Search "record store day" 49981 Items

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Two legendary figures of the Greek and international music scene, Floros Floridis and SavinaYannatou join their breaths in this new release on vinyl by To Pikap Records, entitled Blink. In the album’s seven tracks-movements, the two musicians expand the time it takes for the eye to blink. Avant-garde and improvisation, modernism and tradition seek to describe, but ultimately limit, this melodrama of existence, the libretto of which is written in the langue that may have been first heard in Pangea. Blink departs from the ground on which records like the Residents’ Eskimo sprouted, but moves on by removing the horizon points and the conventions they carry, in order to board the next Voyager that will travel to the stars. Two experienced breaths that generate sound without rules become -through reeds and mouth- vehicles of the language of newborns deconstructing the conventions of human communication. The fragility of existence becomes -like the birdsong- lullaby and dirge, hymn and incantation. The instinctive manages to express the unspeakable in this abstract and ultimately tender work that does not conclude but remains open to the timeless movement of a prehistoric future.

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Flossie & The Unicorns

Animal's Clubhouse

LP (Skingraft)

13,79 €* 22,99 € -40%

Genre: Electronic & Dance

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Doomsday For The Deceiver

Flotsam And Jetsam

LP | 1986 | EU | Original (Roadrunner)

29,99 €*

12" | 2024 | EU | Original (Les Disques Du Crochet)

Release: 1986 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record is close to VG+.

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Flow-Er

Blossometry

12" | 2018 | EU | Original (Tardis)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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"Blossometry" is the new EP from French beatmaker Flow-er. In a chill and downtempo atmosphere inspired by Kaytranada, Moonchild, and Dam-Funk, the six tracks oscillate between neo-soul and modern-funk. Several guests enhance this release, including US female rapper Tanajah, already noticed in North Carolina. "Luxuriant Excursion" highlights the guitar and future beats inspirations of Pomrad and the groove of Vulfpeck !

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Flow

Trine

10,99 €*

LP | 2024 | US | Original (Moone)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Tardis Records are delighted to welcome UK tech-house hero Flow to the Tardis Records stable for their eighth release. The three tracks making up the Trine EP were recorded together with Simon Moorecroft (a.k.a. Simon Vinyl Junkie) around the time of his first vinyl releases back in 1996-1997. All three tracks sound completely contemporary whilst having more than enough old school flavour to give flashbacks to any 90’s ravers.

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Flower Festival

Age

27,99 €* 34,99 € -20%

LP | 2024 | UK | Original (Tune-Kel)

Release: 2024 / US – Original

Genre: Rock & Indie

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While the idea of an album being born of finding peace with oneself is nothing new, in Micah Dailey’s hands it’s a beautifully symbolic harmonizing of past and present. Beginning with an instrumental opening, Flower Festival’s latest album Age offers up an invitation to tilt your ears between jittery analog texture and elegantly fluid drumbeats. But it’s the inward-looking songwriting that makes the best case for Flower Festival’s relatability from his professions of self-hatred to an overall detachment from common culture. Flower Festival’s third full-length album was written at two significantly different times in Micah Dailey’s life, taking music recorded over 8 years ago, revisited and finished with lyrics written today. Much of the album’s influence came from a newfound peace and appreciation for his upbringing. Having grown up in the Middle East, Micah moved back to Arizona in 2011 where an internal tug-of-war rooted in guilt and inadequacies made for some significantly self-deprecating songwriting, as you might imagine being that his album at the time was entitled “Cry Baby”. The push and pull of this mindset made Flower Festival’s album full of artistic parallels that marry the new and the old, without forcing the two. Becoming a father and husband, Micah’s way of living-room-recording had to be adjusted as well, getting to a point of contentment that there might never be a moment of complete quiet, but embracing that there may be faint samples of kids playing or guests chatting. Having created an album in a way that both embraced and let go of significant restraints, a reconciliation derived from Flower Festival’s examination of his artistic ego. Thankfully, Flower Festival’s way of creating art lent itself to a freedom found only when the external and internal pressures of making music “the right way” have all but gone- and from it came an album that was worth waiting for. Mixed and mastered (along with contributions) by the incredible John Dieterich (of Deerhoof), and features other collaborations with Nicholas Krgovich, Qais Essar, Lonna Kelley (Giant Sand) and Michael Krassner (of Califone and Boxhead Ensemble).

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Flower Power

25,64 €* 26,99 € -5%

LP | 1972 | JP | Reissue (Warner Music Japan)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Flower Power were formed in Gulfport, MS, in October 1967 by Craig Ferguson, guitar and lead vocal (formerly of The Soule Survivors), Robert Weathersby, guitar and Gregg Giuffria, organ (both from The Telstars), David Mcintosh and Sandi Craig (from Sandi and the Gang Band) and Joe Rolison from The Varments on bass. They were still in their teens aged between 15 to 17 years old.

They gigged in local clubs and bars up and down the Gulf Coast and, by good fortune, met their future managers Tom and Paul Krimsier in a radio station car park in New Orleans. Tom’s father-in-law was none other than Joe Banashak, a prominent producer and record label owner. He signed them to his Tune-Kel imprint in early 1968 and they cut their first single, ‘Bye Bye Baby’, at the famed Cosimo Recording Studios.

With the Krimsier Management on board the band moved up a gear backing the likes of B.J. Thomas, Jimi Hendrix, Sly and the Family Stone, The Nazz, Todd Rundgren and many others. On Sunday, August 31st The Flower Power were the opening act at the first New Orleans Pop Festival, a two day event with Janis Joplin, Santana and The Grateful Dead. They continued to record for Banashak and released five singles on Tune-Kel, all highly collectable today. They also laid down some material in Houston, Texas, unreleased until now!

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Flower Travellin' Band

Made In Japan

51,99 €*

2LP | 1973 | EU | Reissue (O-Music)

Release: 1972 / JP – Reissue

Genre: Rock & Indie

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An analog reissue of Flower Travellin' BAND's masterpiece third album ""made IN Japan"" has been decided!

The strongest new rock band, Flower Travelin' Band (ftb) A masterpiece third album that pursues all possibilities and fully packs the band's charm. First Canadian recording. As much as possible at this time, we have chosen materials that are as close to the original materials as possible to recreate the original cardboard jacket.

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Flower Travellin' Band

Make Up

10" | 2022 | US | Original (Mt. St. Mtn.)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Make Up is the fourth album by Japanese rock band Flower Travellin' Band, released in 1973, featuring both live and studio recordings. After returning from Canada, Flower Travellin' Band began the recordings of a new effort. The mix of live and studio recordings was planned from the beginning. So they tried acoustic pieces and experimented with material that would be hard to reproduce live. Growing as a band and as individuals, more individual contributions were made. Tracks 1, 2, 5, 7 and 8 were recorded live at Yokosuka Bunka Kaikan in Yokosuka on September 16, 1972, while track 9 is a live studio recording. The band's founder and producer Yuya Uchida provides guest vocals on "Blue Suede Shoes"

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Flowertown

Half Yesterday

21,99 €*

In Dub Record Store Day 2024 Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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From a deckhand on a container ship idling in the bay, an excitable beachgoer, or a rubbernecker passing through an intersection: it’s as if you’re floating around the city, people-watching through a soft focus lens. Flowertown, the San Francisco duo of Karina Gill (cindy) and Mike Ramos, return with the dreamy, temperate, Half Yesterday. Flowertown’s previous album, Time Trials, focused on the slowing down of time, shutdowns, and a somber look at our day-to-day thoughts. But with over-the-shoulder observations, a ‘slice of life’ from one onlooker to the next, “Half Yesterday” seems to tell the story of the people in a living, thriving, city. Twangy lead guitar, high-neck bass notes, and percussion woven together in the decay of a warm reverb. The album contains the familiar vocal trade-offs between Mike and Karina; oftentimes coming up with two separate melodies for their respective vocals. One stark difference is the beautifully simple production across all of the tracks. Previous Flowertown recordings leaned on the “Portastudio as an instrument” production for many of the songs. On Half Yesterday the tape hiss is there, but it’s not altering the end result. With a fading pink and blue sky, the city’s lights begin to twinkle at sunset. Another onlooker gazes out and wonders if what they’re seeing is right.

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Flox

LP | 2024 | EU | Original (Underdog)

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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LP | 2022 | EU | Original (Underdog)

Flox

Square

LP | 2017 | EU | Original (Underdog)

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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Flox is square. Square, precise, direct.

He goes straight to the point, and doesn’t waist his time with useless considerations. “I have no time to shit around”, he says. So, his seventh album is called Square. Square represents a major turning point in the career of the pioneer of nu reggae. An extraordinary architect of studio production and multi-instrumentalist who records, mixes and produces but also, for several years, performs on stage with his musicians. After recording Square, he started touring alone, equipped with a machine he designed and built with Midi controllers to launch original samples and loops - an autarky assumed from one end of the process to the other. “You have to master all the tools to deliver what you want”, he has been saying for years...

Yet, this Square is wide open: old school rhythms or techno-like approaches, vintage dub or futuristic take offs, thick sound basses and melodies, scraped to the bone...

Tracklist

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Flox

Taste Of Grey

19,99 €*

A Weight (Hanging Over Me)

Release: 2017 / EU – Original

Genre: Reggae & Dancehall

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This journey started for Flox on the Reunion island, in the lost heights of the Mafate cirque. It is in this area cut of from the world, only accessible by foot, that the English multi-instrumentalist found himself face to face with the thrilling and endless feeling of being lost and in danger once again. A sensation that had faded away through time, weakening the flickering flame of inspiration.
Listening only to his instincts, leaving aside past experiences and moving forward freely are the main ingredients of this sixth album Taste Of Grey. An album conditioned by inspiration, each song catching the feeling of the moment and releasing unblemished emotions. At ease with the different lines of artistic creation, the multi-talented craftsman once again composed, arranged, played, and recorded Taste Of Grey; a complex mix of organic and digital music balanced between deep Jamaican rhythms and loose funky beats. Breaking down styles to build his own, spending hours reinventing a personal electro vibe that moves back and forth from rap to singing and from darker to lighter landscapes.
Rather than the simple choice of black or white, Flox has chosen a path with more subtle shades of grey. A step into the unknown, writing love songs when political issues had mainly been a major theme. Writing about feelings, unclenching fists to come up with an album that tells a full story. You could listen to the album Taste Of Grey in random but this would also change the story line…

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Floyd James & The Gts

7" | 2021 | UK | Original (Original Gravity)

12,99 €*

7" | 2024 | UK | Original (Original Gravity)

Release: 2021 / UK – Original

Genre: Reggae & Dancehall

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Original limited edition original 7” vinyl - 300 copies

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Floyd James & The Gts

Sweet Sweet Soul

11,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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LP | 2023 | Original (The Artisan Era)

Flub

Dream Worlds

43,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Live At Robert Johnson)

Flug 8

Enroute

24,99 €*

Fluid To Gas / Potato Fritz

Release: 2022 / EU – Original

Genre: Electronic & Dance

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It's dark in the forest. Especially in the »northwest«. You have to adjust all your senses. But once you have, the forest will take you in his arms. The forest will protect you. Just like Daniel Herrmann's first album for Live At Robert Johnson will protect you.

Herrmann is far from being unknown in the world of music - let alone in the art or photography world. In the music field, he is probably much more known under his Flug 8 moniker where he released five albums on Disko B, Doxa Records, Ransom Note, and Acid Pauli's Smaul Recordings. Under his given name, Daniel Herrmann's relationship with LARJ's label boss Ata Macias goes way back. As an artist and photographer Herrmann was the only one allowed to take pictures inside Ata's Robert Johnson club, thus creating an iconic series of pictures of clubbers and club life in general. Herrmann’s pictures of the partying punters themselves were presented as wallpaper all over Robert Johnson back in 2002.

With »Enroute« Herrmann enters new territory: It is his most ambient work up to today. And yes, it is a piece of work created during the lockdown. Herrmann's studio is situated in the outskirts of Frankfurt, near the forest - a quite remote place already in-between the Taunus mountain range. Imagine life during the lockdown in such a place … This is where Herrmann set up his former basement studio in the large living room with a variety of instruments besides a cozy fireplace spending warm light and warmth. A warmth that despite its seemingly rather "cold" atmosphere can be heard all over »Enroute«. Once you soak in the sounds (or get soaked into the sounds) of the first tracks like album opener »northwest«, »Fly By Wire« or the 11min »Dark Trace« you might feel this warmth too. A cold warmth you could say, yet a warmth that only modular systems and synthesizers can create.

There is a change of mood with »Intercontinental« - literally as it seems that Herrmann indeed is on an intercontinental journey here despite the strolls and long walks in silence through the Taunus forest. This is also the place where Herrmann took many photographs of the forest and its trees (to be seen on his Instagram account) - and the picture on the cover: This spooky yet fragile high seat in the mist in front of those trees. Yet darkness alone is not dominating this album. Even during these dark days, there was a bit of light at the end of the tunnel. And it shows in the beauty of »Bouncing Rays«.

»Enroute« is done all alone and in total isolation. And one can hear it. But it also invites the listener to be a part of this lonely world. And we all know that being lonely is made easier with someone on your side - »Enroute« to a better place. A place that isn't lonely at all.

PS: For all digital music lovers we have included two bonus tracks: The Glok remix of »Bouncing Rays« and Herrmann's clattering and creaking tune »Economy« - enjoy!

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Silberhochzeit Split

7" | 2021 | EU | Original (Fidel Bastro)

10,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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2LP | 2022 | UK | Original (Transgressive)

Flume

Palaces

19,99 €*

All Heartbeat Clear Blue Vinyl Ediiton

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Palaces began to take shape when Flume returned to his native Australia after struggling to write music in Los Angeles at the beginning of the pandemic. Settling in a coastal town in the Northern Rivers region of New South Wales, Flume quickly found the inspiration he needed through reconnecting with the nature around him—the rolling hills, walking around barefoot, the green colour the sky turns before a big storm, growing and eating his own vegetables, the smell of rain. He and his neighbour and long-time collaborator, the visual artist Jonathan Zawada, became fascinated by the local wildlife, in particular the birds, collecting field recordings that ultimately worked their way in to the album. As Flume continued to forge a strong connection to his surroundings, the album he wanted to make started to form, eventually adopting a title to properly highlight the luxury and magic of the natural world. Palaces is his most confident, mature and uncompromising work to date, a true testament to nurturing the relationships that make us whole and bring us peace.

The album features a host of vocalists and collaborators, its cast list spanning new and household names from around the world—breakout U.S. star Caroline Polachek, British polymath-icon Damon Albarn, Spain’s Vergen Maria, France’s Oklouand fellow Australian Kučka, who returns following her standout turn on Skin.

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Flung

LP | 2024 | US | Original (Get Better)

2LP | 2023 | UK | Original (Beatservice)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Flung is an emerging experimental pop artist with a refreshing sound. Her music has been described as shimmering, unpredictable, and propulsive all at once. “Intrinsic” feels like a warm breeze blowing over you, featuring bouncing drums, bleary samples, and a soaring vocal hook that will stay in your head for days. Flung is generating buzz from Pitchfork, The Alternative, and other outlets and is ready to burst onto the scene with this release.

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Flunk

Cover Ups, Volume 1 & 2

28,99 €*

LP | 2024 | UK | Original (Beatservice)

Release: 2023 / UK – Original

Genre: Rock & Indie

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The Cover Ups vinyl edition is a double LP consisting of the first Cover Ups (digital only release 2016) and the new Cover Ups 2 (released April 2023).
Recorded mostly on Flunk's annual Christmas parties, "julebord" in Norwegian, with a big dinner and plenty of drinks, rounding off with an acoustic recording of a favourite cover version.
Cover Ups / LP1 consists of coversongs from New Order, Yazoo, Depeche Mode and Fink.
Cover Ups 2 / LP2 consists of coversongs from Rod Stewart / Everything But The Girl, Simon & Gafunkel, Jesus and Mary Chain, The Stranglers, Soft Cell and Radiohead, and some new acoustic versions of old Flunk-songs.
The acoustic downbeat version of Yazoo's "Only You" was featured on the Designated Survivor TV-series.

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Flunk

Personal Stereo

21,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Flunk's third ordinary album 'Personal Stereo' was released in 2007.
The album "Personal Stereo" is similar to the first two ("For Sleepyheads Only" (2002) and "Morning Star" (2004)) in that it is centered around Anja's elf-like vocals over Ulf's programmed electronica and Jo's layers of guitars and other stringed instruments. And even if uplifting melancholy is still the Flunk trademark, and Anja sings more beautifully than ever, "Personal Stereo" is in some ways darker than its predecessors. But it also sees a return to the debut album notion of cutting and pasting from the last 30 years of popular music, sometimes in an obvious way (as on the title track and "Change My Ways"), other times as more obscure nods to Flunk heroes. One of them, cult favorite Daniel Johnston, contributes with vocals on "Haldi".
As usual, Flunk's "budget pop" is recorded and produced in its entirety in bedrooms in two different apartments in Oslo, at Ulf's and Jo's.
The album has not been available on vinyl. Until now! It will be printed in a limited run of 200 copies.

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FLUX-Brush Schallplattenbürste

39,00 €*

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The FLUX-Hifi VINYL-BRUSH is designed to free the record on the turntable from surface dust and static charging. A completely new design combines velvet pads with an integrated carbon brush. The special office ensures a flat cleaning of the plate surface, dust particles are completely removed. The carbon brush prevents static charging of the record. How crackling and crackling noises are minimized and prevents further dusting of the record. Only when the LP is free of dust can the pickup system control the record without noise and Scan distortions. For cleaning the needle, we recommend the FLUX-Sonic, the innovative electronic needle cleaner.

• special Office for Record Cleaning
• gentle dust removal
• integrated carbon brush
• prevents static charging
• ergonomic housing
• Combination of velvet and carbon fiber brushes
• Weight: 45 g
• Dimensions: 11,5 x 5 x 3,5 cm

The carbon fiber brush is primarily used to remove static from the record. Here it is very important that the fiber and the aluminum housing are electrically connected and the aluminum is not coated, otherwise the static dissipation cannot be realized.

The velvet takes the dust from the surface. Our velvet has a pile height of 1.2mm, the fiber is a multifilament yarn with a high basis weight of 500g/lfm.

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FLUX-Fluid Reinigungsflüssigkeit (15ml)

31,92 €* 39,90 € -20%

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With this cleaning liquid specially adapted to the FLUX-Sonic, you always get the best result!

Weight: 61 g
Size: 3,6 x 2 x 9,2 cm

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FLUX-Sonic Nadelreiniger

99,00 €*

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Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

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FLUX-Sonic Nadelreiniger (Limited Edition)

169,00 €*

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FLUX-Sonic Nadelreiniger (Limited Edition)

169,00 €*

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FLUX-Sonic Nadelreiniger (Limited Edition)

169,00 €*

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FLUX-Turbo 2.0 Vinyl Staubsauger

239,00 €*

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The FLUX-Turbo is a unique, completely newly developed device to quickly and easily free the record from dust and dirt. The Vinyl Turbo combines a carbon brush with an integrated, extremely powerful suction system.

After more than a year of development, we at Flux HiFi are now presented with the FLUX-Turbo. A plate brush with integrated suction. Sounds simple, but it isn’t.

The enemy of record reproduction is dust. This consists of many components. Silicates, polymers, organic substances, everything is contained. With a plate washing machine that works with a fluid, I get most of it cleaned, even release agent residues are removed. But what then? As soon as the valuable disc is put on, the dust falls on the record like snow. This creates some problems. Particles and hair settle on the needle, making scanning virtually impossible. For this purpose, the dust particles on the plate constantly cause enormous crackling noises, which lead to considerable distortions.

With a commercially available plate brush, the dust is collected, but with the exception of a few coarse particles that the brush absorbs, it is rather pressed into the groove floor and distributed, the Flux Turbo quickly provides a remedy. The suction force is so strong that almost all particles are sucked in, already in 1-2 revolutions.

The interior of the turbo is very complex. In order to achieve a well-usable suction force in this small, lightweight housing, each item had to be specially developed. From the fan wheel geometry to the shape of the suction channel, it has been optimized where it went. At the slightly inclined suction channel end you can easily see the integrated guidelines, which ensure that the whole surface is evenly extracted. An elaborate filter construction, the cartridge of which can be easily replaced, absorbs the dirt. The capacity ranges far beyond 100 applications, as well as the durability of the batteries.

Everything was thought of here. Even the velvet skids, which ensure that the surface of the record is not damaged, are easy to replace.

The brush insert made of real carbon fibers is additionally grounded, so that the sound patter is removed from the static charge, which attracts even more dust. The large contact strip under the switch is responsible for this. This is electrically connected to the conductive brush fibers.

The effect on playback is surprisingly strong. The sound seems liberated. Even complex music with strong controls is played back much less distortionally. Scanning noises, previously characteristic of analogue playback, are reduced by up to 50 by the suction before hearing. This is not about achieving clinically pure reproduction, but to get everything that is contained on the record out optimally. And that’s a lot. More than one dared to hope !

Simplicity is crucial when using the Flux Turbo. Quickly sucked over the plate and the pleasure can start. Hearing better records than ever before !

The FLUX-Hifi Vinyl-Turbo is a unique, completely newly developed device to quickly and easily free the record from dust and dirt. The Vinyl Turbo combines a carbon brush with an integrated, extremely powerful suction system.
For this purpose, a special cyclone with replaceable filter was developed, which makes it possible to realize a strong suction performance despite the small housing size (dimension 125 x 122 x 64mm).
Surface dust, as well as the dirt that sits deep in the groove, is extracted without residue within a few revolutions.

Only when the LP is free of dust can the pickup system scan the record without interference and distortion.

With the Turbo, a new era in record maintenance has begun.

• cleans and maintains your valuable records
• works without liquid and without additives
• quick and easy to use on the turntable
• increases the life of the plate and needle
• increases sound quality
• Filter cartridge and sliding skids available in a cheap double pack
• MADE IN GERMANY
• 3-year warranty
• Weight 229 g
• Size: 11,5 x 14 x 6 cm

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FLUX-Turbo Ersatz-Filter (2 Stk.)

29,90 €*

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Replacement filter for the FLUX-Turbo.
The replacement filter must be changed approx. every 2 to 3 months or after 20 aspirations to ensure a good suction result. Two filters are supplied in a double pack.
The inner filter material is selected to retain the coarse particles. At the same time, the suction power is not reduced too much by the pressure loss.
The FLUX-Filter is compatible with FLUX-Turbo and the FLUX-Turbo 2.0.

Weight: 3 g
Size: 3 x 3 x 3.5 cm

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FLUX-Turbo Ersatz-Kufen

19,90 €*

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Replacement skids for the FLUX-Turbo.
After approximately one year of use, we recommend replacing the skids. In the set all 3 skids are included: 2 short ones for the sides an one long one for the suction channel.

Measures short:
Weight: 0.1 g
Size: 2 x 0.6 x 0.5 cm

Measures long:
Weight: 0.3 g
Size: 10.5 x 0.6 x 0.4 cm

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FLUX-Vinylcleaner (1 Liter)

34,90 €*

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Flux Musical Art & Brutal Forms

Worldwide Heavy Industries Volume 1

12" | 2024 | EU | Original (Flux Musical Art & Brutal Forms)

13,99 €*

LP | 1997 | EU | Reissue (Overground)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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“Worldwide Heavy Industries Vol.1: A Bold New Vinyl Release from Flux Musical Art and Brutal Forms Flux Musical Art and Brutal Forms have teamed up to release Worldwide Heavy Industries Vol.1, a groundbreaking vinyl that promises to push the boundaries of industrial and rhythmic music. This limited edition release, available in just 300 copies, offers an immersive exploration of mechanized soundscapes and futuristic themes. An Industrial Sonic Journey The album presents a compelling journey through industrial rhythms and dystopian landscapes, with each track showcasing a unique interpretation of the genre. On side A, Dominik Müller opens with “Too Many Posers,” delivering an intricate and immersive soundscape characterized by his signature depth and complexity. Following this, Ryuji Takeuchi’s “In Your Mind” introduces innovative rhythmic structures, adding a fresh and dynamic dimension to the release. The B-side features a powerful collaboration: 6siss and Hypnoskull’s “Losss” combines intense rhythms with a raw, industrial edge, creating a track that is both abrasive and compelling. Low Order’s “Taste My Venom” delves into the darker and more experimental aspects of industrial music, bringing a raw, experimental touch. Closing the release is Skumring’s “Corpse-Ridden,” which blends precise rhythms with expansive sound design, offering a rich atmospheric quality that reflects his role as co-founder of Brutal Forms. With only 300 copies available, this limited edition vinyl is a coveted collector’s item. Each record features bespoke artwork that complements the album’s industrial theme. Distributed by Ready Made Distribution, *Worldwide Heavy Industries Vol.1* is set to reach a global audience of dedicated collectors and fans. This release is more than just a vinyl; it’s a journey into a futuristic world through the lens of industrial music. For further details on track listings and purchasing options, visit Flux Webzine or the official websites of Flux Musical Art and Brutal Forms. Dive into this cutting-edge release and experience the forefront of industrial music with Worldwide Heavy Industries Vol.1.” Hardware Emotions

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Flux Of Pink Indians

Not So Brave

31,99 €*

Fly Anakin & Big Kahuna OG

Release: 1997 / EU – Reissue

Genre: Rock & Indie

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Not So Brave is a compilation album of songs by the anarchist punk band Flux Of Pink Indians originally released by Overground Records in 1997. This is a limited pressing of 500 copies with a 4-page insert.

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Holly Water Smoke Clear Vinyl Edition

LP | 2019 | US | Original (Mutant Academy)

29,99 €*

Frank Yellow Vinyl Edition

Release: 2019 / US – Original

Genre: Hip Hop

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The official Big Fly album release following the first 4 in the on-going series. Holly Water picks up where the Mutant Academy duo left off to provide a full length journey featuring the underground’s finest producers. Recorded at the legendary Holly Block in Richmond, VA.

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Fly Anakin

LP | 2022 | UK | Original (Lex)

24,64 €* 28,99 € -15%

LP | 2004 | Reissue (Constellation)

Release: 2022 / UK – Original

Genre: Hip Hop

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Limited to 300 copies.

Fly Anakin's debut studio album Frank is out now, and draws influence from the classic R&B and Soul his dad played him as a child, showcasing a gift for songwriting alongside the breathless raps he’s known for.

Recorded at the same time as FlySiifu’s, it features Pink Siifu on the DJ Harrison produced ‘Black Be The Source’, as well as link ups with another Richmond hero and Anakin mentor Nickelus F, and fellow Mutant Academicians Big Kahuna OG and Henny L.O..

Beats by Madlib, Evidence, Jay Versace, DJ Harrison, Ohbliv, Foisey, Theravada, Graymatter and Like of Pac Div.

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Fly Pan Am

N'écoutez Pas

18,99 €*

Sédatif En Fréquences Et Sillons EP

Release: 2004 / Reissue

Genre: Rock & Indie

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180g Vinyl!A collection of songs pushed to maximum density, marked by dark shoegazer guitars, distorted organ stabs, rubbery basslines, motorik drumming and various shrouded voices whispering, screaming and singing along the way - this album contains Fly Pan Am's most intense sounds yet. While each side of the record is anchored by a long, non-linear piece juxtaposing the band against tape and electronic treatments, several tracks are as close as the group came to traditional rock/pop structures, with 'chorus' breaks, melodic 'hooks' and vocals. Of course, being Fly Pan Am, all of this is duly bracketed - there is nothing traditional about the results, and the various elements are pushed forward or pulled back in anything but conventional ways. These are careening, carnivalesque tunes that somehow wed the browns and pinks of their guitar noise with yeye pop, Boredoms-style noise incantations and hardcore punk. N'Ecoutez Pas features a long list of local guest vocalists to supplant the band's own oral action, as well as electronic interventions from fellow Montrealers Tim Hecker and Alexandre St-Onge.

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Fly Pan Am

LP | 2003 | Reissue (Constellation)

2LP | 2023 | EU | Reissue (Warp)

Release: 2003 / Reissue

Genre: Rock & Indie

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180g Vinyl!This 3-song EP of fractured, tape-infested experiments is an intransigent slab of self-referential auto-criticism. The band was sticking to its agenda of acutely self-conscious musical manipulations, re-working its own materials and assumptions to yield new compositions of uncompromising formalism. Side A is a medley of sorts, consisting of phrases and fragments reconfigured and replayed from their self-titled debut (Fly Pan Am). Various melodies are reassembled and played off of one another, creating an extended live remix with blissful passages of layered guitars, drones, sampled backing vocal lines, and the requisite incidental noise break in the middle of the piece. The result is something like a 'Stars On 45'-style musical encapsulation of the entire debut record. Side B contains a new piece of somnambulist clockwork repetition, with the band laying down a strict, static groove while various tape manipulations penetrate the mix to create polyrhythms, dissonances and additional textures. This is prime anti-funk, invoking early Talking Heads along with all things krautrock, and driving home the EP's subtitled intent: "stereo-stupefiant".

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Flying Lotus

Cosmogramma

Cosmogramma 20 Years HHV Silver Vinyl Edition

Release: 2023 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Limited Silver Edition.
Still shrink wrapped but opened.
Includes original inner sleeves.
Records are close to VG+

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Flying Lotus

2LP | 2010 | UK | Reissue (Warp)

31,99 €*

12" | 2010 | UK | Original (Warp)

Release: 2010 / UK – Reissue

Genre: Electronic & Dance

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Limited edition of 500 copies in gatefold sleeve with printed inner sleeves!

20 years HHV: our team has selected an album from each of these years that is particularly relevant and precious to us. On a monthly basis we release exclusive and limited pressings of these records in collaboration with some of our favorite labels.

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Flying Lotus

Pattern + Grid World

LP | 2023 | US | Original (Bad Time)

Release: 2010 / UK – Original

Genre: Electronic & Dance

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While Cosmogramma is a monolithic convergence of 20th and 21st century musical forms, high in concept and wide in musical collaboration, Pattern+Grid World pulls the focus back to Steven Ellison and his machines. These machines are speaking (and possibly looking as well, judging by the EP's cover) from the go, as "Clay" introduces itself in a fog of synth and vocoder and gives way to one of the many surprises here, the schizophrenic ping-ponging electro of "Kill Your Co-Workers". Drenched in alternating melodies, it's a synthetic counterpart to the grand string and harp arrangements of Cosmogramma, making acclaimed illustrator Theo Ellsworth's subtly psychedelic cover image of vision-through-noise all the more intimate.

When Flying Lotus records hit their stride, all buttons labeled "pause" and "stop" disappear, and this one is no different. "Pie Face" is led by icy keys that could almost be mistaken for classic grime, before the stoned plastic marching band steps in. "Time Vampires" amazingly lands somewhere between vintage DJ Premier and Lee Hazelwood, while the stripped back bass and drum explorations of "Jurassic Notion/M Theory" are as shamanic and ceremonial as anything you're likely to hear come out of California. If "Camera Day" brings to mind a certain crew of dungeon-dwelling ATLiens, it won't come as much of a surprise that Killer Mike found its syrupy bounce recently inspiring.

Much of the messages surrounding Cosmogramma's release as well as reportage on the world's ever-emerging beat scenes has painted a picture of Flying Lotus as a patriarchal figure blazing the trail for scores of young artists with new conceptual notions of what can be done with a drum machine and a dream. While this notion is certainly not inaccurate, it sometimes overshadows the fact that FlyLo is also an incredibly singular entity. However, as "Physics For Everyone!" stutters to a close, if you listen closely you might just make out the sound of another kid in his room somewhere in the world, anxiously tapping out his first beat.

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Flying Raccoon Suit

Moonflower

2LP | 2017 | US | Original (VHF)

Release: 2023 / US – Original

Genre: Reggae & Dancehall

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Catchy SKA Punk Meets EMO, Metal, AND BIG Band Brass FOR AN Unforgettably Original LP Available ON “royal Blue” Vinyl Don’t let the cute name fool you... Flying Raccoon Suit are one of the most original bands in the modern ska scene, and are dead serious about crashing genre boundaries in expert fashion. “Moonflower” is the band’s third full length album, and the growth is astronimical; while their 2021 album “Afterglow” displayed the band’s ability to craft intricate and complex songs that range from punk, to metal, to mathcore, “Moonflower” has refined these same complexities into 13 extremely catchy melody heavy tracks. The band sways between 90’s alt rock, midwest emo, and doom metal (blast beats and all), while maintaining a steady throughline of melodic ska punk that keeps the album grounded. Singer Jessica Jeansonne channels a bittersweet croon throughout the record, but displays a full range of layered vocals that perfectly complement the album’s various style changes. This album is a journey worth taking, and from a single listen you will realize why Flying Raccoon Suit is one of the most vital up and coming bands in independent music. “Bright, catchy... Flying Raccoon Suit expertly toe the line between lighter, ’90s-style indie rock, and the rich, horn-fueled ska of that same decade.” - Andrew Sacher, Brooklyn Vegan

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Flying Saucer Attack

In Search Of Spaces

12" | 2024 | UK | Original (City Road)

Release: 2017 / US – Original

Genre: Rock & Indie

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First ever reissue and first time on vinyl for this unique Flying Saucer Attack live album, expanded with additional material and a new side four mix from Jim O’Rourke. Produced in collaboration with Dave Pearce / FSA and Bruce Russell (compiler of the original CD release for his Corpus Hermeticum label), featuring new artwork by Bruce Russell as well.

While rightly known for the folk-influenced songs and spacey instrumentals of their proper albums, the briefly active live version of FSA unexpectedly delivered a blistering wave of electric sound. Recorded at various shows in 1994, In Search Of Spaces heaves with long passages of feedback guitar racket, broken up by sections of surging rock music. The live band focused almost exclusively on visceral, trebly guitar noise—which, while always a key element in their sound, was greeted by audiences with total mystification (and often disapproval). Following a few brief attempts to settle a lineup and play songs from their records, Dave Pearce / FSA abandoned live performance altogether, leaving behind this album (and the barely available P. A. Blues CDR) as the sole document of his in-person delivery.

Originally compiled and released in 1996, this reissue adds several minutes of music back to the original program that had been edited out by FSA for being “too rock.” For side four, Jim O’Rourke revisited the original 1994 live tapes and has made a spooky and brooding new mix of music exclusive to this release.

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Flynn & Flora

Independent Dealers

12" | 2023 | EU | Original (Banana Club)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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At its best, Bristol's scene has been marked out by the artists with an independent spirit. Not just the self-reliant DIY approach to getting the music out there, but a unique, inventive slant on emergent sounds which feed into the city's storied reputation. Flynn & Flora embody that idea, having come up in the nascent Bristol jungle scene while offering something wholly different to their peers in fabled crews like Full Cycle and More Rockers.

The duo were absolutely connected to the wider community, but they followed their own path, and the records reflect that. They're not as widely name checked as the likes of Roni Size, Krust, or Smith & Mighty, but their legacy is just as rich with personality and flair, offering that indefinable twist which sets West Country rhythms apart from the sounds in London or elsewhere. City Road wanted to recognise that fact with a modest 12" which cherry picks four crucial early cuts from Flynn & Flora's archives, before they went on to produce three LPs and a series of 12"s up to the mid 00s.

"We knew as much as anyone else at that particular time," recalls Flynn. "Samples, hip-hop breaks, bass lines. You've got your synth, your drum machine. It's all you needed. So that's what we did."

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Fm-3

Funky Beats

FNKPMPN (Del Tha Funkee Homosapien & Kool Keith)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Banana Club is without doubt one of the top new labels on the Breakbeat scene today. Led by the young and highly prolific Cadiz artist, Fm-3, it was set up in 2020 with a strong identity and powerful, effective dancefloor grooves inspired by English bassline and 2step/garage and a touch of funk.

On this first vinyl release by the label, entitled Funky Beats, Fm-3 kicks off his musical discourse with One for Me, a track which showcases the characteristic quality and forcefulness of his groove. This is followed by the album eponymous track Funky Beats, a collaboration with the multiple Spanish and World Scratching Champion, Jose Rodriguez, who dazzles with a number of superb passages in which improvisation and funk come to the fore.

The B-side opens with Panorama, featuring Orak. This fascinating, highly-experimental track offers a fusion of breaks and tech house and an elegant acid line which acts as a common thread and brings cohesion to the whole idea. The record closes, as you would expect, with a collaboration with Bowser, another of the label regular artists, entitled Bubbling.

A classic bassline dancefloor filler, it will take you back to the best tracks of the late nineties and early noughties. The classic black 12", mastered and cut by Simon, a veteran sound engineer at the Exchange Vinyl in London, has achieved a sound which is quite simply brutal.

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Subatomic

CD | 2022 | US | Original (Threshold)

FNKPMPN (Del Tha Funkee Homosapien & Kool Keith)

Release: 2022 / US – Original

Genre: Hip Hop

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Two of the most respected in the hiphop game, Del with the rhymes, Keith with the beats. Incredible.

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Subatomic Purple Cassette & Button

Tape | US | Original (Threshold)

Release: US – Original

Genre: Hip Hop

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LP | 2023 | EU | Original (De W.E.R.F.)

Fnussjen

Breathe

23,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Fnussjen is the brainchild of drummer / percussionist Nicolas Chkifi. In this band he brought together some extraordinary musicians in an unusual lineup: harpist Ann Eysermans, violinist Ananta Roosens, pianist Christian Mendoza and himself on drums. Their music, with meditative character, sometimes folkloric as well as contemporary, is a sequence of miniature compositions written by Nicolas Chkifi and linked together by adventurous improvisations. Through its surprising music and original orchestration, Fnussjen produces a unique and intriguing sound that, in its inherent tranquility, almost seems to want to stand outside this dystopian time. The clever thing about their music is that despite its meditative nature, it never becomes predictable. In their music, they drop the tempo, forcing the listener to immerse themselves completely in their delicate blend of contemporary classical, chamber music and jazz.

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LP | 2023 | Reissue (Warner Music)

Life Is Dub

19,99 €*

Release: 2023 / Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Record Store Day 2023 Gold Vinyl Edition.
Still shrink wrapped but opened.
Includes original inner sleeves with small seam splits.

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Life Is Dub Record Store Day 2023 Gold Vinyl Edition

LP | 2023 | Reissue (Warner Music)

30,99 €*

Release: 2023 / Reissue

Genre: Rock & Indie

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Limited 1 x 140g 12" Gold vinyl album. RSD 2023.

Side A. 1. 2am (Dan Carey dub) 2. Under The Radar (Dan Carey dub) 3. 2001 (Dan Carey dub) 4. Life Is Yours (Dan Carey dub) 5. The Sound (Dan Carey dub) Side B. 6. Flutter (Dan Carey dub) 7. Crest of the Wave (Dan Carey dub) 8. Wake Me Up (Dan Carey dub) 9. Looking High( Dan Carey dub) 10. Wild Green (Dan Carey dub)

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LP | 2010 | EU | Original (Warner)

Total Life Forever

Release: 2010 / EU – Original

Genre: Rock & Indie

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Antidotes, the acclaimed debut album by UK quintet, won them attention, and the opportunity to evolve in a space of their own. Two years on from that impressive introduction, Total Life Forever is the sound of a band settling into and surveying the decay of old protocols. Written primarily in the basement of their Oxford HQ and recorded in Gothenburg, Total Life Forever is an album as persuasive emotionally as Antidotes was physically.

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LP | 2015 | EU | Original (Warner)

What Went Down

34,99 €*

LP | 2023 | US | Original (100% Silk)

Release: 2015 / EU – Original

Genre: Rock & Indie

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It's the fourth studio album of the five-piece dance-rock band. Insiders described it as “primal, intense and sometimes harrowing."

With the help of critically acclaimed producer James Ford (known for his work with Simian Mobile Disco, The Last Shadow Puppets and Arctic Monkeys amongst others), the follow-up to their successful 2013 LP Holy Fire was recorded in a rural, 19th Century mill in Southern France.

Frontman Yannis Philippakis stated:"I wanted to tap into my inner madman and feel like I was channeling some sort of fevered creature."

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Foans

Selected Classics

12" | 2024 | EU | Original (Perfumed Freedom)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Selected Classics presents a crucially curated cross section of Colorado producer Andrew Dahabrah aka Foans’ finest work, sourced from a nearly six-hour self-released vault of tracks posted to his Bandcamp in 2018. Simply called Classics, the sprawling 100-song digital collection was intended as the project’s final offering – a comprehensive culling of the hard drive, after which there’d be “no looking back.”

Fortunately, minds have changed, and Foans remains extant, but an air of finality and desperation still haunts these tracks, born of bruised emotions and the burnout of working seven days a week “in the middle of nowhere” as an electrician in isolated oil fields. It’s music of hidden hours and private survival, slipstreaming through sleek cybernetic house, gauzy matrix ambience, low-slung dusty jack, and woozy fractal techno. Placeless and weightless, heady and kinetic, Selected Classics distills Dahabrah’s sidewinding inner vision to its swooning fiber optic essence.

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Foehn & Jerome

Hermanngirl

12" | 2023 | EU | Original (Perfumed Freedom)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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After a sought after debut EP on their Perfumed Freedom label Foehn & Jerome return to the imprint with their versatile “Hermanngirl” release. The record spans across four original cuts, brimming with a nostalgic minimalist approach, incorporated with the distinct sound of modern times from the Berlin based duo, a reflection of the highly anticipated Perfumed Freedom parties they run. Diving into PFFD002 you will discover a refined blend of hypnotic and stripped back structures infused with distinct house grooves with an intricate and detailed energy for the floor. A producer pairing that continue to evolve their sound, developing the direction of their Perfumed Freedom set up but maintaining the direction at the core, timeless yet hypnotic.

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Foehn & Jerome

The Frisbee Of No Return

8,24 €* 14,99 € -45%

On Tonsils And Sneakers Crystal Clear Vinyl

Release: 2023 / EU – Original

Genre: Electronic & Dance

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After holding down a residency at Berlin’s Club der Visionaere for over a decade with their Perfumed Freedom events, dynamic duo Foehn & Jerome look to launch an exciting new record label under the same name. The Berlin based Austrian’s have teamed up for the inaugural release, wandering between tripped out minimalistic vibes with tinges of house textures spread across the record. This is “The Frisbee Of No Return”.

Crisp and glitchy drum patterns lead the way in “T-Dive”, shimmering synths conversing with the distinct driving force of the track. An intricately arranged trip for the dance floor, stretching the minds of the after party throughout the almost ten minute quest, simmering elegantly yet packing a punch.

The B side dives in with the curious encounter that is “Happy M’June”, leaning in to mysterious territory, evolving in to dusty house energy for the hazy hours of the night. Trippy vocal samples flashing throughout. “New Soul Interruption” sweeps directly into percussive bliss, tightly arranged drums, hypnotic as they move, layered with eccentric elements at every twist and turn.

Join Foehn & Jerome as they evolve the Perfumed Freedom journey with their unrivalled chemistry, giving themselves and dedicated artists a platform to express themselves in the years to come. Their undevoted passion and artistic creativity has helped them craft a special project thus far, and that will undoubtedly continue as the label blossoms.

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Foghat

7" | 2024 | EU | Original (Metalville)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-29

Permission To Jam: Live In New Orleans 1973 Record Store Day 2024 Vinyl Edition

Foghat

LP | 2024 | Original (Rhino (Pure))

50,34 €* 52,99 € -5%

LP | 2024 | EU | Original (Odda)

Release: 2024 / Original

Genre: Pop

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Foghat formed originally in 1971 in the UK and has achieved eight gold records, one platinum, and one double platinum record. This is all previously unreleased live material recorded over two nights in New Orleans in 1973 (band touring their second Bearsville album) with highlights chosen by Roger Earl. This is the first live release that features the band’s early-era, blues-based material and will appeal to fans of Peter Green’s Fleetwood Mac, John Mayall and the Bluesbreakers w/Eric Clapton, Cream, The Faces and many more.

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Fohn

Seanteach

23,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Fohn brings connection, displacement and new identities into the moment, on pastoral debut album Seanteach - informed by island life, marine folklore and musical tradition.
Connection to the land, the severing of earthly ties, explorations of environment, mythos and generational memory: under the moniker of Fohn, English violinist and producer Tom Connolly (Quade, AD93) takes to the fiddle on which he learned his craft as a child. Forging new bonds with his family’s island home off the coastal west of Ireland, their story is retold in Seanteach (Irish for ‘old house’), released on Odda Recordings.
“Seanteach explores the nature of my relationship with Ireland, and Connemara in particular, where my dad’s family is from,” explains Connolly, speaking on a long-form work that blends new compositions on traditional Irish fiddle with ambient electronics and evocative field recordings.
“It explores how the island of Maighinis became an almost mythological space for me, growing up in England - we would spend every summer there, but it felt equally present for me when we were back in the UK, a sort of mental solace that I found through music especially.”
Each track on the album is a reflection of aspects of that relationship to island life - where physical features intersect with mythology. Such as, ‘Boreen’, named after a colloquial term for rural byroads sometimes shared with otherworldly neighbours. ‘Aisling at Sea’ draws on the primal, unstoppable momentum of the water, while the folklore of ‘Immram’ reflects on generationally-kept tales of marine bravery and supernatural accomplishment.
“The compositions often sit at the fraying edges of memories I’ve inherited from my own experiences, that of family lore, or from stories that I have come across. I wanted the compositions to tread the space between documentation and fantasy that feels so reflective of my relationship with this place.”
Tying these worlds together is the presence and memory of Connolly’s ‘Mamó’ (Irish for grandmother), Bríd. Despite passing during Connolly’s childhood, this “larger-than-life character” shaped his imagination with anecdotes and stories, representing both a familiar figure, and the poignancies of potential and regret.
“Even at a young age I sensed a sadness emanating from her. Through a series of unfortunate and fortunate circumstances, she found herself leaving Ireland and settling in Boston like so many others. Under the impression she was an illegal immigrant in the US she didn’t return to Ireland for decades.”
‘Between the Shoreline and the Gorse’ channels her early childhood, born to a large Catholic family in the island’s ‘Seanteach’, and cast adrift from her old life - a severance of ties that Connolly attempts to make ethereal amends for, with the album named for her family home.
“It’s something that feels so visibly prominent in Connemara with its landscapes charcoaled with deserted ruins. It’s a feeling I also experience, despite never having lived in Ireland, which prompted me to want to explore the idea of longing for something/somewhere ‘un-experienced’, and to a certain extent, fictionalised.”

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Fort Bellefleur 2024 Repress

12" | 2016 | EU | Reissue (FHUO)

17,99 €*

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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2024 Vinyl repress with a new graphic identity, a colourful sticker and a sparkling records.

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Nights Over You 2024 Repress

12" | 2017 | EU | Reissue (FHUO)

17,99 €*

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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2024 Vinyl repress with a new graphic identity, a colourful sticker and a sparkling records.

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12" | 2016 | EU | Reissue (FHUO)

Oyabun 2024 Repress

17,99 €*

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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2024 Vinyl repress with a new graphic identity, a colourful sticker and a sparkling records.

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2LP | 2021 | EU | Original (FHUO / Sony)

The Journey

Aphelion: A Tribute To Lorraine Hansberry Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The Journey is the autobiographical account of Folamour's last two years, spent between airports and stages, London, France and the rest of the world, between crowds and solitudes, between highs and lows. The album, due out in June, is composed of metropolises and no-man's-land, inspired by moments that surprised and touched the artist. To express all these emotions, Folamour puts aside samples and computers to concentrate on writing lyrics, recording strings and brass, drums and vocals in order to be as close as possible to the moment. No limits of format, nor of genre, the total freedom to choose the tool adapted to the picture. This album is the sum of chance and encounters, an initiatory rite, as much in form as in content, the tale of a life with all that it can contain of joys and trials, as much in its writing and production as in its message, "The Journey" mixes contemporary sadness, isolation of artists, but also wonder at the simple pleasures of life and the discoveries it brings with it, it is neither a joyful nor a sad and disillusioned tale, it is the sum of all that and the rest too. Cover album adapted from a painting by Tomás Sánchez "Meditador en la laguna" from 1995. Edited by Koria

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Fold

LP | 2021 | UK | Original

LP | 2022 | EU | Original (Themes For Great Cities)

Release: 2021 / UK – Original

Genre: Hip Hop

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“Largely defined by her trailblazing play A Raisin in the Sun, Lorraine Hansberry died in 1965 at the age of thirty-four. A prolific and probing artist, she was also one of the most radical, courageous, and prescient artist-intellectuals of the twentieth century—and one of the least understood.” — Imani Perry

Drawing from Lorraine Hansberry’s recorded speeches and interviews, we’ve assembled a body of interrelated narratives and composed 12 tracks around them. These narratives address not only the burning issues of Lorraine’s past, present and future but, through her extraordinary vision, ours as well. Complimented by additional posthumous words from Coretta Scott King and EF Schumacher along with bridges to the present drawn by UK poet Mr Gee, a compelling portrait of an extraordinary woman emerges.

The aphelion is the point in the orbit of an object when it is furthest from the sun. Metaphorically speaking, the world of today feels further from the light than ever before. Lorraine Hansberry was among the few in her time who recognised that we are heading in perilous directions. Through her depth of historical knowledge she understood that this hadn’t changed much over many centuries as we’ve remained unable to widely perceive the underlying mechanics of our world. Alas, the world she fought so hard to illuminate still has a dangerously dim outlook. We need her light now more than ever to help guide us out of the darkness.

This tribute is, perhaps selfishly, a way of keeping Lorraine Hansberry alive and hopefully expanding the reach of her legacy. As long as she’s still talking and people are still listening, some part of her lives in the present. To us, in these dark times, that is a deeply comforting thought.

Aphelion: a tribute to Lorraine Hansberry can now be pre-ordered on Limited Edition Clear Marbled Vinyl.

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Folie 2

23,74 €* 24,99 € -5%

12" | 2020 | EU | Original (Optic Nerve)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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One Day the dreary, new normality became an endless loop of unsteady moods and contradicting sounds. Marlene Kollender, Gregor Darman and Sebastian Welicki from Düsseldorf became Folie 2. Now it all makes sense! Marking TFGC’s 20th Release, Folie 2 present a fascinating cosmos of sound and feeling. No shortcuts, this is a journey!

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Folk Devils

Forever EP

LP | 1968 | CA | Reissue (Return To Analog)

Release: 2020 / EU – Original

Genre: Rock & Indie

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The 3-track "Forever" E.P. on Transluscent Red 10" Vinyl is limited to 250 copies and features two new compositions, the title track "Forever" and "My Slum Soul", plus an incendiary new version of an old live favourite "Ink Runs Dry". Folk Devils, the London group that took their name from a well-known academic text on social scapegoating, and who blazed a trail across the UK's independent music scene of the mid-80s with their unique brand of post-punk energy, have returned with their first new music in 35 years. Recorded at London's famous Konk Studios in North London and mixed and co- produced by Grammy Award-winning engineer Rik Simpson, the re-born Folk Devils drew inspiration from the release of their 2016 career retrospective "Beautiful Monsters" and the reactions at subsequent live shows around the UK with kindred spirits Membranes, Inca Babies and The Cravats. Founder members, guitarist Kris Jozajtis and bassist Mark Whiteley, reformed the group by recruiting members of a short-lived 1987 version of Folk Devils; guitarist Nick Clift and drummer John Hamilton. Together with singer Dave Hodgson they soon discovered they had created a well-oiled twin-guitar juggernaut that brimmed with the same restless, twisted blues that characterized the first and second iterations of the band from 1983-87 when they were fronted by the highly underrated and now sadly-departed singer/songwriter Ian Lowery. Hodgson, a fellow transplant from the North-East, had known Lowery in the early 80s prior to Folk Devils, when the two were in their respective post-punk bands Ski Patrol and Parting Shots.

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Folklords

Release The Sunshine

Release: 1968 / CA – Reissue

Genre: Rock & Indie

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Föllakzoid Galaxy Green Vinyl Edition

Föllakzoid

LP | 2009 | US | Reissue (BYM)

33,99 €*

12" | 2013 | US | Original (BYM)

Release: 2009 / US – Reissue

Genre: Rock & Indie

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Föllakzoid are nearly unparalleled in the hypnotic lysergic drenched neo-psychedelic experience. On their debut it is mostly a rather bulky one, determined by the downright dirty, distorted electric guitar, which is also usually accompanied by a spacey, howling and herbaceous howling one. In addition, there is fat bass and powerful drums. During the prolific post-napster musical era dominated by myspace, the Chilean musical field opened up so that many bands could broaden their creative spectrum by taking global and timeless references as an aesthetic holy grail. This experimentation had the internet and specialized forums as a search engine, which not only provided the world parameters in trends, but also allowed to find true hidden gems, bands that were adored by a few connoisseurs of the real quality left behind by the record labels. In this context, a group of university students who have known each other from school began to rehearse in the Caracol Vip underground (Santiago, Chile), in a room owned by a local heavy-metal legend, Juanzer. Equipped with tube amplifiers, Marshall and other custom made, the members of that time: Gonzalo Laguna on vocals, Juan Pablo Rodriguez on bass, Domingo García-Huidobro on guitar, Diego Lorca on drums and Francisco Zenteno on second guitar, they began to play endless jams without a strict sense of songs or directed compositional notion. The rule was to follow the noise in a journey through valleys and peaks that allowed the spontaneous appearance of textures, lyrics, phrases and some invented chords that did not resemble anything that had been heard at that time. The rehearsals were transformed into true live performances without an audience, which were only seen by a few curious, among alcohol, smoke and deafening noise, which could only end when the owner of the room (Juanzer) entered to turn off the equipment. Over time he himself stayed as an auditor, witnessing how the musicians stripped themselves in their rehearsals. Considered at that time as play or fun, the idea of forming a band with a name came with the real live performances to which they were invited, without yet having songs made, at the end of 2006. The myth of their first live performance alludes to a numerical superstition, on July 7, 2007, in a small bar in Providencia (Santiago), which also provided the band with an upward recognition for the psychedelic-punk music they were doing, with a voracious vocalist who destroyed everything on stage and a band that stood firm on the endless songs they built. The name that was invented for that occasion was the result of a nonsense about the German word feuerzeug brought to the group by their close friend Alfredo Thiermann (who would later make the cover of the first album and become keyboardist), which the members of that time took and Spanishized at will. This neologism represents the second founding myth of the band since the interest in bands like Can, Neu! and Amon Duul II and the characteristic motorik rhythm would soon arrive, in the form of kosmische musik. By 2008 the band had already added several live performances and some songs appeared, among which were Directo al Sol and Loop (nod to the English band), which allowed a greater deployment of ambient-noise resources, almost close to the 'concrete' music. The deconstructed rock of Spacemen 3 was also present in the form of repeated sequences on the bass and drums, as the layers of shrill guitars formed the foam of the tide bursting in the darkness of space. With the ideas and general feeling of the sound that they already had, the band made the decision to record their first album with the sound engineer and Juan Pablo's brother, Ignacio 'Nes' Rodríguez, who later together with JP would form the BYM label to make the first CDs of the forthcoming debut of Föllakzoid and other bands that Nes was recording. Sheltered that winter in the studio that Nes had built in an old house in Recoleta, the band recorded the bulk of the songs on the album with a new jam that emerged in that room composed of 1 note and moments of rising intensity: Sky Input I and II appeared to complete a set of songs that came from rock but were slowly passing to a level of trance and cacophony typical of orchestrated and atonal music. With three takes per song but only one take of the jam, the album was finished with a few extra takes and overdubs, some made in the house of Nes himself, who contributed a guitar to Loop, although it does not appear in the credits, and additional takes of "Pelao" Zenteno with delay and reverse for almost all songs. The names of the songs came from the lyrics that Laguna had worked from the live versions to the studio finals, except for Loop, Sky Input and El Humo. The cover of the album, which as mentioned was made by Thiermann, represents well the spirit of those days, when creative magma looked for an outlet through the instruments without any restriction or explicit direction from any of the members of the group. The image of the tree towards the sky speaks of the roots that rise towards the immensity, the nature projected towards the stratosphere. Ideas that the neo-psychedelia of those years seemed to capture well, echoing in the Chilean bands that at that time were gathering around the BYM label. Both the creative fluency and the lack of a musical director ensured that Föllakzoid was an original band that did not impose themselves a way of doing things or sounding, collective music took shape in the most wonderful way, without characters, without a record name, without faces. Just an instant in space.

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Föllakzoid

II RMX

20,99 €*

LP | 2013 | Reissue (Outside Music)

Release: 2013 / US – Original

Genre: Rock & Indie

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This album-released on the Chilean BYM label-brings together the finest musicians of Sacred Bones Records, PSYCHIC ILLS and MOON DUO, into one unique work, featuring songs from acclaimed Santiago group FOLLAKZOID's II album. This assemble becomes the top of the crop easily, with steady motorik, hazy psychedelia and space atmospheres, taking the kosmiche Chilean music to NYC and then launching it into Outer Space. Features the cut "9" remixed by Psychic Ills, backed by "Trees" remixed by Moon Duo. For fans of: The Soft Moon, Psychic Ills, Wooden Shijps, Moon Duo, The Holydrug Couple, CAVE, and Hawkwind. Limited edition pressing of 500!

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Folly & The Hunter

Tragic Care

Release: 2013 / Reissue

Genre: Pop

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LP | 2018 | EU | Original (Bureau B)

Fondation

Les Cassettes 1980-1983

Release: 2018 / EU – Original

Genre: Electronic & Dance

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2LP | 2017 | US | Original (RCA)

Concrete And Gold

35,09 €* 38,99 € -10%

Release: 2017 / US – Original

Genre: Rock & Indie

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Just as Foo Fighters’ anthem of the summer “Run” “opens as a dreamy, slow burner then… quickly turns heavy as thunder” (BILLBOARD) with its “huge triumphant chorus” (STEREOGUM), Concrete and Gold marries some of the most insanely heavy FF riffs ever with lush harmonic complexities courtesy of a first time team-up with producer Greg Kurstin (Adele, Sia, Pink).

“I wanted it to be the biggest sounding Foo Fighters record ever,” said Grohl. “To make a gigantic rock record but with Greg Kurstin’s sense of melody and arrangement… Motorhead’s version of ‘Sgt. Pepper’… or something like that.”

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2LP | 2017 | EU | Original (RCA)

Concrete And Gold

Release: 2017 / EU – Original

Genre: Rock & Indie

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Down In The Park - The Nyc Broadcast

LP | 2023 | EU (Mind Control)

Release: 2023 / EU

Genre: Rock & Indie

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In October of 1994, shortly after the death of Kurt Cobain, Nirvana drummer Dave Grohl re-entered Robert Lang's Seattle studio, where Nirvana had conducted their final recording sessions. Intending to create demos of his own material, over the course of a week Grohl would commit his ideas to tape. Except for some guitar assistance from Greg Dulli (of Afghan Wigs) on one track, Grohl would literally become a one-man band during these sessions, writing all the songs, playing all the instruments and singing all the vocals himself. Recorded at Tramps in New York City, these musicians served as both an opening act and as backing band for Mike Watt (on his tour promoting Ball-Hog or Tugboat?). Experience the initial Foo Fighters lineup live on stage, two months prior to their first album release.

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The Essential Foo Fighters

2LP | 2022 | UK | Original (Sony)

29,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Double vinyl (21 tracks) collection pulled from their studio album discography, the compilation includes a selection of fan favorites and hit singles including "Everlong," "Best of You," "All My Life," "Walk," "These Days" and many more.

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Food Fight

Zeitgeist Impressions

LP | EU (Poch)

18,99 €*

Food of The Gods aka Zig Zag Zig

Release: EU

Genre: Rock & Indie

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For those who don’t know them yet, Food Fight are a four-piece combo from Rennes, France, made up of vets from the local scene (with ex- or current members of Headliners, Abuse, Ready-Mades, Cheap Riot…). They released their debut 7" three years ago on Snap Records from Spain and have played all over the country since then, polishing their own special blend of late 70s style Punk Rock and Power Pop that'll please all fans of the Good Vibrations sound - think Undertones, Protex, Moondogs… This new album was recorded and mixed by Jacky from Syndrome 81, Night Stalkers, Coupe Gorge and mastered by Eddy Current’s Mikey Young. You’ll find a new version of their hit « Shenanigans » along with 11 new bangers.

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That Was Then… This is Now 1992-1996 E.P.

12" | 2018 | US | Original (Chopped Herring)

LP | 2022 | UK | Original (Will)

Release: 2018 / US – Original

Genre: Hip Hop

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Wow this is SOME unheard/unknown/unreleased 90's project. Mindblowing material, for reel. Following on from our Big Sha EP [1994] from earlier on this year, we have the Food of the Gods aka Zig Zag Zig - That was Then...This Is Now 1992-1996 EP. Incredible material from this QU crew steeped in that 5%-er 90's flava. Reminiscent of the Zig Zag EPs we dropped [no ish!] this is a must for fanz of big old jazz b-lines and righteous lyric!

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Food Poison Center

Hakimakuri Olympic

Annihilation Yellow Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Will Records is proud to announce its first release: Speaker-busting, genre-defying improvisational noise musician “Hair Stylistics” (previously Violent Onsen Geisha) and juke/footwork inspired intricate irregular percussion expert “Foodman” aka 食品まつり’s long-awaited collaborative project “Shokuchudoku Center 食中毒センター” (Food Poison Center) will finally released on new label “Will records”. These two experimental Japanese artists teamed up to combine their unique sounds, edgy noise spectrum and intensive rhythms to create “Shokuchudoku Center 食中毒センター” (Food Poison Center). Their respectively strong characters brought these two together and they met for the first time during “Tokyo Noise Theater”, a show held at the late, great Nishiazabu venue “SuperDeluxe” in 2017. With a raging, wild, vicious sound, tempered by moments of lighthearted improvisation, their live sets serve both as a showcase of their character and a tool to crushing audiences. This release was performed and recorded at venue forestlimit in Hatagaya, Tokyo as a joint recording session during summer 2020. Amalgamative ideas together with repeated improvisation and overdubbing/sampling created a sonic record that displays each of their near-maniacal music senses. Lack of perfection, the spirit of resistance and black humor are some of the notes emphasized, and are both mirroring and set against the backdrop of our present social situations and those which are deeply embedded in their life. This human quality may be one of the reasons why this project engages the listener so effectively, whether or not this humanity and error are needed for our present era. We hope you have the chance to witness their live set someday

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Footings

LP | 2021 | US | Original (Sophomore Lounge)

18,19 €* 25,99 € -30%

12" | 2022 | UK | Original (Wolf Music)

Release: 2021 / US – Original

Genre: Rock & Indie

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"Footings is the long-running/rocking outgrowth of Peterborough NH's great ruralist duo, Redwing Blackbird. Initially formed as a trio in 2012 by Eric Gagne on guitar and vocals, Footings' sound embraces a sort of inner light derived from folk music, but surrounds it with a variety of rockist tropes. This rock action can take many forms, especially on this new album, which features their most expanded/expansive line-up yet.

Original trio member Elisabeth Fuchsia (frequent Pile collaborator) is on viola and long-time collusionist Candace Clement provides guitar, synth and vocals. Jordan Holtz (from Rick Rude) supplies vocals. Ben Rogers (Eric's bandmate from Death to Tyrants) adds drums where needed. Will Killingsworth (Ampere/Bucket Full of Teeth) adds pedals and tambourine as required. The latter pair were also responsible for engineering the album, but their musical additions are sonically notable.

Gagne's songs and deep vocals, often the core of the band's operation, combine the literary qualities of a heavy reader with the observational data of a poet. In this, Footings might occasionally be mistaken for one of Will Oldham's multifarious projects. But the band has a distinct way of scrambling their eggs, and that was never clearer than it is here. Full songs are interspersed with fragmentary shards in a way that reminds me of how Michael Hurley faded out “Rat Face” after its intro, on Hi Fi Snock Uptown. I mean, “Sleeping” sounds tantalizingly close to a Neil Young penned out-take from Deja Vu for the 35 seconds it runs. But that's all there is!

This outré editing process works quite well. By allowing themselves to create slivers of textural similarity to Sonic Youth (“Ordinary Night”), Crazy Horse (“Sleeping”), and even Heldon (“Wouldn't It Be Something”), Footins display wide possibilities while maintaining their primary focus on creating a kind of avant garde American roots music with the brash complexity of Yo La Tengo and the stately depth of Wilco.

Annihilation is the best Footings record to hit the planet yet. And that is saying something."

- Byron Coley

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Footshooter

Afterglow Fm

13,99 €*

12" | 2020 | EU | Original (Gooiland Elektro)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Fresh off the back of his highly acclaimed debut album on Astral Black, Footshooter returns to the WOLF Music pack following his ethereal remix of Velour last year, with an exquisite six track journey through his signature sound.

An amalgamation of genres, ideas and vibes blend seamlessly together throughout the record, showing a wealth of knowledge, alongside a production prowess to match. From the cinematic opener 'Welcome In' to the soulful, synth-laden broken beat of ‘Turning’ and 'Archetype 7' on the A side. Samples dance next to magical playing and programming, with hats tipped to legends of yester year whilst keeping things completely fresh at the same time.

Flip it for the B, where UK Funky feels mix with bumping house for the fresh to death, dress to impress 'Dojo'. Footshooter then dips the lights down low and and slows the tempo with the beatsy, piano shimmering brilliance of 'Angel(s)' and the eyes closed, soul healing sounds of 'Hold On'.

Six shots, no misses, Footshooter gets deep into the heart of what’s bubbling in London town right now.

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FOQL

Szkarady

12,74 €* 16,99 € -25%

Release: 2020 / EU – Original

Genre: Electronic & Dance

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OQL is back… her first EP on Gooiland, entitled “Hypatia”, is from a few years ago… and this new one is a totally different record… the abstract IDM influenced rhythms are still there but while the first one was rather industrial and even ritualistic in sound and mood this new EP called “Szkarady” has a cleaner sound… not clubby but there is more space in between the music… Still the tracks are intense… they all have a psychedelic / trippy quality due to the structure… tension is building up when the tracks are evolving… some of these tracks will work well for the dance floor but not for an average middle of the road techno audience… this EP is for heads… and that said… it works both for your body and mind… it is a head trip for sure…

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LP (Arising Empire)

33,99 €*

Genre: Rock & Indie

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LP (Arising Empire)

33,99 €*

Genre: Rock & Indie

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For The Fallen Dreams Corona Vinyl

LP | 2023 | EU | Original (Arising Empire)

Release: 2023 / EU – Original

Genre: Rock & Indie

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For The Fallen Dreams Picture Disc

LP | 2023 | EU | Original (Arising Empire)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (September)

For Those I Love

24,99 €*

Portraits Gold Caramel Swirl Vinyl Edition

Release: 2021 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Record with just a few paper scuffs.
Includes booklet.

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For Today

LP | 2024 | US | Original (Facedown)

34,99 €*

Force Of Nature, Nujabes, Fat Jon

Release: 2024 / US – Original

Genre: Rock & Indie

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Portraits is the second studio album by this Sioux City, IA, metalcore band FOR Today. Recorded at The Basement Recording Studio with Jamie King (between THE Buried AND ME, THE Human Abstract) resulting in ten tracks of excellently produced metallic hardcore.

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Picture
Coming Soon

Samurai Champloo Music Record: Impression

CD | 2024 | JP | Original (Flying Dog)

34,99 €*

Release: 2024 / JP – Original

Genre: Soundtracks

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Preorder shipping from 2024-11-15

12" | 2022 | UK | Original (Evar)

Force Placement

Aerobicide

12,99 €*

Forced Reality Red Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Force Placement's Aerobicide EP is a killer workout of afterhours acid and galaxian breakbeat Four hypnotic bangers from Los Angeles with remix support from DJ Manny, D.I.E., and Martyn Bootyspoon

Los Angeles – Following releases on 100% Silk, Clave House, Bank NYC and Lost Soul Enterprises, Force Placement arrives on Evar Records with four tracks of naughty squelching acid and breakbeat techno hypnotically calling you to the afterhours, backed by a trio of remixes from Martyn Bootyspoon, Detroit In Effect, and DJ Manny, representing North American excellence in techno, electro, and footwork, respectively.

A longtime friend of the Evar crew from renegade breakcore parties in Santa Barbara to underground experimental electronics happenings in Los Angeles, Into the Woods and The Black Lodge resident Jason "Force Placement" James taps into his love of weird trippy atmospherics, rhythmic complexity and DIY punk/noise aesthetics to create this quartet of mystic, mysterious bangers, crafted with the Mpc1000, Elektron's Octatrack sampler, the Korg minilogue, and Ableton.

The Aerobicide EP begins its killer workout with "Yeeks," a cabalistic ass-mover driven by a haunted female vocal sample floating atop locomotive bass and shakers – a factory's worth of industrial sounds and eerie accents move in and out of the mix, adding intrigue and interest.

Moving to the main room of the rave, "Balloon Animal" shoots you through an inflatable tube of squelchy acid techno as knives cut the air around you, while "Upsetter" adds a shuffling breakbeat rave bounce into the acid mix. "Quartered" chops it up with Clone-style dark analog electro that gets increasingly deconstructed by dirty, stretched percussion and rivulets of synth reverb raining down the walls.

Rounding out this occult aerobics class, some of North America's most compelling forces in dance music are called in for remix duty. Unsung electro hero Detroit In Effect aka D.I.E. – the man behind such classics as "RU Married" and "Get Up" – leans deep into the classic Motor City palette, pairing lush, spacey pads with that hard-swung Detroit bounce to create a mellow groover that will keep you going all night. Montreal's world-class party starter M. Bootyspoon recalls Substance Abuse-era Hawtin and mid-'90s Midwest techno on his "Balloon Animals" remix, with nasty claps and concentric loops of hard acid bleeps and squelches. And who better to tackle "Upsetter" than Southside Chicago's footwork futurist DJ Manny? The Teklife king eschews the romantic R&B tones of his recent Planet Mu album for a tough-as-nails rework that ups the tension and the tempo to create an otherworldly saga for the dance circle.

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Forced Reality

LP | 1989 | EU | Reissue (Taang!)

12" | 2023 | EU | Original (Kma60 Rezpektiva)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Debut album from forced reality they are based out of Waterbury CT. An american street punk Cclassic, Released in 1989 on Patriot Records is headed by Peter Morcey ( 100 Demons ) 500 on red vinyl.

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Forces Of Nature

Rez16sixteen

Are Faces Really Necessary?

Release: 2023 / EU – Original

Genre: Electronic & Dance

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REZ16sixteen coming right up on our home label Rezpektiva this time featuring UK duo Forces Of Nature (Paul Chambers & Anthony Reeves). After producing many a good record for the 'Clean Up' label, singles and albums also followed alongside releases on LTJ Bukem’s Earth series and their own Tundra Records imprint (check this out). This EP (Jupiter) was originally recorded for Passenger Records the label from Aquasky back in '98 and has been fully remastered. It's a totally unique sound - future junglist breaks and techno sounds, while simultaneously reaching back to the jazz of the 60s and the soul grooves of the 70s and 80s for inspiration.

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Foreign Sequence

2LP | 2019 | EU | Original (D.Ko)

16,14 €* 18,99 € -15%

12" | 2015 | DE | Original (BAROC)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Foreign Sequence is a French producer from Paris who delivers his first LP on D.KO Records. This record is a timeless excursion into the IDM world.

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Foreign, Subtyl

Sellouts

4,74 €* 4,99 € -5%

2LP | 1981 | US | Reissue (Analogue Productions Atlantic 75 Series)

Release: 2015 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Record and cover are close to NM.

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Foreigner

4 Atlantic 75 Series

86,99 €*

An Acoustic Evening With Foreigner

Release: 1981 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm Gatefold Sleeve

Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Foreigner's No. 1-selling fourth studio album!
Featuring "Urgent," "Waiting for Girl Like You," and "Juke Box Hero"
180-gram 45 RPM double LP
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jacket by Stoughton Printing

Throughout the course of three late-70s albums, Foreigner (along with Journey and Styx) was recognized as one of the top AOR bands of the era. But the band was still looking for that grand slam of a record that would push them to the very top of the heap. Released in 1981, 4 would be that album, writes AllMusic.

In producer Robert John "Mutt" Lange — fresh off his massive success with AC/DC's Back in Black — guitarist and all-around mastermind Mick Jones found both the catalyst to achieve this and his perfect musical soulmate. Lange's legendary obsessive attention to detail and Jones' highly disciplined guitar heroics (which he never allowed to get in the way of a great song) resulted in a collaboration of unprecedented, sparkling efficiency where not a single note is wasted.

"Nightlife" kicks off a series of energetic and nearly flawless melodic rock songs on the album. Within this collection, you'll find tracks like "Woman in Black," "Don't Let Go," and the '50s-inspired "Luanne." However, the standout gem in this album is "Juke Box Hero." This song manages to be both a mainstream hit and exceptionally unique. It blends heavy metal guitar riffs, harmonized vocals, and lyrics that capture the desire to become a rock star.

But there's more to this album. It also includes the essential power ballad, "Waiting for a Girl Like You." This emotional song transcended genres, becoming one of the most successful tearjerkers of the decade. It's a constant presence on soft rock radio and has overshadowed another beautiful ballad from the album called "Girl on the Moon."

And let's not forget the surprising and funky "Urgent." This track stands out as one of the band's most memorable and uncharacteristic smash hits, thanks to Junior Walker's signature saxophone solo.

As awesome as the music is this definitive deluxe 180-gram 45 RPM 2LP package. Foreigner 4 has never sounded better!

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Foreigner

LP | 2014 | EU | Original (Earmusic)

24,99 €*

Double Vision Atlantic 75 Series

Release: 2014 / EU – Original

Genre: Rock & Indie

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Limited Edition for Record Store Day 2014!

Live in Germany on July 31st, 2013 – previously unreleased acoustic concert.

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Foreigner

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

86,99 €*