Rock & Indie 54922 Items

Release: 2023 / EU – Original

Genre: Rock & Indie

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Spiderland Dark Blue Vinyl Edition

Slint

LP | 2023 | EU | Original (Touch & Go)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Heaven Comes Down Indie Exclusive Purple Vinyl Edition

Dokken

LP | 2023 | EU | Original (Silver Lining)

29,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2009 | US | Reissue (Easy Eye Sound)

Dan Auerbach

Keep It Hid

Mellon Collie And The Infinite Sadness Deluxe Version

Release: 2009 / US – Reissue

Genre: Rock & Indie

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US import.
The critically acclaimed and long-out-of-print 2009 debut solo album from The Black Keys singer and guitarist Dan Auerbach. An intimate and underrated affair with shades of greazy rock & roll, blue-eyed soul, and bluegrass hollers. Reissued with new artwork and pressed from the original master.

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The Smashing Pumpkins

4LP | 1995 | DE | Reissue (Virgin)

98,99 €*

LP | 1983 | EU | Reissue (Bushbranch / Surfdog)

Release: 1995 / DE – Reissue

Genre: Rock & Indie

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Reissue with updated art on the box and on the inner sleeves. Includes a 36-page full-color art book featuring band member notes, photos, and credits, and a 28-page lyric book with illustrations. Current reissue of the 4 LP Boxset. No hype sticker on the front of the shrink wrap.

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Eric Clapton

Money And Cigarettes

25,99 €*

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Peeping Tom Tan Colored Vinyl Edition

Peeping Tom

LP | 2006 | EU | Reissue (Pias)

Release: 2006 / EU – Reissue

Genre: Rock & Indie

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LP | Original (Bella Union)

Psychic Markers

32,99 €*

Release: Original

Genre: Rock & Indie

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My Big Day Pink Vinyl Edition

Bombay Bicycle Club

LP | 2023 | EU | Original (MMM)

Release: 2023 / EU – Original

Genre: Rock & Indie

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As The Stars Black Vinyl Edition

Woods Of Desolation

LP | 2014 | EU | Reissue (Season Of Mist)

38,99 €*

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Recognize No Authority Mixed Splatter Vinyl Edition

Detente

LP | 1986 | EU | Reissue (High Roller)

LP | 2023 | EU | Original (Reprise)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023, red/ grey mixed w/ black splatter vinyl, ltd 400, 425gsm heavy cardboard cover, 2 inserts, poster, A5 photo card, mastered for vinyl by Patrick W. Engel at Temple of Disharmony. Cutting by SST Germany on Neumann machines for optimal quality on all levels...

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Neil Young & Crazy Horse

Odeon Budokan

Release: 2023 / EU – Original

Genre: Rock & Indie

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David Byrne & Fatboy Slim

Here Lies Love

2LP | 2010 | EU | Reissue (Nonesuch)

41,99 €*

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | UK | Reissue (Ace)

Link Wray

Early Recordings

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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Softscars Grey Marbled Vinyl Edition

Yeule

LP | 2023 | UK | Original (Ninja Tune)

In The City Indie Exclusive White Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Multidimensional artist and producer yeule announces their new album softscars arriving September 22nd via Ninja Tune. softscars represents a new direction for yeule as they explore softer textures and disembodied arrangements that feature their ethereal vocals front and center. The project closely examines the anatomy of their long held emotional wounds for their most vulnerable work yet. Though its subject matter is heavy and arcane, there is a sense of joyful catharsis that emanates throughout the project. Driving it along is yeule’s shape-shifting vocals, sounding more assured than ever in all of its jagged edges and haunting whispers, relaying the imperfect process of healing.

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The Jam

LP | EU | Reissue (Polydor)

Torn Beyond Reason Black Vinyl Edition

Release: EU – Reissue

Genre: Rock & Indie

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The Jam’s debut album In The City was originally released in May 1977 and reached #20 in the UK album chart. It features the title track, the first of their 18 top 40 singles (UK #40 in April 1977) alongside 9 further originals which captured the mood of the times and in particular the energy and anger of the UK Punk movement. It also boasts two cover versions, ‘Slow Down’ and the theme to the 1960s TV show Batman which make no secret of the inspiration the band took from 60’s American R&B and UK groups like The Beatles and The Who, who also covered the Batman theme. The release comes in 140-gram limited edition white vinyl.

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Woods Of Desolation

LP | 2011 | EU | Reissue (Season Of Mist)

38,99 €*

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Deer Tick

The Black Dirt Sessions

LP (Partisan)

Genre: Rock & Indie

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Genre: Rock & Indie

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2LP | 2007 | Reissue (Transmission)

Porcupine Tree

Fear Of A Blank Planet

40,99 €*

Release: 2007 / Reissue

Genre: Rock & Indie

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Dark Sun Dusty Pink Vinyl Edition

Dayseeker

LP | 2022 | DE | Reissue (Spinefarm)

Iii: Pentecost Spirit & Fire Marble Flame Vinyl Edition

Release: 2022 / DE – Reissue

Genre: Rock & Indie

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Das fünfte Studioalbum des Post-Hardcore-Quartetts aus Kalifornien auf Dusty Pink Vinyl in limitierter Auflage.

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Wytch Hazel

LP | 2023 | UK | Original (Bad Omen)

LP | 2001 | US | Reissue (Craft)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Over the past near-decade, Lancashire’s medieval metal phenomenon Wytch Hazel have been honing an uncommonly wholesome, rustic and devotional brand of timewarped hard rock that’s all their own, with 2016’s Prelude and 2018’s II: Sojourn summoning to mind fevered images of Robin Hood and his Merry Men grooving to Jethro Tull and Thin Lizzy. Yet within moments of pressing play on their third LP, III: Pentecost, the musty mystical minstrelsy takes a back seat in favour of a rich, sumptuous, anthemic late-night drivetime vibe, passionately embracing the most high-end smash-hit classic rock and metal circa its late 1970s heyday. “I thought I put a lot into the second album, but this album has been an absolute obsession,” stresses the band leader, Colin Hendra. “Every aspect had to be as good as possible. We’ve gone back and forth, Ed was tinkering with it for months on end. There’s quadruple tracking going on with the rhythm parts, then we’ve doubled, tripled and quadrupled all our lead parts to get that richness and fullness of sound, all meticulously planned with pages and pages of organisational notes. It wasn’t just ‘get in the studio and see how it goes!’” he laughs. “One day I did 14 hours of vocal recording. All vocals are double-tracked, I can’t express how much hard work that is. The last album feels like a breeze compared to what we’ve done with this - and I don’t plan on ramping it down!” Musically, there are gorgeous self-professed touches of Black Sabbath, Blue Öyster Cult, Ac/dc and early Scorpions—“With the soloing I was trying to go for Michael Schenker” beams Colin—while the scampering headbanger I Will Not initially took a nod from Angel Witch, who Hendra was helping out on second guitar back in 2015 when the track was composed, before studio treatment made it sound “a lot more Wytch Hazelly”. But perhaps the most lateral comparison is to a band from the opposite spiritual realm, with Archangel an explicit homage to Swedish faux-Satanic devil cult Ghost. “I find them fascinating, Ghost; musically great, the songwriting is spot-on,” enthuses the frontman. “We share an intrinsic connection, with [Bad Omen honcho] Will Palmer being the person who discovered us both. “Music is created for all, it’s a common grace for everyone,” he affirms, “which is why the music that shows the glory of God the most, in my opinion, is not music created by Christians. It’s Black Sabbath!”

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R.E.M.

Reveal

Release: 2001 / US – Reissue

Genre: Rock & Indie

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Brief Nocturnes And Dreamless Sleep

Spock's Beard

2LP | 2023 | US | Original (Construction)

Release: 2023 / US – Original

Genre: Rock & Indie

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2LP | 1995 | US | Reissue (Ba Da Bing!)

Dead C

The White House

41,99 €*

Peter And The Test Tube Babies

Release: 1995 / US – Reissue

Genre: Rock & Indie

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The Dead C’s trio of albums in the middle of their harsh 90s reality served for many as entry points to the band. Operation Of The Sonne, The White House and Tusk received wider distribution than the band had ever seen before, and this was the first rays of them being considered amongst the most important rock bands of the 20th century. This trio of vinyl reissues capture their intensity and presence in a way that may even blow out the candle of the original pressings. Newly remastered by Lasse Marhaug, and with bonus tracks, these 2023 reissues have been cut carefully and loud, with the sonic wars heard on these now-classic tracks more blaring than ever. The Dead C on The White House, now including bonus track “Breakdown/World”: “Recorded in the winter of 1994, sessions were accompanied by snow, an infrequent but always super-exciting event in downtown Dunedin. Mainly if not entirely recorded direct to Revox B77, just like The Clean’s Oddities. Our version of Led Zepp IV with no ‘Stairway’, as recorded by the Meat Puppets in a K-hole. Originally M&D by Matador, this is as major label as we got. Mere pseud post-grunge sell-out moves-ah.”

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Keep Britain Untidy

LP | 2023 | EU | Original (Secret)

Release: 2023 / EU – Original

Genre: Rock & Indie

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If Red Marbled Vinyl Edition

Mindless Self Indulgence

2LP | 2023 | EU | Original (Music On Vinyl)

33,99 €*

Innocence & Decadence Limited Green-Orange Split Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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180gr./Printed Inners./2500 Copies Purple & Red Marbled

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Graveyard

LP | 2023 | EU | Original (Nuclear Blast)

34,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Cassadaga: A Companion Opaque Gold Vinyl Edition

Bright Eyes

LP | 2023 | EU | Original (Dead Oceans)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Lovedrive Colored Vinyl Edition

Scorpions

LP | 2023 | EU | Reissue (BMG Rights Management)

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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Confession Gold Vinyl Edition

Ill Nino

LP | 2023 | EU | Original (Music On Vinyl)

Common Man's Collapse Blue Colored Vinyl Edition Gold

Release: 2023 / EU – Original

Genre: Rock & Indie

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180 gram audiophile vinyl
Includes 4-page booklet
Features "How Can I Live", "Cleansing", and "This Time's For Real" a.o.
Produced by Bob Marlette (Ozzy Osbourne, Alice Cooper, Seether)
Available on vinyl for the first time
20th Anniversary edition of 1500 individually numbered copies on gold coloured vinyl

Confession is the second studio album released by the American heavy metal band Ill Niño. The album includes fan favourites "How Can I Live", "Cleansing", and "This Time's For Real" amongst others.

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Veil Of Maya

LP | 2023 | Original (Sumerian)

33,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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7" | 2023 | US | Original (Jabs)

Skingraft

12,99 €*

LP | 2019 | EU | Original (eOne)

Release: 2023 / US – Original

Genre: Rock & Indie

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Skingraft was a band from Rochester, New York who made jarring, technical, irregular death metal. Three teenagers who spent the frigid, upstate winters mastering arcane scales and double bass patterns, their elaborate, dynamic songs pair howls and blast beats with brooding, minor-key melodies and deviant rhythms. Picture the bludgeon of Entombed's "Left Hand Path," the shattered glass frequencies of Godflesh's "Streetcleaner," and the destabilization of "Remain Sedate" by Roschach. Skingraft recorded these two songs at Rochester's famed Dajhelon Studios during their junior year of high school. Released on the 30th anniversary of this recording session, this 7-inch is the first time these songs have been made publicly available. Guitarist MAT Colbert went on to play in Blurring, Kalibas and Humiliating Moan. Drummer Andy Meyering is a member of Further Damage. Limited edition of 300 copies on colored vinyl. Cover art is silkscreened onto handmade paper stock jackets made from pulped bibles. For every seven copies of Skingraft made, on bible was removed from this world. Includes an insert.

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Texas Hippie Coalition

High In The Saddle

25,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Adrian)

Low-Res

Varfor-Darfor

48,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2005 | US | Original (Virgin)

A Perfect Circle

Emotive

49,99 €*

Release: 2005 / US – Original

Genre: Rock & Indie

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Grom Ri Grey Vinyl Edition

Behemoth

2LP | 2023 | EU | Original (Metal Blade)

35,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Quatro Record Store Day 2023 Edition

Suzi Quatro

2LP | 1974 | US | Reissue (Chrysalis)

Masters Of Reality Record Store Day 2023 Blue Vinyl Edition

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Limited to we don't know how many copies worldwide. RSD Exclusive Release.
A newly remastered version of Suzi’s second album, taken from the recently released 8CD Box ‘The Rock Box’. This edition features the original album on LP1, but with a bonus vinyl of non-album singles, b-sides and outtakes. Includes the worldwide hits: The Wild One and Devil Gate Drive.

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Masters Of Reality

LP | 1988 | US | Reissue (Delicious Vinyl)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Give Way Record Store Day 2023 Edition

Pearl Jam

CD | 2023 | Reissue (Epic)

Daybreaker Record Store Day 2023 Picture Disc Vinyl Edition

Release: 2023 / Reissue

Genre: Rock & Indie

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Attn.: We did not receive this record in time for RSD, but we will get it this week.

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Architects

LP | 2013 | EU | Reissue (Arising Empire)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Wild Grey Ocean / Little Bull Of Blithe Record Store Day 2023 White Vinyl Edition

Sam Fender

7" | 2021 | EU | Reissue (Polydor UK)

14,99 €*

Ecuatoriana - El Universo Paralelo

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Originally released on the Live Deluxe Edition of Sam Fender's No. 1 album, Seventeen Going Under, Wild Grey Ocean and Little Bull Of Blithe are presented here for the first time on limited edition white 7" vinyl with exclusive artwork

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V.A.

LP | 2023 | EU | Original (Analog Africa)

32,99 €*

Keeper Of The Flame Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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On 12 February 1949 an angry mob stormed into the centre of the Ecuadorian capital of Quito, burning the offices of the city’s main newspaper and its oldest radio station to the ground.

On that tragic day Radio Quito had just broadcast a local adaptation of H.G. Wells’s The War of the Worlds. The novel – first published in 1898 and famously adapted into a radio series by Orson Welles – is one of the earliest stories to depict a conflict between mankind and a hostile race of extra-terrestrials. The large audience - not understanding that it was pure fiction - believed that intergalactic intelligence had invaded the country as all hell broke loose. Thousands began running the streets of Quito looking for shelter, chaos broke out, causing a deadly stampede. People blamed the broadcaster for the tragedy, formed a dense crowd and stormed Radio Quito, setting it ablaze. Several musicians, who were there performing, were killed.

In the decades after the second world war, outer space was on everyone’s mind and the ‘space race’ of the 1950s and 60s not only produced groundbreaking efforts to launch artificial satellites, send space probes to Mars and land a human on the moon, it also had a huge impact on the movie and music industry which was taking advantage of the world‘s fascination with space voyages and lunar missions to create instruments capable of mimicking imaginary interstellar sounds. These synthesised space effects that captivated the imagination of a whole generation of young Ecuadoreans coincided with a period in which workers and musicians from the provinces started flocking to Quito and to the commercial port of Guayaquil, some hoping to find regular work, others looking to break into the musical big leagues by getting hired by one of the prestigious urban radio station. These artists brought riches of rhythms to the major Ecuadorian cities who would soon witness the explosion of what would be known as “Andean Cumbia”.

That fusion, of tropical electronics mixed in with Andean melodies and lyrics describing the cruel reality of migrant workers, achieved massive success. And so while budding Ecuadorian UFOlogy lead to widespread extraterrestrial sightings, Ecuadorian musicians began released various albums consisting of traditional music combined with synthesisers in order to bring their traditional music into the space age. One of these musicians is Polibio Mayorga who had travelled 160km from his hometown of Chisalata to Quito where he showcased his talent as he championed the art of modernising his region’s ancestral rhythms - Huaynito, Sanjuanito, Albazo and many others - using the latest in electronic instruments.

After 4 years with Los Locos del Ritmo, one of Ecuador’s most popular bands, Polibio joined Fadisa (Fabrica De Discos S.A) in 1973 as a solo musician and songwriter before becoming their musical director a year later. While there he would team up with saxophonist extraordinaire Olmedo Torres, and for 10 years they would compose and arrange hits, not only for themselves but also for their fellow artists in the Fadisa family. Although Fadisa had countless labels in their roster, the jewel in their crown was Rondador and it was on that imprint that Polibio would release “Ponchito de Colores” and his famous album “La Farra Está Aquí”. With their novel use of Moog synthesiser, both become huge hit records and were broadcast constantly by Cosmopolita and Marañón de Quito – the two major radio stations of the capital. This led to a surge of interest in Andean cumbia, and the subsequent record sales helped to revive the country’s flagging music industry, turning Polibio into Ecuador’s most influential musician.

Polibio has never considered his music to be “tropical psychedelia” - although he thinks it would make a good name for a band. He has the sense of humour of a genius and the ability to make anyone laugh, yet he remains discreet, eloquent and humble … but as a musician he is daring and visionary, with an intrepid, vigorous style almost impossible to imitate. More than perhaps any of his peers, Polibio Mayorga established a unique place for himself at the vanguard of tropical music.

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Golden Earring

LP | 1989 | EU | Reissue (Music On Vinyl)

33,99 €*

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (Gutfeeling)

Analstahl

Pille Palle Gemüsehalle

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Island)

Yard Act

The Overload X

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Soundflat)

The Smoggers

Funeral

19,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Asinella)

Clara Luzia

4+1 Limited Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Takehisa Kosugi & Akio Suzuki

New Sense Of Hearing

LP | 2022 | EU | Original (Blank Forms Editions)

...And You Will Know Us By The Trail Of Dead

Release: 2022 / EU – Original

Genre: Rock & Indie

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Available from Blank Forms for the first time since its original 1980 release on ALM-Uranoia, NewSense of Hearing documents a collaboration between Takehisa Kosugi and Akio Suzuki, twoluminaries of Japanese experimental music in the lineage of Fluxus. Blank Forms's high-qualityreissue of the sought-after, long out of print LP, is produced by musician-artist Aki Onda andmastered from the original tapes recorded on April 2, 1979, at Tokyo's Aeolian Hall.Described by Suzuki as the "culmination" of their sound,New Sense of Hearing features the twomusicians improvising together in that empty Tokyo theater, Kosugi on vocals, violin, and radiotransmitter and Suzuki on the Analapos, his namesake glass harmonica, spring cong, andkikkokikiriki, all apparatuses of his own invention.Suzuki and Kosugi first met at the city's Minami Gallery in 1976 on the occasion of "Sound Objectsand Sound Tools," an exhibition of Suzuki's homemade instruments. Two years later, at the Festivald'Automne in Paris, Suzuki invited Kosugi to join him for a suite of performances as part of theexhibition "MA: Espace - Temps au Japon," organized by architect Arata Isozaki andcomposer-writer Toru Takemitsu. Suzuki and Kosugi performed together at the Musée des ArtsDécoratifs, Paris, nearly fifty times, honing their approach to mutual improvisation, before travelingwith the exhibition to Stockholm and New York_critic Tom Johnson wrote in the Village Voice thathe had "seldom seen two performers so completely tuned in on the same types of sounds, the sameperformance attitude, the same philosophy, the same sense of what music ought to be."For NewSense of Hearing, the duo reunited in Japan and produced an extraordinary dispatch from theircollaboration of arioso violin, echoing vocals and bangs, and metallic twangs. As Johnson observedin 1979, Kosugi and Suzuki are "in a very subtle artistic world where there can be no directrelationships. . . . Only coincidence."Takehisa Kosugi (1938-2018) was a composer, ar...

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XI: Bleed Here Now

2LP+CD | 2022 | EU | Reissue (Insideoutmusic)

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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Universe Smiles Upon You Japan Import Edition

Khruangbin

CD | JP | Original (JPT)

Don't Waste Time Ii Your Black Vinyl Edition

Release: JP – Original

Genre: Rock & Indie

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Track 11 is a bonus.

Released in a gatefold paper sleeve with 8-page booklet, Japanese liner notes insert and an obi.

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Unto Others

LP | 2020 | EU | Original (Eisenwald)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Take This To Heart)

Snarls

What About Flowers?

18,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Genesis Revisited Live: Seconds Out & More

Steve Hackett

4LP+2CD | 2022 | UK | Original (Insideoutmusic)

53,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Words & Music, May 1965 Deluxe Edition

Lou Reed

2LP+7" | 2022 | US | Original (Light In The Attic)

61,99 €*

Blood Harmony Bone Colored Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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All tracks previously unreleased
Produced in partnership with Laurie Anderson and the Lou Reed Archive
Inaugural release in Light in the Attic’s Lou Reed Archive Series
Features the earliest-known recordings of “I’m Waiting for the Man,” “Pale Blue Eyes" and “Heroin" as made famous by The Velvet Underground
Includes seven unheard Lou Reed compositions
45 RPM 2LP set pressed on Audiophile-Quality 180-gram black vinyl at RTI
Features the only vinyl release of “I’m Waiting for the Man – May 1965 Alternate Version”
Remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Package designed by multi-GRAMMY®-winning artist Masaki Koike
Includes bonus 7-inch record, housed in die-cut picture sleeve containing the first-ever vinyl release of six unheard tracks recorded between 1958 and 1964, including early demos, a cover of Bob Dylan’s “Don’t Think Twice, It’s All Right,” and a doo-wop serenade recorded in ‘58 when the legendary singer-songwriter was just sixteen-years-old
Saddle-stitched, die-cut 28-page book featuring lyrics, archival photos, and liner notes by Greil Marcus, Don Fleming and Jason Stern
Archival reproduction of letter written by Reed to Delmore Schwartz, circa 1964
Includes CD containing complete audio from the package, housed in die-cut jacket
Entire package housed in stylized, die-cut gatefold LP jacket manufactured by Stoughton Printing Co.
Foil numbered and limited to 7,500 copies worldwide on black vinyl

“To hear a tape containing their earliest demos, recorded on May 11, 1965, and locked away until now, is to hear traces of things rarely associated with The Velvet Underground: blues and folk, earthy and traditional, uncertain and hesitant... yet bristling with that rusty, caustic, Lou Reed spirit. It is a revelation.” - *Will Hodgkinson, Mojo*

Light in the Attic Records, in cooperation with Laurie Anderson, proudly announces the inaugural title in their ongoing Lou Reed Archive Series: Words & Music, May 1965. Released in tandem with the late artist’s 80th birthday celebrations, the album offers an extraordinary, unvarnished, and plainly poignant insight into one of America’s true poet-songwriters. Capturing Reed in his formative years, this previously unreleased collection of songs—penned by a young Lou Reed, recorded to tape with the help of future bandmate John Cale, and mailed to himself as a 'poor man’s copyright'—remained sealed in its original envelope and unopened for nearly 50 years. Its contents embody some of the most vital, groundbreaking contributions to American popular music committed to tape in the 20th century. Through examination of these songs rooted firmly in the folk tradition, we see clearly Lou’s lasting influence on the development of modern American music - from punk to art-rock and everything in between. A true time capsule, these recordings not only memorialize the nascent sparks of what would become the seeds of the incredibly influential Velvet Underground; they also cement Reed as a true observer with an innate talent for synthesizing and distilling the world around him into pure sonic poetry.

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Larkin Poe

LP | 2022 | US | Original (Tricki-Woo)

2LP | 2010 | EU | Reissue (Transmission)

Release: 2022 / US – Original

Genre: Rock & Indie

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The latest full-length from Larkin Poe, Blood Harmony is a whole-hearted invitation into a world they know intimately, a Southern landscape so precisely conjured you can feel the sticky humidity of the warm summer air. In bringing their homeland to such rich and dazzling life, Georgia-bred multi-instrumentalist sisters Rebecca and Megan Lovell fortify their storytelling with a rock and blues-heavy sound that hits right in the heart, at turns stormy and sorrowful and wildly exhilarating.

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Porcupine Tree

Voyage 34

40,99 €*

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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When The World Dies White Vinyl Edition

Come To Grief

LP | 2022 | US | Original (Translation Loss)

25,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (Music On Vinyl)

Suicidal Tendencies

Join The Army

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | UK | Original (Lucky Number)

Momma

Household Name

Release: 2022 / UK – Original

Genre: Rock & Indie

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Lost Not Forgotten Archives: The Number Of The Beast

Dream Theater

2LP | 2022 | EU | Reissue (Insideoutmusic Catalog)

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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Combat Rock+The People's Hall

The Clash

3LP | 2022 | EU | Original (Sony Music)

46,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2020 | US | Reissue (Captured Tracks)

Widowspeak

Plum

LP | 2022 | UK | Original (Mr Bongo)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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With Plum, the songwriting partnership rooted in the creative rapport between bandleader Molly Hamilton and guitarist Robert Earl Thomas continues to expand on shared visions, delving deeper into what was always there: dusty guitars, ear-worm melodies, warm expansive arrangements. Each entry to their catalog has marked a subtle reimagining of Widowspeak's sound, though perennial points of reference remain the same: 90's dream pop, 60's psych rock, a certain unshakeable Pacific-Northwestness. Speaking to the timeless feeling of each, the albums continue to be discovered well beyond their respective PR cycles, made beloved by new listeners through word of mouth.The band's fifth album feels comfortable and lived-in: humble in structure, heavy on mood. Perhaps that came taking time off from the touring grind, instead working full-time jobs and settling into the rhythm of daily life in a small upstate New York town. Plum was recorded over a handful of weekends last winter by Sam Evian (Cass McCombs, Kazu Makino, Hannah Cohen) at his Flying Cloud studio in the Catskills, and was mixed by Ali Chant (PJ Harvey, Aldous Harding, Perfume Genius). In addition to Hamilton (vocals, guitar) and Thomas (guitars, bass, synth), it features instrumental contributions by Andy Weaver (drums), Michael Hess (piano), and Sam himself (bass, synth). Plum nestles into the band's canon like it was always there, but with new textures coming to the fore, like the polyrhythmic pulse of "Amy" and "The Good Ones", or the watery, Terry Riley-influenced track "Jeanie"Plum navigates the spaces between the lesser emotions of modern life. Hamilton's lyrics speak to the unique turmoil of anyone who creates as their work, who must somehow survive off such "fruits of their labor." Yet, Widowspeak have always made a bitter pill much easier to swallow. The majestic "Breadwinner", the luminous "Even True Love" - these songs here were made to be listened to, enjoyed. "Money" is particularly hypnotic, built around a repeating, cyclical motif that serv...

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Project Gemini

The Children Of Scorpio

Cruelty And The Beast-Re-Mistressed

Release: 2022 / UK – Original

Genre: Rock & Indie

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Good things come to those who wait. The album 'The Children of Scorpio' by Project Gemini aka Paul Osborne is a result of his steeped 30-year musical journey that’s seen him dig deep, study his record collection and re-emerge to fine-tune his craft.

A cinematic musical journey that plays out like a long-lost soundtrack (think cult B-movies of the 60s and 70s); 'The Children of Scorpio’ was formed from Paul's love of a myriad of genres; from European library music, acid folk, psych-funk, vintage soundtracks and the contemporary breaks scene. The album draws on iconic classics such as the masterful cinematic funk of Lalo Schifrin's 'Dirty Harry', Ennio Morricone's 'Vergogna Schifosi’ and Luis Bacalov’s 'The Summertime Killer’, to name but a few. You can also hear the folk sounds of Mark Fry's iconic 'Dreaming With Alice', the Britsh folk-jazz of The Pentangle and the David Axelrod-produced 'Release Of An Oath' by The Electric Prunes, woven into the cultural tapestry of this gem. The influence of these vintage productions of the 60s and 70s is evident; however, it could be argued that there’s also echoes of the funkier psychedelic moments of bands such as The Stones Roses and The Charlatans, alongside contemporaries such as The Heliocentrics and Little Barrie, thus giving the album a broader crossover potential beyond the world of crate digging and vintage soundtracks.

A bass player and musician since the age of 16, the arrival of his first child in 2010 saw Paul move away from live performance and retreat to his home studio, recording a wealth of music that was destined to never be heard. One of the first tunes to be made was a demo entitled ‘The Children Of Scorpio’, inspired by his long-time obsession with Lalo Schifrin’s soundtrack to violent Clint Eastwood cop classic 'Dirty Harry'. Recorded for fun, the track was fated to sit in the archives untouched. However, like a phoenix rising from the ashes, connections to a wealth of inspirational musicians and labels would re-ignite Paul's musical fire and give him the impetus to develop his slept-on ideas into something more concrete. Firstly resulting in releasing two limited 7'' records on Delights Records and now the long-player for Mr Bongo.

Assisting in the recording of the record were several close friends that have helped spark Paul's musical creativity along the way, including well-renowned guitarist and Little Barrie frontman Barrie Cadogan (who contributes killer six-string guitar to four tracks), Delights Records head-honcho Markey Funk (who adds spooked out keyboards to ‘Path Through The Forest’), Kid Victrola, the chief songwriter and guitarist with French psych girl group Gloria who added wild 12-string to ‘Scorpio’s Garden’, Haifa-based multi-instrumentalist and producer Shuzin who brings the heat behind the drum kit, and Paul Isherwood, co-founder of Nottingham’s The Soundcarriers, who mixed the album on his wealth of vintage gear.

We are delighted to be releasing this slowly-brewed timeless classic that manages to achieve that rare feat of keeping one foot firmly in the past whilst still sounding totally contemporary.

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Cradle Of Filth

2LP | 2019 | EU | Original (Sony)

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2010 | EU | Reissue (Music On Vinyl)

Hooverphonic

Magnificent Tree

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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Das belgische Pop-Trio Hooverphonic scheint sich auf ihrem dritten Album „The Magnificent Tree“ (2010) kreativ vom eisig-smoothen Seestück, das auf „Blue Wonder Power Milk“ gefunden werden kann, entfernt zu haben, hinein in einen Darkwave-Sound, der für 107 Wochen in den flämischen Top 50 zu finden war

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Genre: Rock & Indie

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Paul Chambers Quartet

Bass On Top+2

LP (Vinyl Passion)

Genre: Rock & Indie

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Genre: Rock & Indie

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In My Own Time 50th Anniversary Edition

Karen Dalton

Tape | 1972 | US | Reissue (Light In The Attic)

12,99 €*

The 'Imâra (The Dance Of The Stars)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

Both the CD and cassette editions feature 9 bonus tracks, including 3 alternate takes from the In My Own Time album sessions, along with 6 previously unreleased tracks captured during Karen’s 1971 European tour, including live at The Montreux Golden Rose Pop Festival and Germany’s Beat Club.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

1–10: Originally released as Just Sunshine – PAS 6008, 1971 11–13: Alternate Takes from album sessions, 1970/71 14–15: Recorded live at Beat Club, Germany, April 21, 1971 16–19: Recorded live at The Montreux Golden Rose Pop Festival, May 1, 1972

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Tariqua 'Alawiya

LP | 2022 | EU | Original (Via Parigi)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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2x10" | 2022 | EU | Original (Okraïna)

Maher Shalal Hash Baz

Je Est Un Autre

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Sony Music Catalog)

Midnight Oil

Resist Red Vinyl Edition

29,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Earmusic)

Helmet

Live And Rare

6LP | 2021 | EU | Original (Earmusic)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Page Hamilton stated: "After persuading our label folks in Hamburg to bake these old tapes, we finally managed to mix two live shows for release. Side 1 was recorded at CBGBs, which was our neighborhood club, a 10-minute walk from home. We all spent plenty of time at CBs and though this is not our audition night set, it captures the early frenetic energy of the band as well as my lack of scintillating stage banter. "Side 2 is part of the set from the Big Day Out festival in Melbourne, Australia. Our first trip down under is a bit of a blur after almost 30 years but the memories I have are fond. A brief escape from the frigid NYC January dreariness

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Deep Purple

Turning To Crime

73,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2002 | US | Original (Anti)

Tom Waits

Alice

39,99 €*

Release: 2002 / US – Original

Genre: Rock & Indie

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LP | 2016 | US | Reissue (Dead Broke)

Medictation

Warm Places

Borknagar 25th Anniversary Re-Issue 2021

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Members of Leatherface & The Sainte Catherines, Medictation present their debut album. "Dickie Hammond's (Leatherface) untimely and recent passing shook not only those closest to him but also the punk world as a whole, such was his influence and the positive impact that he had on the community. Whilst most of us are familiar with the majority of Dickie's works, his final pieces have not been released, until now. Dickie Hammond (Leatherface/Medictation guitarist) left us too soon. One small solace was the fact that shortly before his passing he played a key role in writing and recording the debut Medictation LP 'Warm Places', being his final works. Dead Broke is proud to present the North/South American version of Medictation's, "Warm Places". (Comes w/ download) Limited to 500.

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Borknagar

2LP | 1996 | EU | Reissue (Century Media)

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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2LP | 2021 | EU | Original (Metal Blade)

Whitechapel

Kin White Vinyl Edition

29,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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10" | 2015 | EU | Original (! A N G R R !)

Senyawa / Melt-Banana

Split-Serie

Release: 2015 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Outre-National)

Hocine Chaoui

Ouechesma

LP | 2021 | EU | Original (Blitzkrieg Pop!)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Chaoui is a genre of Berber music that originated in the Aurès region of Algeria. It is a mixture of Saharan and Atlas mountain music marked with dancing rhythms and is part of the oral living tradition of the Aurès region. The first recordings on magnetic tape date back to the 1930s when Aissa Jermouni’s music was introduced and published internationally. Over the years, Chaoui has given birth to various sub-genres. The genre was popularized in the 1930s and 1940s, and still generates a strong following of fans across the country and especially in the Aurès region in the 2000s. In its most frequent instrumental configuration, a chaoui music group includes a zorna, a gasba flute, a bendir and one or more singers.

Originally, Chaoui musicians were shepherds who lived in the Aurès mountains, and they sang their own localized poetry of personal and regional topics. But also, joyful themes such as local or religious festivals or in the context of Chaoui weddings.

Hocine Chaoui is one of the genre’s most famous and respected musicians and poets. ,Hocine modernized his sound with drum machines, incorporating intense and modern production techniques with phased gesba flute, reverbed out vocals, taking the genre to its logical new phase. This LP is a reissue of one of the most “in demand” of the genre’s cassettes originally released by Oriental Music Production, a cassette label dedicated to the some of the best regional releases during the heyday of the 80’s and 90’s golden era of rai and local Algerian music cassettes. These releases were only ever released on cassette and now command a premium on the collector’s market.

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Family 5

Stolpere Nicht

21,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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3LP | EU | Reissue (Century Media)

Pain Of Salvation

Release: EU – Reissue

Genre: Rock & Indie

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The Major Minor Collective

The Picturebooks

2LP | 2021 | EU | Original (Century Media)

Release: 2021 / EU – Original

Genre: Rock & Indie

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May The Circle Be Broken: A Tribute To Roky Erickson

V.A.

LP | US (Tidal Waves Music)

11,99 €*

LP | 2021 | EU | Original (Akuphone)

Release: US

Genre: Rock & Indie

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Includes bonus limited edition flexi of an ultra rare recording performed by Roky Erickson* // Roky Erickson was one of the true mind-blowing pioneers of psychedelic music.

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Mikado Koko

Maza Gusu

LP | 1991 | EU | Reissue (Music On Vinyl)

Release: 2021 / EU – Original

Genre: Rock & Indie

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On Maza Gusu, Mikado Koko transforms into Mother Goose, hissing Perrault's fairy tales from her native tongue in your ears. Her unsettling, regressive voice is backed up by a subtle and chilling electronic soundscape sprinkled with traditional Japanese instruments, creating a realm of sound that feels both weirdly familiar and deeply unknown. Mother Koko hurls you deep down the rabbit hole, back to your darkest childhood anguishes, before gently leading you by the hand to a joyful catharsis. As you slowly get used to its disturbing familiarity, Koko’s music feels like waking up in the pale morning light, shaky but relieved after a feverish dream.

In summer 2017 Mikado Koko started her solo career as a club music producer with the elements of Japanese traditional music. After many releases, remixes and compilations such as Seitō: In the Beginning, Woman Was the Sun (aku1016), she now focuses on avant-garde poetry reading related to feminism and gender equality.

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Morphine

Good

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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Native North America Volume 1: Aboriginal Folk, Rock And Country 1966-1985

V.A.

2CD | 2014 | US | Reissue (Light In The Attic)

Brain Suck Expanded Edition

Release: 2014 / US – Reissue

Genre: Rock & Indie

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2016 Grammys Best Historical Album Nominee
34 tracks newly re-mastered
Deluxe 3xLP set includes 60-page book housed in a “Tip-On” slipcase with three “Tip-On” jackets
Both 2xCD and 3xLP editions include comprehensive liner notes, artist interviews, unseen archival photos, and lyrics (with translations)
Vinyl pressed at RTI
Liner notes by Kevin “Sipreano” Howes

Largely unheard, criminally undocumented, but at their core, utterly revolutionary, the recordings of the diverse North American Aboriginal community will finally take their rightful place in our collective history in the form of Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985. An anthology of music that was once near-extinct and off-the-grid is now available for all to hear, in what is, without a doubt, Light In The Attic’s most ambitious and historically significant project in the label’s 12-year journey.

Native North America (Vol. 1) features music from the Indigenous peoples of Canada and the northern United States, recorded in the turbulent decades between 1966 to 1985. It represents the fusion of shifting global popular culture and a reawakening of Aboriginal spirituality and expression. The majority of this material has been widely unavailable for decades, hindered by lack of distribution or industry support and by limited mass media coverage, until now. You’ll hear Arctic garage rock from the Nunavik region of northern Quebec, melancholy Yup’ik folk from Alaska, and hushed country blues from the Wagmatcook First Nation reserve in Nova Scotia. You’ll hear echoes of Neil Young, Velvet Underground, Leonard Cohen, Creedence Clearwater Revival, Johnny Cash, and more among the songs, but injected with Native consciousness, storytelling, poetry, history, and ceremony.

The stories behind the music presented on Native North America (Vol. 1) range from standard rock-and-roll dreams to transcendental epiphanies. They have been collected with love and respect by Vancouver-based record archaeologist and curator Kevin “Sipreano” Howes in a 15-year quest to unearth the history that falls between the notes of this unique music. Tirelessly, Howes scoured obscure, remote areas for the original vinyl recordings and the artists who made them, going so far as to send messages in Inuktitut over community radio airwaves in hopes that these lost cultural heroes would resurface.

With cooperation and guidance from the artists, producers, family members, and behind the scenes players, Native North America (Vol. 1) sheds real light on the painful struggles and deep traditions of the greater Indigenous community and the significance of its music. The songs speak of joy and spirituality, but also tell of real tragedy and strife, like that of Algonquin/Mohawk artist Willy Mitchell, whose music career was sparked by a bullet to the head from the gun of a trigger-happy police officer, or those of Inuk singer-songwriter Willie Thrasher, who was robbed of his family and traditional Inuit culture by the residential school system.

Considering the financially motivated destruction of our environment, the conservative political landscape, and corporate bottom-line dominance, it’s bittersweet to report that the revolutionary songs featured on Native North America hold as much meaning today as when they were originally recorded. Dedicated to legendary Métis singer-songwriter and poet Willie Dunn, featured on the anthology but who sadly passed away during its making, Native North America (Vol. 1) is only the beginning. A companion set featuring a crucial selection of folk, rock, and country from the United States’ Lower 48 and Mexico is currently in production.

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Noah

2LP | 2021 | EU | Original (Guerssen)

2LP | 2021 | EU | Original (Look At Me)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Fabulous US hard-psychedelic album by Noah, recorded in 1972 but never released at the time. Expanded to a double set including the Sound Barrier (pre-Noah) sought-after garage-psych 45s plus unreleased demos, ’67-71. Master tape sound and insert with rare photos and liner notes by Plastic Crimewave. Riyl: Blue Cheer, SIR Lord Baltimore, Fraction, Iron Butterfly, Steppenwolf… Formed in the late 60s in Salem, Ohio, out of the ashes of two garage bands, the Markees and the Sound Barrier (of the legendary “Hey, Hey” 45 on Zounds), Noah consisted of Mark Scheuring (guitar & lead vocals), Larry Davis (drums), Paul Hess (bass & backup vocals) and Danny Hall (keyboards & backup vocals). In 1972 the band recorded in just two days a concept album titled “Brain Suck” at Cleveland Recording studios with engineer/producer Ken Hamann (of Grand Funk Railroad and James Gang fame). Noah’s music was dark and heavy, dominated by killer Hammond organ, hard guitar and powerful vocals. This is truly a major find for anyone into hard psychedelia. In the words of Steve Krakow (Plastic Crimewave): “it conjures the heavy, doomy vibe of Blue Cheer's "Fruit and Icebergs" suite; the bluster of Sir Lord Baltimore (but maybe with Keith Emerson on keys); and a biker ferocity found on the Fraction Moonblood Lp. I'm also imagining Steppenwolf, Iron Butterfly, or Vanilla Fudge on some bad drugs with a Mothers-like malignance”. The LP sessions were never released properly (in fact a truncated vinyl edition with some songs missing and late Sound Barrier demos added was released in 1995 by Al Simones on his Head Records label, without the band’s knowledge) so this is the first time that the “Brain Suck” album is released as originally intended by the band.

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Birth Control

Here And Now

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Bader Molden)

Anna Mabo

Notre Dame

Release: 2021 / EU – Original

Genre: Rock & Indie

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Palette Black Vinyl Edition

Nicadrio Lee

LP | 2021 | US | Original (Aloha Got Soul)

16,99 €*

King Gizzard & The Lizard Wizard

Release: 2021 / US – Original

Genre: Rock & Indie

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A bedroom city pop, math rock album of original songs recorded and performed entirely by the 19-year-old guitarist * New territory for Aloha Got Soul, expanding its catalog to represent new music from Gen Z.

Now in its sixth year as a fully-fledged record label, Aloha Got Soul enters new territory with teenage guitarist Nicadrio Lee and his self-produced Palette, a bedroom city pop, math-rock album of original songs recorded and performed entirely by the 19-year-old guitarist. Palette is inspired by Nicadrio Lee's musical journey, which began in Honolulu, Hawaii, and has brought him to study in New York City.

Nicadrio's own encounters in music and interactions with people prompted a question: 'What makes a song sound and feel good?' He discovered that a song is not labeled 'good' simply because of who is playing the music or because of how well an instrument is being played, but because an artist is able to inspire emotion through vibration, mood through sound, and life through music.

Palette tells a complete story of Nicadrio Lee's experiences to date. It marks the beginnings of the journey in music that awaits this young musician.

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Live In Adelaide 2019 Black Vinyl Edition

3LP Box | 2021 | UK | Original (Fuzz Club)

46,99 €*

LP | 2021 | EU | Original (Bureau B)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Triple LP box-set on black 180g vinyl. Includes 62x62cm poster. Artwork and remaster exclusive to Fuzz Club Bootlegs. Limited to 334 copies.

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Michel Banabila

Wah-Wah Whispers

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Guerssen)

Dale Jenkins

Undesirable Element

21,99 €*

Turn Ons Clear Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Arriving to the world for the first time, really—beyond the ears of the deep-digging few—Dale Jenkins’ Undesirable Elements, issued privately in the Washington, D.C. area circa 1985, is a homespun effort deserving of the audience and attention it never received upon initial release. Undesirable Elements—here expanded as Undesirable Element with appended bonus tracks—is a desolate and deconstructed album which touches on the subtleties and extremes of the human condition, and the nuances in between, across gnarled bits of proto-punk via abrasive, fuzzed guitars, and refracted mutant strains of British post-punk through a distinctly American underbelly sensibility. Drum-led and in-the-red, Undesirable Elements is a loose concept album of sorts, from the sympathetic pen of an innately skilled commentator. The album displays polemical disdain for the behavior of humans, insular views, and blindly moving forward on simple suggestion, while carrying a keen eye into the many textures of the mindscape of man. While you may hear occasional tears at aiming at the trends of the times, Jenkins’ direct, intensely personal and lyrically sophisticated material, combined with his charged attack, is in a realm all its own. Jenkins’ lyrics are nearly cinematic, like bite-sized scripts, or character vignettes, filled with wizened, introspective and radicalized perspective. The self-contained home-recording maverick was searching, sensitive, subversive, topical, yet several steps from the soapbox. Got Kinda Lost Records is over the moon to allow this unique, outsider singer-songwriter/psych-punk album another turn at its time in the shine…

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The Hotrats

LP | 2021 | UK | Original (Demon)

21,99 €*