Search "record store day" 47222 Items

Beyond This Fiction Cloudy Sea Blue Vinyl Edition

LP | 2024 | UK | Original (Heads On Fire)

35,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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"One of the best bands to come out of NYC since who gives a shit." -CVLT Nation. When you enter White Hills' lair in Brooklyn, the duo's insatiable desire for music and art is immediately palpable. Crates of vinyl from floor to ceiling line the long hallway. Guitars appear at every angle, one lying across a sofa in obvious mid-play with others in cases tucked beside amplifiers into every conceivable corner. Synthesizers and cables cover the purple satin bed while gouache paintings in various stages of progress strewn the floor. Album covers, movie posters, books, paintings, prints and souvenirs of subversive culture occupy the remaining wall space. A sanctuary of adoration, creation and imagination, it's also the nerve center of their record label Heads on Fire Industries and the site where the final mixes of their latest album Beyond This Fiction took shape. For nearly two decades, White Hills have been blowing minds with their sonic alchemy: a unique mix of neo-psychedelia, art rock, and post-punk- at once original and recognizable. Their cult reputation emblazoned in celluloid following their performance in Jim Jarmusch's sultry vampire romance Only Lovers Left Alive, the duo has toured vigorously since their inception. With a vast catalogue that astounds and a relentless punk ethos, time seems to energize the duo, making them increasingly daring and prolific. "Music creates a bliss beyond sex and drugs," professes one-woman rhythm section Ego Sensation. "We'll never stop making music. It's the highest high to be had in life." Founding member Dave W, whose signature other-worldly guitar sorcery defines the White Hills sound, grabs his Les Paul to record a melody lingering in his head from last night's dream before it escapes. Outside, the sound of passing sirens, honking horns and bits of conversation remind you that you're in the middle of New York, a city so flush with rock legacy and artistic innovation it would take lifetimes to drink it all in. A voice from outside shouts, "This shit is going...

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The Revenge Of Heads On Fire Black Vinyl Edition

2LP | 2022 | UK | Original (Heads On Fire)

Release: 2022 / UK – Original

Genre: Rock & Indie

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"Pure psychotropic madness." A screaming head on fire penetrated my chest, jolting me from the universal plane back to earth." Guitarist/Singer/Sonic Alchemist Dave W's vivid fever dream ignited The Revenge of Heads on Fire, WHITE HILLS' latest release, which harnesses the energy of ferocious, hedonistic rock with blissful passages of dark ambience. Exploring themes of mortality, transformation and rebirth, the band reveals a spiritual depth unparalleled in previous works. The roar of fire, swirling of oceans and hallucinogenic visions can be heard throughout the 75-minute journey. From the intrepid prelude "The Instrumental Head" to the closing punk blaze of "Eternity", the album ebbs and flows, smoldering and seething in the middle with the 21- minute mammoth opus "Don't Be Afraid". "'Don't Be Afraid' alone makes this an essential listen for fans of contemporary psychedelia." -All Music The Revenge of Heads on Fire consummates Dave W's prototype for the 2007 release on Rocket Recordings, Heads on Fire, later picked up by Thrill Jockey. Six rediscovered songs accompany re-mixed versions of the original material, fulfilling the master arch of the pyre lit long ago. Recorded during the band's tumultuous early years, the music vibrates with the energy and volatility of a sonic boom. The album will be released on Heads on Fire Industries, distributed worldwide via Cargo Records UK.

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The Revenge Of Heads On Fire Psych Swirl Vinyl Edition

2LP | 2022 | UK | Original (Heads On Fire)

34,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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"Pure psychotropic madness." A screaming head on fire penetrated my chest, jolting me from the universal plane back to earth." Guitarist/Singer/Sonic Alchemist Dave W's vivid fever dream ignited The Revenge of Heads on Fire, White Hills' latest release, which harnesses the energy of ferocious, hedonistic rock with blissful passages of dark ambience. Exploring themes of mortality, transformation and rebirth, the band reveals a spiritual depth unparalleled in previous works. The roar of fire, swirling of oceans and hallucinogenic visions can be heard throughout the 75-minute journey. From the intrepid prelude "The Instrumental Head" to the closing punk blaze of "Eternity", the album ebbs and flows, smoldering and seething in the middle with the 21- minute mammoth opus "Don't Be Afraid". "'Don't Be Afraid' alone makes this an essential listen for fans of contemporary psychedelia." -All Music The Revenge of Heads on Fire consummates Dave W's prototype for the 2007 release on Rocket Recordings, Heads on Fire, later picked up by Thrill Jockey. Six rediscovered songs accompany re-mixed versions of the original material, fulfilling the master arch of the pyre lit long ago. Recorded during the band's tumultuous early years, the music vibrates with the energy and volatility of a sonic boom.

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The Revenge Of Heads On Fire Splatter Vinyl Edition

2LP | 2022 | UK | Original (Heads On Fire)

34,99 €*

LP | 2022 | US | Original (Riding Easy)

Release: 2022 / UK – Original

Genre: Rock & Indie

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"Pure psychotropic madness." A screaming head on fire penetrated my chest, jolting me from the universal plane back to earth." Guitarist/Singer/Sonic Alchemist Dave W's vivid fever dream ignited The Revenge of Heads on Fire, White Hills' latest release, which harnesses the energy of ferocious, hedonistic rock with blissful passages of dark ambience. Exploring themes of mortality, transformation and rebirth, the band reveals a spiritual depth unparalleled in previous works. The roar of fire, swirling of oceans and hallucinogenic visions can be heard throughout the 75-minute journey. From the intrepid prelude "The Instrumental Head" to the closing punk blaze of "Eternity", the album ebbs and flows, smoldering and seething in the middle with the 21- minute mammoth opus "Don't Be Afraid". "'Don't Be Afraid' alone makes this an essential listen for fans of contemporary psychedelia." -All Music The Revenge of Heads on Fire consummates Dave W's prototype for the 2007 release on Rocket Recordings, Heads on Fire, later picked up by Thrill Jockey. Six rediscovered songs accompany re-mixed versions of the original material, fulfilling the master arch of the pyre lit long ago. Recorded during the band's tumultuous early years, the music vibrates with the energy and volatility of a sonic boom.

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White Lightning

Thunderbolt Of Fuzz

31,99 €*

LP | 2024 | US | Original (Not Not Fun)

Release: 2022 / US – Original

Genre: Rock & Indie

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Standout favorites of Riding Easy Records’ Brown Acid compilation series, White Lightning’s stellar discography of rare and under-appreciated heavy psych, proto-metal rock gets a vital revival for new generations to learn how swinging, swaggering and often blazingly fast rock’n’roll is done. White Lightning was formed in Minneapolis, MN in 1968 by guitarist Tom “Zippy” Caplan and bassist Woody Woodrich after leaving garage psych band The Litter (themselves popular standouts from the Nuggets and Pebbles series of garage rock rarities.) Originally a power trio, the band later expanded to a five-piece in 1969 while shortening its name to Lightning. The quintet’s brilliant and rare 1970 self-titled album on Pickwick International’s P.I.P. imprint provides six of the ten tracks on Thunderbolts Of Fuzz. The original White Lightning trio only released the one 45-rpm single “Of Paupers And Poets” during their existence (on local Hexagon label in 1968, later reissued by major label Atco Records in 1969.) A long out-of-print posthumous album released in 1995 gathered unreleased recordings, three of which are found here. This rounds out this collection of recorded highlights from the band’s rocky history. Taking their name from a particularly potent type of LSD, White Lightning laid out from the start that it was not cute and cuddly ’70s rock. In fact, the band’s aggressive tempos are like punk rock way before punk. However, their dirty blues groove and musical prowess shows the band was more than unrefined ne’er-do-wells, they had true versatility.

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White Poppy

Ataraxia

LP | 2023 | US | Original (Not Not Fun)

Release: 2024 / US – Original

Genre: Rock & Indie

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The concept for and palette of Crystal Dorval aka White Poppy’s ‘Paradise Gardens’ trilogy first germinated in 2016 as a notion of “paradise music” combining new age, bedroom shoegaze, and bossa nova into “transcendental Tropicalia.” As she filled tapes of recordings exploring the idea, many of the songs gradually gravitated towards the hermetic dream pop her project is best known for, becoming the albums Paradise Gardens (2020) and Sound Of Blue (2023). Dorval describes these collections as a sort of “emotional purging or shadow work,” before arriving at “the state of inner paradise:” Ataraxia.

As the third, final, and most purist realization of the original ‘Paradise Gardens’ vision, Ataraxia delivers. Nine instrumentals of nimble guitar, elevated bass, clean rhythm, and clear light, gliding like swans on a shimmering pond. There’s a sense throughout of playful tranquility, of serenades at sunset, of kisses of blissful Muzak wafting along a boardwalk.

But behind the music is a patience, grace, and levity born of Dorval’s personal journey with spiritual healing that paralleled the trilogy. A process of transmuting pain into beauty, day by day, melody by melody, cleaving the darkness from the soul and re-entering one’s rightful home in the Garden.

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White Poppy

Sound Of Blue

27,99 €*

12" | 2022 | EU | Original (White Pyramid)

Release: 2023 / US – Original

Genre: Rock & Indie

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From the grey-skied isles and horse farms of British Columbia comes the second volume of Crystal Dorval aka White Poppy’s “Paradise Gardens” trilogy: Sound Of Blue.

Originally conceived back in 2016, the album was then recorded, finessed, abandoned, resurrected, overdubbed, and finally mixed into nine refinements of daydream shoegaze and therapeutic pop, born from bedroom epiphanies and long winters of the heart.

From slowdive reverie (“Apathy,” “Melancholic Serenity”) and color wheel psychedelia (“Time”) to spiral chorale (“Happy”) and finger-picked drift (“Wiser”), Dorval’s songcraft moves between escape and acceptance, tracing delicate melodies from undercurrents of loss, light, and solitude. It’s music for memory gardens and pastel horizons, dreaming of bliss and distance, but bound to the here and now: “Thinking about leaving here forever / thinking about leaving here for good / but I keep holding on for something / hoping that it could get better than this / what’s one more night?”

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White Pyramid

Lulang Fores

Dancing Into Oblivion Clear Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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I had been walking for days through dust and brambles. I had been walking so long that I couldn't any longer feel thirst. I dragged my sinner soul stuck on me. Step by step towards that white light, which was pure like the origin of the universe. Salvation at the end of it all.

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White Stones

LP | 2021 | EU | Original (Nuclear Blast)

16,09 €* 22,99 € -30%

2LP | 2023 | EU | Original (Karisma)

Release: 2021 / EU – Original

Genre: Rock & Indie

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From Martin Mendez, bassist of the ubiquitous Opeth comes White Stones, a solo death metal project. Today, they proudly announce their signing with Nuclear Blast and reveal, that their debut album named “Kuarahy” (pronounced Kwa-Ra-Hee) will be released early next year, on March 20th! Named after his birthplace in Uruguay, the record represents a return to his roots, both familial and musically. By exploring the forgotten paths of his ancestors via the style of music that remains his one true love - death metal.

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White Willow

Ingis Fatuus

53,99 €*

Sacrament Remaster White Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Ignis Fatuus is the classic debut album from Norwegian prog legends White Willow. Originally released in the Spring of 1995, the album took the global progressive rock scene by storm. Fan letters started coming in from all over the world, and wonderful reviews from American and European music magazines kept flowing out of their fax machine. 5000 copies were quickly sold and soon the band was on a plane to California to perform at the 1995 Los Angeles Progfest, along with acts like Spock’s Beard, Ars Nova and Landberk. The songs on the album range from almost pure pastoral folk-rock, as on Snowfall and Till He Arrives, via out-and-out prog rock, as on John Dee’s Lament and Cryptomenysis (which featured a guest appearance from Ved Buens Ende’s Carl Michael Eide) to unusual experiments like the renaissance-inspired hymn Song, based on Christina Rossetti’s poem. The band didn’t at the time consider themselves a prog-rock band, more a folk-rock band that dabbled in symphonic arrangements. Nevertheless, the album has become a classic for prog connoisseurs. This re-release was meticulously remastered by the band’s own Jacob Holm-Lupo, and is presented with the classic original cover art, for the first time on vinyl. This is the first in a series of six White Willow re-releases on Karisma Records.

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White Willow

LP | 2024 | EU | Original (Karisma)

39,99 €*

Storm Season Remastered Stormy Marble Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Sacrament is the classic third album from Norwegian prog legends White Willow, originally released in 2000. For this album, the band spent a long, long time working on the songs and arrangements, coming up with inventive, dynamic and beautiful arrangements for each song. After lengthy rehearsals at the Norwegian Institute for Scene and Studio, the band entered a new studio, called Lydkjøkkenet. The studio wasrun by the friendly and very talented engineer Øystein Vesaas, whose patience and mild manners were a perfect fit for the band, allowing time to experiment and try out different solutions. Sacrament was recorded over an extended period. Holm-Lupo was working a full-time day job at the time, so sessions would often be running from the evening into the night. But everyone was energized and had great faith in the music being made, and remember the recording as an enjoyable experience. The album was madeduring a period where certain elements of prog were beginning to drip into the mainstream, which also provided some moral motivation. And when the album was released, it was to unanimously glowing reviews and healthy sales – and even some mainstream recognition. This re-release was meticulously remastered by the band’s own Jacob Holm-Lupo and is presented with the classic original cover art, for the first time on vinyl. This is the third in a series of six White Willow re-releases on Karisma Records. 01.Anamnesis02.Paper Moon03.The Crucible04.The Last Rose of Summer 05.Gnostalgia06.The Reach

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White Willow

LP | 2004 | EU | Reissue (Karisma)

39,99 €*

LP | 2009 | US | Reissue (Now Again)

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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Storm Season emerged from a perfect storm of chaos. White Willow’s fourth studio album marked a bold shift, taking a heavier, more metallic turn compared to their earlier releases. Its creation reflected turbulence both within the band and in the world around them. The intensity of the music nearly tore apart the Norwegian prog rock pioneers, even leading to the departure of vocalist Sylvia Erichsen for several years. Yet, out of this turmoil came their breakthrough. "We wanted to create an album that felt like a storm—a reflection of the turmoil in the world with climate change and political unrest, and also within our own lives," explains guitarist and bandleader Jacob Holm-Lupo. Originally released in 2004, Storm Season became White Willow's first album to sell over 10,000 copies. It stands as one of their most direct and impactful musical statements, blending their classical prog and folk-rock roots with a heavier, more streamlined sound. This re-release, meticulously remastered by Jacob Holm-Lupo, brings new life to the album, featuring the iconic original cover art and available for the first time on vinyl. It’s the fourth in a series of six White Willow re-releases on Karisma Records. 01. Chemical Sunset02. Sally Left03. Soulburn04. Endless Science05. Insomnia06. Storm Season07. Nightside of Eden

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Whitefield Brothers

In The Raw

36,99 €*

2LP | 2024 | UK | Original (No! Label)

Release: 2009 / US – Reissue

Genre: Organic Grooves

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Reissue! Poets of Rhythm founding members first crucial piece of the funk spectrum recorded as The Whitefield Brothers. A wear-your heart-on-your-sleeve, hypnotic, defiantly psychedelic funk album that is as modern as it is grounded in the great musical traditions from both sides of the Atlantic Ocean. Featuring members of the Dap Kings, El Michels Affair and Poets of Rhythm. “The Whitefield Brothers In The Raw remains as potent in 2022 as the day it dropped twenty years ago. Originally released in 2002, and later reissued via Now-Again, the LP’s panglobal brew of ragged psychedelic funk dripped different, defying easy markers of genre, era, and locality...live breakbeat drums and tribal chants...anchor the set’s twelve tracks. Hypnotic and humid, come for the polyrhythms, stay for the swirling dub adjacent blasts of trumpet.” - Aquarium Drunkard

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Whitey

Mental Radio

Release: 2024 / UK – Original

Genre: Electronic & Dance

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NJ White - aka Whitey - explodes out of the shadows with the announcement of his highly anticipated double LP Mental Radio, out on 3rd October 2024. Pulling in influences from across decades of sound and putting it through the Whitey blender to create something musically fresh, Mental Radio is an album that in turn is furious, raw, amused, politically razor sharp and poignant... a satirical take on 21st Century life, a musical pop art collage.

As an individual, Whitey prefers to speak via his work, and has eluded all interviews for well over a decade - leading one journalist to describe him as 'the musical equivalent of Bigfoot’. Despite this elusive stance, his music continues to rack up many millions of plays and draw fans from all ages across the globe. Across a string of acclaimed albums, Whitey's music has made its mark, from rock'n'roll clubs to electronic dance floors, fashion catwalks to movie soundtracks, television to computer games, from Breaking Bad and the Sopranos to Grand Theft Auto.

Whitey has built a strange home in the shadows between mainstream entertainment and the vanishing underground, an outsider who celebrates his outsider ethos in his work- and yet whose music is embraced by both popular and alternative culture. Whitey is a prominent spokesperson for independent music - his viral letter about 'fair fees for artists' was shared 500,000+ times; and made Newsweek, The Times, BBC Worldwide and the front editorial of Music Week.

Whitey’s back catalogue has previously received praise from the likes of The Independent, The Guardian, Record Collector, Uncut and Rock Sound to name a few. Available as a Double Vinyl LP and CD through NO! Label, published globally by Mute Song and repped for live by William Morris Entertainment - this is set to be a benchmark album of 2024.

Mental Radio is out on digital platforms on 3rd October 2024 with a physical release date of 8th November 2024.

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Candid Clear Blue Vinyl Edition

LP | 2020 | US | Original (Secretly Canadian)

Whitney Houston SuperVinyl 180g 33rpm LP Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Following their acclaimed sophomore 2019 album Forever Turned Around, Whitney have decided to return with a loving tribute to songs that have been formative and lasting to the entire band. Candid is a 10-song collection boasting covers of artists like Kelela, David Byrne, John Denver, SWV, and others but it's also a band challenging themselves to explore more than their musical comfort zone. "This could've been as simple as saying we really love these songs and we love our bandmates and making a covers record just felt right but it truly became an exploration into how we can evolve as a band going forward," says drummer and singer Julien Ehrlich. Covers have long been an integral part of Whitney's ethos. Ever since the band first formed in a Chicago apartment in 2014, tackling songs by the Everly Brothers, Allen Toussaint, and more played an important part in the songwriting process for their breakthrough 2016 debut Light Upon The Lake. Since then, their takes on NRBQ's "Magnet" and Neil Young's "On the Way Home" have become live staples, an essential and communal part of their sets. Their love for the music that makes up their deepest influences has always been genuine and tangible. At its core, Candid is a celebration of both the songs Whitney has adored throughout its formation and the band's evolving bond through years of relentless touring and an enduring friendship. "One thing we realized is how these songwriters could make amazing songs with so much simplicity. Taking these skeletons and working with this incredible material means we're keeping our chops and staying tight as a band," says Ehrlich. The LP is a sincere snapshot of their evolving and eclectic tastes that's imbued with a wholly inviting charm. It's Whitney at their most unvarnished and inventive but most importantly, it's a heartfelt tribute to the songwriters who've helped them most.

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Whitney Houston

LP | 1985 | US | Reissue (Mobile Fidelity Sound Lab)

73,99 €*

LP | 2021 | EU | Original (Maple Death)

Release: 1985 / US – Reissue

Genre: Pop

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SOURCED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 4,000 NUMBERED COPIES:

MOBILE FIDELITY'S 180G SUPERVINYL LP PRESENTS 1985 BLOCKBUSTER IN AUDIOPHILE SOUND, PLAYS WITH EXCEPTIONAL CLARITY
PCM digital master to analogue console to lathe

Whitney Houston’s self-titled debut album has few parallels. Viewed solely through the lens of sales numbers, Whitney Houston is a watershed statement on par with the most commercially successful and culturally dominant LPs ever released. Having sold more than 14 million copies in the U.S. and upwards of 25 million units worldwide, the 1985 LP became the equivalent of the television show or blockbuster film that everyone collectively experiences and discusses. Nearly four decades later, it’s lost none of its appeal or magnetism — and its artistic significance and historical import have only grown.

Sourced from the original master tapes, pressed at RTI on MoFi SuperVinyl, and strictly limited to 4,000 numbered copies, Mobile Fidelity's 180g SuperVinyl LP of Whitney Houston presents the breakthrough in audiophile sound for the first time. The signature traits Houston exhibits on every song — her three-octave range, radiant warmth, personal conviction, impossibly controlled register — come across with exceptional clarity, focus, and presence. Free of artificial ceilings and constricted dynamics, this reissue plays with an openness, airiness, and balance that put the singer’s once-in-a-lifetime instrument and immortal artistry into proper perspective.

It does the same for the songs’ cascading melodies and captivating arrangements. Individually produced by one of four renowned industry veterans — Kashif, Micheal Masser, Jermaine Jackson, and Narada Michael Walden — each composition feels grander, closer, more genuine. A vocal spectacular, Whitney Houston benefits from the high-end characteristics of SuperVinyl, which include a nearly inaudible noise floor, superb groove definition, and dead-quiet surfaces. This is how an album that changed the direction of popular music — opening previously inaccessible doors for Black artists; bringing smooth-singing vocalists back into the mainstream; kickstarting a movement that soon included several “divas” who would command the charts through the early 21st century — should look and sound.

Though Houston’s seemingly effortless performances suggest otherwise, creating the record Rolling Stone ranks as the 257th Greatest Album of All Time wasn’t easy. Nearly 18 months were required to identify songs suitable for a still-unknown singer who did not fit into the conventional frameworks of the mid ‘80s. Confident, powerful, and prodigiously talented, Houston would forge her own parameters with Whitney Houston. In the process, she obliterated the stubborn lines between R&B and pop, Black and white radio. She dared to reimagine who could be a superstar and then went out and defined the role. Recorded for nearly $400,000 and released on Valentine’s Day, the LP exceeded the wildest expectations of those most closely associated with it — save for Houston and her family.

Having made her first public appearance at the age of 11 singing at a Baptist church, Houston understood pressure and knew her way around, inside, and through a song. The invaluable guidance and support she received from her mother, Cissy, an accomplished gospel vocalist who backed Aretha Franklin and Elvis Presley, are on display throughout Whitney Houston. They arrive in the types of authoritativeness, discipline, and diction rare for even most seasoned veterans — and unheard-of for a 21-year-old newcomer. Houston brings a soulful elegance, understated glamour, and in-the-moment rapture to every note. Moving up, down, or staying in the middle of the vocal ladder; channelling softness or sweetness; showing restraint or increasing the volume, she is a marvel of emotionalism, a dynamo who can seamlessly transition from one mood to another within a verse.

Though the 10-track LP largely concerns itself with the ballad tradition, Houston covers the bases, getting into an R&B groove on the fleet “Thinking About You,” turning up the heat on the duet “Take Good Care of My Heart,” and investing the contagious dance-pop confection “How Will I Know” with all the anxiety, hope, energy, and enthusiasm its lyrics demand. Featuring her mom on background vocals and Houston’s pitch-perfect tone, uncanny precision, and skyscraper highs (no AutoTune here, friends), the synth-based anthem propelled Whitney Houston into the stratosphere, the vocalist into regular MTV rotation, and the term “crossover” into popular parlance. The double-platinum single reached No. 1 on the Hot 100, Hot R&B, and Adult Contemporary charts — a trifecta that foreshadowed accomplishments that would ultimately crown Houston as the most-awarded female artist of all time.

Whitney Houston became the first album by a Black female performer to top the Billboard charts. It remained there for 14 non-consecutive weeks en route to claiming the title of the best-selling LP of 1986. It stands as the first debut and first album by a solo female artist to spawn three No. Hits, as well as the first album by a Black female artist to top the year-end charts in Australia and Canada. These are just a handful of the accolades — along with four Grammy nominations — that surround a set that also contains the unforgettable ballad “Saving All My Love,” string-accompanied “Greatest Love of All,” and sensual “You Give Good Love.”

As TIME observed in an article written two years after the album took the world by storm: “This is infectious, can't-sit-down music, and her performance dares the listener not to smile right back.” We’re still smiling.

SACD

Sourced from the original master tapes and strictly limited to 3,000 numbered copies, Mobile Fidelity's hybrid SACD of Whitney Houston presents the breakthrough in audiophile sound for the first time. The signature traits Houston exhibits on every song — her three-octave range, radiant warmth, personal conviction, impossibly controlled register — come across with exceptional clarity, focus, and presence. Free of artificial ceilings and constricted dynamics, this reissue plays with an openness, airiness, and balance that put the singer’s once-in-a-lifetime instrument and immortal artistry into proper perspective.

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Whitney K

Two Years

LP | 2023 | EU | Original (Maple Death)

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

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Rolling through life, an open mind like an ocean, an infinite ride that comes furiously crashing to a halt. This is Whitney K’s ‘Two Years’, a deep dive into the Canadian songwriter’s journey through vulnerability, change and ultimately letting his guard down.

Whitney K is the wandering stalwart Konner Whitney, a Whitehorse Yukon resident who has spent time in Vancouver, Montreal, Burnaby and Los Angeles. We met the character in 2016 through his intoxicating 4-track recorded manifesto ‘Goodnight’, a head on collision into 24 hours of illusioned romance and modern day escapism. Fast forward to 2021, lift those curtains, aptly titled ‘Good Morning’ is the opening track on ‘Two Years’, a different cracker, a deliberate record about transformation, where to put it simply, Whitney K has arrived. Enlisting the aid of main collaborator and bandmate Josh Boguski and drummer Avalon Rossignol-Tassonyi, the focus has been shifted, folklore and realism becoming reckoning and truthfulness, what was outsider folk is now political poetry, life in motion delivered through a freeway ridden baritone voice that transforms the mundane into extraordinary. Written with a completely different mindset and a conscious effort to break with the traditions of a corrupt, hypocritical, and hateful society/lineage, Konner’s pen is precise and daring, uniting the earnestness of Willie Nelson and the comedy relief of Harry Nilsson on the beautiful ‘Me Or The Party #165’, or when painting Canada’s colonial past and heartland image on the primitive rock’n’roll anthem ‘Trans-Canada Oil Boom Blues’. There is no avoidance, no excuses, whether your self portrait in the mirror resembles a five dollar caricature sold on a boardwalk, the John Cale-esque opener ‘Good Morning’, or whether you learn you are worthy of love like on the poignant vignette ‘Maryland’, the beautifully arranged album closer that echoes Tin Pan Alley with Lou Reed’s grit. ‘Two Years’ also presents plenty of fun, the perfectly stumblin’ garage rocker ‘Last Night #2’, the honky tonk blues coming-of-age episode ‘Cowboy City Rocker’ and the cello/violin belter ‘Hit This Pipe’. One of Whitney K’s many gems is ‘The Weekend’ a minimalist spectral ode to hope where the band’s restriction brings out the pure force and vocal command of the ramblin’ troubadour. Time to open your arms, he’s coming out of no fun city and aiming straight for you.

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Whitney K

Vivi!

Release: 2023 / EU – Original

Genre: Rock & Indie

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Whitney K and band are back with an electric live album that captures the best from their classics ‘Two Years’ and ‘Hard To Be A God’, including a few nuggets from the back catalog and the unreleased tune aptly titled ‘Dire Straits’.

If ‘Two Years’ was the thunder, the rawness and the spirit, a combination of outsider folk, modern psych, grit, humor and everything in between, ‘Hard To Be A God’ was the sophistication, the dedication, the mind traveling far and beyond… ‘Vivi!’ is the hot sauce missing, the perfect setting, the inevitable gift, really putting the word ‘motion’ behind the poetry, the electricity carrying the rollicking combo, the road opening up literally wide and infinite and the wide-eyed dreams becoming a coliseum standing in front of the chaos.

Recorded live in Montreal upon returning from Whitney K’s first European month long tour, ‘Vivi!’ is a vivid, exuberant and jarring photograph of a band that’s lived to see the force of ‘togetherness’, a ritual, a communion of sorts where emotions run free and into the unknown.

‘Vivi!’ encapsulates everything that makes Whitney K unique, the freewheelin’ songwriting, visions painted with utterly precise strokes, rock’n’roll bravado, sonic interplay, feedback and shimmer, velvet touches and goldmines, Modern Lovers, Television, Fred Neil, Harry Nilsson, Karen Dalton and the jingle-jangle of tomorrow. Played beautifully by Konner Whitney, Joshua Boguski, Marlon Kroll and Avalon Tassonyi, there is no way back, only one way in and it’s positioned crystal clear right in front of us. Alive.

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Tape | 2016 | US | Original (Secretly Canadian)

Light Upon The Lake

16,99 €*

Release: 2016 / US – Original

Genre: Rock & Indie

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Featuring members of Smith Westerns & Unknown Mortal Orchestra, the ten songs on this record sound like they could have been written at any time in the last 50 years

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Tape | 2022 | US | Original (Secretly Canadian)

Spark

12,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Julien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, Spark _ the buoyant drum loops, the effortless falsetto hooks, the coruscant keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too? So in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they'd play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs _ so much more immediate and modern than their hazy origins _ fit such big-budget reels? "We'd come to the conclusion we weren't going to be filming Super 8 videos to this stuff anymore," Julien remembers with a grin. "How about something more hi-fi, cinematic?" When the footage and the tunes linked, Julien and Max knew they had done it, that they'd finally found Whitney's sound. Spark reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What's more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener "nothing REMAINS," the devastating loss of "TERMINAL," the sun-streaked renewal of "real Love": However surprising it may sound, Spark is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. Spark maintains the warmth and ease of Whitney's early work; these songs glow with the newness of now. Listen closely, and you'll notice frequent references to smoke and fire throughout Spark, itself a double entendre for inspiring something new or burning down the old. Max and Julien were indeed in Portland for the Fall of 2020, when smoke from nearby fires choked the city at record levels. It was terrifying and tragic, but they pressed on. "We found a way to live while the world was burning/Real life was caving in," Julien sings almost merrily during "back THEN," an anthem for finding out what's on the other side of hardship. In these dire days, scientists speak increasingly of serotiny, an evolutionary miracle that causes some trees to release seeds only amid a season of fire. That is how Spark often feels _ Whitney's circumstances were so fraught on so many levels that they hung "the past_out to dry" and began again, finding a fresh version of themselves, their relationship, and their band after the blaze. Max and Julien are back in Chicago now, sharing a cozy walkup with a little studio, where they're already building songs for the next Whitney album. They're both in happy romances, too. Now that they let the past burn, everything is new for Max and Julien. Spark is not only Whitney's best album; it is an inspiring testament to perseverance and renewal, to best friends trusting each another enough to carry one another to the other side of this season of woe.

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Spark Black Vinyl Edition

LP | 2022 | US | Original (Secretly Canadian)

Release: 2022 / US – Original

Genre: Rock & Indie

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Spark Transparent Yellow Vinyl Artprint Edition

LP | 2022 | US | Original (Secretly Canadian)

14,99 €* 24,99 € -40%

Release: 2022 / US – Original

Genre: Rock & Indie

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Julien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, Spark - the buoyant drum loops, the effortless falsetto hooks, the coruscate keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too? So in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they'd play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs _ so much more immediate and modern than their hazy origins _ fit such big-budget reels? "We'd come to the conclusion we weren't going to be filming Super 8 videos to this stuff anymore," Julien remembers with a grin. "How about something more hi-fi, cinematic?" When the footage and the tunes linked, Julien and Max knew they had done it, that they'd finally found Whitney's sound. Spark reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What's more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener "nothing REMAINS," the devastating loss of "TERMINAL," the sun-streaked renewal of "real Love": However surprising it may sound, Spark is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. Spark maintains the warmth and ease of Whitney's early work; these songs glow with the newness of now. Listen closely, and you'll notice frequent references to smoke and fire throughout Spark, itself a double entendre for inspiring something new or burning down the old. Max and Julien were indeed in Portland for the Fall of 2020, when smoke from nearby fires choked the city at record levels. It was terrifying and tragic, but they pressed on. "We found a way to live while the world was burning/Real life was caving in," Julien sings almost merrily during "back THEN," an anthem for finding out what's on the other side of hardship. In these dire days, scientists speak increasingly of scrutiny, an evolutionary miracle that causes some trees to release seeds only amid a season of fire. That is how Spark often feels _ Whitney's circumstances were so fraught on so many levels that they hung "the past_out to dry" and began again, finding a fresh version of themselves, their relationship, and their band after the blaze. Max and Julien are back in Chicago now, sharing a cozy walk up with a little studio, where they're already building songs for the next Whitney album. They're both in happy romances, too. Now that they let the past burn, everything is new for Max and Julien. Spark is not only Whitney's best album; it is an inspiring testament to perseverance and renewal, to best friends trusting each another enough to carry one another to the other side of this season of woe.

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Spark Vinyl Me, Please Edition

LP | 2022 | US | Original (Vinyl Me, Please)

Release: 2022 / US – Original

Genre: Rock & Indie

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Why you'll love it...
Julien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, SPARK—the buoyant drum loops, the effortless falsetto hooks, the coruscant keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too?

So in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they’d play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs—so much more immediate and modern than their hazy origins—fit such big-budget reels? “We’d come to the conclusion we weren’t going to be filming Super 8 videos to this stuff anymore,” Julien remembers with a grin. “How about something more hi-fi, cinematic?” When the footage and the tunes linked, Julien and Max knew they had done it, that they’d finally found Whitney’s sound.

SPARK reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What’s more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener “NOTHING REMAINS,” the devastating loss of “TERMINAL,” the sun-streaked renewal of “REAL LOVE”: However surprising it may sound, SPARK is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. SPARK maintains the warmth and ease of Whitney’s early work; these songs glow with the newness of now.

Listen closely, and you’ll notice frequent references to smoke and fire throughout SPARK, itself a double entendre for inspiring something new or burning down the old. Max and Julien were indeed in Portland for the Fall of 2020, when smoke from nearby fires choked the city at record levels. It was terrifying and tragic, but they pressed on. “We found a way to live while the world was burning/Real life was caving in,” Julien sings almost merrily during “BACK THEN,” an anthem for finding out what’s on the other side of hardship.

In these dire days, scientists speak increasingly of serotiny, an evolutionary miracle that causes some trees to release seeds only amid a season of fire. That is how SPARK often feels—Whitney’s circumstances were so fraught on so many levels that they hung “the past…out to dry” and began again, finding a fresh version of themselves, their relationship, and their band after the blaze. Max and Julien are back in Chicago now, sharing a cozy walkup with a little studio, where they’re already building songs for the next Whitney album. They’re both in happy romances, too. Now that they let the past burn, everything is new for Max and Julien. SPARK is not only Whitney’s best album; it is an inspiring testament to perseverance and renewal, to best friends trusting each another enough to carry one another to the other side of this season of woe.

Limited to 1,000 copies, the VMP exclusive edition of Whitney's SPARK is available on Cloudy Clear & Purple Cornetto vinyl. The record is pressed at GZ Vinyl and will arrive in a single direct-to-board, foil stamped and hand-numbered jacket.

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Spark White Vinyl Edition

LP | 2022 | US | Original (Secretly Canadian)

LP | 2022 | EU | Original (Dedicate)

Release: 2022 / US – Original

Genre: Rock & Indie

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Whizz Vienna

The Souloist

23,99 €*

Live At The Civic Auditorium San Francisco 1971

Release: 2022 / EU – Original

Genre: Hip Hop

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Vienna 2009; Whizz Vienna, an Austrian musician is nominated for the Amadeus Austrian Music Award in the category 'Album of the year'. Why and how that happened, he is still not sure of to this day. By now, the album in question 'Versager ohne Zukunft', which is produced in collaboration with Kamp, has turned into a classic. Even though he has released several projects since then, such as the renowned 'Wiener Staub' Beat-LP, it has become quiet around the producer. His studio existence and his musical creation more or less turned into dust. Darmstadt 2020; during a thorough tidying up of old hard drives a folder labeled 'Whizz Vienna Beatz' experiences a musical renaissance. The dopeness of the material is undeniable to this day and that kind of freshness cannot be just left in the digital wasteland ready to rot. The search for the missing Whizz Vienna was more challenging than expected due to the fact that he enjoyed his own presence to be buried in the underground. In the end, the hidden asset has been unvcovered, plans have been cultivated and now after a two year waiting time the final product is ready to be launched. 13 long-lost instrumentals, Kamp and Prinz Pi spitting on 2 of them, cuts by DJ Vektor, 1 love for Eva.

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Who

LP | 2023 | EU (Mind Control)

12" | 2022 | EU | Original (Resolution)

Release: 2023 / EU

Genre: Rock & Indie

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As iconic a rock band as any that emerged since the dawn of the genre, The Who were equally as original and unique a music collective as ever existed. Formed in 1964, the group’s heyday in the 1960s and 1970s was replete with classic album and single after classic album and single, which still provide a backbone to these musically rich decades. This live set celebrates the skill, talent, longevity and quite extraordinary compositional perfection of the Who, with the legendary show recorded at the Civic Auditorium in San Francisco, on 13th December 1971.

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Who Parked The Car

Mad Weather Good Friends

35,99 €*

LP | 2023 | EU | Original (Smash)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Press Release : https://mega.nz/folder/uXpDiSyY#zsnIZ1KTpRe6f0ZkTeKTaQ

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Who's The Cuban

Pafata

Release: 2023 / EU – Original

Genre: Organic Grooves

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12" | 2013 | EU | Original (Uzuri)

Whodat

The Recovery EP

10,99 €*

Seven Minutes Of Funk Record Store Day 2022 Edition

Release: 2013 / EU – Original

Genre: Electronic & Dance

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Uzuri starts 2013 with a released that comes deep from the Detroit underground. It’s unlikely that you’ll be familiar with the name Whodat (Terri McQueen), but she’s been rocking selected dancefloors in the States and Canada for the past seven plus years, and more recently has touched down in Europe – notably with a gig at Berlin’s ://about blank alongside Motor City compatriot, Marcellus Pittman. Back in The D she runs the Ya Digg Records store and has hosted her Turning Point radio show for a couple of years, but it’s obviously her production talent that brought her to Uzuri’s door. ‘Shut Up and Dance’, the EP’s opener, is an almost disarmingly stripped-back percussive track that eschews the usual drum machine sounds in favor of a lone chiming bell and deep voice pads. It’s effectiveness as a dancefloor tool gradually unfolds without the need to add extra layers. This is followed by a remix from one Tony Cak, an Indiana-based producer and radio DJ whom Terri connected with at a Techno music conference in 2005. Tony turns in a heavy reworking – pretty much taking an opposite approach to the original. The resulting washes of sound result in an almost shoegazey stomp to the track. The flip features one of Whodat’s most recent productions, ‘Love 4 Köln’, which is an ode to friends in Cologne, Germany. Terri was invited to spin at one of Viola Klein’s ‘Bring Your Ass’ parties in the city, and fell in love with the place over the course of her stay. Viola collaborated on the track along with another Detroit native, R.J. Austin.

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Whole Darn Family

12" | 1976 | US | Reissue (Amherst)

28,99 €*

Kiss & Forget Pink Vinyl Edition

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Record Store Day 2022 Drop 1 Release. Late arrival.

The Whole Darn Family emerged from Richmond, Virginia in the late 70’s and were managed, produced and promoted by August (Mr.Wiggles) Moon who ran an independent label called Soul International Records from a storefront in Richmond’s Southside District. “Seven Minutes of Funk” has become a cult favorite as it’s been sampled by Jay-Z, Wu-Tang Clan, Foxy Brown, Method Man, Biggie Smalls and countless other hip-hop artists. The LP is a gem to find for any top D.J., and a hunted collector’s item.

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WhoMadeWho

2LP | 2024 | Original (The Moment)

36,99 €*

Release: 2024 / Original

Genre: Electronic & Dance

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LP | 2011 | EU | Reissue (Kompakt)

WhoMadeWho

Knee Deep

22,99 €*

2LP | 2022 | EU | Original (Embassy One)

Release: 2011 / EU – Reissue

Genre: Electronic & Dance

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A download code is included.

Tomas Barfod, Tomas Hoffding and Jeppe Kjellberg aka WhoMadeWho have paved an illustrious career spanning numerous singles and two acclaimed full length albums. They have certainly been one of the few acts in the past decade to successfully redefine the term “crossover” in music thanks to their genre hopping creative tact. Now, WhoMadeWho team up with Kompakt to bring you this very special release. Following a long tour and still riding on success of their last full length "The Plot"(2009), in early 2010 the Copenhagen trio isolated themselves in several rooms of an semi-built hotel near the harbour of their hometown. The days at the hotel quickly evolved into a musical pendant of a tour-de-chambre, with ideas being kicked back and forth between the band members working in separate rooms. During the writing process, two musical directions occurred and instead of trying to merge the two, the band decided to record two albums. First up is what we have here - the mini album "Knee Deep”, while the full length is set for release later this year. This eight track mini album clearly shows the band's love for electronic music in conjunction with 60’s inspired psychedelic vocal productions. The band has deliberately chosen to save the more melodic and radio friendly songs for "the second album" though it’s obvious that the single “Every Minute Alone” is one of the most brooding and greatest songs we’ve heard from them. As drummer and electronic handyman Tomas Barfod puts it, the mini album came from the desire to create "a focused listening album that draws on a more abstract musical starting point.” Even from the very first minute of the opening track, “There's An Answer", it becomes obvious that WhoMadeWho are painting with a darker pallet than on previous records. With an intense use of bass clarinet and a forward driving beat, the song reflects certainty and insecurity in search of answers: "There's an answer to it / There must be an answer to it." These themes of turmoil and searching are also present on the first single, "Every Minute Alone": "Every hour of doubt / Trying to figure it out / Should I call you up?"

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WhoMadeWho

UUUU

25,99 €*

LP | 2024 | US | Original (The Ghost Is Clear)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A download code is included. In the years since their formation, WhoMadeWho have established themselves as one of the most important underground bands of their generation. The Danish group, consisting of Tomas Høffding, Tomas Barfod and Jeppe Kjellberg, has an exceptional sense of emotional depth, heartbreaking melodies and brilliant songwriting, boasting an expansive discography currently spanning a total of six albums and a plethora of EPs, singles and remixes released on labels such as Kompakt, Innervisions and Life & Death. On the road, they are internationally renowned for their professionalism and outstanding live performances and have become regular fixtures at some of the world’s most notable musical festivals, including Roskilde, Sonar, Melt! and Burning Man to name just a few. The in-demand Scandinavian outfit now confirm details of their upcoming long player, Uuuu. Set for worldwide release on Friday, May 27, via long standing German record label Embassy One, Uuuu is the seventh full-length studio album from WhoMadeWho. A beautifully crafted record featuring thirteen original productions.

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Whores

War

39,99 €*

Alopecia 10th Anniversary Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Formed in 2010 in Atlanta, Georgia, Whores. has established themselves as one of the most successful and motivated bands in the noise-rock today. Through intense, cathartic live performances and the perfected aggressive tenacity present on their recordings, the band has gained a fervent following. In the wake of Ruiner, Clean and Gold the noise juggernauts return with a fierce new LP WAR. released via The Ghost Is Clear Records (Chat Pile, Nerver, Rid of Me). WAR. offers 10 tracks recorded, mixed and mastered by Ryan Boesch (Fu Manchu, Helmet, Melvins) at Candor Recording. Pressed on blue green galaxy vinyl.

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Why?

LP | 2018 | US | Original (Joyful Noise)

Wish On The Bone Black Vinyl Edition

Release: 2018 / US – Original

Genre: Rock & Indie

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"I'll go unknown by torpedo or Crohn's / Only those evil live to see their own likeness in stone." It's the kind of couplet you'd carve into a wall whilst savoring the irony at hand, but when Yoni Wolf spit the line ten years ago he was blissfully, broodily unaware that he and his band WHY? were creating a career-defining album—one so fan-adored that it would go out of print, and so influential that the art-pop heroine Lorde herself would lovingly steal the very lyric quoted above. When it dropped in 2008, Alopecia not only marked WHY?'s evolution from a sonically collaged mostly solo project to a live-recorded powerhouse band of badass multi-instrumentalists. It also minted a genre of one: wryly written, poignantly posed, simultaneously swaggering and heart-rending song-rap that jangles like folk, bursts like psych-rock, and sways like chamber pop. To this day, there is no other group in the known universe that sounds or feels like WHY? does on Alopecia. The album's 2018 reissue cheekily etches that aural likeness into our musical history.

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Why Bonnie

LP | 2024 | US | Original (Fire Talk)

Wish On The Bone Grape Purple Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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'Wish On The Bone' is Why Bonnie's sophomore LP and debut for Fire Talk. It's untethered from any landscape or genre, propelled by this freedom and resulting in Why Bonnie's most catchy, hopeful body of work to-date. Ranging from twangy country infused rock jams to more intimate and lo-fi arrangements, ‘Wish on the Bone’ is wide-eyed and waiting. It’s a coming of age film in which the protagonist rejects the forces that have tried, and failed, to shape her into something other than herself. It leaves you with a hard-fought sense of hope, which is among songwriter Blair Howerton’s greatest gifts. “You owe it to the people who are experiencing the worst to just keep pushing,” Howerton says. That’s the throughline of “Wish On The Bone”, a record that rewards with repeated listens.

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Why Bonnie

LP | 2024 | US | Original (Fire Talk)

LP | 2023 | US | Original (Feel It)

Release: 2024 / US – Original

Genre: Rock & Indie

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Why Bother?

A Of Unsolved Miseries

Hey, At Least You're Not Me

Release: 2023 / US – Original

Genre: Rock & Indie

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Mason City, Iowa's WHY Bother? return with A City of Unsolved Miseries, their third album in as many years. Their patented basement recording setup has yet again captured something magical, thirteen originals in all. From the fringes of a small, landlocked Midwestern city—Why Bother? have honed in on a punk sound that is original, self-driven and shows no signs of slowing. Swirling in darker thematics, such as the still unsolved 1995 disappearance of Mason City TV anchor Jodi Huisentruit, the album speaks to every outcast living out their days underneath dark, grey skies. However the music strikes you—Why Bother? have defined yet another chapter of their enigmatic existence with the genius sounds captured on A City of Unsolved Miseries. First pressing limited to 300 copies.

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Why Bother

LP | 2024 | US | Original (Feel It)

Serenading Unwanted Ballads

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

"Greetings from the Northern plains of the hopeless heartland. We are now entering the time when the leaves hiss and the dark corners of reality are not so brightly lit....And hidden within these long shadows reside the band WHY Bother? where they have recorded and will be releasing yet another album to close the punk rock door on 2024. ...This record we call 'hey, AT Least You're NOT ME' was going to be released in 2025 , but we decided that the sooner the better is the way to go so we can focus and work on more material for the future. (Until then, this is our self-proclaimed masterpiece to date) So what do you think?... Is there even a future to talk about?.... Well, the ALL seeing eye says YES. But will you be there to embellish it is the Real question. If so, we will be there waiting for you. Sincerely, WHY Bother?"

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Why Bother?

LP | 2024 | US | Original (Feel It)

22,79 €* 23,99 € -5%

Inspirex Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Serenading Unwanted Ballads is the fifth album from Iowa's WHY Bother? and a testament to the fact that they will never make the same record twice. Full of twists, their unique approach to Midwestern synth punk becomes their own sound of Gothadelic, weirdo madness. Several of these tracks make their first vinyl appearance after surfacing on previous EPs and singles, while a newer mix of "Some Don't Dance" speaks to the unwavering creativity of the group. "Testify," recorded by friend (and contributing songwriter) Aaron, while serving his life sentence at Anamosa State Prison, adds a layer of originality and bleakness to these unwanted ballads. Why Bother? have made yet another album by themselves, for themselves, and for anyone else willing to be serenaded by the doom of what awaits in the shadows. Feel It Records is proud to be the Only record label that can offer you such things.

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Why The Eye

LP | 2024 | EU | Original (Exag)

Inspirex Splatter Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Why the Eye is an experimental masked quartet from Brussels that propels bodies into trance during its live performances. All instruments are DIY and played in real time, without loops or sequencers. Fans of The Residents, Société Étrange, Autechre, Boards Of Canada, The Meridian Brothers and Fulu Miziki could easily relate to their sound. Describing their music as "Prehistoric Techno", Why The Eye are set to release their new album ‘Inspirex’ on the 4th October via Exag Records.Opening with the fidgety Jnsp, the vindictive summons La Machine is a brash, abstract experience with a deep yearning to set us free from everyday political confinement while the raw Où cours-je explodes into a wild rage of disorder and mayhem. At the heart of each track are the DIY instruments band member DjP (Jean Paul Domb) has assembled over the years, some of them directly inspired by the African sanzas. With names such as ‘radiocaphone’ and ‘castabignettes’, the instruments are cleverly connected to different effects pedals and are the heartbeat of Why The Eye. Elsewhere, the album title track reveals a snappy rhythmic quality with skittish sounds while Prairies and Animal are tribal-like in delivery with a deep-lying punk ethos.

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Why The Eye

LP | 2024 | EU | Original (Exag)

Wicca Phase Spring Eternal

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Suffer On Deluxe Edition

2LP | 2021 | US | Original (Run For Cover)

51,99 €*

Wicca Phase Springs Eternal

Release: 2021 / US – Original

Genre: Rock & Indie

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super deluxe, limited edition of the Wicca Phase Springs Eternal album Suffer On, to celebrate the 2 year anniversary of the release - featuring a bonus disc of acoustic renditions of each of the albums songs with completely reimagined packaging.

Wicca Phase Springs Eternal is the creative persona of Scranton, PA singer, songwriter, producer, and multi-instrumentalist Adam McIlwee. Stark transmissions of obsession, melancholia, and raw emotion compliment acoustic guitar and digital percussion as if Peter Murphy and Metro Boomin had been playing Ouija together. Beneath the deep 808's, moody synthesizers and cackling guitar, McIlwee's singular voice effectively resonates with a generation raised amidst the frenzied collage of modern digital expression. In 2015 Wicca Phase Springs Eternal co-founded Gothboiclique (gbc). Comprised of ten artists including Cold Hart, Horse Head, Lil Tracy, and eventually the late Lil Peep. With GBC's growing notoriety, Wicca Phase Springs Eternal simultaneously established himself as a singular voice, adeptly combining his natural songwriting instincts with the digital culture enveloping his world. Through an extensive catalog of collaborations, singles, EPs and 2016's Secret Boy LP, McIlwee has become a celebrated pioneer in this vital new direction of underground music. Along the way, he assembled what would become his 2019 Run For Cover Records debut, Suffer On, with the sonic bedrock evolving yet again as he re-embraces an initial vision. Suffer On is an exploration of familiar forms through the lens of something new and extraordinary. It is the first Wicca Phase record fully written by McIlwee, utilizing guitars and keyboards to create each song's core and building upwards from there. Themes of longing, entrapment and sacrifice permeate the album - the notion of wanting more and not getting it. Production and lyrics are both intentionally sparse and bleak, reinforcing such feelings and allowing room for the weighty moods to fill the sonic void. Lush acoustic guitar underscores the heavy emotionality of "Crushed" as he dissects a "natural anxiety about everything." Then, there's "Put Me In Graves." Ethereal synths shimmer above double-time drums as his cadence wavers between frenetic and danceable. Suffer On's title track encapsulates the delicate sorrow at the record's heart over a haunting timbre.

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Wicca Phase Springs Eternal Clear With Black Splatter Vinyl Edition

LP | 2023 | US | Original (Run For Cover)

Wicked Dub Division Meets North East Ska Jazz Orchestra

Release: 2023 / US – Original

Genre: Rock & Indie

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Wicca Phase Springs Eternal is the creative persona of Scranton, PA singer, songwriter, producer, and multi-instrumentalist Adam McIlwee. Stark transmissions of obsession, melancholia, and raw emotion compliment acoustic guitar and digital percussion as if Peter Murphy and Metro Boomin had been playing Ouija together. Beneath the deep 808's, moody synthesizers and cackling guitar, McIlwee's singular voice effectively resonates with a generation raised amidst the frenzied collage of modern digital expression. Wicca Phase first materialized in 2010. After receiving the name suggestion in an email from a friend on tumblr, McIlwee began writing and recording under the moniker. "Once I heard the name, it felt perfect," he explains. Evoking mystical, occult resonances, the name serves as a passageway to explore the parallels between the material world and that of mystery. "My music is very representative of what I'm doing in the moment," he continues. "The influence of the name seeps in and lets everyone know they're getting into something deeper." McIlwee's innate songwriting gift can be traced back to his time in Tigers Jaw, the widely influential band he fronted before walking away in 2013 to fully embark onto new creative pathways. "I was super active on tumblr at the time and came across all of this early internet rap. It was inspiring." He sought more fervently the immediacy of writing, recording and releasing songs instantly, releasing music from his bedroom with no consideration for the industries standard protocol. As he continued to evolve in his new artistic endeavors he ultimately linked up with likeminded creatives by way of Twitter DMs. Together he and his newfound collaborators built a network of creators across the country and in 2015, Wicca Phase Springs Eternal co-founded Gothboiclique (gbc). Comprised of ten artists including Cold Hart, Horse Head, Lil Tracy, and eventually the late Lil Peep, the internet collective began creating a palpable buzz and accordingly influencing a growing wave of artists and musicians.

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Live Studio Session #1

LP | 2023 | UK | Original (Brixton)

CD | 1994 | EU | Reissue (Guerssen)

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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A collaboration between two prestigious Italian bands, the wizards of dub and the masters of big-band ska-jazz, in perfect symbiosis. An album full of dub atmospheres mixed with orchestral patterns; compelling rhythms of the ska and reggae traditions together with dilated and hypnotic electronic sounds. A recording fruit of a challenge and a celebration of music, something that is undoubtedly reflected in the spectacular outcome. 22 musicians locked in a large studio to rediscover the beauty of sharing after months away from the stage due to the pandemic, without even being able to rehearse. The decision to record a live album was instantaneous, it was just about enjoying the energy of the moment. All tracks were recorded strictly live in the studio, without overdubs, with the aim of apprehending something unrepeatable. The electronics, the melodies of the wind section and the vocal power come together in this work, recorded live at Deep Studio in Treviso (Italy) and mastered by Ibon Larruzea (Bilbao), full of dub atmospheres mixed with orchestral patterns. All this merges into a unique and explosive sound in which the strength of the big band meets the deep and hypnotic beats of dub music. WDD began their journey as a quartet in 2014 and prior to Studio Session #1 they had already released two albums and several singles. NESJO formed in 2012 and have previously released two albums (both available on Brixton Records) and are working on what will be the recording of their next full-length. Northeast Italy is a border area and it's easy to connect with each other in those territories made of enchanted landscapes. That energy, that desire to experiment and get involved, have made possible this ambitious project in which a ska-jazz orchestra and a dub band, each with its own language, are assembled in an amazing sonority.Classic black vinyl!

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Wicked Lady

Psychotic Overkill

CD | 1993 | EU | Reissue (Guerssen)

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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Second volume to complete the anthology of Wicked Lady recordings, their final tracks recorded in 1972, just before the band split up and guitarist Martin Weaver left for Dark (of "Round the edges" fame). Another batch of excessive, over-the-top doomy psychedelic hard-rock including underground classics like "I'm a freak" and the 21 minute epic "Ship of ghosts".

Double vinyl which offers maximum sound quality, gatefold cover with liner notes by doomy psychedelic guitar God in person, Martin Weaver, telling the real story behind Wicked Lady.

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Wicked Lady

The Axeman Cometh

LP | 2023 | US | Original (Record Record Label)

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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If you are looking for raw, psychedelic hard-rock, look no further! We present the complete recordings (1968-1972) from Wicked Lady, the legendary UK underground power trio leaded by ace guitarist Martin Weaver, later a member of Dark on their "Round the edges" album.

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Wide Mouth Mason

Where I Started

LP | 2020 | US | Reissue (Captured Tracks)

Release: 2023 / US – Original

Genre: Rock & Indie

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Where I Started is the third studio album by Canadian rock band Wide Mouth Mason. The album produced four successful singles, "Why", "Companion (Lay Me Down)", "Sugarcane", and "Half A Chance". The album won the award for "Outstanding Rock Recording" at the 1999 Prairie Music Awards. The album was certified Gold in Canada in December 2002

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Widowspeak

Plum

De Doden Hebben Het Goed III

Release: 2020 / US – Reissue

Genre: Rock & Indie

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With Plum, the songwriting partnership rooted in the creative rapport between bandleader Molly Hamilton and guitarist Robert Earl Thomas continues to expand on shared visions, delving deeper into what was always there: dusty guitars, ear-worm melodies, warm expansive arrangements. Each entry to their catalog has marked a subtle reimagining of Widowspeak's sound, though perennial points of reference remain the same: 90's dream pop, 60's psych rock, a certain unshakeable Pacific-Northwestness. Speaking to the timeless feeling of each, the albums continue to be discovered well beyond their respective PR cycles, made beloved by new listeners through word of mouth.The band's fifth album feels comfortable and lived-in: humble in structure, heavy on mood. Perhaps that came taking time off from the touring grind, instead working full-time jobs and settling into the rhythm of daily life in a small upstate New York town. Plum was recorded over a handful of weekends last winter by Sam Evian (Cass McCombs, Kazu Makino, Hannah Cohen) at his Flying Cloud studio in the Catskills, and was mixed by Ali Chant (PJ Harvey, Aldous Harding, Perfume Genius). In addition to Hamilton (vocals, guitar) and Thomas (guitars, bass, synth), it features instrumental contributions by Andy Weaver (drums), Michael Hess (piano), and Sam himself (bass, synth). Plum nestles into the band's canon like it was always there, but with new textures coming to the fore, like the polyrhythmic pulse of "Amy" and "The Good Ones", or the watery, Terry Riley-influenced track "Jeanie"Plum navigates the spaces between the lesser emotions of modern life. Hamilton's lyrics speak to the unique turmoil of anyone who creates as their work, who must somehow survive off such "fruits of their labor." Yet, Widowspeak have always made a bitter pill much easier to swallow. The majestic "Breadwinner", the luminous "Even True Love" - these songs here were made to be listened to, enjoyed. "Money" is particularly hypnotic, built around a repeating, cyclical motif that serv...

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Wiegedood

LP | 2018 | EU | Original (Century Media)

14k Figaro Black Vinyl Edition

Release: 2018 / EU – Original

Genre: Rock & Indie

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Recorded by Christophe Dexters at House Rott Child in Herk-De-Stad, Belgium, mixed and mastered by Jack Shirley at Atomic Garden, East Palo Alto, CA, this album is the strongest we’ve recorded so far and it’s the perfect closure for the De Doden Hebben Het Goed trilogy.

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Wiki & Tony Seltzer

2LP | 2023 | US | Original (Wikset Enterprise)

31,99 €*

Release: 2023 / US – Original

Genre: Hip Hop

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LP | 2023 | EU | Original (Laaps)

Wil Bolton

Like Floating Leaves

12" | 2024 | EU | Original (Slow Life)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Wil Bolton is a London-based artist whose work uses synthesizers, guitars, acoustic instruments and effects to create warm and emotive melodies, fragmented and submerged among beds of droning ambient textures and environmental sounds.

Wil has released albums on labels including Home Normal, Hidden Vibes, Krysalisound, Audiobulb, Hibernate, Eilean Rec., Dronarivm and Sound In Silence. He has also shown his sound and video works in exhibitions at ICA, Incheon Art Platform, Liverpool Biennial and others, and has performed at venues including Cafe Oto, Tate Liverpool and Iklectik.

‘Like Floating Leaves’ was recorded January - July 2022 in East London, using modular synthesizers, Mellotron, Yamaha Psr-6, Waldorf Micro Q, Modal Argon8, Op-1, iPhone, glockenspiel, chimes, effects and field recordings from Venice, Stockholm, New York and Tokyo.

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Wil Do

Vieja Guardia

OST Mortal Kombat 1 Fire Ice Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Next release is the label's debut by a long time friend of the crew and rising talent from Paraguay. Wil Do showcases a varied and refined style, with a strong influence of the 90's sound, where feeling and joy prevail.

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Wilbert Roget II

3LP | 2024 | US | Original (Enjoy The Ride)

59,84 €* 62,99 € -5%

The Whole Love (Expanded) Record Store Day 2024 Vinyl Edition

Release: 2024 / US – Original

Genre: Soundtracks

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Enjoy The Ride Records in conjunction with WaterTower Music, Warner Bros. Games, and NetherRealm Studios proudly presents the Mortal Kombat 1 (Original Video Game Soundtrack).

It's In Our Blood. Mortal Kombat 1 is the latest title in the acclaimed Mortal Kombat video game franchise developed by award-winning NetherRealm Studios. The game introduces a reborn Mortal Kombat Universe that has been created by the Fire God Liu Kang, featuring reimagined versions of iconic characters as they’ve never been seen before, along with a new fighting system, game modes, bone krushing finishing moves, and more. Mortal Kombat 1 (Original Video Game Soundtrack) showcases the game's music by Wilbert Roget, II and features stage music composed by Dan Forden, Stephanie Economou, Nathan Grigg, Dan Negovan, Dean Grinsfelder, Casey Edwards, and Joel Corelitz.

Wilbert Roget, II is a veteran composer in the video game and film industries. He joined LucasArts as a staff composer in 2008, where he scored several games in the Star Wars universe, including Star Wars: The Old Republic and Star Wars: First Assault. He later became a freelance writer, scoring Mortal Kombat 1, Star Wars: Outlaws, Call of Duty: WWII, the Emmy Award-winning Star Wars: Vader Immortal, and many other high-profile game scores. He has also written for Japanese anime, scoring the upcoming Gundam: Requiem for Vengeance. His work has earned him several awards and nominations from ASCAP, the Game Audio Network Guild, the Academy of Interactive Arts and Sciences (D.I.C.E. Awards), and others. Roget also co-founded Impact Soundworks, a successful music software company, and is an accomplished lecturer on game music. He frequently gives online masterclasses and tutorials on music composition and production and has a passion for teaching the craft. He is an avid multi-instrumentalist, performing solo flute, keyboards, world instruments, and guitar on many of his scores.

Available on vinyl for the first time, Mortal Kombat 1 (Original Video Game Soundtrack) is a 3xLP, housed in a soft touch gatefold jacket with spot gloss accents. It includes a full-color double-sided 12"" x 24"" poster

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Wilco

3LP | 2011 | EU | Reissue (Sony Music Catalog)

62,89 €* 73,99 € -15%

Yankee Hotel Foxtrot Black Vinyl Edition

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Quantity: 4500
Release type: RSD Exclusive Release

Wilco’s legendary 2011 album now on three LP’s. Expanded to include all related single, EP and bonus tracks - plus A selection from The Loft's archive of live in-studio performances and previously unreleased alternate mixes and demos. Includes Wilco classics "Art of Almost", "Dawned on Me”, "Sunloathe” . 3LP Box

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Wilco

2LP | 2002 | US | Reissue (Nonesuch)

32,99 €*

Release: 2002 / US – Reissue

Genre: Rock & Indie

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Yankee Hotel Foxtrot Deluxe Vinyl Edition

Wilco

7LP | 2002 | US | Reissue (Nonesuch)

131,99 €*

10" | EU | Original (La Agonia De Vivir)

Release: 2002 / US – Reissue

Genre: Rock & Indie

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Wilco's legendary 4th studio album, Yankee Hotel Foxtrot, was originally released on April 23, 2002. It delivers ten songs that have since become favorites among fans and critics alike. It scored a perfect 10 on Pitchfork, which hailed the album as “complex and dangerously catchy, lyrically sophisticated and provocative, noisy and somehow serene … simply a masterpiece.” And as the New York Times put it, Jeff Tweedy’s songs "unfold in richly enigmatic arrangements.”

This 7-LP Deluxe Edition of Yankee Hotel Foxtrot features the original ten songs remastered; plus an alternate version of the album (titled The Unified Theory Of Everything). Additionally, the songs performed on the September 18, 2001 WXRT radio appearance are included as is the entire July 23, 2002 show from The Pageant in St. Louis, MO. The vinyl is mastered by Bob Ludwig and cut by Chris Bellman at Bernie Grundman Mastering on BLACK vinyl. The package (designed by Lawrence Azzerad) includes a new essay by music journalist Bob Mehr featuring recent interviews with Jeff Tweedy, John Stirratt and Glenn Kotche plus previously unseen live and studio photos.

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Wild Animals

B-Sides

12,99 €*

Release: EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Reissue (La Agonia De Vivir)

Wild Animals

The Hoax

14,99 €*

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Wild Billy Childish & CTMF

Failure Not Success

LP | 2023 | EU | Original (Damaged Goods)

Wild Billy Childish & CTMF

Release: 2023 / EU – Original

Genre: Rock & Indie

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The new studio album by Billy and CTMF features Billy at his song writing best! Includes covers of Richard Hell and Jimi Hendrix songs, along with a newly recorded version of 'Bob Dylan's Got a Lot to Answer For'!We asked Billy a few questions about this mighty fine album_Q: Great album title! It will seem counter-intuitive to some but why do you favour failure over success?A: If the Pop Rivets (the first group I was in in 1977) had been "successful" in the formal sense, then it would have been a disaster - no learning about sound, growth, and independence. Luckily, we considered ourselves successful from the outset by doing what we wanted the way we wanted. We believed the hype of punk rock - do-it-yourself and lived it, unlike the "successful" leaders of the movement. I've always wanted small gigs where your open and exposed. The same with recording - excitement, mistakes, humour, and hopefully joy. The reason to become "successful" is to cut yourself from your origin and roots. In short, we'll decide what success is, not a critic, the world, or public opinion.Q: The album opens with a cracking cover of Richard Hell's 'Love Comes in Spurts'. You've previously recorded this with Thee Headcoats on Brother Is Dead_ But Fly Is Gone! from 1998. What made you want to revisit the song? Has Richard heard it? If so, what did he think?A: I forgot that we did it with Thee Headcoats. If I had that LP, I'd give it a listen. I do remember covering it live with The Pop Rivets in 1978. Richard said he liked it a lot and told his girlfriend he only wants my tunes at his funeral. I said, "not too soon I hope." He assured me he's well.Q: We're digging the instrumental track 'Walk of the Sasquatch'. Is this track in honour of the North Kent Sasquatch Research Group? What do you know about that mysterious organization?A: The track is more about the pacific Northwest cousin of the English version (the Woodwose). The North Kent Sasquatch program has gone a little quite of late, but I believe they are still tryi...

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Last Punk Standing Black Vinyl Edition

LP | 2019 | EU | Original (Damaged Goods)

17,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Wild Billy Childish & CTMF

Where The Wild Purple Iris Grows

LP | 2021 | EU | Original (Damaged Goods)

Wild Billy Childish & The Chatham Singers

Release: 2021 / EU – Original

Genre: Rock & Indie

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Billy Childish - Musician, Poet, Painter And Writer Shows No Sign Of Slowing Down. The Last Twelve Months Have Seen Him Record A "Career In A Year" With The William Loveday Intention, Battle Off A Debilitating Covid Infection And Revisit His Punk Roots With Ctmf. We Asked Him A Few Questions About The Latest, And Possibly Greatest Ctmf Album.Q: Your Records With The William Loveday Intention, Exploring Lyric-Led-Folk 'N' Roll Have Been Well Received Over The Last Year. With That Band You're Aiming To Do A "Career In A Year". What Made You Want To Make A Ctmf Album In The Midst Of It? A: "I Think You Must Be Confusing Me With Somebody Else. I've Heard Some Of The William Loveday Recordings, And They Sound Great But The Group Is Nothing To Do With Me. But We Did Record A Track With Ctmf - 'Bob Dylan's Got A Lot To Answer For'."Q: For The Uninitiated How Does A Ctmf Album Differ From A Wli Album? A: "Easy. They Are Very Different Groups, Apart From William Loveday Poaching A Few Of Our Group Members And Covering A Few Of My Old Songs, That Is. Also The Wli Record In The Same Studio But There The Similarities End."Q: The Previous Ctmf Album Was Last Punk Standing. I Think It's Fair To Say You've Earned That Title. How Do You Keep Up Your Enthusiasm And Desire To Make New Music?A: "Ah, That's Not My Title, It Was A Genuine Question - "Who'll Be The Last Punk Standing?". I Was Likening To Some Of My Loves In That Song - Leadbellys 'Roberta' And Buzzcocks' 'Spiral Scratch'."Q: The Album Cover Features A Picture Of You Looking Happy And Enjoying A Cigar. What Constitutes A Decent Smoke?A: "When I Was In The Dockyard, 46 Years Ago, I Smoked A Clay Pipe With The Balkan Sabranie Mixture. That Is No More. In My 20s I Smoked Players Weights. Now I Occasionally Partake In A Pipe With A Near Match For That The Late Great Balkan Sabranie Otherwise On A Special Opening I Will Enjoy A Montecristo No 2."

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Kings Of The Medway Delta

LP | 2020 | EU | Original (Damaged Goods)

18,99 €*

Wild Billy Childish & The Singing Lions

Release: 2020 / EU – Original

Genre: Organic Grooves

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The first Damaged Goods release of 2020 is a brand newalbum featuring Wild Billy and his regular cohorts NurseJulie and Wolf Howard. It's the third album they'vereleased as The Chatham Singers and features twelvetracks of gritty Chess Studio style blues with Billy on greatvocal and lyrical form throughout. "I've been making blues recordings since the early 1980s. We'vemade a few Chatham Singers LPs over the years and I've beenmeaning to record another and just got round to it. I'm stillmaking regular CTMF recordings at the same sessions it's justthe fun of working with different sounds. I was listening to Slim Harpo ('Got Love If You Want It') in a cafe, Jim formRanscombe Studios was having a coffee and I said "this is agreat song, we should try to get that echo chamber going."Next day he said he'd been messing with it and I said "right,let's record!""

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At The Bridge

LP | 2007 | EU | Original (Damaged Goods)

Wild Billy Childish & The Singing Lions

Release: 2007 / EU – Original

Genre: Rock & Indie

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In Memory of Chris Broderick of the Singing Loins, who passed away earlier this year Damaged Goods proudly presents a vinyl reissue of this Medway folk classic!A re-issue of one of their favourite early releases and a rather overlooked classic album, a one off collaboration between Billy Childish and legendary Medway folkies The Singing Loins.This was recorded in 1993 when Billy was in Thee Headcoats and The Singing Loins were in their first incarnation. The Singing Loins formed in late 1990, a two piece band playing "Authentic raw folk from the Medway Delta". They were Chris Broderick on vocals/stick and Chris 'Arfur' Allen on guitar. They had recorded two classic albums before this both of which were released on Billy's own Hangman records.The album features a few Childish classics reworked including 'You Make Me Die' and 'Every Bit Of Me' as well as 4 tracks written by Billy & The Loins especially for this album.

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Song Of The Medway

7" | 2022 | EU | Original (Damaged Goods)

10,99 €*

Wild Billy Childish & The Singing Lions

Release: 2022 / EU – Original

Genre: Rock & Indie

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Billy & The Loins reunite for a tribute 7" to founding Singing Loins member Chris Broderick!Billy recorded the first two Singing Loins LPs with Chris Broderick and Arf' Alan in his bathroom at May Road, Rochester in 1991 and 1993. The lads then decided to record an LP of folk variations of Billy's own tunes, called At The Bridge. The Singing Loins then went their own way recording many LPs. Fast forward to late 2021 and the singer Chris was diagnosed with blood cancer. Before his passing in January 2022, he let Arf (and later Loin Rob), know that he wished them to carry on the group. That said Billy proposed a memorial 45 (and an LP to follow). "Song of the Medway" is about their hometowns of Rochester, Chatham, Strood and Gillingham, all on the banks of the River Medway. Chatham's ancient Dockyard was where Nelson's Victory was built. "The Broken and the Lost of the Old Long Bar" celebrates a drinking hole on Chatham High Street (which once boasted more pubs and brothels in a single mile than anywhere in the world). Especially written by Billy for this return of The Singing Loins, the songs are at once brand new and ancient.

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The Fighting Temeraire

LP | 2022 | EU | Original (Damaged Goods)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Wild Billy & The Blackhands Childish

Live In The Netherlands

LP | 2008 | Reissue (Damaged Goods)

18,99 €*

Release: 2008 / Reissue

Genre: Rock & Indie

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Wild Billy & The Musicians Of The British Empire Childish

He's Making A Tape / You're Just...

7" | 2008 | Reissue (Damaged Goods)

9,99 €*

Wild Billy & The Musicians Of The British Empire Childish

Release: 2008 / Reissue

Genre: Rock & Indie

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This is the second single taken from their latest album 'Thatcher's Children' (Damgood 313) and again it's a limited edition 7" featuring 'He's Making A Tape' on the 'A' side with an exclusive b-side which is rather good called 'You're Just Jealous Of Me'. The cover, designed by Billy features a couple of the original tapes from an ex-boyfriend (of Julie's) which inspired the song.

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Thatcher's Children

7" | 2008 | Reissue (Damaged Goods)

9,99 €*

LP | 2023 | US | Original (Pine Hill)

Release: 2008 / Reissue

Genre: Rock & Indie

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Taken from the forthcoming album 'Thatcher's Children' (Damgood 313) this is a limited edition black vinyl 7" featuring an alternative, exclusive non album version of "Thatcher's Children". The flip side 'Transition Girlfriend' is also exclusive to this release. The cover has been designed by James Cauty, James also does art alongside Billy & others at London's Aquarium Gallery and was half of the KLF. 'Transition Girlfriend' features Nurse Julie on Vocals, she's also singing lead on two more tracks on the album. Every 5 years or so Billy Childish is sited by the current top band as the embodiment of rock ' roll integrity, and every 5 years or so Billy splits his group up and starts again from scratch. With his latest combo, The Musicians of the British Empire, Billy carries on his tradition of home made punk and rhythm and blues. This is what a real rock 'n' roll group sounds like.

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Wild Carnation

Super Bus

37,99 €*

LP | 2023 | EU | Original (Reba's Ranch)

Release: 2023 / US – Original

Genre: Rock & Indie

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Wild Carnation was formed in 1992 by vocalist/bassist Brenda Sauter (The Feelies, Speed the Plough, The Trypes) following the breakup and subsequent 16-year hiatus of The Feelies. Joined by Richard Barnes (electric and acoustic guitars), Christopher O'Donovan (drums, percussion, backing vocals) the trio put out their debut album Tricycle in 1994. It wasn’t until 12 years later and the addition of Anne Hopkins (Farfisa Mini-Compact Organ) that the band released their follow-up album Superbus in 2006. Pine Hill Records is proud to present the first ever vinyl issue of Superbus. A limited number of just 197 records were pressed (100 black, 97 purple/green splatter). Download cards & lyric sheet included!

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Wild Child

End Of The World

LP | 2023 | UK | Original (Cultures Of Soul)

Release: 2023 / EU – Original

Genre: Rock & Indie

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After more than a decade of non-stop touring, acclaimed Austin songwriting duo, Kelsey Wilson and Alexander Beggins, quietly stopped touring as Wild Child. Headed in different sonic directions, the pair didn't know if they would ever make another Wild Child record. Then, what felt like the "end of the world" brought them back together. Pandemic lockdowns closed stages and drained bank accounts. As artists from all backgrounds took their shows to the internet, Wild Child was no different. Wilson and Beggins got together to practice for a series of online performances for devout fans, and within 30 minutes they wrote the first single for what would accidentally become Wild Child's fifth album, End of the World. Mixed by Matt Pence (Jason Isbell, Elle King) and including contributions from guitarist Charlie Wiles (Paul Cauthen, John Moreland, Orville Peck), End of The World sees the pair find catharsis in art amid compound disasters. As Wilson describes it, "I just started signing about things that were freaking me out. Wearing a mask for a year. Global warming. There's no heat, no water. It was like a dirge to begin with. But by the end we were all screaming and laughing that, yes, this might be the end of the world, but we're all together right now, making music in my living room by candlelight. It's all OK."

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Wild Fire

Dance Hits

28,99 €*

LP | 2023 | EU | Original (Merge)

Release: 2023 / UK – Original

Genre: Organic Grooves

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In the late '70s Wild Fire was one of the more popular groups in Trinidad. Formed by Oliver “Stompy” Chapman back in 1962 the group was originally named the Sparks. By the disco era Wild Fire were the house band at night clubs like Disco Tracks and the Upper Level. The group was very influenced by disco, especially the famous British group, Hot Chocolate known for the classic disco hit ”You Sexy Thing.” Hot Chocolate’s chief songwriter, Tony Wilson was originally a Trinidadian native and also great friends with Oliver Chapman. The opening track on this compilation is "Try Making Love", a floor-filling track written by Tony Wilson in 1977 and recorded at Coral Sound Studio in Port of Spain. It was there that Oliver Chapman laid down the unforgettable bass line, solidifying its status as a surefire hit. The infectious tune held steady at the number one slot for six weeks in Trinidad and eventually climbed to the top of the charts in Barbados. Recorded at KH Studios, “Living On A String” with its unique disco synth sound by keyboard player Calvin Duncan was about the hard living of one trying to survive as a musician and hoping to one day partake in the material strappings of fame. “The Rebels” was more about the political struggle for the young in the country at the time. There was a lot of corruption in the government and a lot of young people out of work. The song called to stand up and rebel against the regime. And years later in 1990 it did happen when the Muslim group Jamaat al Muslimeen stormed the Red House (Trinidad’s Parliament House) and took cabinet members hostage. Wild Fire would go on to tour the Caribbean extensively including stops in Barbados, Antigua, St. Thomas and Guadeloupe. The group had a massive local hit with their track “Say A Little Prayer.” The group would disband in 1985 and Oliver Chapman would move to America. Wild Fire - Dance Hits is a collection of Wild Fire's more dance friendly material.

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Wild Flag

Release: 2023 / EU – Original

Genre: Rock & Indie

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Wild Flag is a Portland, Oregon- and Washington, DC based quartet consisting of Carrie Brownstein, Rebecca Cole, Mary Timony, and Janet Weiss. The members of Wild Flag have played in numerous and notable bands including Sleater-Kinney, Helium, Quasi, The Minders, Stephen Malkmus and the Jicks, and others. The four musicians who make up Wild Flag have known one another for well over a decade; playing together felt almost inevitable. Brownstein and Weiss were in Sleater-Kinney and toured with Timony's band Helium on numerous occasions. Brownstein and Timony played in a side project called The Spells. Rebecca Cole's Portland-based band The Minders was a frequent opener for Sleater-Kinney. Weiss and Cole play together in the 1960's garage-rock cover band The Shadow Mortons. After collaborating on a score for a documentary, the ease with which they worked together proved infectious and promising. Wild Flag was formed. In April 2011, they went to Sacramento, California, where they recorded their self-titled album with engineer Chris Woodhouse at the Hangar. All tracks were recorded live except for the vocals. It remains their first and only album. The cover art was designed by filmmaker Mike Mills (Thumbsucker, Beginners). Subsequently "Wild Flag" was rated 'Best of 2011' at Rolling Stone, SPIN, NME, Pitchfork, Stereogum, Village Voice Pazz and Jop, Consequence, PopMatters, Under the Radar and more. "That sense of teetering on the ledge of chaos, of mayhem fighting melody for control, makes Wild Flag a debut for the ages..." _ CHICAGO TRIBUNE

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LP | 2013 | US | Reissue (Captured Tracks)

Empty Estate

Release: 2013 / US – Reissue

Genre: Rock & Indie

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`Empty Estate' is the follow-up EP to the critically acclaimed "Nocturne",which received several year-end accolades including album of the yearin Under The Radar and iTunes. The 7-song EP was recorded in Brooklynat Gary's Electric by Al Carlson in January.

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LP | 2011 | US | Reissue (Captured Tracks)

Gemini

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Wild Nothing, is the solo-project of Jack Tatum whose music is inspired by a longtime love affair with nostalgia. His debut full length album, Gemini, set to come out on Captured Tracks this spring, is full of dreamy, carefree synth-pop songs that linger with an inexplicable sense of regret. Prior to embarking on this recent solo-project Tatum sang and played guitar with the Abe Vigodaish tropical punk band Facepaint and the singer/songwriter project Jack and The Whale. In the summer of 2009 The Virginia tech-college student decided to embark on his first creative-solo project playing bass, guitar, synthesizer and drums while recording in his home-studio. He soon emerged with a unique brand of dreamy pop-songs influenced by bands like, My Bloody Valentine, Shop Assistants, Go-Betweens and Cocteau Twins. In 2009 he delivered a memorable cover of the Kate Bush song Cloudbusting, making it clear that Wild Nothing transcended the lo-fi pop-mold. On his debut album, Gemini, Tatum's frail vocals come warped in an oozing neon haze. Carefully orchestrated synth-pop arrangements, trebly guitar riffs and tattered drum machines blend together to create an intriguing,texturally rich glo-pop album that could come only from the young at heart.

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Hold Coke Bottle Clear Vinyl Edtion

LP | 2023 | EU | Original (Captured Tracks)

27,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Because Hold, Jack Tatum's fifth album under the moniker Wild Nothing, was written in the aftermath of new parenthood during the pandemic, it was probably inevitable that it would be searching and existential music. But during the recording process, the artist known for synth-pop tastefulness used it as an opportunity to reach for a new sonic maximalism and wider set of influences. With contributions from longtime collaborator Jorge Elbrecht, Tommy Davidson of Beach Fossils and Hatchie's Harriette Pilbeam, first single "Headlights On" features an acid house-worthy bass groove and breakbeat that prove Tatum is playing for the rafters. Tatum produced the rest of the record on his own, partially out of necessity, due to the challenges of the pandemic. The songs were eventually brought to Adrian Olsen at Montrose Recording in Richmond to begin recording drums and filling in the gaps. While largely a product of isolation, Hold also reflects the things Tatum has learned from collaborators, both on previous records and during his acclaimed work with Japanese Breakfast and Molly Burch. The rest of the record was mixed by Geoff Swan, who listeners might know for his work with Caroline Polachek and Charli XCX. Swan put Tatum's vocals high in the mix, and throughout the album, he embraces playful vocal processing like never before. Tatum moved from Los Angeles back to his home state of Virginia about five years ago in search of a scaled-back lifestyle. The relatively suburban environment - and the occasional regret it inspired - proved to be great artistic fodder. It's the paradox of modern America - the suburbs are supposed to be stultifying to art, but they are so full of human desperation perfect for dramatizing. On "Suburban Solutions", he presents an anti-jingle with an acidly bright synthesizer melody, imploring you to sign on the dotted line, put your feet up, and embrace sweet oblivion. Adding to the song's menacing cheeriness is a chorus-sung bridge, made with assistance from Molly Burch and Tatum's wife, Dana, It was loosely inspired by the classic Martika song "Toy Soldiers" and the long-ago pop craze for children's choirs, and he embraces the trend's less-than-stellar reputation. By design, Hold dwells in uncertainty and fear, but in a package that encourages meditation and a bit of fun. "In the face of the pandemic, I think being a parent really forced my hand," Tatum said. "I felt that I had no other choice but to have a positive outlook on the world. Because if I were to give in at any moment and say, "Oh, everything is horrible," then I'll feel as if I've lost and I've given up on my son being able to thrive in this world."

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Life Of Pause Lenticular Sleeve / White Vinyl Edition

LP | 2024 | US | Original (Captured Tracks)

Release: 2024 / US – Original

Genre: Rock & Indie

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Lenticular Sleeve / White Vinyl.When Jack Tatum began work on Life of Pause, his third full-length to date, he had lofty ambitions: Don't just write another album; create another world. One with enough detail and texture and dimension that a listener could step inside, explore, and inhabit it as they see fit. "I desperately wanted for this to be the kind of record that would displace me," he says. "I'm terrified by the idea of being any one thing, or being of any one genre. And whether or not I accomplish that, I know that my only hope of getting there is to constantly reinvent. That reinvention doesn't need to be drastic, but every new record has to have its own identity, and it has to have a separate set of goals from what came before." What came before: a rightfully acclaimed, much beloved display of singular pop craftsmanship. Tatum's dreamy, unexpected 2010 debut, Gemini, was written while he was still a student at Virginia Tech University. Its equally disarming follow-up, 2012's Nocturne, marked the first time he'd been able to bring his bedroom recordings into a studio, to be performed and fully realized with the help of other musicians. There has been a set of wonderfully expansive EPs in between_each hinting at new directions and punctuating previous ideas_but with Life of Pause, Tatum delivers what he describes as his most "honest" and "mature" work yet, an exquisitely arranged and beautifully recorded collection of songs that marry the immediate with the indefinable. "I allowed myself to go down every route I could imagine even if it ended up not working for me," he says. "I owe it to myself to take as many risks as possible. Songs are songs and you have to allow yourself to be open to everything." After a prolonged period of writing and experimentation, recording took place over several weeks in both Los Angeles and Stockholm, with producer Thom Monahan (Devendra Banhart, Beachwood Sparks) helping Tatum in his search for a more natural and organically textured sound. In Sweden, in a studio...

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LP | 2012 | US | Reissue (Captured Tracks)

Nocture

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Nocturne, the critically acclaimed sophomore album by Wild Nothing, is a window into singer/songwriter Jack Tatum's "ideal world" of pop music. Written largely while living in Savannah, GA during 2011, the songs that became Nocturne blur the lines between Tatum's influences and personality. The album features some open references to past music just as his hit debut Gemini did, but it's also an album that feels much less rooted in anything in particular, and marks a distinct evolution in songwriting for Wild Nothing.Gemini was written before there were Wild Nothing fans or even a live band; Nocturne is different. With an unexpected new fan base to turn to, Tatum spent more time perfecting his craft. The obsessiveness of Nocturne is inherent in it's gentle harmonies, orchestrated synths, wandering voice, and songs that speak to his post-Gemini experiences as he explores new paradoxes of pop. And yet, Nocturne isn't obvious, it is a strange and distinctive musical beast, the product of an obsessive pop vision that creates its own reality.Over the past 10 years, Nocturne has distinguished itself as the quintessential Wild Nothing record, and includes catalog highlights "Shadow", "Paradise", and "Only Heather" - all of which have become dependable standouts in Tatum's live performance through the years.This 10th anniversary pressing is limited to 5,000 copies, pressed on blue marble vinyl, and includes brand new marble art inserts, expanded liners written by Tatum, and a 2022 moon chart.

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Nocturne Blue Marble Vinyl Edition

LP | 2012 | US | Reissue (Captured Tracks)

Dulling The Horns Black Vinyl Edition

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Wild Pink

LP | 2024 | US | Original (Fire Talk)

Wild Style Theme Rap 1 / Wild Style Theme Rap 2

Release: 2024 / US – Original

Genre: Rock & Indie

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“Do you still believe it?” John Ross asks that question after journeying through the wreckage. The genesis of Dulling The Horns goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record Dulling The Horns live in the room, in an effort to capture Wild Pink’s onstage style — rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Ross’ voice is haggard against the humid distortion coating every song. “I wanted to make economical songs,” Ross explains. “Music that is very much at its core three or four people rocking.” If before, Wild Pink took notes from Springsteen and Petty, they’ve now entered their Crazy Horse era. On Dulling The Horns, you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. “There is no answer to these problems,” Ross says, having eventually yielded. But as far Dulling The Horns is concerned, there’s at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC, mastered by Greg Obis in Chicago, IL and is out in October on Fire Talk.

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Wild Style

7" | 2022 | EU | Reissue (Mr Bongo)

12" | 2021 | EU | Original (Wildacre)

Release: 2022 / EU – Reissue

Genre: Hip Hop

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When it comes to the pantheon of hip-hop movies, ‘Wild Style’ is number one. While the actual plot carries about as much weight as ‘Beat Street’ or even the Fat Boys vehicle ‘Disorderlies’ – and the acting is also nothing to write home about – the soundtrack is an indelible classic.

What the film and its soundtrack caught was a moment in time and some key performances from genuine pioneers instrumental in the nascent hip-hop scene. And the influence has passed down through the ages, with rhyming couplets from the ‘Wild Style’ album still cited today, and Nas drawing on a snippet of the film for the opening track of his one true classic album, ‘Illmatic’.

What’s unusual about the soundtrack – and evidenced on the tracks showcased here, available for the time on 7” since a 1983 Japanese release – is that it didn’t draw on the tried-and-tested breakbeats that many of the artists featured on it would have cut their chops on. Charlie Chase, whose slithery scratches adorn both sides of this record, would have been used to going back to back on the records captured later on the ‘Ultimate Breaks & Beats’ compilations.

Instead, the music is produced by Chris Stein of Blondie in collaboration with Fab 5 Freddy, drawing inspiration from those earlier breakbeats, with drums provided by one Lenny Ferrari. Here, Grandmaster Caz of the legendary Cold Crush Brothers is at ease over both sides, the music evoking the sound he would have rhymed over at the block parties where he built his reputation. It’s a moment trapped in amber – you can’t listen to this 7” without imagining a graffiti strewn subway car in New York.

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Wildacre

The Backcorner Tribe

Wildcookie (Freddie Cruger & Anthony Mills)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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This is the first release of a new mysterious label Wildacre. Straight from the eastern outskirts of the Netherlands. 3 tracks pure effective deep, dubby house & techno groovers on 180gr vinyl! If it feels good, it feels good! Wildacre is a long wishful and overdue project that finally sees the light of day. Lets keep it Wild!

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Heroine

7" | 2022 | US | Original (Homegrown)

14,99 €*

LP | 2018 | US | Original (Northern Spy)

Release: 2022 / US – Original

Genre: Hip Hop

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RED Astaire & Anthony Mills aka Wildcookie offer a special 7" release of the classic "heroine" & "something About Those Days". Both are super funky downtempo head nodding jams with floating vocal sonics. Big hole 45. Get it today!

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Wilder Maker

Zion

20,99 €*

Wilderness America, A Celebration Of The Land

Release: 2018 / US – Original

Genre: Rock & Indie

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James Joyce once said that if all of Dublin was destroyed, they ought to be able to rebuild it brick by brick just from reading his novels. Wilder Maker's Zion is the first chapter in a musical novel that makes the same claim for Brooklyn, NY. Written by guitarist/saxophonist/singer Gabriel Birnbaum and brought to life with long time collaborators Katie Von Schleicher, Nick Jost (Baroness), Adam Brisbin (Sam Evian, Jolie Holland) and Sean Mullins, Zion is a kaleidoscopic snapshot of years hustling for a break in New York City: waking up at 5 am to pour coffee for the brownstone-owning elite, waiting for a drug dealer on a city bench outside a blurry house party, moving catastrophically from apartment to apartment in the garbage scented heat, glimpsing euphoria through the ritual of taking your place among the anonymous crowd at a music festival, having your heart shattered in front of an audience at a bar, drunkenly contemplating bodega window displays, circling ever closer to something that could either be perfection or the drain, depending on the day. Last year's Saddle Creek single New Streets showcased the band in their poppiest Fleetwood-Mac-channeling mode, breezy summer jams for driving with the windows down, and it got them noticed by NPR, SPIN and Stereogum, but Zion hugely expands their palate of tools. Its influences run from classic 70's Dylan to blown out free jazz saxophone, from Dr. John's swampy psychedelia to Ethiopian sounds picked up from Birnbaum's many years as a member of Debo Band, with hints of Coltrane's classic quartet and nods to The Velvet Undergound. Zion is an omnivorous record. Its wide ranging influences have been hinted at throughout Wilder Maker's adventurous catalogue of self-released material but never explored so fully, or with this kind of wild energy and unclassifiable groove. This is a record to dance to, to cry to, to sing along to, maybe all three at once.

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LP | 1975 | EU | Reissue (Ebalunga!)

Time Is The Answer HHV Exclusive Black Ice Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Near Mint

Record with just a few paper scuffs.
Includes original inner sleeve.

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Wildfire

LP | 1980 | US | Reissue (Tidal Waves Music)

24,29 €* 26,99 € -10%

LP | 2017 | EU | Reissue (Ill Considered)

Release: 1980 / US – Reissue

Genre: Organic Grooves

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Limited to 100 copies

Wildfire was a household name in Tropical Island music circles due to their excellent albums and performances throughout Trinidad, Tobago, the Caribbean & US Virgin Islands and French Guadeloupe. In 1962, they started off as ‘The Sparks’ (a well-respected Calypso outfit who released a bunch of successful singles) but with the release of their hit single ‘Come On Down’ from 1975, they exploded into Wildfire.

Wildfire had a very fruitful career and released four top full-length albums and a vast amount of singles before calling it quits. Led by bandleader Oliver Chapman (bass & guitar player, vocalist, arranger, producer and co-writer for the majority of the bands’ songs) and comprised out of high talented musicians, Wildfire was out there with the big boys in the niche they carved out for themselves.

On the album we are presenting you today (Time Is The Answer from 1980) you’ll find the perfect mix of funk, soul and disco, basically the popular sounds of the day, and all tracks are originals. The album is Funky and the production quality can rival with any of their peers and records produced/recorded in the US. The performance of Wildfire on this album is beyond excellent. This release was also the first time the group took control over production and getting their album out in the world. Also included is the hit single ‘Say A Little Prayer For The Children’ which is just one of those songs that will be stuck in your head forever.

Besides virtuoso Oliver Chapman: the talent that was featured on ‘Time Is The Answer’ is exceptional. Anstey Hamilton carries around a rich, noticeable tenor voice. Arthur Byron, who also did vocals on the album, has a beautiful rasping tone that can knock you out anytime he gets into his act. Fitzroy Isaac on keyboards and Donald Leid on drums are the guys that were responsible for keeping the groove tight. Clifford Wilson, like Oliver, had been with the band since the start. He is calm in his approach, he played the bass guitar and sung background vocals, he also chipped in with Oliver whenever they wrote songs together. Finally, we have Cyllan Charles, who was known as the Wildfire voice. Cyllan had been doing most of the lead vocals since he joined the group in 1972, he was the most experienced of all the members, and can really take you to higher heights anytime he gets into doing his thing both on stage and on wax.

“Time is the Answer” by Wildfire is a scarce and increasingly sought-after LP. Filled with hit-bound songs, it comes as no surprise that the album has now become a much-wanted item due to its addictive and original-sounding nature. This is a must-have for any self-respecting record digger!

Tidal Waves Music now proudly presents the first ever reissue of this fantastic Island Funk-Soul classic (originally self-released in 1980 on Wild Fire Records) & this is also the first time the album is getting a release outside of Trinidad & Tobago. This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition. Limited to 100 copies 180g Black ICE Color Vinyl Exclusively FOR HHV

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Wildflower

24,29 €* 26,99 € -10%

12" | 1998 | EU | Reissue (Under The Radar)

Release: 2017 / EU – Reissue

Genre: Organic Grooves

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2023 Repress.
Wildflower is a trio comprising Idris Rahman (sax), Leon Brichard (bass) and Tom Skinner (drums).
The trio takes you on an intense, meditative and spiritual musical journey that embodies the spirit of freedom. Based around hypnotic grooves laid down by Brichard’s unswervingly solid bass lines, drummer Skinner plays around artfully with the beats, grooving hard in constantly shifting, unexpected turns of rhythmic play. Rahman’s contributions range from subtle conversational interplay to loudly expressed angry passion to the most delicate of whispers, conveying a depth of emotion and a deep sense of musical structure withIn an ever changing sea of musical conversation.
Using simple, arresting melodies as a starting point, the trio create freely improvised waves of emotion ranging from powerful climaxes to hauntingly beautiful breath-like passages and everything in-between, creating unique forms and structures that react to the acoustics and the atmosphere of the situation.
Taking inspiration from the spiritual jazz pioneers such as John and Alice Coltrane, Pharoah Sanders, Yusef Lateef and Sun Ra, compositional influences range from Gnawa music to modal jazz to Bengali folk music but the scope is wider still and the important unifying factor is the spontaneous communication and interplay between the three musicians. Rather than having a tight rigid structure, the tunes are allowed to breathe and develop into new unexplored forms, allowing fresh interpretations that make each performance a unique experience.
The album is a collection of live and studio recordings that have been recorded and mixed by the band.

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Wildplanet

Synthetic / Moving On

2LP | 1999 | EU | Reissue (Under The Radar)

Release: 1998 / EU – Reissue

Genre: Electronic & Dance

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Essential 90's Techno reissue alert from Wildplanet, originally released on 430 West. Big!

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Wildplanet

Transmitter

My Thing / Wait For Me Maritime Blue Vinyl Edition

Release: 1999 / EU – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-11-29

Fully remastered Detroit classic incl. 3 extra tracks from the CD version that were never released on vinyl before. This album has a unique blend of raw, warm and futuristic Detroit sounding electro and techno. Originally released on 430 West back in 1999.. We cant recommend it enough, big tip!

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Wilfred Luckie

7" | 2024 | US | Original (Numero Group)

12,99 €*

Time Is Now White Volume 3

Release: 2024 / US – Original

Genre: Organic Grooves

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Maritime Blue Colored Vinyl.Numero's Hottest Sounds Around triogathers castaway late-'70s grooves fromacross the Greater Antilles. Stan Chaman'sTrinidadian Semp concern deliveredWilfred Luckie's wobbly "My Thing" andthe Hamilton Brothers' calypso-discosmash "Music Makes The World Go `Round"in 1978. Across the sea, Frank Penn'sG.B.I studio tracked Stephen Colebrook'sDoobies-inspired "Stay Away From Music"for the cruise ship curious. All threeare housed in a custom Numero sleeveinspired by Edward Seaga's Caribbeanmusic manufacturing and distributionpowerhouse WIRL (West Indies RecordsLtd.)

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Wilfy D

12" | 2021 | EU | Original (Time Is Now White)

LP | 2023 | US | Original (Peoples Potential Unlimited)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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After appearing on the label's Time Is Now Allstars compilation, Bristol's own Wilfy D makes his second appearance with Shall Not Fade, adding to their new Time Is Now White label series. The young garage star serves up the smooth and soulful two-step he is known for, plus two killer remixes from Time Is Now family DJ Crisps and Soul Mass Transit System.

"Garage Tools" opens out the EP with staccato sampling and a rumbling sub bass wobble dominating the track, the most headsy on the record while "All About U (3am Mix)" takes on a gentler vibe. Using luscious vocal chops and glimmering synths, Wilfy D creates a kind of garage love song, delicate and soothing. He kicks things up a notch on "Know U Like It", a slice of speed garage that grooves along to an earworm melody.

On the B-side Wilfy D's original "Midnight Shift", a clean classic noughties garage sound palette, is reimagined twice by DJ Crisps and then Soul Mass Transit System. DJ Crisps gives the track a drum and bass edge replete with teeth-gritting sub bass power; Soul Mass close out the record with a dirty up-tempo remix perfect for a soundsystem.

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Wilkie And The Wayy

Love Juices

Lazers Not Included 10th Anniversary

Release: 2023 / US – Original

Genre: Organic Grooves

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Another one from the original dirty south in the ATL. "Love Juices" LP features 9 unreleased tracks from Wilkie and the Wayy, also includes the recording from his sole 7 inch single released in 1983 on the infamous Cold Wave Records, "It Only Happened Once". Feels good to be able to finally tell the band, "It's Happened Again"! Special thanks to Angelo Angione for all your time making this happen and hunting down the DATs, tapes, and reels!

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Wilkinson

2x12" | 2013 | UK | Reissue (RAM)

42,99 €*

CD | 2000 | US | Original (Dreck To Disk Records)

Release: 2013 / UK – Reissue

Genre: Electronic & Dance

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Three appearances on Andy C’s Nightlife 5 in 2010 signaled the start of Wilkinson’s journey with RAM Records. Three years later he would go on to drop his debut album ‘Lazers Not Included’, propelled by the success of ‘Afterglow’, featuring Becky Hill, making a dent in the UK Top 10 and going on to gold certified status with over 150+ million streams to date. Capturing his dancefloor ready sound, which helped make him one of the biggest names in electronic music in the UK and beyond, Lazers features the anthems ‘Take You Higher’, ‘Heartbeat’, ‘Too Close’ and ‘Half Light’.

To mark the 10th anniversary of its release, the album has been pressed in full for the very first time on yellow vinyl. With a refreshed design, this special edition will make a great collector’s item for old and new Wilkinson fans alike.

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Will Bernard

Motherbug

5,99 €* 14,99 € -60%

Release: 2000 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Generations Red Splatter On Milky Vinyl Edition

Will Butler

LP | 2020 | US | Original (Merge)

Will Butler of Arcade Fire

Release: 2020 / US – Original

Genre: Rock & Indie

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In the five years since Will Butler released his debut album, Policy, he's toured the world both solo and as a member of Arcade Fire, released the Friday Night live album, recorded and released Arcade Fire's international #1 album Everything Now, earned his master's degree in public policy from Harvard, hosted a series of touring town halls on local issues (police contracts, prison reform, municipal paid sick leave, voting rights), and spent time raising his three children. He also found the time and inspiration to write and record a new album, Generations. "My first record, Policy, was a book of short stories," Butler says. "Generations is more of a novel_despairing, funny, a little bit epic_ A big chunk of this record is asking: What's my place in American history? What's my place in America's present? Both in general_as a participant, as we all are, in the shit that's going down_but, also extremely particularly: me as Will Butler, rich person, white person, Mormon, Yankee, parent, musician of some sort, I guess. What do I do? What can I do? The record asks that question over and over, even if it's not much for answers." While the songs on Generations contain their fair share of dread and regret, there is ultimately a lightness that shines through Butler's music. That brightness is at its most intense when he and his solo band_Miles Francis, Sara Dobbs, and Julie and Jenny Shore_perform on stage. Their electricity is palpable throughout Generations, with the bulk of the new songs having been worked out live. Wild synth production_gnarly bass synths with live drums_and anthemic backing vocals as on first single "Surrender" are punctuated by intimate, direct moments: Butler's voice cracking on "Fine" as he conjures his ancestors, and "Promised," a meditation on friendship, how lives are built together, and how and why they drift apart. Generations was recorded and produced by Butler in the basement of his home in Brooklyn. Tracking finished in March 2020, as New York closed down for the pandemic. Half the record was mixed in Montreal by longtime Arcade Fire engineer Mark Lawson, the other half by Brooklyn-based producer Shiftee (who is, incidentally, bandmate Julie Shore's husband and Will's brother-in-law). Generations opens a dialogue with the world. It posits answers_and deals with those answers being refuted. Ultimately, it navigates the conversation as a way to find the truth_ or at least a way forward.

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Policy

LP | 2015 | US | Original (Merge)

23,99 €*