Rock 'n' Roll 260 Items

Everything is mysterious! This is the second full-length from Japanese talented artist "Kensuke Ide and his mother ship" which was acclaimed by listeners as the one of the best albums in 2020. P-vine is presenting it as the long-awaited LP version! Is the innovative sound that will surprise all listeners the madness of Devil or Taoyuan Township? No, that's exactly the "mystery of 2020" !

Goner Records is honored to release Harahan Fats, an extraordinary posthumous album by King Louie Bankston (December 18, 1972 - February 12, 2022). The collection showcases an American artist at the pinnacle of his musical and personal identity. An aural roadmap to South Louisiana that’s imbued with personal mythologies and blurry, beer-soaked and drug-skewed memories, Harahan Fats was recorded over a four-year period that culminated in mid-October 2021.

As co-founder and drummer of the Royal Pendletons, Bankston recorded with power-pop legend Alex Chilton. He picked up a Gibson Flying V for his work in Bad Times, a garage rock supergroup that Bankston helmed alongside Eric Oblivian and Jay Reatard. In the 1990s, Bankston channeled his energy into bands like the Persuaders, Intelligenitals, the Clickems, Harahan Crack Combo, and Gerry And The Bastard Makers. At the dawn of the new century, he founded the legendary King Louie One Man Band.

In 2000, Louie pulled up stakes in New Orleans and moved to Portland, Oregon, where he joined the power-pop punk band The Exploding Hearts. Bankston wrote many of the songs and played keyboards on their only album, the highly acclaimed Guitar Romantic, released mere weeks before three members of the band were killed in a van wreck, and recently reissued by Third Man Records. Bankston then landed in Memphis, where he formed the Loose Diamonds, a ramshackle bar band, with Jack Oblivian, Harlan T. Bobo, and Gary Wrong. With guitarist Julian Fried, he formed Missing Monuments and Black Rose Band, founded a New Orleans biker-rock band called Kondor with Mr. Quintron, and reconnected with Exploding Hearts guitarist Terry Six for Terry And Louie.

Copy close to NM. Cover signed on the back.

Neon yellow vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Clear vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Transparent blue vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Red transparent vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Neon green vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Bright gold vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Orange Transparent vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Light blue vinyl. Cover closer to NM. With bonus CD

Light blue vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

"A Go Go" (1966) by Los Larks is released now on vinyl, from the original IRT masters!This is a legendary album, as it was the first record ever by a Chilean pop - rock band.The band took a very special care with their look, so they used the famous "beatle wigs "on their live show and TV appearances.Los Larks were the first exponents of Chilean rock to reach an important repercussion, supported by their aesthetics, close to that of the fab four, and their style, framed in what was then called 'a go go' Pop rock perfectly executed, danceable and that led Los Larks to success despite their short career, just two LPs, and some singles, and to be the main representatives of the visual phenomenon called at that time 'colerico'.This album is essentially covers of the hits of the moment in the 'beat' world, with classics by the Monkees, Dave Clark Five, and of course, their favorites, the Beatles.

Los Mambo Jambo return with their second album as Los Mambo Jambo Arkestra, which sees the Barcelona quartet backed by 12 extra musicians, including two horn sections and one extra guitarrist. ‘El Gran Ciclón, arranged by their own Ivan Kovacevic (bass) and produced by Dani Nel•lo (sax), includes 11 tracks from the band’s different eras with a new twist.

Los Saicos Created A Raw, Wild And Visceral Sound, The Southern Hemisphere Equivalent Of The Garage Rock That Was Coming Out Of The Us And Their Anthem 'Demolición' Is One Of The Most Insane '60s Punk Songs Of All Time. Unavailable On A 45 For Over A Decade, Here It Is Again! The Archaeology Of Rock'n'roll Is Much Like Any Other Form Of Digging. Significant Finds Demand The Re-Addressing Of Previously Considered Certainty. You Can Hear Direct Links To Both The Stooges And The Cramps Here And Several More Equally Enthralling Combos. The Latter Spawned Several Generations Of Individuals Who Would Dig Deep To Previously (Mostly) Unheard Seams Of Music And Other Forms Of Culture That Have Since Become Part Of The Mainstream Fabric. When Los Saicos' Front Man Erwin Flores Was Asked How Aware He And His Friends Were Of What Was Happening In Britain And The Us At The Time, Here's What He Had To Say: "We Knew The Beatles, They Were Our Idols. We Heard The Rolling Stones After Recording 'Demolición' And Also Bob Dylan And Others. The Primitive Nature Of Our Songs Is Something That Came Spontaneously Out Of My Head. The Band Had No Problem With Assimilating And Arranging It. We Thought Of Ourselves As Bad Boys And That Must Have Been A Driving Force." "Primitive To The Point Of Primordial, Los Saicos Are An Important Benchmark. Not Were. Who Ever Thought There Could Be A Combo Out There In Peru That Would Make The Sonics Sound Like Simon And Bloody Garfunkel? There Is Quite Possibly Some Other Music Out There, Someplace, That Could Well Make Us Re-Address This Consideration, But Until Then, Cherish This Short Course Of Saicotherapy."

Overdue vinyl compilation featuring non-LP singles and rare / unissued tracks recorded 1965-67 by the fabulous LOS Shakers from Uruguay.

Focusing on original songs written mostly by the magical tandem of brothers Hugo & Osvaldo Fattoruso and avoiding cover versions, this is a real fest of ‘60s beat-pop with infectious vocals, memorable hooks and jangly guitars.

*Compiled, mastered and annotated by Grammy nominated producer Alec Palao

*Includes insert with liner notes in English/Spanish plus rare photos

Reissue of the German psychobilly legends Mad Sin’s 2010 album Burn And Rise.



Since their indestructible bandleader Köfte DeVille had gone through some major personal changes, which encouraged him to lose almost 40 kilo grams, the album title is more than adequate. 18 tracks titled like “Last Gang Standing”, “Geisterfahrer (Ghost rider)”, "Wreckhouse Stomp", "The March of the Deviants", "9 Lives" or "Shitlist Bop” promise tension and also a bunch of surprises.



The typical Mad Sin mix of psychobilly, rockabilly, 50’s Rock’n’Roll, Country, Punk and Surf sounds fresher than ever before. Featured artists include Sucker (Oxymoron, Bad Co.), Jack Letten (Smoke Blow), Hank (The Boss Hoss) and Marlen (Bonzai Kitten). An outstanding record which gave the band once more the chance to show that they think outside the box and can do a lot more than “just” rockabilly.

Reissue of the German psychobilly legends Mad Sin’s 2010 album Burn And Rise.



Since their indestructible bandleader Köfte DeVille had gone through some major personal changes, which encouraged him to lose almost 40 kilo grams, the album title is more than adequate. 18 tracks titled like “Last Gang Standing”, “Geisterfahrer (Ghost rider)”, "Wreckhouse Stomp", "The March of the Deviants", "9 Lives" or "Shitlist Bop” promise tension and also a bunch of surprises.



The typical Mad Sin mix of psychobilly, rockabilly, 50’s Rock’n’Roll, Country, Punk and Surf sounds fresher than ever before. Featured artists include Sucker (Oxymoron, Bad Co.), Jack Letten (Smoke Blow), Hank (The Boss Hoss) and Marlen (Bonzai Kitten). An outstanding record which gave the band once more the chance to show that they think outside the box and can do a lot more than “just” rockabilly.

Still shrink wrapped but opened.
Record is close to NM.

Beautiful coy with very minimal wear. 20th Anniversary Legacy Edition, with insert.

White vinyl. Still in shrink, but opened, with hype sticker.

White vinyl

Black w/ Tangerine & Silver Swirl Vinyl.
Includes original inner sleeve.
Still shrink wrapped but opened.
Cover as new with slightly dented corners.

White vinyl. Copy n° 2540

It was ten years ago that the rowdy but ever-elegant Midnight Kings made their stage debut. Since then, these unlikely monarchs of rhythm'n'blues – gentlemen who’ve thrown in their lot with rock'n'roll, garage punkers with hearts full of soul – simply haven’t stopped for a minute. They’ve sweated, sung, danced and driven others to dance at hundreds of clubs and dozens of festi- vals across Europe, earning the respect, esteem and, more often than not, the adoration of many loyal fans of true rock’n'roll. Following hot on the heels of two popular albums distributed throughout Europe, and a single that has now become a sought-after collector's item, comes their latest offering, "Last Chance To Dance", due for release at the end of 2022 on Wild Honey Records. It consists of eight songs, five originals and three covers ("Bumble Bee", "The Girl Can't Dance" and "C'mon And Swim"), destined to become the soundtrack of every rock'n'roll party worthy of the name. Are you ready to get back on the dance floor? Sure you are!

Recorded live at Hitsville, Passaic, NJ on December 25, 1981.

Walnut Brown Opaque vinyl

Japanese presing with OBI!

7" vinyl comes with a special 45 adapter in the shape of a skull and cross bones that is needed to play this record but can also be used with a 45 adapter for any large hole record.