Rock & Indie 21206 Items

Release: 2024 / EU – Original

Genre: Rock & Indie

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Turn The Light On Coloured Vinyl Edition

Imminence

2LP | 2019 | EU | Reissue (Arising Empire)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Heavy Lifting Live Tracks

MC5

2LP | 2024 | EU | Original (Earmusic)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Earache)

Municipal Waste

The Art Of Partying

Release: 2019 / EU – Original

Genre: Rock & Indie

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Caravan Beyond Redemption Black Vinyl Edition

Cathedral

2LP | 2024 | Original (Earache)

34,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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The Metal Opera Pt. II Platinum Edition

Avantasia

2LP | 2023 | EU | Original (Afm)

39,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Aggressive Punk Produktionen)

Fahnenflucht

Molotov Zitrone

24,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Collapse List Bio Vinyl Edition

Novo Amor

LP | 2024 | UK | Original (Communion)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Holy Waters Black Vinyl Edition

Puma Blue

LP | 2023 | EU | Original (Blue Flowers)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Noisolution)

24/7 Diva Heaven

Gift Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Nails White Vinyl Edition

Benefits

LP | 2023 | UK | Original (Invada)

Release: 2023 / UK – Original

Genre: Rock & Indie

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War On Everything Clear Red / Black Splattered Vinyl Edition

Bokassa

LP | 2023 | EU | Original (Diger Distro)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Out Of Line Music)

Motor!k

4 Red Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Mana Black / Blue Swirl Vinyl Edition

Unto Others

LP | 2023 | EU | Original (Eisenwald)

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2010 | EU | Reissue (City Slang)

Junip

Fields

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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1982 Smokey Vinyl Edition

A Certain Ratio

LP | 2023 | UK | Original (Mute)

Release: 2023 / UK – Original

Genre: Rock & Indie

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2LP | 2012 | EU | Reissue (Kscope)

Anathema

Weather Systems

37,99 €*

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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My Years With Ufo Black Vinyl Edition

Michael Schenker

2LP | 2024 | EU | Original (Earmusic)

34,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Angel Of The West Window Black

Tangerine Dream

2LP | 2024 | Original (Kscope)

40,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2019 | Original (Nettwerk)

Guster

Keep It Together

22,99 €*

Release: 2019 / Original

Genre: Rock & Indie

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Les Blessures De L'ame 25th Anniversary Clear Vinyl Edition

Seth

LP | 2024 | Original (Peaceville)

Release: 2024 / Original

Genre: Rock & Indie

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Monsters Of Rock-Live 1980

Rainbow

2LP | 2019 | EU | Original (Earmusic Classics)

32,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Stones Throw)

DJ Harrison

Shades Of Yesterday

Release: 2024 / UK – Original

Genre: Hip Hop, Rock & Indie

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2LP | 2024 | EU | Original (RecordJet)

Massacre

Corpus Umbra

Release: 2024 / EU – Original

Genre: Rock & Indie

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Masterplan Anniversary Edition Clear Vinyl Edition

Masterplan

2LP | 2023 | EU | Original (Afm)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Omniverse Consciousness Black Vinyl Edition

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Coming Soon

Doedsmaghird

LP | 2024 | Original (Peaceville)

Release: 2024 / Original

Genre: Rock & Indie

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Opium Clear Vinyl Edition

Half Me

LP | 2024 | EU | Original (Arising Empire)

21,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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You're Never Alone With A Schizophrenic

Ian Hunter

2LP | 2024 | Original (Chrysalis)

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2024 | Original (Chrysalis)

Ian Hunter

Short Back N Sides

Release: 2024 / Original

Genre: Rock & Indie

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Sugar Black Vinyl Edition

Tonic

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Napalm)

Austrian Death Machine

Quad Brutal

Release: 2024 / EU – Original

Genre: Rock & Indie

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Open All Night Ltd Midnight Blue

Marc Almond

2LP | 2023 | UK | Original (Cherry Red)

46,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Bigger Than Life 15th Anniversary Edition

Black Marble

LP | 2019 | US | Reissue (Sacred Bones)

24,99 €*

Me First And The Gimme Gimmes

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Third album from Chris Stewar as Black Marble, back then newly living in Los Angeles, fresh off a move from New York. As with every Black Marble album, Stewart recorded, produced, and played everything you hear on Bigger Than Life using entirely analog gear, though the process was new. This time around, he wrote everything on his MPC and sequenced it live to his synths - only using the computer to record, not to create. He also approached his vocals in a new way this time, bringing them forward in the mix and retreating from the reverb-drenched affect he has utilized in the past. "Everything about this record from the album art to the title, to the themes to all the sounds on the record is my response to this particular time," Stewart says.

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Blow It At Madison's Quinceanera Limited Pink Vinyl Edition

LP | 2024 | EU | Original (Fat Wreck)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Fat Wreck)

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Coming Soon

Codefendants

Living Las Vegas

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tarja - Rocking Heels: Live At Hellfest

Tarja

LP | 2024 | EU | Original (Earmusic)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-12-06

Wrong Side Of Paradisewhite Vinyl Edition

Black Star Riders

LP | 2023 | Original (Earache)

Release: 2023 / Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Arising Empire)

Awake The Dreamer

Holocene Colored

Release: 2024 / EU – Original

Genre: Rock & Indie

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12" | 2024 | Original (Crass)

Alternative

In Nomine Patri

Release: 2024 / Original

Genre: Rock & Indie

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Never Before Seen, Never Again Found Midnight Haze Vinyl Edition

Arm's Length

LP | 2024 | WW | Original (Many Hats Distribution)

Release: 2024 / WW – Original

Genre: Rock & Indie

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Baby I Miss You Blue Vinyl Edition

Chris Norman

LP | 2024 | Original (Bros Music)

Release: 2024 / Original

Genre: Rock & Indie

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The Damned The Shamed Dark Blue Vinyl Edition

Terror

LP | 2023 | EU | Original (Arising Empire)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Welcome To The West Coast III Silver Black Vinyl Edition

Lionheart

LP | 2023 | EU | Original (Arising Empire)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Sentry Blue Vinyl Edition

Sentry

LP | 2024 | EU | Original (High Roller)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Swan Songs 10th Anniversary / 3

Lord Of The Lost

3LP | 2024 | EU | Original (Out Of Line Music)

41,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Official Archive Series Volume 2

Status Quo

3LP | 2023 | EU | Original (Earmusic)

42,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Guiltless Happy Meal Marbled Vinyl Edition

Indian

LP | 2024 | Original (Relapse)

Release: 2024 / Original

Genre: Rock & Indie

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Descendents

It Sux Being Single

7" | 2024 | EU (Tumbler)

18,99 €*

Release: 2024 / EU

Genre: Rock & Indie

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2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

Stone Temple Pilots

Core Atlantic 75 Series

75,99 €*

Abhorrence Gilded Abyss Colored Vinyl Edition

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm

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Cognitive

LP | 2024 | EU | Original (Metal Blade)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

V.A.

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

Lonerism 10th Anniversary Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Tame Impala

3LP | 2012 | DE | Reissue (Virgin Music)

Release: 2012 / DE – Reissue

Genre: Rock & Indie

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13" Frank Beltrane Italian Stiletto Mint Green Vinyl Edition

Xiu Xiu

LP | 2024 | US | Original (Polyvinyl)

38,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Oren Ambarchi / Johan Berthling / Andreas Werliin

Ghosted II

LP | 2024 | US | Original (Drag City)

Cosmic American Music: Motel California Neon Sky Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Missing out on that super-chill, uber-jittery minimal groove thing? Let"s get real, real Ghosted again.Oren Ambarchi has been collaborating with the Fire! trio (Mats Gustafsson, Johan Berthling and Andreas Werliin) for over a decade - and both Johan and Andreas played on Oren"s Live Hubris as well. Oren and Johan began music-making together back in the early aughts - but it wasn"t until 2021 that the three of them got together to record music. That became the first Ghosted album. When they were done, it was clear they had founded a new group. A music of sustained tension and deep atmosphere marked by subtle, shifting dynamics, Ghosted was released in May of 2022 to psyched response everywhere; the trio embarked upon an ongoing series of concert bookings around Europe, with loads of other people in the world still hoping to have the chance to be in the room at the next show. Two years on, Ghosted has gone through several represses, now it"s time for the "dreaded follow up album"! Rather than go back to the well, the guys decided to tear everything down and start all over again, reimagining themselves from scratch.Just kidding! As we"ve noted, Oren, Johan and Andreas have been playing together for years and years, developing an essential telepathy within their shared space. They get each other and feed each other"s music processes on an elemental level. Why change that? What made the most sense was to go back to Daneil Bengtsson at Studio Rymden in Stockholm for a couple days, then have Oren and Joe Talia mix and Joe master it at Good Mixture in Melbourne again, then get Pål Dybwik to do some well-distinctive cover art, and once more, call it a record.That"s just what they did - and it should be no surprise at all that the new Ambarchi/ Berthling/Werliin album looks and sounds as engrossing as their debut, if not more so! Ghosted II has a definitively fresh quality radiating throughout. The mutual feeling among the three players goes deep, allowing for lots more to say every time they get toge...

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V.A.

2LP | 2024 | US | Original (Numero Group)

41,99 €*

LP | 2024 | EU | Original (RCA International)

Release: 2024 / US – Original

Genre: Rock & Indie

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Neon Sky Vinyl.A companion to 2016's private countryrock overview Cosmic American Music,this second volume goes way past GramParsons' "country-rock plastic dry-fuck"and explores the twangy falsettos andcommercial curiosity that sent the Eaglessoaring. Though rooted in the west coastfolk rock of the late-'60s, these newkids in town rendered a safe-for-thesuburbssound bleached of the hippie era'spolitical strife. 20 tracks, two LPs, andgatefold tip-on sleeve for easy seed andstem separating are included.

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Bring Me The Horizon

Post Human: Nex Gen

Release: 2024 / EU – Original

Genre: Rock & Indie

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American Football Covers Frosted Glass Vinyl Edition

V.A.

LP | 2024 | US | Original (Polyvinyl)

Release: 2024 / US – Original

Genre: Rock & Indie

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Eunoia Transparent Red Vinyl Edition

Envy

LP | 2024 | EU | Original (Pelagic)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Sony Music Catalog)

The Clash

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (BMG)

Lost On You

Release: 2019 / EU – Original

Genre: Rock & Indie

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Everything Not Saved Will Be Lost Forever Part 1

Foals

LP | 2019 | EU | Original (Warner)

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2012 | US | Original (Captured Tracks)

Mac DeMarco

Release: 2012 / US – Original

Genre: Rock & Indie

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In These Dying Times Recycled Black Vinyl Editoin

Suzan Köcher's Suprafon

LP | 2024 | EU | Original

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ozean White Vinyl Edition

Ozean

12" | 2024 | US | Original (Numero Group)

Jolly Good Fellas Best Of Broilers 1994-2024 Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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White Vinyl. Set your shoes to gaze mode and rip into this king size cloud of ethereal dream pop. Inspired by the spate of Brits leaning into swirling distortion and punishing volume, San Jose's Ozean played just two shows in their brief existence, dissolving before the Scene That Celebrates Itself ever broke the silicon barrier. The quartet's 1991 self-titled demo cassette has been remastered and pressed at 45RPM, a timeless document of late adolescent wonder and experimentation.

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Broilers

2LP | 2024 | EU | Original (Skull & Palms)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Every Heaven Surf's Up Blue Vinyl Edition

Humdrum

LP | 2024 | US | Original (Slumberland)

22,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Orion Black Vinyl Edition

Orion Sun

LP | 2024 | US | Original (Mom+Pop)

Release: 2024 / US – Original

Genre: Rock & Indie

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2LP | 2024 | Original (Rhino)

Ministry

Twitch Deluxe Edition

45,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (BMG Rights Management)

Mötley Crüe

Greatest Hits

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Sony Music)

The Highwaymen

Live At Nassau Coliseum

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Escho)

Fine

Rocky Top Ballds

Empathogen Brown Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Writing music, for singer-songwriter and producer Fine, “feels like being entrusted with a secret.” On Rocky Top Ballads, the Copenhagen-based musician’s debut album, these secrets take the form of minimalist compositions that search for glimpses of beauty in the everyday. Recorded, produced, and mixed by Fine, the album is a mystical soundtrack to a captivating songwriter’s explorations of process and intuition.

“The whole album is about the moments when you see a crack in something,” Fine explains, “where you briefly see another side of yourself or of someone you've known forever.”

Fine grew up in Denmark’s rural Northern Jutland; there, her father’s guitar and banjo playing formed the sonic backdrop of her childhood. In the years since, her musical curiosity has led her to work across a range of styles and sounds. In her early twenties, she became part of Danish electronic trio Chinah, which released three albums. You might also have caught her sampled vocals on the joyfully rollicking Two Shell song “Home,” from 2021. Then, last year, she — along with Erika de Casier and Smerz — co-wrote three songs for the massive, critically lauded K-pop group New Jeans. Fine is also a part of Clarissa Connelly Canons group back home in Denmark, and writes music under the moniker Coined with composer and songwriter Astrid Sonne.

But Rocky Top Ballads is a turn back towards a more personal, stream-of-consciousness songwriting style. Fine wrote and recorded these songs sporadically over the course of the last few years. In light of Chinah’s collaborative, piecemeal production style, Fine craved a more organic, intuitive process for these songs. Her work on the record combines sample-based production with the sounds of instruments she and her collaborators could hold in their hands, ones that inspired free-flowing improvisation: electric and acoustic guitar, even the Ensoniq keyboard that was in her childhood home. The resulting songs are equally inspired by the country and folk of her childhood, the hazy beauty of Mazzy Star, the avant-garde pop of Dean Blunt, and the songwriting of ’90s singer-songwriters like Suzanne Vega.

Fine describes her songwriting process as a “magical thinking method”: being in contact with the present moment and pretending as if she already knows the song she’s about to write. Many of the songs on Rocky Top Ballads use the original takes of Fine’s vocals, an attempt to capture a song’s initial essence and avoid disturbing the song’s generative idea as much as possible. You can hear that well-preserved spark on songs like “Losing Tennessee,” a minimalist and wistful reflection on the inherent loss and change of growing older. She wrote other tracks, like the piano-led “Whys” and the woozy “Coasting,” through a process of cutting and layering her improvisations, carefully merging multiple musical snippets into newly seamless compositions. And the stunning closing track “A Star” is the product of a slow process of evolution: beginning as an understated expression of sincerity before dissolving into a rich, distorted guitar-driven exploration.

As a songwriter and producer, Fine’s work often peers into the universes of experience that can be hidden inside a fragmentary moment. Sometimes she explores this literally — as in “Days Incomplete,” which she built off a short sample from “A Star.” This impulse — to zoom in, to recontextualize, to excavate — threads throughout her lyrics, too. What happens, her songs ask, when we pay close attention to those everyday images and physical realities we might otherwise ignore: the sky, the rain, the sun, the sea? On the spacious and swoony “Big Muzzy,” with its gentle sway and Cocteau Twins-inflected vocals, Fine sings about watching the “summer turn blue”; the grooving, propulsive “Remember The Heart” is a love letter to the sea where she grew up. In her airy voice, Fine traces meandering melodies that continually unspool with fresh insights.

A particular mantra guided Fine’s songwriting throughout the creation of Rocky Top Ballads: “Everything has potential.” In these songs, small moments are worthy of deep contemplation, and gentleness can evoke worlds of emotion. The resulting songs offer a gift of momentary pleasure, flowing and unhurried as a gentle breeze.

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Turmeric Yellow Vinyl.For the first time in almost a decade, brothers Taylor and GriffinGoldsmith grace the cover of a Dawes record. It's just the two of themthis time, and as such, Oh Brother marks a distinctive new chapter forthe California rock band _ one that is both introspective andaccessible, all while maintaining their beloved sense of sincerity.Oh Brother steers Dawes decidedly forward, honoring 15 years ofTaylor and Griffin's musical relationship, as well as the next era of theirband. Each of the nine songs began with just Taylor on guitar andvocals and Griffin on drums. They initially tracked each one livetogether, before adding in additional instrumentation and collaboratingwith touring guitarist Trevor Menear in the studio. Additionally, OhBrother is the first record the brothers have co-produced, workingalongside longtime friend Mike Viola.At this point in the Goldsmith's career, Dawes has cemented itself asone of the most earnest, no-bullshit musical acts out there. They're aband that can move seamlessly between folk rock, piano ballads, andsprawling jams while maintaining both an immediately recognizablesound and a freedom from expectations. Even as the Goldsmithbrothers navigates new chapters in their personal and professionallives, Oh Brother shows how they remain creative, ambitious, andinspired _ what it means to be lifers in a band together.

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