Rock 'n' Roll 222 Items

bOX WITH MINIMAL WEAR; CLOSE TO nm

Reissue for Record Store Day 2013. Limited to 3000 copies worldwide. With 10" and hype stickers. Copy closer to NM

Neon yellow vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Transparent blue vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Gold opaque vinyl. Cover with slightly bumped corner, closer to NM

White vinyl. Still in shrink, but opened, with hype sticker. With original inner sleeves.

Neon green vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Still in shrink, but opened, with hype sticker

Copy closer to NM. Purple vinyl.

Bright gold vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Clear vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Pink vinyl. Still in shrink, but opened

Violet vinyl, Still in shrink, but opened to check the color.

Green vinyl. Still in shrink but opened. Limited edition

Cover with light ring wear

Orange Transparent vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Light blue vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Light blue vinyl. Cover closer to NM. With bonus CD

Red transparent vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Green vinyl

Guitarist Earl Slick never had a Plan B. Still doesn't. In fact, he doesn't believe in backup plans. "If you have a backup plan," said the guitarist who for decades worked alongside rock royalty including David Bowie and John Lennon among others, "then eventually you become the backup plan." Which explains -- and fuels -- Slick's new album, "Fistful of Devils." Harnessing his musical roots as a child of the 60s when blue-based rock pushed its way to the front of the line and incorporating his decades as one of the most sought-after touring musicians in the business, Fistful is Slick as he's been from the start: an artist who fully mines the depths of the blues and guitar by drawing on a toolkit assembled from blues to glam to punk to rockabilly. The 11-track album is no retread retrospective of Slick's run of 40 years as a professional guitarist; it's an audible demonstration of a virtuoso still pushing deep into rock and roll's blues roots. The instrumental album, Slick says, is acrobatics without a net. Some of the tracks on Fistful were ideas that had been rattling around in his hear for decades. Some were wholly new. The sinister "Black," for example, seemed to flow up from the ground when they entered studio, he said. It was written, "in maybe 10 minutes," he said. "It's dark." Contrast that with the soaring, diving number "Vanishing Point." That was born in a lick he'd saved nearly 30 years ago and only recently rediscovered in a sound file. He didn't know what do with it when he wrote it, so he tucked it away. But now, "all of these years later I came at it with a different head than I had then." And this is what people are going hear in "Fist Full Of Devils" he said: That lifelong journey from Brooklyn didn't leave him empty handed; he brought back the prizes, the tricks, the scars, the influences and the tools from a road that never presented a detour. Or an end. He's a man, after all, who knows a thing or two about persevering, about longshots and locked-in trajectories. Perseverance also had no backup plan when it was launched. It had to get there. "I am," Slick said. "Exactly where I should be."

Press Release : https://mega.nz/folder/uXpDiSyY#zsnIZ1KTpRe6f0ZkTeKTaQ

What we got here is the Gene Vincent EP "Rainy Day Sunshine" released for the very first time ever using the original analog audio session tapes. The four songs on this EP were originally recorded in 1969 as self-financed demo by Gene Vincent himself when he was shopping for a record deal. But don't let the word "demo" fool you. These are professionally made recordings with obviously professional musicians - even though we don't know who each one of them is - of well-arranged songs. Gene Vincent was no longer a trendsetter in the 1960's. But he definitely followed the trends of the day instead of giving up and becoming a golden oldies act, as his last four albums made before his premature death demonstrate. So do these four charming recordings.

Yellow Transparent Vinyl.

Green black white marble vinyl

Limited Edition for Record Store Day 2022.

2023 repress
"Indonesian Hard, Psychedelic, Progressive Rock and Funk: 1970-1978
The untold story of indonesia’s various underground 70s musical scenes; extensive liner notes,
photographs and ephemera; fully restored and remastered audio; officially licensed.
The progressive music scenes in 1970s Indonesia were largely underground as a result of strict censorship imposed by the dictator Suharto.
Those who performed music marked by relentless fuzz, over the top, politically charged lyrics, strong rhythms and a cranky low-fidelity were truly
rebellious. And the resulting output has been largely – outside of the confines of this island nation – unheard or ignored. Indonesia, based in large
part on the restrictions imposed by Suharto, is better known for the coffee it exports than the music it creates. This situation hasn’t been remedied
by the rough-hewn Indonesian bootlegs that dotted the psychedelic landscape over the past five years.
Thanks now to the tireless – and expensive – research of Canadian hip hop producer and Southeast Asian music specialist Jason “Moss” Connoy
- and the trust that Indonesian rock legend Benny Soebardja placed in Now-Again Records as he traversed his homeland’s islands securing the
rights necessary for us to offer you this anthology - we feel like we can, in good spirits and conscience, shine the light on some of the most
impressive organizations to offer their take on the psychedelic and progressive rock and funk sounds during the early shocking, shaking days of
Suharto’s regime."

Copy closer to NM

A rock'n'roll band consisting of ROY (Vo,B), Taxman (G,Vo), JIM (G), and Marcy (Dr), who have been classmates since their college days. Their songs are sublimated from their beloved Rhythm & Blues/Rock 'n' Roll roots. The band's style of all-English lyrics has earned them a strong following not only in Japan but also overseas. This is the 8th major album, the first major album in about two years since the previous "Section #11".

"After a gap of seven years, Jintana & Emeralds have returned to charm once again with their genre-hopping blend of doo-wop melodies and futuristic electronic productions. Across these ten tracks, the band seek out fragments of beach-pop, surf and soul of the sixties, and feed them into a Japanese built revival machine. P-vine is delighted to be bringing this album to vinyl format in what’s been a year of celebrating past and new for a band who continue to take life in their stride. The celebrations get underway without hesitation on album opener ‘Oh! Southern Wind,’ where hitomitoi’s spell-binding vocals pull down the covers, setting off a hall of swaying melodies and glistening strings as the corkscrews fly. ‘Love Again,’ with a guest appearance from Stones Throw Records’ almighty Los Retros, is an album highlight, and in the context of the record, his vocals take on peculiar likeness to Tetsuro Yamashita as the band deliver a dreamy modern-day city-pop classic.

Everything is mysterious! This is the second full-length from Japanese talented artist "Kensuke Ide and his mother ship" which was acclaimed by listeners as the one of the best albums in 2020. P-vine is presenting it as the long-awaited LP version! Is the innovative sound that will surprise all listeners the madness of Devil or Taoyuan Township? No, that's exactly the "mystery of 2020" !

Cover with a bit of discoloration and stains, closer to VG+

Saigon Supersound Continues… to present more interesting tunes of a musical era that has long been obscured. With the well-received Volume 1, we are very delighted to dig deeper and share with you the beautiful music of a short but significant period in Vietnam‘s history.
Much like the country itself, the music of Vietnam has endured many twists. As the result of the Geneva Accords in 1954, Vietnam was divided into two. From the North, the Nationalist forces fought to reunite Vietnam as a Communist State, while the American troops backed the government of the South. This caused a mass migration of Northerners to the South, which includes many Tân Nhạc (Modern Music) singers and songwriters. Often characterized by its emotive, poetic and prolific personality, Tân Nhạc continued to freely develop in the South and progressively vacating from the influences of its main inspiration, French music. In the North, the Resistance music, or the so-called Nhạc Đỏ (Red Music), which promoted socialism, patriotism and anti-capitalism was the only genre allowed on national radio. Tân Nhạc was something new to the South Vietnamese repertoire. Between 1954–1960, the theme of hometown (quê hương) was a main inspiration for many songwriters such as Hoàng Thi Thơ, Lam Phương and Nguyễn Hữu Thiết. The 9th title of the compilation, “Thôn Trăng Mở Hội Trăng Tròn” showcases a variety of images that were often described in this genre: the harvest moon, playful children, old mother…
Every recording made in this era is then an organic combination of human experiences, communications and uniqueness. In 1965, the first American troop landed in Vietnam, bringing with them the musical influences of the Beatles, Bob Dylan, Jimi Hendrix, Elvis Presley… The Vietnamese people quickly integrated it into the repertoire with hope to further diversify the music of Vietnam. Constantly changing and learning from different cultures, the modern music of Vietnam cuts a window into the soul of a Vietnamese person and the country’s history as a whole. With that, we hope that Saigon Supersound Volume 2 would take you on a trip back to the unique atmosphere of Saigon through the many different palettes of music that this beautiful place offers.

One of the last pieces in the vast discography of Link Wray not available on vinyl previously, this album captures the Rumble Man live on two dates in London and Manchester on one of his last tours in 1997.

Over an hour of primal rock'n'roll from one of its absolute pioneers, captured in front of a live audience in the UK! The set lists feature brutally loud renditions of a select number of Wray classics with added cover tunes here and there.

With updated cover art, the Svart vinyl edition comes in a gatefold sleeve and features liner notes.

The Subsonics - Atlanta's notorious gutter glam legends who pummel V.U urbanity with Cramps causticity and offer you a heaping teaspoon of primitive rock'n'roll on this fabulous compilation: 19 infectious, irresistible instant classics, all non-LP 45 tracks! Warning! 2 minutes or Less drives through the underground canals of dubious charms, bleak isolation, and crumpled covers!

A gonzo crew of shaved-headed, sax-blowing, reverb-stomping maniacs, the fivesome tore it up on the stages of unsuspecting West Coast teen haunts and hit the big screen via the 1964 B-Movie “Bikini Beach.” The album features “Penetration,” one of the undisputed all-time surf cornerstones! Back in the 1960s, when surf music was burning up and down the beaches of the Southern California coastline, it was often a gimmick that made one band stand out from the others. The Surfaris had the laugh at the beginning of ""Wipe Out."" The Chantays had the great guitar run at the beginning of ""Pipeline."" The Tornadoes tried “Shootin’ Beavers”; The Pyramids simply had great surf music…and bald heads. Their big hit, “Penetration,” stayed in the top ten (Billboard) for 13 weeks reaching as high as #4 nationally. Only The Beatles kept the song from going higher. The Pyramids appeared on American Bandstand (twice), The Bob Eubanks Show, Shebang, Dave Hull's Hullabaloo, and The Lloyd Thaxton Show. The band went on to record a handful of killer singles and one album before splitting up in 1965. Now back in print after 25 years, the Pyramids are back in action and ready to rock!