Search "record store day" 50038 Items

2LP+DVD | 1972 | EU | Reissue (Souffle Continu)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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From the magical mountains of Sydney Barney In The Tunnel (Barney Kato and Tunnel Signs) spew forth an EP of day to dark dancefloor moods over 4 luxurious tracks drawing from the friendship of the party, the synthesizer, the shroom, the drum machine and the science of fiction.

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Barney Wilen

Moshi

37,99 €* 39,99 € -5%

Barney Wilen & Tete Montoliu

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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In 1970 Barney Wilen assembled a team of filmmakers, technicians and musicians to travel to Africa in order to record the music of the native pygmy tribes. Upon returning to Paris, two years later, he created 'Moshi', a dark, eccentric effort fusing avant-jazz sensibilities with African rhythms, ambient sound effects and melodies rooted in American blues traditions. Cut with French and African players, including guitarist Pierre Chaze, pianist Michel Graillier and percussionist Didier Leon, this is music with few precedents or followers, spanning from extraterrestrial dissonance to earthbound, streetlegal funk. The set includes a 20-page booklet with rare pictures, sheet music and original liner notes. The DVD includes Caroline de Bendern's movie 'A L'Intention De Mlle Issoufou A Bilma', documenting this incredible African journey.

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Grenoble '88 Black Friday Record Store Day 2020 Release

LP | 2020 | EU | Original (Elemental)

LP | 1966 | US | Reissue (We Are Busy Bodies)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Black Friday Record Store Day 2020 Release. RSD Exclusive. Limitation: 1000 copies. Elemental Music presents a never-before-heard complete concert which constitutes the only recorded testimony of the reunion of two jazz giants: French tenor and soprano saxophonist Barney Wilen and Spanish pianist Tete Montoliu. All tracks from this concert, which took place in Grenoble, France on February 12, 1988 are previously unreleased and boast excellent sound quality. The group is completed by the Italian bassist Riccardo del Fra (who frequently played and recorded with Chet Baker) and Chicago drummer Aaron Scott (who the year following this Grenoble concert would start a 14-year association and tenure with pianist McCoy Tyner as part of the McCoy Tyner Trio, winning three Grammy Awards and performing worldwide). This release includes specially prepared liner notes as well as never before published photos from the actual performance.

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Barney Wilen

Zodiac

22,99 €*

12" | 2024 | EU | Original (Studio Barnhus)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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We Are Busy Bodies is proud to announce the first official reissue of 'Zodiac' by brilliant French tenor saxophonist, Barney Wilen. Originally released on the Disques Vogue label in 1966, the album has been restored and remastered from Barney Wilen's personal copy of the album. The album was recorded a few years after performing on albums and European tours with Art Blakey's Jazz Messengers and Miles Davis. The album is an exploration of free jazz, dedicated to the signs of the zodiac. Wilen and his friend, photographer Jean Larivière worked together to create the photos and artwork for his album, Zodiac. The intention at the time was to also create a film with a storyline and characters developed by Jean. Unfortunately, the concept was never fully realized at the time,. Sketches, photos and further context are included in the accompanying album insert.

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Barnt

Aqua Breeze

Half Light, Half Life / Generation Generator

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Club music reduced to its essential elements, those elements then pushed to their limits! Dangerously malfunctioning DJ tools! The Feeling of Power!
All that and much more on this striking new record from the one and only Barnt, the great reductional absurdist finally appearing on Studio Barnhus, providing concrete proof of the secret, decade-long love-affair between artist and label, after a bunch of Barnt b2b Boman DJ sets over the years, Kornél Kovács’ legendary “disco edit” of classic Barnt track “Chappell”, endless “Studio Barnthus” jokes, etc.
Aqua Breeze immediately makes its mark as an essential part of Barnt’s relatively small, absolutely profound catalogue, with digital files and vinyl records optimised for maximum soundsystem impact arriving in shops on September 27

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Baron / The Alternative

12" | 2008 | UK | Original (Baron Inc.)

5,99 €*

Release: 2008 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Writing on white labels.

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2x12" | 2009 | US | Original (Relapse)

Blue Record

36,99 €*

Release: 2009 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Green vinyl is very close to NM. Tiny wear. Limited edition.

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2LP | 2023 | EU | Original (Relapse)

Blue Record

30,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Blue Record Cyan Blue Milky Clear And Black Ripp

2LP | 2009 | Reissue (Relapse)

33,99 €*

Release: 2009 / Reissue

Genre: Rock & Indie

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Live At Maida Vaile Bbc Volume II

12" | 2020 | US | Original (ADA)

25,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Black Friday Record Store Day 2020 Release.
RSD First. Limitation: 3500 copies.

Live at Maida Vale BBC - Vol. II is a limited edition RSD exclusive splatter EP that capture's the band's BBC Maida Vale session from September 2019. It contains four live ver

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Stone Black Vinyl Edition

LP | 2023 | EU | Original (Abraxan Hymns)

Release: 2023 / EU – Original

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Stone Light Blue Tape Edition

Tape | 2023 | EU | Original (Abraxan Hymns)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Stone Ruby Red Vinyl Edition

LP | 2023 | EU | Original (Abraxan Hymns)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Take A Backseat / Create The Myth

Baronski & Andy Cooper

7" | 2020 | EU | Original (We Keep Shit Dope)

11,99 €*

7" | 2019 | EU | Original (Souffle Continu)

Release: 2020 / EU – Original

Genre: Hip Hop

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Baronski and Andy Cooper from Ugly Duckling teamed up under the wings of We Keep Shit Dope Records to bring you back that simple recipe:

Beats & Rhymes & Cuts

The story behind this 7 inch is quite simple. Take one of Germanys talented producers on the MPC hook him up with a master of ceremony from Long Beach, shake and whirl everything and get dancefloor banger on side A and some mystic vibes on the flip side.

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Baroque Jazz Trio

Orientasie / Largo

11,99 €*

LP | 1973 | EU | Reissue (Sommor)

Release: 2019 / EU – Original

Genre: Organic Grooves

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“Alongside Alfred Panou & the Art Ensemble of Chicago’s ‘’je suis un sauvage’’ , Baroque Jazz Trio‘s ’’Orientasie /Largo’’ is probably one of the hardest to find EP on Saravah.

Hitting #2 on Jazzman Records European Jazz 45’s top 10 list, this is the finest fusion between free jazz, baroque music & exotica with one of the most singular sound you can find on a jazz record!”

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Barrabas

Power

LP | 1974 | EU | Reissue (Sommor)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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“Power” was the second Barrabás album, originally released in 1973. As well as their first album, this is another great example of funk-rock, but this time with glam, hard & psych touches, including some of their most celebrated songs: “Casanova”, “The Horse”, “Children”... After reaching international success with their first album, the line-up of Barrabas experienced some major changes: Fernando Arbex, more and more involved as songwriter and producer for other artists, leaves the drum kit, being replaced by drummer José María Moll (from Juan & Junior’s backing band). From now on, Fernando will focus on songwriting & production duties for Barrabas. Also, due to an accident, bass player / lead singer Iñaki Egaña is forced to leave the band. A new powerful singer is found: José Luis Tejada (from Los No, a legendary beat band from Barcelona). And finally original guitar player Miguel Morales switched to bass. For the album recording, Arbex decided to use the same studio where they recorded the first Barrabas album: RCA in Madrid. J. Cobos was again the sound engineer and Fernando was the producer and main songwriter. “Power” was the result, released in 1973 housed in a glam-tastic gatefold sleeve. Highlights are “Mr. Money” (pure funk-rock which entered the US charts); the atmospheric “The Horse”, the psych-funk of “Time To Love” or the catchy “Children”, which was a big hit in South America, especially in Venezuela.

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Barrabas

Soltad A Barrabas!

LP | 1969 | EU | Reissue (Eargong)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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“¡Soltad a Barrabás!” (Release Barrabás!) was the third album by the famous Spanish funk-rock band. Recorded in the US and originally released in 1974, housed in a shocking gatefold cover, this time the sound was 100% funk oriented and included big hits like “Hi-Jack”, covered by Herbie Mann. After reaching worldwide success with their previous two albums and a lenghty South America tour, Fernando Arbex went even further with Barrabás: he wanted to register their third album in the US. So he managed to book MGM studios in Hollywood and the band spent a month in L.A. Fernando encouraged all the other Barrabás members to write songs for the planned album. The result was a fantastic pro-sounding recording (thanks to the work of sound engineer Humberto Gatica), where the band nearly dropped their previous Latin influences to concentrate on funk and black music. “Hi-Jack” rocketed to number one in the Billboard and Black Music charts in the US and soon after Herbie Mann released his famous jazzy cover. The album also included other ace tracks like “Tell Me The Thing” - much in the vein of Chicago and Blood, Sweat & Tears, “Suzie Wong”, “Lady Love”...

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Barre Phillips

Unaccompanied Barre

Barrence Whitfield And The Savages

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in St. James Norlands church in London in November 1968 and first released in the following year, this work stands as the first solo bass album in the history of Jazz and improvised music. Born in 1934 in San Francisco, Barre Phillips is one the most influential bassists of his generation. In his long career Phillips has played and recorded with almost everyone in the world of Jazz and beyond, a long list of forward thinking music icons including Don Ellis, Bobby Hutcherson, Dave Holland, Archie Shepp, Marion Brown, John Surman, Paul Bley, Evan Parker just to name a few! Originally recorded as part of a 3 hours session this solo tour-de force expresses the true essence of a genius. A multifaceted, kaleidoscopic journey through a myriad of melodic, rhythmic, fretted and bowed lines. In other words: a true master class and a seminal statement from one of the greatest figures in creative music! ‘...Not just an improviser of the highest order; but a true sound sculptor capable of drawing from his instrument such a vast array of shapes and colours that his creation is almost a form of visual art for the ears.’ Jazzwise

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Under The Savage Sky

CD | 2015 | US | Original (Bloodshot)

7,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2022 | EU | Original (La Vida Es Un Mus)

Barrera

Visiones Nocturnas

Tape | 2023 | EU | Original (Winspear)

Release: 2022 / EU – Original

Genre: Rock & Indie

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BARRERA follows up the NUEVO SONIDO BALEAR path started by ORDEN MUNDIAL, POU and PENA MAXIMA with a debut release filled to the rim with lust, sex, power and distortion. Their songs are slow and acidic, with a tortured tone that would make GLOOM or BRAINBOMBS cry. The seven songs on "Visiones Nocturnas" are themed around the death of romantic love and are not afraid to look at the darkest side of life with a nihilistic conviction. Musically the record follows the path laid by STICKMEN WITH RAYGUNS or FLIPPER but are firmly rooted in Spanish Punk with DESECHABLES as a clear point of reference, both aesthetically and sonically. Although BARRERA occupy their own space with a sound that is clearly their own nightmare. Recorded and mixed by Chano Morales at Impala Uno Studio, Mallorca. Mastered by Shigenori Kobayashi at Noise Room, Tokyo. Artwork by Barrera.

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Barrie

LP | 2023 | EU | Original (Winspear)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Brooklyn-based musician and producer Barrie Lindsay,known simply as Barrie, has a passion for creating left-of-centerpop music. She spends her days writing songs and tinkeringin Logic, stockpiling her creations in a vast archive offolders and hard drives. When it came time to select thesongs for her sophomore LP, `Barbara,' she narrowed it downto sixteen tracks. As the record came together, it becameclear that there would be two separate projects - the firstbeing `Barbara,' an emotionally charged collection of songsdealing with the loss of a parent, the love of a new partner, andfinding one's own identity. The remaining five tracks, whichwere more light-hearted and o the cu, were compiled into anew project titled `5K.'As an avid runner, Barrie named the EP after the common footrace. The aptly titled lead single, "Races," is a delightfulsynth-pop track in a unique 12/8 time, built around a bombasticdrum kit and giddy key ris. "Nocturne Interlude" acts as asegue between `Barbara' and `5K,' showcasing a hauntingmelody amidst dark brass-like synths. Second half highlight"Ghost World" has a distorted guitar ri and classic drumpattern that evokes a forgotten 90's radio b-side. The songwas recorded entirely by Barrie herself, serving as her ownband on guitar, bass, keys, and drum kit. Even though mostpeople would finish listening to the project front to backbefore finishing a 5k run, the short, sweet, and melodically richEP begs to be replayed over and over. With `5K,' Barrie showcasesher versatility as an artist, closing the loop between thesounds found on her debut LP `Happy To Be Here' and herfollow-up `Barbara'.

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Barrie

5k Black Vinyl Edition

5k Goldfish Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Barrie

LP | 2023 | EU | Original (Winspear)

23,99 €*

LP | 2022 | EU | Original (Vacancy)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Brooklyn-based musician and producer Barrie Lindsay, known simply as Barrie, has a passion for creating left-of-center pop music. She spends her days writing songs and tinkering in Logic, stockpiling her creations in a vast archive of folders and hard drives. When it came time to select the songs for her sophomore LP, `Barbara,' she narrowed it down to sixteen tracks. As the record came together, it became clear that there would be two separate projects - the first being `Barbara,' an emotionally charged collection of songs dealing with the loss of a parent, the love of a new partner, and finding one's own identity. The remaining five tracks, which were more light-hearted and o¬ the cu¬, were compiled into a new project titled `5K.' As an avid runner, Barrie named the EP after the common foot race. The aptly titled lead single, "Races," is a delightful synth-pop track in a unique 12/8 time, built around a bombastic drum kit and giddy key ri¬s. "Nocturne Interlude" acts as a segue between `Barbara' and `5K,' showcasing a haunting melody amidst dark brass-like synths. Second half highlight "Ghost World" has a distorted guitar ri¬ and classic drum pattern that evokes a forgotten 90's radio b-side. The song was recorded entirely by Barrie herself, serving as her own band on guitar, bass, keys, and drum kit. Even though most people would finish listening to the project front to back before finishing a 5k run, the short, sweet, and melodically rich EP begs to be replayed over and over. With `5K,' Barrie showcases her versatility as an artist, closing the loop between the sounds found on her debut LP `Happy To Be Here' and her follow-up `Barbara'.

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Barrie-James

Strange Desire

31,99 €*

Barrington Levy & Trinity

Release: 2022 / EU – Original

Genre: Rock & Indie

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Limited to 1800 copies with obi strip & sleeve notes. Rare Soul-Jazz-Funk album from 1985. First ever vinyl reissue. Jazz guitarist Calvin Keys is a legend among soul-jazz-funk fans for both his work as a session & touring musician and for the catalog of classic releases under his own name. Key’s playing style is lean & muscular and his unique phrasing balances sophisticated jazz harmonics with funky R&B & soul grooves. Since the 1960s Calvin Keys has performed/recorded with renowned artists such as Ahmad Jamal, Ray Charles, Pharoah Sanders and Joe Henderson. He is also a mentor to young talent, offers private lessons, and is a frequent teacher at the yearly happening ‘Jazz Camp West’.

Calvin Keys was born in 1943 in Omaha, Nebraska. His first musical influence was his father Otis, a well-known drummer in the city's music scene…he passed the music bug on to Calvin, who picked up the guitar early. Keys landed his first notable gig as a member of Eddie 'Cleanhead' Vinson's band when he was 17 and then went on to play with Preston Love (of the Count Basie Orchestra). Later on, he would also join The Jimmy Smith Trio and then worked through the rest of the 1960’s with legends such as Jimmy McGriff, Richard 'Groove' Holmes and Brother Jack McDuff.

After moving to Los Angeles in the 1970’s, he signed to Gene Russell's now-legendary Black Jazz label where he cut his first two albums: Shawn-Neeq (1971) & Proceed with Caution (1974). Next to his own output on Black Jazz Records, Calvin Keys also did session work for the label and played on several of its hit records. At this point in time Keys also auditioned for the Ray Charles Orchestra…his unique phrasing and his ability to balance sophisticated jazz harmonics with tough R&B and soul grooves were showcased nightly in Charles’ band. Before relocating to San Francisco in 1975, he also played on Billy Brooks' jazz-funk classic ‘Windows of the Mind’ (1974) and focused on more live and session work. Keys then joined Ahmad Jamal's group and spent close to a decade with the pianist, touring the globe and recording six albums with him.

The 1980’s and 1990’s also proved similarly fruitful for Calvin Keys…he was a ‘first-call’ studio & live sideman and amassed massive credits for touring with all-stars from the likes of Tony Bennett, Pharoah Sanders and Sonny Stitt. He released two more fantastic solo albums: Full Court Press (1985) & Maria’s First (1985), this time on Olive Branch Records. In 1991 he was featured on the recordings for the original score of the film ‘Dying Young’ composed by James Newton Howard. Next to all of this, his session and live work with his own trio continued at a relentless pace. He settled down in the Bay area and played a multitude of gigs throughout the 1990’s.

After being sidelined in 1997 by heart surgery, Calvin Keys entered the new millennium with a bang! He released five widely acclaimed Jazz-charting albums & worked with major players from the likes of Taj Mahal (Santana, Miles Davis), Chester Thompson (Tower Of Power), Big John Patton (Blue Note), Phil Ranelin (Tribe), Sonny Fortune (Roy Ayers, Strata East), Buell Neidlinger (Lionel Richie, Quincy Jones), Peter Erskine (Joni Mitchell, Weather Report) and Lonnie Smith. There’s no such thing as ‘slowing down’ for Mr. Keys!

On the album we are proudly presenting you today (Full Court Press) you’ll find seven sublime tracks recorded in 1984 and released in 1985 on the Olive Branch label. This was Calvin Key’s first solo album since his recordings for Black Jazz Records back in the 1970’s. Full Court Press features an impressive arsenal of working road dogs that Keys had shared the stage with over the years. Included are: Maxayn Lewis (The Ikettes, Morris Day), Mike Thompson (Freddie Hubbard), James Gadson (Marvin Gaye, Herbie Hancock), Donny Beck (Buddy Miles, Bobby Lyle)…and many others.

Full Court Press is THE dictionary definition of smooth (yet funky) soul-jazz, with washes of warm, laid back grooves pinned under Keys’ endless dancing up and down the fretboard. The playing is ‘deep in the pocket’ and comes off elegant and effortless. Fluid rhythmic fingerpicking that makes you forget all about time and space. This essential release deserves a prominent place in your record collection!

Tidal Waves Music now proudly presents the First ever vinyl reissue of “Full Court Press” (originally released on Olive Branch Records in 1985). This rare record (vintage copies are not easy to come by) now comes as a deluxe 180g vinyl edition, strictly limited to 1800 copies worldwide with obi strip and features the original artwork by John Heard (Azar Lawrence, Count Basie) & sleeve notes by Sherman Ferguson (Pharoah Sanders Quartet). Released exclusively for Record Store Day 2022 and available in participating stores on April 23, 2022.

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Lose Respect (Externded Version)

12" | 2019 | UK | Original (Greensleeves)

LP | 2022 | EU | Original (Shika Shika)

Release: 2019 / UK – Original

Genre: Reggae & Dancehall

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First time re-issue for this golden age righteous rastaman business from Barrington Levy & Trinity. In the rockers era Trinity cemented his place as the number one deejay scoring countless hits and becoming almost an almost essential ingredient on the onslaught of discomixes from yard. Moving into production with his own Flag Man label this 1979 crucial combination killer with Barrington „Lose Respect“ was also the first in a long parade of Mr. Levys 12-inch single hits for Greensleeves Records. The flipside features the soulful lovers rock lick of „Since You Are Gone“ / „Give Love A Try“ from Roman Stewart & Trinity to rival the previous and much loved versions by Delroy Wilson, Pat Kelly & David Isaacs.

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Barrio Lindo

Espuma De Mar

20,99 €*

Barry Biggs / Clarence Wears

Release: 2022 / EU – Original

Genre: Organic Grooves

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In 2019, whilst touring Japan, Barrio Lindo found himself moving away from the dance floor, instead getting lost in his headphones while listening to music that dismissed genre, oscillating between jazz, chamber orchestras and electronica. As a producer at the forefront of Latin America’s folktronica scene over the last 10 years, Agustín Rivaldo, to give Barrio Lindo his given name, has proven himself more than adept at crafting soundscapes that can transport listeners, full of detail and nuance, but they always had to pander to the club and its duty to keep revellers energised. The epiphany in Japan necessitated a change in direction, to make music that people could get lost in,and which also meant he could revert to his younger self, that guy in his twenties playing guitar with his friends, just for fun. So he booked a studio on the outskirts of Buenos Aires in early 2020 and invited some friends over; the idea was simple, let’s play some music and see where it takes us.
Espuma de Mar is the result, those initial sessions refined over the intervening years, new collaborators brought in where necessary, the production crafted in the same manner as his previous electronic-focused output, but the feel here, the ambience, is completely different. Like the espuma de mar, the sea foam that gives the album its name, this music has a fleeting quality, it arrives, imperfectly, and never stops transforming; it replenishes, it diminishes, it breathes.

The biggest difference between this album and Rivaldo’s previous works is the increased tension, and the sense of space; whereas beats and sequencers, as per their design, propel constant rhythm, here every note has intent, only played if necessary to the composition. This is felt on “Llegada”, a minimal groove soothed by kalimba thumb piano and fidgety synths while layers of trumpet take the lead until a surprisingly sombre piano motif brings the song to a close. The title track has a similar feel, whereby the music sounds improvised, each instrument free to roam, yet each note hits you in the stomach; here, we get an ominous opener, spare notes of trumpet, charango, snare drum and heavily-reverbed piano taking their turn until a rhythm begins to develop, albeit a rhythm that refuses to retain its form, flutes, synths, bass and detached vocals all playing their part as the song refuses to stand still.
Rivaldo has stated that it was the sounds of German-Senegalese group Mark Ernestus' Ndagga Rhythm Force and the UK-based project Hidden Orchestra that had the biggest impact on the album’s sound, and it is certainly possible to see the affect of the latter in the mixture of field recordings and percussive symphonic jazz. For this record, Rivaldo has worked with a small ensemble of Nicolás Lapíne on trumpet, Ignus and drums and Federico Estévez on percussion, as well as invitees such as flautist Mariana Iturri and violinist Alex Musatov. With Rivaldo himself adding guitar, synth, bass and piano, the effect is of a modern chamber orchestra and the drama that can bring. Opening track “Seguí” is a great example with its crashing piano chords and pulsating violin, and there’s no denying the euphoria of a track like “Oasis”, whose woozy trumpets can’t help but recall prime Beirut.
But there’s a reason Rivaldo is thought of so highly within the folktronica scene, and it’s for his attention to detail. No two tracks on the album are the same, it goes from the percussion-heavy “Migrante”, whose breakbeat and jerky synths show a love for hip-hop and 80s funk, to a beguiling track like “Azufre” that has a vaguely-Caribbean cadence until a tenor sax solo from Camila Nebbia takes it into more overtly-jazz territory. Then there’s a track like “Periferia” whose use of close- mic’d percussion makes it feel like the speaker is literally shaking with rhythm, alongside “Tac Tac Tac” that is full of warm, reverberant bass notes, albeit offset by hand claps and the only-discernible vocal on the album. With this in mind, it should be no surprise that Rivaldo is also a luthier, using some of the instruments he’s created on the album; there is a meticulous mind at work. Espuma de Mar is that rare beast, an example of an artist reinventing themselves, yet somehow sounding completely like they’ve always sounded. As Bandcamp once said in a feature on Barrio Lindo, his music is “carefully composed, revealing an underlying sense of wonder and joy”, and this continues on his latest, an album that is destined to provide someone else with an epiphany as they get lost in the music on their headphones, whether that be in Japan or elsewhere.

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Work All Day / Working Mood

12" | 1976 | EU | Reissue (Onlyroots)

12,99 €*

Barry Brown Meets The Scientist

Release: 1976 / EU – Reissue

Genre: Reggae & Dancehall

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Barry Biggs hit song from 1976. On the flip, Clarence Wears guitar version. Both (vocal & guitar) followed by its dub.

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At King Tubby's With The Roots Radics

LP | 1997 | EU (Radiation Roots)

No Wicked Shall Enter / Big Big Politician

Release: 1997 / EU

Genre: Reggae & Dancehall

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Crucial set of dubs from Scientist! 'Barry Brown Meets The Scientist' features twelve extra-heavy Scientist mixes of Barry Brown tracks originally cut and played at King Tubby's by the legendary Roots Radics. Six vocal mixes and a further six dubs, where the peerless Scientist really cuts loose on the mixing board, nudging the EQ's and royally dubbing Brown outta sight!

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Barry Brown

12" | 2019 | JP | Reissue (Bunny Lee / Dub Store Records Japan)

25,99 €*

Release: 2019 / JP – Reissue

Genre: Reggae & Dancehall

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LP | EU (Radiation Roots)

Barry Brown

Stand Firm

LP | 2020 | EU | Original (Morning Trip)

Release: EU

Genre: Reggae & Dancehall

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One of a handful of singers that straddled the divide between the late roots phase and the emerging dancehall style, Barry Brown was gifted with a distinctive high tenor that rendered his voice immediately recognizable, making a lasting impression whenever heard. His lyrics had wit, grit, and feeling, since he often spoke of the harsh realities of Jamaican ghetto life, and equally addressed the aspirations of its inhabitants and the good times they enjoyed, frequently emphasizing the irresistible pull of a sound system dance in his recorded work.

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Barry Cleveland

Stones Of Precious Water

OST Paradise Killer (Original Game Soundtrack) Red Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The title of guitarist Barry Cleveland’s 1986 album - Stones of Precious Water - conjures images of incandescent gems, harvested from hallowed streams and held aloft to glimmer and catch the light in their many facets. And perhaps this is the truest analogue for the music contained therein. Recorded between 1981 and 1983, in mostly improvised recording sessions, the disparate nature of Stones’ creation is alluded to only by the breadth and variety of sounds it encompasses. Stones of Precious Water is a revelatory collection that maps its way through textural fourthworld ambience, shimmering New Age, gently propulsive kosmiche, and jazzinflected prog. These sounds are sewn together with a deftness of performance and sonic character which reveals them as branches of the same tree, or perhaps more appropriately, a handful of glittering stones. Six of the ten tracks contain contributions from Kat Epple and her late husband Bob Stohl (a.k.a the epoch-defining New Age duo, Emerald Web), adding flute, synthesizers, and bells. Between the years of 1981 and 1983, Cleveland worked with this duo and alone, allowing serendipity to play a significant creative role in their music. Many of the pieces began as improvisations, or simple structures that served as springboards for deeper exploration. Making his first forays into multi-track recording, Cleveland used a basic Teac 4-track cassette recorder, and this rudimentary piece of equipment proved to be a useful tool for compositional exploration. By flipping and reversing the tape, slowing the pitch, and altering and layering different performances, Cleveland stretched the sound of his guitar across the expanse of the tonal canvas. Stones of Precious Water stands as a remarkable document of experimental selfrecording, improvisational collaboration, and restless creative expression. Morning Trip is exceedingly happy to release it on Vinyl LP for the first time.

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Barry "Epoch" Topping

2LP | 2022 | EU | Original (Black Screen)

36,99 €*

Greenfields: The Gibb Brothers' Songbook

Release: 2022 / EU – Original

Genre: Soundtracks

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Third pressing on translucent blood red vinyl.Black Screen Records and Kaizen Game Works have teamed up to release Barry "Epoch" Topping's vibrant funky synth/vaporwave soundtrack to the open world adventure game Paradise Killer on limited edition vinyl early next year. Barry's incredible soundtrack will be available on 180g blood crystal red vinyl and comes in a beautiful 80s anime & city pop-inspired artwork by Mizucat with additional art and layout by Kaizen Game Works, Barry Topping and Dane Baudoin includes an A2 Crimson Acid poster and a Bandcamp code for the digital album. The sounds of Paradise. The music of a cosmic...

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Barry Gibb

2LP | 2021 | EU | Original (Capitol)

LP | 2020 | EU | Original (NoBusiness)

Release: 2021 / EU – Original

Genre: Pop

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"The release of living legend Barry Gibb’s forthcoming album “Greenfields: The Gibb Brothers Songbook Vol. 1” is set for release January 8, 2021.
The album will include new renditions of some of Bee Gees’ biggest hits, that Barry Gibb has re-recorded with of the world’s biggest country artists – including Dolly Parton, Keith Urban, Olivia Newton-John and Sheryl Crow.
The album will follow an HBO documentary on the Bee Gees, confidentially set for release December 12th. HBO announced the documentary, “The Bee Gees: How Can you Mend A Broken Heart” on September 21, without giving a premiere date."

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Barry Guy

Irvin's Comet

18,99 €*

LP | 1961 | EU | Reissue (Jazz Workshop)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Recorded 29th October, 2019 during „Improdimensija” (Improdimension) concert series dedicated to improvised music, located at MAMAstudios, Vilnius, Lithuania All music by Barry Guy (prs/ Mcps/ppl) Sound Engineer - Arūnas Zujus Mixed and mastered by Arūnas Zujus at MAMAstudios Original artwork - Albert Irvin, Comet, 1988 / Screenprint with woodblock, edition of 75, Advanced Graphics, London Design by Oskaras Anosovas

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Barry Harris Quintet

Newer Than New

Forward Up Record Store Day 2023 Edition

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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"A quick listen to the lively bop on 'Newer Than New' may enlist a perplexing question: Was this music really recorded 40 years ago? Apparently so, but the music still sounds fresh and exciting. If pianist Harris set out to show bop was still a vital force in 1961, he accomplished his task. Of course he didn't do this alone. Trumpeter Lonnie Hillyer, alto Charles McPherson, bassist Ernie Farrow, and drummer Clifford Jarvis join him on eight tunes that would've made Parker and Gillespie proud. The influence of bop pioneers is evident on tunes like "The Last One" and "Anthropology," both giving the horns lots of room to soar against the backdrop of dynamic rhythm. "Mucho Dinero," one of several Harris originals, has an exuberant Latin feel. After the horns set the piece in motion, Harris takes the first solo, creating colorful textures with his keen sense of harmony. Newer Than New also places special emphasis on the young horn players, providing McPherson and Hillyer lots of room to show what they've got. Both echo Parker and Gillespie without copying them. Hillyer displays a fat rich tone on numbers like "Easy to Love," while McPherson's resonant pitch, no matter how quickly he's playing, always comes across. Farrow and Jarvis keep the shifting rhythms heavy in the mix, pushing each soloist to create something vital. The title 'Newer Than New' perhaps mocks the obsession with the latest thing, as opposed to opting for the timelessness of high-octane improvising. Jazz styles, like all styles, come and go, but great music like 'Newer than New' transcends styles. It's also fun (and illustrative) to listen to an album like this back to back with the latest retro jazz. Barry Harris and his colleagues make great jazz without the least bit of self-consciousness."

—Ronnie D. Lankford, Jr. (All Music Guide)

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Barry Isaacs

LP | 2023 | EU | Original

30,99 €*

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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12" | 2021 | EU | Original (Room In The Sky)

Barry Isaacs

Spiritual Warriors

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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7" | 2022 | UK | Original (Room In The Sky)

Barry Issacs & Deemus J

Revolution Deh Yah

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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Barry Morgan & Ray Cooper

Percussion Spectrum (Themes)

LP | 1979 | EU | Reissue (Be With)

7" | 2023 | UK | Original (Dynamite Cuts)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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They Say: “Exploring the wide range of moods and sounds produced by percussion”. We say: MPCs at the ready because this does exactly what it says on the tin, to devastating effect. Oh, and the sleeve is stunning. Originally released in 1979, Percussion Spectrum was produced by the legendary percussionists Barry Morgan and Ray Cooper. With dope beats taking in diverse styles, from funk and soul and jazz through to Latin, Brazilian, samba and Afro-Cuban, this is an amazing sample source filled with killer drum-breaks and percussion flares. Unsurprisingly it’s one of the most sought-after records from the Themes catalogue. This library LP is a library in itself, with its mix of short themes of single beats, short breaks.

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Barry Stoller

Design / Long Weekend

Barry White And The Atlantics

Release: 2023 / UK – Original

Genre: Soundtracks

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Dynamite cuts is proud to unlesihing a series of Dewolf library grooves. All firstime on 7" vinyl including the Original 70s sleeve design.
First up are two amazing grooves are taken from the original mega rare Formula album. We have Chosen "Long Weekend" which is a bass-driven, percussive, heavy groove, great drums - the perfect DJ tool. On the flip is, "Design" - uplifting, bright, funky guitars and bass, a right little mover; it just calls Dynamite Cut 7" and it was so right, the Perfect track.
Barry Stoller is the award winning composer and original writer for Match of a Day, The Sweeney (1975), Dawn of The Dead and many more scores we may recognise

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Tracy (All I Have Is You)

7" | 2014 | UK | Original (Outta Sight)

7,99 €*

Release: 2014 / UK – Original

Genre: Organic Grooves

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Barry White And The Atlantics

Tracy (All I Have Is You) / It Hurts Me

7" | 2014 | UK | Reissue (Outta Sight)

Release: 2014 / UK – Reissue

Genre: Organic Grooves

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LP | 1978 | US | Original (20th Century Fox)

Barry White The Man

18,99 €*

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US Pitman pressing. Original inner sleeve.

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Can't Get Enough

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with OBI

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I Love To Sing The Songs I Sing

LP | 1979 | NL | Original (20th Century Fox)

6,99 €*

Release: 1979 / NL – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

I've Got So Much To Give

18,99 €*

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert.

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LP | 1976 | DE | Original (20th Century)

Is This Whatcha Wont?

8,99 €*

Release: 1976 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

It's Ecstasy When You Lay Down Next To Me

12" | 1977 | US (20th Century)

Release: 1977 / US

Genre: Organic Grooves

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/ playing your game baby

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Just Another Way To Say I Love You

LP | 1975 | JP | Original (20th Century)

10,99 €*

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with OBI and insert.

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Just Another Way To Say I Love You

LP | 1975 | US | Reissue (20th Century)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Barry White, Love Unlimited & Love Unlimited Orchestra

Love

Barry White, Love Unlimited, Love Unlimited Orchestra

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing.

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Together Brothers

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with OBI and insert. Vinyl with a couple of light scuffs, close to VG+

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LP | 1975 | US | Reissue (20th Century)

Stone Gon

19,99 €*

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Stone Gon'

9,99 €*

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with OBI and insert.

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The Very Best Of Barry White

LP | 1976 | JP | Original (20th Century)

9,99 €*

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Your Sweetness Is My Weakness

12" | 1973 | US (20th Century)

12,34 €* 12,99 € -5%

LP | 2018 | US | Original (Beyond Beyond Is Beyond)

Release: 1973 / US

Genre: Organic Grooves

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/ never never gonna give ya up

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Bart De Paepe

Pagus Wasiae

13,79 €* 22,99 € -40%

7" | 2022 | UK | Original (Lovemonk)

Release: 2018 / US – Original

Genre: Electronic & Dance

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Belgian-based artist's Beyond Beyond Is Beyond debut. Like Tangerine Dream's early work, Pagus Wasiae casts off a ragged rock shore into a bubbling sea of electronics and navigates by dark starlight, leaving in its wake shadows and smoke. DePaepe charges waves of synth ambience, swirls clouds of electric guitar and summons subtle beats of the earth to make Pagus Wasiae a fully enveloping and dynamic listening experience-astral traveling without moving. Cluster, Taj Mahal Travellers, and Pink Floyd's deepest space excursions may be waypoints Pagus Wasiae's navigation.

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Bart & The Bedazzled

People Person

12" | 2018 | NL | Original (Stug Music)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Bart & THE Bedazzled: People Person + Carboard MAN (7") Bart & The Bedazzled return with a sensational AA-side 45 with the highlife-vibed-plaintive pop of 'People Person' and the layered 'Cardboard Man', featuring the gorgeous guest vocals of Earth Girl Helen Brown. "World dance pop meets '80s indie" LA's northeast side is home to a dizzying number of independent artists and bands. One of the scene's most distinctive sounds emanates from Bart & The Bedazzled, a collaborative group led by talented songwriter Bart Davenport. After debuting in 2018 with the Blue Motel album Bart reconnects with the stellar musicians that make up the Bedazzled for two exclusive new songs of, what he terms, "world dance pop meets 80s indie". Consisting of Los Angeles' highly respected players, the collective are undoubtedly a "musicians' band" playing for joy, performing for and with other artists that inhabit underground haunts such as Zebulon or Permanent Records Roadhouse. This is their sound! With these new tracks The Bedazzled usher in a new phase, adding a small dose of drum machinery to the mix, resulting in an uplifting, danceable endeavour. On top of this, hand played congas and shakers blend with ultra clean guitars to form a rich context for Bart Davenport's patented, smooth vocal. Newcomer band member and producer Nic Hessler (Catwalk, Captured Tracks) fits these pieces together in seamless mixes. People Person celebrates the collective human experience, while subtly acknowledging that people often are "the worst". It's an upbeat ode to a beautiful world that sadly may never be saved. Meanwhile, the semi-fictional Cardboard Man critiques a society desperate for truth and a way out of dark times only to find omnipresent, puppet-like heroes offering nothing real. Featuring guest singer Heidi Alexander aka Earth Girl Helen Brown her distinctive tone and phrasing add a much needed weirdo energy to a decidedly consonant pop track. It comes as no surprise the group have gravitated towards world-dance-ish sounds. Andrés Renteria is an accomplished crate-digger and DJ, as is bassist Jessica Espeleta. She kicks off People Person with a dubby bass line, setting the stage for Wayne Faler's African highlife inspired guitars. It's still Bart & The Bedazzled, but this time they come with a sound somewhat reminiscent of '80s bands that also incorporated international flavors, such as the post Young Marble Giants project Weekend or French electro-obscuros Antena. Like those bands, Bart & The Bedazzled have a wide range of influences and the artistic intention to make something contemporary with them. Above all, they're a group of friends who enjoy the creative process together. For them the journey is as important as the finished work.

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Bart Van Rijn

The Remixes (Part 1)

8,99 €*

12" | 2023 | EU | Original (Yoyaku)

Release: 2018 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Label sleeve. Record is close to NM.

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Bärtaub

Nominal Attraction

14,44 €* 16,99 € -15%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Istanbul-born, Berlin-based duo Bärtaub is queueing up next on the prestigious Paris imprint of Yoyaku.

Following successful releases on Butch's Otherside label and legendary R&S records, Bärtaub brings a fresh sonic exploration to the Yoyaku imprint.

"Nominal Attraction" delves into the magnetic forces of music, where objects are drawn to each other within the same genre nominally, skilfully ensuring that each piece maintains a distinct identity, providing a set of unique spaces for each track.

The release presents a seamless blend of breaks and house music, united under the flag of Minimal Techno, evolving within a sharp sound organically to create an immersive and dangerously danceable experience that transcends traditional boundaries of the genres.

The A side showcases a powerful introduction as well as a deeper, breaded cut as the duo is joined by Brick. The B side opens up on a more incisive interpretation of Deep Breaks with the title track of the EP, to finish off on an inevitable piece designed to warm even the coldest floors of the planet, under the name of Chord Shift Space.

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Farm To Table Black Vinyl Edition

LP | 2022 | UK | Original (4AD)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Farm To Table Vinyl Me, Please Edition

LP | 2024 | US | Original (Vinyl Me, Please)

33,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
Bartees Strange's Farm to Table marks the artist's debut album on 4AD. The album is a follow up to his 2020 debut album, Live Forever, which explored the physical places that shaped him. Now, Farm to Table speaks about the people who've done the same across his life, with special attention to his family.

The VMP edition of Bartees Strange's Farm to Table is pressed on 1LP Transparent Green vinyl at GZ Vinyl. The record will arrive in a single direct-to-board, foil stamped jacket. The album is mastered by Sarah Register.

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Farm To Table Yellow Vinyl Edition

LP | 2022 | UK | Original (4AD)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Horror Black Vinyl Edition

LP | 2025 | UK | Original (4AD/Beggars Group)

Release: 2025 / UK – Original

Genre: Pop

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Preorder shipping from 2025-02-14

Horror Clear Vinyl Edition

LP | 2025 | UK | Original (4AD/Beggars Group)

Release: 2025 / UK – Original

Genre: Pop

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Preorder shipping from 2025-02-14

Live Forever Deluxe Clear Vinyl Edition

LP | 2023 | EU | Original (Memory Music)

Breaks 'N' Pieces Volume 7

Release: 2023 / EU – Original

Genre: Rock & Indie

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Bartees & Memory Music have teamed up for the Live Forever Deluxe Edition, a renewed look at one of 2020's most adored albums. The release features an update of Bartees' smash single - now 'Free Kelly Rowland' - now featuring a verse from the pioneering rap duo Armand Hammer. We're also blessed with 'Flagey God Redux,' a new take on one of the record's standout tracks as well as 'Weights' a completely new song initially debuted while Bartees was on the road with Lucy Dacus.Live Forever is a direct and stunning result of this conviction. It's impossible to divorce the reality of Strange's personal trajectory from the intricate and idiosyncratic 13-track saga on record: it spans gentle, Moses Sumney-meets-Yves Jarvis minimalism, Killers-ish indie rock vigor with post-punk cracks in its danceable veneer, the throbbing industrial alt-soul of Algiers, Justin Vernon's acoustic tenderness, and the volatile, unforgiving production and delivery of Death Grips. Simply put, it is a combination that none but Strange could execute under-and as a result of-precise circumstances. Live Forever was featured as one of the best albums of 2020 by Rolling Stone, NPR, Spin, Pitchfork, Vice, the New Yorker and more.

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Bartholomew Kind

12" | 2021 | EU | Original (Breaks N Pieces)

LP | 2022 | US | Original (Suxeed Music)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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London based newcomer Bartholomew Kind combines deep emotion with disjointed rhythms on his debut release. Breaks 'N' Pieces Vol.7 opens with the sparse, emotive drum & bass of Memento while Sweetheart follows suit with rolling drum breaks lined with melancholic pads & yearning vocal samples. Sapien Beat takes the tempo down to a 2-step rhythm without compromising on poignancy. Opening the flip, Would You Do That To Me morphs from a halftime dancehall-inspired stepper into tearout jungle. The breaks continue on the UK hardcore influenced Feelz while Get Well Soon is a minimal, atmospheric builder closing the record with a message of hope.

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Barton Hartshorn

Manchester Sun

28,49 €* 37,99 € -25%

LP | 2021 | EU | Original (Time Is The Enemy)

Release: 2022 / US – Original

Genre: Organic Grooves

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Ever the storyteller, Barton weaves tales of first kisses, of soldiers trying in vain to remember their hometown, of missed opportunities and unreliable childhood memories. He casts Orson Wells as a modern day dictator, perched on high in a carousel, and tells the story of the spray-painted marriage proposal that appeared overnight on a motorway bridge 50 miles from London.

Manchester Sun was recorded in England with Barton playing most of the instruments himself, moving through guitar, bass, drums, percussion and Hammond organ during an intensive week-long session in the peaceful, rural setting of Echo Studios. The album places Barton and his acoustic guitar centerstage, with additional contributions from long time collaborators Vincent Guibert, David Lewis, Melissa Cox and Nicki Ross on Piano, trumpet, violin and vocals.

Manchester Sun will be released worldwide in October 2022, with the first single
“Starter Kiss” and its accompanying stop-motion video appearing in May.

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Barton Think

My Last Album

13,19 €* 23,99 € -45%

The Lost Funk (Remastered)

Release: 2021 / EU – Original

Genre: Organic Grooves

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For months now, Time Is The Enemy has been on the trail of enigmatic artist Barton Think. Apparently he has been around the music business for decades, but oddly enough, he has left only a few traces of his presence. Like a skilled alchemist, Barton Think combines soulful beats and jazzy downtempo into a unique sound that takes those genres into bold new territories.

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Baruka (Orlando Voorn)

12" | 1994 | EU | Reissue (Musique Pour La Danse)

10,99 €*

LP | 2022 | EU | Original (Monotreme)

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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First released in 1994 and remastered for the 21st century. An absolutely georgous 12" by Orlando Voorn under his Baruka moniker focusing on ambient house / IDM and downtempo, think of the heyday of Black Dog, New Electronica, Artificial Intelligence, and Fat Cat Records shop, with Orlando's touch. And a truly delicious acid line on Circles.

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Barzin

Voyeurs In The Dark

33,99 €*

12" | 2018 | EU | Original (Irenic)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Four years in making, Voyeurs In the Dark is Toronto artist Barzin's fifth studio album. That the album is more cinematic in its scope and conceptual in feel than his previous studio albums can be attributed to the time he spent over the past several years composing the soundtrack for the independent film, Viewfinder. Voyeurs In the Dark retains that cinematic quality, and at the same time infuses the music with elements taken from Jazz, electronica, rock and pop. Having primarily explored the quiet side pop and folk in his previous four albums, Barzin has expanded his musical palate, broadening his sound towards a more an experimental direction, while still retaining his preoccupation with exploring the internal landscape. The uniformity of sound that characterized the previous albums has been abandoned for the expression of differing aspects of the self that at times hold opposing views and desires. This is best represented in the image chosen for the cover of the album, which depicts three figures in one body. The album seems to be the expression of not one unified self, but the various aspects of the self. Voyeurs In the Dark sees the artist plot a seductive, contemplative route through city haze, shuttling between graceful glimmering interludes, with wonderfully atmospheric songs at every stop. From opener Voyeurs In the Dark's first guitar strums and the fizz of its drum machine, the record envelopes itself in a glorious shadow, as shown in the slow waltz of I Don't Want To Sober Up, dancing around its own swirling guitar chords. On Watching, Barzin plunges himself deeper into a wash of cyclic bass, guitar and synth riffs, as the gloom grooves into light. It's Never Too Late To Lose Your Life has a much more affirming and urgent tone, shade turning into shapes and motion, while To Be Missed In the End builds its own smoke in a cloud of saxophone and sparse guitar notes, closing out a record full to the brim with scatterbrain beauty and eclectic dusk. Voyeurs In the Dark will be released worldwide on Monotreme Records on May 6th on CD and limited edition180 g black vinyl LP with printed inner discobag and digital download card.

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Bas Amro

IRENICSPC002

LP | 2024 | EU | Original (W.E.R.F.)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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IRENICSPC002 brings us two new tracks by Bas Amro, best known for his releases on Freerange Records and Wolfskuil Records. For this EP he takes an unusual straight-forward approach; ‘Chained’ is a driving dub track with beautiful chords, while ‘Nearing’ leans towards the deeper side of the techno spectrum. With both tracks being very suitable for the dancefloor, the b-side finds label boss Roger Gerressen changing pace, delivering a remix for the early hours.

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Bas Bulteel

Eye Of The Storm

Back To The Swamp Orange Crush Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves, Classical Music

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Pianist and composer Bas Bulteel turns his gaze inward after a successful track record as leader of the adventurous energy bomb Wasdaman and as inspirer of his own trio, with which he won the 2014 Klara Music Prize for best CD in the jazz category for the album Coming Home, his debut as a bandleader.

Bas went into residency with visual artist Jan Frederik De Cock which resulted in a unique collaboration where image and sound dialogue with each other, feeding off each other, cursing against each other, loving each other ....

The result has become a profound and layered solo piano record that showcases Bas' versatility as a pianist and composer. Musically hovering between minimalism and avant-garde. Sometimes melancholic and always compelling.

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Bas Jan

LP | 2023 | Original (Fire)

12" | 2023 | UK | Original (Quiet Time Tapes)

Release: 2023 / Original

Genre: Pop

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Bas Jan return with a polished and poignant collection of perfectly-crafted pop songs that retains their authentic indie edginess. ‘Back To The Swamp’ is a heady tussle between their incorrigible DIY ethics and new responsibilities.

Serafina Steer, Charlotte Stock, Emma Smith and Rachel Horwood cast an examining eye over modern times, lost love, Tarot intuition and long days in an everyday swamp. Awash with lush chorale effects, orchestral hewn loops, pin sharp electronic beats and sublime harmonies. Back To The Swamp is filled with thought-provoking stories, it’s a reflective worldview. It’s a polished and poignant collection of perfectly-crafted pop songs that retains their authentic indie edginess.

These new studio recordings feature more accomplished pop production; filled with cerebral one-liners that pluck at the senses. And, there’s a nod to an eclectic mix of influences; The Pet Shop Boys, Lizzy Mercier Descloux, Kate Bush, Heaven 17 and Jon Hassell by way of Brian Eno.

Witches, Tarot readings, road signs, Salt-N-Pepa namechecks and a river all cried out, welcome to the swamp…

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Bas Relief

Insulary EP

LP | 2024 | Original (Rumi Sounds)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Montreal duo Bas Relief present a collection of rough-cut IDM and pitch-corrected emo on Insulary, a five-song EP out June 2023 on Brooklyn imprint Quiet Time. Written and compiled long distance from threads of bass music-inspired alt pop and guitar recorded in isolation, Insulary is the duo’s first substantial release since 2018. Granulated microglitches fill out the digital drum arrangements, calling on influences Baths and Loraine James, overlaid with warm piano progressions, melancholic guitar loops, and collaged vocal production. These self-reckoning, forlorn vocals form a patchwork narrative, hazed like a shapeshifted memory, long reconfigured with each conjuring, coherence inconsistent but still there. Recurring dreams find home among recursive passages, self-referencing lyrically and with samples churned through plugins, recorded on loop until you fall upon the most satisfying aha! moment and lock it to the grid. At certain moments all the pieces combine to reminisce in sentimental shards of Porter Robinson or The Postal Service, while never straying from Bas Relief’s own vernacular. Visiting the past in person simply by walking the routes you took in a life long past, that reenactment of memory, that attempt to capture that which you can’t – it might even be a future – is a central bolt of Insulary’s lyrical content. It’s sentimental, it longs for some past which might not even have existed, and it’s hopeful too, never capitulating to traditional structures in its embrace of unusual stylistic combinations. Insulary – brim-packed with fragments of drum and bass, uptempo electronica, and emo – is but a preview of Bas Relief’s exciting near future.

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Basak Yavuz

Raum 610

Another Day / Basement 97

Release: 2024 / Original

Genre: Organic Grooves

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"The world is rich, the world is colorful. So why not show it in all its complex diversity and contrasts? Why, when you go in one direction, do you have to follow it further and can't just go in all directions at once? These are all questions that Berlin-based Turkish singer Basak Yavuz may have asked herself when she began recording her new album "Raum 610."

Basak Yavuz doesn't take much time to get down to business. Right away in the opener "Promised Lands," different stylistic elements like jazz, rock, funk and hip-hop chase each other as if it were a matter of life and death. The message is unmistakable: this is about energy. The energy of the big city. Crowds on the sidewalk, congested streets, noise from construction sites, cyclists and drivers yelling at each other, barking dogs, screaming children, shattering glass, a new surprise around every corner. Basak Yavuz does not hide, but picks up the tempo of the Moloch and makes it her own pulse with all its fractures and border crossings. She is not afraid to overload her songs, but confidently juggles the explosiveness of creative oversaturation." (Wolf Kampmann)

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Base Pilot

12" | 2021 | EU | Original (Bakery Dubs)

11,99 €*

Colourmeinkindness Deluxe Anniversary Clear Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Hot ‘n’ fresh outta the oven [well, ok, the studio then] comes the second release on our fledgling imprint Bakery Dubs, sister label to Neighbour Recordings. Mixing the ingredients this time are Base Pilot, aka label co-owners and production tag-team of Quantec and Birke TM. Both have form when it comes to the craftier side of house and it shows here with two tasty treats; Another Day, a cultured and organic cut that teases and tempts with a deliciously infectious groove, while Basement 97 is a heady brew of classic deep house infused with a hefty pinch of Base Pilot flavourings.

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Basement

2LP+12" | 2012 | US | Reissue (Run For Cover)

47,99 €*

I Wish I Could Stay Here Colored Vinyl Edition

Release: 2012 / US – Reissue

Genre: Rock & Indie

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On it's initial release in 2012, Colourmeinkindness found Basement pulling from not only one of emo's zeniths-early Sunny Day Real Estate-but also channeling heavy and sometimes hazy `90s alt-rock, with hints of behemoths like Pixies, Silverchair, and Catherine Wheel shaping the sound. Vocalist Andrew Fisher fit that grunge mold of a maudlin-but-thoughtful protagonist, ruminating on toxic relationships, personal desolation, and desperate longing, with slivers of optimism occasionally peeking through. From the dynamic one-two punch of churning opener "Whole" into the balladic doom of "Covet", to the sneering grunge of "Black" and gentle ease of "Comfort", Basement effortlessly moved between sounds and styles while keeping the underlying energy of their roots in punk and hardcore.Colourmeinkindness quickly won over fans old and new, but the members of Basement had already committed themselves to exploring other avenues in their lives and after a few impressive record release shows, the group went on hiatus. When they eventually returned the ripples of Colourmeinkindness were already clear: A thriving scene had begun to crop up around Basement's like-minded peers. Bands such as Balance and Composure, Superheaven, and Title Fight were reviving alt-rock radio for the YouTube generation and moving from being VFW staples to playing sizable venues. Post-hardcore, shoegaze, and grunge were becoming prevalent influences amongst new punk and emo bands. Newer acts were forming with a nod very much towards that `90s rock/emo crossover sound that Colourmeinkindess had captured so astonishingly well.With Colourmeinkindess Basement had begun to signal a sea change that would shape the next decade of big-room guitar music in a major way. Now the album's 10th anniversary expanded reissue offers a chance to rediscover the record. This unforgettable release has been updated with an embossed slipcase, updated artwork with photos and retrospective liner notes from the band, as well as a second disc that features an etched D-sid...

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Basement

LP | 2011 | US | Reissue (Run For Cover)

LP | 2023 | EU | Original (Wicked Wax)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Red w/ Bone & Purple Splatter Vinyl.I Wish I Could Stay Here is the debut studio album by English rock band Basement. After forming in 2010, the band released a demo and signed to Run for Cover. Following this, the band toured across the UK and Europe in late 2010 and early 2011. They recorded their debut album I Wish I Could Stay Here in May 2011 at Stuck on a Name Studios in Nottingham and released two months later. Following this, the group embarked on tours of the UK, the US and Australia. The album received favourable reviews from critics, and featured on Thrash Hits' top 20 albums of 2011 list."more soul, more emotion, and just more great songs" - Thrash Hits

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Basement Membrane

Punk Funk

LP | 1995 | UK | Reissue (Chopped Herring)

Release: 2023 / EU – Original

Genre: Organic Grooves

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A raw project by highly skilled musicians that explore modern grooves and brain-melting jazz chops. Led by Georgian producer Mishulino, who was also involved with the 2021 broken beat future-classic Turbulance project with Kid Sublime. On keys is former child prodigy Bjazz11, who already played with legends like Chick Corea and Stanley Clarke from an early age. On drums is Mike Mitchell aka Blaque Dynamite, another young legend who performed with Kamasi Washington, Mononeon, Erykah Badu, Thundercat, and many others. This record shows these topnotch players jamming it out with full freedom to express

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Basementality

Kings And Kingdoms

CD | 2023 | UK | Original (Chopped Herring)

Release: 1995 / UK – Reissue

Genre: Hip Hop

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Here we have a Heavy rarity outta Philly from 1995 by MC, producer and graf artist Jon Doe aka Denske aka Culture Livingston. Check the interview below in the Product Info section for the full story, but homeboy has been part of the Philly scene since way back when. He used to write under the name Denske and heads might be aware of his excellent documentary "Tag City" which delves deep into the Philadelphia writing scene and in particular the esoteric Gangster hand style of the 60s/70s synonymous with the city. He was also featured in Roger Gastman's "History Of American Graffiti". Seriously, peep the interview below - it's full of gems.

So, to the music. There were 3 joints on the 12" that dropped in 1995 [300 copies pressed only] and 6 on the cassette version - here we have 5 of those 6 tracks, 2 of which have never been released on wax. Unfortunately the final track was busted so couldn't be used!! As he mentions in his interview, this project was recorded on an old 4-track and never got mastered before pressing so it is dusty, but that adds to the mid 90's flava!

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Basementality

Kings & Kingdoms

LP | 2023 | EU | Original (Jazzaggression)

Release: 2023 / UK – Original

Genre: Hip Hop

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Bash

Live At Club7 1973

17,09 €* 17,99 € -5%

LP | 2024 | US | Original (Sinking City)

Release: 2023 / EU – Original

Genre: Organic Grooves

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After the dissolution of the Norwegian Psych rock outfit DREAM by the end of the 1960s, Christian Reim embarked on a new musical venture with the group BASH. Following his time with Dream, where he had already begun to experiment with pop and rock, Christian found himself exploring further creative depths with BASH.

As The DREAM disbanded, pivotal figures like Hans-Marius Stormoen and Terje Rypdal embarked on separate musical journeys. Collaborations with luminaries like Jan Garbarek and Jon Christensen became defining moments. By 1971, however, The Dream's curtain had closed. Undeterred, Christian, armed with his modified Hammond B3 organ, continued to play bass using foot-pedals. Amidst these transformations, the unwavering partnership of his longtime collaborator, drummer Tom Karlsen, remained steadfast.

BASH's presence was initially marked by a single release in 1971, with tracks "Quiquenita" and "Kokosnøtter" on the Nor-Disc imprint. While featuring an impressive line-up of jazz musicians, this studio session was a one-time endeavour. BASH continued to make waves, performing as an Organ Trio led by Christian and Tom. Various Oslo-based guitarists, including notable names like Freddy Dahl and Freddy Lindquist, joined the lineup throughout 1972 and 1973.

However, this live recording encapsulates a pivotal phase in BASH's evolution. The winter of '73 marked a significant shift with the addition of Richard Rolf from the illustrious Swedish band November. Richard's entrance added another layer of prowess and experience to the trio's sonic landscape.

Diving into the performance is akin to reliving the Wednesday concert in April '73. Every essence of the atmosphere is captured, even down to the engineer adjusting the reel-to-reel machine's volume knob whenever the band's intensity peaked. The recording boasts surprising elements, such as moments when Christian halts the performance to reset the rhythm with the drummer. Amidst the live renditions, a standout is Christian's unique interpretation of Arild Wikstrøm’s "Indianersangen," serving as a compelling opener. Its gradually unfolding theme resonates deeply and stands as a highlight, adding a significant dimension to the album's value.

This live recording not only captures the essence of BASH's performance, but it also transports listeners to a specific moment in time at the legendary CLUB 7 in Oslo.

This LP is a limited edition of only 250 copies, each hand-stamped and numbered. With a nod to the seventies, it also includes a replica of the original promotion sheet from the group's heyday.

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Basher

May Day

12" | 1995 | EU | Reissue (DBH)

Release: 2024 / US – Original

Genre: Organic Grooves

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New Orleans’ premiere free jazz party band is back! Dance music and art music can happily co-exist.

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Basic Bastard

Basic Bastard Volume 3

Basic Bastard (Orlando Voorn)

Release: 1995 / EU – Reissue

Genre: Electronic & Dance

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DBH Records presents Orlando Voorn aka Basic Bastard - Volume Three. This great record was originally released on Spiritual Records in 1995! Highly recommended!

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Drama / Survival

12" | 2021 | EU | Original (Sudd Wax)

Faithless (Hablame Luna) (The Todd Terry Remixes)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Sudd WAX is a vinyl only label of Sudd Records. Orlando Voorn, signing as his own signature and as Basic Bastard at a unique release on Sudd WAX. Strong and pure house vibes, re-interpretations through his multiple aliases.

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Basic Connection

12" | 1997 | ES | Original (Boy Records)

3,99 €*

12" | 1984 | EU | Reissue (Bordello A Parigi)

Release: 1997 / ES – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Record is close to VG+.

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Basic

Face In The Night

12" | 2022 | EU | Original (R.A.N.D. Muzik)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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A re-issue of this timeless italo ballad produced by Italian percussionist Massimo Pacciani. The song was recorded in 1984 in Marzio Bennelli’s studio in Florence with an Oberheim Ob-x, Yamaha DX7, Marzio on guitar and the great vocals of Riccardo Galardini. They took inspiration from Flashdancers – Maniac (an italo cover of Michael Sembello’s ‘Maniac’) which they recorded the same day in Bennelli’s studio. Remastered from original master tapes.

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Basic Mind

RM12019

12,99 €*

12" | 2024 | EU | Original (Vibraphone)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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R.A.N.D. Muzik Recordings welcomes an old friend to the label, Basic Mind from Perth, Australia - an Artist that has always taught us that groove, feeling and precise production is often more important than maximalism.

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Basic Realities

Dubtroit

LP | 2024 | UK | Original (The Trilogy Tapes)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Vibraphone Records starts the new year with another banger from Basic Realities! Dubtroit is a classic techno hommage to Motor City and it comes around with an stunning remix by the Legend, Mr. "Inner City" Kevin Saunderson! The Vinyl is expected to be out last week of January! Highly recommended!

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Basic Rhythm

The Bounce

17,09 €* 17,99 € -5%

Release: 2024 / UK – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Respect The Craft Enterprises)

Basic7

12" | 2024 | Original (Respect The Craft Enterprises)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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After a five-year hiatus, Basic 7 returns to Tripmastaz "Respect The Craft.Enterprises" sublabel with his highly anticipated new EP. Renowned for his dynamic live sets, he delivers a solid four-track release that fuses quirky electronics with infectious

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Basic7

Time EP

Release: 2024 / Original

Genre: Electronic & Dance

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LP | 2024 | US | Original (Graveface)

Basically Nancy

Wounds

Basil Kirchin & Jack Nathan

Release: 2024 / US – Original

Genre: Rock & Indie

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Basically Nancy is a four-piece band based in Savannah, GA comprised of Alayna Bowen on bass and vocals, Greta Schroeder on guitar and vocals, Shea Benezra on drums, and Lakin Crawford on guitar. The group started by playing local open mics and sloppily playing punk covers around town in venues they couldn't legally drink in. Now years later, Basically Nancy performs all over the US and commands a room with original songs made up of heavy tones and aggressive lyrics combined with melodic sweetness. Their music portrays the experience of being a young woman and the frustrations that come with it. Their latest EP, a testament to their creative vision, was recorded with the late great Steve Albini. Albini's influence on the band was profound, and his collaboration with Basically Nancy marks a significant moment in their career.

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Viva La Tamla Motown

7" | 2023 | UK | Original (Measured Mile)

12,99 €*