Rock & Indie 699 Items

LP | 2017 | EU | Original (Metal Blade)

Release: 2019 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Pink vinyl seems unplayed. Cover is close to NM. With insert.

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Trial (Swe)

Motherless

Release: 2017 / EU – Original

Genre: Rock & Indie

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2LP (Gymnocal Industries)

Devar

Mausoleum

Genre: Rock & Indie

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LP | 2022 | EU | Original (Squirrel)

Axids

Kids With An Axe

Release: 2022 / EU – Original

Genre: Rock & Indie

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CD | 2021 | UK | Original (Polydor)

Elbow

Flying Dream 1

Release: 2021 / UK – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Apostasy)

Path Of Destiny

The Seed Of All Evil

Release: 2021 / EU – Original

Genre: Rock & Indie

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Fat Pop Limited Standard CD

Paul Weller

CD | 2021 | EU | Original (Polydor)

LP | 2021 | EU | Original (Where It's At)

Release: 2021 / EU – Original

Genre: Rock & Indie

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We may be cursed to be in the midst a global pandemic, buffeted by all of its stresses and pain. But everyone knows that art provides succour, that music is the most reliable balm. And for many there is further significant comfort to be drawn from the knowledge that Paul Weller is in the midst of an unbelievably prolific purple patch. Paul Weller will not let us down when we need him most.

On May 14th, Paul Weller releases his 16th solo album since his self-titled debut in 1992, his fourth in as many years and his second in just under twelve months following June 2020’s magnificent, chart-topping On Sunset. It’s not hyperbole to state that this new album, titled Fat Pop (Volume 1), is among his most compelling collections, bar none, including all of his era-defining work in the 1970s and ‘80s with The Jam and The Style Council. It’s an absolute scorcher.

When lockdown was declared in March 2020, Paul Weller decided immediately that he wanted something to focus on, since it seemed unlikely he’d be able to tour On Sunset as planned that summer.

“I had lots of ideas stored up on my phone,” he explains down that same handset, speaking from outside his London home, “and at least this gave me an opportunity to develop them.” So he started to record songs on his own, doing just vocals, piano and guitar, then sending those sound files to his core band members such as drummer Ben Gordelier, Steve Cradock on guitar and various other instruments, and bassist Andy Crofts for them to add their parts. “It was a bit weird not being together, but at least it kept the wheels rolling. I’d have gone potty otherwise.”

The band reconvened at Weller’s Black Barn studio in Surrey during the summer when restrictions were lifted to finish the work, with several of the songs being cut live. By this stage, the shape of the album was clear to all. Weller wanted to deliver an album of singles, twelve short, distinct blasts, each strong enough that they could stand alone if so desired.

“That was a conscious decision,” he confirms. “I even thought about putting every song out as a single first then gathering them all on an album, but that wasn’t practical at the moment. They all have that strength and immediacy, I think, and they’re all short, three minutes or so maximum.”

Producer Jan ‘Stan’ Kybert was so taken with the concept that he half-jokingly suggested that the album be called Greatest Hits. “I quite liked the idea and every song does stand up as a single, I think,” chuckles Weller, “but no, we couldn’t do that really.”

Instead, he plumped for Fat Pop (Volume 1). “I thought we’d add Volume 1 to it just to keep my options open in the future for a second volume!” The title track, a tight, heavy blast of ultra-modern funk, is itself the conceptual key to the whole album. “It’s a celebration of music and what it’s given us all. No matter what situation you are in, and we’re in one now, music doesn’t let you down, does it?”

As ever, Weller’s sonic masterplan was to avoid whatever had recently preceded it. “After [2018’s] True Meanings I thought I wouldn’t have any acoustic guitars for a little while, so I’ve largely avoided those with On Sunset and with Fat Pop,” he says. “But more than anything I wanted something vibey, something we could play live.” He laughs ruefully at the irony of that. “God knows when that will be, bearing in mind where we are with the virus. But in the imaginary gig in my mind I can see us playing all of the songs on Fat Pop live, along with the songs from On Sunset, blending them with some of the old favourites too. What a great set that would be.”

Live is where he imagines On Sunset and Fat Pop (Volume 1) working in tandem, because they don’t act as companion piece albums otherwise. “On Sunset was quite lavish in places, whereas with this one I wanted to limit it in some ways, make the production less expansive.”

Beyond that desire to keep it frill-free and tight, sonically Fat Pop (Volume 1) is a diverse selection of sounds. No one style dominates. There’s the synth-heavy, future-wave strut of Cosmic Fringes, the stately balladeering of Still Glides The Stream, Testify’s moving-on-up soul, and the kind of dramatic three minute pop symphonies on Failed, True and Shades of Blue with which Paul Weller has hooked in generation after generation of devotee.

More than sonic plans, though, Weller set himself the same task as he does before any recording. “Whenever I make an album I’m always just trying to at least match what’s gone before because each time I think the bar’s been raised. If all goes to plan, sometimes I manage to go over that bar too.”

Sometimes he does, sometimes he really does.

Fat Pop (Volume 1), the story behind each song:

Cosmic Fringes

A dramatic entrance to Fat Pop (Volume 1). Cosmic Fringes pairs a minimal, pumping electro swing with a deadpan vocal that detonates an unspecified poseur and blowhard. “I’m a sleeping giant, waiting to awake/I stumble to the fridge/then back to bed”.

“It’s not about anyone in particular,” suggests Weller, “but I suppose it could be about a keyboard warrior, someone who is constantly brainstorming ideas but never gets around to doing them. Someone talking the talk, but never doing anything.”

“When I first did the demo it was quite punky, a bit like The Stooges. It doesn’t sound anything like that now because then I had the idea of stripping it all back to just the drums and bass, putting those synths on it. It’s got a bit of motoric feel to it and a little bit glam rock too, I think.”

True

A song with all the attributes of the greatest Paul Weller numbers: fire in its belly, questing lyrics, boss horns, flashes of guitar fury and a yearning melody you awake humming daily. It’s also a tremendous vocal, shared between Paul and Lia Metcalfe, the young Liverpudlian singer with The Mysterines.

“I really like her band and I really like her singing,” he says. “It makes a massive difference that we sang it live, in the same room. She’s got a really powerful voice and I wanted to write something for us to sing together, so I did. Then I just sent the phone demo to Lia and two weeks later we cut it. That was one of the last things we did for the album, in around September”.

Fat Pop

That brilliant, heavy bassline? “I did that. When we recorded it I was actually thinking about Cypress Hill, doing something that sounds like a DJ Muggs production. It’s got a bit of that. It’s my favourite song on the album, I think, about all the times music’s been there for me.”

Shades of Blue

A classic three-minute English pop kitchen sink drama, written by Paul Weller and his daughter Leah, who joins him on vocals. “Leah wrote the chorus for it and helped me finish it up. I wrote the verses. Reminds me of a suburban drama, a play.”

Glad Times

Sweeping, wistful, sparkling in shades of blue, Glad Times’ winning melancholia has been in the back of Weller’s mind for a while. “I wrote this with Tom (Doyle) and Ant (Brown). They usually send me a backing track and we work on it from there. It’s been around for a while, nearly made it onto On Sunset but didn’t quite fit. I really liked it, though, so I’m really glad it made it on to this album instead.”

Cobweb / Connections

Pastoral introspections, featuring a lovely acoustic solo by PW and a string score by Hannah Peel. “I think the song is saying that the more you can be yourself and be happy with yourself, the more you change into something better. It’s not just good for you, it’s good for everyone else as well. ‘Save yourself and save everyone around you too.’ It’s from observation but I suppose it’s about me too.”

Testify

Superfly strutting, cut live in the studio with Andy Fairweather Low adding distinctive vocals and Jacko Peake on fine flute and saxophone. When allowed out of the house, it’ll be a future live favourite.

“We had actually done it live two or three years ago,” says Weller, “but while I loved the groove I never really got a grip on the song. Then I did this charity gig in Guildford, one of the last things I’ve done probably, some Stax songs with Andy Fairweather Low. Our voices sound so good together and he’s such a lovely fellow, so I sent him the backing track. As soon as lockdown was lifted he came down to the studio for the afternoon. We cut it live and that was it.”

That Pleasure

In amongst those soulful strings there is some barely contained rage in Weller’s voice as he sings ‘Lose your hypocrisy.’ “I suppose it’s my reaction to the whole Black Lives Matter movement,” he explains. “You’re always on tender ground writing about that, but, regardless of my colour, any human being should be disturbed. You should be appalled and disgusted and shocked by those images of George Floyd being killed in the street. It has to stop. It’s a question for everyone.”

Failed

‘All the things I never get/and all the things I never meant/and all the things that make no fucking sense…I’ve failed.’

“Yes, I’m asking myself the question,” admits Weller, a man who has never been afraid of self-reflection in his songwriting. “It’s an angry song because I wrote it right after a massive row with my wife. But I like it. It’s honest. It’s not how I feel all the time, but it is how I feel some of the time. I’m just talking about me as a man. We all measure success in different ways.”

It’s also one of his favourite songs on the album, a stand-out.

Moving Canvas

A chunky, percussive groove, with the feel of Traffic but updated for the here-and-now.

“It’s going to be great live that one. I wrote it about Iggy Pop. I hope he likes it if he ever gets to hear it. It’s my tribute to him, even though it doesn’t sound anything like him. Aside from all the great records he’s made, as a performer he’s high art. It’s all about the Igster.”

In Better Times

A plaintive plea with some beautiful sax and guitar breaks. “Cold in your eyes, don’t you know you break my heart in two”.

“It’s me talking to a young person who is going through something, addiction or mental health pressure, or whatever, and just saying it’ll be alright. Just get through this bit and there’ll be better times to come, you’ll look back and you’ll see it differently.”

Still Glides The Stream

A stately collaboration between Weller and long-time guitar foil Steve Cradock.

“I had the chords and possibly the melody, which I sent to Cradock. And he sent me back a poem and I edited that, then we sent it back and forth by phone. Lockdown songwriting. I just liked the poem. In my mind, I was thinking about our road sweeper who’s a lovely fellow. I started thinking that there’s so many people in this country who form the infrastructure of it and without whom we’d be fucked. But they’re looked down upon, not really noticed. So I was imagining their story. I did find out that there’s a book of the same name (by Flora Thompson) and Cradock said he had seen it in a shop, so that’s where the title comes from. I just liked the poetry of it. Steve’s a very soulful fella.”

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Corvair

Welcome To Hel Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Corvair Is What Happens When You Trap Two Scorpio Songwriters In A House Together. Comprised Of A Portland-Based Husband / Wife Duo Of Two Seasoned Musicians (Brian Naubert And Heather Larimer), Corvair's Debut Album Charts A Starcrossed Love Story Over Three Decades, Five Cities, And Six Continents. Spanning From Atmospheric Pop To Jangly Confessional, 70s Am To 90s Fm, This Work Is Laden With Stunning Turns Of Phrase And Prodigious Melodies, Two Voices Leaping To Meet In The Ether. Corvair's Debut Album Was Largely Created During The Covid Pandemic Shut-Down Of Spring 2020. It Includes Work With Drummer Eric Eagle (Jesse Sykes, Wayne Horvitz) And Engineer Martin Feveyear (Brandi Carlile, Mark Lanegan, Mudhoney), Who Also Mixed The Record. Larimer Explains, "Being Stuck In A House Together With Very Little Outside Influence Made Us More Emotionally Raw, Definitely Weirder, And Also More Patient And Intricate In Developing The Songs. And Because We Were In A Bubble, Cooking Dinners From Paranoidly-Disinfected Groceries And Listening To Old Records, Really Disparate References From Some Of Our Favorite Music Ended Up Colliding In Odd Ways--An Emotional Judas Priest Bridge, An Anthemic Pixies Outro, A Spacey Keyboard Sound From Steve Miller, Jeff Lynne's Acoustic Guitar Tone, A Carpenters-Style Lush Harmony. I Think It's A Wonderfully Weird Record, But Also Very In-Your-Face Pop Because What Else Are You Going To Do When The World Feels Like It's Ending?" Separately, Naubert And Larimer Have Created Or Appeared On More Than 20 Records. Heather's Musical Mainstay Was The Garage Pop Band Eux Autres, Broadly Hailed As A "Veritable Cult Classic" Band, Radio-Debuted By The Legendary John Peel, And Featured In Many Shows, Movies And Commercials. Brian Is A Longtime Fixture Of The Northwest Rock Community, Having Played In Vital Bands Such As Tube Top, Pop Sickle, And The Critically-Lauded Ruston Mire, Since 1993. More Recently, Brian Released His First Solo Record, Hoffabus And A Record With The Nw Supergrou...

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Hjelvik

LP | 2020 | Original (Nuclear Blast)

LP | 2017 | GR | Original (Inner Ear)

Release: 2020 / Original

Genre: Rock & Indie

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A storm is brewing. A rebirth is on its way. Prepare for the triumphant arrival of HJELVIK. Formerly known as frontman, lyricist, and co-founder of the Norwegian party-rockers Kvelertak, Erlend Hjelvik parted ways with his bandmates in 2018 and has spent the last two years biding his time and plotting a return to action. Today, he is a rejuvenated and newly inspired metal warrior, primed and ready to launch his own solo band, HJELVIK, and their thunderous and life-affirming debut album, Welcome to Hel.

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Whereswilder

Hotshot

Release: 2017 / GR – Original

Genre: Rock & Indie

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LP | 2018 | GR | Original (Inner Ear)

Tango With Lions

The Light

Release: 2018 / GR – Original

Genre: Rock & Indie

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LP | 2019 | UK | Original (Boss Tuneage)

Insurrection

Age Of Fear

Release: 2019 / UK – Original

Genre: Rock & Indie

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Nervesaw Ep Clear W/ Splatter Vinyl Edition

Transilience

LP | 2023 | EU | Original (Alone)

LP | 2021 | EU (Punk Rock Raduno / Striped)

Release: 2023 / EU – Original

Genre: Rock & Indie

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New L.A. metal release of Spookey Ruben's Transilience.

Nervesaw' is the first EP by American band Transilience, and the comeback release after many years of absencefrom the scene. Transilience were originally formed in 1988, in Reston, Virginia, and their debut album 'Mouthful OfBuildings' was released in 1989. Their very particular brand of thrash metal was hailed at the time as innovative andoriginal, and that record remains a fresh listen to this day. Transilience disbanded soon after, and frontman Spookyembarked on a solo career under the name Spookey Ruben. As of 2019, Transilience returned to activity withbassist Jerry Barrett and drummer Omar Ruiz joining Spooky in the lineup. In 2023, the band signed for AloneRecords and announced 'Nervesaw', their comeback EP, featuring the unmistakable Transilience style but updatedand reinvigorated for a new age. It's almost like they never left.

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Senzabenza

Live At Punk Raduno

CD | 2021 | UK | Original (Forever Living Originals)

Release: 2021 / EU

Genre: Rock & Indie

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Limited, Color Vinyl Release ON Striped FOR THE 'punk Rock Raduno' Live Serie, This IS Senzabenza Full Live SET AT PRR Last Full-ON Edition. THE Inventors OF THE Italian WAY TO Pop-punk, A.K.A. 'flower Punk Rock' Recorded Live Over 20 Classics From Their 30+ Years Long Career, ALong With COver Version Rangin' From THE Beatles TO Minor Threat. FOR ALL Ramones Maniacs OUT There!

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Sault

NINE

LP | 2017 | EU | Original (Anette)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Sault returns with a new album featuring Michael Ofo and Little Simz. NINE will be limited to a short press run of 16,000 units, never to be re-issued again!

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Ludger

Niebülldrama

Our Love Will Destroy The World

Release: 2017 / EU – Original

Genre: Rock & Indie

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After six long years, finally the new album by Hamburg's beloved punk toddlers. After the 'Auf Eis' Album and the 'Monsignore Krusenotto' EP, here they are fresh and drunk as ever.

print on side A
music on side B

+ booklet, stickers & downloadcode. Limited to 300 copies.

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Carnivorous Rainbows

LP | 2011 | US | Original (Ba Da Bing!)

Totally Vulgar-Live At Tuska 2013

Release: 2011 / US – Original

Genre: Rock & Indie

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Campbell Kneale (Birchville Cat Motel) returns - some percussion rattles throughout, a few instruments are arguably perceptible, & a beautiful harmony of intensity creates a gorgeous tapestry of sounds.

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Abhorrence

LP | 2017 | EU | Original (Svart)

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Pulverised)

Molis Sepulcrum

Left For The Worms

13,41 €* 21,99 € -39%

LP | 2023 | EU | Original (Spinoza)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Hungary’s new hideous deathbeasts Molis Sepulcrum, featuring members from Gravecrusher and Mörbid Carnage, unleash their debut MLP “Left For The Worms”, a sickening plunge into an extremely vicious bite of Hm-2 drenched Death Metal! Molis Sepulcrum formed in 2019 in Szeged, Hungary. Members of Gravecrusher and Mörbid Carnage. Inspired by Swedish Death Metal, Entombed, Grave, Dismember and the rotting tortured corpses deep in the crypts. Lyrical themes about desecration, torturing, murder, death. Riff after riff of unclean worm-ridden Death Metal infestation, all manifested under six tracks in vile primitive fashion. Recorded at Obsidian Studio and Voice-Beat Studio King with mixing at Obsidian Studio

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Spheres

Helios

Release: 2023 / EU – Original

Genre: Rock & Indie

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Straight out of Paris, Spheres will be offering up their next canvas of progressive metal in the form of their second full-length “Helios” on September 23rd. The album follows their highly praised 2019 debut “Iono”, which the band supported across Belgium, the Netherlands, Germany and their home country of France.

“Helios” sees a fresh lineup with founding member and album producer Jonathan Lino. The recording quintet is now inviting fans on a new spiritual journey featuring a multitude of contrasts and textures. From the sharp riffs, soaring melodies, through the clear singing to the growl while passing by ambiences and oscillating between dream and frenzy... everything is made to jostle the audience and invite them to take part in the journey.

Recommended for fans of Opeth, Tool, Mastodon, Gojira, and Devin Townsend, Spheres‘ forthcoming album “Helios” is available for pre-order now on Limited Edition Luminescent Vinyl LP.

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Poseidon

Prologue

LP (Ripple)

Genre: Rock & Indie

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Erin Costelo

Sweet Marie

LP (Compass)

Genre: Rock & Indie

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Ach, Das Könnte Schön Sein!

Bazooka Zirkus

LP | 2020 | EU | Original (Kidnap Music)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Exploding In Sound)

Bad History Month

Old Blues

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Birs)

C.M. Talkington

Not Exactly Nashville

LP | 2020 | US | Original (Birdwatcher)

Release: 2020 / US – Original

Genre: Rock & Indie

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Writer/Director C.M. Talkington's 2020 debut LP release will be worth the wait for his cult film fanbase and far beyond.

'Not Exactly Nashville' is a rock country album with eight songs delivered from the pulpit of Talkington's wide raspy baritone.

Multi-instrumentalist Cisco Deluna built 'Not Exactly Nashville' with help from Mother Hip's John Hofer and The Imperial Crown's James Carter.

Produced in Los Angeles at 64 Sound, Barn Star Studio, and Bernie Grundman Mastering.

Limited-edition 180g vinyl LP cut at Bernie Grundman, expertly stamped by RTI.
Hi-Res 24-bit digital, mastered by Patricia Sullivan.

'Not Exactly Nashville'
Street date:
Friday 3/13/2020.
Available on LP, CD, and online for the opening of SXSW.

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Bleach Day

As If Always

LP | 2015 | US | Original (ATP)

Release: 2020 / US – Original

Genre: Rock & Indie

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Bleach Day's sophomore LP 'As if Always' is the product of a two year studio binge, occurring in between all of these other projects. Mixing classic golden age pop sounds, cinematic progressions, and oddball tones, 'As if Always' composes a sonic language that takes the listener through a story of growth and self discovery in its most primeval form, which mirrors a full life cycle from birth to death. Through struggle you learn to confront your fears, your shadows, and your limitations to become the person you are meant to be. It's a journey to a place that feels far away ' until you realize it's actually within yourself, and always has been.

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Vision Fortune

Country Music

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Hammerheart)

Arallu

Death Covenant

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2018 | UK | Original (Secretly Canadian)

Makeness

Loud Patterns

Release: 2018 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

David Lynch Has A Painting Made Of Flies Eyes / Suzanne Ciani Black Friday Record Store Day 2022 Edition

Ssvu

7" | 2022 | US (New Machine)

Release: 2022 / US

Genre: Rock & Indie

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Ssvu is an art rock band featuring Butch Vig and Silversun Pickups, examining pop culture through existential true-life encounters. “There was so much kinetic energy during the making of physical thrills and sometimes it needs a place to live. While we were listening to BV talk about his adventures with the famous, we would bounce around and start turning them into songs. And just like that, Ssvu.” This limited edition RSD-exclusive 7” will be limited to 2500 copies. Contains two songs - “David Lynch Has a Painting Made of Flies Eyes” and “Suzanne Ciani.”

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Runaway Brother

New Pocket

LP (Tiny Engines)

Genre: Rock & Indie

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Suitcase Junket

Pile Driver

LP (Signature Sounds)

Genre: Rock & Indie

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Reputations

Electric Power

LP (Nine Mile)

Genre: Rock & Indie

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Floral Print

Mirror Stages

LP (Tiny Engines)

Genre: Rock & Indie

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I Got No Place Remembers Me

Brad Armstrong

LP | 2019 | US | Original (Cornelius Chapel)

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Cornelius Chapel)

Brad Armstrong

Empire

Release: 2018 / US – Original

Genre: Rock & Indie

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Straitjacket

Demented Perverts

LP (Busy Bee Production)

Genre: Rock & Indie

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LP | 2020 | US | Original (Brutal)

Hellgarden

Making Noise,Living Fast

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2021 | NL | Original (Lay Bare)

Severant

Closure

Release: 2021 / NL – Original

Genre: Rock & Indie

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LP | 2018 | SE | Original (Omlott)

Luft

Volume 1: Inhale

Release: 2018 / SE – Original

Genre: Rock & Indie

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Alambres Y Barrotes Black Vinyl Edition

Ex-Kombro

LP | 2021 | EU | Original (F.O.A.D.)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Sofaburn)

B. Hamilton

Nothing And Nowhere

LP | 2021 | EU | Original (Listen)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Moody, Atmospheric Guitar Riffs With A Decidedly Driven, Cinematic Feel. Riyl Black Crowes , Once And Future Band.What Started As A Bedroom Project In 2010 For Songwriter, Vocalist, And Guitarist Ryan Christopher Parks (Whose Collaborative Track With Boots Riley "Oyahytt" Features Heavily In Riley's 2018 Film "Sorry To Bother You.") With The Addition Of Parks' Good Friends Andrew Macy On Bass, And Raj Kumar Ojha On Drums (Once And Future Band, Shannon Shaw Band, Howlin' Rain), B. Hamilton Has Since Become One Of Oakland, California's Staple Rock And Roll Bands. With Parks' Moody, Atmospheric Guitar Riffs And Lyrical Ability To Encapsulate Entire Characters And Scenes Within A Few Short Minutes, There Is A Decidedly Driven, Cinematic Feel To B. Hamilton's Sound. B. Hamilton's Fourth Album "Nothing And Nowhere" Is An Album To Drive Late At Night To, Windows Down, Pounding Along With Ojha And Macy's Urgent, Yet Steadfast Tempos And Rhythms On The Roof Of The Car To Stay Awake. Parks' Vocals And Guitar Take Us Over Potholed, Winding, Terrain That Has Led Many From Adolescence Into Adulthood. In The Album Opener "North San Juan," Parks Describes The Fall Out Of 1960's San Francisco's "Summer Of Love" In Contemporary Northern California. A Situation Where "Peace And Love" Has Given Way To Addiction, False Prophets, And Youthful Recklessness. Numbers Like "45 And Straight" May Be More A Meditation On The Kind Of Adult One Hopes They Don't Become: Disillusioned, Entitled, Sitting On A Powder Keg Of Resentments. "Song For T.W." Cements The Album's Theme That Love Is Excruciating And Worth Fighting For, While Hate Is Easy And Designed For The Weak. Noteworthy: Ryan Wrote And Played On A "Oyahytt" From The 2018 Movie "Sorry To Bother You" With Writer And Director Boots Riley. Teddy Rankin-Parker (Iron And Wine) Plays Cello On "North San Juan" And "Sarajevo Roses." Joel Robinow (Once And Future Band, Shannon Shaw Band, Howlin' Rain, The Black Crowes) Sings And Plays Keyboards On The Entire Record.

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Darjeeling

Maguna

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2019 | Original (Svart)

Vesperith

Release: 2019 / Original

Genre: Rock & Indie

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South American Assault Live Colored Vinyl Edition

Killers

LP | 1994 | EU | Reissue (Metal Mind)

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | TR | Original (Rainbow45)

The Madcap

Beat The Destiny

Release: 2023 / TR – Original

Genre: Rock & Indie

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The Brian Jonestown Massacre

Abandon Ship Martian Meltdown Mix

10" | 2023 | UK | Original (A)

LP | US | Original (Paper +)

Release: 2023 / UK – Original

Genre: Rock & Indie

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To coincide with the Brian Jonestown Massacre's North American & Australasian tour 2023 is the release of two new exclusive tracks by the band. Recorded in Berlin & remotely in 2023, the opening track "Abandon Ship (Martian Meltdown Mix)" runs at over 11 minutes and plays at 33 rpm, "Maybe Make It Right." the B side is nearly 4 minutes & plays at 45 rpm. Available at shows but will not be available until the release date. With Anton Newcombe (Vocals/ Guitars) Hakon Adalsteinsson (guitar), & Uri Rennert (drums) playing on this offering. Emil Nikolaisen (Serena-Maneesh / Bjm) & Ryan Carlson Van Kriedt (Asteroid #4 / Bjm) on engineering duties. The release comes in a heavyweight PVC bag with the artwork being a J card so you can see the vinyl.

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Aspiga

Every Last Piece

Release: US – Original

Genre: Rock & Indie

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10" | 2014 | US | Original (Paper + Plastick)

Pentimento

Inside The Sea

13,91 €* 23,99 € -42%

Release: 2014 / US – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (#14)

Jjh Potter

Low Tide

13,99 €* 27,99 € -50%

LP | 2022 | UK | Original (First Word)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Recorded live in the analog recording studio Kerwax, “Low tide” will reveal what we sometimes hide deep within ourselves in order to touch the pure and beautiful in each of us.

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Sarah Williams White

Unfathomable

LP | 2019 | EU | Original (Drunken Sailor)

Release: 2022 / UK – Original

Genre: Rock & Indie

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First Word Records is very pleased to present a brand new full-length album from Sarah Williams White! Emanating from the "hilly fields of Lewisham" in South London, Sarah Williams White is a singer songwriter, multi-

instrumentalist and producer. Her sound is a unique blend of psych-soul, folktronica and experimental synth-pop.

Sarah released her acclaimed debut album 'Of The New World' on First Word in 2015, which was written, produced and performed by Sarah from her home studio, with the assistance of drummer, engineer & husband, Timmy Rickard. Her projects have seen support from the likes of Lauren Laverne, Tom Ravenscroft, Nemone & Chris Hawkins (bbc 6 Music), Jamie Cullum (bbc Radio 2), FIP Radio, Clash & The Guardian, to name a few, and she's toured the UK with Dan Le Sac vs Scroobius Pip and Golden Rules (Lex). There have been additional collaborations with label-mate Quiet Dawn (on the 2021 compilation / EP 'A Family Affair') and with her brother, Paul White - a revered producer in his own right, with credits including Danny Brown and Sudan Archives.

Following a hiatus, Sarah now brings us her sophomore album, 'Unfathomable'. A project that offers up escapism from the mundane, enticing us to connect with our natural planet in this prevalent time, via the eyes of a new mother.

In her words, Sarah states that the album is "about escape. It's about deflating the ego by looking up to the endlessness of outer space, connecting with the greatness of mother nature, and loving how unfathomable the universe and life itself is".

11-tracks in all, including the recent singles 'Nebula', 'Green' and 'Monsters', this opus sees Sarah's buttery lathing of vocals merged with cutting beats and atypical pop sensibilities across the project, again entirely self-produced from home, defining her as one of the UK's most irresistible DIY psych-soul talents.

With a voice reminiscent of Peggy Lee, tapestried harmony akin to Hiatus Kaiyote, beats fit for Little Dragon, and experimental production evocative of Kate Bush, Sarah Williams White's signature genre-defying sound invites us into a world uniquely hers.

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The Mind

Edge Of The Planet

Release: 2019 / EU – Original

Genre: Rock & Indie

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James Toth Of Wooden Wand

Demon Stations

LP | 2024 | UK | Original (Feral Child)

LP | 2020 | UK | Original (Counter)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Next full length up on Feral Child sees a welcome reunion for both label and artist; having teamed up lots in the past, James Toth and label head Dom, join forces for another beauty. This time round, 11 previously (and mostly- certainly in these forms) unreleased home recordings and demos from a 10 year period between 2012 and 2022. Titled “Demon Stations”, it’s a beautifully seamless collection, mercifully saved from the relative oblivion of bandcamp / digital only demos and released on vinyl this February. Many of course know James best from his Wooden Wand moniker, alongside his work with the likes of Michael Gira and Thurston Moore etc, then one would hope last years’ “Birthday Blues” 33 artist tribute / comp covering songs from various points of James’ career (feat Meg Baird, Lee Ranaldo, Six Organs of Admittance amongst others) will only have raised his star further…. On this collection, James says ““Demon Stations” is a compilation of songs from five different digital-only demo collections I released on Bandcamp between 2021 and 2023. I relied on the ears and judgment of my old friend Dom to curate this comp, allowing him to choose his favorites from over 60 songs. While I might have chosen an entirely different batch of tunes, I was happy to defer to Dom, as I’ve never had much perspective when it comes to assessing my own material. All of the songs were recorded at home, mostly on the same day they were written. Most are first takes, intended to provide a template for a theoretical band to follow if and when the songs were to be re-recorded “properly” at a later date. A few have since been re-recorded for studio records, and a few others remain in contention for future studio records.

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Pictures Of Vernon

Bug

Release: 2020 / UK – Original

Genre: Rock & Indie

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I'm So Glad I Feel This Way About You

Insignificant Others

LP | 2020 | UK | Original (Counter)

Release: 2020 / UK – Original

Genre: Rock & Indie

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LP | 2016 | EU | Original (Light Organ)

Adrian Glynn

Morelightthennolight

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Light Organ)

Louise Burns

Young Mopes

Release: 2017 / EU – Original

Genre: Rock & Indie

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CD | 2022 | EU | Original (Virgin Music Las)

Van Morrison

What's It Gonna Take

14,07 €* 21,99 € -36%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Black Sweat)

Everest Magma

Alto//Piano

LP | 2021 | EU | Original (Napalm)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Everest Magma rediscovers the folk roots of his dreamy alter ego Woodcutter. Once again he appears as a minstrel crossing moonstruck woods inhabited by gnomes, butterflies and crawling creatures. Nature is sublimated into a personal alien vision in which a lysergic approach triumphs in the arrangement of sound material and immersive musique concrète. Pure acid-folk fingerpicking communicates directly with the forest’s humus, steeped in wild and ethereal moods. Between schizoid or more lyrical moments, a persistent taste for subtle subterranean noises, electric flashes, radio and ufological interferences, deviant scents and psychological drifts permeates the flow. The abstracting structure of voices and singing expresses the cyclical beingness of living, a decontextualizing dimension of space and time. It's the pantheistic feeling of a parallel naturalistic universe, which also takes cues from the psychedelic eccentricity of Claudio Rocchi’s ‘Suoni di Frontiera’, the Incredible String Band or Holy Modal Rounders. Co-produced with Maple Death Records

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Bornholm

Apotheosis

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Clear)

Stacian

Fractal Id

14,29 €* 25,99 € -45%

LP | 2021 | EU | Original (Testimony)

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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A project based variously in the Midwest, the Bay Area, and currently Nashville, Stacian has produced two full length LP’s, a smattering of EP’s, including the very recent “x2020” EP (Death Decay Magic, 2020) and now Fractal ID: an album that deconstructs and expands upon the cold-wave refinements and dystopian soundscapes of its predecessors “Songs for Cadets” (Moniker, 2012) and “Person L” (Night School, 2017). Stacian is a longtime vehicle for dance floor alchemist, electronic artist, and producer Dania Luck, who delivers for Chicago’s Clear a collection that synthesizes a wide breadth of influences; from varying strains of minimal wave, to the darker baroque flourishes of German new-wave and post-industrial— all while scavenging the displaced futurism of early analog electronic music. From the glam-spattered invocation of “Dance With Me” to the frenzied snare-hits of “Read Me”, to the post-industrial stomp of “We Are War”; Fractal ID unfolds like a map of hypnagogic states. By the time we reach “The Well” and “Idea of Home” a trapdoor in the dance floor has opened to an otherworldly abyss, where pulsating analog beats materialize, and glimmering arpeggiations illuminate the icy well of our shared technological isolation. Stacian’s Fractal ID is a propulsive and perilous journey to the depths, of dynamic rhythmic modulations and expansive sonic textures; a lone ray of light that bounces and refracts along the cavernous sub-levels of the club floor.

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Slithering Decay

Aeons Untold

LP | 2020 | US | Original (Bridge Nine)

Release: 2021 / EU – Original

Genre: Rock & Indie

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From The Gruesome Depths In Which They Mercilessly Rule, The Ancient Gods Of The Merciless Hm2 Buzz Saw Cult Summoned Fresh Disciples To Serve Their Cause. Niko (Ex-Tyrant's Kall), Jörgen (Theudho), Bart (Ex-Fleshmould, Ex-Storm Upon The Masses) And Tomas (Human Vivisection, Ex-Fractured Insanity, Ex-Storm Upon The Masses) Answered That Infernal Call In 2017, Crafting Frantic Hymns Based On Barbarous Riffing, Chaotic Soloing And Ferocious Hammering Under The Moniker Of Slithering Decay. In March 2018, They Committed Four Of Their Twisted Concoctions To Tape And Unleashed Them Upon The Realm Of Mortals In The Form A Cassette Demo, Highly Appropriately Yet Fabulously Apathetically Entitled Demo 2018. The Fifty Black Cassettes Quickly Found Their Way To All Corners Of The Earth, While Digital Copies Were Left To Quench The Blood Thirst Of New Devotees. In The Meanwhile, More Disharmonious Pieces Were Conjured From The Nameless Abyss. Once Again Engineered, Recorded And Mixed By The Band Themselves, Ten Wretched Pieces Were Gathered For Their Debut Album Aeons Untold. The Equally Appropriately And Apathetically Entitled Promo 2020 Was Sent Out To A Number Of Possible Partners In Crime For A Potential Release Of The Debut Album. The Infamous Testimony Records Answered The Call. Aeons Untold Received A Final Sonic Boost Through A Master By Dan Swanö (Of Edge Of Sanity Fame). The Sinister Cover Art By Wesley Dewanckel (Tyrant's Kall, Unmensch) Outstandingly Captures The Atmosphere Of The Madness Captured On The Record.

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Spine

L.O.V.

LP | 2020 | US | Original (Feel It)

Release: 2020 / US – Original

Genre: Rock & Indie

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Midwest hardcore outfit Spine returns with their follow-up to 2018’s acclaimed album Faith. This nine-song 12”ep entitled L.O.V. sees the band embracing their power violence roots à la Crossed OUT and MAN IS THE Bastard, while still retaining their Nyhc influences. The result is Spine’s hardest and most focused material to date. This is hardcore the way it was meant to be played ... lightening fast, unapologetically hard, and extremely pissed. Nine years and seven releases later, Spine has proven to be a true staple of Midwest hardcore. L.O.V. was recorded and mixed by guitarist Alex Tunks in a true DIY effort, with mastering handled by Brad Boatright at AudioSiege (obituary, Poison Idea, Integrity).

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The Zits

Back In Blackhead

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | EU (No Spirit)

Asocial Distortion

Release: 2020 / EU

Genre: Rock & Indie

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LP | 2019 | EU | Original (Vee-Tone)

The Blackjacks

Elvis Presley Posters

LP | 2023 | EU | Original (Topsy Turvy)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Vee-Tone Records are delighted to release ‘Elvis Presley Posters’ the debut album from The Blackjacks, one of the most exciting new talents on the ‘roots’ music scene today. If you’ve caught these young lads live, then you’ll know exactly why they’re causing such a stir.

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Mophing People

Mppp

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Crunchy Frog)

Late Runner

You're An Animal

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Six Tonnes De Chair)

Public Body

Flavour Of Labour

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP (Imaginator/Clandestine)

New Indiana

Darkness Sunshine

Genre: Rock & Indie

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Toebow

Themes

LP (Imaginator)

Genre: Rock & Indie

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Gold Connections

Popular Fiction

LP (Egghunt)

Genre: Rock & Indie

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Fronds

Cold Across My Skin

LP (Gold Robot)

Genre: Rock & Indie

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LP | 2019 | US | Original (Boocoo Music)

Bhi Bhiman

Peace Of Mind

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2021 | UK | Original (Hood Faire)

Dean McPhee

Witch's Ladder

Release: 2021 / UK – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Kill Rock Stars)

Onetwothree

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Born Yesterday)

Spirits Having Fun

Two

Leanne Betasamosake Simpson

Release: 2021 / US – Original

Genre: Rock & Indie

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Spirits Having Fun records are ones made from and for shows and spaces—arrangements rooted in a deeply collaborative process, that come to life through intuitive and locked-in live improvisation. Following their 2019 debut Auto-Portrait, Two finds the New York and Chicago based four-piece continuing to challenge ideas of what a rock band can be, pulling apart their musical experiences and reimagining them as kinetic compositions, equally studied but palpably organic.

Two is constructed around gut feelings and strong grooves, elastic rhythms and playful pacing. Its twelve songs expand, contract, and make sharp turns between melodies under singer-guitarist Katie McShane’s meditative lyrics. “Broken Cloud,” which was also released last year on a compilation in support of Chicago Community Jail Support, offers a glimpse into her reflections on the natural world: "A city grew out of the ground / to a mountain it's only a blur."

True to its name, the internal logic of the band is also just a lot of fun, built on trust and deep-rooted musical relationships. Before there was Spirits Having Fun, McShane, bassist Jesse Heasly, guitarist-vocalist Andrew Clinkman, and drummer Phil Sudderberg had performed together in various arrangements over the years. McShane, Heasly and Clinkman met in a specific corner of the Boston underground in 2013, a time when a scene had coalesced around students from local music conservatories frequently collaborating with punk bands and noise artists, exchanging ideas and warping musical worldviews. Heasly and Clinkman played together in Cowboy Band, making mutant, free jazz-inspired takes on old country tunes. When Clinkman moved to Chicago, Heasly and McShane played in experimental groups like EKP and Listening Woman; in Chicago, Clinkman met Sudderberg playing in projects like jazz scene fixture Ken Vandermark’s high-powered band Marker.

Spirits first came together as an attempt at a long-distance collaboration among friends in 2016, driven by the simple feeling of missing each other; they’d meet up for marathon weekends here and there to practice, playing small loops through dive bars and art spaces around the Midwest—just enough for McShane and Heasly to afford plane tickets back home. Being split between Chicago and New York forced the project into a deliberate pace. “We tried to take it slow and let it be what it was,” said McShane. That sense of patience unexpectedly prepared them for March of 2020, when their planned tours and the release of Two were indefinitely delayed.

Two was mostly recorded in the summer of 2019 with the help of omnipresent Chicago engineer Dave Vettraino and DPCD’s Alec Watson, whose contributions on organ, synths, and piano are laced throughout the record. The album reflects a synthesis of solitary and communal songwriting processes—each song drawing on fragments written by individuals, which McShane threaded together and shaped through her distinct compositional lens, making the songs whole before returning to them to the band to mature collectively. When composing, McShane writes first on the keyboard before adapting parts for guitars played by herself and Clinkman. Their dueling approaches to guitar are complementary: McShane, being a newer guitarist, brings a freshness to the project (“I'm just discovering the whole time,” she says) while Clinkman has been playing since childhood.

“There's a lot more collaboration on this record,” says Clinkman, “in terms of all of us letting stuff bloom a little bit more.” The record’s first single, “Hold The Phone” is a good example of this process—it started with a playful intro riff from Clinkman, a melody and bridge added by McShane, a wobbly outro groove added by Heasly, which Sudderberg brought to life. Another single, the dynamic “See a Sky,” written primarily by Heasly, underscores the rhythm section chemistry at play across the record, the song ebbing and flowing around Heasly and Sudderberg’s eclectic percussive palettes.

“Entropy Transfer Partners” is the only song on the record with lyrics by Clinkman, and the album’s most politically direct—a call for solidarity in the face of systemic failures, an acknowledgment of the shared material devastation caused by our country’s ongoing healthcare and housing crises: “These are not things we're experiencing individually. We struggle through them collectively. And we could actually declare, all of us, that it doesn't have to be this way, and fight and organize to ameliorate some of those conditions.” (“We won't work to create the shit you monetize, to run our lives,” they sing.)

From front to back, Two is an absorbing listen simply for its impressive range. But as the members explain themselves, the complexity of the record is about more than its intricate riffs, or how often they count out an odd time signature, but how they reject the notion of boxing the songs in, letting the melodies take on lives of their own. “Making music that feels alive is important to us,” says Clinkman. “Music feels most powerful to me when it deepens our sensation of feeling alive and connected to other humans. It’s so easy to feel worn down and isolated; that your life’s value is fixed to your productivity at your job, or the things that you have or don’t have. Making music that feels joyful and fun seems like one effective antidote to that feeling.”

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Theory Of Ice

LP | 2021 | EU | Original (You've Changed)

Release: 2021 / EU – Original

Genre: Rock & Indie

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12" | 2023 | EU | Original (Human Sounds)

Xavier Boyer

Soda Coda

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Human Worth)

Grub Nap

God Pile

LP | 2023 | US | Original (Dark Entries)

Release: 2023 / UK – Original

Genre: Rock & Indie

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After two successful runs on tape, Human Worth have made the right call and put this mini album on vinyl. The Leeds duo rage through six tracks of caustic sludge and doom to deliver a incredible EP that channels their energy and the anger felt by current events. As with all Human Worth releases, 10% of proceeds will be donated to a charity of the artists choice, with Leeds Mind benefiting from this release.

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Brontez Purnell

No Jack Swing

LP | 2023 | EU | Original (Young & Foolish)

Release: 2023 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Dark Entries and Papi Juice Records team up for No Jack Swing, the solo electronic debut of multi-hype man Brontez Purnell. The Southern-raised, Oakland-based musician and writer has centered his queerness and Blackness in projects Gravy Train and Younger Lovers as well as in his award-winning books 100 Boyfriends and Since I Laid My Burden Down. On No Jack Swing, Purnell gives us a love letter to the most beloved (and secularized) of drum patterns - that is, the electronic 808 “Amen Break”. Beginning recording in 2020, Purnell conceived of No Jack Swing as an audio zine of found sound materials: chain letters of instrumentals recorded in bedrooms, poems from boys in France, found gospel tapes from his childhood family Baptist Choir, and the sound of records skipping on his bedroom turntable. No Jack Swing is as much a homage to No Wave and New Jack Swing as it is an answering to the gods of Indie, Electroclash, Disco, and Gospel. Amidst all this background noise, the unexpected occurs: all the niche pretensions collapse to a singularity - the sound of High Pop! No Jack Swing was produced by Nightfeelings. Each copy of includes a lyric sheet with a photo of Brontez.

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Lewca

Boombap For Boomers

14,49 €* 28,99 € -50%

Magic Of Christmas Day Black Friday Record Store Day 2022 Colored Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Boombap for boomersBoombap for Boomers, the second album to come from the basement sessions with S.O.A.P. Is as laid back as “Friday Night Rockstar”, the previous album, is angst ridden. A sunny mellow vibe inhabits the tracklist with notable guests, underground legend Mick Swagger & Dancehall King Elelphant Man joining the fray

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Dee Snider

12" | 2022 | EU | Original (BFD)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Black Friday Record Store Day 2022 Reissue. Color: unknown. Limitation: 1500.

Iconic Twisted Sister vocalist Dee Snider and Grammy winner Lizzy Hale collaborate on this brand new Christmas song, written by Santa Dee himself! Pressed on a red vinyl 10” single for RSD Black Friday.

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Hinkley / Larson

Out In Our Meadow

LP (Red House)

Genre: Rock & Indie

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At Home With The Chenille Sisters

Chenille Sisters

LP (Red House)

Genre: Rock & Indie

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12" | 2019 | US | Original (Violent Pest)

The Pornography Glows

12" EP

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Ramalama)

Marriage Limited Edition

14,84 €* 26,99 € -45%

Release: 2021 / EU – Original

Genre: Rock & Indie

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12 Nej - Originalni Nahravky

Petr Novak

LP | 1986 | EU | Reissue (Supraphon)

14,84 €* 26,99 € -45%

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | CA | Reissue (Return To Analog)

Peter Tessier

By Turning A Knob

14,84 €* 26,99 € -45%

Release: 1973 / CA – Reissue

Genre: Rock & Indie

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Blaster Al Ackerman

I Am Drunk

LP (Ehse)

Genre: Rock & Indie

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You Can Only Control Instincts When They Come

Beaver

LP (Ehse)

Genre: Rock & Indie

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LP | 2021 | EU | Original (Sofabum)

Starlight Cleaning Co.

Haunted Painting Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Debut From This Mojave Desert Pop Rock Bandstarlight Cleaning Co. Is A Mojave Desert Band Fronted By Rachel Dean And Tim Paul Gray. Dean Had Previously Played Under Her Own Name, Having Released An Album Titled Indian Summer, Produced By Rob Campanella (Brian Jonestown Massacre) And The Late, Great Neal Casal (Chris Robinson Brotherhood, Ryan Adams, Circles Around The Sun). She Also Fronted Two Bands Prior-War Children And The Hot Fudge Sunday (Pappy And Harriet's Sunday House Band). Gray Fronted Orange County-Based Bands The Delusions And Charles Mansion. As A Duo, Dean And Gray Have Toured With Tommy Stinson (The Replacements, Bash And Pop, Guns 'N' Roses) And On Their Own Throughout The Country. Their Paths Were Interwoven For Nearly A Decade Before Formally Meeting In May 2015 When They Played A Show Together At Pappy And Harriet's In Pioneertown, Ca. Three Years Ago, The Duo Did Something They Had Wanted To Do For A While: They Turned Their Solo Acts Into A Full Band. Featuring Gray's Timeless Songwriting And Dean's Versatile Vocals, Starlight Cleaning Co. Is A Soulful And Beautifully Focused Operation That Somehow Sounds Like They Could Have Thrived In Both The Seventies And Eighties As Well As Recent Decades, Drawing Inspiration From Elvis Costello, Chrissie Hynde, Alex Chilton, Dwight Twilley, Sixties Girl Groups, And Even Early Punk And Power-Pop. Recently, The Band Brought A Crew Out To The High Desert To Hole Up For A Week And Record An Album. The Songs Were Tracked At Dean And Gray's Home Studio, Starlight Sound, Where Vetiver Recorded Their 2019 Record Up On High. Their Recording Crew Comprised The La/Sf Blue-Eyed-Soul And Soft Rock Troubadour Bart Davenport (The Bedazzled, The Loved Ones, The Kinetics) And La's "Indie King" Joel Jerome (Dios, Cherry Glazerr, La Sera). Davenport, Acting As Producer And Jerome As Engineer, Worked With The Band To Create A Powerful And Sincere Record.

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Sad13

LP | 2020 | US | Original (Wax Nine)

LP | 2020 | EU | Original (Emotional Rescue)

Release: 2020 / US – Original

Genre: Rock & Indie

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Haunted Painting is the return to Sadie Dupuis' pop-oriented solo project Sad13. Previous releases include 2016's Slugger and a handful of tracks across compilations such as Adult Swim's Singles series. Since Slugger, Dupuis' other project Speedy Ortiz has released a new record and toured heavily and Dupuis has also published a poetry manuscript titled Mouthguard. It all finds Dupuis, already one of the sharpest lyricists of her generation, leveling up as an arranger and producer. Drawing inspiration from 1980s British pop-rock à la Tracy Ullman and Joan Armatrading, as well as the contemporary digital gloss of post-PC Music electronica, she calls Haunted Painting 'decidedly non-minimal,' mixing technicolor synth-pop and math-rock dynamism. The first track from Haunted Painting, 'WTD?', was also featured as part of the Adult Swim Singles series.

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Delay Tactics

Imperfect Strangers

Criminal World Plus Unreleased Tracks

Release: 2020 / EU – Original

Genre: Rock & Indie

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Carl Weingarten and Multiphase Records return to Emotional Rescue with a collection of the music of Delay Tactics and their live, reel-to-reel and collaborative experimentation, that spawned two remarkable albums.
After meeting guitarist Reed Nesbit from the St. Louis new wave scene , Weingarten joined forces for a series of concerts, performing with guitars running through tape looping delay systems similar to Robert Fripp's 'Frippertronics' ideals.
Producer and engineer Walter Whitney joined to record the debut album, Out-Pop Options (1982), when it became clear his skills were a perfect addition. Recording to 4-track analog tape, the sound developed from drone based to proto-techno pop. Digital technology, drum machines, guitar pedals and digital effects offered creative freedom that resulted in rhythmic, kraut inspired pieces.
These Kosmiche leanings retain a unique US aesthetic and continued after Nesbit's departure. When guitarist David Udell joined for Any Questions? (1984), greater explorations - now recorded to 8 track - pushed the envelope to a wider sound.
In an age of endless holy grails, the work of Delay Tactics has a resonance, spanning Eno to Ashra but with a place and sense beyond Europe and towards to new age and fourth world leanings of Laraaji, Hassel and Karma.

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LP | 2024 | EU | Original (Cobra)