Rock 'n' Roll 132 Items

Brown vinyl

With bonus CD

The legendary Beatnik Termites are back with their first new album in 18 years. They may have been gone for a while but they have not missed a note when it comes to their latest album “Sweatin’ To The Termites”. The band has mastered their sound that is a mix of punk rock, surf rock and doo wop. “Sweatin To The Termites” has 12 songs that are packed with sugary sweet harmonies and will surely get you up and moving. For fans of The Ramones and the Beach Boys.

Yellow Transparent Vinyl.

Gold opaque vinyl. Cover with slightly bumped corner, closer to NM

Vinyl with a couple of light scuffs, closer to NM

No one knows summer like Santa Monica's Zach Yudin. "Can you hear it comin'?" he asks, at the start of "Cayucos", the opening salvo by his band Cayucas. With a nod to 60's beach blanket pop gems and bonfire folk songs, Cayucas hits the waves runnin', causing involuntary head bobs, finger snaps, toe-taps and the ability to shake your booty like it's strapped to a brand new set of maracas. Producer/multi-instrumentalist Richard Swift deftly captures Yudin's inimitable voice as it echoes through the barrel of the perfect wave. It's a song for the ages for sure. The B-side "Swimsuit" continues to carry the torch, with its cocktail-lounge organ flourishes painting a picture of young, carefree days spent pining for your summer love. Enjoy just a hint of the party that's still to come, and let Cayucas take you to your inner sanctum where there's always sunshine, and a Pina Colada is always a good idea. Full length to be released early 2013.

Purple vinyl closer to VG+

Coke Bottle Green vinyl

Picture disc. Cover with beginning of seam split on top spine and slightly stuffed corner. Copy n° 75 / 500

Copy closer to NM

White vinyl

This is Gianni and Erika third album, after two works released by Voodoo Rhythm Records and produced by Jim Diamond, musician and producer for two iconic bands from Detroit, The Dirtbombs and The White Stripes. The record features former Screaming Trees vocalist - and acclaimed solo artist - Mark Lanegan and Chilean multi-instrumentalist Alain Johannes (Queens Of The Stone Age, Spinnerette, Ten Commandos, The Desert Sessions). “The title track of the new album was born during our last day of re-cordings” - says Gianni Blacula and Switchblade Erika.. “Alain is an enthusiast of strings instruments, and on the last day he arrived at the studio with a Neapolitan mandola he bought in the historical centre of Naples. We were astonished about how a traditional instrument as the mandola can get a rock sound, so we followed up went to the recording room. Alain at the mandola and vocals and us on guitar and drums. There was suddenly the right atmosphere that to Alain reminded “ the Desert Sessions” , so much that the song came out at the first take. Then Alain wrote the lyrics and the last line “Beast Must Regret Nothing” affected us , we have chosen it as the title of the album because it totally reflects his mood, and it does taste of Devils!” Gianni and Erika got in touch with Alain for the first time in September 2019, during a Spanish tour, while they were looking for inspirations for their new record. In the same moment Alain was on a European tour which ended in Italy. The collaboration was born in a spontaneous way, for a mutual esteem between the Devils and the famous producer and musician. The album have been recorded in Naples, Italy, with a two weeks session in a historic studio equipped with a large tracking room with truly unique acoustics. Alain actively collaborated in the production of the album taking part to creative process and helping them with the arrangements. The Devils formed in Naples in 2015 and their first two albums “Sin,You Sinners!” in 2016 and “Iron Butt” in 2017 were produced by Jim Diamond (The White Stripes, The Sonics and the Dirtbombs), pub-lished by Voodoo Rhythm Records. From 2016 the duo constantly tour, and has played everywhere doing over 400 shows between Europe and Canada. The Devils are the sound of desolation and chaos; their style is primitive, filled with sex, sin and rock’n’roll. They are wild, loud and sexy. The name of the band was chosen has tribute to the movie “The Devils” by Ken Russell and they have been on tour with Jon Spencer, The Sonics, Boss Hog and The Monsters, and has open act around Europe for Mudhoney, Nashville Pussy, Guitar Wolf, Kid Congo and many more.

Gold vinyl.

Copy closer to NM. Purple vinyl.

cardboard sleeve

Guitarist Earl Slick never had a Plan B. Still doesn't. In fact, he doesn't believe in backup plans. "If you have a backup plan," said the guitarist who for decades worked alongside rock royalty including David Bowie and John Lennon among others, "then eventually you become the backup plan." Which explains -- and fuels -- Slick's new album, "Fistful of Devils." Harnessing his musical roots as a child of the 60s when blue-based rock pushed its way to the front of the line and incorporating his decades as one of the most sought-after touring musicians in the business, Fistful is Slick as he's been from the start: an artist who fully mines the depths of the blues and guitar by drawing on a toolkit assembled from blues to glam to punk to rockabilly. The 11-track album is no retread retrospective of Slick's run of 40 years as a professional guitarist; it's an audible demonstration of a virtuoso still pushing deep into rock and roll's blues roots. The instrumental album, Slick says, is acrobatics without a net. Some of the tracks on Fistful were ideas that had been rattling around in his hear for decades. Some were wholly new. The sinister "Black," for example, seemed to flow up from the ground when they entered studio, he said. It was written, "in maybe 10 minutes," he said. "It's dark." Contrast that with the soaring, diving number "Vanishing Point." That was born in a lick he'd saved nearly 30 years ago and only recently rediscovered in a sound file. He didn't know what do with it when he wrote it, so he tucked it away. But now, "all of these years later I came at it with a different head than I had then." And this is what people are going hear in "Fist Full Of Devils" he said: That lifelong journey from Brooklyn didn't leave him empty handed; he brought back the prizes, the tricks, the scars, the influences and the tools from a road that never presented a detour. Or an end. He's a man, after all, who knows a thing or two about persevering, about longshots and locked-in trajectories. Perseverance also had no backup plan when it was launched. It had to get there. "I am," Slick said. "Exactly where I should be."

(vinyl 150 gram, 500 copies)NYC-Texas based FIREWORKS delivered during the 90s some of the most brutally loud and distorted swamp-noise-psychobilly.FIREWORKS were lead by Darin Lin Wood, who's signature was involved, among other projects, with Black Snakes or Blacktop, for example. 15 years ago, and after releasing their debut album on cult label Crypt, FIREWORKS recorded and released only on CD format and only in the USA this 2nd album where they developed further their sound going further to what seemed to be unreachable levels of swampy trash feedback. This album, released now for the first time on vinyl by BANG! Records, makes you feel like Pussy Galore are covering The Scientists and The Cramps on a psycho bad trip of metallic rusted scrap.This will make your ears bleed, mate...

Vinyl with a couple of light scuffs

CD comes in a soft case, instead of the original crystal case.
All booklets included.

Cover close to NM

Keith's Fifth Solo Album - And His First Self-Produced Effort - 'The Rhythm Of The City' Finds Him Expanding His Approach On A Horn-Heavy 10-Song Collection That's In Thrall To The Classic Sounds Of Bluff City Soul And Rock And Roll. "I Was At My Home In Memphis One Evening And Heard A Car Pass By Blasting Al Green's 'Love And Happiness,' Which Was Recorded Just A Couple Miles Away," Says Singer-Songwriter John Paul Keith. "I Was Struck By How Howard Grimes' Drumming Just Seems To Embody Something About The Feel And The Pace Of Life For Me Here. I Thought To Myself, 'Howard Grimes Is The Rhythm Of The City.' My Next Thought Was, 'That Sounds Like A Title Track.'" Conjuring Up His Own Unique Musical Mélange -A Sweet Spot Where The Sound Of Sun Blues, Stax Soul, And Hi R&B All Meet - It's A Record Steeped In The Geography And Culture Of Memphis, Which Keith Has Called Home For The Last 15 Years. "The Vibe Came About Organically From Playing Beale Street And Graceland And Working With Horn Sections More Frequently The Last Few Years," Says Keith. The Rhythm Of The City Was Recorded To Tape At Electraphonic Studios, And Engineered By Keith's Frequent Collaborator, Scott Bomar (Bandleader Of The Bo-Keys, Don Bryant Producer, And Film Composer For Dolemite Is My Name).

Blue vinyl. With CDr

Photoluminescent vinyl

Everything is mysterious! This is the second full-length from Japanese talented artist "Kensuke Ide and his mother ship" which was acclaimed by listeners as the one of the best albums in 2020. P-vine is presenting it as the long-awaited LP version! Is the innovative sound that will surprise all listeners the madness of Devil or Taoyuan Township? No, that's exactly the "mystery of 2020" !

Reissue for Record Store Day 2013. Limited to 3000 copies worldwide. With 10" and hype stickers. Copy closer to NM

Neon yellow vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Clear vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Transparent blue vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Red transparent vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Neon green vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Bright gold vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Orange Transparent vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Light blue vinyl. Cover closer to NM. With bonus CD

Light blue vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

Orange vinyl

Los Saicos Created A Raw, Wild And Visceral Sound, The Southern Hemisphere Equivalent Of The Garage Rock That Was Coming Out Of The Us And Their Anthem 'Demolición' Is One Of The Most Insane '60s Punk Songs Of All Time. Unavailable On A 45 For Over A Decade, Here It Is Again! The Archaeology Of Rock'n'roll Is Much Like Any Other Form Of Digging. Significant Finds Demand The Re-Addressing Of Previously Considered Certainty. You Can Hear Direct Links To Both The Stooges And The Cramps Here And Several More Equally Enthralling Combos. The Latter Spawned Several Generations Of Individuals Who Would Dig Deep To Previously (Mostly) Unheard Seams Of Music And Other Forms Of Culture That Have Since Become Part Of The Mainstream Fabric. When Los Saicos' Front Man Erwin Flores Was Asked How Aware He And His Friends Were Of What Was Happening In Britain And The Us At The Time, Here's What He Had To Say: "We Knew The Beatles, They Were Our Idols. We Heard The Rolling Stones After Recording 'Demolición' And Also Bob Dylan And Others. The Primitive Nature Of Our Songs Is Something That Came Spontaneously Out Of My Head. The Band Had No Problem With Assimilating And Arranging It. We Thought Of Ourselves As Bad Boys And That Must Have Been A Driving Force." "Primitive To The Point Of Primordial, Los Saicos Are An Important Benchmark. Not Were. Who Ever Thought There Could Be A Combo Out There In Peru That Would Make The Sonics Sound Like Simon And Bloody Garfunkel? There Is Quite Possibly Some Other Music Out There, Someplace, That Could Well Make Us Re-Address This Consideration, But Until Then, Cherish This Short Course Of Saicotherapy."

Sea Blue vinyl with a couple of light scuffs. Still in shrink, but opened