Search "record store day" 48492 Items

More Of The Monkees Deluxe Edition

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»Queen Of Nowhere« is the result of the photographic works by Kourtney Roy and the musician Dayve Samek (Trance Farmers). Samek has recorded his first album in 2014 on Leaving Records (Stones Throw Records). His music ranges between sweaty, garage-born ballads brush shoulders with drifter anthems and gasoline drenched doo wop with at some points some beats close from the past Anticon works. The Canadian photographer Kourtney Roy was born in Northern Ontario in 1981. She conjures an intimate universe pervaded by both wonder and mystery. Her photographer’s eye is drawn to places and settings whose lyrical qualities underscore the sublime banality of everyday life.

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The Monkees

2LP | 2022 | EU | Original (Rhino)

Release: 2022 / EU – Original

Genre: Pop

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Back From The Dead Record Store Day 2022 Vinyl Edition

Halestorm

7" | 2022 | US (Atlantic)

2LP | 2020 | US | Original (Xo)

Release: 2022 / US

Genre: Rock & Indie

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Limited to 2800 copies.

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The Weeknd

After Hours

OST The Matrix (The Complete Edition)

Release: 2020 / US – Original

Genre: Hip Hop, Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: VG+

Sealed copy with a bumped corner!

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Don Davis

3LP | 2022 | Original (Varese Sarabande)

Mark Kavuma & The Banger Factory

Release: 2022 / Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: VG+

Great copy, minimal ring wear barely visible, otherwise NM cover. All three records were probably played just a couple times.

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Magnum Opus

LP | 2024 | EU | Original (Banger Factory)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Queen Talk: Live At The Left Bank

Shirley Scott

2LP | 2023 | US | Original (Reel To Real)

Road To Fame Swirl Colour Vinyl Edition

Release: 2023 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Tiny wear. Vinyl is close to NM. With booklet. Record Store Day 2023 numbered Limited edition.

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Laid Back

2LP | 2023 | EU | Original (Brother Music)

2LP | 2023 | EU | Original (Karisma)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Formed in the late 70's, the duo is still grooving at their studio in Vesterbro, Copenhagen.
Laid Back gained their first international major break through in the 80's with Sunshine Reggae and White Horse. The dualism and originality of the two songs has left a worldwide and everlasting reputation of their music. The 3rd evergreen from their hand was made in 1990 named Bakerman altogether with a music video by Lars Von Trier.
More recently, the two members has co-founded their own record company, Brother Music, which has released Laid Back singles such as Cocaine Cool, remixes from Soul Clap, and latest the mini-album Cosyland and the chill out album, Cosmic Vibes.
In 2013 they released the double album Uptimistic Music.
2019 was the 40th anniversary and release of the album Healing Feeling.

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White Willow

Ingis Fatuus

Live Al Blu Note Blue Vinyl Edtion

Release: 2023 / EU – Original

Genre: Rock & Indie

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Ignis Fatuus is the classic debut album from Norwegian prog legends White Willow. Originally released in the Spring of 1995, the album took the global progressive rock scene by storm. Fan letters started coming in from all over the world, and wonderful reviews from American and European music magazines kept flowing out of their fax machine. 5000 copies were quickly sold and soon the band was on a plane to California to perform at the 1995 Los Angeles Progfest, along with acts like Spock’s Beard, Ars Nova and Landberk. The songs on the album range from almost pure pastoral folk-rock, as on Snowfall and Till He Arrives, via out-and-out prog rock, as on John Dee’s Lament and Cryptomenysis (which featured a guest appearance from Ved Buens Ende’s Carl Michael Eide) to unusual experiments like the renaissance-inspired hymn Song, based on Christina Rossetti’s poem. The band didn’t at the time consider themselves a prog-rock band, more a folk-rock band that dabbled in symphonic arrangements. Nevertheless, the album has become a classic for prog connoisseurs. This re-release was meticulously remastered by the band’s own Jacob Holm-Lupo, and is presented with the classic original cover art, for the first time on vinyl. This is the first in a series of six White Willow re-releases on Karisma Records.

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Ornella Vanoni

2LP | 2023 | EU | Original (The Saifam Group)

Release: 2023 / EU – Original

Genre: Organic Grooves

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The Architecture Of The Mind

Zentaskai

3LP | 2023 | Original (Mask)

Scarlet Locust Of These Columns Clear Vinyl Edition

Release: 2023 / Original

Genre: Electronic & Dance

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ZentaSkai unveils stunning, high-concept house album on Mask Records.
ZentaSkai undertook a period of research into the underlying structure and organisation of the human brain
before writing ‘The Architecture Of The Mind’. The Berlin-based artist then took what had been learned and
kept it in mind when writing the music that marks Mask's first album release. It comes with extensive
background notes on each track, and an operational manual of sorts - notes from the artists as to the effects
each piece will have on those who hear them.
"The message conveyed by this album is that life itself is filled with music, but our egos often prevent us from
being in harmony with this symphony. Inner chaos and silence can be challenging to bear, leading us to seek
solace in external noise. We have constructed a barrier between our inner and outer worlds, causing us to
lose touch with the rhythm of harmony. However, by embracing the illusion of separation and dancing to good
music, we can rediscover harmony with ourselves and our environment. To fully experience the essence of
the album, it should be played loudly on a proper sound system or high-quality headphones. By immersing
themselves in the music, individuals can engage with its transformative power and potentially find a deeper
connection with their own minds and surroundings." - ZentaSkai
The gorgeous 'Mind Mapping' opens up with deep and dubby drums and lush harmonies that soothe you to
your core, '030' then has more raw, heavy drums with many layers of glowing synths, glassy melodies and
organic found sounds. 'Fügung' keeps the deep and introspective moods coming before the crisp tech of
'Flow Dreaming' ups the ante with more drive and layers of vocal whispers, hi-hats and smeared dub chords.
Elsewhere the likes of 'Quiet Reflection' lean into the groove with swirling pads and one-word vocal sounds
drifting through the air over propulsive drum loops, and 'Boiling Range' suspends you in deft synth loops
amongst the stars over a prickly house beat.
The superb synth craft and well-designed grooves continue through the dusty deep house of
'Karl-Marx-Allee' and minimal dub of 'Dynamic System' before the elegant melodic techno of 'Apeiron' and
dreamy synthscapes of 'Parallel 30' close the album in a reflective fashion.
This is a deeply evocative album with a fully realised concept that is as thought-provoking as it is immersive.

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Lussuria

2LP | 2023 | UK | Original (Hospital Productions)

3LP | 2023 | EU | Original (Metaphon)

Release: 2023 / UK – Original

Genre: Pop

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The scarlet plague, the temple quarantined, the foundation upholding the pestilence, the betrayal, the market without vendor, the shrine without idol.

Originally released on limited 4 x cassette, this proper 2LP version presented on vinyl for the first time has been mixed and remastered in proper form while still holding dear the decay of the original cassettes. Like the difference of opening a dusty cabinet in the kitchen of your grandparents to find a shelf full of expired foods. Now, this version is like opening the door to the cellar and being overwhelmed with thick dusty air, the planes of lights pouring through the cracks and draping you like temple veils at night.

Morbid esoteric ancient ambient brought to life on the ancient CD format, a relic from times now past and times of erotic glory.

Assembled and executed by JM Mroz for Lussuria in 10 days of October with modifications made 6 months later at Merchant House, Southampton, Long Island - New York.

Sources on this recording consisted of: chant bowls, crystals, clocks, disintegrated tapes, dry ice, fire, found recordings, kangling, guitars, piano, skull damaru, time lapse field recordings, voice, water. Synth presets were not used on this recording.

Dedicated to Z.M.

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Nicole Lachartre

Mundus 2023 Repress

The Roots Come Alive Limited Extended Yellow Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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First ever release of female French composer, musicologist and writer Nicole Lachartre (1934-1991). This 3LP set comprises most of her electronic and concrete music compositions recorded in the 60’s and 70’s, all previously unreleased. Lachartre had a classical formation, studied with a.o. Darius Milhaud, Iannis Xenakis and Michel Philippot. Her broad formation and interest as well as her profound commitment and singular vision created a solitary voice even within the field of electronic and concrete music, strangely enough unheard till this day. Her first tape composition from 1968 was recorded in Pierre Henry’s Apsome studio and most of her other electronic and electro-acoustic compositions included in this box set were recorded at the Ipem in Ghent.

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The Roots

3LP | 1999 | EU | Reissue (Geffen)

Release: 1999 / EU – Reissue

Genre: Hip Hop

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The most sought after HipHop Live-Album comes as a limited reissue.

The Roots Come Alive is a live album by the hip-hop group The Roots, released on November 2, 1999. This album captures the energy and musicianship of The Roots' live performances, showcasing their dynamic fusion of hip-hop, jazz, soul, and funk. It was recorded during various concerts in Europe and New York, giving listeners a front-row seat to one of the most revered live acts in hip-hop.

The Roots Come Alive is a live performance album that includes renditions of songs from their previous studio albums, as well as new improvisations and extended versions of tracks.
The Roots are known for their live instrumentation, a rarity in hip-hop at the time, and this album highlights their skills as a live band. Questlove (Ahmir Thompson) on drums and Black Thought (Tariq Trotter) as the lead MC, along with the rest of the band, exhibit a tight, cohesive sound with rich musical textures, showing their ability to translate their studio work into a live setting.

The album blends elements of hip-hop, jazz, funk, soul, and rock, reflecting The Roots' eclectic approach to music. It features live interpretations of their recorded tracks with a heavier emphasis on instrumental solos, improvised jams, and extended breakdowns that highlight the musicianship of the group. Unlike many hip-hop concerts that rely on pre-recorded tracks, The Roots perform with a full band, bringing a fresh and unique sound to each performance.

Key Tracks:
"Proceed" – A standout track, showcasing Black Thought’s lyrical dexterity with an extended instrumental jam.
"You Got Me" (featuring Erykah Badu and Jill Scott on the original studio version) – The live version is electrifying, with emotive vocals and powerful instrumentation that add extra depth to this already popular track.
"Essaywhuman?!!!??!" – A live favorite that features The Roots’ improvisational ability, blending live beatboxing, instrument solos, and crowd interaction.
"The Next Movement" – One of their hit singles, which gets a lively, expanded treatment in the concert setting, complete with additional grooves and audience interaction.
"Silent Treatment" – A jazzier, more relaxed live rendition of their classic from Do You Want More?!!!??!, with a focus on the band’s fluidity and Black Thought’s introspective lyrics.

The album does an excellent job of capturing the crowd interaction and the raw energy of The Roots' live shows. Audience cheers, call-and-response segments, and ad-libs contribute to the feel of being at a live concert. Questlove’s drumming, along with the band’s interplay, is a central feature throughout the performances, keeping the groove alive while allowing for spontaneous musical expression.

The album was well received by critics, who praised it for capturing the vitality of The Roots' live performances, which had earned them a reputation as one of the best live acts in hip-hop.
The Roots Come Alive was seen as a bold move, especially at a time when live albums were not common in the hip-hop genre. It reinforced The Roots' status as innovators, who brought an instrumental and performance-based approach to a genre dominated by turntablism and samples.

The album helped further The Roots’ reputation as a trailblazing group that could blend musicality with the raw essence of hip-hop, standing out among their contemporaries.
Their success with this live album also contributed to the growing appreciation of hip-hop as a form of live performance art, influencing other artists to explore live shows in more dynamic ways.
The Roots Come Alive is considered one of the most important live albums in the hip-hop genre, showing that the energy of a live band could be fused with the lyrical power of rap in a seamless, exciting way.

The album bridges the gap between studio precision and live improvisation, showcasing why The Roots were able to gain a wide-ranging fanbase across both hip-hop purists and lovers of live music. It stands as a testament to their creativity and musicianship.

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IsoAcoustics

OREA Graphite

54,39 €* 67,99 € -20%

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2LP | 2022 | JP | Original (Jet Set)

Jp The Wavy

Wavy Tape 2

54,59 €* 90,99 € -40%

Release: 2022 / JP – Original

Genre: Hip Hop

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LP | 2024 | Original (Interscope)

Agust D (Suga Of Bts)

D-Day

54,89 €* 60,99 € -10%

Release: 2024 / Original

Genre: Pop

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LP | 1976 | JP | Original (Capitol)

The Sweet

Give Us A Wink = 甘い誘惑

54,89 €* 60,99 € -10%

Life Meets Art: Inside The Homes Of The World's Most Creative People

Release: 1976 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Gimmick cover with Original inner sleeve. OBI is missing.

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Sam Lubell

Phaidon

54,95 €*

You, Baby (Koukotsu No Sekai) Clear Purple Vinyl Edtion

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"... a gorgeous compilation of interiors from the homes of famous artists past and present as a way of exhibiting each creator's 'power and legacy' - Publishers Weekly

An inspiring collection of the extraordinary private spaces of 250 of the world's most creative people, past and present

Life Meets Art presents an unparalleled, global, behind-the-scenes tour through 250 beautiful interiors from the homes of the most creative people in art, architecture, design, fashion, literature, music, film and theatre.

These inspiring, unique spaces show us the spaces where the greatest creatives in history lived their lives, honed their crafts and, in many cases, produced some of the world's most celebrated masterpieces - providing an intimate and insightful perspective on the masters that define artistic history. Organized alphabetically by artist, each interior features a color photograph and a short descriptive text, including details on whether the house is open to the public or private.

This book will inspire everyone fascinated by stylish living, creative interior design, and the myriad possibilities for home décor, as well as those fascinated by the personal and professional lives of their cultural heroes.

Life Meets Art includes homes from creative masters of past centuries such as artists da Vinci, Raphael and Rubens, composers Handel, Lizst, and Verdi and writers Dickens, Byron, and Coleridge. The book also showcases the extraordinary interiors of many twentieth century stars and epoch-defining talents such as architects Frank Lloyd Wright, Eileen Gray, Le Corbusier, and Walter Gropius, artists Pablo Picasso, Marc Chagall, and Henry Moore, writers Ernest Hemingway, William Faulkner, and Agatha Christie and musicians Louis Armstrong, Frank Sinatra, and Elvis Presley.

Homes from some of the most celebrated talents of today are also featured, including artists Francisco Clemente, Cornelia Parker, and Gilbert and George, fashion designers Alexander McQueen, Marc Jacobs, and Diane von Furstenberg, designers Marc Newson and Es Devlin and musicians Moby, Jimmy Page, and David Bowie.

About the author
Sam Lubell has written eight books about architecture, including California Captured and two travel guides to mid-century modern architecture in the USA, all from Phaidon. He is a contributing editor at The Architect's Newspaper and writes for the New York Times, Los Angeles Times, The Atlantic, Architectural Record, Architectural Review, and other publications.

Specifications:
Format: Hardback Size: 290 × 250 mm (11 3/8 × 9 7/8 in)
Pages: 304 pp
Illustrations: 275 illustrations

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Ike Reiko

LP | 2024 | JP | Original (Teichiku)

Bloody Kisses: Suspended In Dusk Green & Black Swirl Vinyl 30th Anniversary Edition

Release: 2024 / JP – Original

Genre: Pop

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The 1971 release by "Japan's first adult film actress" Reiko Ike is being reissued on clear purple vinyl.

Reiko Ike, known as "Japan's first adult film actress," is having her 1971 release reissued on clear purple vinyl. The album is notable for its "sexy jacket" artwork, a hallmark of the Japanese Groove record series. When you open the gatefold, it features photos from the Toei film ‘Modern Porno Tale: Inherited Sex Mania(現代ポルノ伝先天性淫婦).’ Additionally, the reissue faithfully recreates the original "sexy poster," which can make a significant difference in value for collectors. The album is a sexy cover collection of Showa-era songs, featuring Masami Kawahara and the Exotic Sounds, along with Ike’s poetry and moaning. It's an album that can be enjoyed even at night!

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Type O Negative

2LP | 1994 | US | Reissue (Run Out Groove / Roadrunner)

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Type O Negative is an American goth-metal band formed in Brooklyn in 1989 by Peter Steele (lead vocals, bass) along with childhood friends Kenny Hickey (guitar, backing vocals), Josh Silver (keyboards, backing vocals), and Sal Abruscato (drums, percussions), who was later replaced by Johnny Kelly. They signed to Roadrunner Records and released their debut album Slow, Deep and Hard in 1991.

Bloody Kisses is the third album by Type O Negative, released on August 17, 1993. It is the album that would put Type O Negative into mainstream popularity in metal fandom following a somewhat lack of success with their first two albums. According to several reviews, the album lays the foundation of gothic metal for not just Type O Negative but other bands to follow. ''Bloody Kisses'' established Type O Negative motifs, such as songs originally recorded by another band restylized into gloomy gothic metal, sample-heavy soundscapes in between songs, and dry, satirical humor.

Bloody Kisses was the first album on Roadrunner Records to achieve gold and platinum certification (not just Type O Negative). This is the last album to feature the band's original line-up, as drummer Sal Abruscato would leave Type O Negative in late 1993 and was replaced by Johnny Kelly.

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Vinyl Case

12" Record Case (50 LPs)

Jiro Inagaki & Soul Media

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The 12" Record Case is designed to store and transport up to 50 12" records. With its stable construction of aluminium profiles, plastic-coated MDF panels, rivets and a lining of soft foam, the record case offers optimal protection against shocks, light and heat.

The lid of the LP Record Case is firmly installed on 2 sturdy metal hinges. A snap lock provides reliable theft protection. Due to its low dead weight and stable construction, the aluminium record case is an ideal DJ record case that can also be transported regularly without any problems. The box is available in three colour variants: silver/silver, silver/black and black/black.

Technical details:
• Capacity: max. 50 pcs. 12" records
• Material: aluminium, plastic-coated MDF panels
• Metal protective corners protect against knocks and wear and tear
• Available in three colours: Silver/Silver, Silver/Black; Black/Black.
• Non-slip rubber feet
• Dimensions (LxWxH): 36 x 18 x 36 cm
• Weight 2,5 kg

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Head Rock Clear Blue Vinyl Edition

LP | 1970 | JP | Reissue (Nippon Columbia)

Smile Clear Sky Blue Vinyl Edition

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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This is a work by the legendary Jiro Inagaki that represents Japanese jazz-rock. Jiro Inagaki was one of the key musicians in the development of jazz rock in Japan. Inagaki, who felt the limitations of existing jazz music at the time, quickly turned his attention to jazz rock with this work, recorded in 1970. From the opening track, "The Vamp," to the closing track, "Head Rock," Inagaki poured all his ideas and passion into this jazz-rock showcase that leaves no time to exhale. This is a masterpiece that has an overwhelming presence in the history of Japanese jazz.

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Takeo Moriyama

LP | 1981 | JP | Reissue (Nippon Columbia)

Faces HHV GSA Exclusive Bone Colored Vinyl Edition

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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The famous song “Watarase,” full of Japanese flavor, is recorded for the first time on this album. Takeo Moriyama, a renowned jazz drummer, has been a prominent figure in the free jazz scene since the late 1960s, first with the Yosuke Yamashita Trio and more recently with the Kyoto Jazz Sextet. Moriyama's music has garnered a devoted following among both old and new fans. This album, recorded in 1980 with a quartet featuring his close friend Fumio Itabashi, is one of the most famous works in the history of Japanese jazz music. It features a large-scale performance in which stillness and movement are organically intertwined.

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Mac Miller

3LP | 2023 | US | Reissue (Rostrum)

Release: 2023 / US – Reissue

Genre: Hip Hop

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Limited to 300 copies for the German-speaking market. Exclusively at HHV.

Mac Miller's most popular mixtape Faces is finally available on triple vinyl. Originally released on Mother's Day 2014, the project is a major release in Mac's catalogue, following his critically acclaimed second album Watching Movies With The Sound Off.

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Vinyl Case

12" Record Case (50 LPs)

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Vinyl Case

12" Record Case (50 LPs)

Na Rua Na Chuva Na Fazenda

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Hyldon

LP | 2024 | BR | Original (Discodelia / Polysom)

2LP | 2006 | US | Reissue (Laced)

Release: 2024 / BR – Original

Genre: Organic Grooves

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"Na Rua, na Chuva, na Fazenda" is a classic of Brazilian music, released by Hyldon in 1975, one of the 20 best sellers of that year, it marks the debut of the singer and composer from Bahia, it is a seminal work of Brazilian soul, reflecting the musical effervescence of the 1970s and the influence of the black power movement in the country alongside Tim Maia and Cassiano. Born in Salvador and passionate about music from an early age, the singer developed his music in the 60s alongside dance bands in Rio de Janeiro and even recorded with some of them. Hyldon was influenced by the mix of rhythms that permeated the city, from MPB to soul and funk. He worked as a support guitarist for artists such as Wilson Simonal, Os Diagonais (Banda de Cassiano) and Tim Maia. He composed and produced several artists with Odair Joé and Erasmo Carlos. The title of the album, "Na Rua, na Chuva, na Fazenda", is also the title of its most iconic track, but the album has other successes such as: "As Dores do Mundo", "Vamos Passear De Bicicleta", "Meu Patuá", among others. The album is an ode to simple and pure love. This song became a romantic anthem, and its soft melody combined with Hyldon's sweet and soulful voice captivated the audience.

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Jesper Kyd

OST Hitman: Blood Money

2LP | 2004 | US | Reissue (Laced)

Release: 2006 / US – Reissue

Genre: Soundtracks

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IO Interactive and Laced Records signed a contract in blood to bring Jesper Kyd’s incredible Hitman scores to (frighteningly sharp) vinyl.

As the Hitman development team continued to evolve the tone of the games, so too did Jesper Kyd evolve the music. Hitman: Blood Money saw Jesper write a masterful score performed by the Budapest Symphony Orchestra and Hungarian Radio Choir, adding numerous electronic elements to create a perfectly blended hybrid soundtrack.

On electronic cues — such as the deeply groovy “Vegas” — his percussive-yet-melodic signature sound shines through; while his symphonic and choral writing are highlighted on cues including “Apocalypse”, “Hunter” and “Silent Invasion”. Blood Money’s score was nominated for an MTV VMA Award and won IGN’s Best Original Score Award.

All music has been specially remastered and will be pressed to heavyweight vinyl discs. These will be housed in a deluxe gatefold sleeve with brand new illustrations.

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Jesper Kyd

OST Hitman: Contracts

TB-303 / TR-606 Limited Edition Control Vinyl

Release: 2004 / US – Reissue

Genre: Soundtracks

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IO Interactive and Laced Records signed a contract in blood to bring Jesper Kyd’s incredible Hitman scores to (frighteningly sharp) vinyl.

The BAFTA-winning soundtrack for Hitman: Contracts saw Jesper Kyd crossover to the dark side, creating a sinister, atmospheric score, made to fit with the most disturbing chapter in the Hitman series. It's a darkly surreal contemporary electronic score, written for a game that takes place in seedy underworld locations, entirely at night. From the fan-favourite “Winter Nights” to club-inspired tracks such as “Slaughter Club,” this acclaimed score was an instant hit with the fans and press alike.

All music has been specially remastered and will be pressed to heavyweight vinyl discs. These will be housed in a deluxe gatefold sleeve with brand new illustrations.

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Serato

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OST Watchmen Black Friday Record Store Day 2022 Yellow & Blue Vinyl Edition

V.A.

3LP | 2022 | EU | Original (Reprise)

Release: 2022 / EU – Original

Genre: Soundtracks

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Black Friday Record Store Day 2022 Reissue. Color: Yellow & Blue. Limitation: unknown.

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For millennia, “nirvana” has been a term associated with belief systems of the Indian subcontinent. But in 1988, a band from a small coastal town in Washington state decided to create some new associations with this word . . . through their music.

Active for just six years, Nirvana left an indelible mark on the late twentieth century that remains visible today. Photographer and self-described “music fanatic” Charles Peterson, a fellow twenty-something from the suburbs of Seattle, was present with his camera as a genre took form, and his images have become synonymous with the sounds, styles, movement and attitude known as grunge.

Charles Peterson’s Nirvana, in the tradition of many great documentary photobooks, expands beyond Peterson’s iconic images of the band seen repeatedly over the last thirty years (on album covers, in magazines, and in dozens of compilation books and exhibitions focused on this music and its birth era) to highlight gems never before published. Over a five-year photo edit, Peterson looked at each one of thousands of frames, considering what drew him to Nirvana in the first place—their songs. He honed in on the compositions that stimulated visceral memories of their live performances.

The resulting selection of photographs and their carefully constructed sequence mash up venues and years, suffering and the sublime, to arrive at a visual experience that one cannot help but also feel, and hear.

Book design by Jeff Kleinsmith.

9 x 12.25 inches vertical; ~90 black and white photographs; 168 pages;. Hardcover. Foreword by Krist Novoselic.

Charles Peterson (b.1964, Longview, Washington) is internationally known for his photographs of the Seattle music scene of the late eighties and nineties. He began making photographs while a student at Bothell High School, and then went on to study photography at the University Washington, where he first met as friends many of his future subjects.

Peterson’s distinct visual style and early work for Sub Pop Records became an important signifier of the phenomenon known as grunge.

His photographs have been featured in numerous publications, as well exhibited in group and solo exhibitions around the world. They are included in many private collections, and the permanent collections of the Seattle Art Museum and MoPOP.

Krist Novoselic (b. 1965, Compton, California) is co-founder of Nirvana.

Nirvana originated in Aberdeen, Washington in the late 1980s through the energies of Novoselic and Kurt Cobain. They were joined by drummers including Chad Channing (1988–1990) and David Grohl (1990–1994). Nirvana’s live performances, music videos, and albums Bleach (1989), Nevermind (1991), Incesticide (1992), In Utero (1993) and MTV Unplugged in New York (1994) made their music a defining component of the late twentieth century internationally.

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Black Star

Beyond Time Longsleeve

Imaginaria Black Vinyl Edition

Available Sizes: S, M, L, XL, 3XL

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Black Star Beyond Time Longsleeve - Features:
• Relaxed fit
• Heavyweight, 6.5 oz, 22-singles, 100% combed cotton
• Cuffed sleeves, neck ribbing, side seamed, shoulder-to-shoulder tape, double needle hems, preshrunk

A portion of proceeds will go to savethechildren.org benefiting relief efforts in DRC, Sudan, Haiti and Gaza.

The artist formerly known as Mos Def, now Yasiin Bey, teams up with Talib Kweli again for a second Black Star album. This merch drops with the first widely available vinyl edition that is also available at HHV.

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Almamegretta

2LP | 2001 | EU | Reissue (The Saifam Group)

Release: 2001 / EU – Reissue

Genre: Reggae & Dancehall

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Wingspan (Original Video Game Soundtrack) Record Store Day 2023 Edition

Pawel Gorniak

LP | 2023 | US | Original (Winylowa)

Book+LP | 2022 | UK | Original (The state51 Conspiracy)

Release: 2023 / US – Original

Genre: Soundtracks

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This unique soundtrack was created under the direction of the award-winning Paweł Górniak, one of the most talented composers of the young generation (Love, Death + Robots, Escape Attempt, Supernova). Feast your ears with gentle music inspired by the beauty of nature, and listen to the soothing sounds of a string quartet accompanied by delicate chords of classical guitar. Crafted for a game full of bird songs, this original soundtrack provides many minutes of blissful relaxation and immersion into the natural world of birds. Sunset colored vinyl housed in trifold die-cut cover.

Listen: https://youtu.be/3OK2zO8swEs

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Tai Shani

Neon Hieroglyph

LP | 2022 | JP | Original (Warner Music Japan)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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A collaboration between Turner-Prize winner Tai Shani, The state51 Conspiracy and Strange Attractor Press: a beautiful collection of music, image and text presented across a fabulous cherry marble 12" vinyl wrapped in an arresting gloss sleeve, stunning accompanying hardback book and a very small number of folio prints.

The 40 minute album features a reading of the Shani's text by Molly Moody, backed with a captivating, hypnotic score for cello and electronics by Maxwell Sterling (Warp Records). Mastered by Rashad Becker.

Tai Shani's new solo show 'Your Arms Outstretched Above Your Head, Coding With the Angels' is currently running at London gallery, Gathering.

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Yukako Hayase

Mizu To Tsuchi

2LP | 2022 | UK | Original (Burning Witches)

Release: 2022 / JP – Original

Genre: Pop

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Yukako Hayase’s 1988 debut album, “mizu to tsuchi”, is now being reissued for the first time ever! Hayase made a name for herself with her ennui, whisper voice along with her famous cover by Yuko Ando. Several artists have cited Hayase as an influence on their work, including Kahimi Karie. The record is made up of 7 songs, amounting to approximately 30 minutes of excellent pop music.

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Cory Kilduff

You Will Be Safe

Breath Of Fire Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Burning Witches Records are proud to announce the new electronic, glitching, mind melting double album from Cory Kilduff!

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Capcom Sound Team

2LP | 2022 | US | Original (Ship To Shore)

LP | 2022 | US | Original (Good Felons)

Release: 2022 / US – Original

Genre: Soundtracks

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Ship to Shore PhonoCo. is proud to present the original video game soundtrack to Capcom’s Breath Of Fire, making its debut on vinyl!

First hitting consoles in 1993, Breath Of Firewas to become the first in an expansive series of well-loved RPGs, establishing many conventions that would become engrained in future instalments. When your main character can turn into a dragon to fight monsters, what’s not to love?

Capcom Sound Team’s 16-bit score is indicative of the epic scope of the game, featuring complex melodies and rousing battle anthems. Freshly remastered from new recordings created on original Snes hardware, the soundtrack is now available on limited edition vinyl - the first time it has been pressed on the format - with liner notes by Axe Of The Blood God podcast host Naida Oxford and featuring artwork by Tbone & Aljax!

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Jon Rogers

Fly Flaco

King Author & Zagnif Nori

Release: 2022 / US – Original

Genre: Hip Hop

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Goodfelons is proud to present the latest and greatest from Jon Rogers, Fly Flaco. 17 songs, entirely self-produced, with guest appearances by Rochester legend, P.A. Knit; frequent collaborator Mr. Brady; and Toronto rapper/producer extraordinaire, Crucial The Guillotine (of Novela fame).

Rumor has it that Roc Marci heard some demos of what would become this record and wanted to sign Jon, and you can definitely hear why on this album. Beyond the obvious comparisons to Marci on the raps and beats or the influence of Dilla and Madlib on the beats, we think you'll enjoy this record from top to bottom. Vinyl also includes 4 bonus tracks. Limited to 210 copies, this will not be repressed.

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Killer's Manual

LP | 2022 | CA | Original (Good Felons)

LP | 2022 | EU | Original (Spikerot)

Release: 2022 / CA – Original

Genre: Hip Hop

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Goodfelons is proud to release Killer's Manual by King Author & Zagnif Nori. After years of trading bars over various collaborations, they finally got together to record an album together filled with their classic beats and rhymes.

With production from The Quarter Inch Kings, Haleem, Brenx, BesKept, Crucial The Guillotine (Novela), Chuck Chan, Seth Silensir and Tone Spliff.

The vinyl features two exclusive bonus tracks, Noble Network and Contract Killers.

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Solefald

In Harmonia Universali

Fresh Wine For The Horses Black Friday Record Store Day 2021 Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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20 years after its recordings, Solefald’s fourth album ‘IN Harmonia Universali’ will be finally available on vinyl for the first time ever. Solefald are a wilful and truly unapologetical one-of-a-kind band, defying all known genre definitions with each release. ‘IN Harmonia Universali’ is one of their most complex works to date, layered and eclectic, it stems from the band’s obsession with Progressive Rock, making its way through art, history and philosophy with lyrics touching five different languages. An unheard-of blend of Extreme Metal with bombastic passages, Gothic mystique, acoustic interludes, and the fearless use of instruments like saxophone, hammond and piano, make this album a crucial step in the band’s career. «In Harmonia Universali» says Lazare «is one of the most ambitious albums we have created together. And more than anything it’s a statement of what happens when ambition meets possibility. The world has changed since its release, but ‘In Harmonia…’ still rises above convention and keeps on being itself.» This long awaited release comes on Double Black vinyl limited to 400 copies worldwide , housed in a deluxe gatefold sleeve with exclusive and extensive liner notes by Cornelius and Lazare, and including a 4-panel insert with lyrics.

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Rob Dickinson

2LP | 2021 | US | Original (Real Gone Music)

Trailer Park Hip Hop Sky Blue Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Limited to 2000 copies worldwide. The 2005 debut solo album from British singer-songwriter and ex-Catherine Wheel frontman Rob Dickinson.

This first-ever vinyl release adds a bunch of extras that did not appear on the original CD, including the track "The End of the World" (recently covered by Billie Eilish), and a second disc with the Nude EP from the 2008 deluxe CD reissue, made up of acoustic versions of Catherine Wheel songs.

Packaged in a gatefold jacket and pressed in red and yellow "seahorse" vinyl, limited to 2000 copies worldwide.

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Hip Club Groove

2LP | 1994 | CA | Reissue (Black Buffalo)

Lovey 30th Anniversary Record Stote Day 2020 Edition

Release: 1994 / CA – Reissue

Genre: Hip Hop

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Hip Club Groove’s Trailer Park Hip Hop is set for re-released this month. Originally released in 1994 on Sloan’s Murder records imprint, the seminal project will be featured as part of a double LP along with the group’s 1996 follow-up Land of the Lost on Halifax-based independent hip hop label Black Buffalo Records.

Having sold 12,000 copies upon its initial release, Trailer Park Hip Hop spurred the group to extensive touring with Sloan, Len and other Halifax alternative scene bands like Thrush Hermit, Hardship Post, Plumtree and others.

A supporting video for the lead single Shoot the Gift featured a who’s who of Halifax’s entertainment scene. Directed by Trailer Park Boys creator Mike Clattenburg, the video features DJ Moves, Cheklove, and D-Rock competing in a battle of the bands. A cameo appearance from collaborator Stinkin’ Rich (Terfry) aka Buck65 sets the scene for the group to grab the prize loot and flee the venue while Buck65 provides the getaway.

While Hip Club Groove haven’t performed since 2011 at a Halifax Pop Explosion reunion, the vinyl re-release is sure to spur new energy for the Halifax hip hop scene. Black Buffalo Records boasts a recording roster that includes DJ Moves projects and production on a range of veteran and blossoming talent including Tachichi, Lxvndr, Fatt Matt, and others.

About Hip Club Groove

Formed in 1990 in Truro, Nova Scotia by high school friends Brian “DJ Moves” Higgins, Derek “D-Rock” MacKenzie, and Cory “Cheklove Shakil” Bowles, Hip Club Groove launched the careers off the three founding members, as well as frequent collaborators Robert “Sixtoo” Squire and Gordon “Gordski” Campbell. After releasing two records, Higgins and MacKenzie moved on to roles in Len, while Bowles went on to a role in cult Canadian TV hit Trailer Park Boys.

Limited edition to 300 copies. Double LP on Sky Blue vinyl

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The Lemonheads

2LP+Book | 1990 | UK | Reissue (Fire)

Release: 1990 / UK – Reissue

Genre: Rock & Indie

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Record Store Day 2020 Edition. Ltd edition Bookback Double LP, black vinyl with DL Code (2000 worlwide). Deluxe reissue of The Lemonheads ‘Lovey’ for Record Store Day 2020, housed in a bookback sleeve with expanded liner notes and unseen photos – this is

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Audio-Technica

ATH-M20x

2LP | 2022 | US | Original (Mondo)

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The ATH-M20x professional monitor headphones are a great introduction to the critically acclaimed M-Series line. Modern design and high-quality materials combine to deliver a comfortable listening experience, with enhanced audio and effective isolation. An excellent choice for tracking and mixing.

Advanced build quality and engineering
40 mm drivers with rare earth magnets and copper-clad aluminum wire voice coils
Tuned for enhanced low-frequency performance
Circumaural design contours around the ears for excellent sound isolation in loud environments
Convenient single-side cable exit

Type: Closed-back dynamic
Driver Diameter: 40 mm
Magnet: Neodymium
Voice Coil: Copper-clad aluminum wire
Frequency Response: 15 - 20,000 Hz
Maximum Input Power: 700 mW at 1 kHz
Sensitivity: 96 dB
Impedance: 47 ohms
Weight: 190 g (6.7 oz), without cable and connector
Cable: 3.0 m (9.8'), straight, left-side exit
Accessory Included: 6.3 mm (1/4") snap-on adapter

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John Williams

OST Hook

(The Effects Can Last Forever) How & Why? Edits

Release: 2022 / US – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: VG+

Very light bumped top right corner. Insert included. Records seem unplayed.

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Major Problems

12" | 2008 | US | Original (Tu Rong)

7" | 1998 | CH | Original (Wowsville International)

Release: 2008 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Fine copy, close to NM.

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The Mercy Sluts

600$ Tune

No Cities Left: The Definitive 20th Anniversary Deluxe White Vinyl Edition

Release: 1998 / CH – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with a couple of light scuffs, closer to VG+

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The Dears

2LP | 2024 | US | Original (Outside Music)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2015 | EU | Reissue (Rough Trade)

The Strokes

Is This It

2LP | 2015 | Original (Teranga Beat)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with shelf wear on the back

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Dieuf-Dieul De Thies

Aw Sa Yone Vol. 2

LP | 2020 | Original (Urban)

Release: 2015 / Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Cover with slightly bumped corners

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Dua Lipa

Future Nostalgia

Release: 2020 / Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Mint, Cover: Near Mint

12" | 2016 | EU | Original (Domino)

The Last Shadow Puppets

The Dream Synopsis EP

Release: 2016 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Mint, Cover: Sealed

The Story Of A Post-Punk Popzine 1984-1994

Ablaze!

LP | 2000 | UK | Original (Deep Elm)

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Especially For Record Store Day 2013: A limited edition of 500 books, signed by the author, hand-numbered, stickered with RSD logo, and with a free gift in the form of a sheet of errata including a long-lost letter from Thurston Moore (providing the concluding piece of the SY controversy!)What they said about Ablaze!: "There are other people to condemn, Karren - aren't there?" - Morrissey. "I forgive and hope for Karren A" - Thurston Moore. "Fuck off!" - Ian Brown.And when you read the section of the book entitled Record Shop Skulkers, you'll know why The City Is Ablaze! And Record Store Day are a perfect match.Ablaze! fanzine was published in Manchester and Leeds in the late eighties and early nineties by Karren Ablaze! The best bits of this notorious and outspokenly passionately zine are now available in book format, to be published on 5th November 2012. Alongside hundreds of zine pages, The City Is Ablaze! features new writings by Karren and other members of the Ablaze! team, as well as interviews with fanzine writers John Robb (Rox), Dave Haslam (Debris) and Richard Johnson (Grim Humour), essays by DIY cultural commentators Lucy Cage and Deborah Withers, a re-examination of the Riot Grrrl movement, and an epilogue by Gary Jarman. This 320-page A4 book also covers other zines that Karren produced in Manchester and Leeds between 1984 and 1994, capturing an era where DIY was de rigueur and indie actually meant something. You'll be able to read original interviews with the following bands (in chronological order). Eyeless In Gaza The Membranes The Stone Roses The Inca Babies Tools You Can Trust The Bodines Inspiral Carpets The Pastels The Janitors Happy Mondays King of the Slums The Dust Devils The Shamen Cud Sonic Youth Dinosaur Jr The Pixies Throwing Muses The Sundays Thrilled Skinny Rapeman UT Dog Faced Hermans Edsel Auctioneer Mudhoney AC Temple fIREHOSE Band of Susans Henry Rollins Live Skull Kilgore Trout The Sun and The Moon The Breeder...

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The Appleseed Cast

Mare Vitalis

That's Alright Pink Vinyl Deluxe Edition

Release: 2000 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs.

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Picture
Coming Soon

The Baseballs

LP | 2024 | US | Original (Madizin Next)

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

OST The Texas Chainsaw Massacre Part 2

Jerry Lambert

2LP | 2022 | US | Original (Waxwork)

Kenny Rogers & The First Edition

Release: 2022 / US – Original

Genre: Soundtracks

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Used Vinyl

Medium: Mint, Cover: VG

Record is still sealed, but buttom right corner got bumped and opening edge has a small tear.

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The First Edition

LP | 2014 | US | Reissue (Goldenlane)

Mirror Talks Splatter Vinyl Edition W / Obi

Release: 2014 / US – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with scuffs and hairlines, close to VG+. Cover close to NM

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M.A.V. & Damien

LP | 2024 | US | Original (I Had An Accident)

Sleeping On Trash: A Collection Of Songs Recorded 2005-2010

Release: 2024 / US – Original

Genre: Hip Hop

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Let’s say after a long day at work, a strenuous workout, a half marathon, or maybe three months into a CrossFit membership, after ending a bad tinder date, you look at yourself in the bathroom sweating , frustrated, exhilarated, or something else to say mean things in a pensive pace. Mav flows over Damien’s slow grimy drums with melancholy loops on some colorfully designed vinyl. He’s either reflecting on some $hit or threatening the man in the mirror like Robert De Niro in Taxi Driver after losing his $hit.

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The Wonder Years

LP | 2013 | US | Original (No Sleep)

LP | 2005 | US | Reissue (Baked Goods)

Release: 2013 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Silver vinyl looks unplayed.

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Dinosaur Jr

Bug

2LP+7" | 2024 | EU | Original (Black Screen)

Release: 2005 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Green/White Splatter vinyl. Record close to NM ! Sleeve has two super slightly bumped corners.

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Chris Christodoulou

Risk Of Rain Returns

Just A Minor Threat: The Minor Threat Photographs Of Glen E. Friedman

Release: 2024 / EU – Original

Genre: Soundtracks

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Double 180g coloured marbled vinyl (Disc 1: translucent sun yellow with red; Disc 2: purple with violet & white) housed in a gatefold cover.Double EP 7" on randomly coloured eco vinyl with four new tracks written for "Risk Of Rain Returns". Carefully designed, beautifully remastered and loaded with new ways to play - "Risk of Rain" is back and better than ever! Dive into the iconic roguelike full of unique loot combinations, enhanced with new Survivors, overhauled multiplayer, fan favourite content from Risk of Rain 2 and more!Ten years to the day, after "Risk of Rain" was released into the world to become a true classic, the game is revived on November 8, 2023 as "Risk of Rain Returns" to reconnect with its fans and be discovered by those who didn't realise what they were missing. Time to give the iconic game soundtrack an update as well, isn't it?Creator Chris Christodoulou gives an insight on his work as well as the extensive and luxurious new vinyl release that come with some remarkable extras: "Can you believe it's been ten years already? It seems like yesterday that I was sitting in my small bedroom/studio in front of an aching computer writing the music for 'Risk of Rain'. And here we are, ten years later, returning to it to, adding to its musical compendium. What an unexcepted, magnificent journey!With this very special release we're celebrating both, the 10-year anniversary of 'Risk of Rain' and the release of 'Risk of Rain Returns'! This modular album contains the entire Risk of Rain soundtrack remastered and the four new tracks written for 'Risk of Rain Returns' (with contributions from special guest musicians Damjan Mravunac & Maria Papageorgiou).

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Glen E. Friedman

Akashic Books

2LP+CD | 2014 | EU | Reissue (Odd Future)

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This collection includes Glen E. Friedman’s most iconic images of Minor Threat, as well as many never-before-seen photographs "Punk photographer Glen E. Friedman has compiled a wealth of previously unseen images for the aptly named new book Just a Minor Threat: The Minor Threat Photographs of Glen E. Friedman. Due Oct. 3 from Akashic Books, it also boasts essays from Washington DC underground stalwarts Guy Picciotto, Alec MacKaye and Ian Svenonius, as well as Rage Against the Machine's Zack de la Rocha." ―Spin Just A Minor Threat is a book of Glen E. Friedman's most outstanding photographs of the Washington, DC, band Minor Threat, one of the most influential hardcore punk bands in music history. While the book offers Friedman's best-known photographs of the band, most of the pictures in this volume, shot in 1982 and '83, have never been seen before. The book has writing by Jello Biafra, Alec MacKaye, Guy Picciotto, Zack de la Rocha, Jamie Shanahan, and Ian F. Svenonius. Friedman's own introduction explains how he initially met the band, and the lifelong friendships that grew from there. The first time Friedman made pictures of Minor Threat was in Southern California early in the summer of 1982, then later on their home turf of Washington, DC. At the end of that same year, he shot them at an "explosive and uncontrollable" performance at Cbgb in New York City. In addition to these, Just a Minor Threat also comprises very rare candid and posed photos of the band, including many from the same roll as the now classic "Salad Days" image on the front steps of their "Dischord House."

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Tyler The Creator

Wolf

2LP | 2024 | JP | Original (Avex Club)

Release: 2014 / EU – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: Near Mint

audible surface noises on B1, sticker and cd included!

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Sunaga T Experience

Crouka

Release: 2024 / JP – Original

Genre: Pop

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50 Words For Snow 2018 Remaster Snowy White Vinyl Edition W/ Obi-Strip

Kate Bush

2LP | 2011 | EU | Reissue (Fish People)

The Rapture Translucent Turquoise Vinyl Edition

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g, comes with Obi-Strip. 50 Words For Snow is Kate's 10th studio album on her own label Fish People. It was released on 21 November 2011.

50 Words For Snow features seven brand new tracks set against a background of falling snow. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.

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Siouxsie & The Banshees

2LP | 1993 | UK | Reissue (Universal)

2LP | 1986 | EU | Reissue (The Saifam Group)

Release: 1993 / UK – Reissue

Genre: Pop

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UK National Album Day Limited Release. Performance and Cocktails, released in 1999, includes “T Shirt Sun Tan,” the acoustic “She Takes Her Clothes Off,” and “Pick a Part That’s New.”. The name of the band’s second studio album comes from lyrics in the first featured song ‘Roll Up and Shine’, and is being released as a limited edition 140-gram Orange vinyl.

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Fiorella Mannoia

A Te White Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Pop

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Dentro E Fuori Colored Vinyl Edition

Ciampi Piero

2LP | 1976 | EU | Reissue (The Saifam Group)

Release: 1976 / EU – Reissue

Genre: Pop

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2LP | 2023 | EU | Original (Green Tree)

England

Concerts In Japan

Guardian Of The Pale Gold & Green Colored Vinyl Edtion

Release: 2023 / EU – Original

Genre: Rock & Indie

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Includes extensive notes and background information about the concerts, the band, the instruments and illustrations by Robert Webb. Music remastered from the original recordings. This live album, recorded in a concert in Japan in 2006, shows the band unearthed from nothing and has great versions of the studio tracks. The band is very cohesive and the sound has a good weight. The music played is beautiful symphonic prog, combining orchestral and chamber music elements through a large array of musicians used to record the originals songs.

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Autumn Tears

2LP | 2023 | US | Original (The Circle Music)

Release: 2023 / US – Original

Genre: Rock & Indie

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2LP | 2023 | US | Original (The Circle Music)

Faith And The Muse

Elyria

Release: 2023 / US – Original

Genre: Rock & Indie

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Blue Note: Uncompromising Expression

Richard Havers

Thames & Hudson

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Released to commemorate the 75th anniversary of the coolest and best- known label in jazz, this book celebrates over seven decades of extraordinary music from a company that has stayed true to its founders commitment to Uncompromising Expression. Tracing the evolution of jazz from the boogie- woogie and swing of the 1930s, through bebop, funk and fusion, to the eclectic mix Blue Note releases today, the book also narrates a complex social history from the persecution of Jews in Nazi Germany to the developments in music and technology in the late 20th century. Blue Note is not only known as the purveyor of extraordinary jazz but is also famous as an arbiter of cool. The photography of co-founder Francis Wolff and the cover designs of Reid Miles were integral to the labels success and this highly illustrated, landmark publication featuring the very best photographs, covers, and ephemera from the archives, including never-before-published material commemorates Blue Notes momentous contribution to jazz, to art and design as well as to revolutionizing the music business.

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Magma

LP-BAG 40 II

55,00 €*

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Preorder shipping from 2024-11-22

Ortofon

DJ S Stylus

55,00 €*

2LP | 2024 | EU | Original (Diggers Factory)

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Basic model for scratch and back-cueing. Outstanding rigidity by extra-strengthened cantilever

DJ S is a solid-built cartridge in a new blue nylon material. It has a fine spherical stylus and a special developed and extremely balanced cantilever.

Not only does the cartridge have a most sufficient tracking ability, it is also nearly unbreakable and provides the DJs with the most needed stringency. Furthermore, it equals very low record wear, an advantage for busy DJ.

The DJ series has been known to many as the "jack of all trades," with improved tracking, alongside of accurate sound reproduction. Featuring a low wear stylus design, the DJ provides excellent groove handling, even with less weight applied.

Output voltage at 1000Hz, 5cm/sec.
6 mV
Channel balance at 1kHz
2 dB
Channel separation at 1kHz
23 dB
Channel separation at 15 kHz
15 dB
Frequency range at -3dB
20-20.000 Hz
Frequency response
20-18.000 Hz 3dB/-2 dB
Tracking ability at 315 Hz at recommmende tracking force
80 μm
Compliance, dynamic lateral
9 μm/m N
Stylus type
Spherical
Stylus tip radius
R 18 μm
Tracking force range
2,0-4,0 g (20-40 mN)
Tracking force recommended
3,0 g (30 mN)
Tracking angle
20°
Internal impedance, DC resistance
750 Ohm
Internal inductance
450 mH
Recommended load resistance
47 kOhm
Recommended load capacitance
200-600 pF
Cartridge weight
18,5 g
Compatibility
DJ Series

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The Jazz Hop Cafe

Spiritual Reflections

55,09 €* 57,99 € -5%

Release: 2024 / EU – Original

Genre: Hip Hop

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Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition

Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

55,09 €* 57,99 € -5%

When I Hit You You'll Feel It Pink Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

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Leslie Winer

2LP | 2021 | US | Original (Light In The Attic)

55,79 €* 61,99 € -10%

Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

Release: 2021 / US – Original

Genre: Electronic & Dance

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Definitive career-spanning anthology
Includes previously unreleased tracks, inspired collaborations, and material from Leslie’s groundbreaking 1990 solo debut, Witch
Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, Christophe Van Huffel, Jay Glass Dubs, Mari G. Mooney, and Diamond Version, amongst others
Newly remastered by the GRAMMY®-nominated engineer John Baldwin
24-page booklet featuring a new, extensive interview with Leslie and liner notes by acclaimed author, critic and compilation co-producer Wyndham Wallace, along with an essay by award-winning writer and scholar Louis Chude-Sokei
Cover collage by renowned British artist Linder, featuring photography by Mondino, and design by designer Christopher Shannon
Picture shows a mock up. The actual records are unique and will differ.

“The definition of a hidden gem” – John Peel

“The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life.” – Max Richter

“She might just be the coolest woman on the planet!” – Boy George

Light in the Attic is ecstatic to announce When I Hit You—You’ll Feel It: a 16-track anthology that celebrates the extraordinary work of musician, poet, and author, Leslie Winer. When I Hit You—You’ll Feel It spans Winer’s three-decade-long musical career: from her groundbreaking solo work in the early ‘90s to her latest inspired projects. Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, and others, the collection also spotlights Winer’s diverse collaborations, and unearths previously-unreleased recordings.

Newly remastered by the GRAMMY®-nominated engineer John Baldwin, When I Hit You—You’ll Feel It will be available in multiple special 2xLP editions, on CD, and across digital platforms. The album includes a new interview with Winer, captured by the compilation’s co-producer, acclaimed author and critic Wyndham Wallace. Rounding out the package is an insightful essay by the award-winning writer and scholar Louis Chude-Sokei and an original cover collage by the renowned British photographer and artist, Linder, featuring photography by Mondino, and design by designer Christopher Shannon.

MORE ABOUT LESLIE WINER….

Musician, poet, iconoclast, model, artist, enigma. Leslie Winer is many things.

Born to a teenage mother and sold for $10,000 in a black market adoption when she was just hours old, Winer has always lived an uncommon life. She grew up in Boston with a voracious appetite for music and the written word and embraced the city’s lively jazz and folk scene in the ‘70s. Moving to New York for art school, she gravitated towards a vibrant crowd of intellectuals, artists, and radical thinkers—or perhaps they gravitated towards her.

There, Winer formed an unlikely friendship with writer and artist William S. Burroughs and lived on-and-off with Jean-Michel Basquiat. In London, where Winer began her musical ventures in earnest, she was a regular at Leigh Bowery’s underground club Taboo, where she met many of her collaborators, including filmmaker John Maybury, Kevin Mooney (of Adam and the Ants), and Boy George, who once declared that Winer “might just be the coolest woman on the planet!”

Winer’s striking looks also attracted fashion designers and photographers. Throughout the early ‘80s, she was an in-demand model—appearing in campaigns for Valentino, Christian Dior, and Yohji Yamamoto, and serving as a muse for a young Jean-Paul Gaultier, who later dubbed Winer “the first androgynous model.” She posed for Helmut Newton, Irving Penn, and Pierre et Gilles, and graced the covers of The Face, French and Italian editions of Vogue, and Mademoiselle.

But music was Winer’s true passion and, at the turn of the ‘90s, she would unknowingly help invent the massively popular genre known today as trip-hop.

On her debut, Witch, Winer masterfully blended the uninhibited sampling of early hip-hop with dancehall basslines and programmed beats, while weaving mesmerizing—and coolly-detached—spoken-word vocals into her ambient tracks. It was unorthodox in the most delicious ways.

The album was a bold experiment by the self-taught artist, who enlisted a number of talented musicians in the sessions, including Culture Club’s Helen Terry, Karl Bonnie of Renegade Soundwave, former Public Image Ltd. bassist Jah Wobble, and Kevin Mooney, as well as Marco Pirroni and Matthew Ashman (both of Adam and the Ants, among other acts).

While Witch was finished in 1990, it wouldn’t be released for three years, due to the whims of Winer’s label. In the meantime, several tracks made their way out into the world as early as June 1990, thanks to BBC Radio 1 DJ John Peel, who later referred to Witch as “the definition of a hidden gem.”

Opening with the laid-back dub beats and soft, sing-songy chorus of “He Was,” Witch features such highlights as the up-tempo “Skin,” the hypnotic, bass-heavy “The Boy Who Used 2 Whistle,” and the album’s closer, “Dream 1,” in which waves of reverb-soaked vocals bounce from one ear the other.

While sonically, Winer was breaking new ground, she was also bringing a fresh, incendiary take on what it means to be a woman in the music business, as embodied by her composition “N1 Ear,” in which she delivers a scorching, feminist manifesto, borrowed from the Women’s Liberation Broadsheet: “If I get raped it must be my fault / And if get bashed I must’ve provoked it / And if I raise my voice I’m a nagging bitch / And if I like fucking I’m a whore…And if I ask my doctor too many questions I’m neurotic and need pills / Because I still can’t get a safe birth control while some fucker’s roaming the moon.”

Winer had every right to vent her frustrations as a woman in music. Despite her fierce demeanor and steadfast focus, she was consistently disregarded and typecast by the industry. Many of her early collaborators failed to credit her work, while others simply overlooked her influence. Witch, for example, was so delayed that by the time the album saw the light of day (released under the pseudonym “©”), trip-hop was gaining mainstream traction via acts like Portishead, Massive Attack, and Madonna. Although Winer eventually gained wider acknowledgment (prompting the NME to give her the dubious distinction of “The Grandmother of Trip-Hop”), Witch initially went sorely unnoticed.

Following the disappearance of Witch, Winer continued to record, undeterred by the elusive nature of mainstream success in the modern music business. Her network of inspired collaborators continued to grow and expand, yet her influence remained largely a secret except to those in the know, such as Grace Jones and Sinead O’Connor, who would cover her songs.

Today, Winer stays busy on new musical projects in the French countryside, where she has spent the past two decades raising her five daughters. A prolific writer, she has also published two collections of poetry and oversees the literary estate of Herbert Huncke, a defining member of the Beat Generation.

In the modern era, one is hard-pressed to find an artist who continues to push the creative envelope as much as Winer does. And yet, three decades after her revolutionary debut, her work remains just as startling and fresh.

Winer’s influence might best be summed by the award-winning composer Max Richter, who offered the following thoughts to Wyndham Wallace for his extensive liner notes: “The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life. A visionary commentator on the relationship between individuals and society in the mould of Blake or Woolf, Leslie Winer knows things that the culture at large just doesn’t understand yet, and she has never been afraid to let us know that.”

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V.A.

2LP | 2024 | US | Original (Light In The Attic)

Siamese Dreams Remastered

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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The Smashing Pumpkins

2LP | 1993 | US | Reissue (Virgin)

Jazz Ist Anders Picture Disc Pizza Box Edition

Release: 1993 / US – Reissue

Genre: Rock & Indie

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Freshly remastered for the 2011 season!

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Die Ärzte

2LP+7" | 2007 | Reissue (Hot Action)

Release: 2007 / Reissue

Genre: Rock & Indie

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We Buy Diabetic Test Strips Black Vinyl Edition

Armand Hammer

2LP | 2023 | US | Reissue (Fat Possum)

2LP | 1976 | EU | Reissue (Speakers Corner)

Release: 2023 / US – Reissue

Genre: Hip Hop

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Only 1 per customer!

Armand Hammer, the New York based hip-hop duo consisting of Elucid and billy woods, return with We Buy Diabetic Test Strips, their first album in two years and first for Fat Possum. In the two years since the Alchemist-produced Haram, Elucid and billy woods have both released critically acclaimed solo albums. Back with their biggest record yet, We Buy Diabetic Test Strips features production from Jpegmafia, El-p, Kenny Segal, Black Noi$e, Preservation, DJ Haram, Child Actor, Sebb Bash, August Fanon and more. Pressed on double grape colored vinyl.

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Charles Mingus

Mingus At Antibes

2LP | 1975 | EU | Reissue (Speakers Corner)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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You can be sure that jazz fans in the year 1960 were unfamiliar with Charles Mingus’s LPs "Blues And Roots" or "Mingus Ah-Um" when they poured into the Pinède Gould Arena at the Antibes Jazz Festival held in Juan-les-Pins, France on 13 July. At any rate, as can be seen in a short video clip, all the seats were occupied. In addition, a really good trumpeter was there, whose name would later resound throughout Europe: Ted Curson. What is more, the legendary Bud Powell, who lived in France, was invited as a special guest for one number that required a pianist.
The Jazz Workshop – which was how Mingus called his working ensemble – presented repertoire that was familiar to all the musicians: "Better Git It In Your Soul", "Wednesday Night Prayer Meeting" and Dolphy’s wonderful solo on the bass clarinet in "What Love?". Besides this there was "Cry For Freedom" as "Prayer For Passive Resistance" was also named, and "Folk Forms", also known as "Ummh". As a mark of respect towards the guest musician, it was decided to perform the evergreen "I’ll Remember April", with Powell’s improvisation being applauded enthusiastically by the audience.
Charles Mingus was to play in numerous concerts in the 60s and 70s; he recorded more than two-dozen official LPs, accused several concert organizers and tour managers of extortionate robbery, and trampled on illegal recording tapes. But the present live recording was made by the ORTF and released officially later by Atlantic Records. It is now re-released after many years and is a rare document in the annals of music history.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: July 1960 live at the Antibes Jazz Festival, Juan-les-Pins, France, by Dannie Richmond
Production: Neshui Ertegun

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Herbie Hancock

Flood

2LP | 2012 | Reissue (Hot Action)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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In the summer of 1975, the Herbie Hancock Sextet made a hugely successful tour of Japan, which made people aware of a 'new' Hancock. The last LP that the keyboard virtuoso had recorded, "Thrust", was already one year old, and the film music for the Charles Bronson classic "Death Wish" was received negatively by his fans. At his concerts in Tokyo, Herbie Hancock reached back to his hits: "Maiden Voyage", "Chameleon", and the famous, soulful "Watermelon Man" made the fans at his concert hall and open-air appearances go wild with enthusiasm. Forty years later I have the courage to confess that I couldn’t have cared less about this music at the time; in Europe there was enough that was new and exciting to see and listen to. However, this re-release in its original format has given me the opportunity to check out whether this music has withstood the test of time. And I must say: it has passed the test! Just listen to Herbie at his best!
Dr. Michael Frohne

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Die Ärzte

auch

Release: 2012 / Reissue

Genre: Rock & Indie

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3LP | 2023 | EU | Original (Waxwork)

V.A.

Dawn Of The Dead

12 Bar Blues Record Store Day 2023 Blue & Green Vinyl Edition

Release: 2023 / EU – Original

Genre: Pop

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George A. Romero’s DAWN OF THE DEAD Original Theatrical Soundtrack. This expansive three LP set features the complete De Wolfe library cues from Romero’s 1978 cut of the zombie classic for the first time on vinyl. This special release of the iconic Dawn Of The Dead soundtrack features the U.S. theatrical soundtrack, including “Cause I’m A Man” by the British band Pretty Things, as well as fan favorite “The Gonk” by composer Herbert Chappell.

George A. Romero’s Dawn Of The Dead is considered to be one of the greatest and most compelling zombie films ever made by blending horror, gore, and social commentary on material society. Roger Ebert gave the film four out of four stars and called it “one of the best horror films ever made.” The film was selected as one of The 500 Greatest Movies of All Time by Empire Magazine in 2008. It was also named as one of The Best 1000 Movies Ever Made, a list published by The New York Times.

Waxwork Records is proud to release George A. Romero’s DAWN OF THE DEAD Original Theatrical Soundtrack loaded with features including 3xLP colored vinyl, deluxe heavyweight triple gatefold packaging with matte satin coating, artwork by Ruiz Burgos, a four-page booklet, and extensive liner notes by Living Dead film music archivist and historian Jim Cirronella.

FEATURES:
◊ The Complete De Wolfe Library Theatrical Cues
◊ 3xLP Colored Vinyl
◊ Artwork By Ruiz Burgos
◊ 4-Page Booklet with Liner Note

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Scott Weiland

LP | 2023 | Reissue (Rhino Atlantic)

Handsworth Revolution Record Store Day 2024 Edition

Release: 2023 / Reissue

Genre: Rock & Indie

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Limited 2 x 140g 12" Blue (disc1) & Green (disc2) vinyl album. RSD 2023. 25th anniversary expanded edition of Scott Weiland’s 1998 debut solo album 12 Bar Blues. First ever vinyl release includes originally intended tracklist with two additional, previously unreleased tracks plus the unreleased demo of “Barbarella”.

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Steel Pulse

LP | 1978 | EU | Reissue (Island)

Release: 1978 / EU – Reissue

Genre: Reggae & Dancehall

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King Gizzard & The Lizard Wizard

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Acoustic Gizzard - Live In Detroit 2024

LP | 2025 | US | Original (Reverberation Appreciation Society)

Release: 2025 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2025-01-31

2LP | 2024 | JP | Original (Pony Canyon)

Mute Beat

Live

Southside Johnny And The Asbury Jukes

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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Preorder shipping from 2024-11-08

Mute BEAT’s live performances from 1988-1989 are compiled in this double live album. Featuring recordings from their North American tour, including performances at N.Y.'s Sob's and collaborations with legends like Gladstone "Gladdy" Anderson and Roland Alphonso, this album showcases the unique groove and live dub mix that can’t be captured in studio recordings.

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Live At The Capitol Theater December 30. 1978 Yellow Vinyl Edition

3LP | 2024 | WW | Original (Renaissance)

Release: 2024 / WW – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-22

12" | 2023 | JP | Original (Fourth Hand)

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