Search "record store day" 47135 Items

OST Weird: The Al Yankovic Story Pink Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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If you're looking for a raw, sugary blast of distorted pop, look no further than Weird Nightmare. The debut album from Metz guitarist and vocalist Alex Edkins contains all of his main band's bite with an unexpected, yet totally satisfying, sweetness. Imagine The Amps covering Big Star, or the gloriously hissy miniature epics of classic-era Guided by Voices combined with the bombast of Copper Blue- era Sugar-just tons of red-line distortion cut with the type of tunecraft that thrills the moment it hits your ears. These ten songs showcase a new side of Edkins' already-established songwriting, but even though the bulk of Weird Nightmare was recorded during the Covid-19 pandemic some of its tunes date back to 2013 in demo form. "Hooks and melody have always been a big part of my writing, but they really became the main focus this time" he explains. "It was about doing what felt natural." To be clear: Weird Nightmare is not a "pandemic album," but an album-some of which had been gestating for quite a while-that just so happened to be recorded during the pandemic. "I had always planned on finishing these songs, but being unable to tour with Metz, and forced to lock down, really gave me a push." After days spent homeschooling his son, Edkins would drive to the Metz rehearsal room and tinker deep into the night on these songs' deceptively simple structures and rich, static-laden textures. "It was a godsend for me," he states about the creative process. "The hours would disappear and I would get lost in the music and record. It was a beautiful escape." Weird Nightmare is, in its own way, a study in extremes: Edkins' melodic instincts and penchant for dissonance are both turned up to the max throughout, the latter reflecting not only the barn-burning tendencies of Metz, but Alex's own sonic predilections. "It doesn't sound right to my ears until it's pushed over the edge." He also cites other artists who are masterful at mixing the sublime and the punishing-Kim Deal and Scout Niblett among them-as influences on his own songwriting. "My favorite songs are the simple ones," he explains. "I've never been attracted to virtuosity or technicality. Certain songs have the power to lift your spirits like nothing else can. I wanted to create that type of song." A few guests pitch in on Weird Nightmare: Canadian alt-pop genius Chad VanGaalen adds his unmistakable touch to the ever-escalating "Oh No," while Alicia Bognanno of Bully lends her distinctive pipes to the thrashing "Wrecked," a collaboration that effectively saved the song. "I almost didn't put it on the album because I thought it was missing something," Edkins explains. "I sent it to Alicia and she lifted it way up." And taking risks and reaching out of Edkins' comfort zone was the name of the game when it came to making Weird Nightmare. "I found myself doing new things I didn't have the guts to do before, recording everything by myself and trusting all of my musical instincts," he states. "I think when music manifests quickly, a certain amount of honesty automatically comes along with it. When it is a purely instinctual creation, there is no opportunity to obscure the truth."

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Weird Al Yankovic

2LP | 2023 | US | Original (Legacy)

49,99 €*

OST Asterigos Original Game Soundtrack

Release: 2023 / US – Original

Genre: Soundtracks

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* Pressed on hot pink colored double vinyl * Soundtrack to the movie Weird: The Al Yankovic Story * Featuring tracks by “Weird” Al Yankovic, the film’s score from Leo Birenberg and Zach Robinson, and music by various other artists..

The Al Yankovic Story stars Daniel Radcliffe as “Weird” Al Yankovic in the unexaggerated true story about the greatest musician of our time. From a conventional upbringing where playing the accordion was a sin, Al rebelled and made his dream of changing the words to world-renowned songs come true. An instant success and sex symbol, Al lives an excessive lifestyle and pursues an infamous romance that nearly destroys him. The movie is available to stream on the Roku Channel or online via Roku, Fire TV or Samsung devices.Weird_ The Al Yankovic Story (Original Soundtrack) features 46 tracks - a mix of “Weird Al’s” greatest hits (some newly recorded

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Weifan Chang

3LP | 2023 | EU | Original (Black Screen)

65,99 €*

12" | 2019 | EU | Original (Drumcode)

Release: 2023 / EU – Original

Genre: Soundtracks

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Triple 180g Colored Vinyl (clear blue with black marbled), comes in a trifold cover with printed inner spines. "Asterigos: Curse of the Stars" is an action role playing game inspired by the glory of Greece and Rome. You will play the role of Hilda, a Northwind legion warrior, who enters Aphes, a lost city from legends, to look for her missing father.The enchanting original soundtrack was created by Weifan Chang, a well-known Taiwanese composer for indie games. But "Asterigos" is so much more than just orchestral music depicting a mythology or some dark electronic sounds delicately designed for a dungeon. In Aphes, you will even hear bards' songs, that Chang especially composed for this world."Golden Olive", the main theme of "Asterigos", is performed by Asja Kadric, who sang in "Guild War 2", while the lyrics for "Nostalgia", the theme song, were written by Matthew Yen, a well-known Taiwanese lyricist and novelist. Furthermore, "Nostalgia" is sung by Emi Evans, whose vocals are also featured in "NieR:Automata". In the world created by "Asterigos", many songs are re-arranged and performed by Percival Schuttenbach, who is famous for his works in "The Witcher 3". In some mysterious corners in the game, you can even hear the beautiful voices of Pinling Chen, who sang in the games "Detention" and "Devotion" and Anna Stolarczyk, a Polish soprano who sang in the game, "Father & Son".Besides the orchestral music recorded by Budapest Symphony Orchestra, the soundtrack is also a collection of wonderful original music by Taiwanese performers, including Hsinyu Yang, Yachun Yang and Szuhui Tui, an English violinist, Dominika Latusek, a singer, Adiescar Chase, a Scottish guitarist, Joseph Stevenson, a Japanese pianist and composer, Aruto Matsumoto, and an Italian composer, Fabio Amurri. Dive in into a mysterious new world with this outstanding soundtrack and beautifully designed vinyl edition.

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Wehbba & DJ Deeon

We Have Bass

15,99 €*

LP | 1994 | EU | Reissue (Geffen)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Wehbba collaborates with ghetto tech legend DJ Deeon, to deliver another superlative EP on Drumcode.
Since his debut on Drumcode in 2017, Brazil’s Wehbba has become one of the most dependable and impressive artists on the roster. Last year saw two standout EP’s ‘Eclipse’ and ‘Catarse’ drop on the imprint, alongside ‘Just’, his strong contribution to A-Sides Vol.7. He also made his mark playing Drumcode events at OFF Week, Resistance Ibiza and the much talked about double header in Manchester and Bristol when DC took over Warehouse Project and Motion respectively.
A true master craftsman in the studio, his first contribution for 2019 is typically impressive. A huge inspiration to Wehbba since his nascent raver days, ghetto tech icon DJ Deeon contributes a fierce vocal to ‘We Have Bass’, after a serendipitous hook up in São Paulo. A peak career moment collaborating with one of his original heroes and the artist responsible for the classic ‘Freak Like Me’, the resulting percussive-heavy cut kicks like a rodeo bull. ‘Third Wave’ is coffee geek Wehbba’s homage to his favourite brew, constructing the production to mirror the experience of a caffeine fix, as a loopy trance-inducing groove leads to powerful synth stabs that are heavy on impact. ‘Steamroller’ is a stripped back slice of techno driven by the Brazilian’s Korg MS-20 and found form after it initially begun as a studio jam inspired by Richie Hawtin’s ‘Minus Orange’.
A Jean-Michel Jarre fan stretching back to his childhood, ‘Another Mistake’ was conceived after Wehbba saw the French legend in concert last year and was subsequently able to meet him backstage through a mutual friend. While creating the track, the producer imagined Jarre playing the main layers of the hook on his famous Laser-harp, eliciting an almost celestial quality with the melody. This is a stirring slice of techno fit for stadiums. The EP ends with ‘Purge’, the artist’s stream-of-consciousness expression recorded in one-take and a beautiful beat-less way to conclude the work.

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Weezer

Weezer (Blue Album)

Green Roses Volume 1 Green Vinyl Edition

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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Few bands emerged as fully formed as Weezer, the Southern California band that would quickly shake the world with its reimagined vision of rock 'n' roll. With 17 million albums sold worldwide, and two LPs on Rolling Stone's list of most influential ever made, the L.A. quartet helmed by singer-guitarist Rivers Cuomo proved to be as popular as they are pioneering. Weezer's music continues to shape the sound of rock to this day, well after the release of its first album, the triple-platinum Weezer (The Blue Album), one of rock's most auspicious debuts.
The quartet's incredible run of Geffen Records releases is reissued on standard 140-gram vinyl. The records helped redefine the genre, mixing guitar hooks with a sense of geek-smart humor that radiated into the band's popular live act and multitude of cutting-edge videos and visuals.

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Weeed

LP | 2022 | US | Original (Halfshell)

Crater Maker Pruple Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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This session is the first of two recorded during the early summer of 2021 in the pristine and remote town of Hansville, WA. Under mutual spells of sunlight and grief, these songs were often written, rehearsed, and recorded in the same day, using both new and familiar instruments, tunings, and feelings. In this way they like everything else, transitory.

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Weed Demon

LP | 2020 | EU | Original (Electric Valley)

Release: 2020 / EU – Original

Genre: Rock & Indie

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A bands third release is a challenging one - it's frequently here where they make or break their career. Having launched on a musical journey five years ago with the desire to reflect their sludgy musical ancestors, Weed Demon live up to their early promise on Crater Maker. This is far and away their most fully realized work to date. Not for the faint of heart, Crater Maker launches with eleven minutes of instrumental stoner rock to set the mood. By the time you get to the devastating vocals of "Serpent Merchant" you know you're in for a rare treat. Infused with bluesy roots and defined by a search for the perfect tone, Crater Maker is a sonic quest like few others. Their worship of bands like Sleep and Electric Wizard is apparent throughout, but these Columbus, Ohio doomsters are clearly in touch with another side of themselves on this record. An album that rewards multiple listens, it promises to be a worthwhile listen for doom freaks across the globe. Electric Valley Records has once more signed a winner - are you ready to join them on the journey to this riff filled land?

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LP | 2021 | US | Reissue (Dead Oceans)

Twin Plagues

Release: 2021 / US – Reissue

Genre: Rock & Indie

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In a long and emotionally exhausting year of being inside (alone, in my case,) I have found myself thinking about mirrors. How to avoid spending too much time in them, most days. Taking inventory of the real, physical self is difficult work, work that I'm not entirely opposed to but work that became immediately more treacherous for me when I had to witness the very real toll that time, modern anxieties, isolation, and boredom were taking on me. It was easier, it seemed, to spiral into a not-so-distant glorious past, to use memory as a tool of both excitement and healing. But, speaking of excitement, I like to stumble towards a band with no agenda, no purpose, uncovering sound almost on accident. This is how I first heard Wednesday. The band came to me and I don't remember how, or why. They simply arrived, as if we'd been traveling toward each other our whole lives. I Was Trying To Describe You To Someone soaked into my summer of 2020, and in sound, in spirit, in central concerns and the execution of them, it took me back to an era before the current era, which I'd needed at the time. The past can feel less hellish than the present if we are, sometimes, not fully honest with ourselves. There is the trick of nostalgia that I spend a lot of time playing with in my own writing, and somewhat tormented by in my own living. The very real idea that nostalgia is both a useful tool and also a weapon if it isn't paired with something that approaches a type of rigorous honesty. But if I may go back to all of these ideas of nostalgia and our old, tricky, past selves that are, indeed, a part of the house of bricks that make up our present self, what I also hope you, listener, might adore about this album is the exact moment at the start of "The Burned Down Dairy Queen" when Karly sings I was hiding in a room in my mind / and I made me take a look at myself. Because if you, like me, have been avoiding mirrors - both metaphorical and real - this is where the album becomes a lighthouse, echoing bright across the darkness of my otherwise dark and empty chambers. So much of these songs meditate on the past in far less romantic ways than I have found myself meditating on the past, and I was desperate for the recalibration that this album provided. So, yes, the songs are good. You will maybe roll down your windows on a comfortable day on the right stretch of road in a warm season and turn the volume up when "Birthday Song" gets good and loud and singalong- able. You might sit atop a rooftop at night, closer to the moon than you were on the ground, and let "Ghost Of A Dog" churn and rattle you to some nighttime realization that you couldn't have had in silence. But, even on top of all of this, on top of all the pleasures and the mercies that the sounds on this album might afford. I hope and think, too, that it will remind anyone who listens that we are a collection of many reflections. All of them deserving patience. _Hanif Abdurraqib

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Rat Saw God Purple Vinyl Edition

LP | 2023 | CZ | Original (Dead Oceans)

Release: 2023 / CZ – Original

Genre: Rock & Indie

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A Wednesday song is a quilt. A short story collection, a half-memory, a patchwork of portraits of the American south, disparate moments that somehow make sense as a whole. Karly Hartzman, the songwriter/ vocalist/guitarist at the helm of the project, is a story collector as much as she is a storyteller: a scholar of people and one-liners. Rat Saw God, the Asheville quintet's new and best record, is ekphrastic but autobiographical and above all, deeply empathetic. Across the album's ten tracks Hartzman, guitarist MJ Lenderman, bassist Margo Shultz, drummer Alan Miller, and lap/pedal steel player Xandy Chelmis build a shrine to minutiae. Half-funny, half-tragic dispatches from North Carolina unfurling somewhere between the wailing skuzz of Nineties shoegaze and classic country twang, that distorted lap steel and Hartzman's voice slicing through the din. Rat Saw God is an album about riding a bike down a suburban stretch in Greensboro while listening to My Bloody Valentine for the first time on an iPod Nano, past a creek that runs through the neighborhood riddled with broken glass bottles and condoms, a front yard filled with broken and rusted car parts, a lonely and dilapidated house reclaimed by kudzu. Four Lokos and rodeo clowns and a kid who burns down a corn field. Roadside monuments, church marquees, poppers and vodka in a plastic water bottle, the shit you get away with at Jewish summer camp, strange sentimental family heirlooms at the thrift stores. The way the South hums alive all night in the summers and into fall, the sound of high school football games, the halo effect from the lights polluting the darkness. It's not really bright enough to see in front of you, but in that stretch of inky void - somehow - you see everything. The songs on Rat Saw God don't recount epics, just the everyday. They're true, they're real life, blurry and chaotic and strange - which is in-line with Hartzman's own ethos: "Everyone's story is worthy," she says, plainly. "Literally every life story is worth writing down, because people are so fascinating." But the thing about Rat Saw God - and about any Wednesday song, really - is you don't necessarily even need all the references to get it, the weirdly specific elation of a song that really hits. Yeah, it's all in the details - how fucked up you got or get, how you break a heart, how you fall in love, how you make yourself and others feel seen - but it's mostly the way those tiny moments add up into a song or album or a person.

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Rat Saw God Black Vinyl Edition

LP | 2023 | US | Original (Dead Oceans)

Release: 2023 / US – Original

Genre: Rock & Indie

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Mowing The Leaves Instead Of Piling 'Em Up

LP | 2022 | US | Reissue (Orindal)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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"wednesday owes so much to our musical influences. The music we love is a big part of what brought us together. My bandmates Margo and Xandy both had infamous Asheville house show venues, Jake was in like a billion different bands which often played in their muggy basements and Alan was usually the one who brought the PA. Our immersion in music predated us trying to make songs together ourselves. Our common interests in noisey ‘90s guitars, good lyrics, and country music was quickly what permeated into our voice as a band. Most decisions in our songs are made by an amalgamation of all five of our inputs, which happens pretty naturally because of this thread of influences that ties us together. So when we got an opportunity for some recording time with Alli Rogers at Betty’s studio in Durham, NC we decided to record covers, and hopefully repay in part the huge debt we are in to the artists who contributed so much to the music we write ourselves. When I was thinking if there was anything that these songs have in common, the main thing I found recurring was the combination of sadness and humor. It’s effective as hell to combine the two emotions, making each other more intense by the contrast..."—KARLY Hartzman. Features songs by Gary Stewart, Chris Bell, Roger Miller, Drive By Truckers, Hotline TNT, Greg Sage, Vic Chesnutt, Medicine, and Smashing Pumpkins. Originally released in 2022 as a merch and mailorder item. Pressed on pilsner beer yellow vinyl.

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Mowing The Leaves Instead Of Piling 'Em Up

Tape | 2022 | US | Reissue (Orindal)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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I Was Trying To Describe You To Someone

LP | 2020 | US | Reissue (Dead Oceans)

Like No Tomorrow Neon Yellow Vinyl Edition

Release: 2020 / US – Reissue

Genre: Rock & Indie

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I Was Trying to Describe You to Someone is Wednesday's second fulllength album & first as a full band. The Asheville, NC quintet (guitarist/ vocalist Karly Hartzman, lead guitarist Daniel Gorham, pedal steel guitarist Xandy Chelmis, bassist Margo Schultz & drummer Alan Miller) maximizes the dark dissonance of a three guitar attack to highlight the emotionality of Hartzman's bell-clear vocals & wisps of half-recalled memories & literary references that make up her lyrics. I Was Trying to Describe You to Someone's eight songs meld elements of shoegaze, grunge, indie pop & southern American culture into a uniquely personal style of modern rock music that resonates with power & tenderness. The ever-darkening & deepening of Wednesdays' sound on I Was Trying to Describe You to Someone owes a debt of influence to The Swirlies, Arthur Russell, Red House Painters, Tenniscoats, Ana Roxanne, Acetone, & their continued collaboration with MJ Lenderman (who lends backing vocals to the songs "Billboard" & "November"). I Was Trying to Describe You to Someone was recorded at Hartzman's home with engineering assistance from her roommate Colin Miller. The depth & clarity of the recordings balance the distorted volume of Wednesday's live performances with the intimacy of Hartzman's voice. Her words hold the center of the chaos, unobscured by the power of the band. Hartzman describes her lyrics as "attempts to access old personal memories & do them justice through prose, with inspiration from the writings of Richard Brautigan, Flannery O'Connor, David Berman & Tom Robbins, & movies like Steel Magnolias."

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Wedge

LP | 2021 | EU | Original (Heavy Psych Sounds)

Like No Tomorrow Half Red Half Yellow Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Wedge’s new release „Like No Tomorrow” makes for an unholy trinity of Wedge albums in the Heavy Psych Sounds Records back catalogue. The Berlin-based power trio once more is driving their musical Wedge in between many different genres: Garage rock turns progressive while psychedelic guitar lines are tripping over hard rocking riffs. Does this work together? Hell yes! For fans of Deep Purple, MC5, Led Zeppelin or Humble Pie this album is a sure shot. You like fuzz guitars? Hammond organ and vocals trough a swirling Leslie cabinet? More cowbell? You got it. But unlike our beloved rock records from around 1971, which we’ve heard a hundred times before „Like No Tomorrow” has one huge advantage: It’s brand new and the 8 tracks, ranging from 3:00 to 9:00 minutes, deliver a fresh, unspent and unmistakably unique taste to the rock’n’roll menu. In the tradition of bands like The Raconteurs, The Hellacopters, Graveyard or Wolfmother, Wedge are building on that vintage vibe we all know and love but evolve their very own thing and are able to connect it directly to here and now. Also lyrically the tunes are picking up on our zeitgeist, dealing with topics like digitalisation, mass migration and current social issues among others. So it’s no coincidence that the record’s title is a direct hint at our crazy times, in which it feels like the end of the world might be lurking just around the very next corner. But rather than being pessimistic about it, Wedge want to convey a positive message: „When it feels like there might be no tomorrow, just love and live Like No Tomorrow”

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Wedge

LP | 2021 | EU | Original (Heavy Psych Sounds)

3LP+DVD | 2023 | UK | Original (Happy Happy Birthday To Me)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Wedding Present

24 Songs

49,99 €*

3LP+DVD | 2023 | US | Original (Happy Hapy Birthday To Me)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Grey Vinyl Edition.
Incudes CD & DVD in NM condition.

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Wedding Present

24 Songs

48,99 €*

3LP+DVD | 2023 | UK | Original (Happy Happy Birthday To Me)

Release: 2023 / US – Original

Genre: Rock & Indie

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The Wedding Present 24 Songs is a 3LP w/ DVD collecting all the 2022 7" singles in one spot. A. o. featuring a duet with Louise Wener of Sleeper, full lenght versions of songs, a bonus Utah Saints remix and more extra tracks! Throughout 2022, The Wedding Present's '24 Songs' series saw the legendary indie band release two new tracks a month as double A sided 7"s, ultimately creating a much-sought-after box set. David Gedge has now re-curated full-length versions of all twenty-four tracks for a new compilation album that will also comprise five bonus recordings including one featuring The Wedding Present's first guitarist, Peter Solowka. '24 Songs' was a doff of the cap to The Wedding Present's 'Hit Parade' project of 30 years previous. That series proved to be a real milestone for the band with them becoming only the second-ever artist to achieve twelve Official UK Top 40 hits in a calendar year - at the time something that only Elvis had achieved! David Gedge says: "When it came to compiling the '24 Songs' album, I decided not to sequence the tracks in chronological order. With six sides of vinyl, you have six 'beginnings' and six 'ends' to play with, and I felt that the opportunity to build some kind of a musical journey was too good to miss! Listening back to this collection, I have to say that I genuinely believe that, for this project, The Wedding Present have recorded some of the best tracks in our history." Classic black vinyl, the DVD includedThe Wedding Present playing live during the `24 Songs Launch' event in January 2022 plus a fascinating `fly-on-the-wall' documentary filmed as the songs were being written, arranged and recorded and the video for the December single.

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Wedding Present

24 Songs

56,99 €*

Hazelnut Green 2023 Repress

Release: 2023 / UK – Original

Genre: Rock & Indie

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Wedding Acid Group

12" | 2020 | EU | Original (Undersound)

13,99 €*

Webster Lewis / The Spirit Of Atlanta

Release: 2020 / EU – Original

Genre: Electronic & Dance

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For the next release, we are glad to introduce the Wedding Acid Group and also inaugurate a major redesign of our label. WAG are a group of three friends based in Budapest, jamming on both classic Roland gear, but also modern instruments like the Monomachine. All the tracks were recorded live around 2016 in the Ballacid studio "Újpest". The EP opens with three fast paced tracks where emotional melodies are intertwined with classic 909, 707 and 606 drums. The flipside presents the uplifting “Chocoball 707” and closes with “Paprika Dye Acid”, the slowest jam of the EP. Overall, the tracks offer a glimpse into the emotional world of these three talented Hungarian producers and we are extremely happy to have them on board for their second vinyl release.

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El Bobo / Freddie's Alive And Well

7" | 2024 | EU | Original (Mad About)

21,99 €*

Elevate 2021 Repress Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Webster Lewis – El Bobo

For the first time on 7” the reissue of rare groove masterpiece “El Bobo”. Jazz-funk, Disco, Fusion and Soul sounds from lesser-known American producer, arranger and key player Webster Lewis. His career started working alongside Stanton Davis, Tony Williams and George Russell – very much driven by super creative jazz piano playing. But, like many of his generation, he ended up in Europe as record deals in the US were getting harder to come by in the straight jazz world. So he ended in Oslo, where he made music for TV and one super cult album recorded live at Club 7. Webster had broken through at a time when The Headhunters and the rise of disco were fusing... and as such, he became the go-to guy for arrangements, production and that magic coat of boogie jazz glitter!

Several albums were signed to Epic, and some classic work with Gwen McCrae, Merry Clayton, Lamont Dozier, and Alton McClain.

THE Spirit OF Atlanta – Freddie’s Alive and Well

A cut from the album “The Burning of Atlanta” by The Spirit of Atlanta, a studio project produced by Tommy Stewart and Clarence Carter. “Freddie’s Alive and Well” is the answer song to Curtis Mayfield's “Freddie’s Dead” and is a huge funk classic.

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Webb

12" | 2021 | EU | Original (Mixed Signals)

12" | 1994 | EU | Reissue (Mixed Signals)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2021 repress! David Webb’s hypnotic and raw Elevate 12” from 1994 reveals an overlooked region in Detroit’s seemingly-endless musical landscape, linking the narcotic minimalism of Theo Parrish’s Ugly Edits with the uninhibited, spontaneous, and jazzy jamming found on J Dilla beat-tapes. Raised in the musically fertile and adventurous atmosphere of Detroit, Webb got his start as a mobile DJ while in high school during the late 70’s. Captivated by the local boom of soul, funk and disco, he’d frequent the social clubs, soaking up sounds. His earliest experiments in mixing led him to form a DJ crew with his pal Paul Johnson. Paul enlisted a friend, Jeff Mills, pre-Underground Resistance, to join the trio and they called themselves Frequency Sounds. The three would play underground parties and college events for Michigan State students. Throughout the 80’s, Webb and his friends would play at the local clubs around town, like 431 East (now called Saint Andrews), where he played alongside Ken Collier and other Detroit legends. Each week he found new sounds at his local record shop Buy Rite Records on West 7 Mile, where he’d dig for Italo, New Wave, Disco and House, buying 12”s from labels like Prelude, Trax and Beggars’ Banquet on sight. Webb’s earliest experiments with producing his own sounds started when he bought an Echoplex and Asr-x Drum Machine. During his sets he’d add live effects & rhythm to his favourite songs. This led to building a mini home studio where initially he would record all his songs overdubbing on two tape decks. Two of his earliest experiments, Elevate and Who Am I? Were self-released as a small- run promo 12” that he would hand out to his friends and local DJs. Webb quickly sold out and gave away the pressing, and he would often hear it played by DJs around town, but over time it drifted in the margins, as an obscure footnote in the history of Detroit Techno. Mixed Signals is proud to bring this important record back into circulation, seducing a whole new generation of DJs and dancers with Webb’s dark and silky pleasures.

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Webb

Elevate

Interpretations Of Web Web Colored Vinyl Edition

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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David Webb’s hypnotic and raw Elevate 12” from 1994 reveals an overlooked region in Detroit’s seemingly-endless musical landscape, linking the narcotic minimalism of Theo Parrish’s Ugly Edits with the uninhibited, spontaneous, and jazzy jamming found on J Dilla beat-tapes. Raised in the musically fertile and adventurous atmosphere of Detroit, Webb got his start as a mobile DJ while in high school during the late 70’s. Captivated by the local boom of soul, funk and disco, he’d frequent the social clubs, soaking up sounds. His earliest experiments in mixing led him to form a DJ crew with his pal Paul Johnson. Paul enlisted a friend, Jeff Mills, pre-Underground Resistance, to join the trio and they called themselves Frequency Sounds. The three would play underground parties and college events for Michigan State students. Throughout the 80’s, Webb and his friends would play at the local clubs around town, like 431 East (now called Saint Andrews), where he played alongside Ken Collier and other Detroit legends. Each week he found new sounds at his local record shop Buy Rite Records on West 7 Mile, where he’d dig for Italo, New Wave, Disco and House, buying 12”s from labels like Prelude, Trax and Beggars’ Banquet on sight. Webb’s earliest experiments with producing his own sounds started when he bought an Echoplex and Asr-x Drum Machine. During his sets he’d add live effects & rhythm to his favourite songs. This led to building a mini home studio where initially he would record all his songs overdubbing on two tape decks. Two of his earliest experiments, Elevate and Who Am I? Were self-released as a small- run promo 12” that he would hand out to his friends and local DJs. Webb quickly sold out and gave away the pressing, and he would often hear it played by DJs around town, but over time it drifted in the margins, as an obscure footnote in the history of Detroit Techno. Mixed Signals is proud to bring this important record back into circulation, seducing a whole new generation of DJs and dancers with Webb’s dark and silky pleasures.

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Web Web

2LP | 2020 | EU | Original (Beat Art Department)

17,99 €* 23,99 € -25%

Interpretations Of Web Web

Release: 2020 / EU – Original

Genre: Hip Hop

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Limited edition of 300 copies!

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Web Web

2LP | 2020 | EU | Original (Beat Art Department)

21,99 €*

Release: 2020 / EU – Original

Genre: Hip Hop

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How Is It That I Should Look At The Stars

Weather Station

LP | 2022 | US | Original (Fat Possum)

27,99 €*

LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 2022 / US – Original

Genre: Rock & Indie

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One year after the release of Ignorance, The Weather Station returns with How Is It That I Should Look At The Stars. The album is intended to be heard as a companion piece to Ignorance; songs written at the same time that connect thematically and emotionally, songs that reveal the vulnerability at the heart of the body of work. Recorded live in just three days, How Is It That I Should Look At The Stars is achingly intimate; full of breath, silence, and detail.

How Is It That I Should Look At The Stars was written in the same fruitful winter of songwriting that gave rise to Ignorance, but were songs that Lindeman felt were too internal, too soft to fit on the album she had envisioned.

Not long after completing Ignorance, Lindeman decided to make this album on her own terms, fronting the money herself and not notifying the labels. She assembled a new band, and communicated a new ethos; the music should feel ungrounded, with space, silence, and sensitivity above all else.

On this record, there are no drums, no percussion; in the absence of rhythm, time stretches and becomes elastic. Lyrically, many of the songs return to what has often been a hallmark of Lindeman’s writing; a description of a single moment and all the meaning it might encompass. And this dilation of the moment occurs musically too; as the band moves through music so ephemeral it often incorporates stretches of near silence, and breaths, single notes, and brief solos take on greater importance in the absence of other sound. Whereas the recordings on Ignorance leaned towards ambition and grandeur, here the band reaches towards a different goal; grace perhaps.

How Is It That I Should Look At The Stars was recorded from March 10 - 12, 2020. When the band entered the studio, Covid-19 was a news item, not front of mind, but by the time they left, just three days later, everything had changed. Somehow, the music captures that instability; it is ungrounded and diaphanous, it floats and drifts. It is an album of immense sensitivity, a recording of a band and a person daring to reach towards softness without apology.

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Weather Report

2LP | 2017 | US | Original (Deathwish)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Near Mint

Limited 180gr Blue Vinyl Edition.
Record is close to VG+.

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Wear Your Wounds

WYW

LP | 2024 | EU | Original (Do Barulho)

Release: 2017 / US – Original

Genre: Rock & Indie

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Wear Your Wounds is the product of years of Lo-fi solo recordings by Converge founder Jacob Bannon. On this release he is joined by guest musicians Kurt Ballou (Converge), Mike McKenzie (The Red Chord, Stomach Earth, Unraveller), Chris Maggio (Sleigh Bells, Trap Them, Coliseum), and Sean Martin (Hatebreed, Cage, Kid Cudi, Twitching Tongues). Together they have created a powerful album that is unlike anything they have ever individually worked on. The album is contains ten emotional songs that call to the slower, more epic leanings of Converge, as well as his previous work in Supermachiner. Bringing to mind the multi-layered approach of Swans and early Pink Floyd, while being as vulnerable as influences Sparklehorse, Songs: Ohia, other like minded artists. Wear Your Wounds live will feature Bannon joined on stage by musicians Mike McKenzie (The Red Chord, Stomach Earth, Unraveller, Chris Maggio (Trap Them, Coliseum, Sleigh Bells), Adam McGrath (Cave In, Zozobra, Nomad Stones), and Sean Martin (Hatebreed, Cage, Kid Cudi, Twitching Tongues).

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Wealstarcks

Valeu Obrigado

LP | 2024 | EU | Original (Do Barulho)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Right after the enormous success of his debut album “Gratidão” 2021, the French producer, Wealstarcks strikes again with another banger LP “Valeu Obrigado”. Just as in 2021, Wealstarcks masterfully blends the best of house and electro sounds to the latest hits of Funk Carioca culture. A soulful, full with grooves and of course, dance floor gems that will make you jump! Limited Edition.

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Wealstarcks

Gratidaoh

LP | 2023 | US | Original (12XU)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Parisian producer Wealstarcks broadens our world through his music. The French-born producer/DJ was raised in the city of light, but his sound is nomadic as he masterfully arranges House music, and Brazilian culture. His first ever released “Gratidaoh” 2021 generated millions of streams and since then, the vinyl edition has been heavily on demand. His DJ sets are known to command a room and lower inhibitions, from Rio de Janeiro to Milan and his production credits include eminent names around the world from Tory Lanez to French rapper Booba or Italian singer Sfera Ebbasta. The LP “Gratidaoh” is finally available thru São Paulo based label SDB Discos on a limited edition and 45rpm for best sound quality! Grab yours!

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Weak Signal

War & War

A Guide To Adult Despair Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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The first vinyl edition of NYC trio Weak Signal's second album, 2022's War&War, originally issued digitally by Colonel Records. Weak Signal is Sasha Vine, Tran and Mike Bones. Ryan Sawyer plays additional percussion throughout. Sarim Al-Rawi plays additional guitar throughout. Cass McCombs plays guitar on "Spooky Feeling." Produced and Mixed by Jonathan Kreinik at Vitos Fall 2020 and Union Pool Spring 2021. Mastering and lacquers by Carl Saff. War And War is a novel by László Krasznahorkai. "crazily focused & powerful"—Jennifer Kelly, Dusted "a slyly incendiary collection wracked with rippling tension"—Raven Sings The Blues "a mesmerizingly morose journey, yet a scenic one too. Just don't whack it on the turntable when you're feeling at your most fragile."—JR Moores, The Quietus

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Weak

LP | 2022 | EU | Original (La Agonia De Vivir)

18,99 €*

We've Got A Fuzzbox And We're Gonna Use It

Release: 2022 / EU – Original

Genre: Rock & Indie

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Madrid-based 90’s punk rock nostalgics “weak” is back to the fray with their second album “A Guide for Adult Despair”. You can tell they grew up with Nofx, Lagwagon and No Use for A Name tapes blaring on their Walkmans as their sound could be defined as a passionate homage to the Californian punk rock bands of the nineties. On this new album the band decides to go one step further in terms of composition and recording quality and hits Ultramarinos Costabrava Studio with the mighty Santi García in charge. The result is a much more elaborate and consistent album, combining the speed and rage of punk rock with slower and super melodic pop style cuts. Although it is not a concept album, everything is wrapped in an atmosphere of sadness and despair in which many of us have been trapped in these past years. A Guide for Adult Despair is a deeply personal album, which revolves around the ups and downs that each member of the band has experienced during these last turbulent years. Nevertheless, the album also leaves room for some fast and direct songs loaded with social and political criticism. Recorded between the past months of December/January at Ultramarinos Costabrava by Santi García, this album is definitely much more consistent and emotionally engaging than the previous one.

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Self!

12" | 1989 | UK | Original (WEA)

3,99 €*

Heaven Doesn't Want You And Hell Is Full

Release: 1989 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM.

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We Sell The Dead

LP | 2018 | EU | Original (Earmusic)

Release: 2018 / EU – Original

Genre: Rock & Indie

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The Sleepwalk Transmissions

We Never Learned To Live

LP | 2019 | DE | Original (Holy Roar)

7" | 2008 | US | Original (One Eye)

Release: 2019 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Half/Half - Cream/Aquamarine vinyl

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We Need To Talk

It's Not Us, It's You

4,99 €*

12" | 2012 | EU | Original (Naive)

Release: 2008 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Mixed Vinyl. Cover with slightly bumped corner

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We Have Band

Covers EP

5,99 €*

We Butter The Bread With Butter

Release: 2012 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Limited edition for Record Store Day 2012!

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Wieder Geil! Limited Clear Blue Vinyl Edition

LP | 2022 | EU | Original (Afm)

Release: 2022 / EU – Original

Genre: Rock & Indie

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12" | 2020 | EU | Original (Sleepers)

We Be Echo

Beat Of The Drum

We Are Winter's Blue And Radiant Children

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Recorded using the built-in mic on a cassette recorder, between 1981-1983."Dedicated to the memory of my dear friend, Genesis P-Orridge" - Kevin Thorne

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"No More Apocalypse Father"

LP | 2024 | CA | Original (Constellation)

LP | 2024 | US | Original (Youngbloods)

Release: 2024 / CA – Original

Genre: Rock & Indie

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WE ARE WINTER'S BLUE AND RADIANT CHILDREN (WAWBARC) is the new quartet of Mat Ball(BIG|BRAVE), Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion),and Jonathan Downs and Patch (both Ada). On "NO MORE APOCALYPSE FATHER" they presentsix modal lullabies drenched in seared distortion, slathered across striding electronic pulses.Ball and Menuck began creating music in and for the bleakest moments of Montréal winters:"We're honoring that idea of winter, when you come inside and your house is warm, a placethat only exists because of how cold it is outside," says Menuck. They later recruited Downsand Patch to flesh out their initial ideas. Menuck met them in 2015 when recording Ada'sfinal album at Montréal's Hotel2Tango _ where they reconvened to make this record."NO MORE APOCALYPSE FATHER" is an album about witnessing bleakness from a place ofsafety. Carrying newfound descriptive depth, thanks to the quartet's open-ended songsfreeing him from writing in meter, Menuck likens his lyrics to photorealism. On opener `Ratsand Roses' he sings of an unnamed city struck by an unknown cataclysm, but the details arelocal: specifically, his neighbors inadvertently poisoning birds when tackling a rat infestation.It's backed by blown out synths and guitars reaching a soaring crescendo. "Seeing thingsfrom a distance and not being able to intervene happens a lot on the record," Menuckexplains. "If you're a feeling and thinking person, that's just part of the human condition.We watch horror unfolding from afar, unable to do anything concrete to change it."A powerless witness, able to describe but not intervene. `Dangling Blanket From A Balcony(White Phosphorous)' references Michael Jackson holding his child over a hotel balcony in2002_the bizarre media spectacle still lodged in Menuck's psyche. This and the album'sclosing track also elegize white phosphorous, a technology of war designed to light upbattlefields but capable of inflicting horrific burns on those it touches...

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We Are The Willows

LP | 2018 | US | Reissue (Bad Time)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Twin Cities-based band We Are the Willows presents its sonically explorative full-length album "iv" in collaboration with Brooklyn’s Youngbloods label. In title, the album nods to the project being the band’s fourth LP and is shorthand for Inside Voice, a side project between Willows lead Peter Miller and cellist Hilary James (Bathtub Cig) where the record’s writing derived. "iv" follows a series of three multi-genre EP projects released in 2023, shifting between classically tinged ambience, soaring falsetto mantras, and dancing syncopated rhythms to develop a fully formed amalgamation of the band’s prior output. Across eight new works, We Are the Willows’ latest effort explores their creative process through a procedural and holistic lens, the end result being a wonderfully earnest and stylistically polished discovery of artistic belonging.

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We Are The Union

Self Care

LP | 2018 | US | Reissue (Bad Time)

Release: 2018 / US – Reissue

Genre: Rock & Indie

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NEW Re-issue OF THE SKA Meets Pop-punk Classic That Kicked OFF THE Modern SKA Resurgence ON Retail Exclusive Blue Vinyl W/ Marketing Sticker Whatever arguable resurgence that ska punk seems to be having, you can’t attempt to explain it or pinpoint it without referencing We Are The Union or their 2018 masterpiece “Self Care”. Initially a crowd-funded venture that raised over $60,000 worth of support, the record’s release was met with critical success and an instantly sold out modest initial pressing of 600 units. Now for the first time since it’s release the record is available again from the ska-punk focused Bad Time Records (who released the band’s 2021 album “Ordinary Life”), ready to meet the since dramatically expanded ska fan base. The record focuses on mental health in a way that hadn’t been addressed especially by a ska band. Singer Reade Wolcott addressed it in an article for Spin: “At that point, my focus was very pro-normalizing talking about mental health,” Wolcott says of 2018’s Self Care, the band’s first post-hiatus record. Wolcott wanted to push the conversation around mental health and open the possibility of taking complex emotions and putting them at the center of a ska song. “People related to it in a way that I hadn’t seen in the past,” she says of the album’s themes of depression, anxiety and existential crises. - Niko Stratis, Spin With radio-worthy singles like “A Better Home” and “What’s Wrong With Me”, the record is not only important in the annals of ska history but a critical success in the world of independent music, period, and a must have for collectors and fans alike.

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We Are The Union

Self Care

14,99 €*

LP | 2021 | US | Original (Bad Time)

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Blue Vinyl Edition.
Small light scuffs on side A.
Cover with a beginning seam split at the upper edge.

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We Are The Union

Ordinary Life

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Last Night From Glasgow)

We Are The Physics

Are Ok At Music

32,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Maybe Today, Maybe Tomorrow

We Are The Ocean

LP | 2022 | EU | Original (Hassle)

31,99 €*

7" | 2024 | JP | Original (Fivelater / Lawson Entertainment, Inc.(Hmv Record Shop))

Release: 2022 / EU – Original

Genre: Rock & Indie

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We Are The Ocean's third album 'Maybe Today, Maybe Tomorrow', pressed on vinyl for the first time in celebration of the 10th anniversary of its original release.Limited opaque cream pressing.

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We Are The Night

Tiramisu Cake

LP | 2024 | UK | Original (Nature Sounds)

Release: 2024 / JP – Original

Genre: Pop

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The hit song "Tiramisu Cake" by the renowned Korean indie band "We Are The Night" is being released for the first time as a 7-inch vinyl.

Originally released in 2015, the track gained renewed attention in 2018 when it appeared on the soundtrack of the drama “To. Jenny,” spreading by word of mouth. In 2022, thanks to actor Kim Sung-cheol, the star of “To. Jenny,” the song experienced another surge in popularity, becoming a trending challenge song among the MZ generation. Many K-pop artists joined the "Tiramisu Cake Challenge," propelling the track to global fame.

In response to its immense popularity, "Tiramisu Cake" is being released as part of the "K-Indies Series," an analog project by the label "Bside," which highlights top Korean artists. The A-side of the 7-inch features the original mix version from 2024, while the B-side includes the band's latest track "Lantern," their first new song in about two years. "Lantern" is an energetic departure from We Are The Night's previous works and has gained strong support from fans and lovers of indie electronic music. The original artwork on the 7-inch cover, featuring the single covers for each track, enhances its value as a collectible item.

Formed in 2013, the indie-pop band "We Are The Night" captures the anxieties, hopes, and love of their generation with their dreamy and sensory synth-based sound. With four full albums released so far, their distinctive "cinematic sound" has resonated with listeners. This 7-inch release in collaboration with "Bside" marks their first step into the Japanese music market.

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We Are Scorpio

30,99 €*

CD | 2024 | UK | Original (Nature Sounds)

Release: 2024 / UK – Original

Genre: Rock & Indie

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"The contributions Black women have made to the growth of rock & roll cannot be overstated, from the genre’s beginnings to the present day. Embracing this legacy, world renowned poet jessica Care moore and prolific performer Steffanie Christi’an have joined forces to form We Are Scorpio, an explosive new project blending rock & roll with poetry. A leading voice of her generation, moore has performed on stages across the globe, written acclaimed books and plays, and recorded her poetry with artists like Common, Nas, Jeezy, Karriem Riggins, Jeff Mills, Roy Ayers, Jose James, and more. Her latest foray into music is We Are Scorpio, a unique take on modern rock sparked by chemistry with fellow Detroit native Christi’an and encapsulating an undeniable Black femme punk energy. Joining a long line of Detroit artists who spoke truth with force across genre and gendered borders, the duo is now unveiling its self-titled debut album. With unapologetic vocals and rapid-fire poetics occupying the same space as head-banging guitar riffs, the collection features appearances by talented artists like Talib Kweli, Sada Baby, Divinity Roxx, Niko Is, and Militia Vox. Expansive but intimate, We Are Scorpio delves into parts unknown with fiery purpose."

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We Are Scorpio

16,99 €*

LP | 2023 | EU | Original (Munster)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

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We All Together

Volumen II

7" | 1996 | JM | Original (Xtra Large Productions)

Release: 2023 / EU – Original

Genre: Rock & Indie

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HIGHLIGHTS:First time vinyl reissue of the second album (originally released in 1973) by one of the epoch-making groups in the history of Peruvian rock: We All Together. Their original compositions -all sung in English- betray their passion for McCartney, taking Beatle centrism to new heights in South America. While the Uruguayan Los Shakers could remind us of the first phase of the Fab 4, We All Together is like their seventies version. Amazing compositions, with nods to prog rock and the twilight imprint of singer-songwriters living the end of the hippy dream, that show both diversity and a defined identity. A must for any '70s rock collector. DETAILS:Between 1967 and 1974 Saúl and Manuel Cornejo led a series of epoch-making groups on the MAG label (New Juggler Sound, Laghonia and We All Together) in the history of Peruvian rock. All these bands were directly influenced by the British invasion and used new sounds from Hammond, phase shifters, synthesizers and tapes played backwards, which stimulated rivalry with other groups. Another hallmark of the brothers was the technical quality of their records, thanks to Saul's supervision of all MAG recordings between 1972 and 1974. At the end of 1971, when Laghonia was working on the last tracks of "Etcétera", they met Manuel Antonio Guerrero's (MAG) son, Carlos, who had just got back from the USA, and gladly joined in the choruses of the last songs Laghonia was recording. They met up again soon after to rehearse some of Paul McCartney's songs. As soon as he heard them play, Guerrero Senior urged them to form a group focused on cover versions of foreign hits not yet known in Peru. Initially, the Cornejo brothers weren't enthused by a project so different from Laghonia, but ended up accepting as it gave them the opportunity to spend time in the studio. Carlos' melodic voice was another incentive, although they made it clear that the new group, We All Together (WAT), would stick to the mixing desk: "The group isn't into presentations or...

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Wayne Wonder

The Best

3,99 €*

7" | 2024 | EU | Original (Hits38)

Release: 1996 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Close to VG+

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Wayne Smith

Under Me Sleng Teng

13,99 €*

Mr Bossman: Sleng Teng Records from 1983 to 1986)

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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The facts behind Wayne Smith's "Under Mi Sleng Teng" is deliciously interesting. This instrumental changed the course of reggae music forever, churning out a plethora of digital riddims on its heels. Wayne Smith and Noel Davey originated the digital sound using a Casiotone Mt40 Keyboard, the riff being a sample from "Hang Onto Yourself" from David Bowie's Album Ziggy Stardust. Casio's employee Okuda Hiroko improved the riff for the Casiotone keyboard and the Jamaican youths tinkered creating an everlasting anthem under the masterful hands of Lloyd "Kings Jammy" James. This fresh and dynamic sound drew many outside of Jamaica to the genre of dancehall. At this time the 18 year old Wayne Smith had been on the reggae scene for some time voicing dubs for sound systems, even releasing two full albums by the time he was 14. Barrington Levy's dancehall hit "Under Mi Sensi" was his inspiration for "Under Mi Sleng Teng". The song's success heralded a historical milestone revolutionizing the sound of reggae and also the way in which dancehall songs were recorded. Up until that time the artist would approach the studio with a song taking along the lyrics and the instrumental, but the Sleng Teng hit created the role of the digital engineer who churned out sturdy computerized riddims and then invited artistes to voice. To date there are more than 500 titles using the Sleng Teng instrumental.

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Wayne Smith

LP | 2017 | EU | Original (Evidence)

17,99 €*

LP | 1977 | JP | Reissue (Blue Note)

Release: 2017 / EU – Original

Genre: Reggae & Dancehall

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First issue of Sleng Teng label material released by Evidence Music. “Mr Bossman” by Wayne Smith was recorded from 1983 to 1986.

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Wayne Shorter

Super Nova

49,99 €*

Speak No Evil Blue Vinyl Edition

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI! Cover with slight wear and sticker residue on the back! Record has a few slight scratches!

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Wayne Shorter

LP | 1964 | EU | Reissue (Blue Note)

Celebration Volume 1 Live From Stockholm 2014

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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1964 was one of the most momentous years in the musical life of Wayne Shorter. Early in the year the saxophonist was still a member of Art Blakey & The Jazz Messengers, appearing on classic Blue Note albums like Free for All and Indestructible. Shorter made his own auspicious label debut that spring with Night Dreamer and quickly recorded the impressive follow-up JuJu. That summer he joined the Miles Davis Quintet, cementing a line-up that would become one of the seminal bands in jazz history. And when Shorter entered Van Gelder Studio with Freddie Hubbard, Herbie Hancock, Ron Carter, and Elvin Jones on Christmas Eve 1964 they created a masterpiece with Speak No Evil, a transcendent set of six Shorter originals including the swinging title track, “Witch Hunt,” and sublime ballad “Infant Eyes.”

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Wayne Shorter

2LP | 2024 | Original (Blue Note)

39,99 €*

LP | 2021 | EU | Original (Past Inside The Present)

Release: 2024 / Original

Genre: Organic Grooves

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Blue Note Records has announced an August 23 release of Celebration, Volume 1, the first in a series of archival releases that the legendary saxophonist and composer Wayne Shorter curated before he passed away in 2023. This thrilling 2014 live recording captured Shorter’s acclaimed quartet with pianist Danilo Perez, bassist John Patitucci, and drummer Brian Blade at the Stockholm Jazz Festival in Sweden. The intrepid set includes some of the band’s favorite vehicles of exploration including “Zero Gravity,” “Smilin’ Through,” “Orbits,” “Lotus,” and “She Moves Through The Fair.” The album is introduced today with the single “Edge of the World (End Title),” a theme by composer Arthur B. Rubinstein from the 1983 film WarGames.

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Wayne Robert Thomas

Canticles Of Bliss

7" | 2001 | JM | Original (Baby G)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Composed and recorded by Wayne Robert Thomas with an electric guitar at Stan Mikita's Donuts, Aurora, Indiana from October 2019 to August 2020. Design, layout and assemblage and christened by Sir Frizzell. Mastered and blessed at Schwebung Mastering (Germany) by Stephan Mathieu. Muted trombone by Ron-Robert Thompson on 'Just Be Patient With Me' Additional guitar by Andrew Bergman on 'Envoi' . "Love abounds in everything"

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Wayne Marshall

Whole World

4,99 €*

7" | 2005 | JM | Original (H2O Productions)

Release: 2001 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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Wayne Marshall

The Right Herb

3,99 €*

Wayne Kramer And The Pink Fairies

Release: 2005 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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Cocaine Blues Clear Vinyl Edition

LP | 2023 | EU | Original (Audioplatter)

17,99 €*

LP | 1976 | EU | Reissue (Strut)

Release: 2023 / EU – Original

Genre: Rock & Indie

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This album features elements of two of the greatest revolutionary rock bands of all time. Wayne Kramer came to prominence as a teenager in 1967 as a co-founder of the Detroit rock group MC5, a group known for their powerful live performances and radical left-wing political stance. The Pink Fairies - on the other hand - are an English rock band initially active in the London underground and psychedelic scene of the early 1970s. They promoted free music, drug taking and anarchy and often performed impromptu gigs and other agitprop stunts, such as playing for free outside the gates at the Bath and Isle of Wight pop festivals in 1970, as well as appearing at Phun City, the first Glastonbury and many other free festivals including Windsor and Trentishoe. When two such masters of sonic revolution meet up, sparks are sure to fly as you will hear on this extraordinary record!

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Wayne Davis

Wayne County & The Electric Chairs

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Strut present the first ever reissue of an essential lost classic from the Black Fire catalogue, Wayne Davis’ powerful self-titled gospel-soul album from 1976.

An accomplished vocalist and keyboard player, Davis had studied in Washington D.C. and had worked with Roberta Flack and she subsequently secured him a recording deal with Atlantic Records; he released the A View From Another Place album in 1973 and Roberta contributed electric piano to one of the tracks. Davis was then dropped from the label and his subsequent album was released by Jimmy Gray on Black Fire. Produced by Jimmy Watkins and Bias Studios manager, Bob Dawson, the album line-up featured the celebrated poet and flautist Wanda Robinson and the horn section from legendary D.C. go-go pioneers Experience Unlimited. Wayne later returned the favour, appearing as a vocalist on Experience Unlimited’s seminal Free Yourself album.

This first international reissue of the album features new sleeve notes including band member interviews and original illustrated artwork by Muzi Branch. Audio was transferred from the original tapes by the album’s engineer, Bob Dawson, and was remastered by The Carvery.

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Things Your Mother Never Told You

LP | 1978 | EU | Reissue (Spittle)

21,99 €*

Wayne County & The Electric Chairs

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Jayne/Wayne County's most audacious album is also possibly among the most important albums of its age. Released in 1979 just as the new wave was teetering on the brink of some kind of bold step forward, Things Your Mother Never Told You was one of the sudden shoves which sent it sprawling into its destiny. Electro-punk starts here. Producer David Cunningham takes only a portion of the credit; in years to come he would lead the Flying Lizards into the realm of heavily stylized electronica. But County's songs match his ambitions all the way, from the harsh, grating soundscapes behind "C3"'s muttered imprecations to the soft-spoken paranoia of "Waiting for the Marines," and onto "Berlin," the song that put into words everything David Bowie (among others) tried to convey about that city via image and insinuation. It's not all electro-art smarts, of course. "Boy With the Stolen Face" and the pouting, punishing "Wonder Woman" are archetypal Electric Chairs - a reminder of how, at the band's very best, they could run the Rolling Stones close in the swaggering rock & roller stakes - and the murder mystery "Wall City Girl" could have fallen off a forgotten volume of Nuggets or Pebbles. The title track, meanwhile, doesn't simply seethe with all the promise -- sexual, social, and societal -- which made County the superstar (s)he so very nearly was, it also lets listeners know why no one has ever truly snatched that crown away. (All Music)

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Storm The Gates Of Heaven

LP | 1978 | EU | Reissue (Spittle)

19,79 €* 21,99 € -10%

The Taker/Tulsa Vinyl Me, Please Edition

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Prior to his release this record was simply ‘labeled’ as Punk-Rock but this one comes from the New York Dolls side of Glam Punk. Storm the Gates of Heaven reveals unusual aspects of County's work: serious, reflective and profound. The monologue introducing the title track is the only part that may be considered offensive. The sound is a blend of bass, lead & rhythm guitar, drums & percussion by the versatile Electric Chairs. Embellished by Hammond organ, the title track rages against and laments the suffering caused by religious wars. Cry Of Angels is an eloquent, even anthemic defense of Enlightenment values on which the guitar textures and the hook around the chorus superbly complement one another. An artful blend of County's characteristic outrage and the pure pop genius that lay behind the garish accoutrements, Storm the Gates of Heaven jams its eight tracks between two undisguised classics, the anthemic title track and a so-optimistic reading of "Tomorrow Is Another Day, not to mention a stunning cover-version of the Electric Prune´s "I had too much to dream last Night"

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Waylon Jennings

LP | 1971 | US | Reissue (Vinyl Me, Please)

35,99 €*

LP | 2023 | CH | Original (Buenaventura)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
If there is a single album nexus point between what Waylon’s early career was like, and what his Imperial King of Country era was like, it’s The Taker/Tulsa: The one album from his pre-outlaw period that stands above the rest, a record that would help break an outsider songwriter to the Nashville mainstream, prove Waylon had instincts that couldn’t be taught and was maybe onto something that would
flower into all his commercial success later on.

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Waxfed

WaxBuzzard & Jabba Tha Kut

Release: 2023 / CH – Original

Genre: Hip Hop

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Waxfed is Mat Young (rpm) and Dj Mayonnaise Produced, mixed and arranged By Waxfed Words on 'Frank Zamboni' written and performed by jesse the Tree Mastered By MJC for Filthy Broke Recordings Artwork By Mat Young

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The WaxBuzzard Meets Jabba Tha Kut!

LP | 2005 | UK | Original (Second To None)

7,99 €*

Saint Cloud Black Vinyl Edition

Release: 2005 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

Price tag. Vinyl is Close to VG+.

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Waxahatchee

LP | 2020 | US | Original (Merge)

LP | 2017 | US | Original (Merge)

Release: 2020 / US – Original

Genre: Rock & Indie

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What do we hold on to from our past? What must we let go of to truly move forward? Waxahatchee's Katie Crutchfield spent much of 2018 reckoning with these questions and revisiting her roots for answers. The result is Saint Cloud, an intimate journey through the places she's been, filled with the people she's loved. Written immediately in the period following her decision to get sober, the album is an unflinching self-examination. This raw, exposed narrative terrain is aided by a shift in sonic arrangements as well. While her last two records featured the kind of big guitars, well-honed noise, and battering sounds that characterized her Philadelphia scene and strongly influenced a burgeoning new class of singer-songwriters, Saint Cloud strips back those layers to create space for Crutchfield's voice and lyrics. The result is a classic Americana sound with modern touches befitting an artist who has emerged as one of the signature storytellers of her time. Many of the narratives on Saint Cloud concern addiction and the havoc it wreaks on ourselves and our loved ones, as Crutchfield comes to a deeper understanding of love not only for those around her but for herself. This coalesces most clearly on "Fire," which she says was literally written in transit, during a drive over the Mississippi River into West Memphis, and serves as a love song to herself, a paean to moving past shame into a place of unconditional self-acceptance. Over the course of Saint Cloud, which was recorded the summer of 2019 and produced by Brad Cook (Bon Iver), Crutchfield peels back the distortion of electric guitars to create a wider sonic palette than on any previous Waxahatchee album. It is a record filled with nods to classic country, folk-inspired tones, and distinctly modern touches. To bolster her vision, Crutchfield enlisted Bobby Colombo and Bill Lennox, both of the Detroit band Bonny Doon, to serve as backing band on the record, along with Josh Kaufman (Hiss Golden Messenger, Bon Iver) on guitar and keyboards and Nick Kinsey (Kevin Morby) on drums and percussion. Saint Cloud marks the beginning of a journey for Crutchfield, one that sees her leaving behind past vices and the comfortable environs of her Philadelphia scene to head south in search of something new. If on her previous work Crutchfield was out in the storm, she's now firmly in the eye of it, taking stock of her past with a clear perspective and gathering the strength to carry onward.

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Waxahatchee

Out In The Storm

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Merge)

Waxahatchee

Ivy Tripp

30,99 €*

Tales Of The Forgotten Melodies - 20 Years Collector Edition

Release: 2015 / US – Original

Genre: Rock & Indie

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Waxahatchee, the solo musical project of Katie Crutchfield, is named after a creek not far from her childhood home in Alabama and seems to represent both where she came from and where she’s going. Ivy Tripp drifts confidently from its predecessors and brings forth a more informed and powerful recognition of where Crutchfield has currently found herself. The lament and grieving for her youth seem to have been replaced with control and sheer self-honesty. “My life has changed a lot in the last two years, and it’s been hard for me to process my feelings other than by writing songs,” says Crutchfield. “I think a running theme [of Ivy Tripp] is steadying yourself on shaky ground and reminding yourself that you have control in situations that seem overwhelming, or just being cognizant in moments of deep confusion or sadness, and learning to really feel emotions and to grow from that.”

Recorded and engineered by Kyle Gilbride of Wherever Audio at Crutchfield’s home on New York’s Long Island—with drums recorded in the gym of a local elementary school—Ivy Tripp presents a more developed and aged version of Waxahatchee. “The title Ivy Tripp is really just a term I made up for directionless-ness, specifically of the 20-something, 30-something, 40-something of today, lacking regard for the complaisant life path of our parents and grandparents. I have thought of it like this: [Waxahatchee’s last album] Cerulean Salt is a solid and Ivy Tripp is a gas.”

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Wax Tailor

2LP+7" | 2004 | EU | Reissue (Lab'Oratoire)

35,99 €*

Fishing For Accidents Red Vinyl Edition

Release: 2004 / EU – Reissue

Genre: Electronic & Dance

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Marbled (white & black) vinyls + 7"

20 years after its release, Wax Tailor's cult album, which made him a household name the world over, is back in a marbled 2LP collector's edition with the bonus single ‘Seize the Day’ (previously unreleased on vinyl). Long unavailable due to its success, this eagerly-awaited repress offers the chance to discover once again this essential work of the trip-hop scene.

This exceptional box set includes two marbled vinyl records along with an exclusive 7-inch single of Seize The Day.

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Wax Tailor

LP | 2023 | EU | Original (Lab'Oratoire)

Fishing For Accidents Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Hip Hop

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Wax Tailor announces the release of his new album "Fishing For Accidents" on February 10th, 2023, accompanied by a new international tour.
"The starting point of this record is a quote from the film director Orson Welles, which evokes the notion of accident in the creative process. I always thought that accidents were an integral part of creation and the job of a film or music director is also to know how to capture them in order to make the accident an artistic intention. I decided not to follow a well established concept but this more instinctive guideline and to go fishing for accidents".
In this new opus, Wax Tailor explores with his sampler a world of vinyls and cinematographic references, brandishing as a flag a stamped musical culture and multiplying references to the 7th art in a music written in 33 rpm and 24 images seconds. After the dark "The Shadow Of Their Suns" released in 2021, Wax Tailor takes us with "Fishing For Accidents", on a brighter and more colorful side without ever betraying his universe and his convictions.
A multi-recidivist talent scout, he gathers around him a prestigious cast ranging from hip hop (Mick Jenkins, Mr. Lif, Kuf Knotz, Lojii, Napoleon Da Legend, Ill Conscious, Voice Monet, David Bars, Mattic) to the indie rock scene (Jennifer Charles, singer of the legendary band Elysian Fields and Victoria Bigelow).
With one eye on the past and the other on the horizon, Wax Tailor instills the incandescence of an organic sound and distills his art of sound anachronism in a wide gap between nostalgia and modernity that has made him one of the leaders of the international electro hip hop scene for over 20 years.

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Wax Tailor

LP | 2023 | EU | Original (Lab'Oratoire)

12" | 1994 | EU | Reissue (Chiwax Classic Edition)

Release: 2023 / EU – Original

Genre: Hip Hop

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Wax Fruit

Whispers

LP | 2020 | EU | Original (Capture Tracks)

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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Chiwax Classic Edition proudly presents Ron Allen aka Wax Fruit. "Whispers" came out in 1994 on famous Definitive Records, run by John Acquaviva and Richie Hawtin.

Ron Allen moved to Toronto in 1988 and became a pioneer of electronic music in Canada releasing his first record on Bigshot Records in 1989. Also a Juno Nominated music producer, songwriter, and DJ. In 1991, Ron Allen and Hayden Andre formed legendary dance music label Strobe Records that was instrumental in developing the house and techno genres in the early 90’s.

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Wax Chattels

Clot White Vinyl Edition

LP | 2017 | US | Original (Ghost Ramp)

Release: 2020 / EU – Original

Genre: Rock & Indie

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It is universally agreed that New Zealand's Wax Chattels are a must-see live act; their hypnotically sinister debut captured this perfectly. Released in 2018 and supported by relentless touring, the eponymous album reached #7 on the New Zealand Album Charts, and release week saw the title feature as #1 in Rough Trade's Top 20 New Releases. Tastemakers like NPR and A.V. Club came on as early champions. The album's success at home and abroad led to the well-deserved nomination of Best Alternative Artist at the 2018 New Zealand Music Awards, as well as the band's inclusion in the coveted shortlist of finalists for the Taite Music Prize and Auckland Live Best Independent Debut Award. After a knock-out entrée, the anticipation that surrounds their sophomore album, "Clot", is immense. Much like their debut, the writing process for "Clot" took the best part of a year. While some songs were written on the road, the bulk of the album was workshopped throughout 2019 across bedrooms and storage containers. Demos were fine-tuned before recording engineer James Goldsmith (Aldous Harding, Mermaidens) stepped in. The band maintained the use of only the barest of ingredients - bass guitar, keyboard, and a two-piece drum kit - but spent more time experimenting with and finding new sounds. They wanted to maintain the same live element, but, this time, heavier - for which they enlisted the help of mixing engineer, and fellow noise-maker, Ben Greenberg (Uniform, Destruction Unit, The Men). The keyboards are thicker, the bass more intense. A marked step-up, this new record keeps the visceral energy of the debut, only this time they dig deeper into cathartic noise.

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Wavves

You're Welcome

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2015 | EU | Original (Audiolith)

Totschlagargumente

Release: 2015 / EU – Original

Genre: Hip Hop

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Eine Hand Bricht Die Andere

LP | 2017 | EU | Original (Audiolith)

Release: 2017 / EU – Original

Genre: Hip Hop

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Das Muss Eine Demokratie Aushalten Können Black Vinyl Edition

LP | 2019 | EU | Original (Audiolith)

Release: 2019 / EU – Original

Genre: Hip Hop

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Das Muss Eine Demokratie Aushalten Können

CD | 2019 | EU | Original (Audiolith)

15,99 €*

Release: 2019 / EU – Original

Genre: Hip Hop

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CD | 2022 | EU | Original (Audiolith)

Am Käfig Rütteln

16,99 €*

Release: 2022 / EU – Original

Genre: Hip Hop

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LP | 2022 | EU | Original (Audiolith)

Am Käfig Rütteln

Release: 2022 / EU – Original

Genre: Hip Hop

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2LP | 2022 | DE | Original (Audiolith)

Am Käfig Rütteln

Release: 2022 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: Sealed, Cover: Sealed

12" | 2023 | CH | Original (Silum)

Wavetest

High Altitude

13,59 €* 16,99 € -20%

12" | 2014 | EU | Original (Wolfandlamb Music)

Release: 2023 / CH – Original

Genre: Electronic & Dance

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Newly founded Silum Records’ second release features Zurich based collective Wavetest, known for their previous endeavors on Phantom Island and Drumpoet. High Altitude draws inspiration from the alpine landscape of the collective’s native Liechtenstein while getting you dancing in sweaty clubs…with a smile on your face.

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Waves & Us, The

The Waves & Us

9,99 €*

LP | 2023 | EU | Original (Saturate!)

Release: 2014 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Marking the start of an exciting new collaborative project, Wolf + Lamb proudly share the debut release of The Waves & Us. Formed out of a creative meeting of minds between Maayan Nidam, Markus Nikolaus and Louis McGuire, theirs is a sound that strengthens the storied approach of a live band with the experimental thrust of analogue electronics. Pop and rock fundamentals lend an earthly hook to the tracks, but these are anything but straight-forward songs. Maayan has already forged a formidable career in electronic music, both under her own name and as part of Mara Trax, scoring releases on such celebrated labels as Perlon. Markus performs his own solo project Cunt Cunt Chanel, while Louis is part of Ballet School, a band releasing on noted indie label Bella Union. The whirlwind of creativity that has whipped up around the trio has yielded an album which will follow this single, made up of one-take recordings that capture the energy and adventure that powers The Waves & Us. Maayan's electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed chains of processing and effects with an emphasis on a warm, charmingly rough finish. Markus' guitar undergoes a similar fuzzy treatment while his voice calls out introspective, abstract lyrics to set the mind racing. Louis' bass underpins the music with a dubby sensibility, bringing a necessary balance to the frequency range. Making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the album, providing a little insight into the flutters and fluctuations that shape the development of this project. With their eyes fixed on live performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.

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Wavecraft x Saturate!

Halftone

LP | 2023 | US | Original (Not Not Fun)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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HALFTONE The future of heavy bass music has always found its portal via SATURATE! Records, and now alongside WAVECRAFT, we have another glimpse into infinity in the form of HALFTONE! From the onset of this compilation, you can feel the ominous bass ballast even before it first hits you…. Swelling up like a tsunami to engulf your brain with grinding terror. The heaviness is abundant across these tracks, with contributions from synth destroyers like Suahn, Kryptt and Low Poly melting your speakers and eardrums alike. Dark atmospherics rule the day here, which effectively sets the tone for the rabid roughness on display when the bass morphology takes hold of each track so mercilessly. Slow knuckle draggers and upbeat head bangers both hold dominion in this realm, leaving no sonic stone unturned. Always at the crest of the future music wave, HALFTONE shows you just how deep this rabbit hole can get.

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Wave Temples

Panama Shift

7" | 2020 | EU | Original (Activ Analog)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Over a decade since its inception, Wave Temples continues to refine and refract the project’s visionary mythopoetic exotica. Panama Shift presents a 20-track kaleidoscopic star map inspired by “the euphoric cults, both then and now, that come and go in the vast ritual of night.” Bleached keys, devotional synth, and driftwood percussion align in minimalist vignettes shaded by tape hiss and field recordings of streams, waves, wind, and birds.

Dedicated to the late Japanese-born American anthropologist Yosihiko H. Sinoto (whose portrait graces the cover), famed for his excavations throughout the Pacific and French Polynesia, the album embodies a similarly voyaging spirit: “chasing ancient mysteries… and rekindling with the esoteric journey of the human spirit.” This is music of forgotten shores, sea air, and saltwater shrines, echoing in shells scattered across the altars of Atlantis.

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Wave Shaper

10,49 €* 13,99 € -25%

2LP | 2024 | EU | Original (Ransom Note)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Wave Shapers's approach to electronic music entails the collection of field recordings and foley sounds blended with sequences and live playing of synths over multi tracked backgrounds consisting of the blended captured sounds, all to create a free form escape for the listener. A form of auditory meditation/contemplation as the eventual goal. Enjoy!

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Wave Arising

The Rooted Sky

30,59 €* 35,99 € -15%

Watts 103rd St Rhythm Band / Meters, The

Release: 2024 / EU – Original

Genre: Electronic & Dance

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To be released on Ransom Note Records and marking the debut album of Wave Arising project , "(The) Rooted Sky" is an invitation to an initiatory journey where intuitions are channeled into grooves and otherworldly sonic landscapes . A sound where intense rhythms meet circular expansions .

From various improvisations, the experienced & avant-garde musician Sebastian Vaughan decided to take a fresh look and avoid the use of sampling third parties by crafting compositions. An approach to music as a spiritual path driven all the way long by psychedelic dubby vibes , acidic frequencies & hypnotic repetitions coming from his sound-system culture heritage .

While the tracks "It Comes and Goes" , "Ronde Cinétique" , "Electric Shrine" and "Golden Black" draw contemporary almost cinematic ambiences with vibrant and spacious feelings , "Monin Yiri" , "Sound Loves Dance" & "Grow with the Flow" represent a series of energetic deconstructed leftfields , with the omnipresence of a singular tribalism that emphases the african side of Wave Arising .

On its own "Music without chains" is , as the title underlines , a joyful jam free from any boxes or attempts at confinement .

Finally "Subconscience" arrives like a probe , a dreamlike piece full of endless reverbs from Kynsie's voice ; generating mysterious environments and resonating directly with "Soul Whispers" .

Taking on the challenge of fusion , "(The) Rooted Sky" asks the listener to open up through a collection of progressive tracks reflecting the core of Wave Arising’s spirit : Music & Body as a portal . Through this consciously chosen wide range of dynamics , the producer shows his musical ability to create an unique sonic palette yet staying true to his own personality .

Regarding the cover, the outside is a minimalist yet symbolic photograph of the duo’s hands. As for the interior, Wave Arising is very grateful to welcome primitive artworks by the talented artist Rapoon , one of the founder members of the legendary group Zoviet*France . Continuing with this global vision of intertwined arts, the videos accompanying this record are created by Wave Arising .

Ultimately , the recurrent animistic vibes of "(The) Rooted Sky" give to the album a spiritual ethos directly driven by the book of Nature reminding us that, we are all connected to the Source .

Whatever the "Source" means for each one . . .

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Express Yourself / Just Kissed My Baby

7" | 2018 | EU | Original (A’s and Bee's)

Osukini Douzo / Sorega Doushita

Release: 2018 / EU – Original

Genre: Organic Grooves

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Limited Edition for Record Store Day 2018! Remastered and resissued double A sider for soul aficionados, B Boys and jazz funk lovers.
Both instantly recognisable across the generations, the A side sees a reissue of one of the most feel good records out there in – ‘Express Yourself’. Most famously sampled by the mighty N.W.A. in '89…. ‘Whatever you do, do it good’.
On flip you get pure funk destruction in the form of The Meters – Just Kissed My Baby. An insatiable, groove laden intro which has been prime sampling material throughout the years - most notably in Public Enemy’s ‘Timebomb’. Here’s a chance to own two gems on one limited green Colored Vinyl, with a large / dinked centre hole.

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Watt & Takase

7" | 2024 | JP | Original (: Ushiyama Kikaku)

18,89 €* 20,99 € -10%

Recorded In Miami 1989-1991

Release: 2024 / JP – Original

Genre: Hip Hop

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A limited number of 7-inch records, single cuts from the collaborative album "Bochibochi Ikoka" by Watt & Takase, will be released! The A-side song "Osukini Douzo" (As You Like It) is a highly addictive killer tune that features an impressive beat with a bewitching ethnic sample, intertwined with the tight rapping of the two. The B-side includes "Sorega Doushita" (What about it) with a lyric that warmly celebrates the listener's daily efforts and self-affirmation, and a soulful sound/melody that will catch your ears. This release, which will be useful not only for listening, but also for a wide range of time slots at various sites, is a welcome addition to the analog DJ's collection.

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Watt

LP | 2023 | US | Original (Palilalia)

37,99 €*

LP | 2021 | US | Original (Freaks)

Release: 2023 / US – Original

Genre: Rock & Indie

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I was hanging out with Bill Orcutt at the 930 Club nearly 30 years ago, watching a famous post-rock band (who shall remain nameless, but whose moniker contained two-and-a-half times more articles and conjunctions than nouns) when he said: 'This band is like my band in college—all major 7th and 9th chords.' I relate this to emphasize that in the case of Bill Orcutt and Harry Pussy, the seemingly untutored ooze of 'Please Don't Come Back From the Moon' and 'Girl With Frog' had its genesis in something far more Apollonian than is usually understood. It's debatable whether or not Watt, the duo of Orcutt and drummer Tim Koffley featured on Recorded in Miami, is the above referenced grad-school band. Watt is not resplendent with jazz chords, but it's certainly more tutored, offering a mannered link between the contemporaneous Thunders-esque punk of Orcutt's Trash Monkeys and Harry Pussy's mayhem. The continuity with Harry Pussy is more than temporal. Recorded in Miami is Orcutt's first use of the four-string guitar, and Harry Pussy claimed the same amp and drum kit. The resemblance more or less ends there. To further put Recorded in Miami—made on Orcutt's Walkman, Rat Bastard's North Miami studio, and South Miami's Natural Sound (total bill $289)—into context, consider the fecundity of the underground music world as the '80s rolled into the '90s. It's hard to relate to those who missed it, but it was a time when post-hardcore hadn't quite given way to the bloat of grunge, when the Minutemen held sway (for the moment) over Led Zeppelin. The indie world was ruled by an ever-propagating compost heap of jagged guitar bands like Tful282, Truman's Water, and (to crank it back a couple years) Phantom Tollbooth. And in some ways (although Orcutt swears Watt's prime influences were James Blood Ulmer and Fred Frith's Massacre ), this record seems very much cut from that decade-ending cloth, seemingly only one vocal overdub away from a Homestead catalog number. Track after track (mostly titled after episodes of Art Clokey's slyly Buddhist TV masterwork, Gumby), Recorded in Miami 's tracks spill over with right angles, rockist tropes, and verse / chorus structures, from the Minutemen oid funk of 'Band Contest' to the stroked Moore-Ranaldo-isms of 'The Young and the Decoding.' Yet Orcutt's fretboard-spanning angular melodic runs are right up front in the latter, and the final two tracks introduce a bit of the explosive chaos that would follow when Adris finally claimed the drum kit. Consider 'Wattstock,' where Koffley forms the bedrock for an extended Orcutt hotbox of instantly-composed harmolodics. Or 'God Are You There, It's Me, Watt,' where we can hear the spontaneous vocal bursts (the only vocals on the album) that would re-emerge on Orcutt's early solo records. Watt began to crumble when Koffley, as drummers will do, yearned for rhythmic grids of increasing complexity, while Orcutt instead wanted to 'smoke more pot and improvise.' For a few records with Harry Pussy, Orcutt would get his wish (though some of the structuralism of Watt would creep into later records). But we shouldn't regard Recorded in Miami as mere transitional scraps of juvenalia, or stunt-rock delivered for the mere thrill of pulling it off. Rather, it's an early, major piece of the unfolding and complex puzzle of Orcutt's music. A foundation. And without the earth beneath our feet, how can we ever reach the sky?"—Tom Carter

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Watkins / Peacock

Acid Escape Volume 3

Raw Liquid Power Transparent Red Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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Watkins / Peacock are an electronic analog-digital hybrid duo, working in an improvisational frame that births a new possibility of tone, rhythm and light. dub moves in synthed atmospheres with joyful, entrancing melodies. Recorded at Santo Recording, Oakland 2019—2020 by Zachary James Watkins. mixed at Santo Recording by Watkins / Peacock. mastered by James Plotkin.

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Water Machine

7" | 2023 | UK | Original (Upset The Rhythm)

9,99 €*

Somebody Else's Song Green With Black & Purple Splatter Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Water Machine is an office romance between Hando Morice (they/them), Flore de Hoog (she/her), Jimmy Gage (he/him) and Goda Ilgauskaitė (she/her). An unassuming supergroup formed out of Glasgow institutions including Goth GF, Passion Pusher, Brenda and Soursob, their sound careens between punk, country and alt-rock underpinned by the unique quality they call “Raw Liquid Power”.

Following last year’s self-titled demo tape on Gold Mold Records, and fresh off of shows with the likes of Holiday Ghosts, The Cool Greenhouse and The Orielles, as well as a rollicking Viagra Boys afterparty, the four-piece will release their highly-anticipated first studio effort ‘Raw Liquid Power’ on Upset The Rhythm on August 4th.

The EP opens with a menacing, modulating synth melody. Gage’s guitar enters with a mighty bend before breaking into the chugging rhythm of ‘Water Machine Pt. 2’. This timely reminder to refill your water bottle - “don’t be late, hydrate!” less a wellness mantra than a threat - builds to a spacey outro with flashes of the art-punk weirdness of Suburban Lawns. ‘Stilettos’ marches on indignantly with a spiky riff punctuated by Ilgauskaitė’s cowbells. Staccato talk-singing tells a playful tale of stray cats following you home, but belies a darker subtext as the breakdown gives way to paranoid duelling guitars evoking The Fire Engines.

The anti-anthem ‘At the Drive In’ skewers joyless DIY crowds, reminiscent of much-missed Glasgow punks Breakfast Muff. Water Machine’s irrepressible sincerity can’t help but shine through in the final moments though, as jibes about “late night trade potential” give way to plaintive vocal harmonies. Morice tears public transport a new one on closer ‘Bussy’, a First Bus diss track bemoaning precarious employment amidst crumbling infrastructure. “That’s why I’m not on time!” they roar over de Hoog’s frantic, pounding bass, bringing the record to a skidding, screeching halt.

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Water From Your Eyes

LP | 2024 | US | Original (Exploding In Sound)

This Side Of Jordan Gold Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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In the years since the release of Water From Your Eyes’ groundbreaking effort, “Somebody Else’s Song,” the duo have taken the world by storm, becoming one of the most consistent and beloved experimental pop bands of the era. They’ve toured with Interpol, Squid, Palm, Real Estate, and Pavement, earning a reputation as critically acclaimed songwriters and a stellar live act with a boisterous presence. This October marks five years since the release and Exploding In Sound Records are celebrating with a limited edition reissue on green vinyl with purple and black splatter!

Back in 2019, Brooklyn’s Water From Your Eyes had been evolving and experimenting with their sound. With “Somebody Else’s Song,” the band felt that they had found their place, the album an amalgamation of their past releases, honing in previously explored aesthetics but combining and rearranging ideas to capture feelings of self-reflection and personal growth. At their core, the duo of Nate Amos and Rachel Brown make experimental pop music, songs you can dance to, songs that will stick in your head long after you’ve heard them. The sound of Water From Your Eyes is far more expansive however, and “Somebody Else’s Song” is blissfully unclassifiable.

The lines of genre have blurred beyond recognition. The landscape flickers between haunting ambiance and noisy immersion, electronic and acoustic elements expressing emotional and mental states that are ever changing. “Somebody Else’s Song” was their first true “New York album” since the band’s relocation from Chicago, and much of the weight comes from the personal change inherent from living in a new place as life continues to whir around us. The duo took their time, the ideas coming into formation over the course of two years. That patience is apparent as the album unfolds, a balance between vulnerability and enormous shapeshifting rhythms.

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Watchhouse

LP | 2024 | US | Original (Yep Roc)

12" | 2020 | UK | Original (The Trilogy Tapes)

Release: 2024 / US – Original

Genre: Rock & Indie

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At it’s core, Watchhouse (formerly known as Mandolin Orange) is a duo - Andrew Marlin and Emily Frantz - from Chapel Hill, NC. Their harmonies are ethereal, their chemistry vibrant, bringing to mind the atmosphere invoked by classic duos such as Emmylou Harris and Gram Parsons, or Gillian Welch and David Rawlings. Andrew and Emily provide the foundation of the group's timeless Americana sound, while enlisting a full band to flesh out their dynamics. This Side of Jordan is the group's 3rd full length album and debut release on Yep Roc Records. Since signing to the label and releasing This Side of Jordan in 2013, the band has made quite a bit of noise on the folk/Americana circuit. They’ve received critical acclaim from NPR Music, Rolling Stone, The Wall Street Journal, Garden & Gun, No Depression and more. Their catalog has surpassed over 500 million streams and they’ve sold out worldwide tours. They have headlined Red Rocks and have graced the stage of the Ryman, Bonnaroo, and Newport Folk Festival.

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Waswaas

Antidote

14,99 €*

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Wasted Shirt (Ty Segall & Brian Chippendale Of Lightning Bolt)

Fungus II

LP | 2020 | US | Original (Famous Class)