Rock 'n' Roll Vinyl 347 Items

The legendary Beatnik Termites are back with their first new album in 18 years. They may have been gone for a while but they have not missed a note when it comes to their latest album “Sweatin’ To The Termites”. The band has mastered their sound that is a mix of punk rock, surf rock and doo wop. “Sweatin To The Termites” has 12 songs that are packed with sugary sweet harmonies and will surely get you up and moving. For fans of The Ramones and the Beach Boys.

One would be hard pressed to find a better example of the hormone-enriched, attitude-laden 1960s garage rock opus than ‘So What!!’ by San Diego’s Lyrics. Chris Gaylord's incredible rant over a pounding, almost blueswailing accompaniment on this late 1965 nugget never fails to hit the spot.

Coupled with its equally snotty flip ‘They Can't Hurt Me’, this double-whammy firebomb is an exasperatingly expensive item in its original incarnation, but we have made this great sound facsimile available at a fraction of the cost to accompany the new Big Beat garage psych collection “Blow My Mind!”. Grab ‘em while stocks last!

Deluxe vinyl reissue of The Meteors' 2012album!

Deluxe vinyl reissue of The Meteors' 2012album!

After the very successfull "jimmy Widener" first issue on the label dedicated to Hillbilly musice: "red Barn Record", We had dig a little more into our personnal shellac collection to offer you the complete Bullet sessions, 1950-52 of this obscure but very talentful "proto" rockabilly band. Two year before Elvis recordings at SUN, you already feel the wind of musical change' a coming!

This release is handmade and numbered silk screen cover. Reprint of Radio Martiko’s 2nd single from 2015.

"Louie Louie" by Belgian schlager legend Joske Harry's (aka Joe Harris) blows The Kingsmen's original version away. Absolute dancefloor-filler.
There must be about 11,283 versions of "Tabou." This ultra-rare gem by Burt Blanca just might be the ultimate version... or maybe not. Anyway, this is a must-have for your collection.

Guitarist Earl Slick never had a Plan B. Still doesn't. In fact, he doesn't believe in backup plans. "If you have a backup plan," said the guitarist who for decades worked alongside rock royalty including David Bowie and John Lennon among others, "then eventually you become the backup plan." Which explains -- and fuels -- Slick's new album, "Fistful of Devils." Harnessing his musical roots as a child of the 60s when blue-based rock pushed its way to the front of the line and incorporating his decades as one of the most sought-after touring musicians in the business, Fistful is Slick as he's been from the start: an artist who fully mines the depths of the blues and guitar by drawing on a toolkit assembled from blues to glam to punk to rockabilly. The 11-track album is no retread retrospective of Slick's run of 40 years as a professional guitarist; it's an audible demonstration of a virtuoso still pushing deep into rock and roll's blues roots. The instrumental album, Slick says, is acrobatics without a net. Some of the tracks on Fistful were ideas that had been rattling around in his hear for decades. Some were wholly new. The sinister "Black," for example, seemed to flow up from the ground when they entered studio, he said. It was written, "in maybe 10 minutes," he said. "It's dark." Contrast that with the soaring, diving number "Vanishing Point." That was born in a lick he'd saved nearly 30 years ago and only recently rediscovered in a sound file. He didn't know what do with it when he wrote it, so he tucked it away. But now, "all of these years later I came at it with a different head than I had then." And this is what people are going hear in "Fist Full Of Devils" he said: That lifelong journey from Brooklyn didn't leave him empty handed; he brought back the prizes, the tricks, the scars, the influences and the tools from a road that never presented a detour. Or an end. He's a man, after all, who knows a thing or two about persevering, about longshots and locked-in trajectories. Perseverance also had no backup plan when it was launched. It had to get there. "I am," Slick said. "Exactly where I should be."

The Millennium Stands As One Of The Most Remarkable Psychedelic Bands From '60s California.This Single Presents On Vinyl For The First Time, Two Rare Recordings That Never Made It Into The First Seminal Album "Begin" + 2 Demo Tracks.Essential Listening For Those Into Sunshine Pop Harmonies And Psychedelia!Detailed Info:The Millennium Stands As One Of The Most Remarkable Psychedelic Bands From '60s California Despite The Sales Of Their Only Lp, "Begin", Did Not Match The Big Expectations Created By The Great Critical Acclaim Received And The Huge Financial Costs Of Its Recording.Although Conceived As A Studio Group By Curt Boettcher (Ballroom, Sagittarius_), The Millennium Was A Real Band Despite Never Performed Publicly. Following A Carte Blanche Deal With Columbia, He Assembled A Group Of Talented Californian Singers And Musicians (Lee Mallory, Sandy Salisbury, Joey Stec, Doug Rhodes, Michael Fennelly And Music Machine Drummer Ron Edgar) To Record An Album, Resulting In A Sublime Pop Masterpiece, Combining Sunny Melodies, Outstanding Vocal Harmonies And Psychedelic Touches.This Release Presents Some Rare Recordings And Demo Versions By The Band On Vinyl For The First Time.

Keith's Fifth Solo Album - And His First Self-Produced Effort - 'The Rhythm Of The City' Finds Him Expanding His Approach On A Horn-Heavy 10-Song Collection That's In Thrall To The Classic Sounds Of Bluff City Soul And Rock And Roll. "I Was At My Home In Memphis One Evening And Heard A Car Pass By Blasting Al Green's 'Love And Happiness,' Which Was Recorded Just A Couple Miles Away," Says Singer-Songwriter John Paul Keith. "I Was Struck By How Howard Grimes' Drumming Just Seems To Embody Something About The Feel And The Pace Of Life For Me Here. I Thought To Myself, 'Howard Grimes Is The Rhythm Of The City.' My Next Thought Was, 'That Sounds Like A Title Track.'" Conjuring Up His Own Unique Musical Mélange -A Sweet Spot Where The Sound Of Sun Blues, Stax Soul, And Hi R&B All Meet - It's A Record Steeped In The Geography And Culture Of Memphis, Which Keith Has Called Home For The Last 15 Years. "The Vibe Came About Organically From Playing Beale Street And Graceland And Working With Horn Sections More Frequently The Last Few Years," Says Keith. The Rhythm Of The City Was Recorded To Tape At Electraphonic Studios, And Engineered By Keith's Frequent Collaborator, Scott Bomar (Bandleader Of The Bo-Keys, Don Bryant Producer, And Film Composer For Dolemite Is My Name).

Everything is mysterious! This is the second full-length from Japanese talented artist "Kensuke Ide and his mother ship" which was acclaimed by listeners as the one of the best albums in 2020. P-vine is presenting it as the long-awaited LP version! Is the innovative sound that will surprise all listeners the madness of Devil or Taoyuan Township? No, that's exactly the "mystery of 2020" !

An extract from the novel “Bovver Birds Rool”: Dawn pushed Sue’s head as hard as she could against the stone wall of the school. The connection registered with a gruesome “thud”. “That’s for getting off with Steve”, she snarled. A second girl cracked Sue sharply around the face with an open palm and then kicked her as she slumped to the ground.. “Do not mess…” shrieked Jane. “Do you understand, Bitch!” A descending bike chain left a bloody trail across Sue’s now fractured skull. “Have you learned your lesson, Bitch, or do you want some knuckle too? Well… do you?” Dawn smiled approvingly at Jane and the two girls linked arms and walked away. “What are you staring at?” , snapped Dawn at their first passer-by, Dave, a pale and sullen lad from school. “I’m not quite sure,” he quickly replied. “It walks like a bloke and talks like a bloke, but it’s got girly bits… Or, at least, I think it has.” Jane quickly broke away from Dawn and started to run towards Dave who immediately quickened his pace. “And you’ll never find out you piece of chicken shit,” she screamed. (to be continued…) Bovver Birds & Knuckle Girls... a rare burst of etiquette. So what would you get on a date with a Bovver Bird or a Knuckle Girl? A few harsh words and a cheap thrill- or a competitively-priced thrill, at least. Up against the wall. Nothing fancy, just a bit of “hanky panky” with your tougher-than-average Knuckle Sandwich Nancy. “Girls used only to resort to psychological bullying… Now they’re moving in gangs and using bicycle chains, knives and clubs. In fact they’re beginning to behave in a way once only associated with the roughest of boys.”

Making their debut on Wick Records, New York's own Steady Sun deliver two sublime sides of ethereal psych. We're not talking about your run-of-the-mill fuzz fodder here, folks - Steady Sun delivers some of the most refreshingly satisfying psychedelia in decades! Truth is the Needle floats out of the speakers like lysergic vapor, engulfing the listener in layers of delicate guitar, spaced-out vocals, and pulsating bass that swirl around the heavy, grounded groove - generating an intoxicating juxtaposition. On the flip is Lash Around, whose insistent beat and hook-heavy melody will send you through a sonic wormhole that marries the experimentation of Barrett era Floyd with the hypnotic bounce of 1990s Manchester.

Talking about Bubblegum Music brings us back to America at the end of the Sixties. In a world where the music industry was at its very peak and the 7" format singles production was rather schizophrenic. The worldwide success of Ohio Express's "Yummy Yunmmi Yummi" and 1010 Fruitgum Company's "Simon Says", opened up the doors to a plethora of new bands ready to take the chance of this new born phenomena. Jerry Kasenetz and Jeffry Katz were the two producers behind many of these projects, while the bands were mostly formed by the same group of studio musicians including the unmistakable nasal voice of singer Joey Levin (Joey Ramone's main inspiration). Avoiding the classics, this compilation will get us through a dozen of rare and unknown productions. Twelve stellar Pop gems dated between 1968 and 1971 and a bunch of great simple melodies, sticky like chewing gum. Yummy!!! Come and taste it.

This album was the last for one of the founders of The Cavestompers! Ivan "Cosmos".His final contribution was the authorship of several songs.Do not look for him on the cover photo-he is Kosmos and invisibly present in our ranks like a phantom.His place at the moment occupied by Paul Petrov ,who together with llya"Crusher" Sterzhanov in the 90s founded the first Russian garage punk band the Crushers.
This is the ultimate russian garage punk!!! fuzz all over...listen it...

The Jay Vons have toured all through the United States and internationally, opening for such legends as Sharon Jones & The Dap-Kings, Charles Bradley & The Extraordinaires, Lee Fields & The Expressions; recorded all of their original tracks at Daptone Studios, Dunham Sound Studios, and Diamond Mine Studios with producers Wayne Gordon and Tommy Brenneck; and, while making a name for themselves, have been backing up Greg Cartwright as Reigning Sound.

Auch das dritte Album von THE KREWMEN, ,Into The Tomb", war ein Smash Hit ohne Gleichen. ,Into The Tomb" kommt mit einer sehr coolen Coverversion des CLASH Klassikers ,Should I Stay Or Should I Go", der zur gleichen Zeit von den LONG TALL TEXANS gecovert wurde. ,Into The Tomb" ist gleichzeitig die letzte Aufnahme mit Mark Cole, bevor er die Band verließ.

We're glad to bring you the new album by Invention_ titled "fauxlii" which is marking the last days of Summer. As always Invention_ hits us with his incredible imagination and takes us away on this beautiful journey. A real treat for every connoisseurs. The album is composed of magical tunes that will transpose our spirits to another plane of consciousness. The perfect sound to achieve your inner peace. Filled with nostalgia and heartwarming sounds fauxlii will make you vibe and say goodbye to the Summer. Sending it off on a high note with simplicity and happiness.

All tracks produced, mixed and mastered by Invention_
Artwork by Invention_
Vinyl mastering by sterilOne at Staub Audio Engineering Vienna
Vinyl cover layout by Alex Brade
Published, manufactured and distributed by Urban Waves