Search "record store day" 3954 Items

Live In Paris 1971 Lost Ortf Recordings

Release: 2022 / EU – Original

Genre: Hip Hop, Organic Grooves

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After the release of their critically acclaimed first album « Bluestaeb & S. Fidelity Present Underground Canopy » (menace - 2020), Underground Canopy (uc) was able to take time, due to the unforeseen period of doubt in 2020, to craft new compositions with a fresh approach. Throughout this forced period of introspection, the Parisian band experimented with more refined musical codes and colorful sounds.

Following the new additions of Raphaël Henry on drums and Christopher Johnson on electric guitar, UC was able to record and film a live rendition of four original pieces at the end of 2020, thanks to an invitation by the Centre des Arts d’Enghien-les-Bains’s artistic program and Sense. These music videos, each filmed in one shot by Romain Lalire, capture UC’s musical digressions away from their mainly hip-hop and groove-infused jams and into new territory.

The resulting new EP «Séquences : Live Session» celebrates cinematic aesthetics and the suspension of time. It stands as an audiovisual testimonial to the band’s continued progression. In this era marked by uncertainty but full of hope, what will come next?

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Ahmad Jamal Trio

LP | 2022 | EU | Original (Transversales Disques)

In These Times White Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

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Transversales Disques proudly presents Ahmad Jamal Trio, Live in Paris 1971. Never heard before Ortf recordings performed live at studio 104, Maison de la Radio, Paris. This is the first official release with the full permission and cooperation of the National Audiovisual Institute (ina) coming in a Deluxe Edition - Classic Tip-On Jacket. Including exclusive pictures. Mastered from the original master tapes. « While be-bop musicians practise one-upmanship in terms of speed, Ahmad Jamal develops a crystal-clear touch and praises silence: "I was an angel among devils! The boppers made notes explode. I let them resonate until the end of their lives". A reputation as an artist on the fringes perhaps explains this lack of fame he suffered at one time. But despite the great whirlwind that is his life, Ahmad Jamal declares that he is searching for peace: "The quest is that of musical and internal peace. I cannot acknowledge that I am at peace, it would be dangerous to show it. A man at peace with himself doesn't say so". If you cannot say it, you can hear it, especially during his first concert in Paris in a trio. Here we are transported to the upper echelons of the art of the trio: the master of the piano, in studio 104 of Broadcasting House, is surrounded by brilliant accomplices, Jamil Nasser on double bass and Frank Gant on drums... » (Jérôme Badini, France Musique)

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Makaya McCraven

LP | 2022 | UK | Original (XL)

Release: 2022 / UK – Original

Genre: Organic Grooves

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In These Times Black Vinyl Edition

Makaya McCraven

LP | 2022 | UK | Original (XL)

Release: 2022 / UK – Original

Genre: Organic Grooves

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LP | 1976 | UK | Reissue (Mr Bongo)

Ryo Kawasaki

Juice

Sons And Daughters Of Lite

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Classic jazz-funk fusion from the late, great Japanese guitarist Ryo Kawasaki. Recorded in New York, and originally released in 1976, 'Juice' presents Ryo at the height of his powers.

Born in Japan in 1947, Ryo had a long and stellar career recording and releasing music up until his passing on 13 April 2020, in Tallinn, Estonia. Ryo is one of the pioneers of the jazz fusion genre, with the Japanese jazz fusion / funk sound becoming extremely influential within the 80s UK club scene and amongst its DJs. His track 'Trinkets & Things' became a bonafide underground classic. In the US he worked with some of the greats of jazz, such as Elvin Jones, Chico Hamilton and Bobbi Humphrey, to name but a few. A forward-thinking and ever-evolving musician, Ryo collaborated with the Roland Corporation and Korg on the 'guitar synthesizer' and later wrote music software for computers. Later in life he relocated to Estonia and worked there, as well as Finland, Sweden, and the Baltic states.

'Juice' has become a much-loved album for crate diggers and jazz-funk enthusiasts, with its tracks frequently being sampled and re-imagined in hip-hop. The smokey, beat-down, spiritual funk jam 'Bamboo Child' has been flipped by Diamond D, Puff Daddy, and Kool G Rap. The album was released in 1976 on RCA Records and features the musicians' drummer Jimmy Young, rhythm guitarist Hugh McCracken, and bassist Stu Woods amongst other luminaries. A solid album throughout that incorporates a heavy dose of tripped-out synths alongside the emerging disco sound of the time. Tracks such as the opener ‘Raisins’, with its drum beat intro and bubbling bass-line, rivals The Headhunters at their finest. A superb album from an underground legend.

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Let The Sun Shine In

LP | 1978 | US | Reissue (Ubiquity)

A Blow For Me, A Toot For You

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Formed in Oakland in the early 1970s, the Sons and Daughters of Lite recorded Let The Sun Shine In, their only LP, which has now achieved holy grail status among collectors. Let The Sun Shine In is a spiritual recording filled with soul, funk, jazz, and African percussion. The musical collective described themselves as a mix of African rhythms, Latin flavors, and Far Eastern textures. This album was virtually unknown to DJs and collectors until Michael McFadin's discovery in the late 80s. He then scoured the bay area and bought up multiple copies for his record store The Groove Merchant on Haight Street in San Francisco, many of which were bought from flea markets and the dollar bins of other shops. The outrageously funky title track became a jazz dance classic, courtesy of heavy radio and club play by top UK DJ and tastemaker Gilles Peterson.

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Fred Wesley

LP | 1977 | EU | Reissue (Speakers Corner)

34,99 €*

De Las Colonias Del Rio De La Plata Black Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Thanks to their first-class training in funk and soul while playing in James Brown’s Band, Fred Wesley and Maceo Parker were the obvious choice when it came to participating in George Clinton’s P-Funk empire – the Godfather of Soul had had an enormous influence on Clinton anyway. In 1977, Clinton and Bootsy Collins produced "A Blow For Me, A Toot For You", the début album by Fred Wesley & the Horny Horns – an ensemble with Wesley on the trombone, Parker on the tenor and alto saxophone, as well as Rick Gardner and Richard 'Kush' Griffith on the trumpet. The majority of the numbers are by Clinton and Collins, so it is not really surprising that much of the LP is pure P-Funk. The album begins rather gloomily with a remake of Parliament’s "Up For The Down Stroke", and the influence of Parliament is also unmistakable in the other numbers. With regard to the instrumental numbers, "Four Play" fuses funk and jazz, while Wesley’s atmospheric "Peace Fugue" reflects the CTI sound of the 1970s. Actually "Peace Fugue" is the work which least sounds like Clinton on this LP. "A Blow For Me, A Toot For You" scarcely ranks behind Parliament’s "Mothership Connection" or Funkadelic’s "One Nation Under A Groove" and is certainly more than just a recommendable LP, which every funk lover should get to know.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: 1977 at United Sound Systems, Detroit, by Jim Vitti and Hollywood Sound Recorders, Los Angeles, by Jim Callon Production: George Clinton and Bootsy Collins

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Viejas Raices

LP | 1976 | EU | Reissue (Altercat)

LP | 2021 | EU | Original (Playground)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Altercat proudly presents the definitive reissue of one of the crown jewels of South American jazz. Essentially the brainchild of Argentinian jazz's leading figure Jorge López Ruiz, the project Viejas Raíces marked Lopez Ruiz's departure from the traditional forms of jazz. The trio that recorded this album, consisting of López Ruiz joined by his life-long friend drummer Pocho Lapouble and gifted Chilean pianist Matías Pizarro, created a thrilling blend of jazz and Uruguayan candombe, surrounded by an undeniable cinematic feel spurred by López Ruiz's long experience in the soundtrack field. When read as one element, the cleverly chosen combination of group name and album title (in English: 'Old Roots of the Colonies of the River Plate') readily hints at the kind of sounds the listener will be challenged with when diving into this LP.

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Jan Johansson

Jazz Pa Svenska

LP | 1973 | EU | Reissue (Be With)

Release: 2021 / EU – Original

Genre: Organic Grooves

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The Legendary Swedish Jazz Pianist And Pioneer In Combining Traditional Swedish Folk Tunes With Jazz Influence. Jazz På Svenska Is The Most Sold Swedish Jazz Record Of All Time , And Has Reached An Audience Throughout The World.The Album Was Initially Released In 1964 And Has Been Selling Constantly Since Then.Now Available Again On Both Cd And Lp

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Ian Carr's Nucleus

Roots

LP | 1960 | EU | Reissue (Blue Note)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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What an unbelievable record. From the wild cover to the iconic breakbeats, Roots from Ian Carr’s Nucleus is one of the dopest albums we know. This is seriously thick, funky-prog jazz-rock heaven. Originally released on Vertigo in 1973, other than a couple of versions at the time for other territories, Roots was never re-pressed since so it’s gone on to become another one of those impossible to find records. Maybe it was a little too out there for the time, but it’s aged very, very well indeed and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press. Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that. Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. Working together with producer Fritz Fryer and engineer Roger Wake, the seven compositions by Carr, Brian Smith and Dave MacRae that make up Roots flirt with perfection, and Nucleus at that time made up of the cream of 1970s UK jazz.

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Hank Mobley

Soul Station

LP | 2020 | US | Original (Madlib Invazion)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Tenor saxophonist Hank Mobley had already led nine dates for Blue Note Records by the time he arrived at Rudy Van Gelder’s studio on February 7, 1960 with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, but on that day the quartet laid down what would become his masterpiece: Soul Station.

The crystalline six-song set was a showcase for Mobley’s lyrical flow from the breezy opening take on Irving Berlin’s “Remember” through bluesy originals like “Dig Dis” and the title track, and the swinging up-tempo numbers “This I Dig of You” and “Split Feelin’s.” Soul Station endures as a jazz classic for the ages..

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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The Heliocentrics

Telemetric Sounds

2LP | 2020 | EU | Original (Decca / Blue Note)

Release: 2020 / US – Original

Genre: Organic Grooves

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The UK’s cosmic, psychedelic-funk ensemble issue their second album on maverick producer Madlib’s label, Madlib Invazion. The Heliocentrics’ albums are all confounding pieces of work. Drawing equally from the funk universe of James Brown, the disorienting asymmetry of Sun Ra, the cinematic scope of Ennio Morricone, the sublime fusion of David Axelrod, Pierre Henry’s turned-on musique concrète, and Can’s beat-heavy Krautrock, they have – regardless of the label on which they’ve released their music - pointed the way towards a brand new kind of psychedelia, one that could only come from a band of accomplished musicians who were also obsessive music fans. Drummer Malcolm Catto and bassist Jake Ferguson are the Heliocentrics’ masterminds and producers, and they are obsessive weirdos in today’s musical climate, searching, progressive humans who are often out-of-time with current trends. They have been playing together for nearly two decades and their collective drive is to find an individual voice. The Heliocentrics search for it in an alternate galaxy where the orbits of funk, jazz, psychedelic, electronic, avant-garde and “ethnic” music all revolve around “The One.” With Madilb’s label Madlib Invazion for Telemetric Sounds, the Heliocentrics have returned to develop their epic vision of psychedelic funk, while exploring the possibilities created by their myriad influences – Latin, African, and more.

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V.A.

Blue Note Re:Imagined

38,99 €*

Tadao Sawai,Kazue Sawai,Takeshi Inomata,Norio Maeda,Hozan Yamamoto

Release: 2020 / EU – Original

Genre: Organic Grooves

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This autumn will see the release of Blue Note Re:imagined; a brand-new collection of classic Blue Note tracks, reworked and newly recorded by a selection of the UK scene’s most exciting young talents. Representing a bridge between the ground-breaking label’s past and future, the project features contributions from a roll call of 16 revered UK acts including Ezra Collective, Nubya Garcia, Poppy Ajudha, Jordan Rakei and Brit Award-winning Jorja Smith. Blue Note, which celebrated its milestone 80th anniversary in 2019, boasts an illustrious catalogue that traces the entire history of jazz and the Re:imagined project features music originally created by some of its most legendary artists.

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Jazz Rock

LP | 1973 | EU | Reissue (Mr Bongo)

LP | 1972 | EU | Reissue (Be With)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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They say you can't judge a book by its cover, and going by 'Jazz Rock', nor a record by its title. Though entering into jazz territory and featuring some distorted guitar, 'Jazz Rock' is more a beautiful marriage of funky breakbeat drumming and spiritual jazz instrumentation, combined with traditional Min'y music performed on the koto and shakuhachi.
Originally released in 1973, the record sounds simultaneously vintage and contemporary. It is akin to something Madlib might dream up whilst lost in Japan collaborating with Min'y players at a recording session. The record features some amazing shakuhachi (bamboo flute) playing by Hozan Yamamoto, which gives the music a haunting, dreamlike atmosphere. You can almost visualise the long grass blowing in the wind, and ear the bamboo rustling in the distance on a long hot summer's day. Takeshi Inomata, Tadao Sawai and Kazue Sawai anchor the session. Takeshi's exceptionally funky-drum work will almost certainly get some producers dusting off and firing up their MPC's. Whilst Kazue and Tadao work their magic on the koto (a traditional string instrument). Though certainly not an ambient record, 'Jazz-Rock' has the same meditative, other-worldly quality that invites you to sit back, listen and be transported somewhere else. Unfortunately, until now the 'Jazz Rock' album is a scarcity that commanded a high price-tag only for the most hardened of record collectors. So it is pleasure to make it accessible to all, and we hope you dig this lost, obscure future classic as much as we do.

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John Cameron

Jazzrock

LP | 1975 | UK | Reissue (Be With)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180g vinyl and was remastered from the original tapes. Be With have raided the KPM archives to re-issue another of our favourites from the KPM 1000 series. They say: A Dramatic Suite Of Themes, Montage, Sequences And Generics. We say: An enormously influential and heavy KPM set of timeless, killer funk breaks from 1972 by the mighty John Cameron. Jazzrock is an aggressive, percussion-heavy album with an energy that leaves jaws on the floor. Breaks and beats for days with electric piano, bass loops, and pounding percussion. Funky jazz with a deep, tough, soundtrack feel. As with all of our KPM re-issues, the audio for The Road Forward comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity. And don’t worry! Those KPM stickers aren’t stuck directly on the sleeves!

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Francis Coppieters

Piano Viberations

2LP | 2018 | US | Original (International Anthem)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Piano Viberations’ “small group jazz featuring piano and vibes with rhythm” makes for a gorgeous Francis Coppieters showcase, surely one of Belgium’s best-kept musical secrets. Released in 1975, and arguably the most low-key of the KPM and Themes records we’re re-issuing, this is easily our current favourite.

“The Open Highway” is the appropriately-named opener, and immediately demonstrates Coppieters’ dexterous interplay between piano and vibes in assured, joyous fashion. The shuffling bossa of “Sales Notes” is a jaw-dropper, well-mined by samplers with impeccable taste. The mellow head-nod drum-break that is “Funky Chimes” brilliantly demonstrates Coppieters’ quiet majestic side with its slow-motion funk rhythm with beautifully reflective notes throughout.

The upbeat and joyful “Cross Talk” closes out side A. Vibes and piano are definitely at the heart of the arrangement here. The quick cut movement of “Piano In Transit” is another gem, driven principally by piano but those vibes along for more than just the ride. On a more gentle, elegiac note, “To Shearing With Love” is a warm, slow, romantic piece in the style of George Shearing. It’s plaintive and sublime.

Piano Viberations is one of those rare library records the original description of which makes as much sense now as it did when it was first released. Piano and vibes with rhythm indeed.

As with all ten re-issues, the audio for Piano Viberations comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.

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Makaya McCraven

Universal Beings

12" | 1983 | EU | Reissue (Best Record Italy)

Release: 2018 / US – Original

Genre: Organic Grooves

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Universal Beings is jazz drummer / producer Makaya McCraven's new album - his most ambitious, elegant and refined work yet. Recorded at 2 intimate live sessions and 2 pop-up "studio" sessions across the "new" jazz hotbed cities of New York, Chicago, London, and Los Angeles, Makaya collaborated with an all-star cast of improvisers (15 musicians in total, including Shabaka Hutchings, Nubya Garcia, Jeff Parker, Miguel Atwood-Ferguson,Tomeka Reid, Brandee Younger and Carlos Niño) to create source material for the signature style of "organic beat music" production he debuted on the groundbreaking 2015 release In The Moment. The result is this epic, 2xLP set that represents another breakthrough in Makaya's career as a recording artist, as well as a definitive new work of the exciting global groundswell of next-generation, Black musicians re-vivifying and re-articulating "jazz" in 2018.

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Tullio De Piscopo

Stop Bajon

16,99 €*

Moon Beams Gatefold Sleeve Edition

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1983 Stop Bajon (Primavera) became a favourite in Rimini Discotheques, Balearic Islands and even Chicago during the early house days. It was an anthem on what went on to become the Italo Disco movement. The vocal mix is still revered and played to this day by DJ's such as DJ Harvey at his Mercury Rising night at Pikes, Ibiza. This special limited edition release from Best Record Italy features for the first time the original acapellas (tracked down during tape restoration) plus the song Stadera that was available only on the first italian pressing and of course the original extended club vocal and instrumental.

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The Bill Evans Trio

LP | 2017 | EU | Original (Dol)

15,99 €*

Art Blakey & The Jazz Messengers

Release: 2017 / EU – Original

Genre: Organic Grooves

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Gatefold 180g Includes Rare Or Exclusive Artwork Inside

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Art Blakey & The Jazz Messengers Gatefold Sleeve Edition

LP | 2017 | EU | Original (Dol)

15,99 €*

Time Out 200g Vinyl Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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Gatefold 180g Includes Rare Or Exclusive Artwork Inside

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The Dave Brubeck Quartet

LP | 1960 | US | Reissue (Analogue Productions)

46,99 €*

Lush Life 200g Vinyl Edition

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it — for the quartet's best-known hit "Take Five" has graced the soundtracks of multiple films, including "Mighty Aphrodite," "Pleasantville" and "Constantine." The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time — so distinctive, it's a rare jazz track that became a pop hit.
Including the monster hit "Take Five", the Brubeck Quartet's "Time Out" is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 33 1/3 RPM on 200-gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you "Time Out" renewed.
Like its 45 RPM sibling, "Time Out" is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.
The jacket is also special — very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic ‚old school‘ look and feel. This jacket is a beauty! Never has "Time Out's" colorful iconic cover art looked so vibrant.
The record label's sales executives didn't want a painting on the cover when "Time Out" debuted in 1959 on Columbia Records, Brubeck told an interviewer. An entire album of originals? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and "Time Out" became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.
The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music. Paul Desmond, who was Brubeck's alto saxophonist, wrote "Take Five“, at Brubeck's urging to try and write a song in quintuple (5/4) time.
"Time Out" peaked at No. 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. "Take Five" became a mainstream hit, reaching No. 25 on the Billboard Hot 100, and No. 5 on Billboard's Easy Listening survey, the precursor to today's Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play.

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John Coltrane

LP | 1961 | US | Reissue (Analogue Productions)

46,99 €*

LP | 2013 | EU | Reissue (Waxtime)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Here is one of the musical giants of the 20th century, poised on the precipice of greatness. Between the spring of 1957 and the winter of 1958, during which time "Lush Life" was recorded, the music of tenor saxophonist John Coltrane (1926-1967) was developing in giant steps, thanks in great part to a six-month 1957 stint with Thelonious Monk that had much to do with sharpening Coltrane’s harmonic conception and torrential attack.
"Lush Life" contains Coltrane’s first recordings as sole leader, his initial date fronting a pianoless trio, and one of his first extended readings of a ballad, Billy Strayhorn’s resplendent title track. We also hear him at the helm of a quartet and quintet, featuring pianist Red Garland, with trumpeter Donald Byrd, bassist Paul Chambers and drummer Louis Hayes added to “Lush Life”. Coltrane handles the tune’s delicate complexities with infinite style and finesse.
Coltrane and jazz would never be the same.

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The Bill Evans Trio

Explorations

19,99 €*

LP | US | Reissue (Blue Note)

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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limited 180 gram pressing

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Lou Donaldson

Hot Dog

19,99 €*

LP | 2024 | UK | Original (Synthethesia)

Release: US – Reissue

Genre: Organic Grooves

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- "It's Your Thing" sampled by Brand Nubian for "Punks Jump up to Get Beat Down",
Casual for "That's How it is (Pt II)",
Chocolate Bamboo & Nubian Crackers for "Test Da Rocket Launcher",
De La Soul for "Bitties in the BK Lounge",
Funkmaster Flex & 9DoubleM for "6 Million Ways to Die",
Lord Finesse for "Stop Sweating the Next Man",
Madonna for "I'd Rather Be Your Lover",
Real Live for "Turnaround",
Skoolbeats for "It's Your Thing",
Super Cat for "Ghetto Red Hot",
The LOX for "Get this $",
The Roots for "It's Comin'" and
Tragedy for "Funk Mode" & "Pass the Teck"

- "Hot Dog" sampled by De La Soul for "3 Days Later"

- "Turtle Walk" sampled by Kool Keith & Percee P for "You're Late",
Pete Rock & CL Smooth for "All Souled Out" and
Yo-Yo for "You Better Ask Somebody"

- "Who's Making Love?" sampled by A Tribe Called Quest for "Hot Sex",
Craig G for "Droppin' Science" & "U R Not tha 1",
Das EFX for "Kaught in Da Ak",
De La Soul for "Once again Strong Island",
Mary J. Blige for "Everyday it Rains",
MC Lyte for "Why U Wanna Get Fly",
Nice & Smooth for "Pump it Up",
Notorious B.I.G. for "One More Chance",
Run-DMC for "Wreck Shop" and
Skoolbeats for "Science"

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Resolution 88

Vortex

LP | 1965 | EU | Reissue (Elemental)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Resolution 88: Tom O’Grady - Rhodes Electric Piano, Hohner Clavinet D6, ARP Odyssey, Oberheim Four Voice Polyphonic Synthesizer, Solina String Ensemble, Mellotron M400, Streetly Electronics Novatron, Roland CompuRhythm Cr-78, Maestro Echoplex Ep-3, Fender Fuzz-Wah, Maestro Phaser Ric Elsworth - Drums Tiago Coimbra - 1978 Fender Jazz Bass, Anaconda Ultra J4E-elite Bass Oli Blake - Percussion, samples and effects

Other performers: Tom Smith - Tenor Saxophone, Soprano Saxophone, Bass Clarinet Vanessa Haynes - Vocals

Recorded by Mike Thorne & Joshua Holland at Rimshot Studio Additional recording: Oberheim Four Voice Polyphonic Synthesizer recorded with Lester Barnes in his spaceship Mellotron M400 and Roland CompuRhythm Cr-78 recorded with Mat Roberts at Effort Studios Streetly Electronics Novatron recorded with Jason Court at Flying Cuttlefish Music

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Roland Kirk

Rip, Rig & Panic

LP | 1979 | EU | Reissue (Sonor Music Editions)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Recorded in 1965 at Rudy Van Gelder's studio in New Jersey, Roland Kirk's album Rip, Rig and Panic finds him teamed with the most awesome rhythm section he ever recorded with: pianist Jaki Byard, bassist Richard Davis, and drummer Elvin Jones. It received a 5 stars rating on AllMusic, with reviewer Thom Jurek stating that "Rip, Rig, and Panic may be pre-Rahsaan Roland Kirk's greatest outing. Kirk and his quartet moved through a series of musicological changes that defined him as an artist at the time. Five of the seven compositions are his, and reach through each of the phases that Kirk was interested in integrating into his compositional and improvisational voice. Positively smashing."

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Filippo Trecca

Aquarium Sounds

LP | 2003 | EU | Reissue (Schema)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Sonor Music Editions is honored to announce the reissue of the very rare LP Aquarium Sounds by Italian composer Filippo Trecca. Originally released in 1979 as a promo-only item, “Aquarium Sounds” is a hybrid collection of tracks; some were used as the soundtrack to the thriller TV series “Così Per Gioco” (1979), directed by Leonardo Cortese; others from the talk show “Acquario” (1978-1979) hosted by Italian journalist and writer Maurizio Costanzo. The album also includes “Elena Tip” which features playful vocals by a young Ilona Staller (aka Cicciolina).

Aquarium Sounds were composed by Trecca himself, Achille Oliva (bass), Alessandro Alessandroni Jr. (keys), Giancarlo de Matteis (guitars), and Marco Parisi (drums), playing together for the creation of this progressive pop gem sought after by many collectors from around the world.

The album, recorded using simple acoustic elements and early synths, is a treasure buried deep into the ocean of time that Sonor Music Editions is bringing back to the surface; a journey into the depths of our music memory as well into the universe of Italian music heritage.

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The Dining Rooms

Tre 2024 Repress

LP | 1970 | EU | Reissue (Elemental)

Release: 2003 / EU – Reissue

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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“Tre” is cinematic/trip hop duo The Dining Rooms’ third re¬cord, and their first on Schema Records. Originally released in 2003, it contains songs that have been synchronized in popular TV series (C.S.I. Miami, Six Feet Under, Sex and the City) and it’s finally available again on vinyl!

For long time out of stock - finally a new reissue to give light to one of the most important albums by the Milanese duo Cesare Malfatti and Stefano Ghittoni aka The Dining Rooms “Tre” (3) was also released in America by Chicago's Guidance Records. One of the most represented albums of the trip hop scene again available in a double LP format

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Antonio Carlos Jobim

Tide

LP | 2024 | US | Original (Descarga)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Reissue of the 6th studio album by Brazilian jazz legend Antônio Carlos Jobim. Released in 1970 on A&M Records, this instrumental Bossa Jazz masterpiece was produced by Creed Taylor and engineered by Rudy Van Gelder. It features the arrangements of Eumir Deodato (who also conducted the band), and includes a plethora of sidemen from the U.S. jazz scene, such as Joe Farrell, Hubert Laws and Ron Carter, as well as Brazilian stars like Hermeto Pascoal, Airto Moreira and João Palma.

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Charlie Quartet Palmieri

Easy Does It

LP | 2024 | EU | Original (Sony Music Catalog)

Release: 2024 / US – Original

Genre: Organic Grooves

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180-Gram Vinyl Limited Edition of 500 copies. Known as the "Giant of the Keyboards", Carlos Manuel "Charlie" Palmieri (1927-1988) was born in South Bronx, New York, after his parents migrated from Ponce, Puerto Rico, in 1926. During his extended career, Palmieri worked with his brother Eddie, Celia Cruz, Tito Puente, Herbie Mann, Ismael Rivera, Rafael Cortijo, Ismael Quintana, Bobby Capó, Mongo Santamaría, Cal Tjader, and Ray Barretto, among many others. Presented here is the complete album Easy Does It, recorded in 1959 and featuring him as the main soloist in a quartet only including his piano plus bass and percussion. 180-GRAM VIRGIN VINYL LIMITED EDITION OF 500 COPIES

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The Dave Brubeck Quartet

Time Out

Release: 2024 / EU – Original

Genre: Organic Grooves

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The Shape Of Jazz To Come Vinyl Me, Please Edition

Ornette Coleman

LP | 1959 | US | Reissue (Vinyl Me, Please)

Star People Vinyl Me, Please Edition

Release: 1959 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
“In 1959, Coleman released his boldly titled magnum opus, 'The Shape of Jazz to Come', on Atlantic Records. Prioritizing mood over traditional orchestration, it was the highest-profile free jazz album, released before the terms ‘free jazz’ and ‘avant-garde jazz’ even existed. Coleman’s bravery opened the door for others to experiment with the genre in ways they wouldn’t have before. Without 'The Shape of Jazz to Come', who knows if Coltrane would have had the heart to try spiritual jazz, or if an up-and-coming pianist named Herbie Hancock would’ve been bold enough to blend funk into his atmospheric hybrid. Coleman was the first major artist to leap into unforeseen territory, and he did it at a time when the courage wasn’t always rewarded. Despite the hardships, Coleman pressed on with his objective and did what the album declared he would. Jazz has never been the same, and we’re all better for it.”

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Miles Davis

2LP | 1983 | US | Reissue (Vinyl Me, Please)

41,99 €*

Ivan The Tolerable Quintet

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
'Star People,' the blistering 1983 album from Miles Davis, is the VMP Classics Record of the Month for November 2022. It's here on 180g black audiophile vinyl pressed at RTI with AAA lacquers cut from tapes by Ryan Smith at Sterling Sound.

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Water Music Yellow Vinyl Edition

LP | 2024 | UK | Original (Riot Season)

Go! Blue Note 85 Blue Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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Limited edition 300 only worldwide deep yellow Colored Vinyl LP, housed in a reverse board sleeve, with hype sticker, polylined inner bag and download code.

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Dexter Gordon

LP | 2024 | Reissue (Blue Note)

LP | 2024 | UK | Original (Time Capsule)

Release: 2024 / Reissue

Genre: Organic Grooves

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By the time he recorded GO! in 1962, Dexter Gordon had already lived several lifetimes in jazz. He was among the first to adapt the language of bebop to the tenor saxophone in the 1940s, but after a decade in which personal troubles limited his output, he signed with Blue Note in 1961 and began a run of essential albums that marked a rebirth for the tenor giant. Featuring a quartet with Sonny Clark on piano, Butch Warren on bass, and Billy Higgins on drums, GO! was a showcase of Gordon’s limitless creativity on hard-swinging numbers like his great tune “Cheese Cake” and a sure-footed version of “Love for Sale,” as well as his peerless artistry on ballads as evidenced on stunning takes of the standards “I Guess I'll Hang My Tears Out to Dry” and “Where Are You.”

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Izumi "Mimi" Kobayashi

Choice Cuts 1978-1983

The Body & The Soul Verve By Request

Release: 2024 / UK – Original

Genre: Organic Grooves

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A luminous soul with an indefatigable love for music, few artists have had careers as varied and successful as Izumi ‘Mimi’ Kobayashi. One of Japan’s leading jazz-funk pianists, she wrote and recorded cult albums with fusion legends at home and abroad. Obsessed with new electronic instruments, she penned some of the country’s most well-known TV themes and pioneered the use of drum machines in anime soundtracks.

A star in Japan, she moved to Europe to record global hits with Depeche Mode and Swing Out Sister, toured the world with the Reggae Philharmonic Orchestra and made beats with Attica Blues’ Tony Nwachukwu. Now based in London, Mimi currently fronts Tokyo Riddim Band - the intergenerational live Japanese Reggae outfit born from Time Capsule’s acclaimed 2023 compilation of the same name - playing live shows and releasing a trio of recordings made at Prince Fatty’s studio.

Choice Cuts 1978-1983 collects eight recordings from four of Mimi’s first five albums – Sea Flight (1978) recorded with her group Flying Mimi Band, and Coconuts High (1981), Nuts Nuts Nuts (1982) and Tropicana (1983) under her own name.

The compilation opens with a syncopated electro-funk cover of Sergio Mendes’ iconic ‘Mas Que Nada’ (Tropicana) and the crisp and stripped back techno-pop of ‘Coffee Rumba’ (Nuts Nuts Nuts) with a keyboard bass line that would have made Stevie Wonder weep.

Alongside the off-beat synth jam ‘Quiet Explosion’ (Nuts Nuts Nuts) and piano samba of ‘Espresso’ (Tropicana), there’s space for two low slung soul-jazz numbers, ‘Naze’ and ‘Angel Sky’, from Sea Flight (1978) that recall the collaborations between Herbie Hancock and Kimiko Kasai. But it is around the two tracks from Mimi’s 1981 album Coconuts High that this compilation revolves (and from whose cover shoot it borrows).

Released on legendary guitarist Takanaka’s Kitty Records label, Coconuts High was recorded in LA with a backing band of jazz fusion icons, including Alex Acuña, Abraham Laborial, Harvey Mason and the Tower of Power horns. A riot of playful Latin-tinged jazz, funk and fusion with the off-beat spirit of Kid Creole & and the Coconuts, the album became a cult hit, attracting huge sums on the resale market. Here it’s the sultry, Minnie Riperton-esque ‘Crazy Love’, with its addictive groove and bittersweet melodies that makes the cut, alongside the steel drum-infused carnivalesque bounce of ‘Palm St’.

Capturing a highly creative and prolific moment in Mimi’s career, Choice Cuts 1978-1983 will introduce the idiosyncratic energy and playful verve of this under-the-radar pioneer to a wider audience for the first time. Welcome to the world of Izumi ‘Mimi’ Kobayashi. Once you enter, you won’t want to leave.

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Freddie Hubbard

LP | 1963 | EU | Reissue (Impulse)

Blakey And His Jazz Messengers Verve By Request

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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On his second and last album for Impulse! Records, trumpeter Freddie Hubbard went all out: with a first-class orchestra conducted and arranged by Wayne Shorter, occasionally reinforced by strings, and a varied repertoire that seamlessly combined standards with originals by Hubbard.
VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Gatefold Sleeve

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Art Blakey

LP | 1961 | EU | Reissue (Impulse)

Asher / The Black Lungs Gamedze

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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1961 Art Blakey and his Jazz Messengers made their only recording for the label Impulse! Records. It marked a turning point for the popular hard bop formation as it was their first appearance as a sextet with trombonist Curtis Fuller, and secondly their last recording with pianist Bobby Timmons. Also unusual is the fact that only one piece by a band member was on the program and otherwise only standards were played.
VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Gatefold Sleeve.

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Constitution

2LP | 2024 | US | Original (International Anthem)

32,99 €*

LP | 2024 | Original (Frederiksberg)

Release: 2024 / US – Original

Genre: Organic Grooves

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This is the repeated call and the rallying chorus of the nearly 40-minute centerpiece to composer and percussionist Asher Gamedze"s new album Constitution. The expansive double album, a minoritarian fellowship in breath, is Gamedze"s follow-up to 2023"s Turbulence and Pulse, and his first with The Black Lungs.

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Soren Skov Orbit

Adrift

45,99 €*

Speak No Evil Blue Vinyl Edition

Release: 2024 / Original

Genre: Organic Grooves

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Soren Skov Orbit"s debut album, "Adrift", is at once subtle and profound. The saxophonist and his collaborators have created something quite special and consistently deep. This record may not easily be classifiable, but the most interesting music creeps between the lines.

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Wayne Shorter

LP | 1964 | EU | Reissue (Blue Note)

LP | 1969 | EU | Reissue (Elemental)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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1964 was one of the most momentous years in the musical life of Wayne Shorter. Early in the year the saxophonist was still a member of Art Blakey & The Jazz Messengers, appearing on classic Blue Note albums like Free for All and Indestructible. Shorter made his own auspicious label debut that spring with Night Dreamer and quickly recorded the impressive follow-up JuJu. That summer he joined the Miles Davis Quintet, cementing a line-up that would become one of the seminal bands in jazz history. And when Shorter entered Van Gelder Studio with Freddie Hubbard, Herbie Hancock, Ron Carter, and Elvin Jones on Christmas Eve 1964 they created a masterpiece with Speak No Evil, a transcendent set of six Shorter originals including the swinging title track, “Witch Hunt,” and sublime ballad “Infant Eyes.”

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Pharoah Sanders

Jewels Of Thought

Lonnie Liston Smith & The Cosmic Echoes

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Jewels of Thought is an album by the American jazz saxophonist Pharoah Sanders. It was recorded at Plaza Sound Studios in New York City on October 20, 1969, and was released on Impulse! Records in the same year.

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Expansions / Cosmic Funk

7" | 2024 | UK | Original (BGP)

12,99 €*

Lonnie Liston Smith & The Cosmic Echoes

Release: 2024 / UK – Original

Genre: Organic Grooves

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Expansions' reaches its 50th anniversary of recording this year. The ground-breaking jazz funk track is one of the most influential records in club music, being a dancefloor hit in the UK and New York on release, and going on to be a foundation piece for club culture. It has been sampled, quoted and remade and now for the first time the full length version is available on a 7-inch single. It is paired with ‘Cosmic Funk’.

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Astral Travelling

LP | 1973 | UK | Reissue (BGP / Flying Dutchman)

24,69 €* 25,99 € -5%

Elvin Jones & Richard Davis

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Born and raised in Richmond, Virginia, keyboard player Lonnie Liston Smith moved to New York in 1963 playing with the likes of Dakota Staton, Al Hibbler, Max Roach and Abbey Lincoln and Roland Kirk. He made his first recordings with Kirk and in 1968 entered into a mutually rewarding and instructive partnership with Pharoah Sanders and Leon Thomas. In 1971-2 he toured Europe with saxophonist Gato Barbieri appearing on his 1973 albums “Under Fire” and “Bolivia”. His growing reputation was also burnished by playing Fender Rhodes with Miles Davis electric band.

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Heavy Sounds Verve By Request Edition

LP | 1968 | WW | Reissue (Verve)

Isaiah Collier & The Chosen Few

Release: 1968 / WW – Reissue

Genre: Organic Grooves

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Not macht erfinderisch! Das Album “Heavy Sounds” war eigentlich als Trio-Session mit dem Gitarristen Larry Coryell geplant gewesen. Als dieser aber kurzfristig erkrankte und nicht im Studio auftauchte, spielten Schlagzeuger Elvin Jones und Bassist Richard Davis ad hoc eine fast zwölfminütige Duo-Version von “Summertime” ein. Die restlichen Nummern nahm das Gespann einen Tag später mit Verstärkung des Saxofonisten Frank Foster und des Pianisten Billy Green auf, wobei Elvin Jones in “Elvin’s Guitar Blues” höchstpersönlich den Gitarrenpart übernahm. Es sollte seine einzige Aufnahme als Gitarrist bleiben.

Verve BY Request Serie: remastert, audiophiles 180-Gramm-Vinyl von Third Man Pressing/Detroit, Gatefold Sleeve.

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The Almighty Black Vinyl Edition

2LP | 2021 | EU | Reissue (Division81)

Entangled Grounds - The Sound Of Xjazz! Berlin

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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Isaiah Collier & The Chosen Few return with a new musical journey, "The Almighty". The first quartet offering since 2021's Cosmic Transition. Collier's compositions and lyrics focus on using music to communicate deeper principles that are part of everyday. Isaiah showcases these principles through sounds that evolve within the titles: Love, Compassion, & Perspective. These principles once taken fully in are arranged to deliver the message that there is a Divine energy connecting through us all and is seen within all things.

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Xjazz!

2LP | 2024 | EU | Original (Xjazz! Music)

38,99 €*

7" | 2024 | EU | Original (BMM Records)

Release: 2024 / EU – Original

Genre: Organic Grooves

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This year’s edition of XJAZZ! festival, set to unfold from May 6th to 12th, marks the festival's 10th anniversary. In celebration of this significant milestone, XJAZZ! and the Analogue Foundation are delighted to present a special gift for the XJAZZ!-community: Entangled Grounds. The Sound of XJAZZ! Berlin, a compilation album that encapsulated the current sound of the jazz scene and collaborative endeavours in the vibrant heart of Berlin. Curated by keyboardist and producer Szabolcs 'Szabi' Bognár, renowned as Àbáse, along with Erik Brewer, the head of Brewery Studios, and Sebastian Hecht, the managing director of XJAZZ! festival, Entangled Grounds features 10 tracks born at Brewery Studios. "We felt it was the perfect moment to capture the essence of our current sound for posterity," remarked Sebastian Hecht. While the compilation serves as a snapshot frozen in time, it also pays homage to the perpetual evolution of jazz. It acknowledges the genre's fluid, improvisational nature, inviting listeners to delve into the intricate details that collectively enrich the music. By bringing together over 30 Berlin-based musicians who have journeyed alongside XJAZZ! over the years, the record showcases new, previously unheard sounds and band configurations yet to be unveiled to the public.

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Allez Kiki Fermentation

Cannelé / Qmqs

14,99 €*

Juan Pablo Torres Y Algo Nuevo

Release: 2024 / EU – Original

Genre: Organic Grooves

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Italy's tastiest jazz-funk band is back to what they do best, sharing dreamy summer vibes with this new 2-tracker. Cannelé is a smooth, sun-drenched tribute to this sweet product of the Bordeaux terroir, that doublebass player and former Saint-Émilion employee Fabio Bordignon knows so well. Beautiful string arrangements come to sublimate the track with a highly cinematic feel. On the other side is the final studio version of Qmqs (Quando mai, quando sempre), which is an old italian expression to qualify people that only appear rarely, and always at the same specific occasions. This uplifting disco tune first appeared in its demo and live versions on previous releases Gusto di Luce and Live at Bolle Nardini, and has finally been re-recorded in a clean and groovy dress to be pressed on this 7inch record.

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Super Son

LP | 1977 | WW | Reissue (Mr Bongo)

Relax, You're Soaking In It

Release: 1977 / WW – Reissue

Genre: Organic Grooves

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The next release in the Mr Bongo Cuban Classics series, is one of Juan Pablo Torres' most-known and loved albums, the iconic Super Son from 1977. A wonderful record of tripped-out rumbas, psych-Afro-Latin funk and quirky orchestrated tracks with a big band horn section courtesy of Torres’ band, Algo Nuevo.

As well as being the director of Algo Nuevo and Cuban all-star ensemble Estrellas De Areito, the trombonist, bandleader, arranger and producer also released a wealth of albums under his own name predominately on the state-owned imprint Areito/EGREM.

Post-revolution, there was a contrast in Cuba’s musical world. State censorship was at play, but professional musicians were on the government payroll which gave them an artistic freedom. Experimentation emanated in the ‘70s and ‘80s and Super Son is a prime example of that. ‘Y Que Bien' kicks off the album taking you down a tripped-out, cosmic rabbithole, psych guitars and skat vocals opening up into a joyful funk groove laced with jazzy Afro-Cuban horns stabs. Tracks such as 'Pastel En Descarga' seem to come out of nowhere and are completely unique. Fuzzed-up guitar lines and percussion lay the groundwork, with those jubilant horns adding to the energy of this forever building track.

Elsewhere, there’s the ‘70s TV theme-tune feeling of 'Con Aji Guaguao', a playful funk number that boils and bubbles with blistering trombone playing by Torres. Or ‘Son A Propulsión' and ‘Son Riendo’, two more brilliant examples of psychedelic funk, wrapped up in a blanket of Afro-Cuban rhythms. The former sweeping you up in rushes of wind as trumpets, trombones and distorted guitars trade off, the latter, an intergalactic fiesta of tradition and exploration.

Super Son is up there as one of the funkiest Cuban records around, a playful fusion of ideas from a producer, player and group on fine form and, for us, one of our favourite gems to come out of Cuba in this period. A sheer masterpiece.

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Belair

LP | 1980 | EU | Reissue (Mad About)

Soweto To Harlem Record Store Day 2024 Black Vinyl Edition

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Private pressings have always been objects of demand and research by record collectors. In most cases, print runs were no more than 300 copies, and despite the total lack of recognition, this movement can be seen as a countercurrent act to the mass music industry. Private presses are non-commercial print runs distributed as a promotion or sold at concerts. This was the case of Belair that, in 1980, recorded and sold the album “Relax, You're Soaking In It” at their own risk and distributed it in the San Francisco area. At the time, 1000 copies were pressed, which have become rare and highly desirable for collectors.

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Hal Singer Jazz Quartet

LP | 1976 | EU | Reissue (Afrodelic)

22,79 €* 23,99 € -5%

Roy Ayers & The Soulsociety

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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When the U.S. State Department announced in the mid-1970s that they were sponsoring a South African tour for the Oklahoma-born, Paris-based saxophonist Hal Singer, producer Rashid Vally took note. Even though his nascent record label As-Shams/The Sun (established in 1974) was making waves on the local scene, the idea of commissioning a recording from an international artist was a ballsy idea. With a discography that stretched back to the 1950s, Hal Singer was already somewhat of a legacy artist by 1976. Vally was well-versed on Singer’s accomplishments and specifically enamoured by his composition “Blue Stompin’,” which appeared on a Prestige album from 1959 that had struck a chord in South Africa. With his irresistible charm, Vally managed to coax Singer into a studio in Johannesburg, South Africa, to record a new version of “Blue Stompin’” with South African sax star Kippie Moeketsi, which became the title track of a 1977 album by Moeketsi. The recording session also yielded an album’s worth of new material by Hal Singer and his quartet that took its name from a track inspired by Singer’s trip to South Africa entitled “Soweto to Harlem.” Released in 1976 and only available in South Africa, Soweto to Harlem captures a laid-back, cheeky and nostalgic rhythm and blues set from the Hal Singer Quartet that is unlikely to have emerged for a different target market. With her irresistible charm, Vally was able to convince Singer to enter a Johannesburg studio. The recording session produced this album of new material by Hal Singer and his quartet named after a song inspired by Singer's trip to South Africa, entitled "Soweto to Harlem." Released in 1976 and available only in South Africa, "Soweto to Harlem" captures a laid-back, unabashed and nostalgic rhythm and blues of Hal Singer's quartet that would hardly have been born for a different market. Cinedelic’s 2024 edition of this rare album is sourced from the original tape masters and presents it on vinyl internationally for the very first time. The reissue follows Singer’s passing at the 100 in August 2020 as we contemplate and celebrate his extraordinary contribution to jazz in the United States and beyond.

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Everybody Loves The Sunshine Black Vinyl Edition

7" | 1997 | EU | Reissue (Sedsoulciety)

13,49 €* 14,99 € -10%

LP | 1964 | EU | Reissue (Rearward)

Release: 1997 / EU – Reissue

Genre: Organic Grooves

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Everybody Loves THE Sunshine is more than a classic. It is “the” summer anthem, one of the most covered and sampled Soul tunes by Roy Ayers and the Ubiquity family. This vinyl re-release has been eagerly awaited by music lovers worldwide. This version was originally recorded as a cover version, produced by Soulciety Records for their label band project named The Soulsociety. The performance was recorded with the original songwriter and producer of the song, Mr. legendary vibes controller and Soul superstar Roy Ayers. This recording follows the original 70s feel and instrumentation of the 1976 version, but this time also features Roy Ayers prominently on lead vocals. Another big difference compared to all other versions by Roy and Ramp is the fact that this version is arranged and produced as a midtempo track. It will fit perfectly into any DJs set with a focus on Soul, Funk or Hip Hop. For the first time ever, this classic is now available on a Sedsoulciety Recordings 7” vinyl, including the previously unreleased instrumental version on the flip side with added extra vibes by the master himself.

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Sahib Shihab

Summer Dawm 2024 Repress

Live At Bubba's Record Store Day 2024 Opaque Amber Vinyl Edition

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Sahib, besides being an undisputed leader and releasing records for prestigious European and American labels, was one of the key members of the prestigious Kenny Clarke Francy Boland Big Band.

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Ahmad Jamal

LP | 2024 | UK | Original (Who's Who In Jazz)

LP | 2024 | UK | Original (First Word)

Release: 2024 / UK – Original

Genre: Organic Grooves

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This intimate center stage recording from Bubba's Jazz Restaurant in 1980 is a potent reminder of how good Ahmad Jamal’s live performances could be.
Bubba’s Jazz Restaurant was considered one of the most famous jazz clubs in the world, with its performance roster presenting the Who’s Who of the jazz world.
Jamal sadly passed away in 2023. He was a luminary in the world of jazz; his distinct style marrying the elegance of classical music with the improvisational spirit of jazz.
Teamed up with bassist Sabu Adeyola and drummer Payton Crossley, the trio interprets an exciting array of standards including "Waltz for Debbie" and "Autumn in New York."
Complete with extended liner notes, this reissue comes available in two vinyl colour variations - standard black, and opaque amber.

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Amanda Whiting

The Liminality Of Her

This Is The Moment: Sings And Plays Record Store Day 2024 Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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First Word Records is very proud to present 'The Liminality of Her', a brand new 10-track album from their newest signing, Amanda Whiting; a highly-acclaimed Welsh harpist & composer.

A virtuoso in her field, this classically trained musician has quickly established herself as an essential player in the UK jazz scene, carving her own unique sound, following on from the paths forged by Ashby and Coltrane.

Amanda recently joined the First Word label roster, via a collaborative project with Don Leisure, 'Beyond The Midnight Sun', as well as a feature on his Welsh Music Prize nominated project 'Shaboo Strikes Back'.

She's previously toured extensively with her own band, as well as with Matthew Halsall, Rebecca Vasmant, DJ Yoda and Chip Wickham (who also features on this new project), whilst previously releasing three solo albums on Jazzman Records, and a remix project for Scrimshire's Albert's Favourites imprint. Along the way, there's been a nomination for 'Instrumentalist of the Year' from Jazz FM and she's garnered the support of DJs such as Radio 2's Jamie Cullum ("highly recommended") and BBC 6Music's Cerys Matthews ("my highlight of the Cheltenham Jazz festival 2023").

This 10-track album exemplifies Amanda's talents as a performer and composer, taking in an array of hypnotising sonics from the worlds of jazz; from fusion to spiritual and beyond. She is backed with accompaniment from a remarkable set of players in their own right, including Chip Wickham on flute and Peach. on vocals. A confident display of purposefully blissful compositions that saunter as much as they soothe, whilst being unafraid to lean into some deep uptempo grooves.

Amanda describes the theme of this project as "liminality... that place in between, the transition from one place to another. No longer what it was, yet not what it's going to be.

The harp always presents itself at these moments. It's a sound that causes an emotion. My instrument chose me. It's been with me through every chapter of life. It's how I speak, especially when there are no words.

This album is a rite of passage for "her". A feeling of alchemy, a feeling of liberation. Moments of inner searching, intertwined, waiting but moving forward. Never looking back.

'The Liminality of Her' encompasses the highs and the lows. The nomadic love of freedom and spirituality. It's all so much bigger than you or I…"

From the cinematic, classical fusion of 'After Dark', to the more playful 'Lost in Abstraction', this album invites you to float in a soundscape of liminality...

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Kenny Dorham

LP | 1958 | EU | Reissue (New Land)

39,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Like The Sky I've Been Too Quiet

Ganavya

LP | 2024 | EU | Original (Native Rebel)

31,49 €* 34,99 € -10%

LP | 2024 | UK | Original (Mr Bongo)

Release: 2024 / EU – Original

Genre: Organic Grooves

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South-Asian vocalist, multi-instrumentalist and composer Ganavya releases her new studio album “Like the sky I've been too quiet” on Shabaka Hutchings’ Native Rebel Recordings. The album features contributions from artists including Kofi Flexxx, Floating Points, Carlos Niño, Leafcutter John and Mercury-nominated bassist Tom Herbert.

Since graduating from Berklee College of Music, Ucla and Harvard, Ganavya has quickly become a much-in-demand artist on the US scene who consistently confounds expectations. Hailed as “among modern music's most compelling vocalists” (Wall Street Journal), “most enchanting” (npr) and "extraordinary" (DownBeat), Ganavya has worked with an array of luminaries including the likes of Quincy Jones, Wayne Shorter and Esperanza Spalding and on new album "Like the sky I've been too quiet" she presents thirteen compelling tracks which showcase her ethereal voice and numinous energy.

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Soyuz

II Black Vinyl Edition

LP | 1961 | US | Reissue (Candid)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Soyuz (союз) stole our hearts back in 2022 when we released their album Force Of The Wind to critical acclaim. Here we proudly present the predecessor to that LP, the band’s sophomore long player from 2019 that was previously only available digitally. It captures a pivotal evolving period in the band's career, the recordings giving a snapshot of what would become their sound on Force Of The Wind, yet with echoes of avant-psychedelic-pop footprints from yester years.

Produced at a time when band leader Alex Chumak had moved from Minsk to Kyiv, torn between the need to try something new and the homesickness it brought about. Travelling back to Minsk almost weekly, Alex joined fellow band members Mikita Arlou and Stanislav Murashko to lay down II at Studio 42. The album captures these transient feelings, contextualised through the broad scope of influences the band were nourished by. From MPB to Ethio-Jazz and the Italian library soundtracks of Piero Piccioni and Piero Umiliani, the album shines with touches of joy from across the globe.

The opening track 'Verocai' is a tribute to the Brazilian maestro and 'Mirouze', whilst being named after a French favourite of the band, Jean-Pierre Mirouze, pays clear homage to Milton Nascimento and Lô Borges. A ghostly sample and invisible connection to music made miles away in a different era that has influenced and become part of the band’s lives. This is further reinforced in the album's enchanting closer, the aptly titled 'Nascimento', another nod to the great Brazilian musician and singer.

The beginnings of the cinematic, soul-laden jazz Soyuz are now known for, are on display across the likes of ‘Lyric’ and 'Motive I'. The latter an orchestrated jazz instrumental with sensuous string sections, all of which were recorded on the warmth of a Studer reel-to-reel and waltzing Rhodes keys.

Soyuz’s wide-ranging palate is further demonstrated in tracks like ‘Business Partners’ with its Krauty, kosmische, new wave production featuring Inturist, and the oh-too-short Anatolian-influenced interlude 'Corrida'. Elsewhere, 'Tezeta' and ‘es-2 Jazz’ hint at the psychedelic haze of soul-funk, with the former featuring verses from Serbian rapper Petar Martic.

For this new physical and digital release, the whole album was mixed from scratch by Ryan Power before Joker worked his magic on the remaster. More excellence is to come from Soyuz, but in the meantime, we are thrilled to present this essential recording from the band’s foundational years, mixed to a level that does it the justice it deserves.

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Max Roach

We Insist (Mono)

Special Sound Series - Volume 4: Summertime

Release: 1961 / US – Reissue

Genre: Organic Grooves

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An avant-garde masterpiece, a vocal-instrumental suite, a work of collective improvisation, directly addressing the racial and political issues of it’s day, We Insist! Max Roach’s Freedom Now Suite is one of the most important artistic statements of Civil Rights Movement and one of the most groundbreaking jazz albums of all time. Max Roach was already almost a decade into his career as one of the most influential jazz drummers and composers when he teamed up with lyricist Oscar Brown Jr. to collaborate on a piece they planned to perform at the centennial of the Emancipation Proclamation in 1963. Recorded just months after the February 1960 Greensboro sit-ins, the album stands as an early musical testament to the burgeoning rage, anger and passion that would take the Civil Rights Movement from its early victory in Montgomery in 1955 into a future that would dramatically alter race relations in the United States.

The second release from the newly launched New York City based jazz label Candid Records, and produced by label co-founder, famed music critic and social activist, Nat Hentoff, the album is a bold statement, focused on civil injustices in black history ranging from slavery to contemporary racial prejudices, and featuring some of the finest jazz musicians ever, including Abbey Lincoln, Coleman Hawkins, Eric Dolphy, Booker Little, and Michael Babatunde Olatunji.

The five movements of the work are organized as a historical progression through African-American history, a shape similar to the one in Duke Ellington’s Black, Brown and Beige. The Freedom Now Suite moves from slavery to Emancipation Day to the contemporary civil-rights struggle and African independence.

The LP includes extraordinary liner notes written by Hentoff himself, giving a context and insight that adds to the experience of hearing these magnificent performances.

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Shigeo Sekito

LP | 1977 | EU | Reissue (Holy Basil)

2LP | 1971 | US | Reissue (Craft)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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We are very happy to continue the reissue series of Shigeo Sekitō's iconic "Sepcial Sound" series with its 4th instalment, "Summertime", a radiant musical tapestry woven by the ingenious Japanese musician. Unveiled in the vibrant 1970s, this album radiates with the warmth and effervescence of the summer season, showcasing Sekito's ability to infuse his compositions with a sun-kissed energy and a sense of carefree joy.

As the fourth installment in the Special Sound Series, "Summertime" is a celebration of the spirit of the season, where Sekito's musical prowess shines brightly. Drawing inspiration from the carefree vibes of summer, the album seamlessly blends elements of jazz, soul, and funk, creating a sound that mirrors the sunlit days and breezy nights.

Sekito's virtuosity is palpable in every note, as he skillfully navigates a melodic journey filled with upbeat rhythms, infectious grooves, and soulful arrangements. The album's title, "Summertime," encapsulates the essence of the music within – a vibrant and uplifting experience that captures the spirit of the season with a musical palette.

From the lively and danceable beats of tracks like "Sunshine Samba" to the mellow, contemplative moments in "Golden Evenings," Sekito crafts an auditory landscape that mirrors the diverse experiences of summer. Each composition is a testament to his ability to evoke emotions and paint vivid sonic pictures, transporting listeners to sun-drenched beaches, lively festivals, and leisurely afternoons.

"Summertime" stands as a testament to Shigeo Sekito's musical versatility and his innate ability to capture the essence of a moment through sound. This album, with its infectious energy and melodic charm, has earned its place as a timeless tribute to the carefree and joyful spirit of summer, making it a delightful addition to any music collection.

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Woody Shaw

Blackstone Legacy

49,99 €*

Art Blakey & The Jazz Messengers

Release: 1971 / US – Reissue

Genre: Organic Grooves

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The post-bop opus Blackstone Legacy is the seminal debut album by trumpeter Woody Shaw. Originally released in 1971 on Contemporary Records, the groundbreaking album was inspired by the sociopolitical ills of the '60s. In their review, Allmusic called the album, "... a landmark recording, and a pivot point in the history of post-modern music". This 2-LP reissue was remastered from the original analog tapes by Kevin Gray, and pressed on 180-gram vinyl at RTI, housed in a gatefold tip-on jacket.

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Drum Suite

LP | 1957 | US | Reissue (Impex)

49,99 €*

Release: 1957 / US – Reissue

Genre: Organic Grooves

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Masahiko Togashi / Isao Suzuki

A Day Of The Sun Black Vinyl Edition

LP | 1979 | EU | Reissue (Cinedelic Orient Series)

Roy Brooks And The Artistic Truth

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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"A DAY OF THE Sun" is a spiritual jazz masterpiece full of poetry by two geniuses of the Japanese musical scene. Masahiko Togashi and Isao Suzuki, pivotal figures in jazz with a unique talent and sensitivity that transcends conventional jazz forms and styles. In addition to being skilled performers they demonstrate extraordinary compositional talent that transcends their sensibilities and wisdom of more conventional jazz. They are together a wonderful combination of techniques, but without the eyes and ears of these two artists, the mutual understanding, friendship and cooperation that only certain artists are able to recreate together, would never have given rise to this music. The album is based on Togashi's drums/percussion and Suzuki's bass, with occasional changes to cello and piano/synths, and is skillfully performed by just the two of them, creating a unique worldview; a performance that far exceeds expectations. The mystical melodies of the East, earthy percussion, and the sensibilities of the two intertwine to create a unique groove, resulting in a universal masterpiece that will never fade away and connects with today's sound makers and DJs. Top sound quality from original master tapes. Includes 4-sided insert with a very interesting interview at the time with the two musicians regarding the record. Masahiko Togashi: Snare Drums, Tom Tom Set, Melody Tom Set, Bass Drum, Cymbals, Bells, Gong, Cow-bells, Synthetizer, Solina String-Synthesizer Arp Isao Suzuki: Double-Bass, Piccolo-Bass, Cello, A. Piano, Bells, marimba, Maracas, Solina String-Synthesizer Arp

Recorded Feb. 1, 2 & 3, 1979 at King Records, Studio 2, Tokyo.

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Black Survival: The Sahel Concert At Town Hall

LP | 2024 | US | Original (Groove Diggers)

28,49 €* 37,99 € -25%

LP | 1974 | UK | Reissue (Be With)

Release: 2024 / US – Original

Genre: Organic Grooves

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Japanese Obi-strip Pressed on Black Vinyl Originally released in 1974 Note: Artwork to be updated "An American jazz drummer Roy Brooks started his career in the 1950s, and he had joined the Horace Silver Combo the early 1960s. Subsequently, he became a part of the bands led by notable artists like Stanley Turrentine, Yusef Lateef, and Charles Mingus. He was also a significant influence on the legendary Tribe label, which was based in his hometown of Detroit, and he spent his career at the forefront of the American jazz scene until his passing in 2005.

As a bandleader with Roy Brooks And The Artistic Truth, he pursued spiritual jazz guided by a refined sense of spirituality. Among his discography, the live recording "The Sahel Concert" from 1974 stands out as one of the most expressive showcases of his artistry, much like his previous work, "Ethnic Expressions."

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V.A.

Image (KPM)

LP | 2024 | UK | Original (Heavenly)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Impossible to find in the wild, KPM's Image is exactly that; this record paints extraordinary, hyper-vivid scenes with music, in the way only the library greats can. Originally released in 1974, Image is an absolutely stunning listen from start to finish, and arguably the most wanted KPM grail that's still not been reissued - until now! Just too good…

Worth the price of admission alone, and likely the reason you're all already drooling about this release, the mellow, dramatic beat of "Image", Brian Bennett's opener and title track, is a Jaylib-sampled firecracker. A reflective, scenic underscore which grows to full orchestra and ends as it begins - it's just beautiful. Next up, swoon to "The Little Orphan" by Neil Richardson featuring strings and harp. It's a deeply emotive, sweeping orchestral piece. Just straight gorgeous. It's followed by "Paradise Island", a lush, horizontal Balearic gem courtesy of Gordon Rees and David Gold; it'll send you into a blissful reverie with its elegant strings and gentle drums. From the same pair, "Forbidden Fruit" is, again, string-drenched but the strings are more insistent, stabbing even, and, with drums and Blaxploitation guitars high up in the mix, it's definitely a funkier proposition. "The Enchantress", again a Rees-Gold special, is a slower, groovy, synthy wonder. Closing out the A-Side, "Phenomena" is a mysterious gem, a Gold solo effort set at a breezier tempo with propulsive percussion and head nod, fast-paced breaks with ace keys.

Flip over for "Infinite Expanse", John Scott's dramatic panorama adorned with proud, triumphant horns. Scott's "Static Objects" paints patient, pastoral scenes; there's a serenity and stillness to the proceedings. Next up, Be With favourite John Fiddy delivers shifting shapes and patterns with his wonderful "Metamorphosis", all wah wah, harps, dramatic percussion and strings. It's by turns billowy and blasting. "Cubist Pictures" follows, Neil Richardson's brilliant nebulous, fragmentary piece. Better yet, Richardson's gorgeous, beatless "Analysis" follows, and it's an orchestral beauty featuring cello, harps and woodwind. It's no exaggeration to describe this as transcendental. His "Crystal Ball" presents more static scenes with cello, twinkling percussion and strings, before Steve Gray's fantastically-titled softly-ace "Gliding Through Clouds" closes out this remarkable set.

As with all of our KPM re-issues, the audio for Image comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity.

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Mildlife

Chorus

LP | 2023 | EU | Original (Miraaz)

Release: 2024 / UK – Original

Genre: Organic Grooves

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On their third studio full-length, Mildlife link microcosmic personal meaning with a macro view from on high. Chorus is the sound of singular entities coalescing into a wondrous whole. It’s harmonious togetherness and celebratory symbiosis. And it’s the band’s ultimate statement of their borderline mystical unity, their unified theory of groove.

“Chorus is about a coming together of disparate elements. Not in some sort of utopian aesthetic where everything works perfectly, but in the natural flow and state of things,” shares the band’s Jim Rindfleish. “It’s about cosmic compatibility and chemistry: what makes things work? Not just what makes the band work, but what makes good music, art or love? It’s the rhythm of nature”.

Following 2020’s Automatic and 2017’s Phase, Chorus arrives as Mildlife’s most optimistic record, serving as a sonic testament to the band’s unwavering adoration for the beguiling realms of 70s psychedelic and cosmic sounds. Delve deeper, and you’ll unearth Polish jazz, Italo disco and a sprinkling of contemporary electronic sounds. Chorus is the dance of an expanding and contracting universe - its groove is forever and always, cyclical and evolving. In its most human moments, the album luxuriates in the velvety embrace of Tomas Shanahan’s bass lines, Halliwell’s luminous guitar riffs, Kevin McDowell’s hushed and alluring vocals, Rindfleish’s intricate percussive tapestries and the spiritual rhythms of regular collaborator Craig Shanahan. Swept up in the chorus, the lines between individual and ensemble blur.

“It’s knowing that all the pieces of our own puzzles can slot neatly into a bigger one.” says Shanahan. Such a creative revelation is the band's growing assurance in their vocal prowess. On the band’s previous albums, McDowell's voice stood as the predominant lyrical conduit, but on Chorus all members have a moment of expression, highlighting their own choral visions, forging a new unified openness and humanity to the their sound. “We had this idea that we wanted to create a kind of disparate ecosystem of living things,” continues Shanahan. “We liked the idea of creating a small metaphor of moving through space. You see moments of things and sounds that may not emerge again, until everything around you starts to unify.”

Chorus might be an album of individual tracks, band members and experiences, but it’s more than the sum of its parts. It’s microscopic particles forming new minerals or overlapping time signatures folding in on themselves in generative creation. With the release of Chorus the band has once again opened a portal to their singular realm of rhythmic communion. Step into the flow.

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Misha Panfilov

Atlantico

LP | 2023 | UK | Original (Native Rebel)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Limited to 1100 copies, pressed on 180g, with extra insert and download code.
Estonian composer, multi-instrumentalist, and producer Misha Panfilov continues to operate in his own diaphanous waters where waves of funk, jazz, and exotica crash upon mystic sands of psychedelic rock and kosmische music. Recorded in the archipelago of Madeira, his latest album, Atlântico, shifts tectonic plates of space and sound, leaving a decidedly more spiritual and serene landscape in its wake.

Aquarium Drunkard, 2023
credits
releases November 10, 2023

Rafael Andrade, trumpet, cornet;
Francisco Aguilar, tenor saxophone;
Ricardo Dias, double bass;
Francisco Coelho, drums;
Andreia Miranda & Alex Gonçalves, backing vocals, claps;
Misha Panfilov, acoustic & electric guitars, fuzz bass, synthesizers, organs, percussion, upright pianos, harpsichord, ngoni, tank drum, sound collage, claps, backing vocals, composition, productions, arrangements, mixing.

Recorded between February and April 2023 at Estúdio 21, Conservatory – Madeira Professional School of Arts, and at the home studio in Funchal, Portugal.

Design by Hanz Mambo;
Photos by Andreia Miranda, Alex Gonçalves, Jessica Freitas and Elvira Akzigitova;
Mastering by Jörgen Hermaste; Layout by Ilja Tulit.

Special thanks to Alex Gonçalves for his assistance and providing equipment.

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Kofi Flexxx

Flowers In The Dark

31,49 €* 34,99 € -10%

Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra

Release: 2023 / UK – Original

Genre: Hip Hop, Organic Grooves

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As with all albums on Shabaka Hutchings' Native Rebel Recordings the plan was the same: the musicians gather at the RAK Studios for three days, without rehearsal and consider the rehearsals part of the recording, with Shabaka producing

The performers featured here are Jas Kayser who has performed with Alfa Mist, Nubya Garcia and Jorja Smith among others, Alexander Hawkins of the Convergence Quartet and Decoy, Daisy George, and Ross Harris of Speakers Corner Quartet.

The features on the album are incredible too, and highlight the eclectic nature of Native Rebel. We have billy Woods on album opener “Apothecary", TS Elliot prize winning poet Anthony Joseph on "By Now", Confucius MC of Speaker's Corner Quartet and Con & Kwake on "Flowers In The Dark", Elucid on "Show Me", ganavya on "Increase Awareness", and Siyabonga Mthembu of The Brother Moves On and Shabaka and The Ancestors on “Aim".

As always with Native Rebel releases, the physical product is on double heavyweight vinyl, in high quality sleeves with printed inner sleeves and with side D on this release featuring etched artwork.

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Tapestry: Koto & The Occident Country

LP | 1976 | EU | Reissue (Cinedelic)

Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra

Release: 1976 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Following the release of the first volume of the Koto: Tapestry series, Cinedelic completes the series of 3 with the release of the remaining two valuable albums. 'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a 'crossover’ that allows for the awakening and the consequential spread of traditional music in larger contexts. The extreme accuracy of the marvellous recordings is also remarkable. The performers on this fabulous album are: Toshiko Yonekawa - learned to play the koto at an early age, performing in a public concert as early as 8 years old. For three years, from 1941 to 1944, she won prizes as the best performer in the Japanese Cultural Federation's competition for traditional trios. She also received an award from the Prime Minister. Many other important recognitions followed until she became president of the Reichokai and executive director of the Sankyoku Association. In 1996, she was appointed Living National Treasure. As a koto player, her best-known characteristics are her extreme precision of intonation and rhythm and the unparalleled beauty of her sound. Kiyoshi Yamaya - born March 1932. He attended the Kunitachi College of Music. Between 1956 and 1960, he performed with 'Nobuo Hara and His Sharps & Flats' (clarinet, saxophone, etc.) and was responsible for composition and arrangement. In 1959, he formed the 'Modern Jazz Three Association' with Norio Maeda and Keitaro Miho, which contributed to the improvement of the level of composition and arrangement in Japanese jazz. In 1965, he became conductor of the 'Tokyo Union Orchestra' and received the Japan Record Award's Arrangement Award. His name appears on more than 100 albums. An unmissable session for those seeking new sounds. Original masters licensed by Nippon Columbia for the first ever reissue. Includes OBI and insert.

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Tapestry: Koto & The Occident Sea

LP | 2023 | EU | Original (Cinedelic)

Live At Jaiyede Jazz Festival Transparent Ochre Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a 'crossover’ that allows for the awakening and the consequential spread of traditional music in larger contexts. The extreme accuracy of the marvellous recordings is also remarkable. The performers on this fabulous album are: Toshiko Yonekawa - learned to play the koto at an early age, performing in a public concert as early as 8 years old. For three years, from 1941 to 1944, she won prizes as the best performer in the Japanese Cultural Federation's competition for traditional trios. She also received an award from the Prime Minister. Many other important recognitions followed until she became president of the Reichokai and executive director of the Sankyoku Association. In 1996, she was appointed Living National Treasure. As a koto player, her best-known characteristics are her extreme precision of intonation and rhythm and the unparalleled beauty of her sound. Kiyoshi Yamaya - born March 1932. He attended the Kunitachi College of Music. Between 1956 and 1960, he performed with 'Nobuo Hara and His Sharps & Flats' (clarinet, saxophone, etc.) and was responsible for composition and arrangement. In 1959, he formed the 'Modern Jazz Three Association' with Norio Maeda and Keitaro Miho, which contributed to the improvement of the level of composition and arrangement in Japanese jazz. In 1965, he became conductor of the 'Tokyo Union Orchestra' and received the Japan Record Award's Arrangement Award. His name appears on more than 100 albums. An unmissable session for those seeking new sounds. Original masters licensed by Nippon Columbia for the first ever reissue. Includes OBI and insert.

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London Odense Ensemble

LP | 2023 | EU | Original (El Paraiso)

Caught In The Rain At The Tea Shop

Release: 2023 / EU – Original

Genre: Organic Grooves

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London Odense Ensemble is a powerhouse quintet that combines forces from the Causa Sui/El Paraiso family tree (Jakob Skott, Jonas Munk, Martin Rude) with the vibrant, experimental London jazz scene (Tamar Osborn, Al MacSween). On two studio full-lengths, released in 2022 and 2023, they have explored the confluence of psychedelia, improvisation and cosmic jazz. On this set, recorded at the 2021 edition of Denmark's Jaiyede Jazz Festival, the energy is cranked up another notch or two. Comprised almost entirely of exclusive material not found on the two studio records these three sonic excursions dive head-on into the fiery side of the group's sound. Taking up the entire A-side "Energy Ascending" starts out as a gently flowing piece of dreamy jazz that wouldn't have sounded out of place on a late 1960s Pharoah Sanders record. As the piece evolves the guitar takes it into rock territory, where it dissolves in a mesmerising breakdown before commencing a build of epic proportions, lead by Tamar Osborn's baritone sax, channelling The Stooges as much as John Coltrane. Heavy. On the B-side things get more electronic and spacy. Here the ensemble uses album track "Sojourner" as a starting point for a new improvisation guided by Al MacSween's virtuoso keyboard work. The rhythm section creates a hypnotic foundation for layers of synths and electric keys to fully blossom and travel into cosmic territory.

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Jiyu

LP | 2022 | EU | Original (Dubsoul)

LP | 2024 | UK | Original (None More)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Local jazz scenes keep evolving into new interesting variations, and this album by Copenhagen collective Jiyu, is no exception. A dusty brass opening, old as the sun, followed by a guitar/flute theme, driven by a lazy boom-clack beat, quickly outlines this hybrid-jazz sound, blown in from the future. The blend of dreamy, mellow jazz, hip hop, downbeat, bossa nova vibes, and cinematic electronic soundscapes, has caught the listeners attention worldwide, and the digital singles “So Many Moons to Go”, “King of Mañana” and “Parallel Dreams”, have made it to some serious jazz playlists on Apple Music, Spotify and Tidal. The album have been supported by radio dj’s in UK, DK, IT, ES and more… Jiyu is produced by guitar player and composer Emil Jonathan Søegaard A.K.A Low Pressure and former Stereo Deluxe recording artist EMO. The fellow musicians are, Bo Rande on trumpet, Lukas Rande on flute and sax. Carsten Skov on Vibraphone. Lennart Ginman on upright bass. Kinck on vocal, Thomas Dietl on drums, and AC. Woodman on Wurlitzer-piano.

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Agile Experiments

Loukoumades

Tape | 2024 | EU | Original (Blacklake)

Release: 2024 / UK – Original

Genre: Organic Grooves

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'Loukoumades' is the latest album from the Dave De Rose led international improvisation project Agile Experiments, released in full on November 15th on None More Records.
The title 'Loukoumades', which is the Greek word for doughnut, was inspired by J Dilla's album "Donuts", tipping the hat at the connection between the Greek location of the sessions, the musical style of Penka's hip-hop/funk drumming and the Agile Experiments avant-garde sonics the project was founded on. The record is built on breaks and beats layered with eerie loops and effects, calling on hip hop, post-punk, psychedelia, dub and further out-there experimental textures. 'Loukoumades' brings to mind the textures of El-P's production work for the likes of Cannibal Ox or DJ Shadow in his Endtroducing era, whilst the live drums and bass guitar give the album a real energy and tightness reminiscent of Portishead's Third or Can at their funkiest.

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Jazz Sabbath

The 1968 Tapes

14,99 €*

Training With Ruth Goller

Release: 2024 / EU – Original

Genre: Organic Grooves

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You could say The 1968 Tapes is Jazz Sabbath's third album on which the trio, helmed by longtime Black Sabbath/Ozzy Osbourne keys and guitar player Adam Wakeman, present 7 new exploratory jazz arrangements based on Black Sabbath tracks from the period 1970-1973. You can also choose to believe the album's liner notes: Although never released until recently, Jazz Sabbath's music has been finding its way to millions for over 50 years. Through a vicious cycle of personal tragedy and plagiarism the songs intended to change the jazz world ended up giving birth to a much darker sound. Now a third recording from the Sixties has resurfaced, perhaps their most important one. Their very first recording was rejected by the label; the label manager said it was too experimental and had no hit potential. However, these tracks were also blatantly presented as 'original songs' by that band from Birmingham a few years later. Whether they copied them from live bootlegs or if they got their hands on the mix, it doesn’t really matter. Their lasting popularity, even in the crude way they were covered, only proves just how monumental these songs were and how record labels are often wrong. With the truth now finally out there and that Birmingham band exposed as the musical charlatans they are, Jazz Sabbath have finally mastered the 1968 tapes to present their best work to the public.

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Threads To Knot

LP | 2024 | EU | Original (Squama)

LP | 2024 | UK | Original (Nashazphone)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Berlin-based duo TRAINING team up with bassist Ruth Goller for their new album ‘threads to knot’. Frenetic free-jazz is sitting next to post-rock riffs and looming microtonal atmospheres.
The record was written in a truly collaborative effort, adapting the concept of ‘cadavre exquis’, the popular drawing game: One person would start writing a few notes before passing it on to the next, revealing only the very last note, with which the composition continues.
TRAINING is comprised of drummer Max Andrzejewski and sax player Johannes Schleiermacher, whose last album ‘Three Seconds’ saw them collaborate with Deerhoof guitarist John Dieterich.
Ruth Goller, who has been hailed by the Guardian for her 'thunderous bass-guitar hooks' has made waves this year with the release of her second album 'Skyllumina'. She’s also known as a live performer with Kit Downes, Alabaster de Plume, Melt Yourself Down among others.

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Don King

On The Mediterranean

Live In Bremen 1975 HHV Exclusive Blue Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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First time vinyl issue of a killer, impossibly rare document from NYC no wave pioneers Don King, the short-lived mid-'80s post-Mars band from Mark Cunningham, featuring Arto and Duncan Lindsay, Lucy Hamilton and John Erskine in their all-star lineup, on a hyper-sensual and humid, screwed Jazz tip.

Centred around two members of Mars - Lucy Hamilton and Mark Cunningham - renowned for featuring on Brian Eno’s legendary ‘No New York’ (1978) survey, as well as affiliates of Sonic Youth and Swans; Don King were a lesser known vehicle for the no wave rogues to follow their nose into the weirdo recesses of art-rock/free jazz that followed the rudimentary, DIY tenets of the original no wavers. The skronk quota is high on this one, but their performances are so much more sensual, humid and slower than the no wave bracket would suggest, revealing the band like some loose echo of Sun Ra or a spangled Arthur Russell jam with Peter Zummo in their performances surrendered from shows in Geneva, Lausanne, Toulouse, Barcelona, Padova and Parma, and first issued by Barcelona’s 4 Sellos label in 1987, in the years after their s/t debut and a 1985 single for Cabaret Voltaire’s Double Vision label.

The 10 pieces, room recorded in all locations, are replete with audience chatter in the air hovering through a brassy rabble in operation. Led by the twin trumpet and bass clarinet bleat of Mars’ Mark Cunningham and Lucy Hamilton, Sonic Youth producer John Erskine provides taped percussion tracks with backing from the Lindsays, and Toni Nogueira, as they roll out from the minimalist reps of ‘Fern Gully’ to a sonorous industrial tango, and Hamilton’s operatic wail on ‘Obsolescence’, taking in a skew of jazz standard ’Summertime’, fraying into proper no wave shred and racket on ‘Mediterrain’, and like a punk Sun Ra in ‘Don Rey’, reminding us of Alex Zhang Hungtai’s recent foray into voice-note recorded spiritual, concrète jazz.

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Gary Bartz NTU Troop

LP | 2024 | UK | Original (Free Flow Archive)

39,99 €*

7" | 2024 | UK | Original (Mr Bongo)

Release: 2024 / UK – Original

Genre: Organic Grooves

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HHV Exclusive Coloured Vinyl Edition limited to 100 copies.

Gary Bartz (alto & soprano sax, vocals) - Charles Mims (piano, syntheziser) - Curtis Robertson (electric bass, back vocals) - Howard King (drums)
A fantastic live recorded in Bremen on 8th November 1975 set from reedman Gary Bartz – captured here with his ultra-hip NTU group – who you might know from their classic albums on Milestone in the 70s!
1 hour and 46 minutes of free and spiritual jazz.
Double LP 180gm vinyl
Gatefold cover
Strictly Limited Edition

Side A: Nation Time 11:54 / Ju Ju Man 18:50
Side B: Medley: Rise / Celestial Blues / The Sounding Song / Incident / Uhura Sasa 9:44 / Peace And Love 7:56 / Sifa Zote 10.02
Side C: I've Known Rivers 24:36
Side D: Sweet Tooth 24:26

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Soyuz

If You Ask / Tenorio

15,99 €*

LP | 2024 | EU | Original (Stroom)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Proudly presenting, ‘Калі ты запытаеш (If You Ask)’, a brand new, blissed-out pop production with a ‘70s AOR touch, by the ever-on-point Soyuz (союз). Coming at a period between albums, the single features guest appearances from the sensational musicians, Biel Basile (O Terno, Sessa) and Anthony Ferraro (Toro Y Moi, Astronauts, Etc.). Friends of the band, they add their signature touch on the drums and synth respectively. To complete the package, Soyuz back the title track with a short but sweet, Wurlitzer-laden, MPB-tinged number, ‘Tenório’.

‘Калі ты запытаеш (If You Ask)’ tells the story of lost dreams. A track that can be interpreted either as a bittersweet longing for childhood times, or for a native place you can’t return to. For the writer Alex Chumak he suggests, "In my case, as in the case of many Belarusians, it’s both".

For this song, Alex chose to sing in his native Belarusian tongue. As he explains this language "to me feels underrepresented in pop music, also it’s a beautiful legacy and sonority that I wanted to share with the listeners of our project around the world". One of the key inspirations was a Belarusian band “Песняры” (“Pesniary”), who produced a host of great progressive folk, jazz fusion and AOR, from the ‘70s to the ‘90s, predominantly sung in Belarusian.

Another key influence was the music coming out of the Brazilian state of Minas Gerais in the ‘70s, drawing inspiration from the sentimental and harmonious music of Beto Guedes, Lô Borges, Fernando Oly and Wagner Tiso.

Having parted ways with their drummer Anton, Soyuz needed to find a new way to produce songs. The answer was to go remotely. Alex contacted the brilliant Biel Basile, who had recorded Sessa's contemporary classic ‘Estrela Acesa’, in which Alex also participated. Utilising Biel and Sessa’s newly built studio in São Paulo, Soyuz had Biel record the drums directly to tape to get the rich sound they were after. Adding the final magic into the mix, California’s Anthony Ferraro provided a beautiful Solina String Ensemble synth arrangement, with drummer/recording engineer Albert Karch expertly assisting with the production.

To capture the essence of the single visually, Alex and the Brazilian one-man-industry visual artist Gabriel Rolim, spent a blazing sunny May day in Berlin shooting film and stills – one of which became the perfect cover image. We hope you enjoy this little nugget of Soyuz mastery, a sweet taster to savour while the new album is recorded.

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Merope

Vejula

LP | 2024 | US | Original (Leaving)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Merope's most experimental and open-minded full length to date, Vėjula is a celebration of collaboration and playfulness, and features appearances from Shahzad Ismaily, Laraaji and Bill Frisell. Like its predecessors, the duo's fifth album still roots itself in Lithuanian folk forms, but sprouts out spiritedly from that point into unfamiliar landscapes, muddling ancient themes with contemporary philosophies, concepts and technology. Delicate instrumental sequences and ethereal vocals are woven into a rich tapestry of subtle synth work and evocative field recordings. On 'Kouma lil', Indrė Jurgelevičiūtė and Bert Cools experiment with digital images of the kanklės (a traditional Lithuanian chordophone), and Jurgelevičiūtė's voice, blurring the boundary between the organic and the artificial, while on 'Suiakmo, French percussionist Toma Gouband adds percussion from his custom-made sounding stones to Jurgelevičiūtė's gentle words and Cools' surreal, sensuous electronics. 'Vėjula' is an album that reaches into the unknown without loosing its tight grip on the past. Merope are in a new creative phase of their career, and they've never sounded quite so universal, or so vital.

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Sharada Shashidhar

Soft Echoes

Brown Sugar Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Los Angeles-based vocalist, composer, and producer Sharada Shashidhar has a deep awareness of the cosmos. There’s a distinct tug-of-war in her music, an understanding that scanning the heavens to answer existential queries isn’t quite enough; there are internal depths to plumb as well. Shashidhar’s first album, 2020’s Rahu, found her voice billowing out of smoky, post-beat-scene soundscapes, meditating on the collective unconscious and the energy exchange between all living things. Her newest work, Soft Echoes (out September 27th on Leaving Records), is a bold step forward, eschewing her previous work’s hip-hop tilt for expansive compositions that blend jazz and Indian classical influences into a swirling, spiritual whole.

Though she has an extensive resume as a collaborator in LA’s experimental jazz scene, notching work with the likes of Carlos Niño, Zeroh, and the Pan Afrikan Peoples Arkestra, Soft Echoes marks Shashidhar’s first outing as a bandleader.

Gathering an ensemble thatincludes Anna Butterson bass, Julian Rodriguezon keys, Devin Danielson saxophone, and Timothy Anguloon drums, Shashidhar sought to create a band that ostensibly functioned asan extension of herself. Her primary goals in writing these songs were to “let [her] body do whatit wanted to do,” to trust her intuition, and “play without judgment.” Through that process, making Soft Echoes became a practice of presence and exploration, a chance to unlearn rigidstructures and rediscover the joy of creating for oneself. Recording took place over three brief, distinct sessions at Altamira Soundin Alhambra, California.

She describesthe album as having “two poles,” illustrated by the whimsical, buoyant opener “Soft Echoes” and the darker, more anxiety-ridden closer, “New Echoes.” The songs in betweenmay come from different emotional spaces, but “it’s all really reflective,” she explains. The album can play like a loop, with Shashidhar entering a portal “into the endlessness” during “NewEchoes,” only to be transported back to the beginning, full of gratitude and pondering “howstrange it is to be alive.” ”

She describesthe album as having “two poles,” illustrated by the whimsical, buoyant opener “Soft Echoes” and the darker, more anxiety-ridden closer, “New Echoes.” The songs in betweenmay come from different emotional spaces, but “it’s all really reflective,” she explains. The album can play like a loop, with Shashidhar entering a portal “into the endlessness” during “New Echoes,” only to be transported back to the beginning, full of gratitude and pondering “howstrange it is to be alive.”

On Soft Echoes, Shashidhar leads us on a journey through her mind,traversing its peaks and canyons in search of greater connection. “I want to take people places,”she says, pausing thoughtfully. “I can’t always guarantee that they’re good places, [but] hopefully you’ll feel something.”

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Freddie Roach

LP | 1964 | US | Reissue (Vinyl Me, Please)

LP | 2024 | EU | Original (Noopop)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Freddie Roach’s first three albums introduced him to the world, but Brown Sugar showed it who he was. It was the album that Roach made to capture the energy of soul jazz. To somehow take the sounds in the city, in the clubs, and bring them to a record. In his original liner notes, Roach writes that the album is an ode to late nights and loud clubs, to backs damp with sweat, arms wrapped around waists. ‘’Not caring for the moment about troubles or problems,'' he wrote of people dancing, ‘’their bodies quivering under smiles that seemed to promise ‘after the dance.’'' After talking to Alfred Lion, president of Blue Note, they decided that the album needed to be made up of standards — not the standards of the stage or screen, but the standards of the people. ‘’To get the ‘soul,’'' Roach wrote, ‘’I decided to do show soul tunes.''

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Naissoo Freeform Quintet

LP | 2024 | US | Original (Concord)

Release: 2024 / EU – Original

Genre: Organic Grooves

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NooPop Records proudly presents 'Naissoo Freeform Quintet,' led by keyboard maestro Tõnu Naissoo. Recorded in Tallinn during two electrifying, improvisational sessions in July 2024, this LP captures the infectious energy of funk, the adventurous spirit of free jazz, and infused with a nostalgic nod to the psychedelic era. This album is a celebration of dynamic percussive rhythms and exploratory sound of Bass Clarinet, Rhodes, Moog Source and ARP Odyssey, offering a unique blend of past and future musical influences. Whether you're a jazz aficionado, a groove enthusiast, or simply a lover of innovative music, "Naissoo Freeform Quintet" is an essential addition to your collection. Join us on this cosmic expedition and discover the infinite possibilities of sound that await in the astral realms of plate reverb and tape delay. Limited to just 500 vinyl copies, "Naissoo Freeform Quintet" is a rare gem for collectors and music lovers alike. Grab yours before it’s gone and embark on this stellar journey!

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Boney James

Slow Burn

Randy Masters Feat. Solar Plexus With The University Of California Santa Cruz Chamber Singers

Release: 2024 / US – Original

Genre: Organic Grooves

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Slow Burn: A feeling that grows with a slow but deliberate intensity. That sums up Boney James' music, career and the vibe of his newest album. The iconic 4x Grammy-nominated sax man's 19th album is another deliberate step on his creative journey. Featuring legendary jazz/R&B artists Marcus Miller and Cory Henry, the record also spotlights R&B's next superstar, October London. With 10 songs, 8 originals plus homages to Herbie Hancock and Stanley Turrentine, Slow Burn is Boney James at his best. CD Digipak.

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Children Of Bahia / Torremolinos

12" | 2024 | US | Reissue (Jazz Peace)

18,99 €*

Piero Umiliani + Moonbrew & Paolo Apollo Negri Feat. Tilde

Release: 2024 / US – Reissue

Genre: Organic Grooves

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This is a truly wonderful Jazz double offer you a look into an expression of Jazz. Both sides are heavenly spiritual and should be embraced

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Italian Library Songbook Vol. Ii (Masters Of Cinematic Music Reimagined Into Song)

7" | 2024 | EU | Original (Italian Library Songbook)

14,99 €*

LP | 2024 | EU | Original (Isc Hi-Fi Selects)

Release: 2024 / EU – Original

Genre: Organic Grooves

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The Italian Library Songbook series, where contemporary producers and songwriters breathe new life in-to hidden tracks and outtakes from Italian soundtrack maestros, is back with its second installment.

This time, beat-maker and bass player Moonbrew, along with composer and keyboardist Paolo Apollo Negri, reimagine the iconic Piero Umiliani, whose influence resonates deeply with anyone who grew up with a passion for b-movies, library music, and soundtracks.

Joined by singer-songwriter Tilde, the duo put their unique spin on Umiliani’s “Nel Villaggio” (featured on side B of this release), an instrumental piece from his 1975 library album Continente Nero. The hypnotic marimba melody that opens the original track serves as the foundation for their reinterpretation. By sam-pling the marimba and combining it with synthesizers and a fresh beat, they create the perfect backdrop for Tilde’s vocals, giving birth to a new ethereal and dreamy song titled “As If It Matters” (on side A).

Joining the dots between the Seventies and today, Italian Library Songbook - Volume II pays tribute to Umiliani’s signature sound while firmly grounding the music in the present. Once again, the artwork is by graphic designer and calligrapher Luca Barcellona, who drew inspiration from elegantly bound classics book series to evoke the tactile element that makes vinyl records so unique and precious.

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Scott Gilmore

Volume 01

Trident Vinyl Me, Please Edition

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Scott Gilmore’s Volume 01, an Analog Synth Gem, Makes Its Vinyl Debut - Pressed at 45rpm for maximum fidelity.

Recorded on a vintage Tascam 388, the LP version of Gilmore’s alluring, easy-going instrumental electronic record arrives in the physical world via In Sheep’s Clothing Hi-Fi Records.

Los Angeles, CA — When the Los Angeles electronic musician and multi-instrumentalist Scott Gilmore recalls the creation of the songs on Volume 01, he describes specific moments of spontaneous inspiration. “I remember sitting at the tape deck, watching the leaves outside the window as they flittered in the sunlight—a moment of stillness that became intertwined with the melody I was recording,” Gilmore recalls, speaking of the track “Song For Cate.”

This sense of simplicity and presence is at the heart of Volume 01, which was recorded entirely on a Tascam 388 using a carefully curated selection of instruments.

Volume 01, an intimate, instinctual album that mixes lo-fi digital rhythms, strummed guitar, and melodic synth layers, is a collection of songs that captures Gilmore’s magnetic fluidity and the spontaneity of his process. Initially released digitally and as a limited edition cassette, Volume 01 is set to be issued on vinyl for the first time by In Sheep’s Clothing Hi-Fi.

The Tascam 388 is a classic mid-1980s analog machine that combines an 8-track reel-to-reel tape recorder with a built-in mixing console. Volume 01 exudes the kind of hazy, nostalgic warmth that only such recorders can provide. For the nine-song album, Gilmore harnessed analog synths including the Arp Odyssey, Yamaha Cs-01, Korg Dw-8000, Hohner Pianet T, Roland TR 606, and Roland SH 101, as well as bamboo alto saxophone, clarinet, electric guitar, and electric bass.

The album is awash in brief, propellant pieces. At just over four minutes, the relatively epic “Horizon Line” is driven by a three-note snare pattern, a two-note cymbal tap, with a humble bass-line serving as the rudder; Gilmore’s improvised keyboard runs move with an intuitive, conversational glee. The pensive "Shade" sounds like it could be a Penguin Cafe Orchestra demo. Closing track “D. Hareem” runs on a wobbly time signature but with an insistent, determined rhythm that belies genre descriptives. “I prefer to not know what I’m making as I compose,” Gilmore says. “It’s when I can’t clearly define what the music is that it’s then something that I want to put out into the world.”

In hindsight, Volume 01 was a portent. After its 2016 cassette release, Gilmore connected with International Feel, the Balearic imprint run by Marc Barrot, to release the sublime Subtle Vertigo. In 2019, Gilmore’s music caught the attention of Marc Hollander, the experimental composer and founding member of Aksak Maboul, which led to a signing with the Belgian label Crammed Discs. That deal enabled the creation of Gilmore’s solo album Two Roomed Motel and Doctor Fluorescent, a retro-futuristic, Vocoder-heavy 2020 collaboration with Eddie Ruscha V, a.k.a. Secret Circuit). Across these projects, Gilmore’s work has been mentioned in the same sentences as Stereolab, Arthur Russell, Woo, Air, R. Stevie Moore, and others, all of whom have combined synths and non-synths to memorable effect.

With the upcoming vinyl release, Volume 01 will set into wax an enduring set of works, offering listeners the chance to experience analog artistry in its most authentic, tangible form. In Sheep’s Clothing Records is honored to bring Gilmore’s work to vinyl.

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McCoy Tyner

LP | 2024 | US | Reissue (Vinyl Me, Please)

Adrian Younge & Ali Shaheed Muhammad

Release: 2024 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
With 1975’s Trident, McCoy Tynerfinally achieved his true vision for the piano trio. In an era that finally — and firmly — established Tyner in the upper echelon of jazz masters, adored by critics, set at the top of festival bills and heartily supported by the record-buying public, Trident stands at the pinnacle of his brilliant album run from that decade.

Trident might not seem as ambitious as Tyner’s other ’70s outings, but don’t let its near-monochromatic gray and silver cover of McCoy by the ocean fool you; just beneath its surface is the heaviest, most vivid and deep music of his career. Trident finds him coming full circle, realizing his — and just about any fantasy jazz fan’s — dream piano trio. Call it Money Jungle for the new decade, only one featuring cogent and telepathic alignment rather than clashing intergenerational conflict. Three titans, three defining masters of their instrument, with thousands of recording dates between them.

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Lonnie Liston Smith Black Vinyl Edition

LP | 2023 | US | Original (Jazz Is Dead)

Workin' With The Miles Davis Quintet

Release: 2023 / US – Original

Genre: Organic Grooves

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Coursing through the cosmic pulse of Jazz-Funk is the inimitable influence of Lonnie Liston Smith. For over five decades, the legendary keyboardist and bandleader has been a driving force in shaping the genre's sound. Smith made his recording debut as a sideman for heavyweights Miles Davis, Pharoah Sanders, Gato Barbieri and Leon Thomas. He later formed his own ensemble, Lonnie Liston Smith and the Cosmic Echoes which delivered an incredible run of classic albums through the 1970s. His music has served as the foundation for immortal hip-hop samples and ecstatic dancefloor revelry. In late February 2020, Smith headlined Jazz Is Dead’s Black History Month series, giving many jazz fans what would be their last taste of live music before the nightmare of Covid-19 that took over in the weeks that followed. Now, he reunites with Jazz Is Dead to deliver Lonnie Liston Smith Jid017 - a full-bloom tribute to the multitude of sonic strains that all lead back to the fingertips of the maestro himself.

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The Miles Davis Quintet

LP | 2023 | US | Original (Craft)

46,99 €*

Release: 2023 / US – Original

Genre: Organic Grooves

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Yakhal’ Inkomo HHV Summer Of Jazz Exclusive Orange Vinyl Edition

Mankunku Quartet

LP | 1968 | UK | Reissue (Mr Bongo)

LP | 2023 | CZ | Original (Impulse)

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Limited edition of 200 copies for the 2023 Summer of Jazz campaign, focused on South-African jazz. Only available at HHV.

The Mankunku Quartet's 1968 album 'Yakhal' Inkomo’ clocks in at just over 30 minutes of jazz perfection. This compact, and to-the-point, album would sit comfortably in amongst some of the best works in the catalogues of any of the quintessential jazz labels such as Blue Note, Prestige and Impulse. 'Yakhal' Inkomo’, however, was originally released on the South African record label World Record Co., which resulted in it becoming an elusive and sought-after piece for jazz collectors. First press copies sometimes fetch as much as £1,000 on the collectors' market. It has been long regarded as one of the finest South African jazz albums and DJ / broadcaster Gilles Peterson cemented this when he included it in his "best of genre" focussed radio show, 'The 20 - South African Jazz'. Tenor saxophonist Winston "Mankunku" Ngozi recorded the session on 23rd July 1968 at the Manley van Niekerk Studios, in Johannesburg. It was recorded by Dave Challen and produced by Ray Nkwe. The session is built up of two original works by Mankunku on the A-side, 'Yakhal' Inkomo' & 'Dedication (To Daddy Trane and Brother Shorter)', and on the B-side, the Horace Silver composition 'Doodlin', and a John Coltrane number 'Bessie's Blues'. What is striking is how the Mankunku-penned compositions not only hold their own next to Silver and Coltrane but they are, arguably, the better tracks on the record - a testament to the beautiful writing and playing of Mankunku. 'Yakhal' Inkomo' features the great musicians; Agrippa Magwaza on bass, drummer Early Mabuza, and pianist Lionel Pillay. Pillay was of Indian descent, making this a mixed-race group, thus the very recording of the album was an act of resistance as it broke the apartheid restrictions of the time. The title of 'Yakhal’ Inkomo' means “the bellow of the bull”, the Black audience would have understood this as coded community symbolism and an act of protest but it escaped the attention of the white government. For this edition, we have enlisted the services of Abbey Road Studios mastering, and lacquer-cutting engineer Miles Showell to cut a special half-speed master from the audio taken off the original master tapes. Miles has previously worked on our Arthur Verocai, Marcos Valle and Ian Carr re-issues, and once again we are blown away by the richness and clarity of Miles' work. We have also presented it as a replica copy using the cover artwork and labels from the primary World Record Co. original version. On the sleeve notes, Ray Nkwe the producer and the President of the Jazz Appreciation Society of South Africa writes "This is the LP that every jazz fan has been waiting for" and Ray was not wrong, it's a stone-cold timeless jazz classic.

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Brandee Younger

Brand New Life

LP | 1969 | EU | Reissue (Ebalunga!)

Release: 2023 / CZ – Original

Genre: Organic Grooves

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"Brand New Life" is Brandee Younger's second album on Impulse! Records. Younger is quite often noted for standing on the shoulders of the very woman who ushered in the harp as a clear and distinct voice in jazz - particularly Dorothy Ashby. Having studied her life and music intensely, this would be accurate. As an artist, Brandee continues to bring new life to her work while simultaneously introducing a unique voice and seamlessly integrating contemporary genres that extend the instrument into yet a new life, breaking down barriers for future harpists to come.

The intersection of Younger’s identity through race, gender, and locale, offers her the unique experience of accessing the instrument within the richness of Black creative expression, culture, and community. This meaningful, contextual distinction is beautifully evident in Younger's music across every album and performance. Like her predecessors, Younger is a reflection of and commitment to the continuum of Black music.

Brandee Younger - Harp (and vocals on track 5)

Rashaan Carter - Bass / Makaya McCraven - Drums / Joel Ross - Vibraphone / DeSean Jones - Flute / Yuri Popowycz - Strings / Mumu Fresh - Vocals (Track 2) / Pete Rock - Drum Programming (Track 2) / Linda McNease-Younger - Vocals (Track 5) / Sharon McNease-Griggs - Vocals (Track 5) / Meshell Ndegeocello - Vocals (Track 8) / Junius Paul - Bass (Track 9) / 9th Wonder - Drum Programming Additional Production

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Gabor Szabo

1969

Detroit Latitude 42° 30' Longitude 83° Record Store Day 2023 Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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“Gabor Szabo exploded onto the American jazz scene in the early sixties. His unusual approach and unique sound brought something startling and new to jazz. With Chico Hamilton, Charles Lloyd and Gary McFarland, Szabo offered something few in jazz had ever heard before: guitarist as enchanter and conjurer and musician as storyteller and mesmerist. Once Szabo declared his independence in 1966, he also proved how seamlessly jazz can blend the Beatles and Bacharach with Latin and Indian styles. The guitarist released a string of albums on Impulse that challenged many assumptions about jazz and stand out today as some of the most radical, yet appealing music of the period. But the times were woefully a-changing. Szabo biographer Károly Libisch considers the year 1969 a “turning point” for the guitarist. The spell Szabo weaved in the press was beginning to wane. The blizzard of coverage he generated in the previous few years began to trickle off. Perhaps the rise of rock – and rock-guitar heroes – tamped down the guitarist’s exotic allure and faddish charm. Then, too, Szabo’s erratic behavior started attracting poor notices and hastened the demise of his storied quintet, featuring guitarist Jimmy Stewart and percussionist Hal Gordon, in late 1968. Now, both Gabor Szabo, the artist and businessman, needed a hit. 1969 was his response to the call of 1969.

The album was released in August 1969, initial reviews were positive. Cash Box raved that Gabor Szabo 1969 “is magnificent music, and an album that deserves great success” while Record World called it “luscious guitaring” that features “lots of contemporary material, which he makes completely his own.” Gabor Szabo 1969 never did find the success it was seeking. But it remains a lovely listening experience that finds the guitarist at his melodic best at an important crossroads in his recording career. “

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Yusef Lateef

LP | 1969 | UK | Reissue (Arc Records)

43,99 €*

Fly By Night Record Store Day 2023 Edition

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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"Gilles Peterson has been given the keys to Warner’s impressive Jazz back-catalogue and hand-selected Yusef Lateef’s legendary Detroit Latitude 42° 30' Longitude 83° for Arc Records next release. This is the first time the album has been reissued on vinyl since its originally came out in 1969. The album is Lateef’s nostalgic love-letter to his hometown and one of the rawest works in his catalogue but the record looks forward as well as back. The compositions are laced with the seeds of 70s Jazz Funk that would come to dominate the following decade. Arc Records have given this overlooked piece in Lateef’s oeuvre a bespoke reissue treatment. The audio has been remastered in mono from the original tapes by legendary engineer Bernie Grundman - best known for personally mastering industry landmarks such as Michael Jackson’s “Thriller”, Prince’s “Purple Rain” and Dr. Dre’s “The Chronic” among many others. The artwork, printed on heavy-weight card, is faithful to the original down to the 1960’s-style tip on sleeve and features the original sleeve notes alongside updated liner notes. The record itself is pressed on 180-gram black vinyl. The release is physical only and limited to just 2000 copies."

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Wendell Harrison

LP | 1990 | US | Reissue (Tidal Waves Music)

22,49 €* 29,99 € -25%

Naked And True Record Store Day 2023 Red & Green Vinyl Edition

Release: 1990 / US – Reissue

Genre: Organic Grooves

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Record Store Day 2023 first time on vinyl release limited to 500 copies on 180g vinyl. Rare 1990 Detroit Jazz Album by Tribe Founder Wendell Harrison

Wendell Harrison was born in Detroit in 1942 where he began formal jazz studies for piano, clarinet and tenor saxophone. At 14, while still in high school, Harrison started performing & recording professionally with artists such as Marvin Gaye, Grant Green, Sun Ra, Hank Crawford … and many others.

In 1971, Harrison began teaching music at Metro Arts (a multi-arts complex for youth) where he also connected with Marcus Belgrave, Harold McKinney and Phil Ranelin…soon after they formed the (now legendary) Afro-centric Tribe record label and artist collective. Tribe used the Metro Arts complex as a vehicle to convey a growing black political consciousness. Wendell Harrison also published the very popular Tribe magazine, a publication dedicated to local and national social and political issues, as well as featuring artistic contributions such as poetry and visual pieces.

In 1978 Harrison and McKinney co-founded Rebirth, a non-profit jazz performance and education organization, in which many notable jazz artists have participated. Around the same time Wendell Harrison also created the Wenha record label and publishing company, which released many of his (now classic) recordings as well as those of other artists, such as Phil Ranelin, Doug Hammond and Reggie Fields (The Real ShooBeeDoo).

In the early 1990s, Wendell Harrison was awarded the title of “Jazz Master” by Arts Midwest. This distinction led Harrison to collaborate with fellow honorees and gave him the chance to tour throughout the United States, Middle East and Africa. Even to this day Wendell Harrison's recordings for the Tribe, Wenha and Rebirth labels have a large worldwide fanbase.

It is on Wehha in 1990 that Harrison released (and self-produced) the opus: ‘Fly By Night’ which we are proudly presenting you today. ‘Fly By Night’ is a monster of an album featuring an all-star line-up that includes Doug Hammond (Mingus, Lonnie Liston Smith) on drums, Kirk Lightsey (Chet Baker, Calvin Keys) on piano, Cecil McBee (John Hicks, Pharoah Sanders, Alice Coltrane) on bass, Jaribu Shahid (Sun Ra) on contrabass and Pamela Wise (Tribe) on Piano. Harrison is killing it here with this selected ensemble (guys he grew up with in Detroit in the late 50’s, when hard bop was the thing and Miles and Coltrane were the heroes of the day). This group of talented veterans are taking this classic album to unseen heights.

On ‘Fly By Night’ the gloves come off…no more jazzy-funk or poppy-jazz. Wendell picks up his tenor for one tune but the remainder of the sessions he performs on clarinet. Wendell’s mastery coaxes the sweet piquant sound of the instrument and as it re-emerges in the contemporary jazz scene. The eight handpicked tunes demonstrate the fertile new directions Wendell Harrison has been working on, combing standards with a fresh new approach.

On these amazing recordings (recorded at the Rebirth Studios in Detroit) the listener is invited to experience a synthesis of what has been and what is now. The record shows Wendell’s trademark proficiency. All of the above makes this incredible record both timeless and as relevant today as it was back when it was initially released.

Tidal Waves Music now proudly presents ‘Fly By Night’ for the First Time on vinyl (the album was only released as a limited compact disc back in the early nineties). This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies) with obi strip. This vinyl edition also features the original painted front cover artwork by Virgil Grady (known for his work with Tribe records) and back photography by acclaimed Detroit scene photographer & author Barbara Barefield, whose work has appeared in many renowned publications such as The New York Times, LA Times, People magazine and countless others. Released exclusively for Record Store Day (uk/europe) 2023 and available in participating stores on April 22, 2023.

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