Rock & Indie 6152 Items

Passion, Love Hearth & Soul

Release: 2021 / US – Original

Genre: Rock & Indie

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In an industry always pinning its hopes on the next big trend, Benny Sings is in it for the long haul. The Dutch artist has honed a signature sound while creating a colorful catalog of essential pop gems that have led to loyal global following.

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Beppe Cunico

2LP | 2021 | EU | Original (X-Land Studio)

40,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (The Hours Publishing)

Bergmann

No Curfew

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Born Bad)

Bernard Estardy

Space Oddities 1970-1982

Friture Havasi - Le Cocek D'Anderlecht

Release: 2018 / EU – Original

Genre: Organic Grooves, Rock & Indie

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A master of the mixing board, from the late '60s until the '90s Bernard Estardy was the wizard of French musical recordings. As head of CBE studios, he shaped everything from Gérard Manset's concept albums to Claude François' hit singles, Françoise Hardy's delicate tear-jerkers and Michel Sardou's soul-stirrers. This "giant" had his hand in the whole range of mainstream French music by making his studio a veritable playground for experimentation. His legendary album 'La Formule Du Baron,' released in 1969, and the eight LPs of production music he made between 1974 and 1978 for Tele Music are vivid proof.

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Bernard Orchestar

7" | 2021 | EU | Original (Zephyrus)

10,99 €*

LP | 2021 | EU | Original (Upset The Rhythm)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Active for a decade now and soon knocking at the gates of the Walhalla, the sportsmen of Bernard Orchestar present a new repertoire that is both juicy and greasy, just like samurai sauce.

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Bertie Marshall

Exhibit

19,54 €* 22,99 € -15%

Split From The Isolation Transparent Blue Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Bertie Marshall is a writer/ performer. He is also an acclaimed memoirist, most well known for his book ‘Berlin Bromley’ (2006) about his transformation from Bertie, an anxious, androgynous, depressed teenager, into Berlin, a teenager who would reject suburban values and become a founding member of punk’s ‘Bromley Contingent’, alongside Siouxsie Sioux, Steven Severin and Billy Idol.

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Betelzeus / Ockultist

LP | 2021 | EU | Original (Interstellar Smoke)

14,99 €* 19,99 € -25%

Release: 2021 / EU – Original

Genre: Rock & Indie

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Front And Center-Live From New York Blue Vinyl Edition

Beth Hart

2LP | 2018 | EU | Reissue (Mascot Label Group)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Pace Per Sempre Limitierte Fanbox

Betontod

Box Set | 2021 | EU | Original (Betontod)

40,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Destructure)

Better Off Dead

Taking Trains

10,49 €* 13,99 € -25%

Release: 2018 / EU – Original

Genre: Rock & Indie

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7" | 2021 | EU | Original (Stroom)

Betty Arden / Saskia

Funny Bells / Sloopy

12,99 €*

LP | 2021 | EU | Original (Dmg Germany)

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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"Goodmorning. I wish you, a merry merry christmas. As you sit by the fire. I see your sadness on your face. You hear the funny bells inside your head. And I do look into your pretty eyes. So gray. The Funny Bells. You are my friend. Today." au

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Betty Sue & The Hot Dots

A Coffee And A Cigarette

Release: 2021 / EU – Original

Genre: Rock & Indie

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Between The Buried And Me

Colors II Black Inside Grimace Purple Inside Trans Highlighter Yellow Vinyl Edition

2LP | 2021 | EU | Original (ADA)

30,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Hopeless)

Between You & Me

Everything Is Temporary

Release: 2018 / EU – Original

Genre: Rock & Indie

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At Last! Record Store Day 2021 Edition

Beverly Glenn-Copeland

12" | 2021 (Transgressive)

18,19 €* 25,99 € -30%

LP | 2021 | UK | Original (Transgressive)

Release: 2021

Genre: Rock & Indie

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Record Store Day 2021 Release.

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Beverly Glenn-Copeland

Keyboard Fantasies

Release: 2021 / UK – Original

Genre: Rock & Indie

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Keyboard Fantasies Reimagined

Beverly Glenn-Copeland

LP | 2021 | Original (Transgressive)

LP | 2018 | EU | Original (Pharaway Sounds)

Release: 2021 / Original

Genre: Rock & Indie

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Keyboard Fantasies Reimagined is a collection of songs from the now legendary album, Keyboard Fantasies, re-worked and re-imagined by a collection of creative kindred spirits. Shared so far from this collection is “Ever New (Kelsey Lu’s Transportation)” and Sunset Village (Blood Orange Remix) with more to come.

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Beyaz Kelebekler

Köln Session 1976

Dew It! / Live Crucial Chaos WNYU Purple Vinyl Edition

Release: 2018 / EU – Original

Genre: Rock & Indie

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Famous for their matching, colourful suits and always-happy smiles, Beyaz Kelebekler (White Butterflies) were a mixed-gender Turkish band very popular during the ‘70s. They released one album plus numerous 45s in Turkey and other countries like Holland and Italy. In 1976 during the last day of their European Tour, just after one gig in Cologne, Beyaz Kelebekler visited a studio of a friend which was still in construction. They decided to record a few songs, just for fun and for testing the new studio equipment. It was a very basic, one take recording, using an 8-channel mixer, a few mics and a reel-to reel tape machine.
The result was an amazing example of Anatolian psych-funk, featuring wah-fuzz guitar, flute, heavy drums, joyous male / female vocals…
Unreleased until now, we present the first ever release of these surprising recordings, rescued from the only surviving cassette tape.
Colour insert with photos.

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Beyond

LP | 2014 | US | Reissue (Revelation)

LP | 2021 | EU | Original (Prosthetic)

Release: 2014 / US – Reissue

Genre: Rock & Indie

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Beyond, though short lived in the Nyhc scene (1988–1989), made an impact with their personal brand of Long Island metaltinged hardcore with intricate riffage. The Dew It! demo was supposed to be recorded for Schism but the label folded before it got off the ground. They sold their demos through Some Records on the Lower East Side until the store closed and the rest were sold through mailorder. Originally recorded on a 1” tape and mixed on cassette, Dew It! has been remixed to give it the sound that was previously intended. Backed with the demo is Beyond’s live set on WYNU’s legendary punk and hardcore radio show, “Crucial Chaos,” which was started in the late ’80s and still continues to this day, nearly 25 years later. Members of Beyond have gone on to bands like Quicksand, Bold, Inside OUT, Burn, Shelter, 108, and more. Revelation Records has combined these two gems on vinyl and paired it with a 20 page 12” x 12” booklet.

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Beyond Grace

Our Kingdom Undone

17,04 €* 30,99 € -45%

No Longer At Ease Green Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Following their critically well received debut album, Seekers, in 2017 - Our Kingdom Undone sees Beyond Grace refining and redefining their sound into something that’s simultaneously more intricate and more intense than ever before, combining conceptually ambitious songwriting and high octane heaviness in equal measure.

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Beyond

LP | 2021 | US | Original (Revelation)

Errors In The History Of God / Unknown Male 01

Release: 2021 / US – Original

Genre: Rock & Indie

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Beyond, though short-lived in the Nyhc scene (1988–1989), made an impact with their personal brand of Long Island metal-tinged hardcore with intricate riffage and members going on to other influential hardcore bands on both coasts. No Longer At Ease was originally released in 1989 by Combined Effort Records and later reissued in 1997 on CD by Some Records. This 2016 Revelation Records reissue of their fulllength LP No Longer At Ease

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Biffy Clyro

10" | 2021 | EU | Original (Warner Music International)

16,19 €* 17,99 € -10%

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Legacy / Columbia)

Big Audio Dynamite II

On The Road Live '92

LP | 2018 | EU | Original (Pop Wig)

Release: 2018 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2018!

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Big Bite

Release: 2018 / EU – Original

Genre: Rock & Indie

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12" | 2018 | Reissue (Touch & Go)

Big Black

Headache

Big Brother & Holding Company

Release: 2018 / Reissue

Genre: Rock & Indie

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REMASTERED BY STEVE ALBINI AND BOB WESTON AT CHICAGO MASTERING!Big Black was started by Steve Albini in 1982 while he was attending Northwestern University in Evanston, Illinois. Lungs, the first Big Black release was recorded by Steve on a borrowed 4-track. He played everything on the EP himself - except the sax bleating courtesy of pal John Bohnen and the drums courtesy of Roland. Soon after, Steve recruited Jeff Pezzati (Naked Raygun) on bass, and Santiago Durango (also Naked Raygun) joined them on guitar. In 1983, together with live drummer Pat Byrne, they recorded the Bulldozer EP. By 1984, the band had done some touring and recorded the Racer X EP and the start of the Il Duce 7". After that, Jeff returned to Naked Raygun and was replaced by Dave Riley. In 1985, Big Black recorded their first full-length, Atomizer, as well as finishing the Il Duce 7". Atomizer was released in 1986 along with the release of the Hammer Party compilation CD. In 1987, the Headache EP and Heartbeat 7" were released. That same year, the band recorded and released the 7" of The Model/He's A Whore as well as their second full-length album, Songs About Fucking. They toured extensively (for Big Black). And they broke up."We liked to think we were ahead of our time. Now that time hascaught up with us-well, this isn't such a swell place, and having gotten here first doesn't make it any nicer." - Steve Albini

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Sex Dope & Cheap Thrills

2LP | 2018 | US | Original (Sony Legacy)

36,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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Big Brother & The Holding Company

Cheap Thrills

LP | 2018 | EU | Original (Columbia)

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Side One Dummy)

Big D And The Kids Table

Do Your Art

LP | 2018 | US | Original (Daydream Library Series)

Release: 2021 / US – Original

Genre: Rock & Indie

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Double LP in a gatefold jacket. Cyan Blue Vinyl, limited edition of 1000 copies.DO YOUR ART isn't just an album title for Big D and the KidsTable's ninth studio album of original material. DO YOUR ARTis an inherently political mission statement delivered with gusto and enthusiasm to anyone creative to remind them to keepgoing, even if the odds are increasingly stacked against them in this hyper-capitalistic society. "I wanted to instill in young artists_or old artists, or whoever_to keep doing it," says frontman David McWane. "Life might pull you away with itsdemands: but don't give up. Every musician, artist and dancerneeds to realize that there's magic inside of them that otherpeople just don't have, no matter the circumstances of theirupbringing." DO YOUR ART, finds Big D and the Kids Table sounding as fresh and inspired as ever for their fifth album with SideOneDummy Records. Produced and engineered by ReelBig Fish's Matt Appleton, DO YOUR ART is a musical meltingpot, highlighting the band's versatile talents and delivering amixture of punk, ska and dub-reggae songs, as well as payinghomage to McWane's favorite `60s B-films. The 20-track albumis truly a moveable feast. And what's moving are your feet!DO YOUR ART is a reminder to make the most of life_evenwhen at its lowest points_and also to not be dissuaded fromcreating what you want to create. It's an album that will makeyou think and feel, but also make you dance and laugh. It's asurge of positivity in a crappy world where it's all too easy to feel equally crappy, and a much-needed jolt of perspectiveabout everything that's going on. "I definitely want this record to be helpful for people mentally," says McWane. "It'ssomewhere for them to go to and laugh. So listeners can focuson recognizing all the good things in their lives_all the beauty, and all the people who love them_and make sure to enjoy their life and DO YOUR ART!"

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Big Joanie

Sistahs

Virtual Control Red Vinyl Edition

Release: 2018 / US – Original

Genre: Rock & Indie

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BIG JOANIE are Stephanie Phillips (singer/guitarist), Estella Adeyeri (bass) and Chardine Taylor-Stone (drums). The band formed in 2013 and released their first EP
'Sistah Punk' in 2014 and the single 'Crooked Room' in 2016. As part of London's thriving DIY punk scene they have played with locals Shopping; toured with US
punks Downtown Boys; and Dutch band The Ex; and performed at the first UK Afropunk festival. Inspired by The Ronettes, Nirvana, Breeders and Jesus and Mary
Chain, Big Joanie have described themselves as being "similar to The Ronettes filtered through '80s DIY and Riot Grrrl with a sprinkling of dashikis." Big Joanie recorded 'SISTAHS' over several sessions from November 2017 to January 2018 at Hermitage Works Studio with producer Margo Broom. One of the main reasons for coming together was to create an atmosphere to be "completely ourselves as black women and discover what was possible to realise in those spaces." The album cover features Steph's mum Joan, whom the band is named after, and her aunt on holiday in Wales.

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Big Paul Ferguson

LP | 2021 | US | Original (Cleopatra)

23,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (People)

Release: 2018 / EU – Original

Genre: Rock & Indie

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How Long Do You Think It´S Gonna Last?

Tape | 2021 | US | Original (Jagjaguwar)

16,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."

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How Long Do You Think It´S Gonna Last? Black Vinyl Edition

2LP | 2021 | US | Original (Jagjaguwar)

Release: 2021 / US – Original

Genre: Rock & Indie

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How Long Do You Think It´S Gonna Last? Red Vinyl Edition

2LP | 2021 | US | Original (Jagjaguwar)

LP | 2014 | US | Original (Barsuk)

Release: 2021 / US – Original

Genre: Rock & Indie

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Big Scary

Not Art

I'm Here To Drink Nattys And Fuck Shit Up, And I'mm All Out Of Shit To Fuck Up Colored Vinyl Edition

Release: 2014 / US – Original

Genre: Rock & Indie

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The story of Big Scary begins in Melbourne, Australia, where duo Tom Iansek and Jo Syme, armed with just acoustic guitars and egg shakers, started playing songs together in the living room of Syme’s parents’ house, gradually working up to a bolder, more expansive sound by incorporating electric guitars, drums, synths and piano. What began as a few rainy day acoustic ballads in their first incarnation soon grew, and before long, the newly named Big Scary were writing anything they pleased – fuzzed-out garage rock; piano-led pop; intricate, pastoral instrumentals – each imbued with an effortless pop sensibility and lightness of touch that would quickly see the duo attract a strong following in their home country. Following a series of early self-released singles and EPs, Big Scary released the intimately crafted debut album Vacation in 2011 via the band’s own label Pieater. The album brought the pair widespread acclaim, and earned the duo a large Australian audience with nominations for ‘Album Of The Year’ from Triple J and ‘Breakthrough Artist Of The Year’ from AIR (Australian Independent Record Labels Association), plus a small but growing cult following overseas. 2012 saw Big Scary take its first small steps onto the world stage – earning further underground acclaim via a self-funded North American tour that saw Tom and Jo play SXSW, CMW, and CMJ, impressing whatever audiences happened upon the versatility, lovable magnetism, intelligent songwriting and dynamic live performances that make up the band’s riveting shows.On the heels of their adventures abroad, an invigorated Tom and Jo returned home and began recording their second full length album. Grappling with the pressures and perceived responsibilities of their Australian success, the daunting goal of bringing their music to wider audiences, and their own expectations of themselves as writers and creators, the band eventually settled into making an album that would be, paradoxically, hotly anticipated at home while acting simultaneously as a first introduction to almost all audiences elsewhere: Not Art.The Melbourne-based duo has become a household name in Australian indie-pop circles and has a growing cult following overseas. Barsuk Records is thrilled to be the U.S. home for the band’s forthcoming album Not Art, a slow-burning stunner produced and engineered by Iansek and mixed by Tom Elmhirst (Amy Winehouse, The Kills, Arcade Fire, Adele) that distills influences of indie rock song structure, pop and hip-hop production, and experimental ambient music.

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Big Water

LP | 2021 | Original (Reptilian)

Release: 2021 / Original

Genre: Rock & Indie

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LP | 2021 | UK | Original (Counter)

Bigger Better Sun

Adjust To Wellness

16,89 €* 25,99 € -35%

Release: 2021 / UK – Original

Genre: Rock & Indie

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Stay Asleep Yellow Black Splatter Vinyl Edition

Bigwig

LP | 2014 | EU | Reissue (Kung Fu)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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LP | 2021 | EU | Original (Negative Gain)

Bikini Death Race

Refrigerator

23,99 €*

Yeah, Yeah, Yeah, Yeah EP

Release: 2021 / EU – Original

Genre: Rock & Indie

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A Mix Of Punk, Synth-Pop And Electronica, Neon Lights, Distorted Bass And Liberating Screams.The Ironic, Dadaist And Nonsense Approach Of The First Album Is Well Preserved But With Refrigerator, The Band Have Taken A Deep Dive Into Experimentation With Analog Synthesizers And Drum Machines - Modelling A More Defined Sound By Uniting The Punk Soul Of Their Past With More Varied And Articulated Songwriting.For Fans Of New Wavefor Fans Of Synth Punkfor Fans Of Electroclash

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Bikini Kill

12" | 2014 | US | Original (Bikini Kill)

Bill Callahan & Bonnie Prince Billy

Release: 2014 / US – Original

Genre: Rock & Indie

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Received an 8.6 Best New Reissue rating from Pitchfork.

Yeah Yeah Yeah Yeah was recorded in 1992 with Tim Green (Nation of Ulysses) at The Embassy - a group-house in Washington, D.C. -
and was the first Bikini Kill release to feature the band’s song, “Rebel Girl.” Originally a split EP with the Brighton, UK-based band,
Huggy Bear, the b-side now features seven previously unreleased Bikini Kill songs drawn from era-appropriate live shows and practice
tapes. The artwork has also been updated to include archival photos and liner notes from the Bratmobile’s Erin Smith, Comet Gain’s
David Feck, and the members of Bikini Kill.

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Blind Date Party

2LP | 2021 | US | Original (Drag City)

42,99 €*

Bill Callahan & Bonnie Prince Billy

Release: 2021 / US – Original

Genre: Rock & Indie

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The Blind Date Party hosted by Bill Callahan and Bonnie ‘Prince’ Billy and featuring Azita, Matt Sweeney, Alasdair Roberts, Matt Kinsey, Sean O’Hagan, Bill MacKay, George Xylouris, Dead Rider, David Pajo, Mick Turner, Meg Baird, Ty Segall, Emmett Kelly, Cory Hanson, Six Organs of Admittance, David Grubbs, Cassie Berman, Cooper Crain and Sir Richard Bishop happened online in the fall and winter of ’20–’21 — but the party planning dated back to the spring of 2020. Stuck at home, with no gigs in the foreseeable future, Bill, Bonnie and Drag City needed an outreach program to keep themselves busy, not to mention sane. In the absence of any company or anything on the calendar, playing songs they loved was an idea; playing with people they loved, the desire. And making it fun — so pairing someone with someone else having no say in the matter, the essence of the blind date, was the plan. Favorite songs were chose; players from around the Drag City galaxy were messaged. Pretty soon, songs were flying back and forth — music in the air! And thus, they were entertained throughout the summer of 2020, when so much else in the world seemed so completely wrong. By the fall, the songs started to appear online: Bill and Bonnie singing a song by someone they loved and admired; each song cut by another another artist they loved and admired, then sent to Bill and Bonny to provide the finishing touches. The spotlight pointed in every direction each week: toward the singers and writers who’d originally played the songs (Yusuf Islam, Hank Williams Jr., Dave Rich, The Other Years, Billie Eilish, Steely Dan, Lou Reed, Bill Callahan, Jerry Jeff Walker, Robert Wyatt, Lowell George, Johnnie Frierson, Air Supply, Will Oldham, Leonard Cohen, David Berman, Iggy Pop and John Prine), toward their featured collaborators, the artists whose artwork adorned each digital single and videos made by still more collaborators. And you, the listener. Like the best parties, it turned out to be everything and more than they’d even hoped for. So many more people were involved in the process that we can get on the page here. Suffice to say, making records over the years has required a broad sense of community and an always-surprising mix of independence and unity, inspiration and utility. Some of our best memories are those where as many of our folks as possible were together in one place at one time. In those moments, it was just a great thing just to be there. And with others looking in . . . this was a joy one could only be infinitely lucky to feel and to take for granted, as well. The Blind Date Party was one of these, maybe the most improbable one yet. It’s for everyone who’s here and it’s in the name of everyone who’s gone but will never go and will always live with us here. This album will too. And thus, we are entertained.

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Blind Date Party

2Tape | 2021 | US | Original (Drag City)

2LP | 2021 | US | Original (Scat)

Release: 2021 / US – Original

Genre: Rock & Indie

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Bill Fox

Shelter From The Smoke

2LP | 2021 | US | Original (Scat)

Release: 2021 / US – Original

Genre: Rock & Indie

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Scat Records offers up a definitive edition of Bill Fox's debut solo disc, Shelter from the Smoke, back in print after more than half a decade. Originally self-released in 1997 and reissued the following year by SpinArt, both previous versions featured different tracklists. This edition includes all songs from both versions, as well as the two tracks from a scarce 1996 Scat 7-inch. This reissue also marks the first time the album has been pressed on vinyl. Fox began his musical journey in early 1980s Cleveland with The Mice, who fused punk energy with British-Invasion-style songwriting and harmonies. He infamously dissolved the group on the eve of a European tour, then dropped out of the scene altogether, with an unfinished Mice LP in the can. In the early '90s, he began a series of home recordings which revealed a growing preference for acoustically based music, and formed the basis for Shelter from the Smoke as well as the follow-up Transit Byzantium (scheduled for a similar reissue treatment next year). Shelter also includes four electric tracks recorded with Fox's short-lived band The Radio Flyers. After a 1998 tour, Fox once again dropped out of music. Now he is performing again. For how long, nobody knows. Fox is one of those rare musicians who really does not enjoy the limelight, even declining an interview with Joe Hagan of The Believer, who went so far as to fly to Cleveland in hopes of meeting him. That and his refusal to "be on the internet" has probably only helped the growing cadre of music fans who sees his solo albums as mysterious, lost classics. Or perhaps they just delight in the ringing sound of Fox's perfectly pitched voice or his deft lyricism. Either way, Fox's two solo albums are jewels not to be missed by anyone who enjoys traditional songcraft or iconic vocalists.

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Bill Fox

Transit Byzantium

LP | 2014 | EU | Original (Music On Vinyl)

Release: 2021 / US – Original

Genre: Rock & Indie

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These newly remastered editions of Bill Fox’s second album are the first since its 1998 release, including the first-ever vinyl pressing. Listeners will hear a wider soundstage, more detail, and improved listenability. Recorded on 4-track cassette, the fidelity belies the sophistication and nuance of the songwriting, This adept remaster by John Golden Sr helps bring definition to the intimate, at-home feel of the album. It sparkles. Very similar in feel and quality to Fox’s debut album, much of Transit Byzantium draws from the same group of recordings. It has the same feel of musical inevitability, that the songs exist beyond time itself, their eventual manifestation guaranteed by Apollo. He could’ve given them to the Everly Brothers, or the Byrds, or the Who, but instead they were channeled through an everyman from Cleveland with an aversion to the limelight. And while a traditional folk influence colors several songs, even those possess the indelible stamp of Fox’s charismatic voice and personality. Although nearly entirely acoustic and with minimal percussion, these eighteen songs cycle through a remarkable variety of textures and moods. While much has quite rightly been written about the god-tier songwriting here (“Song of a Drunken Nightingale,” “My Baby Crying,” “I’ll Give It Away” for starters), it should also be noted that this is a guitar player’s record, though more in terms of conception than flash. Lines of harmony and counterpoint wander between parts, sublime in their invention though sometimes crudely documented.

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Bill Frisell

Guitar In The Space Age!

Bill Gage & Cheater Slicks

Release: 2014 / EU – Original

Genre: Rock & Indie

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On this brand new album, guitarist and composer Bill Frisell mines the catalog of the guitar-based music from the 1950s and 1960s that first inspired him to pick up the instrument. This performance promises a rare look into Bill Frisell's formative influences, from a time when the electric guitar was in its infancy and creating a startlingly new sound, pushing popular music into the future.

180g vinyl.

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Piano Tunnels

LP | 2021 | US | Original (In The Red)

Bill Mackay And Nathan Bowles

Release: 2021 / US – Original

Genre: Rock & Indie

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Bill Gage is a quasi-famous singer with a raw, rock ’n’ roll voice. Cheater Slicks are an infamous, raw, rock ’n’ roll band. Put the two together and the resulting album is a stream-of-conscious stew of wild, fuzz-drenched rock ’n’ roll! Some history: both Cheater Slicks and Bill Gage’s band Bill began in Boston in 1987, and it was sometime around then that Gage first sang with Tom and David Shannon playing guitars, in Gage’s bedroom in Laconia, New Hampshire. It was an intense and primal sound that was not forgotten by those involved. Gage’s singing has been compared to Captain Beefheart, David Thomas, Damo Suzuki, and Yoko Ono. However, Gage clearly has his own sound, which includes guttural yells, sweet crooning, and bluesy meanderings—all seemingly told from a tarpaper shack porch under the oceans of Mars. Cheater Slicks have from the start been a brain-melting rock ‘n’ roll dream / nightmare of a band. Steeped in the wild guitar interplay and pounding drums of classic noisy underground rock groups (Cramps, Scientists, Velvet Underground), they have created their own unique and ever-evolving style that has only gotten deeper and sharper over the years. In spring 2018, when Cheater Slicks were presented with the idea of a collaborative record with Gage, they wasted no time, and began writing and arranging new songs for the project. Gage traveled to Columbus to record at the legendary Musicol studios in November of that year. It was a great session and came together as if it were always meant to be. After thirty years of performing, is the world finally ready for Bill Gage—accompanied by the seismic Cheater Slicks? All profits from this record will benefit the Arts Resources programs of the National Association for Down Syndrome.

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Keys

LP | 2021 | US | Original (Drag City)

19,19 €* 31,99 € -40%

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Drag City)

Bill Stone

Stone

34,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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7" | 2014 | Original (Castle)

Bill Wyman

Stuff Can't Get Enough

9,99 €*

Release: 2014 / Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Caroline)

Billie Marten

Flora Fauna

Release: 2021 / EU – Original

Genre: Rock & Indie

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A Million Things That Never Happened Black Vinyl Edition

Billy Bragg

LP | 2021 | UK | Original (Cooking Vinyl)

A Million Things That Never Happened Blue Vinyl Edition

Release: 2021 / UK – Original

Genre: Rock & Indie

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Billy Bragg will release 'The Million Things That Never Happened', his tenth studio album, on the Cooking Vinyl label. The album, the first pandemic blues album of our times but also a heartfelt paean to human resilience, features 12 soulful country rock gems. The record was produced by Romeo Stodart and Dave Izumi at Echo Zoo studio in Eastbourne. All songs are written by Billy Bragg apart from the final song (Ten Mysterious Photos That Can't Be Explained), which is co-written by Billy's son Jack Valero.

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Billy Bragg

LP | 2021 | UK | Original (Cooking Vinyl)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Hardware

23,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Hardware Lemonade Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Hardware Limited Picture Disc Edition

LP | 2021 | US | Reissue (Concord)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Hardware Orange Crush Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Hardware Orchid Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Hardware Tangerine Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | CZ | Original (Capitol)

Billy Idol

Vital Idol: Revitalized

43,99 €*

Release: 2018 / CZ – Original

Genre: Rock & Indie

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Emergency Telephone Colored Vinyl Edition

Billy Nomates

12" | 2021 | UK | Original (Invada)

Release: 2021 / UK – Original

Genre: Rock & Indie

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2LP | 2021 | EU | Original (Concord)

Billy Strings

Renewal

38,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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2LP | 2021 | EU | Original (Music On Vinyl)

Billy Talent

Hits Black Vinyl Edition

30,99 €*

We Already Lost The World

Release: 2021 / EU – Original

Genre: Rock & Indie

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After four highly successful albums and two live albums, it was time for Canadian punk rockers Billy Talent to release their first greatest hits compilation in 2014, simply called »Hits«. The album contains 12 of the band’s most popular singles, including »Try Honesty«, »Red Flag«, »Fallen Leaves«, »Devil on My Shoulder« and »Viking Death March«. The album also includes two new songs, »Kingdom of Zod« and »Chasing the Sun«. It charted well in both the band’s native Canada as well as Germany and Switzerland.

Whether you’re a punk rocker looking to get to know Billy Talent in 14 incredible songs, or you’re a longtime fan of the band who already knows all their songs by heart, this compilation is an absolute must have. It comes in a UV matte finished gatefold sleeve and contains a 4-page booklet as well as an art print by Ken Taylor.

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Birds In Row

Tape | 2018 | EU | Original (Deathwish)

11,39 €* 11,99 € -5%

Release: 2018 / EU – Original

Genre: Rock & Indie

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We Already Lost The World Colored Vinyl Edition

Birds In Row

LP | 2018 | US | Original (Deathwish)

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Drag City)

Birds Of Maya

Valdez

Release: 2021 / US – Original

Genre: Rock & Indie

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Highwaymen In Midnight Masks

Birds Of Passage

10" | 2011 | EU | Original (Denovali)

Release: 2011 / EU – Original

Genre: Rock & Indie

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2LP | 2021 | EU | Original (Look At Me)

Birth Control

Here And Now

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Ramp Local)

Birthday Ass

Head Of The Household

22,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Specific)

Bishop

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Island)

Bishop Briggs

Church Of Scars

37,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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Pressure Gold Vinyl Edition

Bishops Green

LP | 2014 | EU | Reissue (Pirates Press)

LP | 2021 | EU | Original (Lux Noise)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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The Vancouver-based street punk band Bishops Green's 'Pressure' - Pressed on Gold Nugget vinyl to celebrate the band’s 10th anniversary!

Following a very impressive and critically acclaimed debut 12”, this 2014 full-length album picked up right where that left off. At the core, the songs on Pressure are similar but with a noticeable growth and maturation to them. Their lyrics continued to be bold and ask questions of our society, while extolling the traditions and pride of punk rock culture and accountability to each other through unity... This album was another milestone in the genre of streetpunk and oi! music!

Bishops Green’s music is raw and energetic with a style firmly embedded in the historic roots of Streetpunk and Oi! All of the members of Bishops Green have been playing in bands together since the ‘90s and this history combined with the group’s ability to draw from different punk genres, enables the creation of a catchy sing- along sound that makes sure that any audience feels like they are part of the show!

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Bitch Queens

Custom Dystopia

Release: 2021 / EU – Original

Genre: Rock & Indie

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Tape | 2021 | US | Original (Drag City)

Bitchin Bajas

Switched On Ra

14,99 €*

2LP | 2011 | UK | Original (One Little Independet)

Release: 2021 / US – Original

Genre: Organic Grooves, Rock & Indie

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It's almost four years since their last opus - two years since the most-recent run of live shows! Now, Bitchin Bajas return from whatever kind of rare ether they occupy when they're at home, bearing the riches of the whole cosmos in their hands. And strictly OG as well - on cassette only! Switched On Ra is the outcome of a typical Bajas exercise: pouring some out for the pioneers that came before (as they've done with Bitchitronics and their participation in the annual Chicago performance of "In C" over the years). It's a nice way to get a flow - they play a little of themselves, then some for the pioneers, then a little more for the band. Before long, they're playing with the inspirations twined, as they can only come from within. For Switched On Ra, this meant a deep delve into the song-book of one of their soul-predecessors, Sun Ra, whose music is literally written in the Bajas DNA. Digging into this music sounded wild on paper: the drone synth group taking on the Arkestra harmonies and Ra's loose grooves? The trick was to get that sense of rhythm to translate across the spectrum from Ra to Bajas, in a way that worked for them both. Their rearrangements of the tunes went good - up and down the EQ band, they were finding the round sounds and jagged edges that brought Ra's music into their own thing. Then at the last minute, there was another twist - why not pay tribute to the Queen herself, and think of the arrangements with a Wendy Carlos vibe? A little side homage? After all, Switched on Bach was visionary, bringing analog synths from the outside all the way into the mainstream in the late 60s - and this take on Ra is meant to take him to new ears everywhere. Sun Ra of course was his own kind of original keyboard visionary, using electric keyboards in the late 40s and 50s to fill a role in jazz that had traditionally been played on acoustic piano only. Once he'd done so, he took his writing in directions inspired by the electricity, places no one had thought to go before then. Doing what he did on the keys was a stand for individuality that became the background radiation of his journey through the cosmos; the search for a place beyond earthly dominance, for all the people who desperately wanted the fuck OUT. Bitchin Bajas have been content to dominate in a microtonal world, usually without a single chord to be found anywhere. But here, they step up righteously, their vibe triangulated as they bring Ra's music forward with some Wendy C style, making an unexpected space for all to thrive. There's a real feeling of joy as these collected signals bounce off the tape and through the speakers into your space. To get this unique colloid exactly right, Bitchin Bajas used nineteen different keyboards. They abstained from deploying their arsenal of reed and woodwind instruments: everything had to be on the keys. This meant Yamahas, Rolands, Korgs, Casios, a MicroMoog and of course their trusty Ace Tone organ. They even broke out the Crumar Ds-2, to have some of Ra's chosen tone in the mix. Then Jayve Montgomery added an EWI as a solo voice on a few tunes, just to get some air-blown signal (and a natural shout out to EWI master Marshall Allen) in there, after all. It felt like somewhere in the universe, Ra was decreeing it. Switched On Ra is an effervescent celebration of music throughout time and space.

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Björk

Biophilia

Release: 2011 / UK – Original

Genre: Rock & Indie

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LP | 2021 | NO | Original (Blue Mood)

Bjorn Berge

Heavy Gauge

14,99 €* 19,99 € -25%

Release: 2021 / NO – Original

Genre: Rock & Indie

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LP | 2014 | EU | Reissue (Anette)

Björn Peng

Dark Rave

LP | 2018 | EU | Original (Karisma)

Release: 2014 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Technopunks 'Last Mensch Standing' with his darkest and well-conceived album ever. Including guest appearances by Julian of 'Scheissediebullen', Luna Nogood and Frittenbude.

Dark Rave is a document of time, Dark Rave is 1994, Dark Rave is 2006, Dark Rave is 2024, Dark Rave is 2034. Somehow, it's simply the place where past and future inevitably merge. For a brief moment. Somewhere between dancing, dreading and rejoicing, because it goes on and on and on...

Björn Peng liebt Metall. Metall, Blut und Knicklichter. In seinem Keller lagern 1000 VHS Kassetten. Alles B-Movies, Horror - und Heimatfilme. Oft bastelt er in seinem Studio an Songs für morgen die klingen wie die Zukunft von gestern. Der Chaos-Computer-Club sind seine Nachbarn. Oft ist es hell draussen, drinnen ist es dunkel, sehr dunkel. Dark Rave, eine Reise.

Dark Rave ist ein Zeitdokument, Dark Rave ist 1994, Dark Rave ist 2006, Dark Rave ist 2024. Dark Rave ist 2034. Irgendwie halt einfach auch die Stelle an der Vergangenheit und Zukunft unweigerlich miteinander verschmelzen. Für einen kleinen Moment. Irgendwo zwischen tanzen, fürchten und freuen klebt es, aber nicht fest, denn es geht immer so weiter und weiter und weiter…

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Bjorn Riis

Coming Home

Release: 2018 / EU – Original

Genre: Rock & Indie

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Lullabies In A Car Crash White Vinyl Edition

Bjorn Riis

LP | 2014 | EU | Reissue (Karisma)

34,99 €*

LP | 2018 | EU | Original (Target Group Aps)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Limited edition repress on white vinyl for the debut Bjørn Riis solo album "Lullabies in a Car Crash". The album was very much a personal statement, with lyrics dealing with fear of abandonment, alienation and loss. It’s also homage to many of Bjørn’s musical influences. Bjørn is one of the founding members, the lead guitarist and main songwriter of the highly successful Norwegian band Airbag. Their releases have all received great reviews worldwide and all become favourites among fans all over the globe. "Lullabies in a Car Crash" features six songs with a coherent and thematical composition. Bjørn’s soulful guitar playing and low-key vocals creates a rich listening experience. Although Bjørn as a guitarist have developed his own sound with a unique tone and his own technique over the years, the playing and tone are reminiscent of David Gilmour, Steven Rothery and Steven Wilson. As a singer, this is the first time he takes the lead, normally doing the backing vocals in Airbag. In addition to playing with Airbag, Bjørn is a highly respected guitarist within the guitar community, where he has a huge fan base. His guitar page “Gilmourish.com” has more than 40 million hits in total and an average of 150000 hits every week. "Lullabies in a Car Crash" features Airbag’s Henrik Fossum on drums and Asle Tostrup providing loops and effects. Long-time Airbag collaborator Vegard Sleipnes has co-produced the album together with Bjørn. The album is mastered by Jamie Gomez (Orgone Studio).

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Black Book Lodge

Steeple And Spire

Release: 2018 / EU – Original

Genre: Rock & Indie

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Ants From Up There Black Vinyl Edition

Black Country, New Road

2LP | 2021 | UK | Original (Ninja Tune)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Ants From Up There Deluxe Vinyl Edition

Black Country, New Road

4LP | 2021 | UK | Original (Ninja Tune)

49,99 €*

Release: 2021 / UK – Original

Genre: Rock & Indie

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For The First Time Black Vinyl Edition

Black Country, New Road

LP | 2021 | UK | Original (Ninja Tune)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Faustian Dream White Vinyl Edition

Black Crucifixion

LP | 2021 | EU | Original (The Devil's Elixir)

26,59 €* 37,99 € -30%

No-Tell Hotel Pink Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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This Death / doom with indie rock's influences musically lie between Celtic Frost "Into the Pandemonium", Tiamat "Clouds" & "Wild Honey" as well as Katatonia mid-period recordings. All shades of “Scandinavian Melancholy” are presented in full. For the first time on vinyl and as 180g white vinyl, limited to 233 handnumbered copies

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Black Diamonds

LP | 2021 | EU | Original (Metalapolis)

16,49 €* 21,99 € -25%

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Foxfive)

Black Honey

Written & Directed

Release: 2021 / EU – Original

Genre: Rock & Indie

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Arabia Mountain Black Vinyl Edition

Black Lips

LP | 2011 | UK | Reissue (Fire)

22,99 €*

Arabia Mountain Yellow Vinyl Edition

Release: 2011 / UK – Reissue

Genre: Rock & Indie

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Sixth full-length album from the guru’s of Atlanta’s “flower punk” movement, from the heady daze of 2011 – finally back on vinyl and part of a series of Fire re-issues celebrating 20 years of the legendary garage rock gurus from Atlanta, Georgia. Arabia Mountain was recorded between Brooklyn and Atlanta in 2010, and with the collaborative assistance of celebrated producer Mark Ronson, Lockett Pundt of Deerhunter, and a human skull with a microphone jammed into it. “I was already a fan of the Black Lips coming into it and I definitely didn’t want to f**k up anything,” Ronson told Rolling Stone…and f**k up he did not. The production tests the limits of modern amplification, harkening to the full, meaty sound of The Stooges’ Fun House or Lola Versus Powerman by the Kinks. Unapologetic southern-fried twang, crunching through the gears with flowers blossoming everywhere. “Black Lips have crafted a very solid album.” ★★★★ Pitchfork // “Hook after hook of infectious punk rock… a fantastic rock record.” Paste //

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Black Lips

LP | 2011 | UK | Reissue (Fire)

Underneath The Rainbow Red Vinyl Edition

Release: 2011 / UK – Reissue

Genre: Rock & Indie

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Black Lips

LP | 2014 | UK | Reissue (Fire)

Fast Idol Black Vinyl Edition

Release: 2014 / UK – Reissue

Genre: Rock & Indie

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Red Vinyl LP, DL card. The seventh studio album from the mighty Black Lips is finally back on vinyl, part of a series of Fire re-issues celebrating 20 years of the legendary garage rock gurus from Atlanta, Georgia. Featuring fan favourites such as ‘Boys in the Wood’ and ‘Funny’, this is an essential slice of Black Lips history. The band convened at Dunham Studios in New York to record initial tracks with Dap Kings music director Tommy Brenneck (Cee Lo, Charles Bradley), then decamped to Nashville to record several songs with Patrick Carney of The Black Keys producing, finally rounding out the album with a couple of songs co-produced with lifetime Lips recording collaborator, Ed Rawls. “Immensely listenable and accessible, while just left enough of center to keep things interesting.” Under The Radar // “Righteously ragged.” Rolling Stone //

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Black Marble

LP | 2021 | US | Original (Sacred Bones)

Fast Idol Golden Nugget Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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On Fast Idol, LA-based Black Marble reaches back through time to connect with the forgotten bedroom kids of the analogue era, the halcyon days of icy hooks and warbly synths. Harmonies are piped in across the expanse of space, and lyrics capture conversations that seem to come from another room, repeat an accusation overheard, or speak as if in sleep of interpersonal struggles distilled down to one subconscious phrase. At the same time, percussive elements feel forward and cut through the mix with toms counting off the measures like a lost tribe broadcasting through the bass and tops of a basement club soundsystem. Melodies roll with the fizz and charm of Jacno and phrases repeated are electric torchlight ballads sung after hours in William Gibson's San Francisco. `Somewhere' opens in sombre herald, before dropping into a fast freeway tempo; the glassy synths and crisp beats cut through the anxious moods on `Bodies' and `Try' sits in a lineage with cult bands like Asylum Party. `The Garden' is a journey through a post-apocalyptic cityscape, earthed by the pulse of a drum machine whereas `Ship To Shore' could be a lost Oppenheimer Analysis B-side, and the album's closer `Brighter and Bigger' catches a sentiment like The Dadacomputer has learned to feel emotions. He captures the loneliness of Ray Bradbury's atomic-era sci-fi and the apocalyptic but revolutionary spirit of Godard's Sympathy for the Devil, as in `Preoccupation', the beating heart of the album, which conjures ambivalent scenes of an empty world and the comfort to be found in a shared humanity. Emerging from the early 2000s New York synth scene, Black Marble carried on the tradition of early synthwave pioneers like Martin Dupont and Modern Art who repurposed synths once reserved for expensive studios and stadium rock superstars. Seeking to channel this spirit, Black Marble recalls the gauzy tape wow and flutter of The Membranes and the warbling VCO of Futurisk, carrying on a sound that seeks to channel the future while imprinting residue of the past.

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Black Marble

LP | 2021 | US | Original (Sacred Bones)

Cavalcade Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Black Midi

LP | 2021 | UK | Original (Rough Trade)

Look Into The Black Mirror

Release: 2021 / UK – Original

Genre: Rock & Indie

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Cavalcade is a dynamic, hellacious, and inventive follow-up to 2019’s widely-praised Schlagenheim, “a labyrinth with hairpin-turn episodes and lyrics full of dourly corrosive observations” (New York Times, Best Albums of 2019). It scales beautiful new heights, pulling widely from a plethora of genres and influences, reaching ever upwards from an already lofty base of early achievements.

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Black Mirrors

LP | 2018 | EU | Original (Napalm)

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP+CD | 2014 | EU | Original (Crispin Glover)

Black Moon Circle

Andromeda

Release: 2014 / EU – Original

Genre: Rock & Indie

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Montreux 1970 Black Vinyl Edition

Black Sabbath

2LP | 2021 | EU | Original (Fallen Angel)

33,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Sabotage Super Deluxe Box Set

Black Sabbath

5LP | 2021 | EU | Original (BMG/Sanctuary)

108,89 €* 120,99 € -10%

Release: 2021 / EU – Original

Genre: Rock & Indie

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Volume 4 Super Deluxe 5lp Box Set

Black Sabbath

5LP | 2021 | EU | Original (BMG/Sanctuary)

170,99 €*