Rock & Indie 52178 Items

Release: 2023 / Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Ramalama)

Marriage

16,89 €* 25,99 € -35%

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Ramalama)

Marriage Limited Edition

14,84 €* 26,99 € -45%

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2011 | US | Original (Merge)

Civilian

21,99 €*

Release: 2011 / US – Original

Genre: Rock & Indie

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Civilian + Cut All The Wires: 2009-2011

LP | 2021 | US | Original (Merge)

Release: 2021 / US – Original

Genre: Rock & Indie

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2lp Is Green Swirl Vinyl In A Gatefold Jacket.Ten Years After Its Release, Wye Oak's Civilian Remains A Raw, Sinewy Punch Of A Record _ Bleak And Intense And Lonely And Self-Assured All At Once. The Album Unravels With The Sort Of Selfquestioning And Uncertainty That Come With Youth, And Its Specific Confidence In Unflinchingly Probing All Of Those Emotions, Feeling Them To Their Deepest Extent Even When It's Tearing You Apart At The Seams. When Andy Stack And Jenn Wasner Released Civilian, It Marked Both The Ascension And Death Of Wye Oak, Or At Least A Version Of It. Now, A Decade Later, Civilian + Cut All The Wires: 2009-2011 Delves Back Into That Pivotal Record And Adds A Lost Album Of Unreleased Tracks And Demos To Civilian's Universe. Civilian Was Beloved Upon Release, Complete With Late-Night Tv Appearances, Sold-Out Concerts, And Glowing Reviews; It Was The A.V. Club's Favorite Album Of 2011. Cut All The Wires: 2009-2011, A 12-Song Collection Of Rare And Unreleased Tracks And Demos Culled From The Wye Oak Archives, Is An Extension Of The Bruised And Aching Civilian. Sonic Paradoxes Abound: The Mellow "Sinking Ship" Is Preceded By The Wall-Of-Sound Grunginess That Roars Through "Half A Double Man." A Pared-Down Acoustic Daytrotter Live Session Of "Two Small Deaths" Dovetails Into The Jangling "Holy Holy" Demo. The Closing Lyrics Over The Frenetic, Screeching Feedback Of "Electricity" Lend The Anniversary Release Its Title.

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Every Day Like The Last: Collected Singles 2019-20

LP | 2023 | EU | Original (Merge)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Every Day Like The Last Natural & Black Swirl Vinyl Edition

LP | 2023 | US | Original (Merge)

Release: 2023 / US – Original

Genre: Rock & Indie

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If Children Record Store Day 2022 Vinyl Edition

LP | 2022 | US | Original (Merge)

Release: 2022 / US – Original

Genre: Rock & Indie

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Limited Edition for Record Store Day 2022.

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Shriek + Vriations Orange Swirl Vinyl Edition

2LP | 2024 | US | Original (Merge)

42,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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In 2014, Wye Oak released Shriek, their fourth album. It was a necessary departure for Jenn Wasner and Andy Stack, who found themselves on uncertain ground after two years of constant touring for 2011's Civilian, living on opposite ends of the country and trying to revitalize their creative partnership. Wasner set aside her guitar for a bass. Stack took on the band's upper register, playing syncopated, meditative keyboard parts that interacted with Wasner's voice, which was newly freed from its call-and-response relationship to the guitar - what had been, until then, a signature of Wye Oak's sound. "This idea and the ensuing creative reworking of our band did what it was meant to do," Wasner writes in 2024. "It ended a long, painful period of creative stagnancy and reconnected me with the joy of making music." During that period, Wasner and Stack were introduced to William Brittelle, the Brooklyn-based composer whose 2019 LP Spiritual America featured Wye Oak, the Metropolis Ensemble, and the Brooklyn Youth Chorus. His orchestral reimaginings of five songs from Shriek (Shriek: Variations, if you will) are the centerpiece of this package, which serves not only to mark the tenth anniversary of a great album, but to demonstrate the richness of Wye Oak's compositions. Stack says of Shriek: Variations: "It's like looking at the songs in a funhouse mirror. The songs on Shriek can be stripped down or embellished - this is maximal embellishment. William took the album and blew it to smithereens, looking at it in a weird, prismatic way." Through Brittelle, Wasner and Stack found themselves at the intersection of classical, experimental, and pop music. Further collaborations, like the Brooklyn Youth Chorus- featuring No Horizon and Paul and Michi Wiancko's string arrangements on "My Signal" from The Louder I Call, The Faster It Runs, followed, as this connection fundamentally changed the way Wye Oak approached making records, incorporating an entirely new palette of sound into their work. That shift began here. Shriek: Variations may feel like a startling take on the material, something like light bursting into a room through drawn curtains, but Brittelle's arrangements are largely original to his first collaborations with Wye Oak a decade ago, suggesting that his maximalist arrangements have lived comfortably within the framework of Shriek the whole time, waiting for the right moment to emerge. It's a fitting reintroduction to the album, which upon its initial release was pigeonholed into the easy one-note talking point of being the "no-guitar" record. But even so, as that happened, Shriek quietly started to become a staple among Wye Oak's core fans. Here, with help from Brittelle's expansive compositions, the release draws attention back to the songwriting - how, regardless of the instrumentation, Wasner and Stack's uncanny musicwriting partnership at the core is what makes both Shriek and Wye Oak excellent. Joined by the Metropolis Ensemble, Paul Wiancko, and Lizzie Burns, Wye Oak turn songs like "Logic of Color" inside out, reaching towards a kind of pastoral bombast, Brittelle's aesthetic with Wasner and Stack as an anchor. In fact, "Logic of Color" in this iteration takes that "no-guitar" script and flips it, with Wasner playing the synthesizer ostinato on acoustic guitar at its center. If Shriek is a record that charts the depths of solemnity and inner space, its Variations, roiling in a sea of winds, brass, and strings, recolors that space and complicates it, a gorgeous, unexpected response to the original's siren call.

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The Louder I Call, The Faster It Runs

LP | 2018 | US | Original (Merge)

19,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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Genre: Rock & Indie

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Feed The Flowers Nightmares

Wyldest

LP (Hand In Hive)

24,99 €*

Genre: Rock & Indie

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LP | 2016 | EU | Reissue (Wicked Cool)

Wyldlife

Year Of The Snake

21,99 €*

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Wah Wah)

Wynder K. Frog

Into The Fire

LP | 1968 | EU | Reissue (Wah Wah)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

INTO THE FIRE
The third Wynder K Frog album was released only in the USA in 1970, once Weaver had already abandoned the project and started his session musician career. Out Of The Frying Pan was doing well in the States, copies still selling steadily since it had appeared, and United Artists thought it'd be a good idea to release it under the Into The Fire title in order to present it as kind of a sequel to Frying Pan. The material, mostly written by Weaver and his side men for the sessions, takes the sound one step further adding heavier sounds and funkier rhythms, not far from what was being done in USA studios like Muscle Shoals at that time.

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Wynder K. Frog

Out Of The Frying Pan

LP | 1967 | EU | Reissue (Wah Wah)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".

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Wynder K. Frog

Sunshine Super Frog

19,94 €* 20,99 € -5%

LP | 2024 | WW | Original (Jalopy)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

SUNSHINE SUPER FROG
Recorded mostly in 1966 and issued in 1967, Wynder K Frog's first LP came out of sessions produced by Chris Blackwell, Jimmy Miller and Syd Dale. Weaver was assuming more and more the identity of Wynder K Frog and was backed by session musicians rather than by his live band. It consisted in organ led instrumental covers of songs from the Island catalogue, some built over rejected backing tracks for other artists of the label like Jimmy Cliff, Jackie Edwards and Owen Gray and some new recordings of hits like Spencer Davis Group's "Somebody Help Me", plus some covers of american R&B hits by the likes of Sam & Dave, Willie Mitchell or Wilson Pickett. The end result gave an idea of the Wynder K Frog sound, resulting in a top mix of dance club go-go sounds, perfect for any allnighter at the Tiles or any Swingin' London venue of the 1960s. First ever vinyl reissue. Limited edition to 500 copies only. Bonus tracks not on the original LP. Remastered sound. Insert with liner notes by Nick Rossi and photos. Beautifully housed in three back-flapped 1960s UK style picture sleeve

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Wyndham Baird

After The Morning

Release: 2024 / WW – Original

Genre: Rock & Indie

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Wynonna Colored Vinyl Edition

Wynonna

LP | 2024 | US | Original (Curb)

31,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Ripple)

Wytch

Exordium

Release: 2021 / EU – Original

Genre: Rock & Indie

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Early Music Colored Vinyl Edition

3x7" | 2022 | UK | Original (Bad Omen)

Release: 2022 / UK – Original

Genre: Rock & Indie

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These raw & vibrant demos capture the embryonic spirit of early Wytch Hazel

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LP | 2018 | US | Original (Bad Omen)

II: Sojourn

Release: 2018 / US – Original

Genre: Rock & Indie

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II: Sojourn Clear With Purple Splatter Vinyl Edition

LP | 2018 | UK | Reissue (Bad Omen)

24,99 €*

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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Wytch Hazel’s stellar 2016 debut Prelude confirmed these Lancastrian apprentice wizards to be Britain’s most promising new hard rock band. Two years on, that promise comes to abundant fruition on II: Sojourn, an album that moves Wytch Hazel on from the innocence and exuberance of the debut to a darker, more profound and complex place, carefully wrought into optimum shape by the band’s singer, guitarist, songwriter and mastermind Colin Hendra. “I’m really into the idea of an album,” notes Colin. “I don’t do mix-tapes, I don’t listen to singles, I’m interested in albums. I want to make a good, listenable, cohesive work, that is the whole thing.” Asked what inspirations were brought to bear this time, Colin has good news, and even better taste: “I was listening to plenty of Judas Priest, Thin Lizzy and Wishbone Ash last year,” remarks the frontman. “This seems to be more of a hard rock album, where the last one was more rock-folk. It’s definitely more rock than folk!” The most crucial influence fully expresses itself via Les Paul guitars in sweet twin harmony through cranked Super Lead Marshalls - “Exactly the same type of amp that Thin Lizzy would have used,” beams Colin - a benefit of working in James Atkinson’s Hand Of Law Studio, a converted gaolhouse in Leeds. “We knew there would be a lot more great gear, more amps, more options,” enthuses Colin of this productive new work environment. “We were more prepared, we planned better. I had a lot more vocals to record on this album, pretty much every song has at least three harmonies, but James is a really chilled out guy, he made it easy for us. I had a very clear idea of how I wanted each song to sound, I thought about every single aspect. I probably over-prepared for this album, and it paid off!” Wytch Hazel’s proud, avowed Protestant Christianity continues to set them apart from the occult hocus-pocus of their peers, and the very title Sojourn has a Biblical inspiration: “It’s used a lot in the Old Testament, people would travel somewhere to stay for a short period of time,” explains Colin, comparing the idea to Wytch Hazel’s development since Prelude. “We’re going to reside here with this sound for a while, and the next album might not sound the same. Come and have a listen to this aspect of Wytch Hazel - it’s a temporary stay. We’ll be here for a while, then there will be something else. I’m always writing, it’s a constant stream, but I’m always trying to raise the bar, because I don’t want the next album to be not as good as the other ones!”

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LP | 2020 | EU | Original (Bad Omen)

III: Pentecost

Release: 2020 / EU – Original

Genre: Rock & Indie

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Over the past near-decade, Lancashire’s medieval metal phenomenon Wytch Hazel have been honing an uncommonly wholesome, rustic and devotional brand of timewarped hard rock that’s all their own, with 2016’s Prelude and 2018’s II: Sojourn summoning to mind fevered images of Robin Hood and his Merry Men grooving to Jethro Tull and Thin Lizzy. Yet within moments of pressing play on their third LP, III: Pentecost, the musty mystical minstrelsy takes a back seat in favour of a rich, sumptuous, anthemic late-night drivetime vibe, passionately embracing the most high-end smash-hit classic rock and metal circa its late 1970s heyday. “I thought I put a lot into the second album, but this album has been an absolute obsession,” stresses the band leader, Colin Hendra. “Every aspect had to be as good as possible. We’ve gone back and forth, Ed was tinkering with it for months on end. There’s quadruple tracking going on with the rhythm parts, then we’ve doubled, tripled and quadrupled all our lead parts to get that richness and fullness of sound, all meticulously planned with pages and pages of organisational notes. It wasn’t just ‘get in the studio and see how it goes!’” he laughs. “One day I did 14 hours of vocal recording. All vocals are double-tracked, I can’t express how much hard work that is. The last album feels like a breeze compared to what we’ve done with this - and I don’t plan on ramping it down!” Musically, there are gorgeous self-professed touches of Black Sabbath, Blue Öyster Cult, Ac/dc and early Scorpions—“With the soloing I was trying to go for Michael Schenker” beams Colin—while the scampering headbanger I Will Not initially took a nod from Angel Witch, who Hendra was helping out on second guitar back in 2015 when the track was composed, before studio treatment made it sound “a lot more Wytch Hazelly”. But perhaps the most lateral comparison is to a band from the opposite spiritual realm, with Archangel an explicit homage to Swedish faux-Satanic devil cult Ghost. “I find them fascinating, Ghost; musically great, the songwriting is spot-on,” enthuses the frontman. “We share an intrinsic connection, with [Bad Omen honcho] Will Palmer being the person who discovered us both. “Music is created for all, it’s a common grace for everyone,” he affirms, “which is why the music that shows the glory of God the most, in my opinion, is not music created by Christians. It’s Black Sabbath!”

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Iii: Pentecost Spirit & Fire Marble Flame Vinyl Edition

LP | 2023 | UK | Original (Bad Omen)

Release: 2023 / UK – Original

Genre: Rock & Indie

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7" | 2023 | UK | Original (Bad Omen)

King Of Israel

17,09 €* 18,99 € -10%

Wytch Hazel / Phantom Spell

Release: 2023 / UK – Original

Genre: Rock & Indie

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Fresh from the overwhelming success of their latest album ‘IV: Sacrament’ Lancaster's heavy bards and spiritual hard rock titans Wytch Hazel have gone all in on delivering a fully-fledged, tubular-bell-ringing Christmas single. Transposing the hymnal classical influences of Handel's Messiah and the spirit of carols the like of "The First Noël” via the earthy heraldry of Steeleye Span and Wishbone Ash, the band deliver something for which perhaps only they would have the skill, sensitivity and spiritual charge. Replete with Wytch Hazel's trademark twin-guitar harmonies and finely honed arrangements, "King Of Israel" is both a stirring devotional tribute and a heartfelt message of unity, peace and goodwill to all on Earth.

The 7” red marble vinyl edition is backed by Colin Hendra’s minor key arrangement of “Auld Lang Syne” which was misspelled on the first pressing as “Old Lang Syne” by the Bad Omen elves.

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Ride On / Palantíri

7" | 2024 | UK | Original (Bad Omen)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Chain Yourself / New World

Wytch Hazel & Spell

7" | 2022 | UK | Original (Bad Omen)

12,34 €* 18,99 € -35%

Wytch Pycknyck Green Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Brand new recordings from two of the heavy rock underground’s most vital acts: "Chain Yourself" sees Wytch Hazel deliver a blistering slice of classic early eighties style heavy metal complete with 16’s on the "disco hats" and hooks that will lodge in your cranium from first hearing, while Spell’s “New World” is a riveting take on Strawbs’ gothic folk masterpiece. Rich mellotron and ghostly harmonies condemn violence in a delicate balance of fragile beauty and disquiet force.

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Wytch Pycknyck

LP | 2024 | UK | Original (Property Of The Lost)

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Rubyworks)

Wyvern Lingo

Awake You Lie

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Rubyworks)

Wyvern Lingo

Release: 2018 / EU – Original

Genre: Rock & Indie

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Ain't Love Grand Gold Vinyl Edition

LP | 1985 | EU | Reissue (Music On Vinyl)

LP | 2020 | US | Original (Fat Possum)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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180 GRAM AUDIOPHILE VINYL
PRODUCED BY MICHAEL WAGENER
LIMITED EDITION OF 1000 INDIVIDUALLY NUMBERED
COPIES ON GOLD COLOURED VINYL

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Alphabetland

40,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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12" | 2021 | EU | Original (Interscope)

X Ambassadors

The Beautiful Liar

Release: 2021 / EU – Original

Genre: Rock & Indie

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7" | 2024 | US | Original (Dirt Cult)

X (Austalia)

Hate City

13,99 €*

LP | 2024 | US | Original (Dirt Cult)

Release: 2024 / US – Original

Genre: Rock & Indie

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These four songs, recorded in 1977, are the only recordings of the original 4-piece line-up of the Australian band X featuring Ian Rilen (Rose Tatoo), Steve Lucas, Ian Krahe, and Steve Cafiero. Three of the songs (Home is Where the Floor Is, TV Cabaret Rules, and Hate City) were released on the 1985 compilation "Why March When You Can Riot" while Good On Ya Baby was later re-recorded for the X-Aspirations LP. While their debut LP, X-Aspirations, is rightly lauded as an Australian punk classic, this batch of songs is often overlooked because they never received a wide release. This is the band at their most snotty and rambunctious. This is an authorized one-time press of 500 copies on black vinyl by Dirt Cult and Green Noise Records

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X (Austalia)

X-Aspirations

12" | 2024 | US | Original (Pit)

Release: 2024 / US – Original

Genre: Rock & Indie

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X was formed in Sydney, Australia in 1977 by Ian Rilen (Rose Tattoo), Steve Lucas, Ian Krahe, and Steve Cafiero. After the sudden death of Ian Krahe in 1978, the band pushed on with a few other guitar players but struggled to find their footing. Then in late 1979, just a few months after singer Steve Lucas first picked up a guitar, the band recorded what would become X-Aspirations as a threepiece in 5 hours. Legend has it that the band went into the studio expecting to record a single. Once they loaded in, they decided to record every song they knew how to play and then pick a single from there. Most of the songs were first takes and they figured that the end result was good enough to release as an LP. In true DIY fashion, the band released the record on their own in early 1980. The album went on to be listed as one of the 200 Greatest Australian Records of All Time and called "one of the best punk records of all time" in Maximum Rock'n'roll. It's not often that those two publications agree, but it's hard to argue otherwise. After 10 years of being out of press in the United States, Dirt Cult Records and Green Noise Records will be releasing X-Aspirations with new cover art sanctioned by the band's only surviving member, Steve Lucas. Some praise for the record: "The bass lines are really good, the lyrics are really tight, the riffs are sick. (X-Aspirations) was an album I'd found after I heard The Ramones. Fell in love with it and it still gives me goosebumps" - Eamon from The Chats in Classic Rock Magazine "If you venture into The Tote in Melbourne on any given night, you're likely to hear a band that owes some semblance of influence to X - whether they know it or not. Such is the legacy of one of Australia's most well-loved underground classics (X-Aspirations).” -Rolling Stone "Fourteen vicious, out-for-blood punk tunes, all of which are steeped in some supremely heavy dark and daring shit. It's a legit classic and one of the best punk rock albums ever made." - Maximum Rock N Roll

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X-Cops

XCAB

LP | 1980 | US | Reissue (Fat Possum)

Release: 2024 / US – Original

Genre: Rock & Indie

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The X-Cops are back! After 25 years on the lam, the original Bad Boys of Law Enforcement have returned, bringing their unique brand of heavy metal with them. And the world has never been more in need of the message they bring; “respect authority, or else!”, and they have the riffs and the fire power to back it up!

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Los Angeles

Release: 1980 / US – Reissue

Genre: Rock & Indie

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LP | 1980 | EU | Reissue (Music On Vinyl)

Los Angeles

LP | 2015 | EU | Reissue (Music On Vinyl)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Los Angeles is the debut album of the American Punk rock band X, released on April 26, 1980. In 2003, the album was ranked number 286 on the Rolling Stone's list of the 500 greatest albums of all time. Los Angeles is considered by many to be one of Punk's all-time finest recordings, and with good reason.

180g vinyl.

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Los Angeles

64,99 €*

More Fun In The New World

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Red vinyl looks unplayed. Copy n° 000732
With original protective sleeve with hype sticker.

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LP | 2023 | EU | Original (Music On Vinyl)

Release: 2023 / EU – Original

Genre: Rock & Indie

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His Master's Voice Gold Vinyl Edition

X-Pleasure

LP | 2024 | EU | Original (Apollon)

39,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-02

Conscious Consumer Crystal Clear Vinyl Editoin

X-Ray Spex

LP | 1995 | EU | Reissue (Do Yourself In)

36,99 €*

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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Conscious Consumer Eco Mix Vinyl Edition

X-Ray Spex

LP | 2024 | EU | Original (Do Yourself In)

36,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Live At The Roxy Club White Vinyl Edition

X-Ray Spex

LP | 2024 | EU (Radiation Reissues)

LP | 2024 | US | Original (Fat Possum)

Release: 2024 / EU

Genre: Rock & Indie

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Recorded live at London’s legendary Roxy Club on April 2, 1977 just five short months before the release of their iconic debut single, call to liberation, prototypic “Oh Bondage, Up Yours!”. Remastered audio & reimagined artwork plus exclusive sleeve notes from original pioneering saxophonist Lora Logic. Limited edition “Spittle White” vinyl.

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Smoke & Fiction

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 1981 | US | Reissue (Fat Possum)

Wild Gift

34,99 €*

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Savageland Green Vinyl Edition

X-Wild

2LP | 2022 | EU | Original (Roar!)

45,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Savageland Silver Vinyl Edition

X-Wild

2LP | 2022 | EU | Original (Roar!)

45,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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7" | 1991 | DE | Original (Re core ds)

X Woolhead

Give & Take

3,99 €*

Release: 1991 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2022 | US | Original (Not Not Fun)

X.Y.R.

Aquarealm

Tape | 2021 | US | Original (Not Not Fun)

Release: 2022 / US – Original

Genre: Rock & Indie

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The tenth official full-length by St. Petersburg synth savant Vladimir Karpov aka X.Y.R. is a liquid suite of surreal tranquility, divined and designed to soundtrack the shimmering mysteries of underwater life: Aquarealm. Inspired by vintage Soviet cartoons, nature documentaries, and his own colorful aquarium fish, the album’s seven songs share a mood of contemplative depths and dizzying beauty, adrift in deepwater currents and bioluminescent tides. Hazy tones swell and swirl while crystalline keys, loops, and echoes swim in the periphery, rising like bubbles to the surface. Karpov describes these compositions as flights of fantasy, born of an oceanic muse as idyllic as it is infinite. It’s music simultaneously serene and cinematic, conjuring blue horizons of kelp forests swaying above rainbow reefs, casting shadowplay on sandy floors. A realm both real and imagined, submerged but transcendent, rippling from the mind’s eye to the great beyond.

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X.Y.R.

Labyrinth

14,99 €*

LP | 2024 | JP | Original (Cutting Edge)

Release: 2021 / US – Original

Genre: Rock & Indie

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St. Petersburg pathfinder Vladimir Karpov coaxes hushed auras of keys, metronomes, fog, and feeling to evoke hazed and isolated realms, traced in altered states. His latest collection—and vinyl debut—maps the maze at “the bottom of self,” subterranean consciousness manifested from decaying synthesizer and shadowed pulse: music for fading torchlight. Labyrinth leads through six misty, mystic chambers of dreams, drones, delirium, and phaser’d percussion, spiraling in slow, sacred arcs, in quest of “the inner world.” Tosya CHAIKINA’s ghost vocals on “False Angel Lullaby” and “Shadows Of Forgotten Ancestors” bring a whispered hymnal mood, but otherwise the album is ambient and abandoned, obscure meditations along corridors of candlelit runes, “to find the right path, to find the true answer.”

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X0o0x_

Ningyou

65,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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Preorder shipping from 2024-07-19

The Curse Of Kwányep Colored Vinyl Edition

Xalpen

LP | 2023 | EU | Original (Sound Pollution / Black Lodge)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Fabrika)

Xam Duo

Xam Duo Ii

EP | 2022 | EU | Original (Sonic Cathedral)

Release: 2022 / EU – Original

Genre: Rock & Indie

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XAM Duo - the Yorkshire-based pairing of Matthew Benn and Christopher Duffin - follow up their acclaimed self-titled 2016 debut with a new album. They have spent the past few years collaborating with Virginia Wing and releasing the fun single 'Tisch Tennis', as well as playing live with everyone from Stereolab, Sonic Boom and Michael Rother to Jessy Lanza, The Necks and Anna Meredith. They are also both members of Holodrum, the band formed from the ashes of Hookworms whose debut album came out earlier this year. Despite being over five years in the making, 'XAM Duo II' is a much more concise affair than their debut, clocking in at just under 30 minutes. The journey begins and ends with the beat-driven 'Blue Comet' and 'Cold Stones', taking in shorter ambient jams along the way, making use of saxophone, drawn out tape chords, floating Rhodes piano and spaced-out synths, alongside very precise and intentional, sequenced and punchy synth tones. With the digital approach it could feel cold and processed, but it's the opposite - warm and natural. This is something that is reflected in the striking artwork by long-time collaborator Jonathan Wilkinson which comes from a series of prints inspired by his time hiking around the Calder Valley in West Yorkshire. One thing that has stayed the same is the influence of The Sopranos, with three of the six tracks on the album named after episodes of the classic series.

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Xam Duo

Xam Duo Rmx

23,99 €*

Xander & The Peace Pirates

Release: 2022 / EU – Original

Genre: Rock & Indie

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A-side features a reworking of the album's closing track, 'Cold Stones', by legendary electronic artist and DJ, James Holden, WHO has taken the original's calming, comedown energy and transformed it into an epic, 11-and-a-half-minute journey, which somewhere around the five-minute mark comes right back up. "It's like the most rave thing I've done for ages and also not rave at all, like a blurry dream about a rave?" . Whatever it is, it's incredible, as are the two further reworkings on the B-side. The Early Years reframe 'LGOC' as a divine astral jazz / krautrock crossover, while Richard Pike (of PVT and Deep Learning) turns 'Blue Comet' into a glitchy and discordant soundtrack to the best 1980s computer game you never played. "It's lovely to hear three different interpretations of songs that we already tend to keep quite loose and elastic," says Matthew Benn. "These remixes feel like a natural extension of the music on the album, like they're from the same world, but perhaps in a different language."

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11-11

LP | 2016 | Original (V2 Benelux)

Release: 2016 / Original

Genre: Rock & Indie

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The Wonders Still Awaiting Color

Xandria

2LP | 2023 | EU | Original (Napalm)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Ominous Fates Black Vinyl Edition

Xasthur

LP | 2004 | EU | Reissue (Prophecy)

37,99 €*

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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2LP | 2004 | EU | Reissue (Back On Black)

Xasthur

To Violate The Oblivious

23,99 €*

2LP | 2006 | EU | Reissue (Back On Black)

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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The brilliantly dark, 2004 LP from Xasthur! Xasthur is the project of American musician Scott "Malefic" Conner. Conner formed Xasthur in 1995 and released eight studio albums of black metal by 2010, when he announced the end of the project.

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Xasthur

17,99 €*

12" | 2023 | EU | Original (Human Sounds)

Release: 2006 / EU – Reissue

Genre: Rock & Indie

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The 2006 release from Legendary one-man black metal cult, Xasthur! Xasthur is the project of American musician Scott "Malefic" Conner. Conner formed Xasthur in 1995 and released eight studio albums of black metal by 2010, when he announced the end of the project.

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Xavier Boyer

Soda Coda

15,59 €* 23,99 € -35%

Release: 2023 / EU – Original

Genre: Rock & Indie

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La Sone Des Pluies Et Des Tombes

Xavier Grall

LP | FR | Original (Disques Velia)

64,99 €*

LP | 1984 | US | Original (Asylum)

Release: FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with light wear

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Xavion

Burnin' Hot

5,99 €*

LP | 2018 | EU | Original (Raygun)

Release: 1984 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Promo copy with white labels

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Xcerts

Hold On To Your Heart

Release: 2018 / EU – Original

Genre: Rock & Indie

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Learning How To Live And Let Go

Xcerts

LP | 2023 | CZ | Original (UNFD)

Release: 2023 / CZ – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Mt. St. Mtn.)

Xds

Bicycle Ripper

LP | 2016 | US | Original (Anti-)

Release: 2023 / US – Original

Genre: Rock & Indie

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It started in a cafe in Chico, California, with a flier, covered in glitter, wires, feathers, and assorted melted items, with a three-word advertisement: “Noise person wanted.” It wasn’t a sign. It was a sample. A tiny piece lifted from the visionary environment that the band XDS would continue building over the next couple of decades, hoarding an eclectic stockpile of collage materials/influences/approaches for assembling psychedelic dance-punk jams played with homemade instruments, blown-out samples, off-kilter drumming and dub baselines. Shoko Horikawa had come from Japan to (the small, music-crazy college town) Chico for school, and responded to Jesse Hall’s mysterious flier and a pitch to collaborate on making interesting sounds. The partnership would end up featuring her syncopated polyrhythmic drums alongside his vocals (through a duct tape-and-PVC-pipe mic) and custom-built Guitar-o-bass, plus synths/samplers and various noise-making devices. The two-piece Experimental Dental School eventually morphed into XDS as the duo moved the operation from Chico to Oakland to Portland and back to Chico, touring the world (playing alongside the likes of Deerhoof and other innovators) and releasing 11 recordings (on Cochon Records, German label Tcwga, etc.) as they went. On the new XDS album, Bicycle Ripper, the band’s genre-bending roots are as deep as ever, but the goal now is to be less “noise” people and more “fun” people. The songs are weird yet cohesive, with jittery grooves and inventive hooks. Throw a dart at the album and hit “Hot Panther, Cold Moon” for one random sample: an unrelenting fuzzed-out bass dances with a insistent drums; a sharp turn into sparse tin-can-guitar break; then a return to the dance floor with a bonus overdriven bass riff and full-throttle drums. The Panther stays hot whether she’s under the “hot hot sun” or the “cold cold moon.” It’s all very irresistible and, yes, really really fun.

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Xenia Rubinos

Black Terry Cat

22,99 €*

LP | 2021 | US | Original (Dais)

Release: 2016 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. Original inner sleeve

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Xeno & Oaklander

Vi/Deo

2LP | 2022 | EU | Original (Unique Leader)

Release: 2021 / US – Original

Genre: Rock & Indie

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East Coast Minimal Wave Institution Xeno & Oaklander's Seventh Full-Length Further Distills Their Iconic Noir Synth Pop Into A Streamlined Suite Of Gleaming, Graceful Retrofuturism. Inspired By Ideas Of Sy...

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Xenobiotic

Mordrake

23,99 €* 29,99 € -20%

Release: 2022 / EU – Original

Genre: Rock & Indie

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7" | 2022 | US | Original (Silver Girl)

Xenos

Left To Die

9,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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The band at the center of the indie thriller Fanboy (Gnarlsberg Productions/Amazon, 2021), San Diego’s Xenos jumps off the silver screen to record the 4-songs from the film and perform live. Comprised of Arabella 'araby' Harrison (jejune, And/ors), BEN Johnson (tourettes Lautrec on Swami Records), Alia Jyawook (hot Nerds on 31G Records), Thomas Kitsos (night Marchers on Swami Records) and John Cota (death Eyes on 31G Records). Xenos' post-punk songs is formed by the collective energy of important San Diego hardcore, post-hardcore, punk and emo history.

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LP | 2019 | EU | Original (Listenable)

Bury The Pain

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Reissue (Music On Vinyl)

For Whose Advantage?

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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LP | 1992 | EU | Reissue (Music On Vinyl)

Kin

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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Seven Words Green Translucent Vinyl Edition

LP | 2022 | EU | Original (Listenable)

Release: 2022 / EU – Original

Genre: Rock & Indie

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7" | 2018 | JP | Original (Xero Xero Records)

Xero Fiction

Seventeen / Silent Story

19,99 €*

Release: 2018 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Generic

7" | 2018 | JP | Original (Xero Xero Records)

Xero Fiction

Seventeen / Silent Story

19,99 €*

LP | 2021 | US | Original (Chunklet)

Release: 2018 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Green Vinyl.

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Xerobot

LP | 2024 | US | Original (Closed Casket Activities)

Release: 2021 / US – Original

Genre: Rock & Indie

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The mid-90s in Madison, Wisconsin wasn’t necessarily the best time to be a band like Xerobot, but thank the gods that they decided to become one. Spastic, hyperactive scrawl evoking the original New York No Wave scene, Xerobot’s recorded output consisted of a CD, a couple split singles and a handful of comp appearances. This self titled LP assembles 37 tracks in almost as many minutes and collects all their releases and even additional unreleased material recorded by none other than Steve Albini. This LP was mastered by none other than Weasel Walter and includes a 16pp booklet featuring photos, first person accounts of the band and lyrics! First edition of 150 copies.

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Xibalba

Aztlan

31,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | JP | Original (P-Vine)

Xiexie

Wellwell

35,99 €*

LP | 2023 | JP | Original (P-Vine)

Release: 2024 / JP – Original

Genre: Rock & Indie, Pop

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Tokyo based indie pop / psychedelic pop band, xiexie finally releases their long-awaited debut album called “wellwell” on June 12. They have played in Fuji Rock Festival, and opened for many international artists. They also did their first headline show overseas in Taiwan and it was very successful.Their music is a bridge between Asian indie music scene and US indie music scene.

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Xiexie

35,99 €*

LP | 1985 | Reissue (Commander)

Release: 2023 / JP – Original

Genre: Rock & Indie

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xiexie, the Japanese four-piece band formed in early 2020, combines heavy influences from 00s indie rock music with Japanese vocals to create songs that are popular with a wide range of listeners and has performed at "fuji Rock Festival '22 and Synchronicity, as well as being picked up for opening act for Tommy Guerrero when he have came to play in Japan. This LP contains two digital EPs they released in 2022, and it's the first time in their career their music is available on LP vinyl.

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XIT

Plight Of The Redman

5,99 €*

Release: 1985 / Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1985 | UK | Reissue (Commander)

XIT

Silent Warrior

5,99 €*

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

13" Frank Beltrane Italian Stiletto Mint Green Vinyl Edition

LP | 2024 | US | Original (Polyvinyl)

38,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2017 | US | Original (Graveface)

A Promise

Release: 2017 / US – Original

Genre: Rock & Indie

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LP+7" | 2010 | US | Reissue (Kill Rock Stars)

Dear God, I Hate Myself

Release: 2010 / US – Reissue

Genre: Rock & Indie

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The two biggest constants throughout Xiu Xiu's catalog are honesty and evolution. This remains true with Dear God, I Hate Myself as it delivers a look at responsibility, fear, healing, and societal roles wrapped in rich gothic pop music. The sound is still distinctly Xiu Xiu, but Jamie Stewart's vocals are finally effortless paired with vibrant melodies full of subtlety and the distinct sonic accents expected of this anticipated Xiu Xiu release. The result is a record that proves that art can be pop and pop can challenge you to look inside yourself. Each new Xiu Xiu release has evolved alongside the lives of Jamie Stewart and company. On this record you'll find more intensity and introspection than ever before, but sonically and lyrically it continues to move forward with a subtly new perspective ' hyper-focused yet aware of a larger, external picture unfolding. The pace of the record grips you, the music offers layers of detail, and the themes focus on not just the past or stark present but hint towards vespers of the future as well. Dear God, I Hate Myself will challenge you and force you to look inside yourself, but only after you get lost in the music. It's passionate, it's energetic, and it affects you. Dear God, I Hate Myself is a beautiful piece of humanist art. It's an important addition to the growing body of intelligent music from Xiu Xiu. And it's a brilliant gothic pop record that can stand next to anything.

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LP | 2021 | EU | Reissue (Improved Sequence)

Fag Patrol

21,99 €*

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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LP | 2017 | US | Original (Polyvinyl)

Forget

Release: 2017 / US – Original

Genre: Rock & Indie

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While writing Forget, Xiu Xiu released the lauded Plays the Music of Twin Peaks, collaborated with Mitski on a song for an upcoming John Cameron Mitchell film, and scored an experimental reworking of the Mozart opera, The Magic Flute.

All of this frantic, external activity lead to a softly damaged dreaminess and broadened intent that has not been heard before in other Xiu Xiu works. Standout track, “Wondering” is one of the catchiest boogie pop gems in the Xiu Xiu catalog, but like much of Forget, it still bears an underlying tension that manifests differently in each piece.

Forget was produced by John Congleton (Blondie, Sigur Ros), Greg Saunier of Deerhoof and Xiu Xiu’s own Angela Seo.

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Ignore Grief Silver Ghost Vinyl Edition

LP | 2023 | US | Original (Polyvinyl)

35,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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La Foret Sunset Swirl Vinyl Edition

LP | 2005 | US | Reissue (5RC)