Search "record store day" 48669 Items

12" | 2000 | IT | Original (BXR)

Release: 2020 / EU – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Mint, Cover: Sealed

2LP vinyl reissue on pink vinyl.

Released as part of Record Store Day 2020 which was limited to 600 pieces in Europe and the UK

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Y.O.M.C.

Oasis

169,99 €*

Release: 2000 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Ships in a brand new plain sleeve.
Record with clean lables plays with great sound, close to VG+.

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Multi-Format Turntable Case

169,90 €*

FLUX-Sonic Nadelreiniger (Limited Edition)

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One size fits all! The new MULTI-FORMAT TURNTABLE CASE is a heavy-duty road case that was especially designed to fit the popular Technics SL-1200/1210 Turntable. It includes several foam pads to accommodate various new models such as a Pioneer PLX-1000 and other models from Stanton, Vestax, Reloop, American Audio, Numark etc.

Fits Technics 1200/1210 MK2 /MK5, Pioneer PLX-1000, Reloop RP-8000/7000/6000/2000, Stanton ST-150, Vestax PDX 3000, Numark TTX, Audio Technica LP120-USB/LP1240-USB, American Audio Power Drive 2.2 etc.

Incl. adjustment foams to accommodate various turntable models

Heavy duty construction of 9 mm vinyl laminated plywood

Solid aluminum profiles and spring loaded butterfly locks

Secure stacking due to stackable ball corners

Outer dimensions: (B/H/T): 43 x 52 x 22 cm /internal: (B/H/T): 36,5 x 45,5 x 7,5 cm

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Flux Hifi

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Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

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Pioneer DJ

DDJ-200

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2-channel Smart DJ controller

Stream, Create, Experience
Start DJing with our easy-to-use DDJ-200 smart DJ controller. Lightweight and compact with a pro-style layout, it’ll help you learn to mix and, if you want to, develop DJing from a hobby into something more. Put your own twist on the music as you mix for friends at parties.

Compatible apps
Connect your smartphone, tablet, or PC/Mac to start mixing. A number of software programs and apps – including rekordbox for iOS/Android, rekordbox for Mac/Windows, WeDJ for iPhone, WeDJ for Android, djay, edjing Mix – are compatible with selected devices. You’ll also have free use of all the features in WeDJ for iPhone that normally require in-app payments.

Compatible streaming services
Depending on your app and device combo, you can mix sounds via streaming services including Beatport, SoundCloud, TIDAL, and even Beatsource.
WeDJ for Android is not compatible with streaming services.

Transition FX
Just starting out behind the decks? Transition between tracks and make it sound professional with the Transition FX feature in WeDJ for iPhone. Choose from 11 effect styles and simply slide the crossfader to the other side to smoothly switch tunes.

Compact lightweight body
The DDJ-200 is lightweight and portable. Leave the speakers at home and play sound from your smartphone, tablet, or PC/Mac’s audio outputs. No outlet handy? No problem. Power the controller via an external battery.

OTHER FEATURES

Switch tracks naturally
Our Phrase Sync feature will analyze and align the positions of 2 tracks. As a result, it will sound natural when you switch between tunes.

Split output
While everybody else hears the master sound through the speakers, you’ll be listening to and cueing the next track on your headphones. Simply plug in split cables to separate the audio.

SPECIFICATIONS:

Main Features:
Compatible DJ Software:
• WeDJ (iPhone/Android)
• rekordbox (PC/Mac)
• rekordbox (iOS/Android)
• djay (iPhone/iPad/Android)
• edjing Mix (iPhone/iPad/Android)

Software System Requirements:
• Visit rekordbox.com for its specifications.
• Visit algoriddim.com for its specifications.
• Visit edjing.com for its specifications.
• Visit App Store for WeDJ(iOS) specifications.
• Visit Google Play for WeDJ(Android) specifications.

Accessories:
• DDJ-200
• USB cable
• Split cable
• Warranty (for some regions)
• Quick Start Guide (WeDJ/rekordbox)
• Quick Start Guide (djay)
• Quick Start Guide (edjing)
• Precautions for use

Specifications:
• Width: 378 mm
• Height: 48.2 mm
• Depth: 208 mm
• Weight: 1.2 kg
• Wireless System: Bluetooth Low Energy

Performance Control:
• Channels: 2
• Deck Control: 2
• Pad FX: Yes
• Filter: Yes
• Transition FX: Yes
• Hot Cues: 8
• Manual Loop: Yes

Fader:
• Fader Start: Yes

Terminals:
• USB: 1 USB B port

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Multi-Format Case Player/Mixer

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One Size fits all! Custom designed for the mobile-DJ to hold a CDJ, multimedia players or a 4-channel club-mixer. The included foam strips provide universal fit for all Pioneer DJ, Denon, Allen & Heath, Denon, Rane, Reloop etc. models. Crafted from 9 mm vinyl laminated plywood, sturdy aluminum profiles and heavy duty butterfly latches this case provides ultimate protection for mobile use on the road.

FITS:

• Pioneer DJM-900 NXS2
• Pioneer DJM-900 NXS / SRT
• Pioneer DJM-800 / 700 / 600
• Pioneer CDJ-3000
• Pioneer CDJ-2000 NXS2
• Pioneer CDJ-2000 NXS
• Pioneer CDJ-900 / 850 / 800
• Pioneer XDJ-1000
• Allen & Heath PX5
• Allen & Heath DB4
• Allen & Heath DB2
• Allen & Heath Xone 92 / 62 / 43C
• Denon SC-6000 / SC-6000M
• Denon SC-5000 / SC-5000M
• Denon X-1850 / X-1800
• Denon X1600
• Denon SC3900
• Denon SC2900
• Reloop RMX-90 DVS
• Reloop RM-80 Digital
• Ecler NUO4
• Rane MP2015
• Rane Sixty-Eight / Sixty-Four

BASICS:

• Heavy duty construction of 9 mm vinyl laminated plywood
• Solid aluminum profiles and spring loaded latches
• Additional foam strips to fit various equipment models
• Removable front and rear panel covers
• Full padded interior
• Stackable ball corners

SPECS:

• Outer dimensions: 58 x 40 x 23 cm
• Inner dimensions: 43,8 x 33,1 x 8,4 cm
• Weight: 10 kg
• Color: black/silver (Item-No.: 41003 / EAN-Code: 4041212410030)

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Cambridge Audio

Melomania M100

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True Wireless Headphones With Active Noise Cancellation

• Immersive Sound – with aptX Lossless and customisable EQ
• Extended Play Battery – up to 10hrs + 23 (ANC on), 16 + 36 (ANC off)
• Active Noise Cancellation – adaptive hybrid with 3 modes + transparency
• Comfort Fit – choice of 5 pairs of ear tips, in silicone and foam
• aptX Adaptive – interruption-free sound up to 24bit/96kHz
• Bluetooth 5.3 – with greater speeds & data capacity for music transmission
• Clear Voice Capture – Qualcomm 3 mic cVc separates your voice from environmental noise

Designed by Hi-Fi Engineers, Made By Music
We’re obsessed with helping your music sound its best. M100 are our 3rd gen wireless headphones – so we’ve had a chance to really polish them.

aptX Lossless and customisable EQ settings get the most from your music. And so you don’t miss a beat – or a call – in busy areas, we added aptX Adaptive and Bluetooth 5.3 tech. They give a more stable connection for interruption-free listening.

Adaptive hybrid ANC keeps the everyday at arms-length, so you can escape into your own world. Simple touch controls, a comfy fit, and a battery that goes way beyond the ordinary round things up.

Feel Every Beat
Melomania M100 feature two generous 10mm drivers and magnets made from recycled Neodymium. The resulting powerful, but controlled, sound is one that maintains your music’s energy without sacrificing detail – regardless of genre.

Experiment with the choice of ear tips for the best seal, and to keep the sound firmly where it belongs.

Music First
Everyone deserves a great soundstage, low distortion, and high dynamic range. It’s what makes recorded music come alive.

Melomania M100 use Class AB amplification, the same type found in many of our award-winning amps, to deliver the authentic sound quality we’re known for – even when you’re on the go.

Let’s Get Personal
We’ve tuned M100 to deliver our authentic signature Cambridge sound, but we know many people have their own style.

We’ve specified a 7-band graphic equaliser in the all-new Melomania Connect app to build your own custom EQs. Plus, we’ve included 6 pre-set profiles for different music genres or spoken word listening.

Keep the Outside Out
M100 feature adaptive hybrid ANC, which uses information from Feed Forward mics, for external sound, and Feed Back mics, that detect unwanted sound in your ear canal. It automatically adjusts the noise cancellation level based on sound ingress and tightness of fit in the ears.

Enjoy music, podcasts, and calls, uninterrupted by irritating background noise.

Let the Outside In
Activate Transparency mode and shift your attention to what’s going on around you.

With Melomania M100, you can tune into the sound of your surroundings, hold conversations, and listen to public announcements – all without removing your earphones or pausing your playlist.

All Day and All of the Night
M100 continue our tradition of consigning battery anxiety to history, with up to 10 hours of continuous playback possible from a full charge – even with ANC on.

The compact, Qi wireless-compatible charging case stores an extra 23 hours (ANC on) – a lot more albums, podcasts, videos and calls! Take a 10-minute coffee-break charge for a 1.5-hour energy boost.

Your Fit, But You Know It
We supply 5 pairs of ear-tips with every pair of M100 – S & L in premium memory foam or S,M,L in silicone. Experiment to find the best combination for fit, seal and, of course, comfort.

So, whether you’re working, commuting, or simply listening to music, you’ll barely notice you’re wearing them.

High-Tech. As Standard
aptX Lossless works with compatible devices to deliver bit-exact, CD-quality audio with no compression, whilst aptX Adaptive automatically adjusts to keep the music going in busy areas like railway stations at up to 24bit/96kHz.

Bluetooth 5.3 adds extra capacity, speed, stability, and efficiency over its predecessors, helping music, podcasts, video, games and calls to sound their best.

London Calling
When you buy new headphones, they need to be great for calls too. M100 use 3-microphone cVc, a system developed by Qualcomm that helps your voice stand out above environmental noise.

A series of convenient features like Multipoint Connection, Siri and Google Assistant compatibility, reduced-latency gaming mode, and our new Melomania Connect app complete the story.

Designed for Life
Like all our products, Melomania M100 are made to last. They’re designed in London, so IPX4 water resistance was a must. Their compact case protects and charges them in your pocket. The packaging is 100% recyclable and free from plastic.

Technical Specifications:
• HIGH-PERFORMANCE AUDIO MODE: Class A/B amplification
• DRIVER: 10mm Driver Recycled Neodymium Magnets
• BATTERY PLAY TIME (EARBUDS): Up to 16 hours
• BATTERY PLAY TIME (EARBUDS - ANC ON): Up to 10 hours
• BATTERY PLAY TIME (TOTAL): Up to 52 hours
• BATTERY PLAY TIME (TOTAL - ANC ON): Up to 33 hours
• CHARGING TIME: 2.5 hours
• WIRELESS CHARGING: Yes - Qi charging
• POWER SUPPLY: USB-C, Wireless charging
• FAST CHARGE: 10 mins charge = 1.5hrs ANC On | 2.4hrs ANC Off
• NOISE ISOLATION: Qualcomm™ Adaptive Active Noise Cancelling
• TRANSPARENCY MODE: Yes
• MICROPHONES: 6 microphones, 3 per earbud
• VOICE PROCESSING: 3-microphone Qualcomm® cVc™ Echo Cancelling and Noise Suppression (ECNS)
• MELOMANIA CONNECT APP: Compatible
• VOICE ASSISTANT ACTIVATION: Siri / Google Assistant
• IPX RATING: IPX4 water splash resistant
• FIRMWARE UPGRADABLE: Yes
• BLUETOOTH VERSION: Bluetooth 5.3
• TRIPLE-CORE PROCESSOR ARCHITECTURE: Qualcomm QCC3071, Powerful tri-core processor architecture – supporting complex use cases Dual core 32-bit processor application subsystem (up to 80MHz) Single core 240 Mhz configurable Qualcomm® Kalimba™ DSP audio subsystem
• SUPPORTED PROFILES: A2DP, AVRCP, HSP, HFP
• SUPPORTED CODECS: aptX™ Lossless, aptX™ Adaptive, AAC, SBC
• WEAR DETECT: Yes
• LOW LATENCY: <80ms - Gaming Mode accessible via Melomania Connect
• NOISE CANCELLATION: Qualcomm™ Adaptive Active Noise Cancelling
• WIND NOISE REDUCTION: Yes
• GOOGLE FAST PAIR: Yes
• ADJUSTABLE EQ: Yes - 7-band adjustable EQ accesible via Melomania Connect
• OPERATING TEMPERATURE: 0°C to +40°C / 32°F - 104°F
• OPERATING RELATIVE HUMIDITY: 10 to 80%, Non-condensing
• DIMENSIONS (EARBUDS): 22 x 19.2 x 23mm
• DIMENSIONS (CHARGING CASE): 44.5 x 80.2 x 27mm
• WEIGHT: Earbuds: 6.65g each / 0.235 Ounce Charging case: 53.3g / 1.880 Ounce Total: 66.6g / 2.35 Ounce
• WHAT'S IN THE BOX?: Quick Start Guide, USB-C to USB-C charging cable, 3 x silicone eartips (S, M & L), 2 x memory foam eartips (S & L), Brand booklet, Function controls card, Safety instructions

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Frame Your Records

Record Jack

FLUX-Sonic Nadelreiniger (Limited Edition)

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Frame Your Records product series Record Jack includes shelves made of Multiplex, which can be perfectly integrated into the room. Not every LP cover necessarily matches every shelf color, so this item comes in different shades. Outside dimensions: 390 x 390 x 133 mm / Inside dimensions: 320 x 320 x 95 mm; Capacity: 13 - 25 LPs. Material: Multiplex & plastic.

Made in Germany!

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Flux Hifi

FLUX-Sonic Nadelreiniger (Limited Edition)

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Flux Hifi

1000x 12" Record Outer Sleeves

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Außenhüllen (0,15mm / Made in Germany)

168,99 €*

7" | 1969 | UK | Original (Big Shot)

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Protective sleeves are among the indispensable basics of vinyl care. Our sleeves are Made in Germany and help to preserve the cover artwork permanently, as they significantly minimize the risk of ring wear. In addition, they protect against edge wear of the record sleeve and the vinyl itself from dust and dirt.
We recommend the transparent and robust films for any well-maintained record collection.
The vinyl LP protective sleeves are part of the Vinyl Care by HHV product range, which stands for best quality at an attractive price. In the development of our Vinyl Care products we directly incorporate the experiences of our customers at HHV.de and offer collectors and enthusiasts high-quality tools for cleaning, care and presentation of their vinyl treasures.

Record Outer Sleeve 12" Vinyl Schutzhülle - specific details:

• dimensions: 325 x 325 x 0.15 mm
• material: translucent polyethylene, 150µ
• selling unit: 1000 pieces
• Made in Germany

Free from plasticizers, solvents, bisphenol A and is REACH certified.
Does not contain PFAS and PFOA. Substances from the ECHA candidate list are not included.

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The Gaylettes

Son Of A Preacher Man

166,99 €*

Release: 1969 / UK – Original

Genre: Organic Grooves, Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Rare Big Shot 7inch.
Record is in great condition, very close to VG+ with just a few hairlines. Plays with faint surface noise only in the run-ins and is far from overpowering the music.

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LP-Bag 100 Trolley Black / Red

166,00 €*

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A true MAGMA classic. The LP-Bag 100 Trolley is a proven practical and convenient transportation solution to carry up to 90 12″ vinyl records. The new reinforced design has been rigorously tested to insure the highest strength and stability to carry your precious records well protected.

FITS

90 12“ Vinyl
Headphones
Needle-case
Cables

BASICS

Durable, water-repellent 480D Nylon and high quality zipper
Telescopic handle on a sturdy reinforced trolley-board system
Holds approximately 90 records
Extra-thick 2,5 cm thick padding all around the main compartment
Padded back wall to protect the telescopic handle from damage
Lockable zipper on main compartment
3 exterior pockets for headphones, needles and other accessories
Comfortable carrying handle and detachable padded shoulder strap

SPECS

Outer measures: 38 x 45 x 38 cm
Inner measures: 32 x 31 x 28 cm
Weight: 4,2 kg

Color: black/red (Item-No.: 40540/ EAN-Code: 4041212405401)

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LP-Bag 100 Trolley

166,00 €*

Little Steven And The Disciples Of Soul

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Summer Of Sorcery:Live From Beacon Limited Colored Vinyl Edition

Box | 2021 | EU | Original (Universal)

165,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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ATH-M50X

The Complete - Liuto Records Heritage

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Studio Industry Icon
Engineered to deliver a superior sound experience at an affordable price, the M50x have been widely acclaimed online by professionals, casual listeners and streamers. From everyday listening and commuting to gaming or studio recording, you’re in great hands with the M50x, with build quality and coveted sound engineering that’s praised by audio experts and professionals year after year.

Gaming Excellence
Consistently celebrated by critics and designed utilising over half a century of Japanese audio design and technology, you’ll hear every blast, boss and battle in stunning clarity and immersive sound through the ATH-M50x. Their wide and clear sound range allows you to discern between every layer of your game’s audio design whilst enjoying crisp musical highs and low, bassy explosions. And because the ATH-M50x is powered through the audio jack alone, you can play uninterrupted, indefinitely.
If you’re looking for streaming, online and co-op communication, the optional ATGM2 Detachable Gaming Boom Microphone is the perfect accompaniment to online gameplay with exceptional pickup and clarity that can be easily detached or flicked up when not needed.

Professional Home Studio Headphones
With 55 years of Japanese audio design, Audio-Technica is loved by many of the world’s biggest artists, vocalists and musicians and the M50x headphones remain one of our most popular innovations to date. Whether you’re a music industry veteran or you’re looking to start recording at home, the ATH-M50x are an excellent choice of headphones for listening back to or monitoring your audio performance.
Either from your computer/audio receiver or plugged directly into your microphone for monitoring (as with our AT2020 or AT2020USB+ microphones), the ATH-M50x headphones deliver stunning sound design.

The Extraordinary Everyday
Rated highly for their professional-grade comfort, foldable versatility, strong construction and excellent sound design, the ATH-M50x are an exquisite choice as your audio daily drivers. Whether it’s travel, your daily commute or working and studying at home, you’ll love their all-day comfort and immersive sound design. Offering passive noise isolation through circumaural design contours, our M50x headphones provide a high-quality audio experience, helping you to boost your concentration and productivity at work and allowing you to meditatively switch off on your commute.

Features:
• Critically acclaimed sonic performance praised by top audio engineers and pro audio reviewers
• Proprietary 45 mm large-aperture drivers with rare earth magnets and copper-clad aluminum wire voice coils
• Exceptional clarity throughout an extended frequency range, with deep, accurate bass response
• Circumaural design contours around the ears for excellent sound isolation in loud environments
• 90° swiveling earcups for easy, one-ear monitoring
• Professional-grade earpad and headband material delivers more durability and comfort
• Collapsible for space-saving portability
• Detachable cables (includes 1.2 m - 3.0 m coiled cable, 3.0 m straight cable and 1.2 m straight cable)
• Top choice for studio tracking and mixing, as well as DJ monitoring and personal listening

Specifications:
• Type: Closed-back dynamic
• Driver Diameter: 45mm
• Frequency Response: 15 - 28,000 Hz
• Maximum Input Power: 1,600 mW @ 1KHz
• Sensitivity: 99 dB
• Impedance: 38 ohms
• Weight: 285g without cable/connector
• Cable: 1.2m-3m coiled, 3m straight, 1.2m straight cables
• Cable - Detachable: Yes
• Connector: Gold-plated stereo 1/8” (3.5 mm) connector with strain relief
• Magnet: Neodymium
• Voice Coil: CCAW (Copper-clad aluminum wire)
• Folding/collapsible: Yes
• Accessories Included: Screw-on 1/4” adapter, pouch

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Piero Umiliani

Box Set | 2024 | EU | Original (Schema)

The Complete - Sound Work Shop Heritage

Release: 2024 / EU – Original

Genre: Organic Grooves, Soundtracks

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FOR THE FIRST TIME EVER, THE WHOLE* PIERO UMILIANI’S PRODUCTION ON HIS LIUTO RECORD LABEL IS COLLECTED IN A UNIQUE 19-CD BOXSET!

The boxset includes a set of 18 albums for a total of 19 CD’s (the last one in the series is a double CD) enclosed in faithful reproductions of the original sleeves, plus a 72-page booklet with rare photos, two essays about Umiliani and his music production written by Maurizio Corbella and Niccolò Galliano, and a detailed discography and full tracklist section. This release has been fully approved by the Umiliani family.
* * *
Without Umiliani’s contribution, Italian jazz, film music and library music would lack some of the key identifying features we associate them with today, thanks to his ability to carve out a distinctive sound identity from his personal craft, the studio he built and the trust he gained from his collaborators. This identity for many simply encapsulates the cipher of an unrepeated age of Italian popular music.
At the Sound Work Shop studio (opened in 1968) Umiliani conceived the majority of his projects and hosted the recording sessions for numerous movie soundtracks, pop hits and library music albums by the most remarkable musicians in Rome — including himself. In this exciting environment, he had the opportunity to experiment with many different styles, from funk to psychedelic rock, from disco to avant-garde, from easy-listening to electronic music, following the ever-changing needs of the soundtrack and library music industries. He therefore mastered an extreme variety of genres, moods and atmospheres, often mixing up their peculiar features to achieve unusual combinations in albums conceived both for production purposes and for home listening.
Umiliani’s ability to reinvent the concept of musicianship in the fast-moving society of his time made him a modern musician in the most complete sense of the term, by putting himself in charge of every facet of his work, from the conception to the production, the recording, the publishing and even the packaging of his own music.
In less than two decades, Umiliani released almost 80 records on the three labels he established between the mid-1960s and the early 1970s: Omicron, Liuto, and Sound Work Shop, besides all the music he was simultaneously composing for movie productions, licensed and published by Italian major companies.
This box set allows us to fully appreciate this little-known side of Piero Umiliani in an unprecedented way: his ability to seamlessly intertwine his musical creativity with his vision as a producer and publisher emerges clearly from this series as a unique feature of this composer. This corpus altogether constitutes a remarkable contribution to the so-called Italian sound of the 1970s, covering areas such as library music and film music and a plethora of genres such as jazz, funk, psychedelia, prog, easy listening, electronic music and much more!

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Piero Umiliani

Box Set | 2024 | EU | Original (Schema)

Prince & The New Power Generation

Release: 2024 / EU – Original

Genre: Organic Grooves, Soundtracks

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For the first time ever, the whole Piero Umiliani’s production on his Sound Work Shop Record label is collected in a unique 17-Cd Boxset! The boxset includes a set of 17 CD’s enclosed in faithful reproductions of the original sleeves, plus a 72-page booklet with rare photos, two essays about Umiliani and his music production written by Maurizio Corbella and Niccolò Galliano, and a detailed discography and full tracklist section. This release has been fully approved by the Umiliani family. Without Umiliani’s contribution, Italian jazz, film music and library music would lack some of the key identifying features we associate them with today, thanks to his ability to carve out a distinctive sound identity from his personal craft, the studio he built and the trust he gained from his collaborators. This identity for many simply encapsulates the cipher of an unrepeated age of Italian popular music. At the Sound Work Shop studio (opened in 1968) Umiliani conceived the majority of his projects and hosted the recording sessions for numerous movie soundtracks, pop hits and library music albums by the most remarkable musicians in Rome — including himself. In this exciting environment, he had the opportunity to experiment with many different styles, from funk to psychedelic rock, from disco to avant-garde, from easy-listening to electronic music, following the ever-changing needs of the soundtrack and library music industries. He therefore mastered an extreme variety of genres, moods and atmospheres, often mixing up their peculiar features to achieve unusual combinations in albums conceived both for production purposes and for home listening. Umiliani’s ability to reinvent the concept of musicianship in the fast-moving society of his time made him a modern musician in the most complete sense of the term, by putting himself in charge of every facet of his work, from the conception to the production, the recording, the publishing and even the packaging of his own music. In less than two decades, Umiliani released almost 80 records on the three labels he established between the mid-1960s and the early 1970s: Omicron, Liuto, and Sound Work Shop, besides all the music he was simultaneously composing for movie productions, licensed and published by Italian major companies. This box set allows us to fully appreciate this little-known side of Piero Umiliani in an unprecedented way: his ability to seamlessly intertwine his musical creativity with his vision as a producer and publisher emerges clearly from this series as a unique feature of this composer. This corpus altogether constitutes a remarkable contribution to the so-called Italian sound of the 1970s, covering areas such as library music and film music and a plethora of genres such as jazz, funk, psychedelia, prog, easy listening, electronic music and much more!

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Diamonds & Pearls Super Deluxe Edition CD Box Set

Box | 1991 | EU | Reissue (Warner)

Release: 1991 / EU – Reissue

Genre: Pop

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4LP | 2024 | UK | Original (Southern Lord)

Black Breath

Box Set

164,04 €* 192,99 € -15%

The Collected Works Of Neutral Milk Hotel

Release: 2024 / UK – Original

Genre: Rock & Indie

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Behold! Every single raw, filthy, ripping old school punk/(death)metal note from Seattles' legendary lords of destruction ever recorded is within this box!

contains: †Black Breaths' 1st demo on cassette! (available for the first time ever!) †Razor To Oblivion EP (with 2 previously unreleased tracks!) †Heavy Breathing vinyl LP †Sentenced to Life vinyl LP †Slaves Beyond Death 2xLP

This essential box also contains a killer 8 page booklet with tons of photos, liner notes from Todd Jones (nails) and a tribute to bass player: Elijah Nelson.

Malfunkshun is an American punk/Love-rock/proto-grunge band formed in 1980 by brothers Andrew (aka Landrew) and Kevin Wood with drummer Regan Hagar.

Combining glam influences with distortion, they were one of the earliest grunge bands from Seattle. Andrew would become the frontman for Mother Love Bone.

"Olympus Awaits" is a definitive compilation of all Malfunkshun recordings. It includes their Return to Olympus album (here on vinyl for the first time ever), compilation appearances and very rare demo recordings with a dark-punk hardcore aesthetic.

This is thee ultimate Love Rock archival release of Mfunk!

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Neutral Milk Hotel

Box Set | 2011 | US | Reissue (Merge)

163,99 €*

Up To Here 2024 Limited Br Audio

Release: 2011 / US – Reissue

Genre: Rock & Indie

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The two full-length records that Jeff Mangum made as Neutral Milk Hotel sound both in and out of time. Like translations of a shared subconscious, 1996's On Avery Island and 1998's In the Aeroplane Over the Sea give voice to the perennial spirit of youthful epiphany, of beginning to see the world clearly, to process and express it-no matter when you encounter them. With lo-fi indie rock, accordion, singing saw, tape collages, the so-called "zanzithophone" and beyond, Neutral Milk Hotel created an eternal entry into their Elephant 6 scene and an enduring feeling of possibility. Mangum was born in the small city of Ruston, Louisiana, in 1970, coming of age within the '80s and '90s indie and punk undergrounds, a movement of teenagers recording in their bedrooms, sharing zines and trading tapes, listening to hardcore and experimental music on college radio. For all the mythology Mangum's elusive persona has accrued-particularly during the 15 years immediately following Aeroplane, when he abruptly left the band behind-it's the beguiling songs themselves that have resonated so deeply for generations. In 2011, Mangum collected nearly all of the band's recorded output in a limited-edition box set (self-released under Neutral Milk Hotel Records, a small operation helmed by Mangum and his mother) which is now re-pressed by Merge.

Black matte box is a 2-piece telescoping casewrapped package. Outer shrink-wrap includes a front sticker with "Neutral Milk Hotel," and a back sticker listing box contents. The box set includes 2 folded posters, each printed one side and each 24 x 24 inches when flat, and 1 postcard, printed front and back with box set information and sized 3.75 x 5 inches. Vinyl records: 1. In the Aeroplane Over the Sea: LP is 11 tracks pressed 33rpm to black vinyl in a gatefold jacket + printed insert for full album download. --- 2. On Avery Island: 2-lp is 12 tracks pressed to double black vinyl in a gatefold jacket + 11 x 11 printed insert + printed insert for full album download. Sides A, B and C pressed 45rpm. Side D pressed 33rpm. --- 3. Live at Jittery Joe's: 12-inch picture disc is 11 tracks pressed 33rpm to a full color picture disc in a heavyweight poly jacket + printed insert for full album download. --- 4. Ferris Wheel on Fire: 10-inch is 8 tracks pressed 45rpm to black vinyl in a printed jacket + postcard insert + printed insert for full album download. --- 5. Everything Is: 10-inch is 7 tracks pressed 45rpm to black vinyl in a printed jacket + postcard insert + printed insert for full album download --- 6. "Little Birds": 7-inch is 2 tracks pressed 45rpm to black vinyl in a printed jacket + printed insert for full album download 7-inch housed in a heavy-weight poly jacket. --- 7. "You've Passed": 7-inch is 2 tracks pressed 45rpm to black vinyl in a printed jacket + printed insert for full album download. 7-inch housed in a heavy-weight poly jacket. --- 8. "Holland, 1945": 7-inch is 2 tracks pressed 45rpm to black vinyl in a printed jacket + printed insert for full album download. 7-inch housed in a heavyweight poly jacket.

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The Tragically Hip

4LP | 2024 | Original (Universal)

163,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

12" | 2015 | DE | Original (Sei Es Drum)

Ricardo Villalobos

Easy Lee / Dexter

162,44 €* 170,99 € -5%

Road Apples 30th Anniversary Deluxe Edition

Release: 2015 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl is close to NM. White label. Sides are labeled E & D.

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The Tragically Hip

5LP | 1991 | EU | Original (Universal)

161,99 €*

Delta Machine - The Singles

Release: 1991 / EU – Original

Genre: Rock & Indie

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Lana Del Rey's 'Chemtrails Over the Country Club' album now exclusively on a translucent cobalt LP with an exclusive cover art

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Depeche Mode

Box | 2023 | EU | Original (Sony Music Catalog)

160,99 €*

Release: 2023 / EU – Original

Genre: Pop

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Off The Wall Limited Edition Ultradisc One-Step 180g 45rpm 2LP Vinyl Box Set

Michael Jackson

2LP | 1979 | US | Reissue (Mobile Fidelity Sound Lab)

The Don Killuminati (The 7 Day Theory)

Release: 1979 / US – Reissue

Genre: Organic Grooves

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Preorder shipping from 2025-02-07

Mobile Fidelity’s UltraDisc One-Step 180g 45rpm 2LP box set of Off the Wall is sourced from the original master tapes, housed in a deluxe slipcase, and pressed on MoFi SuperVinyl at Fidelity Record Pressing. The keepsake packaging of this Off the Wall Ud1s set further befits the album’s preeminent status. Housed in a deluxe slipcase, it features a special foil-stamped jacket and faithful graphics. Aurally and visually, this reissue is made for everyone who desires to immerse themselves in everything involved with the nine-timesplatinum landmark — including the iconic album cover with Jackson dressed in a tuxedo. Michael Jackson’s Reign as the King of Pop Starts Here: RIAA-Certified Nine-Times-Platinum Off the Wall Blends Funk, Disco, Soul and R&B in Visionary Ways, Features “Don’t Stop ‘Til You Get Enough” and “Rock With You” 1979 Landmark Presented in Audiophile Sound for the First Time: Mobile Fidelity’s UltraDisc One-Step 180g 45rpm 2LP Box Set Explodes with Energy, Plays with Superb Clarity and Detail 1/4" / 30 IPS analog master to DSD 256 to analog console to lathe Mobile Fidelity’s UltraDisc One-Step 180g 45rpm 2LP box set of Off the Wall is sourced from the original master tapes, housed in a deluxe slipcase, and pressed on MoFi SuperVinyl at Fidelity Record Pressing. The keepsake packaging of this Off the Wall Ud1s set further befits the album's preeminent status. Housed in a deluxe slipcase, it features a special foil-stamped jacket and faithful graphics. Aurally and visually, this reissue is made for everyone who desires to immerse themselves in everything involved with the nine-times-platinum landmark — including the iconic album cover with Jackson dressed in a tuxedo.

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Makaveli

2LP | 1996 | US | Original (The New And "Untouchable" Death Row Records)

Ultimate Pick Foam Flight Case Multi Format XL

Release: 1996 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with stickers

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UDG

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We, at UDG have further fined-tuned already a great design concept of our flight case into one specially for the most discerning DJ/producer. Constructed from aluminum thus providing an extremely stable structure with lighter weight compared to traditional flight cases. The inner sides are protected with pick & pluck foam that consists of two separate layers, each allowing user to create individualized adapted compartments. The pick & pluck foam allow you to pluck out any desired shape you require for various-sized DJ-controllers and providing the additional option of creating another slot underneath the controller for laptop or cable storage. This pick & pluck foam creating an easy, do-it-yourself customized system of case interiors.

The UDG Ultimate Pick Foam Flight Cases are designed to keep your gear protected from accidental damage when you transport it to and from gigs. They’re compact and lightweight yet tough enough to keep your gear safe.

FEATURES:
• Fits: NI Kontrol S3, S4 MK3, S8, Pioneer DDJ-800/ RX/ SX3/ SR2, XDJ-RR, Reloop Mixon 4, Numark NS6II, NVII
• Lighter weight than traditional flight cases
• Black Diamond finishing surface
• Corrosion resistant aluminum profiles with strong rounded corners
• Fully-lined with high density foam protective padding
• Ergonomic & sturdy carry handle
• Pick & pluck foam with two separate layers
• Replacement pick & pluck foam is available to purchase
• Removable front access panel
• Fully lined interior egg-crate foam on lid
• Two side strong butterfly lock and solid metal hinges
• Rubber feet at the bottom for support in standing position
• Several rivets for more solid

DIMENSIONS:
(Width x Height x Depth)

Outer: 69,2 x 46,7 x 18,1 cm
Inner: 68,2 x 45,7 x 17,1

Weight: 6,3 kg | 13,8 lbs

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VM530EN

12" | 1995 | US | Original (Dance Mania)

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VM530EN
DUAL MOVING MAGNET STEREO CARTRIDGE WITH ELLIPTICAL STYLUS
Elliptical Nude profile diamond stylus
VM type dual magnet system
Para-toroidal coils improve generating efficiency
Aluminium cantilever
Centre shield plate between stereo channels
Durable low resonance polymer housing

High-end elliptical stylus model equipped with a light-weight nude elliptical stylus to reduce the execution mass of the vibration system. This enables fuller frequency reproduction.

Aluminium cantilever
Para-toroidal coils improve generating efficiency
Centre shield plate between the left and right channels reduces crosstalk
Durable low resonance polymer housing

AUDIO-TECHNICA’S INTERNATIONALLY-PATENTED DUAL MAGNET DESIGN REPLICATES THE STRUCTURE OF THE CUTTER HEAD.
Instead of using a single, large magnet, the two magnets are arranged in the shape of a "V". The two magnets are positioned precisely to match the positions of the left and right channels in the stereo groove walls. Consequently, the VM design ensures outstanding channel separation, extended frequency response and superb tracking.

Para-toroidal generating system

Para-toroidal coils improve generating efficiency and offers superb linearity, since leakage of magnetic flux in this continuous and unitised magnetic circuit is low. Permeability of the cores is also optimised through the use of laminated cores.

Centre shield plate reduces crosstalk

A permalloy centre shield plate enables the effective separation of left and right channels, suppressing electrical crosstalk to below 40dB. This is similar to the actual crosstalk value found in the grooves of the record itself.

500 SERIES
Standard cartridge body fitted with the para-toroidal coils, centre shield plate, and 6N-OFC coil wire which is the same as 700 series.

ELLIPTICAL NUDE STYLUS
Elliptical diamond stylus follows the groove modulation with greater precision compared to a conical stylus, offering improved frequency and phase responses whilst reducing distortion.

Type VM Type
Mounting 1/2” centres
Frequency Response 20 - 25,000Hz
Channel Separation 27dB (1kHz)
Output Channel Balance 1.5dB (1kHz)
Output Voltage 4.0mV (1kHz, 5cm/sec.)
Vertical Tracking Angle 23˚
Vertical Tracking Force Range 1.8 – 2.2g (2.0g standard)
Stylus Shape Elliptical Nude
Stylus Size 0.3 x 0.7 mil
Stylus Construction Nude Round Shank
Cantilever Aluminium Pipe
Coil Impedance 2,700Ω (1kHz)
Static Compliance 35 x 10-6 cm/dyne
Dynamic Compliance 8 x 10-6 cm/dyne (100Hz)
Recommended Load Impedance 47,000Ω
Recommended Load Capacitance 100 – 200pF
Weight 6.4g
Dimensions 17.3 (H) x 17.0 (W) x 28.2 (L) mm
Replacement Stylus VMN30EN
Accessories Included Cartridge installation screws 5mm ×2 and 10mm ×2, Washer ×2, Hexagon nut ×2, Non-magnetic screwdriver ×1, Brush ×1

VM Cartridges: https://eu.audio-technica.com/resources/VM_Cartridges_EN.pdf

Manual: https://eu.audio-technica.com/resources/VM/VM530EN_UM_V2_11L_web_161021.pdf

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DJ Deeon

House Work

Ultimate Pick Foam Flight Case Pioneer PLX-CRSS12

Release: 1995 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Great copy. record has some signs of use but plays and sounds fine.

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UDG

Sail On Sailor 1972 Super Deluxe Edition

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We, at UDG have further fined-tuned already a great design concept of our flight case into one specially for the most discerning creative performers. Constructed from aluminum thus providing an extremely stable structure with lighter weight compared to traditional flight cases. The inner sides are protected with pick & pluck foam, which allowing user to create individualized adapted compartments. The pick & pluck foam allow you to pluck out any desired shape you require for Pioneer PLX-CRSS12 and creating another slot beside for cable storage. This pick & pluck foam creating an easy, do-it-yourself customized system of case interiors.

The UDG Ultimate Pick Foam Flight Case Pioneer PLX-CRSS12 is designed to keep your Pioneer PLX-CRSS12 protected from accidental damage when you transport it to and from gigs. They’re compact and lightweight yet tough enough to keep your gear safe.

FEATURES

Protection:
• Corrosion resistant aluminium profiles with strong rounded corners
• Fully-lined with high density foam protective padding
• Pick & pluck foam
• Two side strong butterfly lock
• Rubber feet at the bottom for support in standing position

Extra's:
• Lighter weight than traditional flight cases
• Black Diamond finishing surface
• Ergonomic & sturdy carry handle
• Removable access panel

Fits:
• Pioneer PLX-CRSS12 turntable

Specifications:
• Weight: 4,30 kg / 9.46 lbs
• Outer Dimensions (W x H x D): 49.0 x 42.3 x 21.0 cm | 19.3 x 16.6 x 8.3 inch
• Inner Dimensions (W x H x D): 47.0 x 40.5 x 18.8 cm | 18.5 x 15.9 x 7.4 inch
• Material: Aluminum

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The Beach Boys

Box | 2022 | EU (Universal)

Release: 2022 / EU

Genre: Pop

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In The Mammoth Nothing Of The Night

Lady Lamb

5LP | 2023 | US | Original (Ba Da Bing!)

Release: 2023 / US – Original

Genre: Rock & Indie

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A decade on from the release of Ripely Pine, Lady Lamb’s Aly Spaltro has created the definitive 5xLP box set to commemorate and expand upon her landmark debut. With the original songs remastered, Ten Years Of Ripely Pine also includes three LPs of newly recorded studio material, produced and arranged by Spaltro and mixed by original co-producer Nadim Issa. It captures the time, mood, art and ambition of Aly Spaltro in her early twenties, who had already accumulated years of playing and self-recording experience before laying down tracks for this giant of a debut record, and the sage wisdom of a decade’s experience.

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AT-XP7

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Preorder shipping from 2024-11-01

AT-XP7
DUAL MOVING MAGNET STEREO CARTRIDGE

• Excellent Tracking ability
• Superior sound without compromise
• Durable robust design for high-quality DJ playback
• Great visibility of stylus tip for instant positioning
• VM dual magnet cartridge with elliptical bonded stylus

The AT-XP7 is specially designed for the needs of DJs. This cartridge features a highly-rigid polyphenylene sulfide (PPS)/glass fiber body and a tracking force of 2 to 4 grams. It also offers a powerful output level of 6.0 mV, and its 0.3 x 0.7 mil elliptical bonded stylus tracks the record groove with high accuracy for outstanding audio reproduction. Plus, the cartridge is specifically designed to provide maximum visibility of the stylus tip.

• Durable robust design for high-quality specialist DJ playback
• Cartridges designed for DJ venue applications for their Hi Fi audio Performance
• Great visibility of stylus tip for instant positioning in dark environments
• Audiophile experience associated with DJ’ing environment with the signal output level and output impedance characteristics adapted to DJ professional mixing boards
• VM dual magnet cartridge with 0.3 x 0.7 mil elliptical bonded stylus
• Tapered aluminium cantilever
• Stainless wire suspension enables expressive higher frequency for clearer sound
• High-rigidity and Low-resonance cartridge housing
• Replacement Stylus: ATN-XP7

Specifications:
• Type: VM Dual Magnet
• Frequency Response: 20 - 20,000 Hz
• Channel Separation: 22 dB at 1kHz
• Vertical Tracking Angle: 20°
• Vertical Tracking Force: 2.0 to 4.0 g (standard 3g)
• Stylus Construction: Bonded Round Shank
• Recommended Load Impedance: 47,000 ohms
• Coil Inductance: 1.0 H (1 kHz)
• Output Voltage: 6.0 mV (mV at 1 kHz, 5 cm/sec)
• Output Channel Balance: Output Channel Balance
• Stylus Shape: Elliptical
• Cantilever: Aluminium tapered Pipe
• Static Compliance: 20 x 10-6 cm/dyne
• Dynamic Compliance: 8.0x10-6cm/dyne (100Hz)
• Mounting: Half-inch
• Dimensions: H17.2×W17.8×D28.3mm
• Accessories Included: Cartridge installation slotted screws 11.0 mm (0.43”) x 2 and 8.0 mm (0.31”) x 2, Washer x 2, Round nut x 2, Non-magnetic screwdriver x 1
• Recommended Load Capacitance: 100-200 pF
• Replacement Stylus: ATN-XP7
• Stylus Size: 0.3 x 0.7 mil
• Weight: 6.2g

User Manual: https://eu.audio-technica.com/resources/AT-XP7_UM_112301360_V1_11L_web_171018.pdf

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Riot LP-Trolley 50

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Pioneer DJ

HDJ-X5BT

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Over-ear DJ headphones with Bluetooth® functionality

Freedom to move
Move freely with the HDJ-X5BT over-ear DJ headphones featuring Bluetooth wireless technology. This version of our HDJ-X5 DJ headphones removes one more cable from your set-up without sacrificing HDJ-X series sound quality, making it easier for you to prepare tracks anywhere, anytime, unrestrained.

With advanced audio quality, you’ll hear crisp, clear notes and deep, hearty bass tones whether you’re on the street or in the booth. Match your headphones to your gear by choosing from 4 colors – metallic black, metallic red, gold or gloss white. Soft and flexible yet durable enough for life on the road, simply fold up your HDJ-X5BT headphones to transport them easily and enjoy your music in comfort wherever you go.

KEY FEATURES

Wireless tech
Power up and pair with your Bluetooth device to start enjoying your beats – it’s that easy. You’ll get around 20 hours of playback from a 3-hour charge, but if you use your headphones for DJ monitoring or you simply forget to charge them (we’ve all been there) you can also listen via the included 1.2 m coiled cable. Thanks to the built-in microphone, you can talk hands-free on calls when the headphones are connected to your phone.

Crystal-clear sound
Hear every nuance of your beats with the highest possible sound quality thanks to support for Qualcomm® aptX™ audio codec, AAC and SBC. Balanced tuning and bass reflex chambers will deliver excellent sound insulation and bass response so that you never miss a beat.

Comfortable fit
These headphones are comfortable to use no matter how you wear them. The housing design reduces pressure on your head, while its outside texture enhances grip. To help you find the perfect fit, they also feature a flexible, durable headband and a flexible swivel.

Rigorously tested
Take the HDJ-X headphones on the road and feel confident they’ll handle severe conditions and heavy use. All the HDJ models have cleared the US Military Standard Shock test* as well as our own stringent stress testing.
*MIL-STD-810G

Compact and portable
Fold your headphones to save space in your bag and transport them easily. Combine with the HDJ-HC01 carry case (available separately) to keep them safe on the road and store SD cards and USB drives in one place.

Color coordinate
Complement your look and set-up by choosing from 4 colors – metallic black, metallic red, gold or gloss white.

SPECIFICATIONS

Main Features:
• Type: Closed, dynamic
• Driver Units: 40 mm dome type
• Cord: 1.2 m short coiled cable (1.8 m extended length)

Accessories:
• HDJ-X5BT
• 1.2 m Coiled cable (extended length 1.8 m)
• 6.3 mm stereo plug adapter (threaded type)
• USB charging cable

Specifications:
• Impedance: 32 Ω
• Sensitivity: 104 dB
• Weight (without cord): 319 g
• Frequency Range: 5 - 30000 Hz

Bluetooth:
• Output: Bluetooth® Specification Class 2
• Supported Codec: SBC, AAC, Qualcomm® aptX™, Qualcomm® aptX™ Low Latency
• Version: Bluetooth® Specification Ver. 4.2

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Solid Blaze Pack 80

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Made from 80 0,5l (16oz) recycled plastic bottles, the SOLID BLAZE PACK 80 is a lightweight daypack designed with a minimalistic footprint to accommodate your DJ/production essentials and daily needs.

The SOLID BLAZE PACK 80 is crafted from only the highest quality materials, such as a water-repellent RPET 900D shell and YKK® AquaGuard® zippers to protect your laptop, tablet, timecode records and other expensive gear from the elements. The interior layout features numerous compartments, pouches and zippered pockets for organization and quick access. Travel comfortably knowing your gear is safe inside the MAGMA SOLID BLAZE PACK 80.

FITS:

• Pioneer DDJ-XP2
• Akai MPC Live
• Akai MPC One
• Akai MPK Mini
• Ableton Push 2
• Roland SP-404
• Roland Boutique Series
• NI Maschine MK2
• NI Maschine+
• Rodecaster Pro
• 12" vinyl
• Laptops up to 17”
• Camera gear etc.

BASICS:

• Fabrics made from recycled PET plastic bottles (Global Recycling Standard certified)
• Outer material crafted from roadworthy and water-repellent RPET 900D Polyester (with eco-friendly water- based PU-coating)
• Lining made from RPET TC Polyester
• Lockable dual PVC-coated YKK® AquaGuard® zippers (padlock not included)
• Separate compartment incl. padded laptop (up to 17“) and tablet sleeve (This compartment also fits 12” records)
• Numerous internal pouches, compartments and zippered pockets to organize smaller gear
• Quick-access front-compartment
• Hanging mesh pocket for headphones or camera storage
• Expandable side-pocket for bottle storage
• Comfortable air channel back padding with hidden document pocket
• Contoured and ergonomic riveted shoulder-straps with metal buckles
• Adjustable chest-strap
• Trolley-Sling
• Cabin luggage compatible

SPECS:

• Outer dimensions: 49 x 32 x 20 cm / 19.25“ x 12.5“ x 7.8“
• Inner dimensions: 45 x 30 x 8 cm / 17.75“ x 11.75“ x 3.5“
• Weight: 1,3 kg / 2.8lb
• Color: black/grey (Item-No.: 47893 / EAN:4041212478931)

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Pro-Ject

Ground it E

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Equipment base

Ground it E is a stable and height-adjustable platform for turntables, that will reduce negative effects of potential surface vib-rations significantly. The use of Ground it E is very simple: Do not place your turntable directly on surfaces such as furniture or shelves that may be vibration sensitive, but place it on Ground it equipment bases. All Ground it bases will improve the sonic performance, so a pleasant, natural reproduction of vinyl music will be possible. The playback quality of a turntable placed on Ground it E will benefit because of improved dynamics and coherent timing. The ambient acoustic of the recording venue will sound much clearer and contoured, so music playback appears to be more realistic, authentic and expressive.

Suitable for:
• Elemental Line
• Essential Line
• Debut Line
• 1Xpression Carbon
• 1Xpression Carbon Classic
• RPM1 Carbon
• RPM3 Carbon

Features:
• Support platform for many turntables or other equipment
• Prevents the transmission of vibrations
• Heavy-weight MDF
• Conical feet with damping ring
• Height adjustable
• Combinable with Cover it E and Cover it RPM 1/3 Carbon
• High gloss piano finish

Technical Specifications:
• Dimensions: 480 x 51 x 390 mm spike feet incl.
• Weight: 4 kg

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ATH-CKS50TW

Pearl Deluxe Edition UltraDisc One-Step Limited Edition

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ATH-CKS50TW
ATH-CKS50TW truly wireless headphones combine advanced acoustic technology for stunning bass with a comfortable and secure fit, while a high-capacity battery provides up to 20 hours of powerful, continuous audio (up to 50 hours with the charging case). All you have to do is let the music take control.

The newly developed large-diameter drivers (9mm Solid Bass HD TWS drivers) deliver deep bass while the CKS50TW shape provides a snug fit - an important factor for truly wireless headphones as the airtight fit prevents the bass from escaping to deliver a unique and intimate music experience.

Make your voice heard with Qualcomm® cVc™ Generation 8.0
Enjoy improved microphone performance in calls, whether in the office, working from home or in an online class. The sidetone function of the CKS50TW also allows you to hear your own voice during calls for more natural-sounding conversations, feeling almost as if you weren’t wearing headphones at all.

Built-in button design for on-the-go operation
Audio-Technica’s ATH-CKS50TW wireless earbuds are designed for reliable, stress-free operation for a more enjoyable truly wireless listening experience. The left button adjusts the volume and switches between hear-through and noise-cancelling functions, while the right button lets you easily start/stop playback, skip between songs, or enable quick hear-through.

Rain and splash-proof design
The CKS50TW wireless earbuds boast an IPX4*-equivalent JIS protection rating. The splash-proof design means you never have to worry about keeping your truly wireless earbuds dry in sudden rain showers or when exercising.

*An IPX4-equivalent rating signifies the product will not be adversely affected by water splashing from any direction. This rating does not ensure protection in hot and humid locations such as baths and showers. The product is not completely waterproof.

Greater customization
Personalize the operation of your Audio-Technica earbuds via Audio-Technica’s Connect app, available from both Apple and Google Play. Take full control of your sound, switching between codecs, experimenting with equalizer pre-sets or adjusting your volume levels. You can even use the app to help locate your earbuds, so you’ll always have a stunning soundscape to accompany your day to day.

Interruption-free listening

Packed full of useful functions, the CKS50TW earbuds are compact, with a unique antenna structure designed to ensure stable connectivity while fitting in limited space. This helps prevent sound from being interrupted even in train stations or other crowded locations.

The ATH-CKS50TW earbuds also feature Qualcomm® TrueWireless Mirroring.

Independent transmission to the left and right sides reduces sound interruptions and delays for videos on all devices, including Android and iOS smartphones.

Automatic power-on and fast pair convenience

Once paired with your device, Audio-Technica’s CKS50TW wireless headphones automatically turn on and connect to your Android or Google device** when they are removed from the case for quick usability. When the truly wireless earbuds are put back in the case, they power down and begin charging. The power can also be turned on/off directly from the headphones.

** Only one Android device can be paired by using Fast Pair. Google and Android are trademarks of Google LLC.

Check up on your charge with LED indicators

The CKS50TW’s four LED indicators light up or flash whenever the charging case is opened or closed, so the user can see the charging status or remaining charging case battery power at a glance.

Sony’s 360 Reality Audio certified

The combination of 360 Reality Audio and Audio-Technica’s long-cultivated acoustic technology allows listeners to fully experience the world of sound envisioned by the creators.

Features
Bluetooth® 5.2
50 hour battery (20 hours in the earbuds + 30 hours in the charging case)
Fast charging support - 10 minutes = 90 minutes of power (approx)
Multi-point pairing function for registering multiple devices
9mm Solid Bass HD TWS drivers
Noise-cancelling mode
Hear-through function
Built-in mic and controls
IPX4
Qualcomm® cVc™ Generation 8.0
Qualcomm® TrueWireless Mirroring
SCMS-T protected content and 1seg broadcasting support
Voice guidance function*1
Compatible with Sony’s 360 Reality Audio*2
*1 Voice guidance can be used for notifications, including power and pairing statuses as well as remaining battery level (High, Medium, or Low).
*2 Requires use of subscription to compatible online music service – subscription fees may apply. Compatible services may not be available in certain countries/regions. Please visit https://www.sony.net/360RA to check compatibility of the service. "SONY'' is a registered trademark of Sony Group Corporation.

Specifications
Headphones
Type Dynamic
Driver Diameter 9 mm
Frequency Response 5 to 20,000 Hz
Sensitivity 110 dB/mW
Impedance 20 ohms
Weight Headphones: Approx. 8 g (0.28 oz) (L side), approx. 8 g (0.28 oz) (R side); Charging case: Approx. 60 g (2.1 oz)
Charging Time Headphones: Approx. 3 hours
Charging case: Approx. 3 hours
The figures above depend on operating conditions.
Operating Temperature 5 °C to 40 °C (41 °F to 104 °F)
Operating Time Continuous transmission time (music playback): Max. approx. 20 hours (headphones), Max. approx. 50 hours (if charging case is used in combination)
The figures above depend on operating conditions.
Microphone Type MEMS type
Microphone Sensitivity -38 dB (1 V/Pa, at 1 kHz)
Microphone Frequency Response 100 to 8,000 Hz
Microphone Polar Pattern Omnidirectional
Power Supply Headphones: DC 3.7 V lithium ion battery
Charging case: DC 3.7 V lithium ion battery
Water-Resistant (drip-proof) Performance IPX4
Headphones only
Accessories Included USB charging cable (30 cm (12"), USB Type-A / USB Type-C), Eartips (XS, S, M, L)
Notes For product improvement, the product is subject to modification without notice.
Bluetooth®
Bluetooth® Version Bluetooth version 5.2
Operating Range Line of sight - approx. 10 m (33')
Maximum RF Output 10 mW EIRP
Frequency Band 2.402 GHz to 2.480 GHz
Modulation Method GFSK, Pi/4DQPSK, 8DPSK
Spread Spectrum Method FHSS
Compatible Bluetooth Profiles A2DP, AVRCP, HFP
Support Codec Qualcomm® aptX™ Adaptive audio, Qualcomm® aptX™ audio, AAC, SBC
Supported Content Protection Method SCMS-T
Supported Sample Rates 44.1 kHz, 48 kHz
Supported Bit Rates 16 bit, 24 bit
When using Qualcomm® aptX™ Adaptive audio.
Transmission Band 20 to 20,000 Hz

Go to Item

Janis Joplin

Box Set | 2021 | US | Original (Mobile Fidelity)

158,99 €*

All The Young Dudes 2buch Boxset

Release: 2021 / US – Original

Genre: Rock & Indie

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Mastered From THE Original Master Tapes With Mobile Fidelity's One-step Process: Pressed ON Mofi Supervinyl, Limited TO 7,500 Copies. Janis Joplin wouldn't be denied on Pearl. The powerhouse vocalist had kicked her addictions, teamed with a stupendous band, and partnered with a producer who knew how to best showcase her voice on record. She came to the sessions with an armload of astonishing songs, and a burst of creative energy that mirrored her rejuvenated emotional state and undeniable spirit. You can hear it on every note of the 1971 record. Ranked #135 on Rolling Stone's 500 Greatest Albums of All Time list, Pearl sold more than four million copies and stands as the first female rock superstar's definitive studio work. Mobile Fidelity's Ud1s 180g 45rpm 2LP box set presents the landmark effort like never before.

Go to Item

Mott The Hoople

Box | 1972 | Reissue (Madfish)

158,99 €*

Release: 1972 / Reissue

Genre: Rock & Indie

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Dookie 30th Anniversary Black Vinyl Deluxe Edition

Green Day

6LP | 1994 | EU | Reissue (Reprise)

157,99 €*

Nimrod 25th Anniversary Edition

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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Black Vinyl

Go to Item

Green Day

5LP | EU (Warner)

157,99 €*

Release: EU

Genre: Rock & Indie

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Forever Jan - 25 Jahre Jan Delay Limited Signed Fan Box

Jan Delay

Box | 2024 | EU | Original (Vertigo Berlin)

156,99 €*

Come Go With Me: The Stax Collection Box

Release: 2024 / EU – Original

Genre: Hip Hop, Pop

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"Forever Jan" packs 25 (!) years into the most comprehensive compilation possible - and, despite all the stylistic diversity, makes the common thread of this extraordinary career recognizable in every respect. Jan Delay himself has become an icon of German pop: He has shaped how music sounds in this country, and he has inspired entire generations to listen to their raveheart and consistently do their thing.

But above all, he has always remained a fan. Anyone who has shared a dancefloor with Jan at five o'clock in the morning or discussed the latest Soundso record with him, indeed anyone who has experienced him on stage even once, knows what music means to him, how it drives him, how it defines his work. The beats, the bass, the whole boom, that's his element. And he has always transferred this passion very directly into his own projects. Anyone who hears "Forever Jan" knows that this fire will burn forever.

"Forever Jan" comes with 2 new tracks, classics, rarities and floor fillers.

Limited hardcover book in vinyl format incl. 2 new tracks: 5-fold vinyl (colored, 180g) and 2 CDs with glued-in 20-page booklet and signed DIN A5 photo

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The Staple Singers

7LP | 2019 | EU | Original (Craft)

156,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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Riot DJ-Stashpack XL Plus

155,00 €*

Portable BT Cassette Player + RTM Tape C60 (HHV Bundle)

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The RIOT DJ-Stashpack XL Plus is a versatile and lightweight gig bag that and was designed to be flexible in order to accommodate a variety of equipment. It features a practical, height-adjustable Rolltop opening to easily stash a battle-mixer, records, production gear or a DJ-controller. With its durable material, solid processing and a unique design, the new RIOT DJ-Stashpack XL Plus is perhaps the most versatile gear bag in the market.

FITS
Pioneer DDJ-SR2
Pioneer DDJ-RR
Pioneer DJS-1000
Numark NS6II
Numark NV2
Numark Mixtrack Pro 3
NI Kontrol S5
NI Kontrol S4
NI Kontrol S2
Reloop Terminal Mix 4
Roland DJ-202
Pioneer DDJ-SB2
Pioneer DDJ-RB
Numark Mixtrack Pro 2
Denon MC-4000
Vestax VCI-400
Vestax VCI-380
Akai MPK-25
Akai MPC Renaissance
Rane Seventy-Two
Rane Sixty-Two
Rane Sixty-Eigth
Pioneer DJM-S9
Pioneer DJM-900 SRT/NXT
NI Kontrol Z2
Laptop up to 17’
12“ Vinyl
Accessories

BASICS
Crafted from hardwearing and 100% waterproof PVC Tarpaulin
Soft-fleece lining
PVC-coated (waterproof zippers)
Lockable zippers on main and laptop compartment
Flexible height adjustment through variable Rolltop Closure
Main compartment includes removable bottom foam and padded side walls
The included (removable) Protection Panel protects jog wheels and faders and the folding top part works like an additional lid when e.g. battle-mixers are stowed.
Separate side entry compartment provides quick access to your laptop (up to 17’’)
Large front pocket with internal zip-pouches and organizers
1 side quick-access side pocket for small accessories and personal belongings
1 side bottle holder
Padded back panel with airflow system, ergonomic backpack straps and chest straps
Detachable trolley sling
Hand-luggage compatible (up to 56 cm height)
Zippered side access laptop compartment with waterproof zippers (up to 17’’

Outer dimensions: (H/B/T): 49-65 x 38 x 26 cm
+ Inner dimensions: : 47-56 x 32 x 20 cm
+ Weight: 2,4 kg

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We Are Rewind x RTM

Ladies Of The Canyon 180g 45RPM SuperVinyl Box Set

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We Are Rewind x RTM - Portable BT Cassette Player + RTM Tape C60 (HHV Bundle)
The Bundle contains 1x We Are Rewind Portable BT Cassette Player (Keith Grey) and 1x RTM Tape C60.

We Are Rewind Portable BT Cassette Player (Keith Grey)

(Re)discover all the pleasure of analog sound with our modernized cassette players: Serge, Keith and Kurt.

Like the old-school cassette players, our players have fast forward/rewind buttons, a headphone output, a volume control and an audio input so you can create your own mixtapes.

But because you have to keep up with the times, we've added a few modern touches.

First, we've replaced the batteries with a rechargeable lithium battery that provides up to 12 hours of continuous playback. It's more practical and environmentally friendly. We also built in a Bluetooth 5.1 connection so you can connect the player to your headphones or wireless speaker in seconds. It may not sound like much, but it's a world first!

On the audio side, our engineers worked hard to optimize the mechanism to be as close as possible to the best of the time. And the result is there. Today, you won't find better on the new market!

Finally, we paid special attention to the design and materials used. As for the very first Sony Walkman, the TPS-l2, we avoided plastic and preferred an aluminum case for a "cool touch" and a real quality feeling. The result is a cassette player with a sober and elegant design, which will last in time. The kind of object that one would almost want to display on a shelf in the living room.

So, ready to rewind?

Available in 3 colors: Orange (SERGE), Blue (KURT) and Grey (KEITH).

Specifications:
• Compatible with compact audio cassettes, all Types I to IV
• 2-track stereo playback
• Frequency response: 30Hz - 12500Hz with Type I cassette
• Signal-to-noise ratio: 50dB
• Distortion: 0,3% typ.
• Wow & Flutter: 0,2% typ.
• Headphones output power: 2x2mW into 32 ohms
• Bluetooth 5.1 (headphones and speakers compatible)
• Not compatible with earbuds
• Stereo recording via 3,5mm RCA jack
• Input level 50mVrms to 200mVrms typ.
• Frequency response: 30Hz - 10000Hz with Type I cassette
• Signal-to-noise ratio: 45dB
• Distortion: 1% typ.
• Built-in Lithium-Ion rechargeable battery
• Nominal voltage 3,7V
• Nominal capacity 2000mAh
• Battery life: approx. 10 to 12 hours
• Dimensions: 140,8 x 88,8 x 33,5mm
• Weight: approx. 404g

RTM Tape C60

RTM is proud to continue pushing the boundaries of analogue recording through audio cassettes. The C60 & C90 series is based on the legendary Studio Master tape formula (SM900). The series enables users to record and playback audio at the highest level.

• BLANK CASSETTES
• TYPE ONE: FERRIC OXIDE
• LOW NOISE
• NORMAL BIAS
• LEGENDARY FORMULA
• HIGH QUALITY 5 SCREW SHELL WITH BRIDGE
• MINIMAL PRINT-THROUGH
• PRODUCED FROM 2018 ONWARDS
• MADE IN FRANCE

60 min audio cassette based on legendary SM900 formula

Features:
• Width: 3,81mm
• Length: 87.5m
• Recording time: 60min max
• Clear 5-screws tabs-in cassette, with black bridge
• Base film: Polyester
• Base film thickness: 12 µm
• Coating thickness: 4,7 µm
• Total thickness: 16,7 µm
• Coercivity: 370 Oe
• Saturation retentivity: 1480 G
• Oxide: Fe2O3

Go to Item

Joni Mitchell

2LP | 1970 | US | Reissue (Mobile Fidelity)

Portable BT Cassette Player + RTM Tape C60 (HHV Bundle)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
PRESSED AT RTI ON MOFI SUPERVINYL, AND STRICTLY LIMITED TO 5,000 NUMBERED COPIES
1/4” / 15 IPS / Dolby A analogue master to DSD 256 to analogue console to lathe

Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area — her house is depicted in a watercolour painting she made for the record's cover — the Canadian icon turned to her immediate surroundings for inspiration the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The 1970 album finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard.

Sourced from the original analogue master tapes, pressed on MoFi SuperVinyl at RTI on MoFi SuperVinyl, featuring new liner notes, and strictly limited to 5,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set delivers Ladies of the Canyon with bracing intimacy, detail, balance, and depth. Marking the first time the LP has received audiophile treatment, it's one of six iconic Mitchell records Mobile Fidelity is reissuing on definitive-sounding vinyl and SACD sets.

Playing with organic warmth, superb clarity, and ample spaciousness, this collectible UD1S edition benefits from the inherent properties of SuperVinyl — a virtually non-existent noise floor, reference-calibre groove definition, and ultra-silent surfaces among them. Primarily recorded solo, with spare accompaniment on select tracks, Mitchell practically takes up residence in your listening room. Her voice, piano, and guitar image with spot-on precision and three-dimensionality; the music is focused, emotional, natural. Auxiliary instrumentation — cello, clarinet, baritone saxophone, Milt Holland's deft percussion — is seamless, cohesive, steady. Notes bloom and decay as they do on a live stage; relatedly, the soundstage extends far and wide, with carbon-black backgrounds adding to the uncanny realism.

The deluxe packaging of the Ladies of the Canyon UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in special foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendour of the recording. This UD1S reissue is made for listeners who prize sound quality and production, and who desire to engage themselves in everything involved with the album, including Michell's illustrative painting that serves as the cover art.

Deemed "powerful and brilliant" upon release by The New York Times, Ladies of the Canyon followed Mitchell's first Grammy-winning effort (Clouds) and marked the first of six consecutive masterworks she made en route to becoming the most celebrated singer-songwriter of both her generation, and, arguably, all time. It's the first record on which the then-26-year-old featured the piano, a creative decision of immeasurable significance; first to attain platinum status, which transformed Mitchell into more than a folk figure; first to see her taking more chances with her singing; and the last on which she comes across upbeat, largely unencumbered by the complex themes and personal ache that would occupy her for the foreseeable future.

Mitchell radiates confidence and courage, producing Ladies of the Canyon herself after realizing she didn't need the services of an outsider when she already knew what she wanted. She just required a competent and collaborative engineer, who she landed in Henry Lewy. Fittingly, on the record's affectionate title track, she celebrates community and a trio of women — all real, all from her Laurel Canyon neighborhood — who, individually, as a visual artist, free-spirited mother, and circus-raised imagineer, respectively, were all reflected in Mitchell herself. Akin to Trina, Annie, and Estrella, Mitchell also had an affinity for wearing beautiful clothes, hosting friends, baking sweets, and weaving "a pattern all her own."

That pattern most famously materializes on the album's closing trio of songs — their unconventional placement on the record likely another sly acknowledgement of Mitchell's disdain for commercialism, or at the very least, catering to its demands — each, then and now, a classic. Within months of releasing Ladies of the Canyon Mitchell would find herself at the centre of the singer-songwriter movement — and preparing songs for another album whose impact is still felt today.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

Go to Item

We Are Rewind x RTM

Portable BT Cassette Player + RTM Tape C60 (HHV Bundle)

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We Are Rewind x RTM - Portable BT Cassette Player + RTM Tape C60 (HHV Bundle)
The Bundle contains 1x We Are Rewind Portable BT Cassette Player (Serge Orange) and 1x RTM Tape C60.

We Are Rewind Portable BT Cassette Player (Serge Orange)

(Re)discover all the pleasure of analog sound with our modernized cassette players: Serge, Keith and Kurt.

Like the old-school cassette players, our players have fast forward/rewind buttons, a headphone output, a volume control and an audio input so you can create your own mixtapes.

But because you have to keep up with the times, we've added a few modern touches.

First, we've replaced the batteries with a rechargeable lithium battery that provides up to 12 hours of continuous playback. It's more practical and environmentally friendly. We also built in a Bluetooth 5.1 connection so you can connect the player to your headphones or wireless speaker in seconds. It may not sound like much, but it's a world first!

On the audio side, our engineers worked hard to optimize the mechanism to be as close as possible to the best of the time. And the result is there. Today, you won't find better on the new market!

Finally, we paid special attention to the design and materials used. As for the very first Sony Walkman, the TPS-l2, we avoided plastic and preferred an aluminum case for a "cool touch" and a real quality feeling. The result is a cassette player with a sober and elegant design, which will last in time. The kind of object that one would almost want to display on a shelf in the living room.

So, ready to rewind?

Available in 3 colors: Orange (SERGE), Blue (KURT) and Grey (KEITH).

Specifications:
• Compatible with compact audio cassettes, all Types I to IV
• 2-track stereo playback
• Frequency response: 30Hz - 12500Hz with Type I cassette
• Signal-to-noise ratio: 50dB
• Distortion: 0,3% typ.
• Wow & Flutter: 0,2% typ.
• Headphones output power: 2x2mW into 32 ohms
• Bluetooth 5.1 (headphones and speakers compatible)
• Not compatible with earbuds
• Stereo recording via 3,5mm RCA jack
• Input level 50mVrms to 200mVrms typ.
• Frequency response: 30Hz - 10000Hz with Type I cassette
• Signal-to-noise ratio: 45dB
• Distortion: 1% typ.
• Built-in Lithium-Ion rechargeable battery
• Nominal voltage 3,7V
• Nominal capacity 2000mAh
• Battery life: approx. 10 to 12 hours
• Dimensions: 140,8 x 88,8 x 33,5mm
• Weight: approx. 404g

RTM Tape C60

RTM is proud to continue pushing the boundaries of analogue recording through audio cassettes. The C60 & C90 series is based on the legendary Studio Master tape formula (SM900). The series enables users to record and playback audio at the highest level.

• BLANK CASSETTES
• TYPE ONE: FERRIC OXIDE
• LOW NOISE
• NORMAL BIAS
• LEGENDARY FORMULA
• HIGH QUALITY 5 SCREW SHELL WITH BRIDGE
• MINIMAL PRINT-THROUGH
• PRODUCED FROM 2018 ONWARDS
• MADE IN FRANCE

60 min audio cassette based on legendary SM900 formula

Features:
• Width: 3,81mm
• Length: 87.5m
• Recording time: 60min max
• Clear 5-screws tabs-in cassette, with black bridge
• Base film: Polyester
• Base film thickness: 12 µm
• Coating thickness: 4,7 µm
• Total thickness: 16,7 µm
• Coercivity: 370 Oe
• Saturation retentivity: 1480 G
• Oxide: Fe2O3

Go to Item

We Are Rewind x RTM

LP Storage Box "Amp Box Stripped" (65)

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We Are Rewind x RTM - Portable BT Cassette Player + RTM Tape C60 (HHV Bundle)
The Bundle contains 1x We Are Rewind Portable BT Cassette Player (Kurt Blue) and 1x RTM Tape C60.

We Are Rewind Portable BT Cassette Player (Kurt Blue)

(Re)discover all the pleasure of analog sound with our modernized cassette players: Serge, Keith and Kurt.

Like the old-school cassette players, our players have fast forward/rewind buttons, a headphone output, a volume control and an audio input so you can create your own mixtapes.

But because you have to keep up with the times, we've added a few modern touches.

First, we've replaced the batteries with a rechargeable lithium battery that provides up to 12 hours of continuous playback. It's more practical and environmentally friendly. We also built in a Bluetooth 5.1 connection so you can connect the player to your headphones or wireless speaker in seconds. It may not sound like much, but it's a world first!

On the audio side, our engineers worked hard to optimize the mechanism to be as close as possible to the best of the time. And the result is there. Today, you won't find better on the new market!

Finally, we paid special attention to the design and materials used. As for the very first Sony Walkman, the TPS-l2, we avoided plastic and preferred an aluminum case for a "cool touch" and a real quality feeling. The result is a cassette player with a sober and elegant design, which will last in time. The kind of object that one would almost want to display on a shelf in the living room.

So, ready to rewind?

Available in 3 colors: Orange (SERGE), Blue (KURT) and Grey (KEITH).

Specifications:
• Compatible with compact audio cassettes, all Types I to IV
• 2-track stereo playback
• Frequency response: 30Hz - 12500Hz with Type I cassette
• Signal-to-noise ratio: 50dB
• Distortion: 0,3% typ.
• Wow & Flutter: 0,2% typ.
• Headphones output power: 2x2mW into 32 ohms
• Bluetooth 5.1 (headphones and speakers compatible)
• Not compatible with earbuds
• Stereo recording via 3,5mm RCA jack
• Input level 50mVrms to 200mVrms typ.
• Frequency response: 30Hz - 10000Hz with Type I cassette
• Signal-to-noise ratio: 45dB
• Distortion: 1% typ.
• Built-in Lithium-Ion rechargeable battery
• Nominal voltage 3,7V
• Nominal capacity 2000mAh
• Battery life: approx. 10 to 12 hours
• Dimensions: 140,8 x 88,8 x 33,5mm
• Weight: approx. 404g

RTM Tape C60

RTM is proud to continue pushing the boundaries of analogue recording through audio cassettes. The C60 & C90 series is based on the legendary Studio Master tape formula (SM900). The series enables users to record and playback audio at the highest level.

• BLANK CASSETTES
• TYPE ONE: FERRIC OXIDE
• LOW NOISE
• NORMAL BIAS
• LEGENDARY FORMULA
• HIGH QUALITY 5 SCREW SHELL WITH BRIDGE
• MINIMAL PRINT-THROUGH
• PRODUCED FROM 2018 ONWARDS
• MADE IN FRANCE

60 min audio cassette based on legendary SM900 formula

Features:
• Width: 3,81mm
• Length: 87.5m
• Recording time: 60min max
• Clear 5-screws tabs-in cassette, with black bridge
• Base film: Polyester
• Base film thickness: 12 µm
• Coating thickness: 4,7 µm
• Total thickness: 16,7 µm
• Coercivity: 370 Oe
• Saturation retentivity: 1480 G
• Oxide: Fe2O3

Go to Item

Musicbox Designs

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Our classic "Amp Box" is one of our most commented on and popular vinyl storage units. In order to make it more accessible to the vinyl loving public we have created a "stripped down" version.
What's different you ask? The metal logo plate and decorative screws. What's the same? The beautiful elegant thrill ride of our standard Amp Box;
premium edge glued oak wood, Fender "Ox-Blood" grill cloth, and magnetic push door.
A lovely edition to any listening room. Use it as a standalone vinyl storage unit, or incorporate into your other Music Box display for the ultimate vinyl presentation.
Our Amp Box is durable, stackable, and the perfect tribute to the countless classic guitarists who employed a Fender Tweed amp to make your favorite records.
Protect and house your records in style. Holds up to 65 Records.

**Please note that in order to properly have a door, The Amp Box is slightly wider than our other Music Boxes. It can still be stacked flush with our other Music Boxes, but there will be some extra space at the rear.

Specs:
• Height: 36.6 cm / 14.5 inches
• Width: 36.6 cm / 14.4 inches
• Length: 36.6 cm / 14.4 inches
• Weight: 8.9 kg / 19.6 lbs

Sourced and crafted in Europe!

* As with all of our wooden products, proper care and handling will preserve the life and beauty of our products. Wood is a living material, so treat it as such. Protect it from extreme temperature swings (do not place directly near heaters) or extreme moisture. Our Oiled products not only enhance the natural beauty of our Music Boxes they serve as a protective barrier for the wood itself. We do sell Natural Oak Music Boxes as well and we recommend our clients use some form of wood protection to preserve their pieces. Wood Oil or wax will do the job nicely.

Go to Item

Crosley

Mercury

152,99 €* 169,99 € -10%

Let It Be Limited 50th Anniversary Box Edition

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With the new Mercury record players we add earth tones to our collection. The round shape provides a friendly invitation to enjoy records. Crosley has given the record player a luxurious look by combining a textured fabric with silver & gold hardware. This compact briefcase design record player comes with a NP-15 diamond needle and its 2-way Bluetooth allows you to tune the sound to your needs.

Available in three colors:
• Cream Croc
• Black Croc
• Forest Green

Specifications:
• 3-speed record player
• Plays 7”, 10” or 12” records
• 2 Built-in speakers - 3”, 4Ω, 5W x 2
• Crosley NP-15 needle
• Belt-driven
• Pitch control
• Built-in Bluetooth Receiver
• Bluetooth out
• Bluetooth version 5.1
• Aux in
• Headphone Jack
• RCA output
• EU & UK AC Power adapter
• Autostop
• Weight: 4,536 kg
• Dimensions (LxWxH): 38,735 cm x 34,29 cm x 17,145 cm
• Comes with 45 RPM adapter, 3.5mm to RCA cable, Power adaptor

Go to Item

The Beatles

Box | 1970 | UK | Reissue (Apple)

151,99 €*

Joe Strummer & The Mescaleros

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Following on from the global success of ‘Abbey Road’, Apple Corps and USM are proud to present the next multi-format Beatles album reissue of ‘Let It Be’.

January 1969 – The Beatles planned to return to live performance, setting up in Twickenham Film Studios, London, for 21 days of rehearsals. They then decamped to their new studio in their Apple office building in Saville Row and on January 30th performed their last ever live group performance on the rooftop. All of this was filmed for a proposed documentary (eventually released in 1970). During the rehearsal process, they asked Glyn Johns, who had been hired to help with the live sound, to attempt a mix to create an album. This was never released, becoming known as one of the great ‘lost’ albums in rock history and is now included in this Super Deluxe Set. The album was delayed further and in fact became their 12th and final official album release on 8th May 1970 following additional production by American producer Phil Spector.

The Beatles iconic final studio album being released to coincide with the worldwide release of Peter Jackson’s 3 part documentary ‘The Beatles: Get Back’
New stereo mix of the original album by Giles Martin
Additional discs featuring a selection of outtakes from the recording sessions
Blu-ray contains Dolby Atmos mix, 5.1 surround mix, plus high-res stereo mix of the original album

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Joe Strummer 002: The Mescaleros Years

7LP | 2022 | EU | Original (Dark Horse)

Release: 2022 / EU – Original

Genre: Rock & Indie

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5LP | 2021 | UK | Original (Warner)

Rod Stewart

1975-1978

Workin' With The Miles Davis Quintet

Release: 2021 / UK – Original

Genre: Pop

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Sir Rod Stewart was on his way to becoming one of the most successful recording artists in history in 1974 when he moved to America and signed with Warner Bros. Records (now Warner Records). Over his next 27 years with the label, Stewart released some of the most commercially successful and critically acclaimed records of his extraordinary career. This 5LP boxed set features Stewart's first four Warner albums on vinyl, plus a bonus LP of rare and unreleased studio outtakes from those albums: Atlantic Crossing (1975), A Night on the Town (1976), Footloose & Fancy Free (1977), and Blondes Have More Fun (1978).

After being out of print for decades, the studio albums look and sound better than ever as they return to vinyl, complete with replica sleeves and newly remastered sound. The albums and the bonus LP are all organised in an iridescent box with Stewart foil-stamped on the cover, his blonde shag haircut glistening in gold, and his leopard-print suit shimmering in silver.

After brilliant stints with the Jeff Beck Group and the Faces and several outstanding solo albums, Stewart moved to Los Angeles in 1974. ROD Stewart: 1975-1978 reflects the burst of creativity that followed, starting in 1975 with his label debut, Atlantic Crossing. The album was produced by the legendary Tom Dowd, who produced Stewart's next three albums. After Atlantic Crossing was certified gold, A Night On the Town went double-platinum, and Foot Loose & Fancy Free went triple-platinum, as did its follow-up Blondes Have More Fun, which became Stewart's first #1 album. That era introduced many of the singer's best-known tracks: "Sailing," "I Don't Want to Talk About It," "I Was Only Joking," "The First Cut Is the Deepest," "You're in My Heart (The Final Acclaim)," "Da Ya Think I'm Sexy?" and "Hot Legs."

The bonus LP, titled Encores 1975-1978, is a collection of 10 outtakes selected from the recording sessions for all four albums. The first side highlights five songs from the recent deluxe editions released for Atlantic Crossing and A Night on the Town. Songs include an alternate version of the B-side "Rosie" and a cover of the Bee Gees' "To Love Somebody" recorded with the influential Stax Records house band, Booker T. & The MG's. The flip side features five previously unreleased session outtakes from Foot Loose & Fancy Free and Blondes Have More Fun. Highlights include a cover of the Motown classic, "You Really Got A Hold On Me," and the unreleased tracks "Silver Tongue" and "Don't Hang Up".

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The Miles Davis Quintet

LP | 1960 | US | Original (Prestige)

69 Love Songs 25th Anniversary Silver Vinyl Edition

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Original US deep groove Mono pressing. Torn spines and discolouration.

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The Magnetic Fields

6x10" | 1998 | US | Reissue (Merge)

Portable BT Cassette Player

Release: 1998 / US – Reissue

Genre: Rock & Indie

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Limited edition silver vinyl anniversary reissue of the Magnetic Fields' classic 1999 rumination on, of course, love. Funny, smart, dark, memorable, and a lifetime's worth of listening. Stephin Merritt solidifies his songwriting genius on his "most ambitious and fully realized work". (amg) This vinyl reissue is remastered for vinyl and beautifully packaged in a 10" slipcase box with three double gatefold sleeves and a 24 page booklet!

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We Are Rewind

Record Box - Vinyl Record Storage

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(Re)discover all the pleasure of analog sound with our modernized cassette players: Serge, Keith and Kurt.

Like the old-school cassette players, our players have fast forward/rewind buttons, a headphone output, a volume control and an audio input so you can create your own mixtapes.

But because you have to keep up with the times, we've added a few modern touches.

First, we've replaced the batteries with a rechargeable lithium battery that provides up to 12 hours of continuous playback. It's more practical and environmentally friendly. We also built in a Bluetooth 5.1 connection so you can connect the player to your headphones or wireless speaker in seconds. It may not sound like much, but it's a world first!

On the audio side, our engineers worked hard to optimize the mechanism to be as close as possible to the best of the time. And the result is there. Today, you won't find better on the new market!

Finally, we paid special attention to the design and materials used. As for the very first Sony Walkman, the TPS-l2, we avoided plastic and preferred an aluminum case for a "cool touch" and a real quality feeling. The result is a cassette player with a sober and elegant design, which will last in time. The kind of object that one would almost want to display on a shelf in the living room.

So, ready to rewind?

Available in 3 colors: Orange (SERGE), Blue (KURT) and Grey (KEITH).

Specifications:
• Compatible with compact audio cassettes, all Types I to IV
• 2-track stereo playback
• Frequency response: 30Hz - 12500Hz with Type I cassette
• Signal-to-noise ratio: 50dB
• Distortion: 0,3% typ.
• Wow & Flutter: 0,2% typ.
• Headphones output power: 2x2mW into 32 ohms
• Bluetooth 5.1 (headphones and speakers compatible)
• Not compatible with earbuds
• Stereo recording via 3,5mm RCA jack
• Input level 50mVrms to 200mVrms typ.
• Frequency response: 30Hz - 10000Hz with Type I cassette
• Signal-to-noise ratio: 45dB
• Distortion: 1% typ.
• Built-in Lithium-Ion rechargeable battery
• Nominal voltage 3,7V
• Nominal capacity 2000mAh
• Battery life: approx. 10 to 12 hours
• Dimensions: 140,8 x 88,8 x 33,5mm
• Weight: approx. 404g

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Schallplattenregal (4x110) mit Top- & Baseboard

Portable BT Cassette Player

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In addition to the record and register boxes, Record Box has a special offer for vinyl collectors and lovers of modern furniture systems: With the highboard set consisting of 4 boxes for 12-inch records + top & baseboards, customers benefit from attractive price savings compared to purchsing the boxes separately.
The sets are particularly interesting for collectors who already have a large number of records and want to get a lot of storage space for an attractive price. The record boxes as part of this set offer space for approx. 450 12-inch records.
The highboard set is available in classic white and black, can be expanded as required and individually supplemented with other products from the Record Box furniture system to create unique pieces of furniture. Whether as a DJ rack, hi-fi furniture, room divider or record shelf - the possible uses of the highboard are almost unlimited.
The set consists of four record boxes that are placed on a baseboard. A top board forms the upper end with a smooth, straight surface.
The unique furniture system from Record Box stands for diversity, which allows vinyl collectors to realize their individual wishes for the storage and presentation of their records. Like all furniture in the Record Box System, the boxes and boards are made of high-quality MDF, which has been covered with a robust layer of melamine. Innovative adhesive dots reliably protect against slipping. A wall mounting set is available in the shop for additional security.

4 boxes for 12 inch records + top & baseboards
Technical details & components set:
• Dimensions of the furniture in total: approx. 72.3 x 36 x approx. 76 cm (LxDxH)
• 1x set top & baseboard small
• 4x 12-inch 110 storage boxes
• 2x glue dots
• Assembly instructions
• Material: 15 mm MDF with melamine coating – white or black
• Boxes for self-assembly - screwdriver required!

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We Are Rewind

Thriller Limited Edition Ultradisc One-Step LP Numbered Deluxe Box Set

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Michael Jackson

Box | 1982 | US | Reissue (Mobile Fidelity)

Fillmore West, San Francisco, Ca 3/2/1969 Black Friday Record Store Day 2023 Vinyl Edition

Release: 1982 / US – Reissue

Genre: Pop

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Putting into perspective the incalculable impact and pioneering significance of the best-selling album of all time – Michael Jackson's Thriller – has never been easy. Though Thriller lays claim to mind-boggling statistics that serve as reminders of how pervasive and indispensable it remains to music snobs and casual listeners alike, its essence always traces back to the greatness, power, and scope of the music. Now, as it celebrates its 40th anniversary, the record that reimagined pop; united audiences; made strides towards achieving racial equality; established the video as an artistic and commercial format; and taught the world how to dance sounds even more invigorating than it did during the advent of the Walkman. Mastered from the original analog master tapes, pressed at RTI, and limited to 40,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set does for Thriller what Jackson's unforgettable appearance on the "Motown 25" TV special in 1983 did for his career: It makes the music personal, human, desirable, relatable, imaginative – the definition of cool. This extraordinary reissue does so by presenting the songs in lifelike fashion, zeroing in on the fundamentals with laser focus, and magnifying the brilliance of the production, arrangements, and vocals in ways that let everyone experience Thriller as if hearing the album for the first time.

Surpassing the sonics of earlier reissues and pressings, Mobile Fidelity's 180g LP set strips away prior limitations and provides a clear, dynamic view of a landmark that crashed through every conceivable barrier and permanently transformed music, culture, and society. The expanse and depth of the soundstage, range of detail, percussive textures, air around the vocals, and natural decay of notes come through with demonstration-grade realism.

The gorgeous packaging of the Thriller Ud1s pressing befits the album's select status. Housed in an open-ended slipcase, the set features a special foil-stamped jacket and faithful-to-the-original graphics that illuminate the splendor of the recording. Aurally and visually, this reissue exists as a curatorial artifact meant to be preserved and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in everything involved with the album.

Given that no album released during the past four decades even approaches the magnitude of Thriller, everything about it remains important. Numbers – even the "40" tied to its anniversary – don't even tell half the story. The 1982 blockbuster has sold more than 34 million copies in the U.S.; globally, it has moved upwards of 70 million units. Thriller dominated the 1984 Grammy Awards, winning a record-breaking eight trophies and sweeping every major category. It repeated the feat at the American Music Awards. Seven of its nine songs were released as singles; each charted in the Top 10. Perhaps most astonishingly, Thriller topped the Top 200 Albums chart for 37 weeks during a 59-week stretch. Fast forward 24 years, and the album was the biggest-selling catalog title of 2008.

The record's unimpeachable accolades and archival standing help provide another frame of reference. Acclaimed upon arrival, Thriller topped The Village Voice's comprehensive Pazz & Jop poll in 1983. Included in both the Library of Congress' National Recording Registry and the Grammy Hall of Fame, Thriller was ranked by the Rock and Roll Hall of Fame at No. 3 on its Definitive 200 Albums of All Time. Rolling Stone named it the 12th Greatest Album of All Time. Time deemed it "the greatest pop album of all time." The Independent called it "the most inspiring album of all time."

Thriller proved as influential as it did inspiring. Its unparalleled success, dazzling style, and sleek architecture changed every facet of culture and entertainment. The reverberations echoed throughout society. Thriller crossed over to mainstream channels and white audiences with a degree that no Black musician managed in decades (if ever); prompted MTV to give Black artists a widespread platform; elevated choreography and dance to higher-level artforms; shattered long-standing racial boundaries; and reconceptualized music via a genre- and color-blind blend of fleet pop, funk, disco, soul, and rock sent up with cinematic panache, oversized ambition, and dynamic energy.

Its effect on multitudes of subsequent artists cannot be overstated. Thriller opened up a new galaxy in which Prince soon strolled. It's the same universe that Usher, Maxwell, and Jamiroquai joined in the ‘90s and that contemporary headliners like Beyonce, Justin Timberlake, and Bruno Mars orbit today. Their style-blurring identities, R&B-rooted foundations, and interdisciplinary approaches directly link to those on Thriller. Notably, the album's first single – "The Girl Is Mine," a duet and co-write with Beatles legend Paul McCartney – captured the record's unwillingness to cater to a specific race, generation, class, or style. Eddie Van Halen – at the time, the world's premier rock guitarist – performed a similar bridge role by supplying the electrifying solo on "Beat It."

Jackson, Quincy Jones, and company do the rest. Drop the needle on any track on Thriller and the insatiable desire to move takes hold. So do sensations of familiarity, pleasure, fun, and soulfulness. Be it the breathless, bass-laden swagger of the Moonwalking "Billie Jean"; horn-accented, post-disco slide of the gossip critique "Wanna Be Startin' Somethin'"; rousing tempo of the lush, sequin-adorned "P. Y. T. (Pretty Young Thing)"; gentle balladry and liquid vocal phrasing of "Human Nature"; vivid hybrid of funk-disco and horror-film drama of the title track; or streetwise strut and rhythmic fantasia of "Beat It," Thriller never lets up.

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Grateful Dead

5LP | 2023

Portable BT Cassette Player

Release: 2023

Genre: Rock & Indie

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Quantity: 7500
Release type: RSD Exclusive Release

The fourth night of the famed Fillmore West run that produced the bulk of Live/Dead is an exceptional example--going back more than 54 years—as to why you never miss a Sunday show. Opening (!!) with what would later be known as the Live/Dead suite, 3/2/69 demonstrates the Dead had not only NOT run out of steam after three magnificent shows, in many ways they surpassed the previous nights' wildly powerful music. When your first set is the entire Live/Dead suite, what do you for a second set? Simple! You play for more than an hour and half, making sure everyone goes home way too late, but unimaginably happy.

After the first set's Dark Star>St. Stephen>The Eleven>Lovelight, the second set puts so much icing on the cake that it almost becomes a cake made of nothing but frosting: That's It For The Other One, Morning Dew, Alligator>Caution, and so much more.

We're thrilled to be completing the quartet of what is widely considered one of the greatest runs in Grateful Dead history, mixed from the 16-track master tapes by Jeffrey Norman, and mastered by Jeffrey along with tape restoration by Plangent Processes.

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We Are Rewind

TTW10H Turntable Weight For 12" And 7" (Heavy Weight Edition)

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Varia Instruments

Wiltshire Turntable Stand

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The TTW10H is our turntable weight which combines two needful features for every vinyl DJ:
A disc stabilizer and an adapter for 7“ records.
The difference to the classic TTW10 is the material used for the outer part: The heavy weight edition is machined out of high-grade stainless steel which results in a final weight of 808g / 1.78lbs.

OUR HANDCRAFTED TURNTABLE WEIGHTS WORK EITHER FOR 12“ AND 7“ RECORDS.

Our turntable weights feature a smart mechanism: The 7“ adapter inside the weight is moveable- as soon as you put the weight on a 7", the adapter will fall down through the big hole of the vinyl. Your record is now centered and stabilized by the TTW10H. If you place the kit on a 12“ record, the adapter will remain in the rear position and stabilizes your warped records. A sticky rubber mat on the bottom side protects your vinyl and allows you to control the record in a very direct way. The TTW10H comes in a neat printed box with a linen bag to take it out to your gigs.

The difference to the classic TTW10 is the material used for the outer part: The heavy weight edition is machined out of high-grade stainless steel which results in a final weight of 808g / 1.78lbs.

STAINLESS STEEL BODY WITH A SOLID BRASS CORE.

• DIMENSIONS: Ø75mm × 33mm (Ø2.9 × 1.3 inches)
• WEIGHT: 808g (1.78 lbs)

Handmade in Switzerland

Video: https://youtu.be/e1be_0Ijhms
https://youtu.be/Z8ng431G528?list=PLcGzoHkRXIiapmclhU9L9GtVyQcTGCz1g

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Crosley

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When you start collecting records you don’t immediately need a cabinet that can hold hundreds of records. Start small with the handy and high-quality Wiltshire furniture piece. The black wire frame makes it a sleek and minimal design. The rack at the front of the Wiltshire has room for about 10 albums. The Mango wooden frame is sturdy for a stable positioning of the turntable.

Specifications:
• Real mango wood
• White washed wood
• Individually hand finished
• Black wire storage
• Holds up to 10 Albums
• Wire record slots for record storage
• No assembly needed
• Material: MDF with Mango-coloured veneer finish, steel slots
• Weight: 5,8 kg
• Dimensions (LxWxH): 48.26 cm x 35.56 cm x 50.8 cm

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UDG

Ultimate Backpack Slim

Bna: Brand New Animal Original Soundtrack (Deluxe Edition)

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The UDG Ultimate Backpack Slim is a light weight, slim fit backpack for DJ’s that require a smaller version of UDG’s larger size backpacks. Constructed from high quality water resistant Nylon it contains a padded 17” laptop compartment with added neoprene iPad/tablet pocket. The zipper expandable main padded compartment can hold a Numark PT01 Scratch portable turntable or Pioneer DJM-S9 mixer and a few 7" & 12” tone control/scratch vinyl and some clothing. There are enough zipped compartments to securely store microphone, USB sticks, SD cards, wires, cables and faders, AC power adapters and other accessories. This bag comes with a built in outside USB charger connector, a quick access headphone pocket, ergonomic back padding, comfortable moisture absorbent shoulder straps and a sling so you can slide it on every UDG trolley.

Weight 1,40 kg / 3.08 lbs
Outer Dimensions (W x H x D) cm: 32 x 44 x 23 | inch: 12.6 x 17.3 x 9
Inner Dimensions (W x H x D) cm: 29.6 x 41.6 x 9.3 | inch: 11.6 x 16.4 x 3.6
Material Water Resistant Nylon 450D
Protection Padded 17” laptop compartment with added neoprene iPad/tablet pocket
Compartments to securely store microphone, USB sticks, SD cards, wires, cables and faders, AC power adapters and other accessories
Padded haul carry handles.
Extra's Zipper expandable main compartment
Outside USB charger connector
Quick access headphone pocket
Soft padded carry handle
Ergonomic back padding
Comfortable moisture absorbent shoulder straps
Trolley sling for easy transport
Fits up to 17" laptop,
Pioneer DDJ-XP2, DDJ-200, DJM-S7, DJM-S9, DJM-S3, DJM-450, DJM-250MK2, DDJ-WeGO3/4, DDJ-XP1, Toraiz Squid,
NI Maschine Jam/ MK2/ MK3, Traktor Z2,
Denon DJ Prime Go, MC2000,
Akai MPC Live/ II, MPD226,
Numark Scratch, PT01 Scratch, Omni Control, Party Mix, Stealth Control,
Reloop Elite, Beatmix, Digital Jockey III, KUT, Mixage IE,
Rane Empath, MP 2014, Sixty One, Sixty Two/Two Z, TTM 56S, TTM 57 MKII, TTM 57SL,
Novation Twitch,
Roland MC-202, TR-707, TR-8, TR-8S, Aira MX-1,
M-Audio Oxygen 25,
Mixars DUO MKII,
Gemini FirstMix Pro, Slate2, Slate4,
Hercules DJ Console 4-Mx, DJ Control Air S Series, DJ Control Wave, P32 DJ Controller, Universal DJ,
Livid CNTRL:R,
Arturia Drumbrute, Drumbrute Impact,
Vestax SPIN/ 2, TR-1, TYPHOON, VCI 100, VCI 300, VCI-100 MK2, VCI-300 MK2,
Microphone, USB sticks, SD cards, wires, cables and faders, AC power adapters and other accessories

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Mabanua

3LP | 2021 | US | Original (Anime Limited)

4LP | 2024 | EU | Original (Metaphon)

Release: 2021 / US – Original

Genre: Soundtracks

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* The complete original soundtrack to BNA: Brand New Animal * Vinyl comes packed in a rigid case * Vinyl includes a 68-page hardback art book. * Vinyl includes a poster using recognizable artwork from the series * 42 tracks across 3 x 180g 12' vinyl records

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Robert Fesler

µP RPF78

| 2017 | Original (Atlantic)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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An anthology of the intensely arresting work of Robert Fesler (1936-2023), revealing many of his compositions (1975-1987) created with his self-built synthesizers, with as pinnacle the μP Rpf78. All music composed and recorded by Robert Fesler at his home on rue Cour Boisacq in Bierges, Belgium. Except one, all tracks are previously unreleased.

With profound simplicity and devotion, Fesler paints a hermetic inner world with strong emotions of confronting solitude, sensual alienation and traumatic angst. His music was as much a therapeutic treatment as an artistic expression. Fesler quotes, »Building my synthesizers and working with them enabled me to sublimate my anxieties.« Most tracks were played and recorded real time, often with two synthesizers (the Synthese 756 and the μP Rpf78), capturing the heat of the moment in one take, without multitracking. The austere and reductionist approach reinforces the overall spirit of his work, resulting in an engaging, mysterious solitary journey. It’s quite incredible how one person can put so much technical cerebral content in the development of a machine and use it in such an emotional way.

The music of Robert Fesler might be considered as very Belgian. To situate it within a close entourage, one can say it has: The endurance of Baudouin Oosterlynck The purity of Dominique Lawalree The mysticism of Arsène Souffriau

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The War On Drugs

A Deeper Understanding

7" | 1977 | FR | Original (Decca)

Release: 2017 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Complete box set with coke bottle clear and black records, bonus 7", CD and inserts!

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Cock Sparrer

We Love You

LP | 1993 | UK | Original (Big Life)

Release: 1977 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Record has some hairlines and a few superficial scratches.
Plays with surface noise but only for a few rounds during the run ins.
Close to VG+. Ships in a brand new generic sleeve.

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De La Soul

Buhlōōne Mind State

149,99 €* 199,99 € -25%

Release: 1993 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG

Cover with seam wear, corner wear, slight bents and small sticker resdiue and tear on the back! Records with scuffs and slight scratches!

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AT-LP60XUSB

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AT-LP60XUSB
Fully Automatic Belt-Drive Turntable (Analog & USB)

• Experience high-fidelity audio of vinyl & convert records to digital files
• Fully automatic belt-drive turntable with two speeds: 33-1/3, 45 RPM
• Built-in switchable phono pre-amplifier for phono- or line-level output
• Improved tracking and reduced resonance for smoother sound
• Integral Dual Magnet™ phono cartridge with replaceable diamond stylus
• Free download of the Mac & PC compatible Audacity recording software

Turntable
• Drive Method Belt-drive
• Type fully automatic
• Motor DC servo-controlled
• Speeds 33-1/3 RPM, 45 RPM
• Turntable Platter Aluminium
• Wow and Flutter Less than 0.25% (WTD) @ 3 kHz (JIS)
• Signal-to-Noise Ratio >50 dB (DIN-B)
• Output Level Pre-amp “PHONO”: 2.5 mV nominal at 1 kHz, 5 cm/sec Pre-amp “LINE”: 150 mV nominal at 1 kHz, 5 cm/sec
• Phono Pre-Amp Gain 36 dB nominal, RIAA equalized
• USB Function PC or Mac with an available USB port (USB1.1 or higher) Windows 7 or above, or Mac OS X or above
• Power Supply Requirements 115/230V AC, 60/50 Hz
• Power Consumption 3W
• Dimensions 359.5 mm x 97.5 mm x 373.3 mm
• Weight 2.6 kg
• Accessories Included 3.5 mm (1/8") mini-plug (male) to dual RCA (male) output cable 45 RPM adapter Removable hinged dust cover 1.9 m (6.2') USB cable

Cartridge & Stylus
• Replacement Stylus ATN3600L

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Concorde MkII DIGITAL Single

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Concorde DIGITAL is designed to extend the life of timecode vinyl and minimize errors in decoding
• At the same time DIGITAL provides optimal output voltage and sound quality for use with conventional vinyl.
• This optimized 10 mV output voltage maximizes the signal-to-noise ratio of the audio being fed to the software, which results in better interpretation of the timecode signal.
• Furthermore, a decrease in the reproduction of frequencies where vinyl wear & crackle occur helps to minimize errors in the interpretation of the timecode signal and helps timecoded vinyl records last longer.

Output voltage at 1000Hz, 5cm/sec. - 10 mV
Channel balance at 1kHz - 1 dB
Channel separation at 1kHz - 22 dB
Channel separation at 15 kHz - 15 dB
Frequency range at -3dB - 20-18.000 Hz
Tracking ability at 315 Hz at recommmended tracking force - 100 μm
Compliance, dynamic lateral - 14 μm/m N
Stylus type - Spherical R 18 μm
Tracking force range - 3 - 5 g
Tracking force recommended - 4 g

Cartridge weight - 18,5 g
Replacement stylus unit - DIGITAL

Video: https://youtu.be/nO6b2q2FqQA

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Stylus 2M Blue

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The 2M Series of cartridges is designed for precise and accurate retrieval of the information in the record groove. Our philosophy is to play the record sound as accurate as possible, without coloring the sound

The name 2M was selected from several ideas. We wanted a modern name that would be easy to pronounce and remember, and therefore an alphanumerical name was chosen. 2M means MM, which is the abbreviation for moving magnet.
The 2M series of cartridges features Ortofon’s trademark split pole pins, an invention that enables moving magnet cartridges to have a flat frequency response, as with a moving coil cartridge. Split pole pins were invented by Ortofon, and were originally presented in the 500 series and Super OM series.
We have optimized the design for ease of mounting the cartridge, and the weight and size to fit the most common turntables on the market today. The 2M Series provides excellent compatibility when used in an assortment of playback systems and with a wide variety of phono preamps.

The 2M Blue Series features:

an improved engine, which provides an increased output of 5.5mV
Nude Elliptical diamond and split pole pins with a copper wire

Technical data:
• Frequency range 20-25.000 Hz
• Frequency response 20-20.000 Hz + 2 / - 1 dB
• Tracking ability at 315Hz at recommended tracking force *) 80 µm
• Compliance, dynamic, lateral 20 µm/mN
• Stylus type Nude Elliptical
• Stylus tip radius r/R 8/18 µm
• Equivalent stylus tip mass 0,5 mg
• Tracking force range 1,6-2,0 g (16-20 mN)
• Tracking force, recommended 1,8 g (18 mN)
• Tracking angle 20°
• Stylus colour Blue

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Concorde MkII SCRATCH Single

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New levels of performance
The Concorde Scratch allows turntablist and scratching DJs to achieve new levels of performance with an unprecedented tracking ability and extra high output.
• The SCRATCH is intended especially for scratching and back-cueing. The SCRATCH uses spherical styli, as they preserve more of the groove over backcueing and scratching.
• For DJs that require increased tracking ability, the SCRATCH is up to the task. The Scratch has a supreme ability to trace the grooves of the records and it is tailored specifically for scratch.
• Due to its very high output 10 mV, it is perfect for scratch of all music with deep bass frequences. With solid bass reproduction and extended highs, the SCRATCH is great for any style, providing energetic sound. Maximum scratch performance guaranteed!

Output voltage at 1000Hz, 5cm/sec. - 10 mV
Channel balance at 1kHz - 1 dB
Channel separation at 1kHz - 22 dB
Channel separation at 15 kHz - 15 dB
Frequency range at -3dB - 20-18.000 Hz
Tracking ability at 315 Hz at recommmended tracking force - 120 μm
Compliance, dynamic lateral - 14 μm/m N
Stylus type - Spherical R 18 μm
Tracking force range - 3 - 5 g
Tracking force recommended - 4 g

Cartridge weight - 18,5 g
Replacement stylus unit - SCRATCH

Video: https://youtu.be/hPQNkhzZuBQ

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Riot DJ-Backpack

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The RIOT DJ-BACKPACK is the latest and most compact model of the RIOT line. It was especially designed for digital-DJs travelling with a basic DVS setup such as 15” laptop, Timecode records and accessories or small controllers.
The clever interior layout of the main compartment includes two padded, removable dividers which allowing for three separate protective compartments and the featured “Zip-Around-Expansion-System” doubles the main compartment’s capacity, providing useful extra space for even more gear or clothing for overnight trips.

FITS
13-15‘‘ Laptop
NI Maschine
NI Kontrol X1
NI Kontrol F1
NI Kontrol D2
Ableton Push 2
12“ Vinyl
Accessories

BASICS
Crafted from durable and 100% waterproof PVC Tarpaulin
PVC-coated (waterproof zippers)
Soft-fleece lining
Lockable zippers on main and laptop compartment
Rubber corner protectors and rubber feet
Main compartment includes two padded, removable dividers
The “Zip-Around-Expansion-System” doubles the main compartment’s capacity, providing useful extra space for even more gear or clothing for overnight trips.
Separate side entry compartment provides quick access to your 15,4’’ laptop
Two internal hanging mesh accessory pockets comfortably fill out the upper area of the backpack
Large front pocket with internal pouches and organizers
Padded back panel with airflow system, ergonomic backpack straps and chest straps
Detachable trolley sling
Hand luggage compatible

SPECS
+ Outer dimensions: (H/B/T): 53 x 33 x 16-22 cm
+ Inner dimensions: : 40 x 31 x 12-16 cm
+ Weight: 2,2 kg

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Numark

M2 BLACK

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M2 is a two-channel DJ scratch mixer with all the essentials to hit the stage in Numark style.

FEATURES

Inputs: two phono/line switchable (RCA), two line (RCA), mic (1/4")
Outputs: Master (RCA), Record (RCA), Headphone (1/4" stereo)
Three-band EQ and gain on each channel
EQ and gain on mic channel
Replaceable crossfader with reverse and slope-controls
Crossfader-style cueing

Switchable phono/line inputs for turntables, CD players, and other line sources make M2 a superb choice for any DJ setting from weddings to clubs, parties to practice setups. A mic input with dedicated EQ and gain, and a headphone output with crossfader-style cueing complete the plentifully featured package.

Three-band EQ on each channel plus crossfader-reverse and slope controls give you all the tools you need to drive your audience from behind the wheels of steel. M2 is the perfect mixer for any scratch DJ.

Product Dimensions: 11.4" x 9.5" x 3.6"

Manual: http://www.numark.com/images/product_downloads/m2_quickstart_guide_v1_0.pdf

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Numark

M101 USB BLACK

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Get up and running quickly at any gig.

READY FOR DIGITAL OR ANALOG

DJs always need a dependable mixer. M101USB fits the bill perfectly as a highly adaptable two-channel mixer for virtually any DJ. M101USB lets you get up and running quickly whether you’re using a computer, turntables or CDs. M101USB is right at home at weddings, parties, clubs and everything in-between.

MIX YOUR MUSIC YOUR WAY

Beginners and seasoned DJs alike who want a durable USB-equipped two-channel solution will find M101USB a perfect fit. M101USB builds on the two-channel M101 mixer with the addition of an easy-to-use USB audio interface for DJs who want the option of working with their computer as well as traditional analog I/O.

TWEAKABLE TUNES

Beyond simply mixing, M101USB has a built-in EQ so that you can fine tune your mix depending on the room or the tracks themselves. Two pairs of switchable Phono/Line inputs are included along with a crossfader, ¼” mic input and stereo RCA line output for connection to an amplifier, powered speakers or another mixer. M101USB can be rack-mounted and features Numark’s legendary industrial-grade durability.

GET CONNECTED

Connecting M101USB to your computer is a snap using a single USB cable. Once connected you can use your computer as an audio source or record your sets straight to your computer's hard drive. If you're a computer DJ on the move and need solid, dependable two-channel performance, look no further than the M101USB mixer.

FEATURES

Two-channel rack-mountable mixer with USB
USB audio built in for playing from or recording to your computer
Two pairs of Phono/Line inputs
Built-in 2-band EQ for quick, easy sound tweaks
1/4-inch Mic input for voiceovers and announcements
Stereo Output for easy connection to amps, powered speakers or another mixer
Class Compliant: this product is immediately compatible with every current and future version of Mac OS X and iOS and with Windows (98SE and up) operating systems.
INCLUDES

M101USB Mixer
Power Supply
Quickstart Guide

Manual: http://www.numark.com/images/product_downloads/m101usb___quickstart_guide___v1.0.pdf

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Stylus Concorde Music Blue

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Introducing Concorde Music
Developed by music lovers, for music lovers, the Concorde Music cartridges blend premium performance with an iconic design.
Concorde Music, not just a cartridge, but a dedication to the profound impact music has on our lives, turning every listening session
into a captivating journey.

Possibly the world’s most iconic cartridge design
Building upon a rich legacy which began when we launched the original Concorde, the Concorde Music holds a storied history as
one of the most famous cartridges in the world of audio. Originally developed as a solution to the challenge of easy mounting on a
tonearm without screws or wires, the Concorde's unique design earned the Danish Industrial Design Award and became an icon in
the audio industry.

Features:
• Diamond: Each Concorde Music stylus features a diamond polished to the highest standards of the industry. Ranging from
a bonded Elliptical diamond on Concorde Music Red, to a Nude Shibata diamond on Concorde Music Black LVB 250.
• Cantilever: All Concorde Music models have a premium or high-end cantilever. The cantilever material is either aluminium
or boron for the best possible transmission of the vinyl record groove modulations picked up by the diamonds.
• Suspension: Exclusive Ortofon rubber compounds are used for the stylus suspensions, all carefully produced at the in_x0002_house own rubber production, and developed by the research and engineering team at Ortofon for brilliant performance.
• Coil system: Silver-pated oxygen free copper is chosen for the quad-coil system together with four Ortofon split pole pins
delivering a 6 mV output of dynamic, lifelike sound with an exceptional clarity and fidelity, capturing every detail.
• Upgradeability: All Concorde Music styli are compatible with all Concorde Music cartridges. An upgrade path is possible
through the entire series of Concorde Music cartridges, enabling upgrades from Concorde Music Red to Black LVB 250.
• Tool-free installation: Installing a Concorde Music cartridge on a turntable is easy and straightforward, no tools required
making it hassle free and convenient for all users.

It is all about the music
Concorde Music stands as an icon of design and musical dedication, inviting everyone to elevate their journey with the level of
accuracy in sound which has become characteristic for every Ortofon cartridge. Tailored for music lovers, incorporating a
straightforward installation, premium sound, and a timeless design. Concorde Music stands for a commitment to musicality.

Unique in-house rubber production a crucially important and vital part of a phono cartridge overall performance is the stylus
rubber suspension. Ortofon develops exclusive rubber compounds and produce the rubber suspensions and dampers in-house.

Ortofon quad-coil generating system with split pole pins in Concorde Music results in an exceptional channel balance and channel
separation, delivering a precise and dynamic sound image.

Ortofon, we love music!

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Concorde Music Red

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Technics

EAH-AZ40M2

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True Wireless Noise Cancelling Earphones with Multipoint Bluetooth®

Intuitive Smart Features and Elegant Design

Compact yet powerful 6mm drivers and a special acoustic structure with active noise cancellation deliver clear sound wirelessly — wherever your busy day takes you. Seamless device switching and crisp call clarity in a comfortable design – you won't miss a beat.

Elegant & All-Day Comfort Design
Built to last, with a pleasing and reassuring tactile quality for both earphones and charging case.
Low-profile design for comfort throughout the day, and balanced to stay put – even when you're on the go.

Multipoint Connection to 3 Devices
Seamless switching for up to 3 devices* (e.g. PC, smartphone & tablet).
*LDAC playback not possible with 3 devices.

Signature Technics Clear Sound
Clear and detailed sound delivered wirelessly through the unique acoustic chamber, harmoniser, and compact 6mm drivers. Compatible with LDAC™ high-res wireless audio.*
*Delivered in 96 kHz/24-bit LDAC, when connected by Bluetooth® to a compatible device.

Pure Sound Clarity
Enjoy pure sound. The Feed Forward Mic captures environmental sound and Digital Processing removes noise in addition to Passive Noise cancelling with the earplug effect.

Never miss a beat.

Intuitive Smart Features

Beamforming Technology
Clear calls using Beamforming Technology to capture and transmit your voice clearly despite surrounding noise.
*Performance may be affected by external factors.

Long Battery Life
Up to 5.5 hours* playback with ANC on, 18 hours back-up with the case. Quick charge for 15 minutes will give you 60 minutes of playback.
*After a full charge, subject to playback volume and other factors.

Control the Sound Around You
Natural Ambient Mode lets you select how much background sound to hear, while Attention Mode focusses on speech.

Convenient Single Earphone Use
Keep one ear open, or charge one earphone while using the other. Customise touch sensors through the Technics app.

Comfortable and Secure Fit
Low-profile ergonomic design, for a comfortable and secure fit. Ideal for long journeys.

100% Plastic-Free Packaging
Supplied in new compact packaging that dispenses with plastic and other hard-to-recycle finishes.

Technics Audio Connect App
Easy set-up, battery level check, select EQ sound modes, adjust noise cancelling levels and customise touch-sensors with this intuitive app*.
*Requires Android™ 6.0 or higher with Google Play,™ iOS12 or higher.

IPX4 Water Resistance
With IPX4* water resistance for the real-world – with no worries about rain or intensive workouts in the gym.
*IPX4 compatibility for earphones, not charging case.

Choose the best earphones for you
For high-quality listening, you need earphones that can keep up with your pace. Designed with your comfort in mind, Technics True Wireless earphones give you superior sound wherever you are, whatever you’re doing. Use smart features to switch seamlessly from listening to music to taking a call.

Specs:
• Clear rich sound from a unique acoustic chamber, harmonizer, and 6mm drivers.
• Pure Sound from Active Noise Cancelling with a Feed Forward Mic.
• Seamless switching for up to 3 devices (e.g. PC, smartphone & tablet).
• Clear calls using Beamforming Technology to capture and transmit your voice.

Technical Data:
GENERAL
• Driver Unit (mm): 6 mm (1/4 in)
• Frequency Response: 20 Hz - 40 kHz (LDAC 96 kHz/990 kbps)
• Mic: Monaural, MEMS Mic

• Playback Time with Battery (LDAC)
Earphones:
- Approx. 3.5 hours (NC ON)
- Approx. 4.0 hours (NC OFF)
Earphones with Charging case:
- Approx. 12 hours (NC ON)
- Approx. 14 hours (NC OFF)

• Playback Time with Battery (AAC)
Earphones:
- Approx. 5.5 hours (NC ON)
- Approx. 7.0 hours (NC OFF)
Earphones with Charging case:
- Approx. 18 hours (NC ON)
- Approx. 24 hours (NC OFF)

• Charging Time (25°C/ 77°F)
- Earphones: Approx. 2.0 hours
- Charging case / USB: Approx. 2.5 hours
- Charging case / Qi *With certified Qi charger: -
- Earphones with Charging case / USB: Approx. 3.0 hours
- Earphones with Charging case / Qi *With certified Qi charger: -

• Quick Charge (15 minutes, AAC)
Earphones:
- Approx. 60 minutes (NC ON)

• Standby Time
Earphones:
- Approx. 9.5 hours (NC ON),
- Approx. 20 hours (NC OFF, Auto power off does not work)

• Dimensions (W x H x D)
Earphones *with Earpiece M size:
- Approx. 22 mm x 26 mm x 24 mm
- Approx. 7/8 inch x 1 inch x 15/16 inch
Charging case:
- Approx. 68 mm x 33 mm x 28 mm
- Approx. 2-11/16 inch x 1-5/16 inch x 1-1/8 inch

• Weight
- Earphones (one side only: L and R are the same): Approx. 5 g (0.18 oz)
- Charging case: Approx. 35 g (1.2 oz)

• Supplied Accessory
- USB charging cord: Approx. 0.2 m (0.66 ft) (Input Plug : USB Type-C Shape, Output Plug : USB Type-C Shape)
- Earpieces set : XS, S, M, L (M attached)

Advanced Function
• Bluetooth® Wireless Technology
- Version: 5.3
- Supported Profiles: A2DP, AVRCP, HSP, HFP
- Codec: SBC, AAC, LDAC
- Operating Distance: Up to 10 m (33 ft)
- Multi-point: Yes(Connect up to 3 devices at a time.)
- Multi-pairing: Yes(Connect up to 10 devices.)
• Water Resistance: IPX4 Equivalent (Earphones only)
• Dual Hybrid Noise Cancelling: Yes(Feed-Forward only)

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Technics

EAH-AZ40M2

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Technics

EAH-AZ40M2

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2M 78

Box Set | 2023 | EU | Original (Mecanica)

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The 2M 78 features an improved engine, which provides a high level of sonic accuracy. The stylus' tip is a Spherical diamond that is perfect for playback of 78 rpm shellac records, which require a larger stylus profile. The cartridge body is manufactured from Hopelex, which ensures high rigidity while eliminating unwanted resonances.

2M 78 uses a strapped output to deliver the same output signal from both sets of pole pins. This effectively eliminates the need for mono-specific equipment, making it possible to enjoy true mono reproduction on any stereo playback system.

The 2M Series provides excellent compatibility when used in an assortment of playback systems and with a wide variety of phono preamps.

2M 78 Technical data:
• Output voltage at 1000 Hz, 5cm/sec. - 4 mV
• Frequency response - 20-20.000 Hz + 3 / - 1 dB
• Tracking ability at 315Hz at recommended tracking force - 70 µm
• Compliance, dynamic, lateral - 18 µm/mN
• Stylus type - Spherical
• Stylus tip radius - R 65 µm
• Tracking force range - 1.6-2.0g (16-20 mN)
• Tracking force, recommended - 1.8 g (18 mN)
• Internal impedance, DC resistance - 700 Ohm
• Internal inductance - 350 mH
• Recommended load resistance - 47 kOhm
• Recommended load capacitance - 150-300 pF
• Tracking angle - 20°
• Cartridge colour, body/stylus - Black/Grey
• Cartridge weight without screws - 7.2 g
• Premounted cartridge weight - 16.7 g
• Replacement stylus unit - 2M 78 (interchangeable with 2M Mono)

Stylus lifetime: with proper care we find that up to 1000 hours is possible without degradation of performance.

2M Series styli interchangeability:
The 2M Series' engines, coils and magnets configurations are not identical: Red and Blue are identical, so are the Bronze and Black and so are the true mono variants 2M Mono and 2M 78. Likewise, 2M series styli are interchangeable within the below combinations:
- 2M Red, 2M Blue and 2M Silver
- 2M Bronze and 2M Black
- 2M Mono and 2M 78

Compatibility with Rega brand TT/TA:
REGA brand cartridges’ height from stylus tip to the top cartridge mounting surface is lower than standard. Therefore you would need spacers to ensure the correct set-up of the Ortofon cartridge.
Adjusting the height of your Rega tonearm is easy with Acoustic Signature's Spacer Set. It allows you to adjust the height from 0.5 mm to 3.5 mm in precise steps of 0.5 mm - without removing the tone arm. Simply loosen the screws, insert the AS-spacer, then lock the screws back down, and you're tonearm is ready to play.
3.2 - 4 mm spacers should be enough for 2M cartridge.

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Deutsch Nepal

Vol. 1

Robot Hive / Exodus (Heavy Metal Series) Black Friday Record Store Day 2022 Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Peter Andersson, aka Lina Baby Doll, is the man that sustain the heavy structure behind Deutsch Nepal. A legend in the scene of industrialism, avant-garde, music and art in general. He is capable to re-create and re-design old school industrial and electronica, taking elements from apparently dissimilar concepts such as Dadaism and Tribalism, or “contradictory” ideas such as Heathenry and Christianity and converge them into a typical cocktail blend that characterises a unique and now famous style. Manic rhythmic redundancies, strange indefinable samplers, metallic sounds, distorted guitar chords are common elements found in all his works. His main goal?. Mesmerize the listener to subjugate the mind and put the spirit into reverberation mode.

It is difficult to reduce his works to a simple description. All of them seem to be the evolution of an early idea, a baby that grows old, getting monstrous and divine while doing so. The music itself is a never ending universal paradox in where beats and rhythms have a primary role. Deutsch Nepal is surreal landscapes strongly conducted and cut through with the violent and precise pounding of the repetitive aspect of percussion. It’s a black and white obsession, changing shapes and tonality.

This boxset compiles the first five albums released by Deutsch Nepal throughout the 90’s (“Deflagration of Hell”, “Benevolence”, “Tolerance”, “¡Comprendido!… Time Stop! …And World Ending” and “Erosion”) plus an extra record (“Dystopian Selection”) with a selection of tracks taken from old compilations. Limited edition of 535 copies with six vinyl records on individual sleeves, three postcards set, numbered certificate and a sticker.

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Clutch

2LP+7" | 2022 | US | Original (Weathermaker Music)

Release: 2022 / US – Original

Genre: Rock & Indie

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Singles: Volume One 1963-1966 Box Set

The Rolling Stones

18LP Box | 2022 | FR | Original (Universal)

Release: 2022 / FR – Original

Genre: Rock & Indie

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Stage Fright 50th Anniversary Limited Deluxe Boxset

The Band

5LP | 1970 | EU | Reissue (Capitol)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Let It Bleed 50th Anniversary Vinyl Box Edition

The Rolling Stones

2LP+2CD+7" | 2019 | EU | Original (Universal)

Release: 2019 / EU – Original

Genre: Rock & Indie

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4LP | 1983 | Reissue (Universal)

The Police

Synchronicity Box

Release: 1983 / Reissue

Genre: Rock & Indie

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4LP | 2023 | UK | Original (Rocket Girl)

A.R. Kane

A.R. Kive

147,99 €*

1000x 12" Record Outer Sleeves

Release: 2023 / UK – Original

Genre: Pop

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A.R. Kive collates the three most astonishing works from that most miraculous of

duos - A.R. Kane - comprising the ‘Up Home' EP from 1988 that signified the

band's dawning realisation of their own powers and possibilities, their legendary

debut LP ‘sixty nine' (1988) and its kaleidoscopic, prophetic double-LP follow up ‘i'

(1989).

In founder-member Rudy Tambala's new remastering, the music on these pivotal

transmissions from the birth of dream pop, have been reinvigorated and re-infused

with a new power, a new depth and intimacy, a new height and immensity. Vivid,

timeless and yet always timely whenever they're recalled, these records still force

any listener to realise that despite the habits of retrospective myth-making and the

safe neutering effects of ‘genre', thirty years have in no way dimmed how resistant

and dissident to critical habits of categorisation A.R. Kane always were. Never quite

‘avant-pop' or ‘shoegaze' or ‘post-rock' or any of those sobriquets designed to file

and categorise, A.R. Kive is a reminder that those genres had to be coined, had to

be invented precisely to contain the astonishing sound of A.R. Kane, because

previous formulations couldn't come close to their sui generis sound and

suggestiveness. This is music that pointed towards futures which a whole generation

of artists and sonic explorers would map out. Now beautifully repackaged,

remastered and fleshed out with extensive sleeve notes and accompanying

materials, ‘A.R. Kive' reveals that 35 years on it's still a struggle to defuse the

revolutionary and inspirational possibility of A.R. Kane's music.

A.R. Kane were formed in 1986 by Rudy Tambala and Alex Ayuli, two second-

generation immigrants who grew up together in Stratford, East London. From the off

the pair were outsiders in the culturally mixed (cockney/Irish/West Indian/Asian)

milieu of the East End, with Alex and Rudy's folks first generation immigrants from

Nigeria and Malawi, respectively. The two of them quickly developed and fostered an

innate and near-telepathic mutual understanding forged in musical, literary and

artistic exploration. Like a lot of second-generation immigrants, they were ferocious

autodidacts in all kinds of areas, especially around music and literature. Diving deep

into the music of afro-futurist luminaries such as Sun Ra, Miles Davis, Lee Perry and

Hendrix, as well as devouring the explorations of lysergic noise and feedback from

contemporaries like Sonic Youth and Butthole Surfers, they also thoroughly

immersed themselves in the alternate literary realities of sci-fi and ancient history

(the fascination with the arcane that gave the band their name), all to feed their

voracious cultural thirsts and intellectual curiosity.

It was seeing the Cocteau Twins performing on Channel 4 show the Tube that

spurred A.R. Kane into being - “They had no drummer. They used tapes and

technology and Liz Fraser looked completely otherworldly with those big eyes. And

the noise coming out of Robin's guitar! That was the ‘Fuck! We could do that! We

could express ourselves like that!' moment”, recalls Tambala - and through a mix of

confidence, chutzpah, ad hoc almost-mythical live shows and sheer innocent will the

duo debuted with the astonishing ‘When You're Sad' single for One Little Indian in

1986. Immediately dubbed a ‘black Jesus & Mary Chain' by a press unsure of

Where to put a black band clearly immersed in feedback and noise, what was

immediately apparent for listeners was just how much more was going on here - a

tapping of dub's stealth and guile, a resonant umbilicus back to fusion and jazz, the

music less a conjuration of past highs than a re-summoning of lost spirits.

The run of singles and EPs that followed picked up increasingly rapt reviews in the

press, but it was the ‘Up Home EP' released in 1988 on their new home, Rough

Trade that really suggested something immense was about to break. Simon

Reynolds noted the EP was: Their most concentrated slab of iridescent

awesomeness and a true pinnacle of an era that abounded with astounding

landmarks of guitar-reinvention, A.R. Kane at their most elixir-like.

If anything, the remastered ‘Up Home' that forms the first part of ‘A.R. Kive' is even

more dazzling, even more startling than it was when it first emerged, and listening

now you again wonder not just about how many bands christened ‘shoegaze' tried to

emulate it, but how all of them fell so far short of its lambent, pellucid wonder. This

remains intrinsically experimental music but with none of the frowning orthodoxy

those words imply. A.R. Kane, thanks to that second generation auto-didacticism

were always supremely aware about the interstices of music and magic, but at the

same time gloriously free in the way they explored that connection within their own

sound, fascinated always with the creation of ‘perfect mistakes' and the possibilities

inherent in informed play.

‘sixty nine' the group's debut LP that emerged in 1988 had

critics and listeners struggling to fit language around A.R. Kane's sound. As a title it

was telling - the year of ‘Bitches Brew', the year of ‘In A Silent Way', the erotic

möbius between two lovers - and as originally coined by the band themselves,

‘dream pop' (before it became a free-floating signifier of vague import) was entirely

apposite for the music A.R. Kane were making. Crafted in a dark small basement

studio in which Tambala recalls the duo had “complete freedom - We wanted to go

as far out as we could, and in doing so we discovered the point where it stops being

music”. There was an irresistibly dreamy, somnambulant, sensual and almost surreal

flow to ‘sixty nine's sound, but also real darkness/dankness, the ruptures of the

primordial and the reverberations of the subconscious, within the grooves of

remarkable songs like ‘Dizzy' and ‘Crazy Blue'. Alex's plangent vocals floated and

surged amidst exquisite peals of refracted feedback but crucially there was Bass

here, lugubrious and funky and full of dread, sonic pleasure and sonic disturbance

crushed together to make music with a center so deep it felt subcutaneous, music

constructed from both the accidental and the deliberate, generous enough to dance

with both serendipity and chaos. ‘sixty nine' remains - especially in this remastered

iteration - ravishing, revolutionary.

The final part of this ‘A.R. Kive' contains 1989's astonishing double-LP ‘i' which

followed up on ‘sixty nine's promise and saw the duo fully unleash their experimental

pop sensibilities over 26 tracks, plunging the A.R. Kane sound into a dazzlingly

kaleidoscopic vision of pop experiment and play. Suffused with new digital

technologies and combining searingly sweet and danceable pop with perhaps the

duo's strangest and boundary-pushing compositions, the album did exactly what a

great double-set should do - indulge the artists sprawling pursuit of their own

imaginations but always with a concision and an ear for those moments where pop

both transcends and toys with the listeners expectations. Jason Ankeny has noted

that “In retrospect, ‘i' now seems like a crystal ball prophesying virtually every major

musical development of the 1990s; from the shimmering techno of ‘A Love from

Outer Space' to the liquid dub of ‘What's All This Then?', from the alien drone-pop of

‘Conundrum' to the sinister shoegazer miasma of ‘Supervixens' — it's all here, an

underground road map for countless bands to follow.” Perhaps the most

overwhelmingly all-encompassing transmission from A.R. Kane, ‘i' bookended a

three year period in which the duo had made some of the most prophetic and

revelatory music of the entire decade.

After ‘i' the duo's output became more sporadic with Tambala and Ayuli moving in

different directions both geographically and musically, with only 1994's ‘New Clear

Child' a crystalline re-fraction of future and past echoes of jazz, folk and soul, before

the duo went their separate ways. Since then, A.R. Kane's music has endured, not

thanks to the usual sepia'd false memories that seem to maintain interest in so much

of the musical past, but because those who hear A.R. Kane music and are changed

irrevocably, have to share that universe which A.R. Kane opened up, with anyone

else who will listen. Far more than other lauded documents of the late 80s it still

sounds astonishingly fresh, astonishingly livid and vivid and necessary and NOW.

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Außenhüllen (0,10mm / Made in Germany)

146,99 €*

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Protective sleeves are among the indispensable basics of vinyl care. Our sleeves are Made in Germany and help to preserve the cover artwork permanently, as they significantly minimize the risk of ring wear. In addition, they protect against edge wear of the record sleeve and the vinyl itself from dust and dirt.
We recommend the transparent and robust films for any well-maintained record collection.
The vinyl LP protective sleeves are part of the Vinyl Care by HHV product range, which stands for best quality at an attractive price. In the development of our Vinyl Care products we directly incorporate the experiences of our customers at HHV.de and offer collectors and enthusiasts high-quality tools for cleaning, care and presentation of their vinyl treasures.

Record Outer Sleeve 12" Vinyl Schutzhülle - specific details:

• dimensions: 325 x 325 x 0.10 mm
• material: translucent polyethylene, 100µ
• selling unit: 1000 pieces
• Made in Germany

Free from plasticizers, solvents, bisphenol A and is REACH certified.
Does not contain PFAS and PFOA. Substances from the ECHA candidate list are not included.

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Clearaudio

Twister Plattenklemme

145,00 €*

Box Set | 2022 | EU | Original (Onderstroom)

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Record clamp.
LP-clamping unit with resonance absorbing locking unit and stainless steel grip.
Weight: 190 g

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Aroma Di Amore

Zwarte Doos

144,99 €*

2LP+Book | 2021 | EU | Original (Magazine)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Comprehensive box-set of 6 LPs / EPs and their first rare 7inch.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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