Rock 'n' Roll 135 Items

Tri-Color-Vinyl.The bastard love child of Elvis and Lux Interior, Israeli guitarist Charlie Megira brewed a heady amalgam of '50s trash rock, surf-y tremolo, and reverb-drenched goth during his all-too-brief 44 trips around the sun. He recorded seven albums worth of material in 15 years, primarily issued on CD-R, most of which is now unreadable or in a landfill. Armed with only an Eko guitar, a black tuxedo, and his signature wrap-around shades, Charlie Megira was a mold-breaking artist who disintegrated while we were all staring at our phones.On his 2000 debut, Da Abtomatic Meisterzinger Mambo Chic, Megira channels the optimism of post-war America, narcoleptic surf, and the Twin Peaks soundtrack into a lo-fi masterpiece all his own. Sung in both Hebrew and English, Mambo Chic moves at a deliberate pace, unconcerned by the traffic of the modern world and wrapped in a blanket of Tascam 4-track hiss. On "Tomorrow's Gone" Megira achieves the feat of being so far back in time that he's somehow living in the future and waiting for the rest of us to arrive.

Desumanos' fresh mixture of guitar driven melodies is as evocative as it is playful.This instrumental project is made up of a dream-team of Brazilian producers and musicians. Kassin, on bass, was member of The +2's band and co-produced Gilles Peterson's Brazilian project Sonzeira, featuring legendary artists such as Elza Soares, Naná Vasconcelos, Wilson Das Neves_ While Liminha, on guitar, is a former member of Os Mutantes. His signature sound is heavily influenced by classic instrumental surf music, but tropical rhythms are also dropped in the mix. The band is completed with Felipe and Manoel Cordeiro (on guitar), one of the lambada originators, and Stephane San Juan (drums), currently playing with David Byrne.Across the tracklist of this Desumanos debut album we can find a unique combination of musical styles that are all filtered through the sieve of instrumental surf music without losing their roots anchored in tropical sounds such as cumbia, African rhythms and, of course, popular genres from Brazil such as forró or lambada. Ten original songs in which the guitar is the undisputed protagonist and the tropical atmosphere emanates through each note.

What we got here is the Gene Vincent EP "Rainy Day Sunshine" released for the very first time ever using the original analog audio session tapes. The four songs on this EP were originally recorded in 1969 as self-financed demo by Gene Vincent himself when he was shopping for a record deal. But don't let the word "demo" fool you. These are professionally made recordings with obviously professional musicians - even though we don't know who each one of them is - of well-arranged songs. Gene Vincent was no longer a trendsetter in the 1960's. But he definitely followed the trends of the day instead of giving up and becoming a golden oldies act, as his last four albums made before his premature death demonstrate. So do these four charming recordings.

Include four bonus tracks.

Wailing and thrashing around the melody like candy-fueled maniacs, The Little Bits pack a punch so savage it makes appropriately aged teen rockers hopped up on testosterone and intoxicants sound like they're phoning it in. This is the real deal ' Cajun country's untamed youth. Featuring their killer single and nine newly discovered tracks!

Elvis Presley starred in over 30 movies during his short time on earth. Most of them musicals, accompanied by iconic soundtracks by The King. In the first half of the sixties, three of Presley’s soundtrack albums were ranked number one on the pop charts, and a few of his most popular songs came from his films, such as “Can’t Help Falling in Love” and “Return to Sender”.

This album is a return to the collaborations of Moar with unreleased versions on vinyl and also rare tracks. You will find the boom bap flavor that he likes so much in his hip-hop productions and also some names familiar to the label Trad Vibe! 10 tracks with delicious flavors that will make you travel in time all produced by Moar and his faithful MPC & Sp1200

Mod revivalists the Merton Parkas formed in the anonymous neighbourhood of Merton Park, southwest London, with Danny Talbot on vocals and guitar, brot- her Mick on keyboards, Neil Hurrell on bass, and future Wedding Present drummer, Simon Smith. Discovered by punk journa- list Alan Anger, they signed to Beggar’s Banquet in 1979 for this riveting debut, which included the top-40 single, ‘You Need Wheels,’ as well as power-pop ‘Plastic Smile’ and reggae-influenced ‘Give It To Me Now.’ This brilliant LP captures the band’s dynamic start, emphasising the glory days of their short-lived grea- tness, before Mick Talbot joined Dexy’s Midnight Runners and ultimately formed the Style Council with Paul Weller.

A Gun Club live recording from the On Broadway, supporting their groundbreaking debut 'Fire Of Love', but also anticipating it's follow-up 'Miami' from 1982 ('Watermelon Man', or the revisitation of CCR's classic 'Run Through The Jungle').

Talking about Bubblegum Music brings us back to America at the end of the Sixties. In a world where the music industry was at its very peak and the 7" format singles production was rather schizophrenic. The worldwide success of Ohio Express's "Yummy Yunmmi Yummi" and 1010 Fruitgum Company's "Simon Says", opened up the doors to a plethora of new bands ready to take the chance of this new born phenomena. Jerry Kasenetz and Jeffry Katz were the two producers behind many of these projects, while the bands were mostly formed by the same group of studio musicians including the unmistakable nasal voice of singer Joey Levin (Joey Ramone's main inspiration). Avoiding the classics, this compilation will get us through a dozen of rare and unknown productions. Twelve stellar Pop gems dated between 1968 and 1971 and a bunch of great simple melodies, sticky like chewing gum. Yummy!!! Come and taste it.

Auch das dritte Album von THE KREWMEN, ,Into The Tomb", war ein Smash Hit ohne Gleichen. ,Into The Tomb" kommt mit einer sehr coolen Coverversion des CLASH Klassikers ,Should I Stay Or Should I Go", der zur gleichen Zeit von den LONG TALL TEXANS gecovert wurde. ,Into The Tomb" ist gleichzeitig die letzte Aufnahme mit Mark Cole, bevor er die Band verließ.

This release is handmade and numbered silk screen cover. Reprint of Radio Martiko’s 2nd single from 2015.

"Louie Louie" by Belgian schlager legend Joske Harry's (aka Joe Harris) blows The Kingsmen's original version away. Absolute dancefloor-filler.
There must be about 11,283 versions of "Tabou." This ultra-rare gem by Burt Blanca just might be the ultimate version... or maybe not. Anyway, this is a must-have for your collection.

A rock'n'roll band consisting of ROY (Vo,B), Taxman (G,Vo), JIM (G), and Marcy (Dr), who have been classmates since their college days. Their songs are sublimated from their beloved Rhythm & Blues/Rock 'n' Roll roots. The band's style of all-English lyrics has earned them a strong following not only in Japan but also overseas. The Bawdies brings Garage Punk Freaks the Garage Punk of 2022 with their brand-new 4-track EP!!

This is the debut album from this new band lead by singer and piano player Andreu Ros. It includes 12 original songs on which they display their passion for 50’s rock and roll and 60’s pop. A fresh approach to classic sounds that will make you fall in love with their music.

By the late summer of 1963, Reprise Records — the independent record label founded by Frank Sinatra three years earlier — had run into a few financial difficulties, partly because the label hadn't produced any major chart hits, and was purchased by Warner Bros. Morris "Mo" Ostin, Reprise's vice-president and general manager, had brought in "whiz kid" producer Jimmy Bowen in 1963. Bowen's main job, at least in the beginning, was to produce hits for some of the younger Reprise acts, including a brand-new recording artist, arranger/producer Jack Nitzsche. Those Bowen-produced Reprise singles, released under Jack Nitzsche's own name between July 1963 and October 1965, were compiled together for the first time and released by Hanky Panky Records on “The Reprise Singles 1963-1965.” The focus of this new collection is the work of Jack Nitzsche as arranger and producer for those hopeful Reprise acts, from 1963 to 1969. The number of records supervised, one way or another, by Nitzsche in this time - not only for the Reprise and Warner Bros. labels, but for myriad others -- is simply amazing. Many of them were assembled for the first time by Ken Barnes for a legendary interview with Nitzsche in the Winter ‘76/77 issue of Who Put the Bomp! magazine, entitled “The Arranger As Superman.” The aim of the compilers for this specific collection was to include some of the harder-to-find titles from Nitzsche's Warner/Reprise legacy, along with a few favorites and must-haves, with track-by-track annotation by Barnes himself. Most of the selections feature the talents of the Wrecking Crew regulars as backing musicians, as Nitzsche applies his magic to songs written by David Gates, Ellie Greenwich, Carole King and Gerry Goffin, P.F. Sloan and Steve Barri, Sharon Sheeley and Jackie DeShannon, Sonny Bono, Hal David and Burt Bacharach, Randy Newman, Harry Nilsson and the Everly Brothers themselves, among others! The amount of talent in the grooves is staggering, encompassing the decade’s forever-changing musical landscape.

Eighteen tracks, from harder-to-find titles to must-haves, some of them unavailable since their original release! Four-page insert includes notes and track-by-track annotation by Ken Barnes, with rare photographs and ephemera.

XYZ = the transatlantic (USA/France) duo made of Ian Svenonius (singer extraordinaire with Escape-ism, Chain & the Gang and the legendary Make-Up) on vocals + Memphis Electronic (Dum Dum Boys, NON!) on instruments. Fuzz guitars! Drum machines! Analog synths! Groovy Glam! Sexy soul! Dancefloor rockers! FIVE hit singles on one 12", a real "5 Stars EP

Deluxe vinyl reissue of The Meteors' 2012album!

A rock'n'roll band consisting of ROY (Vo,B), Taxman (G,Vo), JIM (G), and Marcy (Dr), who have been classmates since their college days. Their songs are sublimated from their beloved Rhythm & Blues/Rock 'n' Roll roots. The band's style of all-English lyrics has earned them a strong following not only in Japan but also overseas. This is the 8th major album, the first major album in about two years since the previous "Section #11".

(vinyl 150 gram, 500 copies)NYC-Texas based FIREWORKS delivered during the 90s some of the most brutally loud and distorted swamp-noise-psychobilly.FIREWORKS were lead by Darin Lin Wood, who's signature was involved, among other projects, with Black Snakes or Blacktop, for example. 15 years ago, and after releasing their debut album on cult label Crypt, FIREWORKS recorded and released only on CD format and only in the USA this 2nd album where they developed further their sound going further to what seemed to be unreachable levels of swampy trash feedback. This album, released now for the first time on vinyl by BANG! Records, makes you feel like Pussy Galore are covering The Scientists and The Cramps on a psycho bad trip of metallic rusted scrap.This will make your ears bleed, mate...

Limited Edition for Record Store Day 2022.

No one knows summer like Santa Monica's Zach Yudin. "Can you hear it comin'?" he asks, at the start of "Cayucos", the opening salvo by his band Cayucas. With a nod to 60's beach blanket pop gems and bonfire folk songs, Cayucas hits the waves runnin', causing involuntary head bobs, finger snaps, toe-taps and the ability to shake your booty like it's strapped to a brand new set of maracas. Producer/multi-instrumentalist Richard Swift deftly captures Yudin's inimitable voice as it echoes through the barrel of the perfect wave. It's a song for the ages for sure. The B-side "Swimsuit" continues to carry the torch, with its cocktail-lounge organ flourishes painting a picture of young, carefree days spent pining for your summer love. Enjoy just a hint of the party that's still to come, and let Cayucas take you to your inner sanctum where there's always sunshine, and a Pina Colada is always a good idea. Full length to be released early 2013.

DOWN AT THE UGLY MEN’S LOUNGE presented by Professor Bob is already a well established set by now with a separate concept within the Rock & Roll and Rhythm & Blues cosmos. This 10-inch LP has a unique style with its special artwork design with obscure and anonymous pictures of musicians from the 50s. The vinyl is also equipped with a CD as usual.

Limited Edition for Record Store Day 2022.

Limited 180gm vinyl LP pressing. Charismatic showman Richard blazed a trail with his sequined jackets and frenetic pounding of the Piano keys. His breakthrough track Tutti Frutti, would not only make him a star and kick off an influential career that would span over half a century, but was one of the templates for what we know as popular music. Indeed, as People Magazine proclaimed, 'There could not have been a Michael Jackson if there had not been a Little Richard."

Limited edition for Record Store Day 2022.

El Palmas Music are back with a third instalment of rare Venezuelan sounds from the 60s and 70s, a wild trip through salsa, boogaloo, garage rock, jazz and delinquent pop. Venezuelan music was moving at such a pace through the 60s and 70s that almost as soon as a new craze was born, another was preparing to eclipse it. In barely 10 years, musicians latched on to the sound of the Latin big bands of Cuba, New York and Colombia, turned to the 60s pop and rock ‘n’ roll of England and the US, before heading back to salsa as it took root across Latin American, before forays into jazz, psych rock and Afro-Venezuelan rhythms took hold in the 70s. This fertile musical period, coming at a time when Venezuela was economically abundant and culturally as relevant as any other developed country, has always been the focus of the Color de Trópico series, and continues to be the case on this third instalment, though it should also be noted that the tracks are getting rarer and rarer, indicative of the curatorship of DJ El Palmas and El Drágon Criollo and their constant search for new sounds that reflect Venezuela’s musical treasures at this time. Color de Trópico Vol. 3 starts with Un, Dos, Tres Y ... Fuera’s “Aquella Noche”, a song that’s fully indicative of Venezuela’s coastline with the much-loved Un, Dos, Tres Y ... Fuera giving a llanero rhythm (normally played on a harp and other stringed instruments in its rural incarnation) a fully Afro-Caribbean makeover with pulsating bass and an electric keyboard that teases and energises the groove. It possesses some of that same mid-70s vitality and need to experiment as Grupo Vaquedanus, the band of sax maestro Santiago Baquedano, and their cover of Dave Brubeck’s “Take Five”, here fashioned as “Toma Cinco”. This version strips away all the niceties of the original, turning it in to a psych-fuzz jazz romp with Baquedano’s raspy sax leading the way. Step back 10 years and the energy remains even if the musical terrain was different. Girl group Los Pájaros hit hard with a boogaloo whose instruction is simple enough: “shake it baby, kiss for you, take the rhythm, and do the boogaloo”. Los Pájaros were one of a number of groups who were taking inspiration from the 60s sounds of the US and Britain but repackaging it for Venezuelan youth. Pop stars Geminis 5 were at it too with a fuzzy ballad “Tus 16 Años”, and Junior Squad even injected a bit of San Francisco hippy charm into affairs with their loose adaptation of The Turtles “She’d Rather Be With Me”, retitled as “Siempre Para Ti” and sounding as rough, ready and full of youthful vim as anything made north of Mexico. On the farthest end of the pop spectrum is The Pets with their cult hit “El Entierro de un hombre rico que murió de hambre” (“The Burial of a Rich Man Who Died of Starvation”), a true countercultural anthem that even dips into “The Funeral March” for a minute, and which is much desired by record collectors. Finally, we must mention the salsa ensembles and their big band predecessors, always an important element of any Color de Trópico compilation. On Volume 3, we find one of the earliest salsa groups in Venezuela, Los Megatones De Lucho, who recorded a pachanga, “Yo Se Que Tu”, long before salsa was even a thing. Influenced by Venezuela’s very own Los Dementes and Joe Cuba’s sextet, Principe Y Su Sexteto were one of Venezuela’s most prominent salsa ensembles. On their 1969 track “San De Manique” we get a different vibe altogether, it’s a creeping son with just vocals, bass and congas for its opening minute, before really kicking into action with a twisted guitar line and wild percussion, while always retaining a raw, Afro-Latin feel. Last, but not least by any means, is one of Venezuela’s most beloved salseros, Johnny Sede, who pipes up with a classic salsa, “Guararé”, showing how the style had developed in just a few short years. You could accuse El Palmas and El Dragón Criollo, the curators of this collection, as getting some sort of a sick thrill at throwing such a weird and unwieldy bunch of tracks together, and that may be true, but there is logic too. These are songs full of life and creativity that signalled an era of boundless optimism. Listen to them now, and you’ll find yourself feeling those emotions once again.

Oh yeah! It’s the 1950s and sweaty night clubs and dance venues are packed with young people wanting to leave their troubles behind to the rhythm of the newest sounds from Black America. In the 1940s blues was speeded up to become Rhythm & Blues, and now it’s at its loudest, electric guitar loaded, hard drumming, harmonica wailing, screamy best. Enjoy this small compilation of tunes and let the smoky club scene of the 1950s / early 1960s bring the party to your own home. These songs that were originally issued in 7” 45 RPM singles that nowadays exchange hands for little fortunes among collectors!

A gonzo crew of shaved-headed, sax-blowing, reverb-stomping maniacs, the fivesome tore it up on the stages of unsuspecting West Coast teen haunts and hit the big screen via the 1964 B-Movie “Bikini Beach.” The album features “Penetration,” one of the undisputed all-time surf cornerstones! Back in the 1960s, when surf music was burning up and down the beaches of the Southern California coastline, it was often a gimmick that made one band stand out from the others. The Surfaris had the laugh at the beginning of ""Wipe Out."" The Chantays had the great guitar run at the beginning of ""Pipeline."" The Tornadoes tried “Shootin’ Beavers”; The Pyramids simply had great surf music…and bald heads. Their big hit, “Penetration,” stayed in the top ten (Billboard) for 13 weeks reaching as high as #4 nationally. Only The Beatles kept the song from going higher. The Pyramids appeared on American Bandstand (twice), The Bob Eubanks Show, Shebang, Dave Hull's Hullabaloo, and The Lloyd Thaxton Show. The band went on to record a handful of killer singles and one album before splitting up in 1965. Now back in print after 25 years, the Pyramids are back in action and ready to rock!

Riding the mighty new wave of Finnish Surf Rock, Mary Ann Hawkins are the No. 1 surfing group in the country. Equally comfortable surfing the arid spaghetti western desert as well as the thousand lakes of Finland, these sweaty but impeccably dressed young men present you with twelve tunes just right for surf-dancing.

For many moons now the manly Helsinki-based quintet has driven audiences wild across the old continent, especially in their native land of Finland. Having self-released two EP records in the past, the group are now preparing for the release of their debut full length album in May 2022, just in time for the sunny season.

"from Bern Switzerland the old-school No-Hit Hobo Psycho-Western-Punkabilly Sensation: BOGOS !!!! 1st album Recorded by Zeno Tornado, Punk v/s Ennio Morricone Banjo - ONCE UPON A TIME IN OLD BERN - Have a beer or 10 with me and let me tell you the story of the 4 young barflies, in 2009 near Bern they formed as: "Baseball Bat Boogie Bastards" as an old-school Psychobilly band, 3 young Punks and school friends who were no strangers to wild uncouth rock n' roll around semi-acoustic guitarist Ädu Bogo, double bass player Ritchu Bogo and stand-up drummer Mitchu Bogo crushed 50s rockabilly with country and trash beats from the 60s garage punk area and the simplicity of 70's punk bands into a wild mix of their own, in 2018 they took another step forward and morphed into the no-hit hobo-billy-punk sensation: BOGOS !!!! With Adri, an important component came into the band 'the Banjo from Hell' and they are now committed to Blue Grass Country or Hobo Folk... that was very good for them during the Corona period and they were therefore able to play a lot of acoustics, and with Mitchu Bogo is very active in the Bern scene as concert promoter and with his radio show "Swamp Digger Radio Show" on Radio Rabe the entire recordings and mixings where made by Zeno Tornado at Zeno's Living Room in 2020"12" LP: + Free Download Card CD: comes in double gatefold jacket incl 12 side booklett (no plastic exept the CD)

Include three bonus tracks.

Compilation of Rockabilly songs from the famous Sun Recordings (Elvis Presley, Johnny Cash and Carl Perkins) / Limited Edition Numbered / Yellow 180 gm Vinyl with Four Panel Colour / Bonus Booklet.

A rock'n'roll band consisting of ROY (Vo,B), Taxman (G,Vo), JIM (G), and Marcy (Dr), who have been classmates since their college days. Their songs are sublimated from their beloved Rhythm & Blues/Rock 'n' Roll roots. The band's style of all-English lyrics has earned them a strong following not only in Japan but also overseas. Special 7" from the album "Section #11", in celebration of the Record DAY 2020.

The Subsonics - Atlanta's notorious gutter glam legends who pummel V.U urbanity with Cramps causticity and offer you a heaping teaspoon of primitive rock'n'roll on this fabulous compilation: 19 infectious, irresistible instant classics, all non-LP 45 tracks! Warning! 2 minutes or Less drives through the underground canals of dubious charms, bleak isolation, and crumpled covers!