Rock 'n' Roll Vinyl 388 Items

As if they had been playing for the past 40 years in small road clubs and dusty honky tonks in the United States, Los Locos Del Oeste transport us to a time on which rock’n’roll was yet to be invented and the Hawaiian sounds and melodies from jazz mixed creating new sonic paradises. From western swing to the purest country, along with other popular melodies that dominated the airwaves between 1930 and 1960, the four piece formed by Mario Cobo (guitar and vocals), El Lega (guitar and vocals), Javier R. Cortés (double bass) and Blas Picón (drums) moves seamlessly within these styles they love and known so well. George Barnes, Jimmie Rivers, Speedy West, Jerry Bird, Chet Atkins, Charlie Christian and Bob Willis are some of the references that their elegant sound bring back.

"A Go Go" (1966) by Los Larks is released now on vinyl, from the original IRT masters!This is a legendary album, as it was the first record ever by a Chilean pop - rock band.The band took a very special care with their look, so they used the famous "beatle wigs "on their live show and TV appearances.Los Larks were the first exponents of Chilean rock to reach an important repercussion, supported by their aesthetics, close to that of the fab four, and their style, framed in what was then called 'a go go' Pop rock perfectly executed, danceable and that led Los Larks to success despite their short career, just two LPs, and some singles, and to be the main representatives of the visual phenomenon called at that time 'colerico'.This album is essentially covers of the hits of the moment in the 'beat' world, with classics by the Monkees, Dave Clark Five, and of course, their favorites, the Beatles.

Limited 180gm vinyl LP pressing. Charismatic showman Richard blazed a trail with his sequined jackets and frenetic pounding of the Piano keys. His breakthrough track Tutti Frutti, would not only make him a star and kick off an influential career that would span over half a century, but was one of the templates for what we know as popular music. Indeed, as People Magazine proclaimed, 'There could not have been a Michael Jackson if there had not been a Little Richard."

Charismatic showman Richard blazed a trail with his sequined jackets and frenetic pounding of the piano keys.
His breakthrough track, "Tutti Frutti", would not only make him a star and kick off an influential career that would span over half a century, but was one of the templates for what we now know as popular music. Indeed, as People magazine proclaimed
"There could not have been a Michael Jackson if there had not been a Little Richard" .Enjoy this 3LP set including "Long Tall Sally", "Good Golly Miss Molly" and "Tutti Frutti"

One of the last pieces in the vast discography of Link Wray not available on vinyl previously, this album captures the Rumble Man live on two dates in London and Manchester on one of his last tours in 1997.

Over an hour of primal rock'n'roll from one of its absolute pioneers, captured in front of a live audience in the UK! The set lists feature brutally loud renditions of a select number of Wray classics with added cover tunes here and there.

With updated cover art, the Svart vinyl edition comes in a gatefold sleeve and features liner notes.

Include four bonus tracks.

Linda, you already know her, without really knowing her. Because in 2002, she piloted The beat goes on, DJ Bob Sinclar's house hit. because she directed Gospel pour 100 voix, an XXL choir that filled Bercy several times. It's a big difference, in keeping with the way she embraces music: a matter of emotions and feeling, not labels. A deep love that goes back to the childhood of this American native of North Carolina. When her father's amateur gospel group rehearsed at home, when the microphone was a hairbrush in front of a mirror reflecting a little girl imitating Aretha, Otis and Michael. As a young adult, winning a singing contest in a Pennsylvania club gave her confidence. Linda is gifted at embodying songs and drawing audiences along with her. Word of mouth opened doors for her. Under her spell, several bands recruited her in the seventies, until she set up her own band in 1980. And then she was hired by a musical that ran for several years in Atlantic City. A few years on the Caribbean island of Saint-Martin followed, before a guardian angel extricated her from a nightlife that was beginning to burn her wings. Off to Paris. In June 1991, Linda settled in for good. A godsend for France, its studios and touring artists. Nino Ferrer, Bernard Lavilliers, Gloria Gaynor, Percy Sledge, Ray Charles and many others called on Linda's expertise. As did Ben l'Oncle Soul in 2013 for Hallelujah!!! (J'ai tant besoin de toi), the lead single from his second album "À Coup de Rêves". Ben knew that this treasure of a voice deserved a new light. He introduced her to his great guitarist & accomplice Christophe Lardeau. The collaboration is immediately crystal-clear, naturally fruitful, and the compositions are deep and meaningful. For the first time, Linda has her own album. Drawing on the rich roots of Afro-American music and her own personal experience, "Spirit & Soul" encapsulates all the vitality of a hidden gem that we are at last truly discovering. With a repertoire like this, upcoming concerts promise to be particularly intense moments.

A frenchman, a brazilian and two catalans meet at a bar, little later get drunk and that’s how the new made in Barcelona sensation of “french yé-yé punk” is born: a frontwoman and three nutters behind, all in love with the loudest sounds of rock’n’roll, freakbeat and garage. European scene veterans, they’ve already performed in Les Mortettes, Els Trons, Thee Grandaddies, Flashback V, The 54321s, Missing Souls and The Cavemen Five… amongst other bands. Les Rencards have been produced by Mike Mariconda -that’s nothing- and feel eager to go wild on stage at Ye-Yé ’22 ¡Vive la fête!

Les Dynamites make a jubilant return to Batov Records" Middle Eastern Grooves series of vinyl 45s with two irresistible instrumentals capturing the spirit of the Mediterranean surf rock renaissance, "Uzi Kinrot" and "Sea Gull".

Limited Edition for Record Store Day 2022.

Goner Records is honored to release Harahan Fats, an extraordinary posthumous album by King Louie Bankston (December 18, 1972 - February 12, 2022). The collection showcases an American artist at the pinnacle of his musical and personal identity. An aural roadmap to South Louisiana that’s imbued with personal mythologies and blurry, beer-soaked and drug-skewed memories, Harahan Fats was recorded over a four-year period that culminated in mid-October 2021.

As co-founder and drummer of the Royal Pendletons, Bankston recorded with power-pop legend Alex Chilton. He picked up a Gibson Flying V for his work in Bad Times, a garage rock supergroup that Bankston helmed alongside Eric Oblivian and Jay Reatard. In the 1990s, Bankston channeled his energy into bands like the Persuaders, Intelligenitals, the Clickems, Harahan Crack Combo, and Gerry And The Bastard Makers. At the dawn of the new century, he founded the legendary King Louie One Man Band.

In 2000, Louie pulled up stakes in New Orleans and moved to Portland, Oregon, where he joined the power-pop punk band The Exploding Hearts. Bankston wrote many of the songs and played keyboards on their only album, the highly acclaimed Guitar Romantic, released mere weeks before three members of the band were killed in a van wreck, and recently reissued by Third Man Records. Bankston then landed in Memphis, where he formed the Loose Diamonds, a ramshackle bar band, with Jack Oblivian, Harlan T. Bobo, and Gary Wrong. With guitarist Julian Fried, he formed Missing Monuments and Black Rose Band, founded a New Orleans biker-rock band called Kondor with Mr. Quintron, and reconnected with Exploding Hearts guitarist Terry Six for Terry And Louie.

This release is handmade and numbered silk screen cover. Reprint of Radio Martiko’s 2nd single from 2015.

"Louie Louie" by Belgian schlager legend Joske Harry's (aka Joe Harris) blows The Kingsmen's original version away. Absolute dancefloor-filler.
There must be about 11,283 versions of "Tabou." This ultra-rare gem by Burt Blanca just might be the ultimate version... or maybe not. Anyway, this is a must-have for your collection.

unreleased cover songs, limited to 1250, indie-retail exclusive Limited edition for Record Store Day 2015!

"After a gap of seven years, Jintana & Emeralds have returned to charm once again with their genre-hopping blend of doo-wop melodies and futuristic electronic productions. Across these ten tracks, the band seek out fragments of beach-pop, surf and soul of the sixties, and feed them into a Japanese built revival machine. P-vine is delighted to be bringing this album to vinyl format in what’s been a year of celebrating past and new for a band who continue to take life in their stride. The celebrations get underway without hesitation on album opener ‘Oh! Southern Wind,’ where hitomitoi’s spell-binding vocals pull down the covers, setting off a hall of swaying melodies and glistening strings as the corkscrews fly. ‘Love Again,’ with a guest appearance from Stones Throw Records’ almighty Los Retros, is an album highlight, and in the context of the record, his vocals take on peculiar likeness to Tetsuro Yamashita as the band deliver a dreamy modern-day city-pop classic.

Two clubbing crazy instros back to back.

The legendary Jackie and the Sedricks, a veteran Tokyo rockin' garage band that has been active since the early 1990s and boasts worldwide popularity through releases and tours in Europe and the United States, has unearthed a legendary live performance from 1996 at the now-defunct Shinjuku Jam! The band's impressive live stage performance, which is sure to be popular not only in the garage world but also in the punk world, strikes at the essence of rock 'n' roll and human instincts! The band members were all in their twenties, and their crisp, full performance and the extraordinary yellow cheers conveyed the excitement of the garage scene in Japan at that time. This is a valuable piece of historical record.

By the late summer of 1963, Reprise Records — the independent record label founded by Frank Sinatra three years earlier — had run into a few financial difficulties, partly because the label hadn't produced any major chart hits, and was purchased by Warner Bros. Morris "Mo" Ostin, Reprise's vice-president and general manager, had brought in "whiz kid" producer Jimmy Bowen in 1963. Bowen's main job, at least in the beginning, was to produce hits for some of the younger Reprise acts, including a brand-new recording artist, arranger/producer Jack Nitzsche. Those Bowen-produced Reprise singles, released under Jack Nitzsche's own name between July 1963 and October 1965, were compiled together for the first time and released by Hanky Panky Records on “The Reprise Singles 1963-1965.” The focus of this new collection is the work of Jack Nitzsche as arranger and producer for those hopeful Reprise acts, from 1963 to 1969. The number of records supervised, one way or another, by Nitzsche in this time - not only for the Reprise and Warner Bros. labels, but for myriad others -- is simply amazing. Many of them were assembled for the first time by Ken Barnes for a legendary interview with Nitzsche in the Winter ‘76/77 issue of Who Put the Bomp! magazine, entitled “The Arranger As Superman.” The aim of the compilers for this specific collection was to include some of the harder-to-find titles from Nitzsche's Warner/Reprise legacy, along with a few favorites and must-haves, with track-by-track annotation by Barnes himself. Most of the selections feature the talents of the Wrecking Crew regulars as backing musicians, as Nitzsche applies his magic to songs written by David Gates, Ellie Greenwich, Carole King and Gerry Goffin, P.F. Sloan and Steve Barri, Sharon Sheeley and Jackie DeShannon, Sonny Bono, Hal David and Burt Bacharach, Randy Newman, Harry Nilsson and the Everly Brothers themselves, among others! The amount of talent in the grooves is staggering, encompassing the decade’s forever-changing musical landscape.

Eighteen tracks, from harder-to-find titles to must-haves, some of them unavailable since their original release! Four-page insert includes notes and track-by-track annotation by Ken Barnes, with rare photographs and ephemera.

Over the course of their stop-start five years together, Honeybus ventured into the BBC studios on a dozen occasions, leaving a catalogue of recordings that mirrored their latest releases as well as offering up a fascinating alternate history. The songs that make up 1970’s much-loved “almost didn’t happen” Story album (reissued by Hanky Panky/Mapache in 2018, along with the rest of the group’s output) began appearing as early as the summer of 1968. The likes of ‘Scarlet Lady’, ‘Black Mourning Band’ and ‘Under The Silent Tree’ appear almost fully-formed, played as ensemble pieces, suggesting that their album counterparts were captured quickly and without fuss during snatched studio sessions throughout late 1968 and 1969. They also demonstrate Honeybus’s often overlooked skills as a live unit – BBC sessions notoriously allowed little scope for re-takes or overdubbing; you went in and you laid it down while the men in white coats watched the clock. Thrilling as it is to finally hear these alternate versions of familiar Honeybus cornerstones, it’s the surfeit of otherwise unrecorded material that’s the most startling revelation here. Under The Silent Tree: Gentle Sounds With Strings And Things At The BBC 1967-1973 presents no less than 10 unique Honeybus songs (plus a further four on the CD version only) that virtually constitute an entire second album’s worth of unheard material. We find ourselves in a kind of musical hall of mirrors, revealing in a whole new perspective on one of the last great cult pop groups of the ’60s, where every track offers a fresh outlook, a fresh thrill, a fresh sound. With strings and things.