Rock & Indie 373 Items

'Wish On The Bone' is Why Bonnie's sophomore LP and debut for Fire Talk. It's untethered from any landscape or genre, propelled by this freedom and resulting in Why Bonnie's most catchy, hopeful body of work to-date. Ranging from twangy country infused rock jams to more intimate and lo-fi arrangements, ‘Wish on the Bone’ is wide-eyed and waiting. It’s a coming of age film in which the protagonist rejects the forces that have tried, and failed, to shape her into something other than herself. It leaves you with a hard-fought sense of hope, which is among songwriter Blair Howerton’s greatest gifts. “You owe it to the people who are experiencing the worst to just keep pushing,” Howerton says. That’s the throughline of “Wish On The Bone”, a record that rewards with repeated listens.

'Wish On The Bone' is Why Bonnie's sophomore LP and debut for Fire Talk. It's untethered from any landscape or genre, propelled by this freedom and resulting in Why Bonnie's most catchy, hopeful body of work to-date. Ranging from twangy country infused rock jams to more intimate and lo-fi arrangements, ‘Wish on the Bone’ is wide-eyed and waiting. It’s a coming of age film in which the protagonist rejects the forces that have tried, and failed, to shape her into something other than herself. It leaves you with a hard-fought sense of hope, which is among songwriter Blair Howerton’s greatest gifts. “You owe it to the people who are experiencing the worst to just keep pushing,” Howerton says. That’s the throughline of “Wish On The Bone”, a record that rewards with repeated listens.

WE ARE WINTER'S BLUE AND RADIANT CHILDREN (WAWBARC) is the new quartet of Mat Ball(BIG|BRAVE), Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion),and Jonathan Downs and Patch (both Ada). On "NO MORE APOCALYPSE FATHER" they presentsix modal lullabies drenched in seared distortion, slathered across striding electronic pulses.Ball and Menuck began creating music in and for the bleakest moments of Montréal winters:"We're honoring that idea of winter, when you come inside and your house is warm, a placethat only exists because of how cold it is outside," says Menuck. They later recruited Downsand Patch to flesh out their initial ideas. Menuck met them in 2015 when recording Ada'sfinal album at Montréal's Hotel2Tango _ where they reconvened to make this record."NO MORE APOCALYPSE FATHER" is an album about witnessing bleakness from a place ofsafety. Carrying newfound descriptive depth, thanks to the quartet's open-ended songsfreeing him from writing in meter, Menuck likens his lyrics to photorealism. On opener `Ratsand Roses' he sings of an unnamed city struck by an unknown cataclysm, but the details arelocal: specifically, his neighbors inadvertently poisoning birds when tackling a rat infestation.It's backed by blown out synths and guitars reaching a soaring crescendo. "Seeing thingsfrom a distance and not being able to intervene happens a lot on the record," Menuckexplains. "If you're a feeling and thinking person, that's just part of the human condition.We watch horror unfolding from afar, unable to do anything concrete to change it."A powerless witness, able to describe but not intervene. `Dangling Blanket From A Balcony(White Phosphorous)' references Michael Jackson holding his child over a hotel balcony in2002_the bizarre media spectacle still lodged in Menuck's psyche. This and the album'sclosing track also elegize white phosphorous, a technology of war designed to light upbattlefields but capable of inflicting horrific burns on those it touches...

Years in the making – ‘Hey, Mr. Devil' presents a Raucous Revival Tent of Fallen Rockabilly Icons, Public Access Evangelists and Hellfire Puppeteers. Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia! Full dynamic range 2024 remasters!

From the makers of Hillbillies In Hell...A Celebration of Spiritual Triumph over Terrestrial Adversity. Originally cut on Homespun, Private-Press and Vanity labels across the 1960s, 1970s and early 1980s, this collection features voices almost never heard in the professional entertainment industry. The Dis-abled, the Less-abled, the Blind, Cancer survivors, those confined to a Wheelchair, those born with Dwarfism, those born without Limbs and some with many other challenges. Here, they shine and inspire with their Talents, Strength and unique moments of astounding individual Beauty. Often cut with direct involvement from their Families and Churches, these Country, Gospel and Folk songs tell of Struggle, Questions, Doubt, Faith and Joy. Each side representative of the Power of the Human Spirit to overcome Adversity: thankful to be part of the Great Mysterious Gift of Life. Hear the Divine Spark of the Human Spirit transform Disease, Blindness, Mental Disability and Physical Affliction into Faith and Gratitude. These are stories of Hope and Spiritual Fortitude. Not Cloistered nor Ashamed, this Righteous Collection of Subterranean Cuts shines with an uncommon Vitality and beautiful Nobility. All sides are incredibly rare and are reissued here for the very first time. The Human Spirit in all its Strength, Vulnerability and Light....

Refusing to be categorized easily, and playing uniquely original music unlike anything else, the band Totsuzen Danball is truly the one and only. Their 4th album "Fubi," was recorded in 1991, almost the same time they released 3rd album "Yokushi Onryoku" which known as one masterpiece in the band's career. P-vine proudly presents the lost gems on vinyl format for the first time. This release stands as the band's sole contribution to Alchemy Records, which is operated by Jojo Hiroshige from Hijokaidan. Though the album features a minimal three tracks, including the epic "Around the Lost World" clocking in at 17 minutes and 29 seconds, the distinct world they create defies description, truly embodying the essence of Totsuzen Danbooru. With front artwork boasting an overwhelming impact that transcends mere comprehension, this LP-sized release is a must-have.

Hole Erth, Chaz Bear's eighth full-length studio record as Toro y Moi, is the genre shapeshifter's most unexpected and bold move to date, with Bear diving headlong into rap-rock, Soundcloud rap and Y2K emo. The album blitzes anthemic pop-punk next to autotuned, melancholic rap - two genres that inform one another now more than ever before _ and packs in the most features ever on a Toro y Moi album. A sense of nostalgia sneaks its way into almost every Toro y Moi release, but angst is an emotion that Bear has never intentionally explored the way he does here. Tracks like "Tuesday'' channel a specific, yet forever-relatable sense of adolescent unease. A distorted guitar riff leads into a repeating chorus that conjures misunderstood teenagers singing aloud, maybe too loud, while riding bikes through American suburbs. This foreboding can also be heard on "HOV," though not without poking some fun with lines like "Romance is so cold / My advice? To bring a coat." Bear has the energy, but is acutely aware that his energy isn't forever. At a time when the internet is blending multiple genres into one at an increasingly rapid pace, Bear accomplishes the rare feat of keeping up with the contemporary alternative listener. Constantly changing, evolving and experimenting is the heart of Toro y Moi, and on Hole Erth Bear challenges but also reclaims himself, embracing the myriad sounds and eras that formed him, while crashing new worlds together.

Hole Erth, Chaz Bear's eighth full-length studio record as Toro y Moi, is the genre shapeshifter's most unexpected and bold move to date, with Bear diving headlong into rap-rock, Soundcloud rap and Y2K emo. The album blitzes anthemic pop-punk next to autotuned, melancholic rap - two genres that inform one another now more than ever before _ and packs in the most features ever on a Toro y Moi album. A sense of nostalgia sneaks its way into almost every Toro y Moi release, but angst is an emotion that Bear has never intentionally explored the way he does here. Tracks like "Tuesday'' channel a specific, yet forever-relatable sense of adolescent unease. A distorted guitar riff leads into a repeating chorus that conjures misunderstood teenagers singing aloud, maybe too loud, while riding bikes through American suburbs. This foreboding can also be heard on "HOV," though not without poking some fun with lines like "Romance is so cold / My advice? To bring a coat." Bear has the energy, but is acutely aware that his energy isn't forever. At a time when the internet is blending multiple genres into one at an increasingly rapid pace, Bear accomplishes the rare feat of keeping up with the contemporary alternative listener. Constantly changing, evolving and experimenting is the heart of Toro y Moi, and on Hole Erth Bear challenges but also reclaims himself, embracing the myriad sounds and eras that formed him, while crashing new worlds together.

Hole Erth, Chaz Bear's eighth full-length studio record as Toro y Moi, is the genre shapeshifter's most unexpected and bold move to date, with Bear diving headlong into rap-rock, Soundcloud rap and Y2K emo. The album blitzes anthemic pop-punk next to autotuned, melancholic rap - two genres that inform one another now more than ever before _ and packs in the most features ever on a Toro y Moi album. A sense of nostalgia sneaks its way into almost every Toro y Moi release, but angst is an emotion that Bear has never intentionally explored the way he does here. Tracks like "Tuesday'' channel a specific, yet forever-relatable sense of adolescent unease. A distorted guitar riff leads into a repeating chorus that conjures misunderstood teenagers singing aloud, maybe too loud, while riding bikes through American suburbs. This foreboding can also be heard on "HOV," though not without poking some fun with lines like "Romance is so cold / My advice? To bring a coat." Bear has the energy, but is acutely aware that his energy isn't forever. At a time when the internet is blending multiple genres into one at an increasingly rapid pace, Bear accomplishes the rare feat of keeping up with the contemporary alternative listener. Constantly changing, evolving and experimenting is the heart of Toro y Moi, and on Hole Erth Bear challenges but also reclaims himself, embracing the myriad sounds and eras that formed him, while crashing new worlds together.

Hole Erth, Chaz Bear's eighth full-length studio record as Toro y Moi, is the genre shapeshifter's most unexpected and bold move to date, with Bear diving headlong into rap-rock, Soundcloud rap and Y2K emo. The album blitzes anthemic pop-punk next to autotuned, melancholic rap - two genres that inform one another now more than ever before _ and packs in the most features ever on a Toro y Moi album. A sense of nostalgia sneaks its way into almost every Toro y Moi release, but angst is an emotion that Bear has never intentionally explored the way he does here. Tracks like "Tuesday'' channel a specific, yet forever-relatable sense of adolescent unease. A distorted guitar riff leads into a repeating chorus that conjures misunderstood teenagers singing aloud, maybe too loud, while riding bikes through American suburbs. This foreboding can also be heard on "HOV," though not without poking some fun with lines like "Romance is so cold / My advice? To bring a coat." Bear has the energy, but is acutely aware that his energy isn't forever. At a time when the internet is blending multiple genres into one at an increasingly rapid pace, Bear accomplishes the rare feat of keeping up with the contemporary alternative listener. Constantly changing, evolving and experimenting is the heart of Toro y Moi, and on Hole Erth Bear challenges but also reclaims himself, embracing the myriad sounds and eras that formed him, while crashing new worlds together.

Thurston Moore's forthcoming album is his ninth solo recording...

Thurston Moore's forthcoming album is his ninth solo rec...

Thurston Moore's forthcoming album is his ninth solo recordi...

Second full-length album by folk metal band Theigns & Thralls finally on vinyl! 'The Keep & The Spire' draws inspiration from a variety of sources including ancient poetry, historical novels, and current events, reflecting the band's penchant for compelling narratives and vivid imagery. The album features a series of tracks forming 'The Maldon Suite', a novelty in the band's discography, unified by Anglo-Saxon and Viking themes. For fans of Skyclad, Waylander, and Cruachan, Theigns and Thralls' 'The Keep & The Spire' offers a compelling addition to their playlists. Drawing parallels with Korpiklaani and Alestorm, the album promises to resonate with those who appreciate a blend of folk-inspired melodies, metal vigor, and sea shanty influences. 01.Overture02.A Single Beam03.Fight And Lay Your Bones04.The Battle of Maldon05.Aftermath06.Pagan Song07.The Harrowing08.The Seeker09.Now My Life Is Done10.The Grape And The Grain11.Interrogativa Cantilena12.The Mermaid Tavern

How would you define The Wild Feathers? Some may immediately check a box for Americana – and they wouldn’t be wrong. Others may lean on a version of rock: Country-rock, folk-rock, heartland rock. They’d all be right, too. Blues? A Southern flare? Occasional punk attitude? It’s all in there. Now, it’s time to hop on the bus and sing along.

The longtime Nashville band returns this year with Sirens, a new LP of road-worn, sharply-woven tales chronicling a life worth living, love worth holding and the hard-earned lessons found along the ride. To cut the follow-up to 2021 album Alvarado – the band’s debut on independent label New West Records – The Wild Feathers decamped from Music City, U.S.A., to Los Angeles for sessions with producer Shooter Jennings (known for his work with Brandi Carlile, Turnpike Troubadours and Tanya Tucker, among others) at Dave’s Room in North Hollywood.

Listen intently and without genre in mind. Because when the so-called Sirens make their sound on this new album, don’t worry about how to define it. Just enjoy the ride.

How would you define The Wild Feathers? Some may immediately check a box for Americana – and they wouldn’t be wrong. Others may lean on a version of rock: Country-rock, folk-rock, heartland rock. They’d all be right, too. Blues? A Southern flare? Occasional punk attitude? It’s all in there. Now, it’s time to hop on the bus and sing along.

The longtime Nashville band returns this year with Sirens, a new LP of road-worn, sharply-woven tales chronicling a life worth living, love worth holding and the hard-earned lessons found along the ride. To cut the follow-up to 2021 album Alvarado – the band’s debut on independent label New West Records – The Wild Feathers decamped from Music City, U.S.A., to Los Angeles for sessions with producer Shooter Jennings (known for his work with Brandi Carlile, Turnpike Troubadours and Tanya Tucker, among others) at Dave’s Room in North Hollywood.

Listen intently and without genre in mind. Because when the so-called Sirens make their sound on this new album, don’t worry about how to define it. Just enjoy the ride.

A new album by Medway's premier alt-folk outfit The Singing Loins! Yes indeed. We caught up with Rob Shepherd to find out more about their brilliant new LP Twelve_ Q: "The new album is called Twelve. Could you settle an office debate - is it your 12th album or have you called it that because it has twelve songs on it? (We thought Here On Earth was your 12th but not according to Discogs. Also, our ability to count accurately has diminished over the years!)"A: "A bit of both. Course, there's the 12 songs, but then, depending on how you count, it's also our 12th album (from 91-98, there's the 1st 4 LPs that Damaged Goods collected together on The Complete & Utter - that's a comp though, so we can't count that eh - then there's At The Bridge with Billy, so that's 5_..we can skip Alive In Dunkerque as well cos it's a live album....then there was 2004-13 where we made four more with you, then in 2019 we got back together and made 13 Moon Songs From Merry Hell, released on the Vacilando 68 label...so that's 10_and then we did another record with Billy, The Fighting Temeraire_ so yeah, that makes this one number 12)." Q: "The album has features newly recorded versions of several Loins classics. Was it a difficult decision deciding which back catalogue songs to record?"A: "No, pretty easy - it's basically the 12 songs we enjoy playing the most with the current lineup. Saying that, it's been a bit of a meandering road getting to this point. Since Brod passed away, Arf & me have done few nights of Loins songs - and it's felt good - celebrating the songs we all wrote together - so that started the selection process. Oli, Arf's lad, joined us on percussion and then Rich, who Billy had introduced to us, joined on violin - then Chris came along to play the drums, so Oli switched to guitar - and through all that we were refining the set of songs, and we got a point where we felt that, yeah, we've sort of worked out how to do this (you know, respecting and celebrating our past, without coming on like a tribut...