Rock & Indie 51869 Items

Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

53,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

57,99 €*

LP | 2024 | Original (Nettwerk)

Release: 2024 / US – Original

Genre: Rock & Indie

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Boa

Whiplash

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Mayway)

Stake

When The Candle Dies Out

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Mayway)

Stake

All Is Chaos

Release: 2024 / EU – Original

Genre: Rock & Indie

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Holy Beat! (A Collection Of 60s Italian Christian Beat)

LP | 2024 | EU | Original (Aberrant)

Party Album Green Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Holy Beat! - A collection of 60's Italian Christian beat from the vaults of Ariel Records. Nine tracks from three amazing Italian bands, Angel and the Brains, I Barritas & The Bumpers. Originally released as La Messa dei Giovanni in 1966 and recorded live the same year, this record has been the stuff of legend for deep cut Pop connoisseurs and 60's Beat archeologists, a beautiful and mesmerizing gem that goes way beyond the Christian novelty. Presenting here three amazing Italian bands (Angel and the Brains, I Barritas & The Bumpers), this is not just a Christian pop record, this is a collection of beautifully crafted Italian 60's Beat that will blow the mind of anyone remotely interested in 60's music, a must!

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Famous

LP | 2024 | EU | Original (Untitled)

31,99 €*

LP | 2024 | EU | Original (Beast)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Over the course of two wildly varied and acclaimed EPs, 2019's England and 2021's The Valley, shape-shifting London outfit Famous has forged its own inimitable sound. A sound that subverts pop's Gospels. A barrage of halcyon melodies, despondent electronics jutting against warming acoustics, and scintillating song structure, all this the singular creative vision of Jack Merrett - Famous' singer, lyricist, core songwriter and only consistent member - that finds convulsively spectacular expression in their forthcoming debut album, Party Album. Coming to prominence as a part of the cele...

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Dion Lunadon

Memory Burn

Party Album Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dion Lunadon (THE D4, A PLACE TO BURY STRANGERS...) is a musician who writes, performs and records his own rock 'n' roll records. Born in New Zealand and residing in New York City he has a 4 piece band who TCB live. Raw, real and off the chain! The art on the jacket of the record is unique, as both the front and back side serve as the front cover, or back cover. Confused?! Snag a copy and untwist your brain!

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Famous

LP | 2024 | EU | Original (Untitled)

LP | 2024 | EU | Original (Rocket)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Teeth Of The Sea

Hive Blue Vinyl Edition

LP | 2024 | EU | Original (Beast)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Since their formation in 2006, London-based Teeth Of The Sea have metamorphosized into the most adventurous psychedelic rock outfit in the UK. Taking on board influences like Morricone, Eno, Delia Derbyshire, Goblin, and the Butthole Surfers , they've arrived at an incendiary sound that marries the aural enlightenment of an avant-garde sensibility with the reckless abandon of the racket.undamental to Teeth Of The Sea's mission thus far is that this band can go anywhere and make short work of any obstacles in their path. Unfettered by genre distinctions or expectations, the only limits of this trio - comprising Sam Barton, Mike Bourne and Jimmy Martin - are those of its imagination. It therefore follows that inspiration flowed into Hive from all dimensions, with the band's sphere of influence - the science fiction, trash culture and cinematic atmospherics by which they've fuelled their mission thus far - expanding to take in everything from Italo-disco to minimal techno, from dubbed-out studio madness to their most brazen forays thus far into pop songwriting. Here is a headspace where the psychic charges from records by Labradford, Nurse With Wound, Vangelis, The Knife, Nine Inch Nails and John Barry can happily co-exist.Hive is more than just a transformative force from subterranean origins. It's an alchemical headspace where monochrome animates into vivid colour. It may not be a carefully ordered insectoid militia set to overthrow society, but it's a transmission which transcends anything Teeth Of The Sea have thus far offered in their time on Earth.Step inside Hive, if you dare.

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The Cherry Pies

Don't Just Say Things

3LP | 2024 | EU | Original (W.25th)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Genre: synth garage punkThe Cherry Pies are a bittersweet band from Turin composed of Veronica Zucca, Stefano Isaia (Movie Star Junkies, LAME), Nicola Lotta (Love Trap, GGR) and Riccardo Salvini (Indianizer, Love Trap). Their sound draws heavily from garage punk and American folk, from Reigning Sound to Jonathan Richman, via country ballads à la Lee Hazlewood and Nancy Sinatra.

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Cindy Lee

Diamond Jubilee

44,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-21

Superior Viaduct and our new artist label, W.25TH, are proud to continue to be the home for Cindy Lee with the physical release of the celebrated album Diamond Jubilee. Universally praised, shortlisted for the 2024 Polaris Music Prize, and already hailed by Pitchfork as the 3rd best album of the 2020s, anticipation and conversation around the record has been high.

Cindy Lee is the performance and songwriting vehicle of Patrick Flegel (who previously fronted influential indie group Women). Over several albums, Flegel has combined delicate melodies and sheer beauty with moments of experimentation. With Diamond Jubilee, Flegel’s undeniable songcraft comes to the foreground, embracing a more instant connection and accessibility. Timeless tales of love and longing, surrounded by sticky hooks, take the listener on an unforgettable journey.

Diamond Jubilee was written and recorded over several years by Patrick Flegel in Toronto, Durham, Calgary and Montreal at Realistik Studios. The album was mixed by Steven Lind, who also contributes to several tracks and co-wrote “Baby Blue,” and was mastered by Joshua Stevenson. Triple LP on black vinyl comes with 24” x 36” poster.

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LP | 2024 | US | Original (Rounder)

Sarah Jarosz

Blue Heron Suite

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

Hixtape: Vol. 3: Difftape

LP | 2024 | US | Original (Big Loud)

38,99 €*

Where We've Been Where We Go From Here

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

HIXTAPE & Joe Diffie - "HIXTAPE: Vol. 3: DIFFTAPE" [2 LP] HIXTAPE is back as HIXTAPE: Vol. 3: DIFFTAPE, a celebration of the legacy and beloved catalog of GRAMMY and CMA Award-winning country icon Joe Diffie. 2 LP set on black vinyl.

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Friko

LP | 2024 | US | Original (ATO)

46,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

LP | 2024 | US | Original (Thump)

Thee Midniters

Greatest

55,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

LP | 2024 | CA | Original (Mac's Record Label)

Johns.Daryl

Daryl Johns

Release: 2024 / CA – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Ground Up)

Becca Stevens

Maple To Paper

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Baroque Folk)

Susanna Hoffs

Lost Record

Release: 2024 / US – Original

Genre: Rock & Indie

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Kimono My House 50th Anniversary Colored Vinyl Edition

33,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Propaganda 50th Anniversary Colored Vinyl Edition

33,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Here In The Pitch Fools Gold Vinyl Edition

Jessica Pratt

LP | 2024 | EU | Reissue (City Slang)

Release: 2024 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

Kimono My House 50th Anniversary Picture Disc Edition

36,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Tears Before Breakfast Mint Green Vinyl Edition

Reno Divorce

LP | 2024 | EU | Original (Wolverine)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Phonowerke Luna)

Blutjungs

Süsses Oder Saures

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2024 | Original (Escape Music)

Lonerider

Down In The Dust

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2024 | Original (Upton Park)

Matmatah

Brest

Release: 2024 / Original

Genre: Rock & Indie

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Ultracopacetic (Copacetic Remixed And Expanded)

Velocity Girl

LP | 2024 | US | Original (Sub Pop)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (DixieFrog)

Circle Of Mud

Inside The Circle

Release: 2024 / EU – Original

Genre: Rock & Indie

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Eyes On The Mirror, Head In The Clouds Colored Vinyl Edition

Black Books

LP | 2024 | EU | Original (Shifting Sounds)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Propaganda 50th Anniversary Picture Disc Edition

36,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Roll It Out Vinyl Me, Please Edition

The Deslondes

LP | 2024 | US | Reissue (Vinyl Me, Please)

Feel Good Vinyl Me, Please Edition

Release: 2024 / US – Reissue

Genre: Rock & Indie

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The Deslondes are a five-piece group of dudes from New Orleans. The band splits up songwriting and lead vocal duties among its five members, continuing its democratic ethos and musical versatility. Now, with their latest record, Roll It Out the band continues to build on their inventive take on New Orleans country and R&B. Roll It Out finds the band leaning on the country-folk of their debut along with the sometimes-psychedelic, electrified gospel-soul sound of their previous records. The sound will continue to draw comparisons to the country-funkiness of The Band, Link Wray, and others but Roll It Out is the sound of a band that understands the history of American music, while embracing their own contemporary approach.

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Jamie Wyatt

LP | 2024 | US | Reissue (Vinyl Me, Please)

Revival Vinyl Me, Please Edition

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Jaime Wyatt's third studio album Feel Good, recorded with Black Pumas' blurs the lines between classic roots, southern soul, and vintage R&B. "A lot of us grow up feeling like we have to hide who we are just to be accepted, but that comes from a place of fear and judgment,” Wyatt explains. “I wrote these songs as a way of letting go of all that, as permission to feel good."

Limited to 500 copies, the VMP exclusive version of Jaime Wyatt's Feel Good is pressed on White vinyl at The Vinyl Lab. The 1LP will arrive in a gatefold, direct-to-board, foil-stamped and numbered jacket. It was mastered by Pete Lyman at Infrasonic Mastering.

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Annahstasia

LP | 2024 | US | Reissue (Vinyl Me, Please)

Charles 'Poppy Bob' Walker

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Revival is a folk EP showcasing Annahstasia’s uncompromising vision, recorded live by the artist and her band over a one-week period in a Joshua Tree Airbnb. She sought a DIY recording experience in order to center the ‘’human aspect'' of her music, something she was missing in her previous work — like the less stripped-back collaborative album Sacred Bull she made with Jay Cooper (which led to her opening for Lenny Kravitz throughout Europe in 2019).

‘’Folk as a genre is rooted around the essentials, there’s no fluff, there’s just the expression of your life experience in your standing and the world and your cultural viewpoint,'' Annahstasia said in an interview with VMP. ‘’I’m borrowing aspects from places that I might not even know that are just subconsciously in my space that to me elicit power, strength, this feeling of capability and warmth. All of those things symbolize power to me, so when I’m making my music as a folk artist, my folk music is directionally guided, inspired and motivated by making people and myself feel empowered.''

Each song on Revival, recorded in a single take, is driven by that self-determination and goal of empowerment. As the title implies, it’s a sort of rebirth for the artist, whose name even translates to ‘’resurrection'' in Greek. The result is a stunning and serendipitous project built to stand the test of time.

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Dirt Bike Vacation

LP | 2024 | UK | Original (Worried Songs)

Blue Garden Clear Vinyl With Purple Splatter Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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“Friends, they are my ticket out of this place I am in… feels like nothing more than a dirt bike vacation stop between Phoenix and San Diego.” Dirt Bike Vacation—for Worried Songs Records—explores the sonic world of the late amateur guitar player, Charles ‘Poppy Bob’ Walker, through a captivating set of instrumental songs made in the mid-1980s. Recorded on a single-track, Marantz field recorder, the project is a transportive document of Walker’s days spent as a meatpacking employee in Yuma, Arizona and the dailiness of that existence: driving to work, sitting in his backyard, walking around drunkenly, unwinding on the couch with a friend. These sketches, showing an experimental tendency, are surprisingly ahead of their time; some exhibit ad hoc tape delay (“Granite Bluffs,” “Goodbye Ymca”), while others make use of primitive overdubbing (“Continuation to Moon Doctor”). Not dissimilar to works such as Bruce Langhorne’s The Hired Hand soundtrack, Walker’s guitar playing is melodic, texturally rich and beautifully sober.

On a musical tour from Nashville to Los Angeles, musician-archivist, Cameron Knowler, uncovered these songs from a series of dusty cassette tapes housed at a branch of the Yuma County Library. Originally tipped off by cryptic metadata entries found through an online finding aid, Knowler requested a sound sample and was immediately drawn in by their eerie, yet hopeful nature: “I didn’t care what they sounded like at first, but once I heard just a few seconds, I had to find out everything I could about Charles, who he was, and if he was still alive.” As it turns out, the two had miraculously crossed paths over 20 years prior when Cameron was a young boy accompanying his mother, a gem trader, on a biyearly sojourn to Quartzsite, a town 80 miles north of Yuma:

“Charles, sitting down and smoking in a recliner, withdrawn, held what I now understand to be a mid-1990s Martin D-28 guitar. Unlike other old-timers, his instrument was sharply tuned and had a nice sound, even to my young and uncalibrated ears. Though his left hand showed signs of highly developed arthritis, his musical ideas were animated by a palpably deep understanding of fretboard anatomy, arrangement and harmony.”

Sorting through the index cards associated with these tapes, Knowler was able to gain a detailed sense of most recording’s provenance, whereabouts and time: Walker’s Datsun pickup truck chugging along boiling hot Interstate 80, the Marine Corps Air Station parking lot, the Eastern Wetlands on the banks of the Colorado River, a fishing trip to Martinez Lake. Trying to reduce the amount of his own subjectivities coloring the work, Cameron constructed titles and track sequences by borrowing information gleaned from Charles’ handwritten notes: “I tried to organize everything by time of day, giving the listener the sense of how a Yuma day might sound and feel like, and each song title—even the record itself—is borrowed from his own words.” This proved no small task, as many notecards had to be deciphered and then coupled with their native tapes which needed extensive restoration treatments.

The result is a project very much out of the blue, and one that is intensely personal to Knowler, having grown up in the same town under similar circumstances. “It feels like a part of my own journey as a guitarist reckoning with the defining marks of a gothic border town,” he remarks. “At the time I would’ve met Walker, I didn’t have much outside influence, but he has been in there all the while.” In their current form, the tracks combine to create a sonic journey that boldly contributes to the traditions of acoustic guitar soli, archival digs and field recordings all the same; most importantly, it is a creative document which shows a day-in-the-life of a man grappling with the human experience under a ubiquitous Yuma sun.

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Delta Sleep

LP | 2024 | UK | Original (Sofa Boy)

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Genre: Rock & Indie

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One True Pairing

Endless Rain

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The Voidz

Like All Before You

40,99 €*

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Genre: Rock & Indie

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American Idiot 20th Anniversary Deluxe Edition

Green Day

Box | 2024 | Original (Reprise)

186,99 €*

The Night The Zombies Came Indie Exclusive Red Smoky Vinyl Edition

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Pixies

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Chuck Ragan of Hot Water Music

Love & Lore Colored Vinyl Edition

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Pixies

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We Take No Prisoners Singles 1995-2006 7inch Box

Motörhead

Box | 2024 | EU | Original (BMG Rights Management)

78,99 €*

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Queen

Queen I Vinyl Edition

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Deep Purple

LP | 2024 | Original (Universal)

31,99 €*

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Shovel Dance Collective

The Shovel Dance

23,99 €*

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The Shovel Dance is the most powerful release to date from nine-piece folk group Shovel Dance Collective, bringing studio fidelity and trickery to the rich arrangements and soaring vocals of their concerts. Their new album revolves around the group’s interplay and close listening, no matter how many members of the band play on a given song or how many instruments feature (there are twenty-five instruments and eight voices). With production by Mike O’Malley (caroline) and mastering by Matt Colton (Thurston Moore, Laura Marling), they give their arrangements an experimental edge—as close to Scott Walker or Swans as Shirley Collins or Bert Lloyd—that situates them on the bleeding edge of folk music, with unique beauty, force, and political charge.

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Invasion Of Your Privacy Grey & White Vinyl Edition

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Wake The Dead Orange Vinyl Edition

Chuck Prophet

LP | 2024 | US | Original (Yep Roc)

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Chuck's first album in 4 years is inspired by the cumbia bands he saw at San Francisco clubs in the pandemic's aftermath, while undergoing cancer treatment. The music was a source of joy, during a dark time. He started playing with ¿Qiensave? a cumbia band based in Salinas, CA. The result is 11 new Chuck Prophet songs wrapped in a cumbia shell. The latin rhythms & chord progressions merge with Chuck's signature song styles to create something new that defies genre, but is undeniably joyful.

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Detonator Red

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I'm Not Broken Live From Leavenworth

Melissa Etheridge

2LP | 2024 | EU | Original (Virgin Music Las)

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A Place To Bury Strangers

Synthesizer Black Vinyl Edition

LP | 2024 | US | Original (Dedstrange)

43,99 €*

Ecce Homo Blue Vinyl Edition

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Synthesizeris the title of A Place to Bury Strangers' seventh album. It is also a physical entity, a synthesizer madespecificallyfor A Place to Bury Strangers’ seventh album.Synthesizeris a record that celebrates sounds that are spontaneous and natural, the kind of music that can only come from collaboration and community. It now features a fully collaborative new lineup, withJohn and Sandra Fedowitz. That spirit of reinvention is all over the record.Synthesizeris out October 4, 2024 -- only on Dedstrange.

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Gavin Friday

38,99 €*

Release: 2024 / EU – Original

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Dancing Undercover Red, Black & White Striped Vinyl Edition

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Joe Strummer & The Mescaleros

Rock Art & The X-Ray Style

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Reach For The Sky Colour Splatter

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Ten Modern American Work Songs Coke Bottle Clear Vinyl Edition

St. Lenox

LP | 2024 | US | Original (Don Giovanni)

LP | 2024 | Original (Second Class Kids)

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Andrew Choi doesn’t claim to have all of the answers when it comes to talking about work in America. But if anyone is uniquely well positioned to raise questions, it’s him. Over the course of two decades, the Midwest-born, New York-based singer-songwriter—who performs under the name St. Lenox—has been a musician, a clothing store employee, an underpaid graduate student and scholar, and a salaried corporate attorney. This tremendous amount of experience is channeled into Andrew’s latest album.

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Lastkaj 14

DJävulskorset

Release: 2024 / Original

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Can't Steal My Fire: The Songs Of David Olney

2LP | 2024 | US | Original (New West)

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Cerulean Salt Indie Exclusive Purple In Wheel Vinyl Edition

Waxahatchee

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Annarella And DJango

Jouer

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Heated Garage: Toasty Treasures From Minnesota's Kay Bank Studio

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Bastille

38,99 €*

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A Place To Bury Strangers

Synthesizer

Tape | 2024 | US | Original (Dedstrange)

17,99 €*

Fear Of Death Golden Sunset Vinyl Edition

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Tim Heidecker

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Bad Moves

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Still Bright Translucent Forest Green Vinyl Edition

Amythyst Kiah

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Head North / Microwave

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When We Were Looking Clear Coke Bottle Vinyl Edition

Louisa Stancioff

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A Place To Bury Strangers

Synthesizer Indie Exclusive Glow In The Dark Green Vinyl Edition

LP | 2024 | US | Original (Dedstrange)

43,99 €*

7" | 2024 | UK | Original (Domino)

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Panda Bear

Defense

13,99 €*

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Hex Enduction Hour Black Vinyl Edition

The Fall

2LP | 2024 | Original (Cherry Red)

41,99 €*

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Blue Hour Canary Yellow Vinyl Edition

Real Friends

LP | 2024 | US | Original (Many Hats)

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Fantasy Colored Vinyl Edition

Landmvrks

LP | 2024 | EU | Original (Arising Empire)

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Songs Against Humanity Trifold Orange Marbled Vinyl Edition

The Spirit

LP | 2024 | Original (AOP)

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Human - Extended Cut Splattered Vinyl Edition

Resolve

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One Morning Left

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Altering Fates And Destinies

Loudblast

LP | 2024 | EU | Original (Listenable)

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The Spirit

Songs Against Humanity

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Anatomy Of Darkness Blue Vinyl Edition

Haliphron

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Godflesh Black Vinyl Edition

Godflesh

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Decapitated

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Entombed

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Okean Elzy

Lighthouse

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Crosby, Stills, Nash & Young

Live At Fillmore East 1969 Clear Vinyl Edition

2LP | 2024 | Original (Rhino)

39,99 €*

Release: 2024 / Original

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Crosby, Stills, Nash & Young

Live At Fillmore East 1969

2LP | 2024 | Original (Rhino)

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The Nothing That Is Bone W Blue Pink Purple Splatter Vinyl Edition

Fit For An Autopsy

LP | 2024 | EU | Original (Nuclear Blast)

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Yes Singles 2 Splatter Vinyl Edition

Yes

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Iron Butterfly

Fillmore East 1968

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Greatest Hits: You Never Saw Coming Gold Vinyl Edition

Kid Rock

2LP | 2024 | Original (Rhino)

41,99 €*

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Double Vision Translucent Grape Vinyl Edition

Foreigner

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2LP | 2024 | EU | Original (Nuclear Blast)

Ghost Bath

Starmourner

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Ghost Bath

Self Loather

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Reset Goldblack Splatter Vinyl Edition

Turmion Kätilöt

LP | 2024 | EU | Original (Nuclear Blast)

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3LP | 2024 | EU | Original (ADA)

Bear McCreary

The Singularity

36,99 €*

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Live Transparent Orange Vinyl Edition

Foghat

Release: 2024 / Original

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Back From The Goatsköttel Vinyl Edition

Milking The Goatmachine

LP | 2024 | EU | Original (Reaper Entertainment Europe)

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Supersister

The Elton Dean Sessions

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Get The Gore Red Vinyl Edition

Gore Gore Girls

LP | 2024 | US | Original (Bloodshot)

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Des Demonas

Apocalyptic Boom! Boom!

23,99 €*