Rock 'n' Roll Vinyl 283 Items

The legendary Beatnik Termites are back with their first new album in 18 years. They may have been gone for a while but they have not missed a note when it comes to their latest album “Sweatin’ To The Termites”. The band has mastered their sound that is a mix of punk rock, surf rock and doo wop. “Sweatin To The Termites” has 12 songs that are packed with sugary sweet harmonies and will surely get you up and moving. For fans of The Ramones and the Beach Boys.

Includes two bonus tracks.

Since her death, the music of Billie Holiday has been championed by many high-profile artists who freely acknowledge her influence. Though Holiday’s career was relatively short, she created a musical legacy that has endured to the current day. Billie Holiday was an original, and this compilation brings together the very best of her output. After experiencing these 42 tracks you will have an insight into the art and soul of a vocal artist who, Frank Sinatra insisted, touched every major American singer of their generation with her genius.

Includes two bonus tracks.

Boom Pam, widely renowned for their spellbinding Middle Eastern guitar music, have unveiled their highly anticipated fifth album, "Royal". Celebrating their twentieth anniversary, the Tel Aviv based band combine cinematic atmospherics and high-powered surf rock on their first album for international ambassadors of Middle Eastern grooves, Batov Records.

Includes two bonus tracks.

Rock'n'roll is dead. Gallows Wine [KLP287] is a wake for it's charred remains. Calvin Johnson traveled to Columbus, Mississippi to record Gallows Wine with the combo Hartle Road at their Pompeii studio. Columbus, in Lowndes County, is the childhood home of Tennessee Williams (just down US Route 45 from White Station, birthplace of Howlin' Wolf). Songs reflecting this singular environment include:"Pink Cadillac" written by Calvin when he was 16 (in reserve for just the right session);Title song "Gallows Wine" rips psycho psychedelic, poetic license intact;"Crazy Legs" is a Gene Vincent class act celebrating our sock hopulation;"Orange Aid" melts downtown no WAV.Yeah, Gallows Wine gets primitive: Lurch pulls a night shift on organ, Grandma Moses on the fife and drum. Calvin busk (melodica garage worm profane). Rockabilly spin cycle, guitar scrape and crush. Hand jive. You wanted Calvin Johnson howling beyond the magnolia curtain, you got it: Gallows Wine.The only proper response - - - Rock'n'roll is dead. Long live rock'n'roll.

No one knows summer like Santa Monica's Zach Yudin. "Can you hear it comin'?" he asks, at the start of "Cayucos", the opening salvo by his band Cayucas. With a nod to 60's beach blanket pop gems and bonfire folk songs, Cayucas hits the waves runnin', causing involuntary head bobs, finger snaps, toe-taps and the ability to shake your booty like it's strapped to a brand new set of maracas. Producer/multi-instrumentalist Richard Swift deftly captures Yudin's inimitable voice as it echoes through the barrel of the perfect wave. It's a song for the ages for sure. The B-side "Swimsuit" continues to carry the torch, with its cocktail-lounge organ flourishes painting a picture of young, carefree days spent pining for your summer love. Enjoy just a hint of the party that's still to come, and let Cayucas take you to your inner sanctum where there's always sunshine, and a Pina Colada is always a good idea. Full length to be released early 2013.

This 10-incher offers powerful and authentic rockabilly from Charlie Hightone and his Rock-It's, who are among the most popular bands on the European rockin' scene. Their early releases have been packing the dancefloors with boppers, and this second full-length release is sure ton have a comparable impact. 'Small But Loud' includes contributions from Big Sandy and Vesa Haaja (The Barnshakers).

Includes two bonus tracks.

Chuck Berry created a body of work that stands today as not only the first but arguably the best in rock’n’roll. He was something of a child prodigy and gave his first public performance while still at school. His first release on the Chess label was in July 1955. Featured here are his greatest hits such as "School Day", "Sweet Little Sixteen", "Johnny B. Goode" and many more.

The next 7inch release from Bongo Joe. This one is from Collignon which comprises Yves Lennertz on guitar (and bass), Gino Bombrini on drums (and percussion) and Jori Collignon on the keyboards (and taking care of the production). The three friends have been making music together for some time, collaborating in different groups and settings, Jori and Gino as part of the band SKIP&DIE, Gino as a producer for Yves" former group, YIN YIN.

The new album by the great Dani Nel·lo is a compilation of the best 11 songs from the two previous volumes of Los Saxophonistas Salvajes, ('El Twister', 'Sassy, 'Hey Chula!', 'Honey White'…), currently out of print on vinyl. It also includes two unreleased tracks: 'Snake Eyes', a song that King Curtis recorded in 1959 with saxophonist Noble Watts, and Jimmy Forrest's 'Night Train Mambo', one of the most covered and played songs in blues jams and at burlesque shows.

This is Gianni and Erika third album, after two works released by Voodoo Rhythm Records and produced by Jim Diamond, musician and producer for two iconic bands from Detroit, The Dirtbombs and The White Stripes. The record features former Screaming Trees vocalist - and acclaimed solo artist - Mark Lanegan and Chilean multi-instrumentalist Alain Johannes (Queens Of The Stone Age, Spinnerette, Ten Commandos, The Desert Sessions). “The title track of the new album was born during our last day of re-cordings” - says Gianni Blacula and Switchblade Erika.. “Alain is an enthusiast of strings instruments, and on the last day he arrived at the studio with a Neapolitan mandola he bought in the historical centre of Naples. We were astonished about how a traditional instrument as the mandola can get a rock sound, so we followed up went to the recording room. Alain at the mandola and vocals and us on guitar and drums. There was suddenly the right atmosphere that to Alain reminded “ the Desert Sessions” , so much that the song came out at the first take. Then Alain wrote the lyrics and the last line “Beast Must Regret Nothing” affected us , we have chosen it as the title of the album because it totally reflects his mood, and it does taste of Devils!” Gianni and Erika got in touch with Alain for the first time in September 2019, during a Spanish tour, while they were looking for inspirations for their new record. In the same moment Alain was on a European tour which ended in Italy. The collaboration was born in a spontaneous way, for a mutual esteem between the Devils and the famous producer and musician. The album have been recorded in Naples, Italy, with a two weeks session in a historic studio equipped with a large tracking room with truly unique acoustics. Alain actively collaborated in the production of the album taking part to creative process and helping them with the arrangements. The Devils formed in Naples in 2015 and their first two albums “Sin,You Sinners!” in 2016 and “Iron Butt” in 2017 were produced by Jim Diamond (The White Stripes, The Sonics and the Dirtbombs), pub-lished by Voodoo Rhythm Records. From 2016 the duo constantly tour, and has played everywhere doing over 400 shows between Europe and Canada. The Devils are the sound of desolation and chaos; their style is primitive, filled with sex, sin and rock’n’roll. They are wild, loud and sexy. The name of the band was chosen has tribute to the movie “The Devils” by Ken Russell and they have been on tour with Jon Spencer, The Sonics, Boss Hog and The Monsters, and has open act around Europe for Mudhoney, Nashville Pussy, Guitar Wolf, Kid Congo and many more.

Guitarist Earl Slick never had a Plan B. Still doesn't. In fact, he doesn't believe in backup plans. "If you have a backup plan," said the guitarist who for decades worked alongside rock royalty including David Bowie and John Lennon among others, "then eventually you become the backup plan." Which explains -- and fuels -- Slick's new album, "Fistful of Devils." Harnessing his musical roots as a child of the 60s when blue-based rock pushed its way to the front of the line and incorporating his decades as one of the most sought-after touring musicians in the business, Fistful is Slick as he's been from the start: an artist who fully mines the depths of the blues and guitar by drawing on a toolkit assembled from blues to glam to punk to rockabilly. The 11-track album is no retread retrospective of Slick's run of 40 years as a professional guitarist; it's an audible demonstration of a virtuoso still pushing deep into rock and roll's blues roots. The instrumental album, Slick says, is acrobatics without a net. Some of the tracks on Fistful were ideas that had been rattling around in his hear for decades. Some were wholly new. The sinister "Black," for example, seemed to flow up from the ground when they entered studio, he said. It was written, "in maybe 10 minutes," he said. "It's dark." Contrast that with the soaring, diving number "Vanishing Point." That was born in a lick he'd saved nearly 30 years ago and only recently rediscovered in a sound file. He didn't know what do with it when he wrote it, so he tucked it away. But now, "all of these years later I came at it with a different head than I had then." And this is what people are going hear in "Fist Full Of Devils" he said: That lifelong journey from Brooklyn didn't leave him empty handed; he brought back the prizes, the tricks, the scars, the influences and the tools from a road that never presented a detour. Or an end. He's a man, after all, who knows a thing or two about persevering, about longshots and locked-in trajectories. Perseverance also had no backup plan when it was launched. It had to get there. "I am," Slick said. "Exactly where I should be."

Gatefold 180g Includes Rare Or Exclusive Artwork Inside