Ill Adrenaline)

13,99 €*

LP | 1970 | EU | Reissue (Music On Vinyl)

Release: 2018 / US – Original

Genre: Hip Hop

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Limited edition vinyl!
"Kiss The Sky" is Melinda Camille, John Robinson, and Pat Van Dyke; a collective of soulful singer/songwriter, veteran MC, and multi-instrumentalist. Funky organic production, intelligent wordplay, and soulful songwriting define the group's sound.
"Kiss The Sky" is Melinda Camille, John Robinson, and Pat Van Dyke; a collective of soulful singer/songwriter, veteran MC, and multi-instrumentalist which first came to fruition in 2012 on the B-Side of the Cotter Records' release "Miles & Trane" from John Robinson & PVD. The organic chemistry between the 3 artists continued to flourish on the "Modern Vintage" LP as Camille lent her vocals and songwriting skills to 3 tracks from JR & PVD's full length debut.
Here with "Sugar Pie" b/w "Glory", we witness the formal debut of the project from the 3 artists now known as "Kiss The Sky".
Recorded in Jersey City off and on over the course of the past few years, these two tracks introduce the world to what's to come from "Kiss The Sky". Funky organic production, intelligent wordplay, and soulful songwriting define the group's sound.

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The Meters

Struttin'

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Concorde MkII DIGITAL Single

Ortofon

149,00 €*

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Concorde DIGITAL is designed to extend the life of timecode vinyl and minimize errors in decoding
• At the same time DIGITAL provides optimal output voltage and sound quality for use with conventional vinyl.
• This optimized 10 mV output voltage maximizes the signal-to-noise ratio of the audio being fed to the software, which results in better interpretation of the timecode signal.
• Furthermore, a decrease in the reproduction of frequencies where vinyl wear & crackle occur helps to minimize errors in the interpretation of the timecode signal and helps timecoded vinyl records last longer.

Output voltage at 1000Hz, 5cm/sec. - 10 mV
Channel balance at 1kHz - 1 dB
Channel separation at 1kHz - 22 dB
Channel separation at 15 kHz - 15 dB
Frequency range at -3dB - 20-18.000 Hz
Tracking ability at 315 Hz at recommmended tracking force - 100 μm
Compliance, dynamic lateral - 14 μm/m N
Stylus type - Spherical R 18 μm
Tracking force range - 3 - 5 g
Tracking force recommended - 4 g

Cartridge weight - 18,5 g
Replacement stylus unit - DIGITAL

Video: https://youtu.be/nO6b2q2FqQA

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Ortofon

Concorde MkII DJ Single

129,00 €*

LP | 1976 | US | Reissue (Epic)

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Excellent groove handling
The Concorde DJ is considered the jack-of-all-trades, boasting accurate sound reproduction and excellent groove handling.

• The DJ is great for any style of music.
• It has a spherical stylus and an extremely balanced cantilever that provides outstanding rigidity.
• Not only does the cartridge have a most sufficient tracking ability, it also provides the DJs with the most needed stringency and very low record wear.

All in all: improved tracking, alongside of accurate sound reproduction and an excellent groove handling.

Output voltage at 1000Hz, 5cm/sec. - 6 mV
Channel balance at 1kHz - 1 dB
Channel separation at 1kHz - 22 dB
Channel separation at 15 kHz - 15 dB
Frequency range at -3dB - 20-20.000 Hz
Tracking ability at 315 Hz at recommmended tracking force - 100 μm
Compliance, dynamic lateral - 14 μm/m N
Stylus type - Spherical R 18 μm
Tracking force range - 3 - 5 g
Tracking force recommended - 4 g

Cartridge weight - 18,5 g
Replacement stylus unit - DJ

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The Jacksons

Release: 1976 / US – Reissue

Genre: Organic Grooves

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2x12" | 2017 | EU | Original (Arts)

Asmar / Geinst

Arts Gallery I

19,99 €*

12" | 2017 | EU | Original (Domina Trxxx)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Arts Gallery was born from the collaboration of two very talented minds. Asmar & Geinst 2x12" Package is unique, each of the two artist present themself in their own space, this space is also shared in another bigger territory, Arts Gallery. Alchemy is a kind of philosophy: a kind of thinking that leads to a way of understanding. This Duchamp quote describe really well this record.

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Trippin (DJ Octopus)

Dolomiti EP

Okovi Black White Vinyl Edition

Release: 2017 / EU – Original

Genre: Electronic & Dance

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DOMINA TRAXX welcomes Trippin aka DJ Octopus to the Family!
Marco Zanin delivers constantly quality music on label like CHIWAX, Hot Haus Records, Hardmoon or Shall Not Fade. Now it's time for the "Dolomiti EP". 4 club tools without compromise.

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Zola Jesus

LP | 2017 | US | Original (Sacred Bones)

Dedicated To Bobby Jameson Deluxe Edition

Release: 2017 / US – Original

Genre: Rock & Indie

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German Exclusive Coloured Edition! Black&White swirl vinyl! Sacred Bones is pleased to release Okovi, the new album from ZOLA JESUS. For over a decade, Nika Roza Danilova has been recording music as ZOLA JESUS. She's been on Sacred Bones Records for most of that time, and Okovi marks her reunion with the label. Fittingly, the 11 electronics-driven songs on Okovi share musical DNA with her early work on Sacred Bones. The music was written in pure catharsis, and as a result, the sonics are heavy, dark, and exploratory. In addition to the contributions of Danilova's longtime live bandmate Alex DeGroot, producer/musician WIFE, cellist/noise-maker Shannon Kennedy from PEDESTRIAN DEPOSIT, and percussionist Ted Byrnes all helped build Okovi's textural universe. With Okovi, ZOLA JESUS has crafted a profound meditation on loss and reconciliation that stands tall alongside the major works of its genre. The album peaks of tragedy with great wisdom and clarity. Its songs plumb dark depths, but they reflect light as well. ,This album is a deeply personal snapshot of loss, reconciliation, and a sympathy for the chains that keep us all grounded to the unforgiving laws of nature. To bring it to life, I decided to enlist the help of Alex DeGroot, who has been the only constant in my live band and helped mix the Stridulum EP back in 2010. It will be released on Sacred Bones, the closest group of people I'll ever have to blood-bound family." - Zola Jesus

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Ariel Pink

2LP | 2017 | US | Original (Mexican Summer)

44,99 €*

7" | 2017 | US | Original (Cultures Of Soul)

Release: 2017 / US – Original

Genre: Rock & Indie

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Los Angeles’s prodigal songwriting son Ariel Pink shares his eleventh studio album, Dedicated to Bobby Jameson, September 15.

The album’s title makes a direct and heartfelt reference to a real-life L.A. musician, long presumed dead, who resurfaced online in 2007 after 35 reclusive years to pen his autobiography and tragic life story in a series of blogs and YouTube tirades. “His book and life resonated with me to such a degree,” Pink states, “that I felt a need to dedicate my latest record to him.”

Dedicated to Bobby Jameson begins at the end and ends at the beginning. “We follow the protagonist through a battery of tests and milestones, the first of which sees him reborn into life out of death,” Pink explains, referencing the opening track “Time To Meet Your God.” “From there, he seesaws his way between the innocent love and the rock-solid edifice of childhood-worn trauma that together constitute his lifelong initiation into the realm of artifice and theatrical disposability.”

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The Apostles

Banko Woman

LP | 1973 | EU | Reissue (ECM)

Release: 2017 / US – Original

Genre: Organic Grooves

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For over forty years, the Apostles of Aba have stood as the jewel in the crown of the music scene in Eastern Nigeria. Since their formation in 1973, the band has turned out memorable performances in a variety of styles including rock, soul, funk, pop and
reggae. Even today, the Apostles continue to thrill audiences in their hometown of Aba with dazzling shows. Cultures of Soul is proud to present one of the Apostles’ more obscure—yet relentlessly funky recordings in a full-color custom reverse board jacket. Banko
Woman, originally released on the eponymous LP on Love Day Records in 1977. Straddling the world realms of afro-funk and disco, the track has long been a coveted dance floor filler amongst DJs, and for the first time is available for a wider audience. On the B-side is “Faith, Luck & Music,” also from the original Banko Woman album.

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Dave Holland Quartet

Conference Of The Birds

25,99 €*

Durand Jones & The Indications

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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This was Dave Holland's first album as a full-fledged leader. An album of driving, progressive jazz, it is also of historical significance as the only occasion when Rivers and Braxton, two of the music's most strikingly original saxophonists, recorded together. This summit meeting received raves from the press.

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Make A Change / Is It Any Wonder?

7" | 2017 | US | Original (Colemine)

10,99 €*

12" | 2017 | EU | Original (Oaks)

Release: 2017 / US – Original

Genre: Organic Grooves

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After a strong debut in 2016, Durand Jones & The Indications are
hitting the road this spring with a new 45 from their debut LP. The
lead album cut, “Make A Change” is powerful message soul at its
fnest! Never more powerful and never more relevant! Meanwhile,
the B-side is a cookin’ lowrider soul jam featuring the sweet falsetto
of drummer Aaron Frazer. A two-sided burner.

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Hector Oaks

Dos

Andre Tanker & The Mansa Musa Drummers

Release: 2017 / EU – Original

Genre: Electronic & Dance

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"There was a time when Techno was written with a K; when the music was presented as a song not as a track. It followed a structure - intro, chorus, bridge... These recordings were naive, spontaneous, and raw, that's what made some of them timeless.

Taking inspiration from this period, here is my interpretation. Contemporary Tekno, with a K."

OAKS is the platform where Hector Oaks will release his most personal works. Cut on 45 and with one track per side, this record has been made for DJing.

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Back Home

7" | EU | Reissue (Jamwax)

10,99 €*

From Ashes To Kingdom Come

Release: EU – Reissue

Genre: Organic Grooves

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Limited to 500 copies.

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Truth

CD | 2016 | US | Original (Ill Adrenaline)

15,99 €*

2LP | 2015 | US | Original (Republic)

Release: 2016 / US – Original

Genre: Hip Hop

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The emergence of hip-hop out of Queens, NY has proven to be timeless. From Run DMC, LL Cool J, and Kool G Rap to A Tribe Called Quest, Large Professor, Organized Konfusion, and Mobb Deep there's never been a shortage of dynamic music from the borough. Longtime observer and emcee of the culture Truth is set to release his debut album "From Ashes To Kingdome Come" on Ill Adrenaline Records. A few years back Truth formed an alliance with PF Cuttin (of Blahzay Blahzay) and together the Queens emcee and the Brooklyn producer/DJ/engineer are ready to release a typical 90's throwback sounding full-length that carries PF's thumbprint throughout. On the 18-track strong heater Truth picks up various topics, ranging from life experiences to repping hip-hop culture - always showcasing his passionate and sharp lyrical rhyme skills. Entirely recorded and mixed by PF Cuttin, the album's raw and dusty sound stays true to the streets, including features from heavyweights such as the late Sean Price, O.C., and AG (of D.I.T.C.). Newcomer JK1 The Supernova handles the majority of production along with veteran producers PF Cuttin, Psycho Les (of The Beatnuts), Da Beatminerz, and DJ Doom. Containing plenty of dope scratches mainly executed by PF Cuttin and Rock Steady's own DJ JS-1, the album's uniqueness remains on one accord with the boom bap sound and origin which is a rarity in today's music.

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The Weeknd

Echoes Of Silence

42,99 €*

Release: 2015 / US – Original

Genre: Hip Hop

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The Brian Jonestown Massacre

Their Satanic Majesties Second Request

2LP | 1996 | UK | Reissue (A)

Release: 1996 / UK – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Hot Casa)

Stanislas Tohon

Dans Le Tchink Systeme

22,99 €*

12" | 2014 | EU | Original (Favorite)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Afro-Soul Holy Grail by the “Soul Brother from Benin“, featuring the famous “Vis à Vis” band from Ghana and recorded in Kumasi in 1979.

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Patchworks

Time EP

10,99 €*

Catfish And The Bottlemen

Release: 2014 / EU – Original

Genre: Electronic & Dance

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On this 4 tracks EP, Patchworks again delivers 4 dancefloor killers, ready to convince any listener from old-school “footstomping” aficionados, to Detroit House heads. For the occasion he also invited his long time mate Eric Duperray aka Mr Day, who brings his soulful vibes to the mix.

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Balcony

2LP | 2014 | EU | Original (Caroline)

Release: 2014 / EU – Original

Genre: Rock & Indie

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LP | 1985 | EU | Reissue (Music On Vinyl)

Yello

Stella