Rock 'n' Roll 121 Items

White vinyl. Copy n° 2540

Beautiful coy with very minimal wear. 20th Anniversary Legacy Edition, with insert.

Japanese presing with OBI!

Cover closer to NM. Without CD

Transparent Yellow vinyl. Sealed with hype sticker

Vinyl with scuffs and hairlines, close to VG+. Cover close to NM

Clear with Multi Colored Splatter vinyl.

Includes slipmat.

Small light scuff on side A.
Includes original innersleeve and poster.

Yellow/Blue with Red/Blue Splatter vinyl.

The beach overlooks an ocean glistening radiantly with the emerald glow of Jintana & Emeralds’ debut album Destiny, arriving for the first time on vinyl format with P-vine Records. Back in 2014, the band spun heads with their dream-like odes to the doo-wop and surf records of the sixties. It’s also a record that will strike a chord with fans of 80s indie pop, c86 compilations and all those who share the joy of looking back on a golden age of music.

Yellow vinyl. Still in shrink, but opened, with hype sticker

Clear With A Blue-Black Haze vinyl. Still in shrink, but opened, with hype sticker

Deluxe vinyl reissue of The Meteors' 2012album!

Rock n Roll fans - please welcome Hairy Mountain - the second album from West Australia’s Datura4. Building upon the "‘guitars-to -infinity’" approach of Datura4’'s acclaimed debut LP ‘Demon Blues’, ‘Hairy Mountain’ is ten solid tracks celebrating an unbridled joy for rock’n’roll ,with a nod to the spiritual presence of their hairy Oz Rock forefathers. Hairy Mountain’ is the culmination of a lifetime of musical archaeology and the ongoing search for the never ending riff. It'’s the brainchild of Dom Mariani (frontman of Australian garage rockers The Stems and Power Posters DM3) and Greg Hitchcock (former You Am I and one-time New Christs’ guitarist), and their new full-tilt boogie, psych and prog combo Datura4. -–BLURT Throwback in the best possible way, the way you can go to some underground club in your nearest big city and see kick-ass rockers throwing it down like it was 1972. But unlike those amateurs, Datura4 is the real deal. In Mariani and Hitchcock, it has the pedigree. – -UNDER THE RADAR Elements of hard-lined blues remain evident, but are primarily smoothed out by a dominant, free-formed ’70s psych sparsity. Those sprawling soundscapes themselves threaten explosive outbreaks yet are reigned in further with a defining boogie, a heavy footstep of swagger that sets a more contemporary course. -Johnny Nail / ROLLING STONE AUSTRALIA

Cover close to NM

Vinyl with a couple of light scuffs

"It's the most personal album I've ever written, and it is very daunting to put such a raw, exposed, vulnerable part of yourself out there," remarks Tami Neilson of her new album Don't Be Afraid. Don't Be Afraid was nearly left unfinished. With two songs completed and six weeks left to write Tami Neilson unexpectedly lost her father, the patriarch of The Neilson Family band who Tami had toured across Canada with as a young girl opening for the likes of Johnny Cash. It was with her mother and brother's encouragement that she finished the record as a way of honouring her dad. "I actually inadvertently wrote the title track (without realizing it would be for the album) the week Dad died. 'Don't Be Afraid' was the last song Dad wrote, while in the hospital. He had written the melody, lyrics and everything, but he was on oxygen and could barely breathe to speak. He told me that it was driving him crazy that he had this new song stuck in his head, but had no way of offloading it. It's an awful feeling, I know, so I said I would bring him in his guitar so he could play it and I'd record it on my phone. He did a verse, so I got the melody, but then his levels dropped dramatically (that's the hidden track on the album, Dad's Demo'), but we didn't get the chorus, or the melody for the chorus." Don't Be Afraid finds the soul taking precedence over the country as Tami found herself listening to a lot of gospel around the time of her father's death and finding a kinship with the legendary singer Mavis Staples: "I've always been a massive Staples fan. I had ordered the new Pops album, it was released days before Dad died, and I ordered it in Canada so I could take it into the hospital for him to listen to. It arrived the day after he died, and of course I sobbed about that, but I will always be so grateful for that album helping me get through that grieving process." Recorded in Ben Edwards' New Zealand Sitting Room studio, the songs were again recorded live, the musicians all in the room playing together. The album features Delaney Davidson and all the boys that were on Dynamite! including harmonies from Marlon Williams on the soon-to-be classic 'Lonely'. The album features a Tina Turner throwback, 'Holy Moses', the swinging country of 'Only Tears', a bluesy swagger in `So Far Away' and the southern soul of 'Burn My Body'. The album is bookended by the title track, including the haunting hidden demo track sung by Tami's father. "There are a lot of reasons I chose Don't Be Afraid as the title, and one of them is that, musically, as an artist it's a departure for me. There are definite moments where I have had to go, 'Don't be afraid of this, this is who you are,- Neilson says. "This album is the guts of me. I guess 'departure' is the wrong word because it's all the same palette and same family, but whereas Dynamite! was a lot of light, bright colours, Don't Be Afraid is deeper, richer colours - still in that same family but a different level." Tami moved to New Zealand from Canada 8 years ago and has become one of the country's biggest acts. Tami is the most highly awarded artist of any genre in New Zealand, having just picked up NZ's highest songwriting honour, the APRA Silver Scroll, for 'Walk (Back To Your Arms)' off 2014's Dynamite!, which also won her (yet another) Best Country Album Tui in May this year. Don't Be Afraid marks Tami as a new soul staple. It's a raw, deep and hopeful album that finds Tami singing out her grief. "Last year was an insane year, I had the highest of the highs and the lowest of the lows all in one year," she recalls. "And I guess that is what the album is, it reflects that constant cycle of life."

Copy closer to NM

Deluxe vinyl reissue of The Meteors' 2012album!

The Jay Vons have toured all through the United States and internationally, opening for such legends as Sharon Jones & The Dap-Kings, Charles Bradley & The Extraordinaires, Lee Fields & The Expressions; recorded all of their original tracks at Daptone Studios, Dunham Sound Studios, and Diamond Mine Studios with producers Wayne Gordon and Tommy Brenneck; and, while making a name for themselves, have been backing up Greg Cartwright as Reigning Sound.

Japanese Pop, Beat & Rock'n'Roll 1965-1970' - Compiled by international girl-pop authority and former Tokyo resident Sheila Burgel, here's the second LP-release dedicated to the wild world of Japanese female pop and beat from the second half of the '60s. The LP includes a gatefold cover sumptuously illustrated with rare items from Sheila's record collection. The LP comes with different artwork than the CD-edition. Leaving no stone unturned on her quest for groovy sounds, the LP includes compelling tracks by Kayoko Ishuu, Reiko Mari, Mari Henmi, Katsuko Kanai, Akiko Wada, Akiko Nakamura, Kemeko Matsudaira, the Peanuts, Kazumi Yasui and cover girl Chiyo Okumura, none of whom were featured on the first volume.

180g red vinyl LP!

Limited Edition, Baby Blue/Doublemint Split

Copy closer to NM

White vinyl

Formed in Liverpool, and now also based in Manchester and Glasgow, Beach Skulls produces some of the best garage-pop heard in years. Featuring catchy songwriting and laid-back melodies, 'Slow Grind' provides all the summer hits you could want. Also suitable for listening during Winter!

Cover with very light wear, overall closer to NM

Limited edition for Record Store Day 2016!

Pink/orange sunburst vinyl

Without bonus CD

Splatter Clear With Green/Yellow vinyl. Copy close to NM

Auch das dritte Album von THE KREWMEN, ,Into The Tomb", war ein Smash Hit ohne Gleichen. ,Into The Tomb" kommt mit einer sehr coolen Coverversion des CLASH Klassikers ,Should I Stay Or Should I Go", der zur gleichen Zeit von den LONG TALL TEXANS gecovert wurde. ,Into The Tomb" ist gleichzeitig die letzte Aufnahme mit Mark Cole, bevor er die Band verließ.

14 Blues'N Gospel Prayers, all taken from the original 45rpm records! A great compilation with superb artwork. Comes in gatefold cover.