Search "record store day" 63 Items

A few copies arrived with a damaged Cover. We're therefore selling it on a reduced price.

Moodymann's Mahogani Music puts out this fresh compilation curated by Rick "the Godson" Wilhite - US house and techno DJ, remixer, producer, and longtime fixture of the Detroit techno circuit (including having sat behind the counter at The House of Music record store in downtown Detroit). Featuring deep house and techno from Angel-a, Rick and Kyle Hall, Orlando Voorn, Malik Alston, Moodymann, Javontte and more. 8 tracks. Gorgeous pic sleeve. Not new, but new to us. Originally released in 2023.

Moodymann's Mahogani Music puts out this fresh compilation curated by Rick "the Godson" Wilhite - US house and techno DJ, remixer, producer, and longtime fixture of the Detroit techno circuit (including having sat behind the counter at The House of Music record store in downtown Detroit). Featuring deep house and techno from Angel-a, Rick and Kyle Hall, Orlando Voorn, Malik Alston, Moodymann, Javontte and more. 8 tracks. Gorgeous pic sleeve. Not new, but new to us. Originally released in 2023.

Upstairs Asylum Recordings is one of the many seminal Detroit labels run by local legend Norm Talley. It's right in the middle of a busy run right now with no fewer superb run with three new EPs all dropping in quick succession. This one is a split EP with US duo Solid Gold Playaz taking care of the a-side. As always with this pair, their sounds are deep and dusty house with exquisite melodies tugging at the heart. On the flip, Gari Romalis steps up with the slick percussive skip of 'Detroit After Dark' then 'Panties' from Brian Neal brings jacked up analogue groves that lean into techno with a big fat bassline.

Industrollution: The lethal audio toxin of rhythmic machinery.

Drivetrain (Detroit, Usa) “Spin The Record” Functional, purposeful and guaranteed to ignite any dance floor; put the needle on the record and wait for the climatic twist.

Jay Strata (Glasgow, Scotland) “Heart Strings” Drenched in rich, creamy chords, the seduction of a deep, melodic rapture, effortlessly takes control.

Teknobrat (Ottawa, Canada) “Acid Barnako” With elements known and beyond integrating in acid oscillation, the magnetic chorus refrain pushes the frequecy spectrum.

DJ Mourad (Tunis, Tunisia) “Illegal Alien” A mysteriously abstract high-tech warning signal clouds the atmosphere while the unforgiving thunder-pulse clears the air.

Extremely rude, extremely powerful, extremely Detroit. You will never miss this one if you are on the dance floor. The boss of Visillusion records was one of the first music producers and DJ’s who dipped his toes into the deep black pond of techno. Actually, that was so long ago that nobody knew the name of this genre at the time. From 1987 he has appeared under different monikers around the globe for many occasions and he is definitely cannot be stopped.

REPRESS! Long, strung out deep Theo beats and deep, deep jazz is the flavour of this release, with a strong Sun Ra vibe.

Single-sided pressing. Slower than slow muted beats, soft and dreamy vocals and all laced with quite simply gorgeous multi-layered jazz rumblings.

Theo's classic 2007 album back again! Loads of soulful samples, vocal house + soul tracks, some beautiful electronic instrumentals and some incredible dancefloor moving techno. Released on 3 x 12" in gatefold sleeve and 2x CD with 10 extra tracks not on vinyl.

Repress of this classic Theo Parrish 12" from 1998!

Repress of this great collaboration 12" of Theo and Marcellus Pittman from 1999!

Our newest release is the single WHAT YOU GONNA ASK FOR by Theo Parrish, Lori, SilentJay, Simon Marvin, Perrin Moss, Paul Bender.

Repress! Long, strung out deep Theo beats and deep, deep jazz is the flavour of this release, with a strong Sun Ra vibe.

Theo Parrish is one of those characters who manages to unite lovers of both house and techno, indeed producing offerings that seem to make the distinction utterly redundant. How does he doe it? Well, if this pair of new tracks are anything to go on, it's the simple trick of making tracks that combine the soufulness and rootsy earthiness of house with a trippy sense of the futuristic and psychedelic that elevates them out of the ordinary. Take, for instance 'In Motion's simple piano stabs and the subsequent off kilter groove that builds up around them. Or, equally, the cheeky bass keyboard manoeuvres that form the backbone of 'Don't Play' featuring Ava, funky enough to be Stevie Wonder but then matched with caustic, scything hi-hats that have more than a hint of the surreal and robotic about them. Best of all, it doesn't feel like a compromise, it feels like a full on creation that acknowledges both traditions but refuses to follow either slavishly.

Repress of Theo's fabulous take on Recloose's track that originally saw a release on Planet E. The flip is a long building african styled groover!

Theo Parrish teams up with Amp Fiddler on "Ghetto Proposal" - a deep grimy chugger of a track featuring vocals from Kitten Koroi and John Douglas on trumpet. Instrumental version on the flip.

New album by the maestro! Parrish's electronics getting blended with a good dose of Jazz & Soul influence - here the past collides with the future.

New album by the maestro! Parrish's electronics getting blended with a good dose of Jazz & Soul influence - here the past collides with the future.

Vinyl only! Booty House from the mysterious Shanaynay Lindqvist.

Detroit's D-RECORDS is back with the DETROIT BOUNCE EP VOL 2 with SANTONIO ECHOLS (/KMS/TRESOR) & Switzerland's LOT 6.SANTONIO features the tech house "DAWN OF THE DANCE," & "CHANGED" while LOT 6 provides the deep house joint "THE ROAD" with remix by the legendary DJ Mark Archer. Acid & Club vibes!

Finally back in Stock! Some classic Theo from the early 2000's. ESSENTIAL!

RAWAX proudly presents Mr. Rick Wade from Detroit! After two fatastic ep's on HOUSEWAX it's now time for The RAWAX MOTOR CITY EDITION Vol. 13. We are so happy to share this masterpiece of music with you and yes - we can say: this record comes really from another galaxy! Welcome back, Rick!

Vibrations and frequencies of Chicago, Detroit and West London permeate "IF IT Aint Deep" the new 6 track "mini-LP" from RIC Miranda. Diverse flavors of Detroit Techno, Broken Beat, and Deep House highlight the many genres and musical movements that have influenced RIC's musical career.

For the first time on 2x12"! When Network Records originally issued “Innovator” in 1991 we knew that the music contained within was timeless. At that time, of course, we had no grasp of how well Derrick’s epic soundscapes would time travel. We christened the collection - “Soundtrack For The Tenth Planet” - because it seemed like the music (and Derrick) had indeed arrived from another world. The release has been acclaimed as iconic because Derrick, the madcap and maverick philosopher of Detroit Techno, introduced the concept of dance music with a musical and emotional agenda way beyond anything that had come before. Beats with beauty. Literally the strings of life. Where fellow musical geniuses Chic had previously urged everybody to simply "Dance, Dance, Dance" mood alchemist Mayday merged simple yet cerebral dreamscapes with strange and urgent complex dance rhythms and invited us all to Dance And Dream. And in a strange juxtaposed way helped birth the hedonistic Acid House scene with classics “Nude Photo” and “Strings Of Life”

Label head, Patrice Scott returns to the controls for his next offering of sonic impressionism. The Detroit Upright EP features two choice cuts of pure soul. Patrice’s musical foundation was laid and developed in Detroit and the inspiration continues to this day.

Detroit based producer & DJ 2lanes is happy to announce the evolution of his digital label ‘auto Shop’ into the physical world with its first release; a new alias called Overtone Series. A collaborative project between 2lanes and fellow Detroiter Jonah Baseball, recorded over many sessions during early lockdown. The "Shuffle Shack EP" has 4 tracks that span psychedelic deep house, dance floor stomping soul, and rejuvenating sunrise downtempo moments. The record also features performances from Jonah’s father David Gray, Los Angeles based singer Jia Pet and Ji Hoon - who was featured on the B-side “Impish Desires” on 2lanes breakthrough record on Portage Garage Sounds.

A classic double EP from one of Detroit´s finest, Omar S! Theo Parrish contributes on one track.

TroiAlexis is a young talented Detroit female song writter who was discovered by Omar S at the Conant Gardens Party Store who sung Acapella to him at a Hi Tech party and was blown away by her Soulful voice!!

Unreleased Oligo tracks from the 90's! Very strong sounding underground acid and techno feat. 8 tracks and 12 locked grooves. Orange vinyl version, limited to 100 copies

Another classic release on Makin' Madd Records in the rebound! This time it's The Shadow aka Lou Robinson of Scan7) "The Lurking Shadow EP" which came out 1995 will be soon available again on solid black vinyl. Re-mastered edition - don't sleep! Special thanks to Mr. Terrence Parker!

Another classic release on Makin' Madd Records in the rebound! This time it's The Shadow aka Lou Robinson of Scan7) "The Lurking Shadow EP" which came out 1995 will be soon available again on solid black vinyl. Re-mastered edition - don't sleep! Special thanks to Mr. Terrence Parker!

Limited Edition for Record Store Day 2019! Landed Records is delighted to welcome back the legendary Norm Talley with a very special, limited edition 12″ vinyl masterpiece from one of the originators and true players of the Detroit House music scene! This release, as with all his releases, is written and produced through Norm’s fully analogue set-up. NO computers, NO digital limiters, No gimmicks. Just pure, warm, deep Detroit goodness. LTD edition 180g vinyl.

Melodic, powerfull and very deep classic tracks by Mike Huckaby. Originally released on Cross Section Records in 1997.

Record is close to VG+.

With How We Groove, Lello Di Franco (L.D.F.) and Brian Garrett (Javonntte) pair up for a prototypical Yore release, a high-quality affair that’s natural clubby yet also artful. Di Franco’s an Italian DJ and producer who’s based in Naples and whose career began in the early ’90s; Garrett, on the other hand, hails from Detroit and has been creating material for almost as long. Their respective output locates itself solidly in house and techno but extends into soul, funk, and jazz areas too. Said gravitations aren’t mere flirtations either; Garrett’s interest in jazz began in high school, and when he was fifteen or so the aspiring musician even had a month’s worth of lessons in the mid-’80s with-wait for it-Miles Davis (Garrett’s mom apparently had connections). Associations with Aretha Franklin, Blake Baxter, and others surface in his history-but that’s for another time. All three tracks qualify as dance productions but satisfy equally well on pure listening grounds. While a strong ’80s vibe initially oozes from “Believe” in the electronic drum fills that get it moving, the cut quickly settles into a light-speed groove that percolates with single-minded determination. The richly detailed arrangement shape-shifts rapidly: at one moment, syncopated piano chords give the track a classic house feel; at another synthesizer flourishes and bass pulses lend it a sleek, sci-fi quality as the material thrusts breathlessly forward. The less frenetic “From Day to Night” is earthier and funkier though no less artful. As a punchy bottom end establishes an infectious house vibe (with a bit of jazz swing also in the mix), see-sawing vocal elements and bubbly synthesizer touches elevate the track to a headier ‘listening’ realm.

"Communication facilitates the Transmission of the unseen into the material."

Artwork by Katai Written & Produced by Kyle Julian Hall Engineering by Pheek Vinyl mastered by By Beau Thomas Ten Eight Seven Published by Kmfh Music Works BMI Copyright Forget The Clock 2024

Limited edition. Numbered on cover.

BerettaMusic, known for discovering and developing Detroit talent and serving as a launching ground for several well known artists such as Seth Troxler, Ryan Crosson, Luke Hess and many others continues on the heels of many recent successful records. The label further solidifies their legacy in Detroit dance music with a release from Detroit native John “Zoetic” Briggs.

Briggs, a.k.a. Zoetic (Atjazz Records, Yoruba Records), brings his talents to BerettaMusic, one of Detroit's hottest boutique record labels, with his distinctive take on electronic dance music. His “Spirit World” EP is an electronic 'chef-d'oeuvre' that skillfully weaves Techno, House, Funk, Jazz, and World music elements, creating a unique release perfect for the dancefloor and your headphones. Beretta label boss Ryan Sadorus (one half of Airport Society) steps up on remix duties to deliver a hypnotic deep house jam perfect for those late night sets.

Written and Produced by John “Zoetic” Briggs. Remix by Ryan Sadorus. Mixed and mastered at the Bear Cave in Detroit cut by Dietrich Schoenemann. Pressed at the world famous Archer Records in Detroit.

/ vanished

From his HOME studio in Detroit, Javonntte gives another nice emotion. As well as having collaborated with
amazing musicians like Trinidadian Deep, Brawther, Patrick Gibin, Mark De Clive-Love, Nikki O, Andres, Amp Fiddler
and many others ... He was part of dancer for Aretha Franklin live. This new release made by Le Disque Records label from Verona,
has the intent to get excited the dancefloor all around the world and the hearts of Soulful House lovers. Don't miss it !!

All Tracks Produced and Mixed Down by Isaac Prieto Mastering by Pheek Vinyl Pressed at Archer Records in Detroit

A new label out of Mexico, Short Attention Records launches its second release with a five track offering of proper melodic techno from Hector Ram with the word 'quality' stamped large upon them. 'Midnight Sounds' starts things off with the grand rhythmically-building 'Midnight Sounds', almost New Order-esque at times. 'For Our Small Parties' follows, old skool again in flavour, blending subtly employed breaks and a sturdy house framework, then 'Dear Dancefloor', probably the gentlest and most fragile effort here, opens side two. 'On The Road' boasts a more electro feel and Orbital-esque synths, and is deemed worthy of a second airing via a nicely throbbing remix from Detroit's Generation Next closing proceedings.

Coming off his last record, ‘Nocturne’, Generation Next shows us that he has no plans in slowing down. Even though his last EP was impressive, ‘Ender’ just shows us how much this producer has evolved.

Record is close to NM.

DJ Aakmel on Norm Talleys Upstairs Asylum Records

In the year 2000 the internet had not yet become the new messiah. I would often cross the Channel by ferry on my way to London where I would spend the weekend going out and hunting for records, especially those that were impossible to find in Belgium. As soon as I set foot in a record shop, then under the influence of labels like Rephlex, Warp and Planet Mu, I would rush like a gold digger, head down in the racks that mentioned these labels, to try and find the piece I was missing or the latest release not yet distributed in Belgium. The artists that obviously haunted me the most at the time were Aphex Twin and Squarepusher. During one of my visits to the record shop "Sister Ray", I was, as was often the case, deep in the Squarepusher rack. And there, I find a record that I do not yet know, an LP entitled Ceephax Acid Quakers 1000, on the fantastic label "Lo Recording" ! Without hesitation and without further investigation I rush to buy it, convinced that I am holding the new Holy Grail from Squarepusher. Back in Brussels, I listen to this mysterious LP straight away and I discover a completely different album from what I was expecting. More audacious than what Squarepusher had produced in the past and which was more in line with the sound I was looking for at the time. I had to look hard at the record sleeve to understand this new approach. "Produced by Andy Jenkinson... but no, it's Tom Jenkinson....there must be a mistake?" Knowing the record shops of Brussels well, here I was on my way with the record under my arm to get more info. A record shop owner in the city centre tells me that this "Andy" is Tom's little brother, and that if I'm interested, he just brought in another record by this artist who calls himself "Ceephax"... Of course I'm interested! Icing on the cake, it is on a Belgian label, and moreover, provided with a cassette. I had to meet the guys who were behind this impressive "First Cask" label. I don't know by what magic I managed to meet Ga?l, one of the two founders, but what is sure is that since that day he has become more than a friend and he arranged for me to get in touch not with Squarepusher but with Andy. Two historical albums united in a superb gatefold !

For Michigander’s fifth release, Brian Kage delivers four solid dance-floor fillers, each infused with a unique blend of melodic Detroit soul, intelligent acid and perfectly mixed percussion. Each offering teleports the listener into a future where social distancing has finally abated and celebration can commence. Lockdown starts the record off with undulating 303 bass notes that groove around in a circular arpeggiated formation until hypnotic 909 percussion breaks through with echoing claps and weaves together a tale of futuristic tension building. Hold On Pain Ends features a stabbing analog synth-line that repeats a half-beat phrasing contrasted with slamming technical percussion, a heavy kick and a lush pad that is perfect for late nights in a warehouse. That Woman from Michigan contains gentle swinging upbeat percussion and deep soothing chords with samples of Governor Whitmer asking all Michiganders to do their part and join together in solidarity. A subtly modulating acid line builds tension into a perfectly resonating crescendo. F.U Covid19 - An ominous swelling pad rips across the dystopian horizon as swinging rimshots build around a deep pulsing kick and a dirty mono synth swirl. Echoing vocal samples punctuate this acidic frenzy until the tension falls away giving dancers an opportunity to catch their breath before the next round of infectious rhythmic groove forces the hypnotic spell to intensify.

For those in the know, Brian Kage's chops as a producer and studio wizard are well established. The artist has released on Omar S' Fxhe, Carl Craigs' Planet-E, Steve Bug’s PokerFlat, Rob Modell’s Echospace, his own labels Beretta Music and Michigander, and other imprints, helped launch the careers of internationally respected DJs and producers like Seth Troxler, Ryan Crosson, and Luke Hess, and mix, mastered, and engineered for Ataxia, John F.M., OB Ignitt, Monty Luke, and more. Lauded for a sound that is rooted, yet forever forward in its approach, his most recent work, 909 Nights EP, is no exception. The title track reintroduces a winning team with Taho and Kage combining forces again. The release gets off the starting line with a booming kick, that signature drum sound of acid house's most infamous rhythm machine. Syncopated closed hats and cymbal crashes rush in before their crunchy snare and clap companions join in. Pitch bending open hats introduce track progressions like earth shattering orchestral stabs and rich, uplifting piano notes underwritten by deep chords and a fat bass line while short, squelchy, guitar-like licks dance below. As atmospheric as it is bumping, a synthetic flute playfully flutters into the mix, elevated by airy strings and a French filtered elastic brass solo lead. A touch of acid completes this journey through sound. Listeners would be forgiven for thinking they reopened Club Zanzibar in Detroit and this was its anthem. Shifting gears, "Warehouse Vibes" flares up next with phased effects and a filtered kick driving the track along a conveyor belt towards an all-enveloping dubby techno bliss. Pressure steadily builds up before being released in the form of steam flowing from creaky, rusted pipes. While the sonic palette delivers on its promise, this is no ordinary warehouse we've entered the gates into; it's breaking in through the shattered window of an abandoned industrial manufacturing facility territory instead. Perhaps a little fuzzy after the previous beatdown, "jax" is an intentionally full-body workout as the fist-pumping grip of the preceding cut gives way to hip-thrusting, put-your-back-in-it dancing action. Jacking drums lend the track a hefty bounce while the vocals really hammer the point home, in case there was somehow any confusion left as to what to do with this one. An impressing flex, partygoers are guaranteed to be going home seeing gains after each play. The Motor City may make less cars these days, but Brian Kage is an integral component of artists under the 313 emblem ensuring there's no shortage of newer model Detroit house and techno productions that are reliable and well worth the ride.

Collection V1" marks FIT SOUND's first compilation, showcasing tracks from renowned artists Jared Wilson, Bizz O.D., and FIT Siegel. Detroit’s own Jared Wilson is a true master of the Tb-303, delivering jacking and melodic acid for over a decade. 'Mind Travel' is a mesmerizing 10-minute journey that intertwines melodic acid lines with ethereal strings. Bizz O.D., an enigmatic figure known for her jackin' acid techno tracks released between '93 and '98, emerges once again with the previously unreleased floor-killing acid stomper, 'One Two,' which, despite being recorded in the mid-'90s, remains as fresh as ever. FIT Siegel's contribution, 'No Feedback,' originated as a sampling exercise in the studio and transformed into an experimental yet functional piece that would find its home in the crates of adventurous DJs."

“So I called Bill since we hadn’t recorded in a while. He came by and I started playing ideas for him and these four happened that day. Full length coming.” - Theo Parrish says so and also produced and arranged it!

Official redition by Phil Weeks & Didier Allyne on BPM classic done by Alton Miller 1996. For Deep house fan like Prescription release.

All Trackz Written by Alister. Co Written and Mixed by Omar S Available on Af13 Records

three tracks by Rick White, Theo Parrish and Kenny Dixon Jr.