Rock & Indie 519 Items

One of the most legendary bands from the 90s Swedish progressive scene is finally back with a new album, 17 years since the last full-length. Ritual has often been a band with a concept, and their music has often been inspired by Tove Jansson’s novels about the Moomins. On their return, we’re invited into the strange story of the mysterious Mr. Bogd. And this fifth studio album is only part 1 of the story! Since the formation in 1993, the band soon established a distinct progressive style of their own influenced by progressive rock and hardrock of the ‘70s as well as contemporary bands. They’ve always been-song based, melodic and intense, with a great stylistic variation, and plenty of folk music influences seeping in. The latter feature is not least due to the band's frequent use of acoustic instruments like bouzouki, mandola, whistles and the Swedish nyckelharpa (a keyed fiddle). On the epic “The Story of Mr. Bogd part 1”, Ritual is definitely continuing on this musical journey, and the new songs will hit old fans right in the heart. We’re extremely thrilled to have Ritual back with a new album, that will charm and surprise both old and new fans. 01.A Hasty Departure02.The Inn of the Haunted Owl03.Dreams in a Brougham04.Chichikov Bogd05.Mr. Tilly and his Gang06.Through a Rural Landscape07.The Feline Companion08.Read all about it!09.Forgotten Qualities10.The Three Heads of the Well

One of the most legendary bands from the 90s Swedish progressive scene is finally back with a new album, 17 years since the last full-length. Ritual has often been a band with a concept, and their music has often been inspired by Tove Jansson’s novels about the Moomins. On their return, we’re invited into the strange story of the mysterious Mr. Bogd. And this fifth studio album is only part 1 of the story! Since the formation in 1993, the band soon established a distinct progressive style of their own influenced by progressive rock and hardrock of the ‘70s as well as contemporary bands. They’ve always been-song based, melodic and intense, with a great stylistic variation, and plenty of folk music influences seeping in. The latter feature is not least due to the band's frequent use of acoustic instruments like bouzouki, mandola, whistles and the Swedish nyckelharpa (a keyed fiddle). On the epic “The Story of Mr. Bogd part 1”, Ritual is definitely continuing on this musical journey, and the new songs will hit old fans right in the heart. We’re extremely thrilled to have Ritual back with a new album, that will charm and surprise both old and new fans. 01.A Hasty Departure02.The Inn of the Haunted Owl03.Dreams in a Brougham04.Chichikov Bogd05.Mr. Tilly and his Gang06.Through a Rural Landscape07.The Feline Companion08.Read all about it!09.Forgotten Qualities10.The Three Heads of the Well

“This album [sorcs 80] was a self imposed ambitious project for us [osees]. Something to kick in the creative flow. The last few years, having been a challenging time in general, felt like a good time for a pivot. The last two albums were so guitar and keyboard centric, I wanted a weird and fun set of parameters for us to work with. I demo’d everything at home on cassette four track (harkening back to simpler times) using drum loops, and just had at it ’til I had a pile of ‘songs.’

“Tom [Dolas] and I chose one sound each using synths and created a range of three octaves of that sample, then loaded them into Roland Spd-sx samplers and learned the transcribed songs using drum sticks. The idea was to change the way we wrote and to have four people along the front of the stage essentially playing percussion. So no guitar, no keys.

“As we were recording I kept thinking how the sounds, when paired up, sounded a bit like brass. So, we added a saxophone horn section to round out the horniness of the sound with a bit of reedy bell tones. Thanks to Cansfis Foote and Brad Caulkins on tenor and baritone saxophones.

“Sort of a Dexy’s Midnight Runners meets Von LMO meets The Flesh Eaters meets the Screamers kinda punk junk. Poppy and hooky, heavy at times. Sort of vacuous and maybe a bit sci-fi in sound. Boneheaded in riff and heady in lyrics. Recorded at Stu-Stu-Studio by me on eight track 1/4-inch tape. So pretty hot and raw. Lots to write about today. A lot of these lyrics were taken from things people said in passing about taking on life right now that stuck with me. Things that made me reflect. Things that made me laugh. Things that made me WTF. Some folks are kind, genuine and give you love and energy. Some are greedy manipulative ghouls who hang off your veins. You must be strong, composed and take care of yourself. Be self aware and check your mind for cracks. Learn to relax and be well. There are moments of beauty and redemption. It’s not all bad news and there’s always hope. People continue to surprise me one way or another. Anyhow, hope you enjoy and good luck out there.” —John Dwyer

“This album [sorcs 80] was a self imposed ambitious project for us [osees]. Something to kick in the creative flow. The last few years, having been a challenging time in general, felt like a good time for a pivot. The last two albums were so guitar and keyboard centric, I wanted a weird and fun set of parameters for us to work with. I demo’d everything at home on cassette four track (harkening back to simpler times) using drum loops, and just had at it ’til I had a pile of ‘songs.’

“Tom [Dolas] and I chose one sound each using synths and created a range of three octaves of that sample, then loaded them into Roland Spd-sx samplers and learned the transcribed songs using drum sticks. The idea was to change the way we wrote and to have four people along the front of the stage essentially playing percussion. So no guitar, no keys.

“As we were recording I kept thinking how the sounds, when paired up, sounded a bit like brass. So, we added a saxophone horn section to round out the horniness of the sound with a bit of reedy bell tones. Thanks to Cansfis Foote and Brad Caulkins on tenor and baritone saxophones.

“Sort of a Dexy’s Midnight Runners meets Von LMO meets The Flesh Eaters meets the Screamers kinda punk junk. Poppy and hooky, heavy at times. Sort of vacuous and maybe a bit sci-fi in sound. Boneheaded in riff and heady in lyrics. Recorded at Stu-Stu-Studio by me on eight track 1/4-inch tape. So pretty hot and raw. Lots to write about today. A lot of these lyrics were taken from things people said in passing about taking on life right now that stuck with me. Things that made me reflect. Things that made me laugh. Things that made me WTF. Some folks are kind, genuine and give you love and energy. Some are greedy manipulative ghouls who hang off your veins. You must be strong, composed and take care of yourself. Be self aware and check your mind for cracks. Learn to relax and be well. There are moments of beauty and redemption. It’s not all bad news and there’s always hope. People continue to surprise me one way or another. Anyhow, hope you enjoy and good luck out there.” —John Dwyer

“This album [sorcs 80] was a self imposed ambitious project for us [osees]. Something to kick in the creative flow. The last few years, having been a challenging time in general, felt like a good time for a pivot. The last two albums were so guitar and keyboard centric, I wanted a weird and fun set of parameters for us to work with. I demo’d everything at home on cassette four track (harkening back to simpler times) using drum loops, and just had at it ’til I had a pile of ‘songs.’

“Tom [Dolas] and I chose one sound each using synths and created a range of three octaves of that sample, then loaded them into Roland Spd-sx samplers and learned the transcribed songs using drum sticks. The idea was to change the way we wrote and to have four people along the front of the stage essentially playing percussion. So no guitar, no keys.

“As we were recording I kept thinking how the sounds, when paired up, sounded a bit like brass. So, we added a saxophone horn section to round out the horniness of the sound with a bit of reedy bell tones. Thanks to Cansfis Foote and Brad Caulkins on tenor and baritone saxophones.

“Sort of a Dexy’s Midnight Runners meets Von LMO meets The Flesh Eaters meets the Screamers kinda punk junk. Poppy and hooky, heavy at times. Sort of vacuous and maybe a bit sci-fi in sound. Boneheaded in riff and heady in lyrics. Recorded at Stu-Stu-Studio by me on eight track 1/4-inch tape. So pretty hot and raw. Lots to write about today. A lot of these lyrics were taken from things people said in passing about taking on life right now that stuck with me. Things that made me reflect. Things that made me laugh. Things that made me WTF. Some folks are kind, genuine and give you love and energy. Some are greedy manipulative ghouls who hang off your veins. You must be strong, composed and take care of yourself. Be self aware and check your mind for cracks. Learn to relax and be well. There are moments of beauty and redemption. It’s not all bad news and there’s always hope. People continue to surprise me one way or another. Anyhow, hope you enjoy and good luck out there.” —John Dwyer