Rock & Indie 813 Items

Genre: Rock & Indie

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Mathilda Brink

Maestro

LP (Fading Trails)

Genre: Rock & Indie

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LP | 2019 | US | Original (Lemp Electric)

Beth Bombara

Evergreen

Release: 2019 / US – Original

Genre: Rock & Indie

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2LP | 2019 | Reissue (Megaforce)

Altitudes & Attitude

Get It Out

Release: 2019 / Reissue

Genre: Rock & Indie

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LP | 2018 | US | Original (Carlisle Beauregard)

Amigo

And Friends

The Atlantean Afterlife Splattered Vinyl Edition

Release: 2018 / US – Original

Genre: Rock & Indie

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"Charlotte's Amigo is unhinged, but I mean that in the nicest possible way. The cowpunk-tinged hardrockabilly trio is open-hearted, joyous and wickedly funny, yet its superbly crafted melodic rock 'n' roll rides a streak of giddy mania." Creative Loafing Amigo is a rock and roll band. This might sound quaint or even a little passé but its an entirely apt and appropriate description. Amigo is a guitar, a bass, a drum set and buckets full of songs and its members share a proud and unrepentant belief in rock & rolls divine promise and power to shake audience and band alike to their core. The Charlotte, NC-based trio, comprised of guitarist Slade Baird, bassist Thomas Alverson and drummer Adam Phillips, has been putting rubber to road in senses both theoretical and literal since their inception in 2012, developing their keen sense of harmony and interplay, honing their songwriting chops and developing an absolutely white-hot live show which has become the main vehicle for their brand of rock and roll evangelism.

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Tony Tears

LP | 2021 | IT | Original (Bloodrock)

Release: 2021 / IT – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Glory Or Death)

Heavy Velvet

Sessions

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2021 | ES | Original (Boomland)

Ocean Gates

Release: 2021 / ES – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Dial Black Sounds)

Krista Shows

Prone To Wander

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2021 | Original (Full Contact)

Kehro

Jalousie

Release: 2021 / Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Yellow Cake)

Will Varley

The Hole Around My Head

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | UK | Original (Calcium Chloride)

Short-Haired Domestic

Release: 2021 / UK – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Target)

Evil

Ride To Hell

Release: 2021 / EU – Original

Genre: Rock & Indie

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Tanyc White Vinyl Edition

Tanyc

LP | 2021 | EU | Original (Gentle Art Of Music)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (PNKSLM)

Initiates

Esoteric Pop

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Yep Roc)

Kim Richey

Edgeland

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Cooking Vinyl)

Richard Walters

Golden Veins

Release: 2020 / EU – Original

Genre: Rock & Indie

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CD | 2022 | US | Original (Mom's Basement)

Smelters

Burnin' Dirt

8,44 €* 12,99 € -35%

12" | EU | Original (La Agonia De Vivir)

Release: 2022 / US – Original

Genre: Rock & Indie

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Smelters from Alberta, Canada are here with their debut full length Burnin’ Dirt. These dudes play straight up 4 chord punk rock that is heavily influenced by the Ramones! 12 fast and catchy punk rock songs that’ll surely have you up and moving!

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Gaura Devi

8,44 €* 12,99 € -35%

Release: EU – Original

Genre: Rock & Indie

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LP+CD | EU | Original (La Agonia De Vivir)

Orchis Simia

8,44 €* 12,99 € -35%

Release: EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Topsy Turvy)

Mophing People

Mppp

15,39 €* 21,99 € -30%

Release: 2023 / EU – Original

Genre: Rock & Indie

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Live Recording 08.10.2011

Lento

LP | EU (Denovali)

Release: EU

Genre: Rock & Indie

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Joe Brown

Gold

LP (Demon)

Genre: Rock & Indie

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LP | 2022 | EU | Original (Via Parigi)

Catalina Matorral

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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CD | 2020 | EU | Original (Green Tree)

Solar Project

Ghost Lights

LP | 2021 | EU | Original (Rubyworks)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Solar Project don´t try to impress with technical craftsmanship, fast licks or complex passages, but concentrate with a Pink Floyd-like overall sound. This overall picture is filled with excellent keyboard and guitar parts, various singing voices, mysterious sound effects and nice solos. The fact that Solar Project are heavily influenced by Pink Floyd only contributes to the overall idea. On Here I am, you hear that Solar Project do have a sound of their own. The core of the band is formed by keyboardist Robert Valet and guitarist Peter Terhoeven, two German musicians with a progressive heart of gold. They are assisted by several guest musicians, who are the backing band for Solar Project. Complex art rock, sometimes heavy, sometimes floydian-style filigrane, sometimes psychedelic, this perfectly describes the musical spectrum.

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Minutes

Marcata

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Park The Van)

Okey Dokey

Once Upon One Time

LP | 2019 | US | Original (Veriditas)

Release: 2020 / US – Original

Genre: Rock & Indie

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The new album finds Johny Fisher and Aaron Martin expanding their swinging rock music to encapsulate cosmic orchestral pop, squishy funk, swelling folk rock, and everything in between--shattering any boundaries they'd previously set for themselves. Once Upon One Time is the latest evolution in a creative partnership that dates back to 2016, when Fisher--who'd previously been in a carousel of bands with Martin--grew tired of work as a hired-gun touring musician and made the latter an artistic offer he couldn't refuse: "I went back to Aaron and said, 'Please, start a band with me, I'm dying to,'" he recalls with a laugh. Since then, the duo's released two full-lengths--2017's Love You, Mean It and last year's Tell All Your Friend--that attracted an increasingly rabid fan base and eventually caused the group to be a regular touring act as well.

"Okey Dokey has never just been Johny, Jeremy, and I," Martin states. "It takes far more than the three of us to make our records--it takes our family and friends, our team, our video directors, photographers, press agents, our beautiful audience, and our love. We're done just being a band. We're a community now

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Acidhead

Distractions

Release: 2019 / US – Original

Genre: Rock & Indie

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7" | 2015 | EU | Original (Alone)

Orthodox

Crown For A Mole

4,79 €* 7,99 € -40%

Die Young Colored Vinyl Edition

Release: 2015 / EU – Original

Genre: Rock & Indie

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Orthodox recently reformed as a duo with Marco Serrato (bass, vocals) and Borja Daz (drums). Here they perform with different guests musicians, developing a new form of contemporary heavy metal meets extreme jazz meets doom. These tracks showcase a more 'straight forward' concept in the composing process. But this is just NOW, as ORTHODOX never compromises with certain sound or 'song concept' for very long. 'Crown For A Mole' is the first single taken from the 2015 album 'Axis'.

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Hellions

LP | 2017 | EU | Original (UNFD)

14,69 €* 20,99 € -30%

Rockabilly Rebels Volume 1

Release: 2017 / EU – Original

Genre: Rock & Indie

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Hellions' thrillingly raw debut album is now available on LP in the UK & Europe for the first time ever. While the band would later shoot
to prominence with their subsequent albums, Die Young is a riot of colour, youthful energy and righteous anger.

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V.A.

LP | 2015 | UK | Original (Sun / Icehouse / Membran)

14,69 €* 20,99 € -30%

LP | 2022 | EU | Original (Hammerheart)

Release: 2015 / UK – Original

Genre: Rock & Indie

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Compilation of Rockabilly songs from the famous Sun Recordings (Elvis Presley, Johnny Cash and Carl Perkins) / Limited Edition Numbered / Yellow 180 gm Vinyl with Four Panel Colour / Bonus Booklet.

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Arallu

Death Covenant

14,69 €* 20,99 € -30%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Six Tonnes De Chair)

Public Body

Flavour Of Labour

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP (Imaginator/Clandestine)

New Indiana

Darkness Sunshine

Genre: Rock & Indie

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Toebow

Themes

LP (Imaginator)

Genre: Rock & Indie

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Eli Winter

Unbecoming

LP (American Dreams)

Genre: Rock & Indie

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Guild Of Ages

Rise

LP (Escape)

Genre: Rock & Indie

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Gold Connections

Popular Fiction

LP (Egghunt)

Genre: Rock & Indie

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Frontier Folk Nebraska

Freaks

LP (Old Flame)

Genre: Rock & Indie

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Fronds

Cold Across My Skin

LP (Gold Robot)

Genre: Rock & Indie

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LP | 2019 | US | Original (Boocoo Music)

Bhi Bhiman

Peace Of Mind

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2021 | NL | Original (Down At The Nightclub)

Mannen Met Baarden

Blue Mountain Trail

Release: 2021 / NL – Original

Genre: Rock & Indie

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LP | 2021 | UK | Original (Hood Faire)

Dean McPhee

Witch's Ladder

Release: 2021 / UK – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Born Yesterday)

Spirits Having Fun

Two

LP | 2021 | EU | Original (Nuclear Blast)

Release: 2021 / US – Original

Genre: Rock & Indie

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Spirits Having Fun records are ones made from and for shows and spaces—arrangements rooted in a deeply collaborative process, that come to life through intuitive and locked-in live improvisation. Following their 2019 debut Auto-Portrait, Two finds the New York and Chicago based four-piece continuing to challenge ideas of what a rock band can be, pulling apart their musical experiences and reimagining them as kinetic compositions, equally studied but palpably organic.

Two is constructed around gut feelings and strong grooves, elastic rhythms and playful pacing. Its twelve songs expand, contract, and make sharp turns between melodies under singer-guitarist Katie McShane’s meditative lyrics. “Broken Cloud,” which was also released last year on a compilation in support of Chicago Community Jail Support, offers a glimpse into her reflections on the natural world: "A city grew out of the ground / to a mountain it's only a blur."

True to its name, the internal logic of the band is also just a lot of fun, built on trust and deep-rooted musical relationships. Before there was Spirits Having Fun, McShane, bassist Jesse Heasly, guitarist-vocalist Andrew Clinkman, and drummer Phil Sudderberg had performed together in various arrangements over the years. McShane, Heasly and Clinkman met in a specific corner of the Boston underground in 2013, a time when a scene had coalesced around students from local music conservatories frequently collaborating with punk bands and noise artists, exchanging ideas and warping musical worldviews. Heasly and Clinkman played together in Cowboy Band, making mutant, free jazz-inspired takes on old country tunes. When Clinkman moved to Chicago, Heasly and McShane played in experimental groups like EKP and Listening Woman; in Chicago, Clinkman met Sudderberg playing in projects like jazz scene fixture Ken Vandermark’s high-powered band Marker.

Spirits first came together as an attempt at a long-distance collaboration among friends in 2016, driven by the simple feeling of missing each other; they’d meet up for marathon weekends here and there to practice, playing small loops through dive bars and art spaces around the Midwest—just enough for McShane and Heasly to afford plane tickets back home. Being split between Chicago and New York forced the project into a deliberate pace. “We tried to take it slow and let it be what it was,” said McShane. That sense of patience unexpectedly prepared them for March of 2020, when their planned tours and the release of Two were indefinitely delayed.

Two was mostly recorded in the summer of 2019 with the help of omnipresent Chicago engineer Dave Vettraino and DPCD’s Alec Watson, whose contributions on organ, synths, and piano are laced throughout the record. The album reflects a synthesis of solitary and communal songwriting processes—each song drawing on fragments written by individuals, which McShane threaded together and shaped through her distinct compositional lens, making the songs whole before returning to them to the band to mature collectively. When composing, McShane writes first on the keyboard before adapting parts for guitars played by herself and Clinkman. Their dueling approaches to guitar are complementary: McShane, being a newer guitarist, brings a freshness to the project (“I'm just discovering the whole time,” she says) while Clinkman has been playing since childhood.

“There's a lot more collaboration on this record,” says Clinkman, “in terms of all of us letting stuff bloom a little bit more.” The record’s first single, “Hold The Phone” is a good example of this process—it started with a playful intro riff from Clinkman, a melody and bridge added by McShane, a wobbly outro groove added by Heasly, which Sudderberg brought to life. Another single, the dynamic “See a Sky,” written primarily by Heasly, underscores the rhythm section chemistry at play across the record, the song ebbing and flowing around Heasly and Sudderberg’s eclectic percussive palettes.

“Entropy Transfer Partners” is the only song on the record with lyrics by Clinkman, and the album’s most politically direct—a call for solidarity in the face of systemic failures, an acknowledgment of the shared material devastation caused by our country’s ongoing healthcare and housing crises: “These are not things we're experiencing individually. We struggle through them collectively. And we could actually declare, all of us, that it doesn't have to be this way, and fight and organize to ameliorate some of those conditions.” (“We won't work to create the shit you monetize, to run our lives,” they sing.)

From front to back, Two is an absorbing listen simply for its impressive range. But as the members explain themselves, the complexity of the record is about more than its intricate riffs, or how often they count out an odd time signature, but how they reject the notion of boxing the songs in, letting the melodies take on lives of their own. “Making music that feels alive is important to us,” says Clinkman. “Music feels most powerful to me when it deepens our sensation of feeling alive and connected to other humans. It’s so easy to feel worn down and isolated; that your life’s value is fixed to your productivity at your job, or the things that you have or don’t have. Making music that feels joyful and fun seems like one effective antidote to that feeling.”

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White Void

Anti Black Vinyl Edition

Dead Nation Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Eclectic hard rockers White Void are a curious bunch. Forged in the space between the occult rock of the seventies, the no-excuses-hard rock of the eighties and the British New Wave movement, they balance on the event horizon that separates old from new. Aggression from melody. Dream from drive.

Add to that the fact that the bandmembers of White Void have their backgrounds in Norwegian black metal, chiptune electronica, pop music and blues, and you’ll see why “Anti” is an album that’s hard to pin down. It’s darkly melodic, it’s driven, and it’s infused with earworms, hooks and licks. Boasting a shameless attitude, though, it comes forth as deeply true to the core of our shared hard rock heritage.

Still, “Anti” probably doesn't sound like you think. It’s an album riddled with contrasts and references, musically as well as philosophically. The concept is based on Albert Camus’ Absurdism and deals with how you cope with an existence that is in its core absurd. Musically it draws on the past while forging towards the future. And the result? Well, enter the Void to find out!

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Boom Dox

LP | 2021 | EU | Original (Roar! Rock Of Angels)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Dr Space's Alien Planet Trip

Volume 2 Gloomy Horizon Red Vinyl Edition

LP | 2018 | EU | Original (Space Rock Productions)

Release: 2018 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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CD | 1994 | DE | Original (Universe)

V.A.

Nautic United

Release: 1994 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

7" | 2019 | US | Original (Slumberland)

Smiles

Gone For Good

7" | 2023 | EU (Mad Butcher)

Release: 2019 / US – Original

Genre: Rock & Indie

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The Bay Area's Smiles are back with their second 7" and what a blast it is. Superbly-crafted pop is the order of the day here, with echoes of everything from prime Teenage Fanclub to Big Star to the southern power-pop of folks like Dwight Twilley and Tommy Hoehn. "Gone For Good" is 3:33 of pop perfection, with a marvelous melody, heavenly harmonies and a bit of a triumphant guitar solo sneaking in at the end. On the flip side we get another gem in "This Boy," a brief tune that still feels fully-formed, rather in the style of fellow West Bay songsmith Tony Molina. It's developing into quite the scene they have down there, and as long as the results are as thrilling as this single we can't wait to hear what's next. Part of the SLR30 Singles Series.

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Toxik Ephex

Drag Of A Day

Duricies A L'anima White Vinyl Edition

Release: 2023 / EU

Genre: Rock & Indie

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Here available on 7-inch, 'Drag Of The Day' was taken from the Scottish folk-punk band's 2023 album 'Immune To The Media'.

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Serpent

7" | 2022 | EU | Original (La Agonia De Vivir)

LP | EU | Original (La Agonia De Vivir)

Release: 2022 / EU – Original

Genre: Rock & Indie

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It includes cover/jacket to keep the collection of the 3 eps. This is the third one of a collection of three eps that forma a unique release all together. After their awesome full lenght debut they continue with their mix of post hardcore / post punk ala Fugazi, Hot Snakes or Drive Like Jehu and the primitive dark punk rock of bands like Wipers, Stooges or .Misfits.

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Ulises Lima / Shonen Bat

Split

Release: EU – Original

Genre: Rock & Indie

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Codice A Sbarre Splattered Vinyl Edition

Porno Riviste

LP | 2021 | EU | Original (Semplicemente Dischi)

27,99 €* 39,99 € -30%

Release: 2021 / EU – Original

Genre: Rock & Indie

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3LP | 2019 | EU | Original (7A Records)

Davy Jones

Live In Japan

27,99 €* 39,99 € -30%

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 1986 | US | Original (688 Records)

Drivin' N' Cryin'

Scarred But Smarter

27,99 €* 39,99 € -30%

Wir Werden Niemals Fertig Sein

Release: 1986 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Cover has ring wear and small tears on the front. Record shows some scuffs and slight scratches!

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Neufundland

LP | 2017 | EU | Original (Neufundland)

13,99 €* 19,99 € -30%

Release: 2017 / EU – Original

Genre: Rock & Indie

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Flesh Of The Dead Colored Vinyl Edition

The Necromancers Union

LP | 2021 | EU (Petrichor)

13,99 €* 19,99 € -30%

Release: 2021 / EU

Genre: Rock & Indie

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Runaway Brother

New Pocket

LP (Tiny Engines)

Genre: Rock & Indie

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Strangulated Beatoffs

Beating Off All Over..

LP (Skingraft)

Genre: Rock & Indie

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Made In Mexico

Guerillation

LP (Skingraft)

Genre: Rock & Indie

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Suitcase Junket

Pile Driver

LP (Signature Sounds)

Genre: Rock & Indie

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Slowness

Berths

LP (Schoolkids)

Genre: Rock & Indie

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Reputations

Electric Power

LP (Nine Mile)

Genre: Rock & Indie

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Gay Beast

To Smithereens

LP (Skingraft)

Genre: Rock & Indie

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Floral Print

Mirror Stages

LP (Tiny Engines)

Genre: Rock & Indie

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I Got No Place Remembers Me

Brad Armstrong

LP | 2019 | US | Original (Cornelius Chapel)

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Cornelius Chapel)

Brad Armstrong

Empire

Release: 2018 / US – Original

Genre: Rock & Indie

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Straitjacket

Demented Perverts

LP (Busy Bee Production)

Genre: Rock & Indie

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LP | 2020 | US | Original (Brutal)

Hellgarden

Making Noise,Living Fast

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2021 | NL | Original (Lay Bare)

Severant

Closure

Release: 2021 / NL – Original

Genre: Rock & Indie

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LP | 2018 | SE | Original (Omlott)

Luft

Volume 1: Inhale

Release: 2018 / SE – Original

Genre: Rock & Indie

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LP | 2021 | DE | Original (Shameless)

Cemento

Niton

Release: 2021 / DE – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Sofaburn)

B. Hamilton

Nothing And Nowhere

LP | 2021 | EU | Original (Listen)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Moody, Atmospheric Guitar Riffs With A Decidedly Driven, Cinematic Feel. Riyl Black Crowes , Once And Future Band.What Started As A Bedroom Project In 2010 For Songwriter, Vocalist, And Guitarist Ryan Christopher Parks (Whose Collaborative Track With Boots Riley "Oyahytt" Features Heavily In Riley's 2018 Film "Sorry To Bother You.") With The Addition Of Parks' Good Friends Andrew Macy On Bass, And Raj Kumar Ojha On Drums (Once And Future Band, Shannon Shaw Band, Howlin' Rain), B. Hamilton Has Since Become One Of Oakland, California's Staple Rock And Roll Bands. With Parks' Moody, Atmospheric Guitar Riffs And Lyrical Ability To Encapsulate Entire Characters And Scenes Within A Few Short Minutes, There Is A Decidedly Driven, Cinematic Feel To B. Hamilton's Sound. B. Hamilton's Fourth Album "Nothing And Nowhere" Is An Album To Drive Late At Night To, Windows Down, Pounding Along With Ojha And Macy's Urgent, Yet Steadfast Tempos And Rhythms On The Roof Of The Car To Stay Awake. Parks' Vocals And Guitar Take Us Over Potholed, Winding, Terrain That Has Led Many From Adolescence Into Adulthood. In The Album Opener "North San Juan," Parks Describes The Fall Out Of 1960's San Francisco's "Summer Of Love" In Contemporary Northern California. A Situation Where "Peace And Love" Has Given Way To Addiction, False Prophets, And Youthful Recklessness. Numbers Like "45 And Straight" May Be More A Meditation On The Kind Of Adult One Hopes They Don't Become: Disillusioned, Entitled, Sitting On A Powder Keg Of Resentments. "Song For T.W." Cements The Album's Theme That Love Is Excruciating And Worth Fighting For, While Hate Is Easy And Designed For The Weak. Noteworthy: Ryan Wrote And Played On A "Oyahytt" From The 2018 Movie "Sorry To Bother You" With Writer And Director Boots Riley. Teddy Rankin-Parker (Iron And Wine) Plays Cello On "North San Juan" And "Sarajevo Roses." Joel Robinow (Once And Future Band, Shannon Shaw Band, Howlin' Rain, The Black Crowes) Sings And Plays Keyboards On The Entire Record.

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Darjeeling

Maguna

Release: 2021 / EU – Original

Genre: Rock & Indie

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South American Assault Live Colored Vinyl Edition

Killers

LP | 1994 | EU | Reissue (Metal Mind)

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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Long Live The New Flesh !

The Eastern Dark

12" | 1986 | EU | Original (What Goes On)

Local Heroes SW9 / Kevin Armstrong

Release: 1986 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Sticker on cover.

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New Opium / How The West Was Won

LP | 1981 | UK | Original (Oval)

Release: 1981 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 2021 | EU | Original (Edged Circle)

To The Dogs

7" | 2017 | US | Original (Iron Lung)

Release: 2021 / EU – Original

Genre: Rock & Indie

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TO THE DOG’s self-titled debut EP. A whirlwind of crust metal dirtiness from the North Americas. Hailing from the frozen wastes of Wisconsin, TO THE Dogs are a juggernaut of classic crust. The power-trio made their public debut in December 2020 with a digitally-released three-song demo, which is now being released as their debut EP and thusly titled To the Dogs. Charging hard, charging free, TO THE Dogs have Motorcharge on lock, but also nod to classic blackthrash (think early Aura Noir) and the punkiest speed metal (think classic Warfare). Theirs is a sound that's unapologetically old-style, but refreshingly honest in its approach - not to mention addicting! Indeed, across the nine short/sharp/shocked minutes of To the Dogs, TO THE Dogs roam the post-apocalyptic wasteland on motorcycles made exclusively of spikes and chains, and then proceed to burn through that wasteland and get the fuck out. Hitch a ride now or DIE!

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Roht

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Reissue (End Hits)

Hot Water Music

Feel The Void

27,29 €* 38,99 € -30%

LP | 2020 | EU | Original (Magnetic Eye)

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Moon Phase Swamp Green/White w/ Black Splatter vinyl

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Horsehunter

Day Of Doom Live

27,29 €* 38,99 € -30%

LP | 2020 | DE | Original (Mercury Nashville)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Magnetic Eye Records present a blistering live document of their flagship band Horsehunter destroying onstage at the "Day of Doom" label showcase at Brooklyn's Saint Vitus Bar.

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Johnny Cash

Mystery Of Life

27,29 €* 38,99 € -30%

Release: 2020 / DE – Original

Genre: Rock & Indie

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Stellar Stream Obscured Colored Vinyl Edition

Sarcasm

LP | 2021 | EU | Reissue (Hammerheart)

13,29 €* 18,99 € -30%

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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12" | 1987 | AU | Original (Au Go Go)

No Mans Land

Savage Brides

3,99 €* 7,99 € -50%

LP | 2017 | EU | Original (Metal Blade)

Release: 1987 / AU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

tiny wear

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Trial (Swe)

Motherless

Release: 2017 / EU – Original

Genre: Rock & Indie

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2LP (Gymnocal Industries)

Devar

Mausoleum

Genre: Rock & Indie

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LP | 2022 | EU | Original (Squirrel)

Axids

Kids With An Axe

Release: 2022 / EU – Original

Genre: Rock & Indie

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EP | 2002 | US | Reissue (The Vanity Label)

The Format

The Format EP

LP | 2021 | EU | Original (Apostasy)

Release: 2002 / US – Reissue

Genre: Rock & Indie

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Reissue of the first EP and first release by The Format.Formed in 2000, The Format is an American indie rock band formed by Nate Ruess and Sam Means. Their style can be considered a mixture of indie, alternative, punk and folk music, with elements of 1960s and 1970s pop music.The Format chose their name to make fun of the music industry's inclination towards a cookie-cutter "format" for a hit. The band announced a hiatus on February 4, 2008. Twelve years later, on February 4, 2020, they announced a return from their hiatus.

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Path Of Destiny

The Seed Of All Evil

Release: 2021 / EU – Original

Genre: Rock & Indie

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Fat Pop Limited Standard CD

Paul Weller

CD | 2021 | EU | Original (Polydor)

LP | 2021 | EU | Original (Where It's At)

Release: 2021 / EU – Original

Genre: Rock & Indie

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We may be cursed to be in the midst a global pandemic, buffeted by all of its stresses and pain. But everyone knows that art provides succour, that music is the most reliable balm. And for many there is further significant comfort to be drawn from the knowledge that Paul Weller is in the midst of an unbelievably prolific purple patch. Paul Weller will not let us down when we need him most.

On May 14th, Paul Weller releases his 16th solo album since his self-titled debut in 1992, his fourth in as many years and his second in just under twelve months following June 2020’s magnificent, chart-topping On Sunset. It’s not hyperbole to state that this new album, titled Fat Pop (Volume 1), is among his most compelling collections, bar none, including all of his era-defining work in the 1970s and ‘80s with The Jam and The Style Council. It’s an absolute scorcher.

When lockdown was declared in March 2020, Paul Weller decided immediately that he wanted something to focus on, since it seemed unlikely he’d be able to tour On Sunset as planned that summer.

“I had lots of ideas stored up on my phone,” he explains down that same handset, speaking from outside his London home, “and at least this gave me an opportunity to develop them.” So he started to record songs on his own, doing just vocals, piano and guitar, then sending those sound files to his core band members such as drummer Ben Gordelier, Steve Cradock on guitar and various other instruments, and bassist Andy Crofts for them to add their parts. “It was a bit weird not being together, but at least it kept the wheels rolling. I’d have gone potty otherwise.”

The band reconvened at Weller’s Black Barn studio in Surrey during the summer when restrictions were lifted to finish the work, with several of the songs being cut live. By this stage, the shape of the album was clear to all. Weller wanted to deliver an album of singles, twelve short, distinct blasts, each strong enough that they could stand alone if so desired.

“That was a conscious decision,” he confirms. “I even thought about putting every song out as a single first then gathering them all on an album, but that wasn’t practical at the moment. They all have that strength and immediacy, I think, and they’re all short, three minutes or so maximum.”

Producer Jan ‘Stan’ Kybert was so taken with the concept that he half-jokingly suggested that the album be called Greatest Hits. “I quite liked the idea and every song does stand up as a single, I think,” chuckles Weller, “but no, we couldn’t do that really.”

Instead, he plumped for Fat Pop (Volume 1). “I thought we’d add Volume 1 to it just to keep my options open in the future for a second volume!” The title track, a tight, heavy blast of ultra-modern funk, is itself the conceptual key to the whole album. “It’s a celebration of music and what it’s given us all. No matter what situation you are in, and we’re in one now, music doesn’t let you down, does it?”

As ever, Weller’s sonic masterplan was to avoid whatever had recently preceded it. “After [2018’s] True Meanings I thought I wouldn’t have any acoustic guitars for a little while, so I’ve largely avoided those with On Sunset and with Fat Pop,” he says. “But more than anything I wanted something vibey, something we could play live.” He laughs ruefully at the irony of that. “God knows when that will be, bearing in mind where we are with the virus. But in the imaginary gig in my mind I can see us playing all of the songs on Fat Pop live, along with the songs from On Sunset, blending them with some of the old favourites too. What a great set that would be.”

Live is where he imagines On Sunset and Fat Pop (Volume 1) working in tandem, because they don’t act as companion piece albums otherwise. “On Sunset was quite lavish in places, whereas with this one I wanted to limit it in some ways, make the production less expansive.”

Beyond that desire to keep it frill-free and tight, sonically Fat Pop (Volume 1) is a diverse selection of sounds. No one style dominates. There’s the synth-heavy, future-wave strut of Cosmic Fringes, the stately balladeering of Still Glides The Stream, Testify’s moving-on-up soul, and the kind of dramatic three minute pop symphonies on Failed, True and Shades of Blue with which Paul Weller has hooked in generation after generation of devotee.

More than sonic plans, though, Weller set himself the same task as he does before any recording. “Whenever I make an album I’m always just trying to at least match what’s gone before because each time I think the bar’s been raised. If all goes to plan, sometimes I manage to go over that bar too.”

Sometimes he does, sometimes he really does.

Fat Pop (Volume 1), the story behind each song:

Cosmic Fringes

A dramatic entrance to Fat Pop (Volume 1). Cosmic Fringes pairs a minimal, pumping electro swing with a deadpan vocal that detonates an unspecified poseur and blowhard. “I’m a sleeping giant, waiting to awake/I stumble to the fridge/then back to bed”.

“It’s not about anyone in particular,” suggests Weller, “but I suppose it could be about a keyboard warrior, someone who is constantly brainstorming ideas but never gets around to doing them. Someone talking the talk, but never doing anything.”

“When I first did the demo it was quite punky, a bit like The Stooges. It doesn’t sound anything like that now because then I had the idea of stripping it all back to just the drums and bass, putting those synths on it. It’s got a bit of motoric feel to it and a little bit glam rock too, I think.”

True

A song with all the attributes of the greatest Paul Weller numbers: fire in its belly, questing lyrics, boss horns, flashes of guitar fury and a yearning melody you awake humming daily. It’s also a tremendous vocal, shared between Paul and Lia Metcalfe, the young Liverpudlian singer with The Mysterines.

“I really like her band and I really like her singing,” he says. “It makes a massive difference that we sang it live, in the same room. She’s got a really powerful voice and I wanted to write something for us to sing together, so I did. Then I just sent the phone demo to Lia and two weeks later we cut it. That was one of the last things we did for the album, in around September”.

Fat Pop

That brilliant, heavy bassline? “I did that. When we recorded it I was actually thinking about Cypress Hill, doing something that sounds like a DJ Muggs production. It’s got a bit of that. It’s my favourite song on the album, I think, about all the times music’s been there for me.”

Shades of Blue

A classic three-minute English pop kitchen sink drama, written by Paul Weller and his daughter Leah, who joins him on vocals. “Leah wrote the chorus for it and helped me finish it up. I wrote the verses. Reminds me of a suburban drama, a play.”

Glad Times

Sweeping, wistful, sparkling in shades of blue, Glad Times’ winning melancholia has been in the back of Weller’s mind for a while. “I wrote this with Tom (Doyle) and Ant (Brown). They usually send me a backing track and we work on it from there. It’s been around for a while, nearly made it onto On Sunset but didn’t quite fit. I really liked it, though, so I’m really glad it made it on to this album instead.”

Cobweb / Connections

Pastoral introspections, featuring a lovely acoustic solo by PW and a string score by Hannah Peel. “I think the song is saying that the more you can be yourself and be happy with yourself, the more you change into something better. It’s not just good for you, it’s good for everyone else as well. ‘Save yourself and save everyone around you too.’ It’s from observation but I suppose it’s about me too.”

Testify

Superfly strutting, cut live in the studio with Andy Fairweather Low adding distinctive vocals and Jacko Peake on fine flute and saxophone. When allowed out of the house, it’ll be a future live favourite.

“We had actually done it live two or three years ago,” says Weller, “but while I loved the groove I never really got a grip on the song. Then I did this charity gig in Guildford, one of the last things I’ve done probably, some Stax songs with Andy Fairweather Low. Our voices sound so good together and he’s such a lovely fellow, so I sent him the backing track. As soon as lockdown was lifted he came down to the studio for the afternoon. We cut it live and that was it.”

That Pleasure

In amongst those soulful strings there is some barely contained rage in Weller’s voice as he sings ‘Lose your hypocrisy.’ “I suppose it’s my reaction to the whole Black Lives Matter movement,” he explains. “You’re always on tender ground writing about that, but, regardless of my colour, any human being should be disturbed. You should be appalled and disgusted and shocked by those images of George Floyd being killed in the street. It has to stop. It’s a question for everyone.”

Failed

‘All the things I never get/and all the things I never meant/and all the things that make no fucking sense…I’ve failed.’

“Yes, I’m asking myself the question,” admits Weller, a man who has never been afraid of self-reflection in his songwriting. “It’s an angry song because I wrote it right after a massive row with my wife. But I like it. It’s honest. It’s not how I feel all the time, but it is how I feel some of the time. I’m just talking about me as a man. We all measure success in different ways.”

It’s also one of his favourite songs on the album, a stand-out.

Moving Canvas

A chunky, percussive groove, with the feel of Traffic but updated for the here-and-now.

“It’s going to be great live that one. I wrote it about Iggy Pop. I hope he likes it if he ever gets to hear it. It’s my tribute to him, even though it doesn’t sound anything like him. Aside from all the great records he’s made, as a performer he’s high art. It’s all about the Igster.”

In Better Times

A plaintive plea with some beautiful sax and guitar breaks. “Cold in your eyes, don’t you know you break my heart in two”.

“It’s me talking to a young person who is going through something, addiction or mental health pressure, or whatever, and just saying it’ll be alright. Just get through this bit and there’ll be better times to come, you’ll look back and you’ll see it differently.”

Still Glides The Stream

A stately collaboration between Weller and long-time guitar foil Steve Cradock.

“I had the chords and possibly the melody, which I sent to Cradock. And he sent me back a poem and I edited that, then we sent it back and forth by phone. Lockdown songwriting. I just liked the poem. In my mind, I was thinking about our road sweeper who’s a lovely fellow. I started thinking that there’s so many people in this country who form the infrastructure of it and without whom we’d be fucked. But they’re looked down upon, not really noticed. So I was imagining their story. I did find out that there’s a book of the same name (by Flora Thompson) and Cradock said he had seen it in a shop, so that’s where the title comes from. I just liked the poetry of it. Steve’s a very soulful fella.”

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Corvair

Welcome To Hel Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Corvair Is What Happens When You Trap Two Scorpio Songwriters In A House Together. Comprised Of A Portland-Based Husband / Wife Duo Of Two Seasoned Musicians (Brian Naubert And Heather Larimer), Corvair's Debut Album Charts A Starcrossed Love Story Over Three Decades, Five Cities, And Six Continents. Spanning From Atmospheric Pop To Jangly Confessional, 70s Am To 90s Fm, This Work Is Laden With Stunning Turns Of Phrase And Prodigious Melodies, Two Voices Leaping To Meet In The Ether. Corvair's Debut Album Was Largely Created During The Covid Pandemic Shut-Down Of Spring 2020. It Includes Work With Drummer Eric Eagle (Jesse Sykes, Wayne Horvitz) And Engineer Martin Feveyear (Brandi Carlile, Mark Lanegan, Mudhoney), Who Also Mixed The Record. Larimer Explains, "Being Stuck In A House Together With Very Little Outside Influence Made Us More Emotionally Raw, Definitely Weirder, And Also More Patient And Intricate In Developing The Songs. And Because We Were In A Bubble, Cooking Dinners From Paranoidly-Disinfected Groceries And Listening To Old Records, Really Disparate References From Some Of Our Favorite Music Ended Up Colliding In Odd Ways--An Emotional Judas Priest Bridge, An Anthemic Pixies Outro, A Spacey Keyboard Sound From Steve Miller, Jeff Lynne's Acoustic Guitar Tone, A Carpenters-Style Lush Harmony. I Think It's A Wonderfully Weird Record, But Also Very In-Your-Face Pop Because What Else Are You Going To Do When The World Feels Like It's Ending?" Separately, Naubert And Larimer Have Created Or Appeared On More Than 20 Records. Heather's Musical Mainstay Was The Garage Pop Band Eux Autres, Broadly Hailed As A "Veritable Cult Classic" Band, Radio-Debuted By The Legendary John Peel, And Featured In Many Shows, Movies And Commercials. Brian Is A Longtime Fixture Of The Northwest Rock Community, Having Played In Vital Bands Such As Tube Top, Pop Sickle, And The Critically-Lauded Ruston Mire, Since 1993. More Recently, Brian Released His First Solo Record, Hoffabus And A Record With The Nw Supergrou...

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Hjelvik

LP | 2020 | Original (Nuclear Blast)