Rock 'n' Roll Vinyl 390 Items

Discodelic and Groovie Records present two incredible singles / amazing finds of musical archeology. Four recordings made in Panama in the 70s and lost in time, we finally managed to license these Latin Psych Funk gems through Tamayo Records in a deluxe limited edition. These four groups Conjunto Raza, The Meditators, The Scepters and Los Misticos, were groups that barely recorded a single, which were only used for radio stations and forgotten in warehouses, they represent the most underground and forgotten Panama!

Guerssen proudly presents the first long playing record by the fabulous LOS Shakers, the legendary band formed in Uruguay in the mid 1960s, in the wake of the Beatlemania phenomenon.Their songs had little to envy to those of their heroes from Liverpool. Tempo, chord progressions and rhythms boiled in a magic, infectious sound! The double LP set collects both the original Los Shakers album from 1965 (in its original mono mix) plus Break It All (originally released in 1966 for the U.S. market, featuring new stereo re-recordings of most of the songs from the first Los Shakers album and 45 only tracks). Get ready to enjoy the songs of Hugo, Osvaldo, Caio and Pelin… Los Shakers

Overdue vinyl compilation featuring non-LP singles and rare / unissued tracks recorded 1965-67 by the fabulous LOS Shakers from Uruguay.

Focusing on original songs written mostly by the magical tandem of brothers Hugo & Osvaldo Fattoruso and avoiding cover versions, this is a real fest of ‘60s beat-pop with infectious vocals, memorable hooks and jangly guitars.

*Compiled, mastered and annotated by Grammy nominated producer Alec Palao

*Includes insert with liner notes in English/Spanish plus rare photos

Lula & The Bebops play rock’n’roll as if their lives depended on it.
“Steady Roll” is 13 tracks of jumping, jiving, rocking rhythm and blues. A debut album from a band who sound like they’ve been around forever.
Lula’s vocal goes from a whisper to a hurricane and with musical accompaniment provided by the Bebops, captures the spirit of the classic 1950’s Atlantic Records R&B Recordings.
Authentically recorded and mixed in mono and lovingly packaged; “Steady Roll” unearths lesser-known numbers, turning them into classics.

Lula & The Bebops put the sex and grit back into rock’n’roll. They make vintage songs sound relevant to now.

A band born and brought up in the industrial heartland of the North, who have seen the highs and lows and play with all the heart, soul, sadness, joy and pride that primal beat deserves.

MAD Dogs are back with a catchy third album! The band from San Severino Marche released a work full of powerful rock’n’roll remarking its love for high energetic garage vibe and the 70s atmosphere. 10 tracks which overwhelming riffs evoke a roller-coaster of adrenaline. Echoes of The Hellacopters, Sonic’s Rendezvous Band and Radio Birdman meet with MC5, Miracle Workers and New Christ. Recorded at Teatro delle Voci in Treviso, Italy, We Are Ready To Testify is the evidence that fighting for what you believe in and following your dreams is the right way to get free. About THE Band: Mad Dogs is a band born and devoted to rock since 2009. In 2016 the band found its shape and stabililty after several formation changes. From now on the artistic and creative process has been oriented towards high energy rock and 70s’ sounds. In autumn of the same year, the Mad Dogs entered the Go Down Studio in Savignano sul Rubicone to record Ass Shakin ‘Dirty Rollers. The album was mixed and mastered by Alfredo “Epi” Gentili and it came out in April 2017 via Go Down Records. It was an instinctive record, written and recorded in a short time and able to shoot the band without filters. The project was supported by the 2 singles “I Can Move” and “Point Of View”, both launched with videos. The critics positively welcomed the work. Strengthened by the gained experience and with a new awareness, the band was ready to record the new album We Are Ready To Testify in June 2019. The Mad Dogs showed off a powerful sound, emphasizing the rock’n roll attitude and love for garage-rock sounds, but giving space to more refined details and 70s atmosphere too. During these years the band has shared the stage with artists such as Lords Of Altamont, Deniz Tek (Radio Birdman), Keith Streng (Fleshtones), Yawing Man, Sick Rose, Not Moving and many others.

Reissue of the German psychobilly legends Mad Sin’s 2010 album Burn And Rise.



Since their indestructible bandleader Köfte DeVille had gone through some major personal changes, which encouraged him to lose almost 40 kilo grams, the album title is more than adequate. 18 tracks titled like “Last Gang Standing”, “Geisterfahrer (Ghost rider)”, "Wreckhouse Stomp", "The March of the Deviants", "9 Lives" or "Shitlist Bop” promise tension and also a bunch of surprises.



The typical Mad Sin mix of psychobilly, rockabilly, 50’s Rock’n’Roll, Country, Punk and Surf sounds fresher than ever before. Featured artists include Sucker (Oxymoron, Bad Co.), Jack Letten (Smoke Blow), Hank (The Boss Hoss) and Marlen (Bonzai Kitten). An outstanding record which gave the band once more the chance to show that they think outside the box and can do a lot more than “just” rockabilly.

Reissue of the German psychobilly legends Mad Sin’s 2010 album Burn And Rise.



Since their indestructible bandleader Köfte DeVille had gone through some major personal changes, which encouraged him to lose almost 40 kilo grams, the album title is more than adequate. 18 tracks titled like “Last Gang Standing”, “Geisterfahrer (Ghost rider)”, "Wreckhouse Stomp", "The March of the Deviants", "9 Lives" or "Shitlist Bop” promise tension and also a bunch of surprises.



The typical Mad Sin mix of psychobilly, rockabilly, 50’s Rock’n’Roll, Country, Punk and Surf sounds fresher than ever before. Featured artists include Sucker (Oxymoron, Bad Co.), Jack Letten (Smoke Blow), Hank (The Boss Hoss) and Marlen (Bonzai Kitten). An outstanding record which gave the band once more the chance to show that they think outside the box and can do a lot more than “just” rockabilly.

NEW Messer Chups Album! Recorded in Russia and featuring their distinctive surf-a-billy sound + 4 vocal tracks with Sean Wheeler of Throw Rag!!

It was ten years ago that the rowdy but ever-elegant Midnight Kings made their stage debut. Since then, these unlikely monarchs of rhythm'n'blues – gentlemen who’ve thrown in their lot with rock'n'roll, garage punkers with hearts full of soul – simply haven’t stopped for a minute. They’ve sweated, sung, danced and driven others to dance at hundreds of clubs and dozens of festi- vals across Europe, earning the respect, esteem and, more often than not, the adoration of many loyal fans of true rock’n'roll. Following hot on the heels of two popular albums distributed throughout Europe, and a single that has now become a sought-after collector's item, comes their latest offering, "Last Chance To Dance", due for release at the end of 2022 on Wild Honey Records. It consists of eight songs, five originals and three covers ("Bumble Bee", "The Girl Can't Dance" and "C'mon And Swim"), destined to become the soundtrack of every rock'n'roll party worthy of the name. Are you ready to get back on the dance floor? Sure you are!

Cool Misfits release. The back sleeve credits the live recordings as being from a show at DC Space on 2/31/1983 - but everyone knows February doesn't have 31 days in it, and the band has never played at DC Space. The live tracks on the B-side were actually recorded live at Michigan Union Ballroom in Ann Arbor, MI on 4/23/83.

In support of their Walk Among Us album, the Misfits embarked on a 37-date tour of the united States, during which the group performed three shows at New York’s Irving plaza, and is their performance from the 27th March 1982 that features on this LP. Featuring a host of tracks from across their career- plus numbers that would latter appear on Earth A.D./Wolds Blood in 1983, this seminal band deliver a blistering set full of dark passion and energy:

Recorded live at Hitsville, Passaic, NJ on December 25, 1981.

Famous for their freaked out ride down “Tobbaco Road” (included on the now legendary “A Fistful Of Fuzz” comp), Peabody Co. were a mysterious US band who left behind a set of 10” acetates, collected here for the first time. Late 60s acid-punk / garage-psych, featuring seven self-penned songs plus three terrific cover versions of “I Can’t Explain” (The Who), “Let’s Live For Today” (Rokes / Grass Roots) and the aforementioned “Tobbaco Road” (based on the Blues Magoos cover but including an extended crazed theremin/drum freak out!).
NYC psych collector Mike Ascherman recalls how he came to acquire the acetates:
"Pyramid Records was a classic small used record store that opened in 1982 or 1983 and was open for about ten years. It was a gold mine for psych and private press LPs in a time when there was virtually no competition in the City for those. On the day it opened, psych collector/dealer Paul Major walked in and found a copy of Gandalf the Grey. That was but the tip of the iceberg."
"Not long after, I made my first trip there one day after work, and it immediately became my favorite store. Over the years, I became friends with both owners. As a result, I was often given the opportunity to see the new psych arrivals before they were placed in the bins in addition to my usual digging through the store. This led to me being able to buy the first known copies of such gems as Daybreak on RPC (offered to me) and the first BLO LP (2 copies, one the same day as I found my only copy ever of Spirits & Worm - all for $15 each)."
"One day in 1990, I came into the store and was shown a set of 10" acetates that one of the owners had just unearthed in one of his well-guarded secret digging spots. He asked me if I'd ever heard of a band called Peabody Co., to which I replied I had not. He then played their cover of Tobacco Road and I was instantly hooked. He then offered the set to me at a moderately hefty but very reasonable price. It took me about two seconds to hand him the cash. The rest is, as they say, history, leading up to now, when they are finally being given the LP release they should have had over 50 years ago. Many thanks to Alex and Out-sider for making a dream become reality."

After crisscrossing the nation for the last half-decade looking for a home, Pokey LaFarge found himself in Mid-Coast Maine. Upon arriving, the Illinois-born singer/songwriter/actor pursued a major life change, working 12-hour days on a local farm—a turn of events that catalyzed an extraordinary burst of creativity and redefined his sense of purpose as an artist. Rhumba Country was initially shaped from material that emerged while LaFarge was deep in work on the farm. “I’d be pushing a plow or scattering seeds, and the songs would just come to me,” he recalls. “It was tremendously inspirational and made me realize that apart from singing, farming is perhaps the oldest human art form.” While farming, LaFarge began dreaming up a kaleidoscopic sound informed by his love of music from far-ranging eras and corners of the globe, including mambo, tropicália, rocksteady, and mid-century American rock-and-roll. “The songs that naturally come to me are upbeat and make you wanna dance or at least bop your head—they’re all very colorful,” says LaFarge. “I used to think of my music in dark blue, but now I see it in technicolor.” Co-produced along with Chris Seefried and Elliot Bergman and recorded in L.A., the resulting Rhumba Country is an invitation to come together to celebrate life and love.

After crisscrossing the nation for the last half-decade looking for a home, Pokey LaFarge found himself in Mid-Coast Maine. Upon arriving, the Illinois-born singer/songwriter/actor pursued a major life change, working 12-hour days on a local farm—a turn of events that catalyzed an extraordinary burst of creativity and redefined his sense of purpose as an artist. Rhumba Country was initially shaped from material that emerged while LaFarge was deep in work on the farm. “I’d be pushing a plow or scattering seeds, and the songs would just come to me,” he recalls. “It was tremendously inspirational and made me realize that apart from singing, farming is perhaps the oldest human art form.” While farming, LaFarge began dreaming up a kaleidoscopic sound informed by his love of music from far-ranging eras and corners of the globe, including mambo, tropicália, rocksteady, and mid-century American rock-and-roll. “The songs that naturally come to me are upbeat and make you wanna dance or at least bop your head—they’re all very colorful,” says LaFarge. “I used to think of my music in dark blue, but now I see it in technicolor.” Co-produced along with Chris Seefried and Elliot Bergman and recorded in L.A., the resulting Rhumba Country is an invitation to come together to celebrate life and love.

Polaroid Buffalo Club is a surf/psych pop band based in Athens, Greece that consists of Kostas Miliaras (vox , guitar), Giorgos Papakostas (organ), Vasilis Gakis (bass, backing vox) and Dimitris Kalonaros (drums). Polaroid Buffalo Club would describe their sound as retro pop but with a modern touch. The band's influences derive from 60's surf, San Francisco sunshine folk/pop and moody garage to today's neo-psychedelia and indie surf music. Names like The Doors, Jefferson Airplane, Strawberry Alarm Clock, The Mamas and The Papas, The Byrds but also Allah-Las, Mystic Braves, The Growlers and Levitation Room are easily identifiable on their sound. "B-movie Sundown" was produced and mixed by Kostas Miliaras and it was mastered by John Vulgaris (drummer for Bazooka). The song "Sun Tribe Ritual" features the well-known Austrian psych singer-songwriter Juleah on drone backing vocals and the cover art was done by Dustin Kalynuk (aka Chakras System). B-Movie Sundown represents the band the most so far, because its memember brings its own idiosyncracy of playing, giving a unique quality to the final result. Also, before the new album they've released the semi-acoustic video/EP "Sunroom Session" in which they've also played unreleased stuff from their second album. On that session you can see/hear Giorgos playing acoustic guitar instead of keys and Vasilis playing percussion instead of bass. Sunroom Session was recorded and mixed by Kostas as well and it was mastered by Gregg Kollias (guitarist for Echo Train), the photo of the cover was taken by Maria Lekaki and Kostas did the design of it. The vinyl release was made from B-otherSide records in Audiophile 200 gr. vinyls, at 300 hand numbered copies, from which the first 150 include the "Sunroom Session" DVD and all of them include a 2 page color insert with photo and song's lyrics.

The second album from Rambalaya takes us to another exciting journey into American roots music through 11 new songs. This is the sound of a band pushing his music to reach new heights, including string arrangements, latin influences and gospel vocals. The jewel of the crown is the title track 'Only In My Dreams', a moving power ballad dedicated to broken hearts.

Rambalaya’s self titled debut album from 2020 is being released on vinyl for the first time. The band is led led by Anton Jarl, also the drummer in Los Mambo Jambo, and is completed by some of Barcelona’s finest musicians: Jonathan Herrero on vocals, Pol Prats on sax, David Pastor on trumpet, Gerard Nieto on keyboards, Héctor Martín on guitar and Matías Míguez on bass. A blend of soul, rhythm and blues and rock’n’roll that will make you fall in love again with music.

Lovely put together compilation of rarities and hard to find tracks. The Redskins were a 1980s English band, notable for their left-wing politics, skinhead image and catchy, danceable songs. Their music combined influences from soul, rockabilly, pop and punk rock.