Rock 'n' Roll Sale 88 Items

Record Store Day 2020 Release.

Moon Phase Swamp Green/White w/ Black Splatter vinyl

After crisscrossing the nation for the last half-decade looking for a home, Pokey LaFarge found himself in Mid-Coast Maine. Upon arriving, the Illinois-born singer/songwriter/actor pursued a major life change, working 12-hour days on a local farm—a turn of events that catalyzed an extraordinary burst of creativity and redefined his sense of purpose as an artist. Rhumba Country was initially shaped from material that emerged while LaFarge was deep in work on the farm. “I’d be pushing a plow or scattering seeds, and the songs would just come to me,” he recalls. “It was tremendously inspirational and made me realize that apart from singing, farming is perhaps the oldest human art form.” While farming, LaFarge began dreaming up a kaleidoscopic sound informed by his love of music from far-ranging eras and corners of the globe, including mambo, tropicália, rocksteady, and mid-century American rock-and-roll. “The songs that naturally come to me are upbeat and make you wanna dance or at least bop your head—they’re all very colorful,” says LaFarge. “I used to think of my music in dark blue, but now I see it in technicolor.” Co-produced along with Chris Seefried and Elliot Bergman and recorded in L.A., the resulting Rhumba Country is an invitation to come together to celebrate life and love.

On this Rockabilly LP you will find twenty of the greatest Rockabilly artists and songs from the late 1950s. To name a few: ''Blue Suede Shoes'' performed by Carl Perkins is considered one of the first rockabilly records, incorporating elements of blues, country and pop music of the time. Janis Martin was only fifteen years old when she recorded ''Will You, Willyum''. This album also features Elvis Presley with his first commercial hit, ''That's All Right,'' and Bobby Day's biggest hit should not be –and is not—missing from this collection. To close, Jerry Lee Lewis with ''Great Balls Of Fire',' a single that sold more than a million times in the week it was originally released. Enjoy the Rockabilly Heroes on ''Cool Blue” vinyl!!

The Trashmen's defining moment, 1963's "Surfin' Bird," is perhaps the ultimate lightning-in-a-bottle record. Their first true studio recording, it captures the group's interminable energy and mastery of live performance. But it also is the culmination of spirit and experiment that turned it into something new and, from the perspective of 50 years, unique. This collection shows them to be variously a first-rate surf band, a great protopunk outfit, solid rockers with the raw essence of the earliest originators of the sound, and adept enough to work in some comedy and country. This scope of ability and interest is probably the true basis of the band's following now. But "Surfin' Bird" has more tenacity than other bands' entire better-performing catalogs, and with it, the Trashmen created a work that is arguably today the most relevant release from that storied decade.

Svart Records proudly present Earthly Remains, a three 7" singles box set with new Coffinshakers tracks!

The ”Earthly Remains” box-set includes three songs from the latest ”Graves, Release Your Dead” album and three brand new tracks from the same sessions. These tracks shouldn’t be seen as left-overs though, they certainly deserve their place in any serious Coffinshakers collection and in a sense makes the album complete.

”March of The Coffinshakers” marks the procession of the dead featuring a lead guitar taken straight from the spaghetti-horror dimension with massive string arrangements to boot. ”Raising Hell” sees the band in garage mode, complete with a vicious fuzz! Finally the doomsday story of ”No Return” almost takes us to crooner territory, imagine that! The three 7”s are housed in brand new watercolor artwork by Jenny Bengtsson. Will you dare to take one step further into the strange realm of The Coffinshakers?

LOS Riscos, Spanish band who released a few 7" from 1971 to 1976, get the Madmua treatment. This 7" includes their two best tracks, including the underground classic "Sombras" from their highly collectable, ultra hard to find 1971 EP. 500 copies only, with insert and two postcards.

This freakbeat jelly belly delight showcases the Bandits’ vaudeville humor, garage rock & catchy psychedelic pop! Considered a cult classic, this mixed bag of candy-coated fuzz is sure to satisfy your sweet tooth! Our favored stereo mix, pressed on yellow vinyl! Newburgh, New York psych-punks the Jelly Bean Bandits formed in 1966. Originally known as “The Mirror,” the band regularly packed area nightspots like the local Trade Winds, Poughkeepsie's Buccaneer Nightclub, and Burlington, Vermont's Red Dog. In due time, they recorded a three-song demo reel that resulted in a three-album recording contract with Mainstream Records – however, unknown to Mainstream, these three songs represented the sum total of the Jelly Bean Bandits' repertoire, forcing the band to write enough additional material to flesh out a full-length LP in the course of a week. Amazingly, their eponymous 1967 debut is excellent, a freakbeat cult classic distinguished by emotive guitar and some innovative production techniques – all the more impressive, the album was recorded in a single 12-hour stretch. Mainstream hated the end result, however, and dropped the Jelly Bean Bandits just as they were commencing work on the follow-up – only one song was completed before the sessions were aborted, leaving just one ‘60s studio album from these confectionary con-artists. – Jason Ankeny

Compilation of Rockabilly songs from the famous Sun Recordings (Elvis Presley, Johnny Cash and Carl Perkins) / Limited Edition Numbered / Yellow 180 gm Vinyl with Four Panel Colour / Bonus Booklet.

Essential ‘60s British beat, R&B, Mod album from 1966 by this band fronted by Art Wood (elder brother of Birds/Rolling Stones/Faces guitarist Ronnie) and featuring a young, pre-Deep Purple Jon Lord on organ, plus Keef Hartley (John Mayall’s Bluesbreakers) on drums, Derek Griffiths on guitar and Malcolm Pool on bass. Now reissued for the first time ever in Mono, just like the 1966 original.

If one thing seems certain in the realm of downtempo and instrumental hip-hop sounds, it's the arrival of another high quality Bust Free compilation chock full of amazing producers, both known and new. Cold Busted is now issuing Bust Free 22 — yes, the 22nd in the acclaimed series — and it might be the best one yet. These 14 beat-lab concoctions bring out the best in Cold Busted, with previously unheard delights from a global gathering of top notch artists. From Es-K to Sim Nagai, Leo Low Pass & Emapea to DJ Taek — there's much to discover, whether on boomin' systems or cozy earbuds. Highlights include Bay Area beatsmith Nu Vintage and his frequent collaborator, the multi-instrumentalist Pat Van Dyke, exploring the futuristic edges of a beachside hip-hop lounge with the flute-laden feel-good tune "Daylight." Gentle piano, a serene saxophone, and breezy vibes float over tough downtempo beats on "On The Way Home," a delightfully laid back cut from Polish freestyle-footballer turned beat-maker MichRyc. There's "In A Good Mood," sonically shuffling its way out of the '70s and into today's head-nodding beat-zone. Produced by Cologne's Midan, this cut glides by with smooth guitar licks and keyboard melodies, delivering on the promise of its title. Maria Whoat brings some deep heat to bear with the subdued bop of "Between You And Me." Lowdown bass moves, swirling tones and textures, and a tough-as-nails slo-mo drum track recall the trippiest moments of the trip hop canon. Listeners will also uncover "Overpass," a lively and upbeat track from sus9th that proves the old adage that the early bird catches the earworm. An instantly memorable melody guides a percussive rhythm, filtered chords, and percolating synths. Japanese crate digger and turntable maestro Pigeondust ventures to exotic locales with "Nova," a cut that aims to dazzle with bewitching vocal motifs, chiming electric piano chords, and a killer drum beat that's more than ready for prime time. These cuts and more will fulfill any discerning listener's craving for high protein Bust Free beats.

LOS Cirros are one of the most obscure Spanish rock bands from the late 60s. Coming out of a tiny village in one of the smallest provinces of the country sure helped them being fully ignored, but how cool those guys proved to be when discovered in compilations such as “Viñedos” or “Pentecostés Vibrations”!!! They released two seven inches (1969 and 1970), both very very rare and featuring pretty cool songs in a blend of garage, light psychedelia and pop. Now, these two 45s are reissued (marketed together, not to be sold separately!), including an unreleased bonus track and with the usual attention to detail of the Madmua label, with the addition of an insert and two postcards. Limited to 500 copies.

A collection dedicated to Garage USA 1965-1968 featuring rare tracks from a particular state: Florida, Mississippi, New York and Ohio.

Blue vinyl

Early repress on green Vinyl!

Vinyl close to NM. Japanese pressing without OBI, but with insert.

Japanese pressing without OBI, but with insert.

Japanese pressing with OBI and insert. Vinyl with a couple of light scuffs

Japanese pressing without OBI, but with insert.

Japanese pressing with obi.

Japanese pressing with obi.

No OBI, foxing on inside sleeve.

Red vinyl. Limited edition of 100 copies.

Vinyl with a couple of light scuffs

Cover with sticker

Vinyl with a couple of light scuffs

Cover close to VG+

Vinyl close to NM

Vinyl with a couple of light scuffs, close to VG+. Cover with ring wear and top spine damage

Vinyl close to VG+

Cover with stains

CD close to NM

Clear vinyl. Copy n° 20/30