Rock 'n' Roll 160 Items

Record Store Day 2020 Release.

A Gun Club live recording from the On Broadway, supporting their groundbreaking debut 'Fire Of Love', but also anticipating it's follow-up 'Miami' from 1982 ('Watermelon Man', or the revisitation of CCR's classic 'Run Through The Jungle').

Japanese Pop, Beat & Rock'n'Roll 1965-1970' - Compiled by international girl-pop authority and former Tokyo resident Sheila Burgel, here's the second LP-release dedicated to the wild world of Japanese female pop and beat from the second half of the '60s. The LP includes a gatefold cover sumptuously illustrated with rare items from Sheila's record collection. The LP comes with different artwork than the CD-edition. Leaving no stone unturned on her quest for groovy sounds, the LP includes compelling tracks by Kayoko Ishuu, Reiko Mari, Mari Henmi, Katsuko Kanai, Akiko Wada, Akiko Nakamura, Kemeko Matsudaira, the Peanuts, Kazumi Yasui and cover girl Chiyo Okumura, none of whom were featured on the first volume.

180g red vinyl LP!

Guerssen proudly presents the first long playing record by the fabulous LOS Shakers, the legendary band formed in Uruguay in the mid 1960s, in the wake of the Beatlemania phenomenon.Their songs had little to envy to those of their heroes from Liverpool. Tempo, chord progressions and rhythms boiled in a magic, infectious sound! The double LP set collects both the original Los Shakers album from 1965 (in its original mono mix) plus Break It All (originally released in 1966 for the U.S. market, featuring new stereo re-recordings of most of the songs from the first Los Shakers album and 45 only tracks). Get ready to enjoy the songs of Hugo, Osvaldo, Caio and Pelin… Los Shakers

Talking about Bubblegum Music brings us back to America at the end of the Sixties. In a world where the music industry was at its very peak and the 7" format singles production was rather schizophrenic. The worldwide success of Ohio Express's "Yummy Yunmmi Yummi" and 1010 Fruitgum Company's "Simon Says", opened up the doors to a plethora of new bands ready to take the chance of this new born phenomena. Jerry Kasenetz and Jeffry Katz were the two producers behind many of these projects, while the bands were mostly formed by the same group of studio musicians including the unmistakable nasal voice of singer Joey Levin (Joey Ramone's main inspiration). Avoiding the classics, this compilation will get us through a dozen of rare and unknown productions. Twelve stellar Pop gems dated between 1968 and 1971 and a bunch of great simple melodies, sticky like chewing gum. Yummy!!! Come and taste it.

Auch das dritte Album von THE KREWMEN, ,Into The Tomb", war ein Smash Hit ohne Gleichen. ,Into The Tomb" kommt mit einer sehr coolen Coverversion des CLASH Klassikers ,Should I Stay Or Should I Go", der zur gleichen Zeit von den LONG TALL TEXANS gecovert wurde. ,Into The Tomb" ist gleichzeitig die letzte Aufnahme mit Mark Cole, bevor er die Band verließ.

For nearly twenty years, Bloodshot Bill has shouted, snorted, cooed and crooned his way through the wild shadowland of primitive rock and roll, touring the world and collaborated with heavyweights like Jon Spencer, King Khan, the 5678’s and Deke Dickerson. Seventeen albums and over two-dozen singles later, this unstoppable Montrealeño has not slowed his manic touring and recording schedule one whit. He’s a seminal punk, a true wildman who blazes his own path to honky tonk hell with a bottomless repertoire of desperate rock and roll and insatiable R&B. That means he knows a lotta songs—not that he doesn’t wear pants. But on the right night, who knows! This spring, Bloodshot Bill will release his eighteenth album, Get Loose Or Get Lost, his second for Memphis’ Goner Records. He will be touring everywhere, continuing his twenty-year rampage with a new record and a new slew of shows—do not miss it!

As if they had been playing for the past 40 years in small road clubs and dusty honky tonks in the United States, Los Locos Del Oeste transport us to a time on which rock’n’roll was yet to be invented and the Hawaiian sounds and melodies from jazz mixed creating new sonic paradises. From western swing to the purest country, along with other popular melodies that dominated the airwaves between 1930 and 1960, the four piece formed by Mario Cobo (guitar and vocals), El Lega (guitar and vocals), Javier R. Cortés (double bass) and Blas Picón (drums) moves seamlessly within these styles they love and known so well. George Barnes, Jimmie Rivers, Speedy West, Jerry Bird, Chet Atkins, Charlie Christian and Bob Willis are some of the references that their elegant sound bring back.

Limited Edition. Colored Vinyl.
Includes original insert.
Cover as new with slightly dented corners.

An exceptional live concert for this band, formed at the beginning of the ’60s in San Francisco, where are interpreted the great songs such as “Shake Some Action” and “Feel A Whole Lot Better” on this evening of August 17, 1979 at Whiskey A Go-Go.

Under the leadership of talented Cyril Jordan, this quintet of musicians will influence many groups, embodying a spirit of rebellion and freedom.

A band that will always be a bit out of step with the world of rock and, that will develop the myth of cult-popular musicians, influential but more commercially discreet: the good ingredients of cult/legendary band.

Classic U.K. Psychobilly from 1986!

They haven't simply recorded another record, the Dead Brothers have created a whole new world of dark country blues and Swiss psycho folk with oriental deadly strings and rotten bagpipes.

Beautiful vinyl housed in a Tri-Fold Jacket

Copy closer to NM

Cover closer to NM. Without CD

Still in shrink, but opened, with hype sticker

Still in shrink, but opened, with hype sticker

Violet Vinyl close to NM. Cover with small tear on the opening

Grey Marbled [Bay Fog] and Red Marbled [Golden Gate Sunburst] vinyl. Vinyl and cover are closer to NM. With original recycled brown paper bag ( without hype sticker)

Yellow vinyl. Still in shrink, but opened, with hype sticker

Cover with very light wear, overall closer to NM

With bonus CD

Copy closer to NM

Still in shrink, but opened, with hype sticker

Pink/orange sunburst vinyl

Clear With A Blue-Black Haze vinyl. Still in shrink, but opened, with hype sticker

White w/ Black Splatter vinyl. Copy n° 8/300

Record Store Day 2020 Release.

Limited edition for Record Store Day 2016!

"It's the most personal album I've ever written, and it is very daunting to put such a raw, exposed, vulnerable part of yourself out there," remarks Tami Neilson of her new album Don't Be Afraid. Don't Be Afraid was nearly left unfinished. With two songs completed and six weeks left to write Tami Neilson unexpectedly lost her father, the patriarch of The Neilson Family band who Tami had toured across Canada with as a young girl opening for the likes of Johnny Cash. It was with her mother and brother's encouragement that she finished the record as a way of honouring her dad. "I actually inadvertently wrote the title track (without realizing it would be for the album) the week Dad died. 'Don't Be Afraid' was the last song Dad wrote, while in the hospital. He had written the melody, lyrics and everything, but he was on oxygen and could barely breathe to speak. He told me that it was driving him crazy that he had this new song stuck in his head, but had no way of offloading it. It's an awful feeling, I know, so I said I would bring him in his guitar so he could play it and I'd record it on my phone. He did a verse, so I got the melody, but then his levels dropped dramatically (that's the hidden track on the album, Dad's Demo'), but we didn't get the chorus, or the melody for the chorus." Don't Be Afraid finds the soul taking precedence over the country as Tami found herself listening to a lot of gospel around the time of her father's death and finding a kinship with the legendary singer Mavis Staples: "I've always been a massive Staples fan. I had ordered the new Pops album, it was released days before Dad died, and I ordered it in Canada so I could take it into the hospital for him to listen to. It arrived the day after he died, and of course I sobbed about that, but I will always be so grateful for that album helping me get through that grieving process." Recorded in Ben Edwards' New Zealand Sitting Room studio, the songs were again recorded live, the musicians all in the room playing together. The album features Delaney Davidson and all the boys that were on Dynamite! including harmonies from Marlon Williams on the soon-to-be classic 'Lonely'. The album features a Tina Turner throwback, 'Holy Moses', the swinging country of 'Only Tears', a bluesy swagger in `So Far Away' and the southern soul of 'Burn My Body'. The album is bookended by the title track, including the haunting hidden demo track sung by Tami's father. "There are a lot of reasons I chose Don't Be Afraid as the title, and one of them is that, musically, as an artist it's a departure for me. There are definite moments where I have had to go, 'Don't be afraid of this, this is who you are,- Neilson says. "This album is the guts of me. I guess 'departure' is the wrong word because it's all the same palette and same family, but whereas Dynamite! was a lot of light, bright colours, Don't Be Afraid is deeper, richer colours - still in that same family but a different level." Tami moved to New Zealand from Canada 8 years ago and has become one of the country's biggest acts. Tami is the most highly awarded artist of any genre in New Zealand, having just picked up NZ's highest songwriting honour, the APRA Silver Scroll, for 'Walk (Back To Your Arms)' off 2014's Dynamite!, which also won her (yet another) Best Country Album Tui in May this year. Don't Be Afraid marks Tami as a new soul staple. It's a raw, deep and hopeful album that finds Tami singing out her grief. "Last year was an insane year, I had the highest of the highs and the lowest of the lows all in one year," she recalls. "And I guess that is what the album is, it reflects that constant cycle of life."