Rock & Indie 56347 Items

Cottonopolis Chimney Grey Marbled Vinyl Edition

LP | 2024 | UK | Original (Vinyl Revival)

24,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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A compilation of rare and previously unreleased tracks from Greater Manchester’s lesser well known bands from the last 30 years. Not household names but bands who all deserve a place in Manchester’s musical history. Less “Unknown Pleasures,” more “Unknown Treasures”.

Side 1: Proud Mary were the first band to sign to Noel Gallagher’s Sour Mash label. Autograph Hunter is an unreleased demo recorded with the bands’ early line up, featuring Craig Gill (Inspiral Carpets) on drums. The Delaplains made ripples on the live circuit, and you would often find Blossoms supporting them in various Northern Quarter venues. They split after the release of their second single. The Salford based band Death To The Strange released a handful of EPs before their demise; Peter Hook was known to sing their praises. The Children recorded demos at Paul Weller’s studio with no physical releases until they morphed into Twisted Wheel. Omerta released 2 independent singles before a line-up change and had further success as The Slow Readers Club.

Side 2: Rubber Orange were one of the many Oldham bands making a name for themselves on the Manchester gig circuit in the late 80’s/early90s and released one 12” EP. ‘Magnetized’ is by far their masterpiece and previously unreleased. The Broadcast were another short lived Manchester band featuring John Mackie on vocals, who went onto further success in acting. They recorded a handful of tracks but never released anything. Rambo and Leroy hailed from Macclesfield and after a New Order support slot, Jake Evans (vocals and guitar) was approached by Bernard Sumner and became a member of Bad Lieutenant. Their sole release, ‘Last One Standing’ was single of the week on XFM. The Fayre, another band from Oldham were a live favourite around the same time as Twisted Wheel but called it a day after a Glastonbury appearance. Asia Fields were ‘Funkier than a mosquito’s tweeter’. Think Haircut 100 on acid. They sold 5000 copies of their debut EP and refused numerous offers from major labels at the height of Madchester.

The sleeve shows a section of an iconic panoramic photograph taken by Squire Knott in 1876 during the Industrial Revolution. (Courtesy of Oldham Gallery)

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Cosmic Disco Machine Volume 2

LP | 2021 | EU | Original (Cosmic Disco Machine)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Cosmic American Music: Motel California Neon Sky Vinyl Edition

2LP | 2024 | US | Original (Numero Group)

41,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Neon Sky Vinyl.A companion to 2016's private countryrock overview Cosmic American Music,this second volume goes way past GramParsons' "country-rock plastic dry-fuck"and explores the twangy falsettos andcommercial curiosity that sent the Eaglessoaring. Though rooted in the west coastfolk rock of the late-'60s, these newkids in town rendered a safe-for-thesuburbssound bleached of the hippie era'spolitical strife. 20 tracks, two LPs, andgatefold tip-on sleeve for easy seed andstem separating are included.

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Cosmic American Music: Motel California Black Vinyl Edition

2LP | 2024 | US | Original (Numero Group)

38,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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A companion to 2016's private countryrock overview Cosmic American Music,this second volume goes way past GramParsons' "country-rock plastic dry-fuck"and explores the twangy falsettos andcommercial curiosity that sent the Eaglessoaring. Though rooted in the west coastfolk rock of the late-'60s, these newkids in town rendered a safe-for-thesuburbssound bleached of the hippie era'spolitical strife. 20 tracks, two LPs, andgatefold tip-on sleeve for easy seed andstem separating are included.

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LP | 2023 | UK | Original (Alive)

Concrete Waves

36,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Come To My World History Of Indie Pop 1985-2023 Black Vinyl Edition

LP | 2024 | EU | Original (Two-Piers)

44,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Come Play With Me)

Come Stay With Me

Release: 2020 / EU – Original

Genre: Rock & Indie

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Color De Tropico Volume 3

LP | 2022 | EU | Original (Elpalmas Music)

24,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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El Palmas Music are back with a third instalment of rare Venezuelan sounds from the 60s and 70s, a wild trip through salsa, boogaloo, garage rock, jazz and delinquent pop. Venezuelan music was moving at such a pace through the 60s and 70s that almost as soon as a new craze was born, another was preparing to eclipse it. In barely 10 years, musicians latched on to the sound of the Latin big bands of Cuba, New York and Colombia, turned to the 60s pop and rock ‘n’ roll of England and the US, before heading back to salsa as it took root across Latin American, before forays into jazz, psych rock and Afro-Venezuelan rhythms took hold in the 70s. This fertile musical period, coming at a time when Venezuela was economically abundant and culturally as relevant as any other developed country, has always been the focus of the Color de Trópico series, and continues to be the case on this third instalment, though it should also be noted that the tracks are getting rarer and rarer, indicative of the curatorship of DJ El Palmas and El Drágon Criollo and their constant search for new sounds that reflect Venezuela’s musical treasures at this time. Color de Trópico Vol. 3 starts with Un, Dos, Tres Y ... Fuera’s “Aquella Noche”, a song that’s fully indicative of Venezuela’s coastline with the much-loved Un, Dos, Tres Y ... Fuera giving a llanero rhythm (normally played on a harp and other stringed instruments in its rural incarnation) a fully Afro-Caribbean makeover with pulsating bass and an electric keyboard that teases and energises the groove. It possesses some of that same mid-70s vitality and need to experiment as Grupo Vaquedanus, the band of sax maestro Santiago Baquedano, and their cover of Dave Brubeck’s “Take Five”, here fashioned as “Toma Cinco”. This version strips away all the niceties of the original, turning it in to a psych-fuzz jazz romp with Baquedano’s raspy sax leading the way. Step back 10 years and the energy remains even if the musical terrain was different. Girl group Los Pájaros hit hard with a boogaloo whose instruction is simple enough: “shake it baby, kiss for you, take the rhythm, and do the boogaloo”. Los Pájaros were one of a number of groups who were taking inspiration from the 60s sounds of the US and Britain but repackaging it for Venezuelan youth. Pop stars Geminis 5 were at it too with a fuzzy ballad “Tus 16 Años”, and Junior Squad even injected a bit of San Francisco hippy charm into affairs with their loose adaptation of The Turtles “She’d Rather Be With Me”, retitled as “Siempre Para Ti” and sounding as rough, ready and full of youthful vim as anything made north of Mexico. On the farthest end of the pop spectrum is The Pets with their cult hit “El Entierro de un hombre rico que murió de hambre” (“The Burial of a Rich Man Who Died of Starvation”), a true countercultural anthem that even dips into “The Funeral March” for a minute, and which is much desired by record collectors. Finally, we must mention the salsa ensembles and their big band predecessors, always an important element of any Color de Trópico compilation. On Volume 3, we find one of the earliest salsa groups in Venezuela, Los Megatones De Lucho, who recorded a pachanga, “Yo Se Que Tu”, long before salsa was even a thing. Influenced by Venezuela’s very own Los Dementes and Joe Cuba’s sextet, Principe Y Su Sexteto were one of Venezuela’s most prominent salsa ensembles. On their 1969 track “San De Manique” we get a different vibe altogether, it’s a creeping son with just vocals, bass and congas for its opening minute, before really kicking into action with a twisted guitar line and wild percussion, while always retaining a raw, Afro-Latin feel. Last, but not least by any means, is one of Venezuela’s most beloved salseros, Johnny Sede, who pipes up with a classic salsa, “Guararé”, showing how the style had developed in just a few short years. You could accuse El Palmas and El Dragón Criollo, the curators of this collection, as getting some sort of a sick thrill at throwing such a weird and unwieldy bunch of tracks together, and that may be true, but there is logic too. These are songs full of life and creativity that signalled an era of boundless optimism. Listen to them now, and you’ll find yourself feeling those emotions once again.

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Collector's Records Of The 50's And 60's Vol. 6

LP | 1979 | US | Original (Laurie)

7,99 €*

Release: 1979 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover with seam split on bottom spine.

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LP | 2021 | EU | Original (Wagram)

Collection Surf Music 03

15,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Wagram)

Collection Surf Music 02

15,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Club Coco Colored Vinyl Edition

LP | 2021 | EU | Reissue (Les Disques Bongo Joe)

24,99 €*

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Bongo Joe presents "Club Coco", a summary outernational latin and afro rooted music compilation curated by Coco María.

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Club Coco Black Vinyl Edition

LP | 2021 | EU | Reissue (Les Disques Bongo Joe)

25,99 €*

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Bongo Joe presents "Club Coco", a summary outernational latin and afro rooted music compilation curated by Coco María.

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Classical Music Of North India ~Duet Of Sitar And Sarod~ = 北インドの古典音楽 ~シタールとサロッド~

LP | 1982 | JP | Original (Seven Seas)

19,99 €*

Release: 1982 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Classic Productions By Surin Phaksiri 2: Molam Gems From The 1960s-80s

2LP | 2022 | JP | Original (EM)

Release: 2022 / JP – Original

Genre: Rock & Indie

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M Records again shines the spotlight on legendary Thai producer Surin Phaksiri in this second edition of his classic productions from the 1960s-80s. The first edition, released in 2019, focused on his innovative productions in the luk thung* style. This 2022 release features his stellar, glowing molam** gems from the 60s-80s, drawn mainly from his golden era in the late 70s and early 80s. Surin Phaksiri is a highly esteemed figure in Thai music, rooted deeply in his native region of Isan in northeast Thailand, a producer with a deep respect for the traditional artistry of his culture, yet always moving forward, looking outward, listening ahead. The molam style of Thai music showcases the voice; indeed, the genre’s name means “expert singer”, and Thailand is blessed with an abundance of experts, singers with amazing control, grace, vitality and finesse. This collection of 22 songs features 17 singers, ranging from venerated legends to unjustly unheralded masters of the art. These songs were recorded and released after the era of the 7" single; with the advent of the cassette boom in Thai music, most producers adopted a quantity-over-quality conveyer belt production style, churning out soundalike material to fill the expanded length of cassette tape. Phaksiri resisted these tides and continued to work with a single-song mindset, tailoring each production’s instrumentation and arrangement to precisely fit each singer and song. This care and integrity can be clearly heard in this sweetly groovy collection. These gems, originally released on 7", are all first-time official reissues, a project years in the making. Compiled by Soi48, who also provide liner notes.

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2LP | 2023 | UK | Original (Claremont 56)

Claremont Editions Three

Release: 2023 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Limited Edition. No. 429/600.
Cover as new with a dented corner.
Includes original inner sleeves.
Small light scuff on side B.

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Circle Cure. Small Brown Bike Songs

2LP | 2024 | US | Original (Say-10)

48,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Christmas Hits Gold Vinyl Edition

LP | 2024 | EU | Original (Second)

Release: 2024 / EU – Original

Genre: Rock & Indie, Christmas

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180 Gram, Gold VinylGet ready to spin some holiday magic with the Christmas Hits record! This festive collection is packed with timeless music from legendary artists like Brenda Lee, Connie Francis, Elvis Presley, The Beverly Sisters, and many more. Perfect for setting the holiday mood, this LP will keep every Christmas lover's spirits bright. Whether you're trimming the tree or sipping cocoa by the fire, let these iconic voices bring the joy of the season to your home.

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Christmas Hits Black Vinyl Edition

LP | 2024 | EU | Original (Second)

21,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie, Christmas

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180 Gram VinylGet ready to spin some holiday magic with the Christmas Hits record! This festive collection is packed with timeless music from legendary artists like Brenda Lee, Connie Francis, Elvis Presley, The Beverly Sisters, and many more. Perfect for setting the holiday mood, this LP will keep every Christmas lover's spirits bright. Whether you're trimming the tree or sipping cocoa by the fire, let these iconic voices bring the joy of the season to your home.

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Christmas Dreamers: Yuletide Country (1960-1972) Colored Vinyl Edition

LP | 2023 | US | Original (Numero Group)

Release: 2023 / US – Original

Genre: Rock & Indie, Christmas

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Santa's Lager Colored Vinyl. Daddies don't always come home for Christmas. From the snow-covered plains of Wisconsin's Driftless region to the palm-lined avenues of Los Angeles, theloneliness of the holidays is a universal theme, best expressed by tear-in-thebeer country music hopefuls. Sung and strummed (and plucked) by an unlikely assortment of Nashville aspirants, our Christmas Dreamers spent the '60s gambling their futures on the AM airwaves of a forgotten America.

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Christmas Dreamers: Yuletide Country (1960-1972) Black Vinyl Edition

LP | 2023 | US | Original (Numero Group)

Release: 2023 / US – Original

Genre: Rock & Indie

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Daddies don't always come home for Christmas. From the snow-covered plains of Wisconsin's Driftless region to the palm-lined avenues of Los Angeles, the loneliness of the holidays is a universal theme, best expressed by tear-in-the-beer country music hopefuls. Sung and strummed (and plucked) by an unlikely assortment of Nashville aspirants, our Christmas Dreamers spent the '60s gambling their futures on the AM airwaves of a forgotten America.

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Choctaw Ridge-Fables Of The American South 1968-73

2LP | 2021 | UK | Original (Ace)

Release: 2021 / UK – Original

Genre: Rock & Indie

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“Choctaw Ridge” explores a new country sound, one that emerged at the end of the 60s in the wake of Bobbie Gentry’s ‘Ode To Billie Joe’, a shock number one hit in 1967. When singers like Gentry, Jimmy Webb, Michael Nesmith and Lee Hazlewood moved from the south to Los Angeles to make it in the music business, they were not part of the Nashville in-crowd and they forged a new direction.

‘Ode To Billie Joe’ was the tip of the iceberg, and its success helped a bunch of singers and storytellers to emerge over the next three or four years. Some of the tracks on this collection bear that song’s stamp more clearly than others: Sammi Smith’s moody ‘Saunders’ Ferry Lane’ had a similar mystery lyric, and Henson Cargill’s ‘Four Shades Of Love’ is a portmanteau, with one (or possibly two) of the theoretically romantic situations ending in death.

Suddenly, character sketches of southerners became a lot more rounded – women didn’t have to stay home, or take abuse at the office, and darkness wasn’t only found at the bottom of a bottle. Storytelling is the link between all of the songs on this collection. We have cautionary tales about what could happen to someone who heads for the bright lights and doesn’t make it, ending up in the grasping hands of ‘Mr Walker’ (Billie Joe Spears), or on the ‘Back Side Of Dallas’ (Jeannie C Reilly), or on a mortuary slab in the case of the songwriter with the ‘Fabulous Body And Smile’ (Robert Charles Griggs). And there are stories about wanting to go home – Nat Stuckey’s ‘What Am I Doing In LA?’ and Charlie Rich’s ‘Feel Like Going Home’ – and others from Ed Bruce and Lee Hazlewood, who know that their home isn’t home anymore.

The tracklist and fulsome sleeve notes have been put together by Bob Stanley (Saint Etienne) and Martin Green (Smashing, The Sound Gallery), who have been collecting these records for decades.

The voices are resonant and relatable, and the productions take in the best of what pop had to offer in the late 60s and early 70s. Before the factionalism between smooth pop-conscious Nashville and the hedonistic ‘outlaws’ made it look inward again, this was a golden era for an atmospheric, inclusive and progressive country music. It began on the third of June, another sleepy, dusty Delta day.

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LP | 2023 | EU | Original (Forager)

Child Of Nature

34,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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A further exercise in musical curation, Child Of Nature is our latest sonic confluence of self-released tracks from the loners, hippies and outsiders of the 70s and early 80s. A collection of privately pressed music, able to breathe and be created free from the constraints of heavy handed commercialism, yielding a pure vision of artistic expression. Child Of Nature features ten songs of brooding soft rock and psychedelic folk steeped in melancholia. Some ache for better times or past lovers, while others seek spiritual fulfillment or social progress.

A compilation to evoke the raw and unobstructed, to summon the occult, to fundamentally conjure a vivid portrait of our untamed natural environment. Recorded on the north coast of California, Luellen Reese’s ethereal “Silvery Waterfalls” drifts and swirls with electric guitar as her unearthly vocals transcend across a seven minute opus, fit for the golden age of labels like 4AD or Dedicated. “The flowers are dancing just for you …”, Reggie Russell croons over glistening Key Of Creek’s title track “Child Of Nature”, evoking a utopian world of natural harmony free from the present day realities of industrial decay.

Tap into your inner primal being, to embrace wholeheartedly, with frivolity and without reserve, your own child of nature.

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LP | 2024 | EU | Original (Munster)

Chicas! Volume 3

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Vampisoul chicas are back. And for the third time. And, although collectors and connoisseurs have never stopped playing the songs by these Spanish female singers, here they are again, sounding as vibrant as they did half a century ago. Because these children of their times, the musical decades of the 60s and 70s covered by this compilation, boldly ventured into the limited spaces of freedom open to female artists back then. And they did so with attitude, in search of the right repertoire, proudly presenting new, daring personal projects often breaking away from the demure tone adopted by mainstream local female singers. And they were canny about it too. Realizing that the censors working back would just listen to the song that the record company flagged up as the listening target on the A side and not bother to flip the single over, they recorded many of their racier songs on the B side. That exciting dark side of singles, which have long tempted collectors. Lacking the freedom and visibility enjoyed today, these daring records by these female singers went as far as they could and a few managed to go beyond. The songs on this compilation tell everyday stories, narrating small socio-musical conquests revolving round the enduring theme of young love. Sass, sex, boy-girl rivalry, the defense of liberating women's fashion and, saying what women think loud and clear, all characterize these grooves. Performed in a variety of musical styles ranging from ye-yé, twist, disco, beat, popcorn, flamenco pop to Northern Soul, and, even more surprisingly, sung in an everyday, natural and self-assured tone that must have ruffled some feathers. As in previous volumes of "¡Chicas!", this third compilation includes female singers from outside Spain but whose career, their decision to sing in Spanish or their long tours and local stays, and occasionally permanent residence, meant their albums were created, recorded or produced here in Spain. It's a winning proposition for everyone. Take the band Los Bravos,...

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LP | 1979 | US | Reissue (Blue Night)

Chicago Guitar Killers

8,99 €*

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: Near Mint

Slightly warped but still enjoyable!

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Cherrystones Presents Critical Mass Volume 2

LP | 2020 | Original (Touch Sensitive)

Release: 2020 / Original

Genre: Rock & Indie

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"I Like The Drive As Much As The Scenery". Buckle Up As Producer, DJ, And Archivist Cherrystones (Gareth Goddard) Takes You On A Return Trip To Critical Mass! He Has A Life-Long Obsession With The Soundtrack And Was Also Gripped Early By A Love Of Rap (A Trusted Mpc 2000 Never Far From His Side). The Channeling Of Context, Underscore, Timing And Placement Has Always Fuelled The Distinctive Flavour Of Cherrystones' Output. This Open-Eared And Open-Armed Approach Is What Makes 'Critical Mass Vol.2' Another Stunning Compilation. As Goddard States: "This Is Not A Rare-For-Rare-Sake Appendix Of Bands Designed To Showcase Exclusivity And Superiority". These Are Tracks That Have Lived With Him, And He Has Lived Within, Gathered Over Travels Throughout Europe - Living, DJ-Ing, And Creating. Five Years On From The First Volume, This Eighteen Track Compilation Once Again Fully Outlines The Breadth And Possibility Of The Post-Punk And New Wave Era. "Many Of These Artists Fell By The Wayside As Underdogs Or Were Just Too Ahead Of Their Time. These Selections Have Strong Rhythmic Undertones - Percussively And Tonally - And You Can Hear The Subtle Influence Of Dance Music And The Dance Floor As A Reference Point." On Our Journey We Hear Hyped Up Punk-Funk From The Netherlands In The Form Of Kone?, The Cosmic Synth-Stomp Of Daniele Baldelli Approved Italians - Neon, The Gonzo, Outsider Shrieks Of England's Loco Lotus, Through To The Dark, Dance Floor Groove Of Belgium's Siglo Xx And, Of Course, There's A Whole Heap More Outré Excursions On The Way. "From One Of The Last True Originals - A Personal, Passionate Draft Of A "Scene" That Could Have Been. As Far As Possible From Diggers' Wet Dreams - Most Of The Music Here Is/Was Hidden In Plain Sight. So Take One Step Back And Figure Out What Might Have Gone Wrong." Vladimir Ivkovic

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Chaos In Nederland (Oi AinT Dead 8) Limited Edition Vinyl Edition

LP | 2023 | EU | Original (Rebellion)

19,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Chansons Et Dances Populaires Tsiganes Russes Et Hongroises

LP | 1973 | JP | Original (Barclay)

6,99 €*

Release: 1973 / JP – Original

Genre: Rock & Indie

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Medium: VG, Cover: VG

LP | 2019 | EU | Original (Wagram)

Chanson Francaise

15,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 1975 | JP | Original (CBS/Sony)

Chanson, C'est La Vie

13,99 €*

Release: 1975 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Slight foxing. Japanese pressing. With insert.

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27" | 2009 | US | Original (Hydra Head)

Champions Of Sound 2008

12,99 €*

Release: 2009 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Limited Edition.

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[Cease & Desist] Diy (Cult Classics From The Post-Punk Era 1978-82)

2LP | 2015 | US | Original (Optimo Music)

69,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Caught Beneath The Landslide

2LP | 2021 | UK | Original (Demon)

21,99 €*

Release: 2021 / UK – Original

Genre: Rock & Indie

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Demon Music will issue a new Britpop-era compilation curated by legendary music photographer Kevin Cummins called Caught Beneath The Landslide: The Other Side of Britpop and the ’90s.

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Cancionero Folklórico De Las Islas Canarias

LP | 1961 | ES | Original (Hispavox)

11,99 €*

Release: 1961 / ES – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Can't Steal My Fire: The Songs Of David Olney

2LP | 2024 | US | Original (New West)

37,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Can't Steal My Fire: The Songs Of David Olney

CD | 2024 | US | Original (New West)

16,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Campfire At Fatty's-Round One Red Vinyl Edition

2LP | 2023 | US | Original (Fat Wreck)

38,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Campfire At Fatty's-Round One Black Vinyl Edition

2LP | 2023 | US | Original (Bottles To The Ground)

32,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2019 | EU (Akenaton)

Cambodian Nuggets

20,99 €*

Release: 2019 / EU

Genre: Rock & Indie

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Before the Khmer Rouge took power in 1975, unleashing a horrifying genocide, Cambodia had one of the most vibrant and exciting music scenes in Asia. With a mixture of traditional Khmer music and a myriad of western genres (from French and latin music, to rock-and-roll , rhythm-and-blues, surf, psychedelia, soul and many more) the few pre 75 Cambodian recordings that survived -most of them were destroyed- are enough to make anyone with a taste for good music shocked by the amazing quality of the sounds created during those golden years. Gathered in this amazing album are some of the most talented and unique musicians from that amazing era with an explosive collection of tracks sure to blow the mind of the listener. A celebration of some of the best music ever made.

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2LP | 1978 | JP | Original (CBS/Sony)

California Jam 2

17,99 €*

Release: 1978 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM.
Includes insert.
OBI not included.

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LP | 2023 | UK | Original (Absolute)

Cafe Covers

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Stag-O-Lee)

Buzzsaw Joint Cut 07

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Stag-O-Lee)

Buzzsaw Joint Cut 05

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Stag-O-Lee)

Buzzsaw Joint Cut 04

Release: 2017 / EU – Original

Genre: Rock & Indie

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Tape | 2023 | US | Original (Cold Busted)

Bust Free 22

18,89 €* 20,99 € -10%

Release: 2023 / US – Original

Genre: Rock & Indie

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If one thing seems certain in the realm of downtempo and instrumental hip-hop sounds, it's the arrival of another high quality Bust Free compilation chock full of amazing producers, both known and new. Cold Busted is now issuing Bust Free 22 — yes, the 22nd in the acclaimed series — and it might be the best one yet. These 14 beat-lab concoctions bring out the best in Cold Busted, with previously unheard delights from a global gathering of top notch artists. From Es-K to Sim Nagai, Leo Low Pass & Emapea to DJ Taek — there's much to discover, whether on boomin' systems or cozy earbuds. Highlights include Bay Area beatsmith Nu Vintage and his frequent collaborator, the multi-instrumentalist Pat Van Dyke, exploring the futuristic edges of a beachside hip-hop lounge with the flute-laden feel-good tune "Daylight." Gentle piano, a serene saxophone, and breezy vibes float over tough downtempo beats on "On The Way Home," a delightfully laid back cut from Polish freestyle-footballer turned beat-maker MichRyc. There's "In A Good Mood," sonically shuffling its way out of the '70s and into today's head-nodding beat-zone. Produced by Cologne's Midan, this cut glides by with smooth guitar licks and keyboard melodies, delivering on the promise of its title. Maria Whoat brings some deep heat to bear with the subdued bop of "Between You And Me." Lowdown bass moves, swirling tones and textures, and a tough-as-nails slo-mo drum track recall the trippiest moments of the trip hop canon. Listeners will also uncover "Overpass," a lively and upbeat track from sus9th that proves the old adage that the early bird catches the earworm. An instantly memorable melody guides a percussive rhythm, filtered chords, and percolating synths. Japanese crate digger and turntable maestro Pigeondust ventures to exotic locales with "Nova," a cut that aims to dazzle with bewitching vocal motifs, chiming electric piano chords, and a killer drum beat that's more than ready for prime time. These cuts and more will fulfill any discerning listener's craving for high protein Bust Free beats.

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Bullshit Detector Two Grey Vinyl Edition

2LP | 1982 | EU | Reissue (One Little Independent)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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CALLING ALL BULLSHITTERS. Crass Records have remastered the infamous ‘Bullshit Detector’ series in all its glorious entirety.

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Bullshit Detector Two Black Vinyl Edition

2LP | 1982 | EU | Reissue (One Little Independent)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Bullshit Detector Three Grey Vinyl Edition

2LP | 1984 | EU | Reissue (One Little Independent)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Bullshit Detector Three Black Vinyl Edition

2LP | 1984 | EU | Reissue (One Little Independent)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Bullshit Detector Grey Vinyl Edition

LP | 2023 | EU | Original (One Little Independent)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Bullshit Detector Black Vinyl Edition

LP | 2023 | EU | Original (One Little Independent)

25,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2019 | US | Reissue (Mississippi)

Bulawayo Blue Yodel

Release: 2019 / US – Reissue

Genre: Rock & Indie

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A collection of beautiful Country-Western inspired music from 1950s Zimbabwe, South Africa and Kenya. Fingerpicking "omasiganda" troubadours, train car yodels, raw slide guitar, and haunting travel-weary ballads, all reissued for the first time from rare 78s. A heavy duty document of a nearly lost scene, and all the songs are all stunners to boot. Featuring George Sibanda, Josaya Hadebe, Sabelo Mathe, Petrus Mntambo and more, with a 12" booklet of deep research and full lyrics, packaged in old school tip-on covers. Co-released by our friends Olvido Records (A. Kostis, The White Birds, George Mukabi). Audio restoration and transfers by Michael Kieffer.

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Buka I Urlik Smokey Orange Colored Vinyl Edition

LP+CD | 2024 | EU | Original (F.O.A.D.)

30,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Buka I Urlik Black Vinyl Edition

LP+CD | 2024 | EU | Original (F.O.A.D.)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Brown Acid - The Thirteenth Trip

LP | 2021 | US | Original (Riding Easy)

30,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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Here are just some of the gems from this latest edition of the popular compilation series featuring long-lost vintage ’60s-’70s proto-metal and stoner rock singles, Brown Acid - The Thirteenth Trip: Max, from Montreal, QC—originally known as Dawn, before Tony Orlando & Dawn forced a name change—kick things off with “Run Run” from their lone 1970 single. It’s a hard-hitting rocker with scale climbing crunching guitars and powerful Bonham-esque drumming. “Feelin’ Dead” is extremely heavy blues from this also extremely rare 1974 single by Detroit, MI’s Master Danse, which was only released as a promo 45. Think Led Zeppelin’s “Since I’ve Been Loving You.” Gary Del Vecchio is “Buzzin’” hard, and from what sounds like an in-studio party of yelps and chatter at the start of the song, it seems that the whole band was in on the festivities. The funky blues riff, reminiscent of Led Zeppelin’s “Heartbreaker” and rollicking rhythmic changes certainly keep the buzz a rollin’. Finally, Good Humore’s swaggering 1976 rocker “Detroit” is a slick and smooth paen to the Motor City. It most likely doesn’t predate “Detroit Rock City” by Kiss, also released in 1976, and it has more rock’n’roll swing, but it could fit comfortably alongside the era’s arena anthems. “Mining the surprising rich reserves of heavy rock and proto-metal from the ’60s and ’70s, these collections have been crucial to understanding the history of a subgenre of rock that had far deeper roots than most fans realize.” – Paste Magazine

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Brown Acid: The Third Trip

LP | 2016 | US | Original (Riding Easy)

Release: 2016 / US – Original

Genre: Rock & Indie

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"We continue down the wormhole of hard rock, heavy psych, and proto-metal here on The Third Trip with a set of tunes so obscure they can't be seen without a third eye. Most of these tracks were recorded in shack-sized studios, privately pressed for promotional purposes, and tossed out like last night's half empties only to later be discovered to be half-full, if not overflowing with greatness. The majority of these tracks are from the good ol' US of A with two exceptions, Ash-labelmate New Zealanders, Chook, and the mighty Limeys, Factory. As they say, first is the worst, second is the best, third is the one with the hairy chest. So take a shot of whiskey, shotgun a beer, and put some fuzz in between your nipples with the hairiest Trip you've taken yet. You won't be sorry you did."

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Brown Acid - The Sixth Trip

LP | 2018 | US | Original (Riding Easy)

Release: 2018 / US – Original

Genre: Rock & Indie

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Six volumes worth of licensed tracks released in just three years: doing the Dark Lord’s work isn’t an easy job, but somebody’s gotta do it, so here is Brown Acid - The Sixth Trip, with more lined up. The heads just can’t get enough obscure hard rock, heavy psych, and proto-metal from the late‘60s and ‘70s!

This time around Riding Easy present ten deep cuts from across the continental USA and one from the neighbors up North. This trip kicks off with an outrageous number from Gold out of San Francisco circa 1970. The band used to open their sets with this over-the-top frantic jammer which is absolutely mind-blowing! Delving deeper into the depths, Canadians continue to prove that they could bang heads with the best of ‘em! Heat Exchange from Toronto released the rollicking ripper “Inferno” on the Yorkville label way back in 1968 and it’s still thumping almost fifty years later.

Some more examples of the mind-melting tracks on this platter: Missouri isn’t a state that brought us a lot of heavy 45s, but there are a handful of outstanding tracks, one of which is the funk-laced anthem “Give Me Time” by Backwood Memory from Kansas City. Youngstown, Ohio, meanwhile, might have been the Hard Rock Mecca back in the day. Travis is yet another Youngstown group that aimed to get asses out of seats and out in the streets. Truth & Janey had their incredible proto-metal masterpiece 1976 album No Rest For The Wicked; released four years earlier, “Midnight Horseman” was a 45-only track, included here!

Those are just some of the fruits of months worth of record digging and detective work included on this latest installment. This is the stuff that makes life worth living, at least until the next Trip…

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Brown Acid - The Sixteenth Trip

LP | 2023 | US | Original (Riding Easy)

Release: 2023 / US – Original

Genre: Rock & Indie

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Sixteen trips might fry the fragile psyche of the average teenager, but the hoary old heads at Brown Acid boiled their brain pans long ago! As such, Riding Easy is bringing even more hard rock, heavy psych, and garage rock rarities from the North American wasteland of the 1970s. From L.A. to Youngstown, OH, from Toronto to Charlotte, The Sixteenth Trip has got everything covered. As always, original copies of these 45s would cost a pretty penny—if one could find ’em in the first place. And by now one knows the drill: This ain’t no bootleg. All songs are officially licensed. This sixteenth installment kicks off with “Shuckin’ and Jiving,” a seven-minute power jam from L.A.’s kings of garage psych, the Seeds. The song appeared as a single in 1972 with “You Took Me By Surprise” on the flipside. It was the only release on Productions Unlimited, a label created by (or for) the Seeds at the tail end of their late ’60s / early ’70s run as Sky Saxon And The Seeds. Get shucked! Macbeth released their one and only 45 in 1978, with the steamrolling “Freight Train” as the b-side to “Didn’t Mean (To Come This Far).” Boasting a thick-ass riff, a tasty stereo-panned guitar solo and at least one space laser sound effect, this one should satisfy fans of Blue Cheer and Grand Funk alike. Macbeth’s bassist, Ned Meloni, went on to play with UFO guitarist Paul Chapman, Virgin Steele guitarist Jack Starr and do a brief stint with doom legends Pentagram. Formed by three brothers—David, Bruce and Barry Flynn, all GM factory workers—along with organist Tom Applegate, The Headstones (also known as simply Headstone) lent their 1974 garage boogie “Carry Me On” to The Fourth Trip. This time, the Midwest psych rockers return with their killer 1975 instrumental “Snake Dance.” One can hear echoes of this particular guitar style in the recent work of Swedish adventure rock overlords Hällas. The band Clinton might’ve been from Pennsylvania, but that didn’t stop them from writing about New York City. “Midnight In New York” is the flipside to their sole single, 1976’s “Falling Behind.” Stylistically and thematically, it’s not unlike something famous New Yawker Ace Frehley would’ve written for Kiss around the same time.

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Brown Acid - The Ninth Trip Riding

LP | 2019 | US | Original (Riding Easy)

Brown Acid - The Nineteenth Trip Colored Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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The forthcoming ninth edition of the popular compilation series featuring long-lost vintage ’60s-’70s proto-metal and stoner rock singles, Brown Acid - The Ninth Trip is set for release! Some of the best thrills of the Internet music revolution are the ability to find extremely rare music with great ease. But even with such vast archives to draw from, quite a lot of great songs have gone undiscovered for nearly half a century—particularly in genres that lacked hifalutin arty pretense. Previously, only the most extremely dedicated and passionate record collectors had the stamina and prowess to hunt down long forgotten wonders in dusty record bins—often hoarding them in private collections, or selling at ridiculous collector’s prices. Legendary compilations like Nuggets, Pebbles, ad nauseum, have exhausted the mines of early garage rock and proto-punk, keeping alive a large cross-section of underground ephemera. However, few have delved into and expertly archived the wealth of proto-metal, pre-stoner rock tracks collected on Brown Acid.

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V.A

LP | 2024 | US | Original (Riding Easy)

34,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

There is NO Light at the end of this tunnel! Brown Acid: The Nineteenth Trip fires ten more savage nails deep into the coffin of ‘60s psychedelic idealism. This series is THE premier top dog journey into the rarest and most wasted early local eruptions of heavy rock, unleashed at a time when harsh reality, human nature and disillusionment drove prevailing underground rock glimpses of a ‘better’ world into ever darker selfabsorbed comedowns. Mind expanding ’60s love energies transform into toxic aggression right before your ears! The great thing is that these moves are totally justified, ‘we are all one’ is cosmically good in theory but ‘get it while you can’ ends up perhaps better advice in the light of human history. Both of those angles of awareness can coexist, some of these bands deliver unrelenting sideways positive energy but they aren’t over-thinking it, they are youthfully driven by hunger for life and satisfying the undeniable urges their DNA thrusts upon them. Sonically, the results in the Brown Acid series never fail to breathe hot and heavy, the guitars kill it every time, the variety of approaches these tracks take keep the scenery shifting into new places. The key element that makes this stuff so potent is that They (the bands) are in control. Captured genuinely with no compromise, right out of the gate. No doubt they had ambition with high hopes for the future when they laid down these primal efforts, the fact that they captured their energy so vividly at a moment in time when the only direction imaginable was UP creates a hard hitting life affirming subtext to the proceedings. That is the core energy of blues and rock and roll, dealing with the struggles of existence by flipping a gigantic ‘what the fuck’ high energy bird right in the face of the moronic defective reality these bands were born into. If you take this stuff too ‘seriously’ you are utterly missing the point, it is beyond analysis, it is life itself! No amount of thinking will get you there quicker! Brown Acid: The Nineteenth Trip is scary... the bottomless pit of deranged vintage heavy rock the series presents continually expands over time... one deadly dose too many and you might be trapped in the bad trip loop forever... enjoy it or lose your mind!

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Brown Acid - The Nineteenth Trip Black Vinyl Edition

LP | 2024 | US | Original (Riding Easy)

Release: 2024 / US – Original

Genre: Rock & Indie

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Brown Acid: The Fourth Trip Colored Vinyl Edition

LP | 2017 | US | Original (Riding Easy)

Release: 2017 / US – Original

Genre: Rock & Indie

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Brown Acid: The Fourth Trip Black Vinyl Edition

LP | 2017 | US | Original (Riding Easy)

Release: 2017 / US – Original

Genre: Rock & Indie

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Brown Acid - The Eleventh Trip

LP | 2020 | US | Original (Riding Easy)

Release: 2020 / US – Original

Genre: Rock & Indie

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Riding Easy is now in the double digits of brilliant long-lost, rare, and unreleased hard rock, heavy psych, and proto-metal tracks from the ’60s-’70s and clearly this has become a bonafide archaeological movement as each new edition leads to more exciting new discoveries. Like the label has done throughout this series, all of these tracks were painstakingly licensed legitimately and the artists were paid. Here are just a few of the delights herein: This Trip opens with Adam Wind’s “Something Else,” featuring groovy crooning and a very acid-damaged guitar riff that meanders across key signatures like it ain’t no thing. This 1969 single by the Tacoma, WA band predates grunge by 20 years, but the band’s heavy psych and murky tones are just the stuff Northwest heroes Mudhoney sought so fervently at their peak. Lead singer Leroy Bell’s excessive vibrato gives the tune its charm, but the heavy breakdown in the middle is the real payoff. Later, Renaissance Fair take things in a very weird, very fun and undeniably heavy direction with an insanely distorted organ that sounds like a monstrous vacuum cleaner over dirge rhythms and growling vocals on their—let’s reiterate—weird 1968 track “In Wyrd.” Think if someone left a copy of The Doors’ Strange Parade out to warp in the sun on a blown-out toy record player, and then visiting space creatures attempted to imitate what they’d heard. Finally, Crazy Jerry sends this edition off on a high note with “Every Girl Gets One,” featuring crunching riffs, rollicking electric piano, stop ’n’ start rhythms and a curious telephone call sounding like a creepy answer to the Big Bopper’s “Chantilly Lace.” Crazy Jerry is the alter-ego of guitarist Jerry Ciccone, who can also be heard on a few soul / funk and rock records from the ‘70s, including The Left Banke’s second album. But here, Jerry is…well, simply crazy. Get comfortable and prepare for yet another deep, deep dive into the treasure trove of dank, subterranean, wild-eyed and hairy rock ’n’ roll.

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Brown Acid: The Eigtheenth Trip Colored Vinyl Edition

LP | 2024 | US | Original (Riding Easy)

Release: 2024 / US – Original

Genre: Rock & Indie

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if you survived trips 1-17 with one tiny speck of psychedelic sunshine intact, Brown Acid The 18th Trip will be your coming of age nightmare. Vintage underground '70s hard rock, coming at you from bizarre angles, local scene wasteland America when everybody was out for themselves and the drugs went bleak. The guitars kill, the attitude is twisted, even the sex is headed down the wrong road. Real people, no compromise, pure and potent. Get stoked, take the 18th Trip and know that the artists will get paid for pulverizing your soul! "People… are you ready?, 'cause the music now is getting so heavy"… Back Jack out of St. Louis, Missouri in 1974 launch our trip with "Bridge Waters Dynamite". It's an invocation to rock flashing on Mark Farner whooping up a Grand Funk crowd, then getting to the point quickly with berserk guitar assaults. Heavy riff with power chord stalks beneath as you take their advice… get loose and blow up the past. Smokin' Buku Band dropped my jaw with the audacious track "Hot Love" coming on like some fractured fever dream burlesque of Led Zep moves out of Hollywood in 1980. Swooping elongated vocals above, a total Zep chord move at the end of each verse. Writer/producer Steve Shauger aka Shag Stevens gets a brilliantly messed up sound quality here, the ideal polar opposite of slick. The extended guitar break is an epitome of serendipitously crude virtuosity, simply outrageous! Coming at you from way outta left field is "Moby Shark" by Atlantis, a hilarious and strange Baltimore pre-punk vibed dose of D.I.Y. meets hard rock. Lon Talbot is the mastermind, the flip side of this impossibly rare Mekon Records label single was featured in an obscure 1978 B-movie titled "The Alien Factor". Follow the lyrics closely, when the ominous jaws jaws jaws start coming after you you you… the song's big hook is so preposterously catchy the shark attack feels like good news. Inquiring minds should know that the band formerly known as Atlantis can now be found by searching for the Lon Talbot Group! Tommy Stuart and the Rubberband's "Peeking Through Your Window" from 1970 opens with a spooky organ riff, slips into a gushy fuzz/organ groove akin to "Mustache In Your Face” by Pretty. The singer creates downright creepy vibes, a stalker peeking through the girl's mind like a peeping Tom at the window up to no good. The lyrics evoke a disturbing scenario. Tommy Stuart also made a strange LP titled Hound Dog Man in 1977 and some terrific rare garage singles under the names Magnificent Seven and The Omen & Their Love in the mid '60s. Nothing better than an angry two chord guitar attack with cowbell to set the stage for this rant about getting "Ripped Off" by love. Taken from their rare 1977 LP on Dynamite Records, Chicago Triangle was Marvey Esparza, Dave Guereca, Jose 'Tarr' Perez and Robert Aguilera. They unleash such strong brain-scrubbing wah wah frenzy in the guitar break here that it seems to perversely mock it's own intensity! Like I said, Brown Acid the 18th Trip comes at you from all kinds of uncanny angles. Damnation of Adam Blessing out of Cleveland, Ohio unleashed a stone killer psychedelic hard rock classic "Cookbook" in the late '60s, this track "Nightmare" from 1973 has them cooking again at full power. A different singer, name change to Damnation and then Glory, unleashing a deadly dose of dark progressive heavy rock drama peaking when spooky 'oooo-wa-oooo' background vocals emerge during a bizarre spoken bit. It unfolds like a mini-epic and includes some remarkably brutal guitar and turbulent organ, too. "Swing your sword, all aboard… bid farewell to the dreamer" Dalquist exclaims. Cynical view of human nature, idealism is over, war is coming, it always does. Opens with a cold menacing riff and atmosphere reminiscent of "Synthezoid Heartbreak" by Maya. Mournful despondent vocals ride an insistent churning groove, gnarly guitar break moves into free noise territory. This rare track is from a local various artists benefit album titled Kangaroo Jam issued for the Waco Family Abuse Center in Texas circa 1980. The Pawnbrokers "Realize" is prime proto heavy rock emerging out of psychedelic garage roots in 1968 Fargo, North Dakota. Unusual arrangement, terrific sustain guitar tones like on the first Blue Cheer LP, even a rip on Hendrix "Manic Depression" with unison voice and guitar ascent near the end. They made three 45s and were active from '65 to '69. Hats off to Blake English, Kent Richey, Paul Rogne and Steve Harrison, you nailed it in just a hair over two minutes! As pure and creative as the original psychedelic garage hard rock gets. Parchment Farm from Union, Missouri gigged with the likes of ZZ Top and Foghat back in the day and unleashed the amazing "Songs Of The Dead" in 1971. Primitive riff/chord pattern dosed with some funky prog moves, sky turning black, 'is this heaven or hell' type disoriented confusion… may as well grab your guitar and sing songs to the dead. Robert 'Ace' Williams on bass, Paul Cockrum on guitar, Gary Reed on keys and Micky Waterman on drums, replacing Mike Dulany (R.I.P.) Cool that they use the Blue Cheer misspelling from Vincebus Eruptum for the band name! Ominous organ, thick minimalist fuzz riff, funky psychedelic wah wah flashes and freaky sex combine in one twisted dance titled "Rockin' Chair" by Brothers Of The Ghetto. Out of Chicago in 1975 with some Santana atmospherics and a delicious fuzz wah screamin' guitar break, the groove is highlighted by an off the wall vocal which sounds eerily detached in a subtly sleazy way. Rene Maxwell is the writer of this hard-rock boogie-down hybrid straight out of the twilight zone. It was issued on Ghetto, a subsidiary of the peculiar Kiderian label that released the Creme Soda LP. Now that your head is totally skewered, go Back Jack and play side one again! (Words by Paul Major)

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Broken Hearts & Dirty Windows: Songs Of John Prine

LP | 2021 | EU | Original (Oh Boy)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Broken Hearts - Die schönsten Country Songs voll Gefühl, Sehnsucht und Harmonie

LP | DE | Original (K-Tel)

3,99 €*

Release: DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

British Invasion - Yesterday & Today (Today)

Compilation | 1985 | JP | Original (EMI)

20,69 €* 22,99 € -10%

Release: 1985 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Small light scuff on side 2.
Includes OBI.

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7" | 1997 | US | Original (Excursion)

Brewing

5,99 €*

Release: 1997 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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2LP | 2020 | UK | Original (Touchtheplants Studio)

Breathing Instruments

Release: 2020 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Record has thin hairlines and surface marks from paper inner sleeve that don't affect play.

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Bread & Roses: Festival Of Acoustic Music

2LP | 1979 | JP | Original (Fantasy)

11,99 €*

Release: 1979 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Brazilian Nuggets - Back From The Jungle Volume 4

LP | 2020 | PT | Original (Groovie)

13,99 €*

Release: 2020 / PT – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened

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Brazil Classics 1: Beleza Tropical

2LP | 1989 | EU | Reissue (Luaka Bop)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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First released in 1989, these songs represent but a small sampling of the fruits of a flowering in Brazilian creativity. The innovations in structure, lyrics and arrangements, combined with a very restrained but heartfelt intensity, are unique to Brazilian pop music... and in their own way, are as radical, seductive and beautiful as the best english language pop

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10" | 2013 | US | Original (Unbuckled Records)

Bramble Jam 3

Release: 2013 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Brown vinyl is close to NM. Limited edition.

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Bound For Hell: On The Sunset Strip White Lines Vinyl Edition

2LP+Book | 2022 | US | Original (Numero Group)

89,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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2xLP on Silver w/ White Opaque Stripe Vinyl + Book.

Heavy metal? Glam? Hard rock? Make your own fuckin' call, you poser. We're not gonna do it for you. Bound for Hell is early `80s L.A. rock as it actually was: a California cataclysm of drunk and horny headbangers, dressed in sharp, shiny, leather androgyny and fire, kicking crowds in the teeth to clear the way to that one big shot. This 2LP set delivers 21 tracks by 21 artists in an ephemera-stuffed gatefold, plus 144-page hardbound book detailing the Sunset Strip's most razor-sharp heathens. Drumsticks burned. Hands were severed. Faces bled. Heavy was Hell for a half decade and it was a long, long way down.

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Bound For Hell: On The Sunset Strip

2LP+Book | 2022 | US | Original (Numero Group)

84,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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2xLP Black Vinyl + Book.

Heavy metal? Glam? Hard rock? Make your own fuckin' call, you poser. We're not gonna do it for you. Bound for Hell is early `80s L.A. rock as it actually was: a California cataclysm of drunk and horny headbangers, dressed in sharp, shiny, leather androgyny and fire, kicking crowds in the teeth to clear the way to that one big shot. This 2LP set delivers 21 tracks by 21 artists in an ephemera-stuffed gatefold, plus 144-page hardbound book detailing the Sunset Strip's most razor-sharp heathens. Drumsticks burned. Hands were severed. Faces bled. Heavy was Hell for a half decade and it was a long, long way down.

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Bottle Music For Broken People

LP | 2023 | Original (Bottles To Ground)

25,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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Born To Be Wild Purple Green Black Splatter Vinyl Edition

LP | 2023 | EU | Original (Cleopatra)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Born To Be Wild Green Gold Splatter Vinyl Edition

LP | 2023 | EU | Original (Cleopatra)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 1986 | EU (Born Bad)

Born Bad Volume 1

16,99 €*

Release: 1986 / EU

Genre: Rock & Indie

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Born Bad Record Shop 25 Years Anniversary

LP | 2024 | Original (Les Disques Mauvais Garsons)

22,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Bored Teenagers Volume 11

LP | 2018 | EU | Original (Bin Liner)

17,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Bonjour / Invalids / Nai Harvest / Reno Dakota

7" | 2012 | UK | Original (Enjoyment)

9,99 €*

Release: 2012 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover closer to NM

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LP | 1989 | EU | Reissue (Dancing Bear)

Bombardiranje New Yorka

32,99 €*

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | EU (Akenaton)

Bollywood Nuggets

22,99 €*

Release: 2024 / EU

Genre: Organic Grooves, Rock & Indie, Soundtracks

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A collection of mind blowing songs from Hindi films 1958-1984. 12 musical gems from the Bollywood vaults with a wide variety of styles thrown in the mix, from the classic to the rare, a must! An astonishing overview of the magnificent musical talents populating Bollywood films. With a predilection for movies with a strong musical backbone where songs and musical numbers play a pivotal role, the Hindi cinema boom gave birth to a strong and creative music industry where composers, musicians, musical directors, conductors, producers, singing actors, and playback singers (singers who provide vocals for the musical parts of roles played by actors or actresses) found a perfect place to develop their careers. A sample of those incredible talents is included in this compilation, the ideal point to start digging deeper into the lush garden of musical delights that is Bollywood

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Bobby Gillespie Presents: I Still Can't Believe Yo

2LP | 2023 | UK | Original (Ace)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Following on from the Primal Scream frontman’s brilliantly-received previous release for Ace, ‘Sunday Mornin’ Comin’ Down’ (accolades included being short-listed for Rough Trade’s compilation of the year), Bobby Gillespie brings us another slice of the music that soundtracks his life. And in this case, it’s his touring life. Drawing on the experience of ‘the way that the noise and clamour of the road can tire you out, wear you down and frazzle your nerves to shattered fragments of jangled exhaustion’, these are the records Bobby turns to for solace, for comfort, for empathy and for resourcefulness.

The compilation features an introduction from the man himself, talking us through his personal choices as though he’s sitting cross-legged on the carpet going through records with you in his lounge. Also long-time cohort of the band, Kris Needs has written extensive liner-notes, serving up an intensive track by track insight and analysis.

Titled after and kicking off with the Willie Nelson track of the same name, ‘I Still Can’t Believe You’re Gone’ leads us through a darker and deeper exploration than its predecessor, featuring Nick Cave’s funereal version of ‘By The Time I Get To Phoenix’ and Ry Cooder’s sparse and beautiful reworking of ‘Dark End Of The Street’. And we get there via such greats as Bob Dylan, JJ Cale, Donnie Fritts, Crazy Horse, Lee Hazlewood, Al Green, Thin Lizzy and so many more.

In Bobby’s own words: ‘These songs are soul savers to soothe frayed and battered nerves and to ease and settle the heart. They work on me like medicine every time. I would like to share this wonderful music that has given me strength, joy and inspiration over the years with you the listener, so that you too might get the same feelings of protection and inspiration that I do whenever I listen to these songs. We're all travellers on some kind of road through this life, and we all need respite from time-to-time - the music on this compilation is soul food of the highest order - I hope you enjoy it.’.

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Bob Stanley & Steve Wiggs Present Winter Of Discontent

2LP | 2023 | UK | Original

39,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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There was plenty of genuine discontent in Britain at the tail end of the 1970s, and it had little to do with bin strikes or dark rumours about overflowing morgues. In the world of popular music, the most liberating after-effect of the Sex Pistols was that anyone with something to say now felt they could make a 7” single. “Winter Of Discontent” is the sound of truly DIY music, made by people who maybe hadn’t written a song until a day or two before they went into the studio. It’s spontaneous and genuinely free in a way the British music scene has rarely been before or since.

“Winter of Discontent” has been compiled by Saint Etienne’s Bob Stanley and Pete Wiggs, the latest in their highly acclaimed series of albums that includes “The Daisy Age”, “Fell From The Sun” and “English Weather” ("really compelling and immersive: it’s a pleasure to lose yourself in it" - Alexis Petridis, the Guardian). The era's bigger DIY names (Scritti Politti, TV Personalities, the Fall) and the lesser-known (Exhibit A, Digital Dinosaurs, Frankie’s Crew) are side by side on “Winter Of Discontent”. Mark Perry’s Sniffin’ Glue command – “Here’s one chord, here’s another, now start a band” – was amplified by the Mekons and the Raincoats, whose music shared a little of punk’s volume, speed and distortion, but all of its obliqueness and irreverence.

The discontent was with society as a whole. No subject matter was taboo: oppressive maleness (Scritti Politti); deluded Britishness (TV Personalities); gender stereotypes (Raincoats, Androids of Mu); nihilistic youth (Fatal Microbes); alcoholism (Thin Yoghurts); self-doubt and pacifism (Zounds). The band names (Thin Yoghurts!) and those of individual members (Andrew Lunchbox!) had enough daftness to avoid any accusations of solemnity.

“Winter Of Discontent” is the definitive compilation of the UK DIY scene, and a beacon in grim times.

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Bob Stanley Presents 76 In The Shade

2LP | 2020 | UK | Original (Ace)

Release: 2020 / UK – Original

Genre: Rock & Indie

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Bob Stanley & Pete Wiggs Present Occasional Rain

2LP | 2020 | UK | Original (Ace)

Release: 2020 / UK – Original

Genre: Rock & Indie

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It’s the day after the 60s. You turn on the radio and there is news about John leaving the Beatles – or will Paul be the first to jump? There is insecurity and uncertainty. The rain filters into the post-psychedelic, pre-progressive sound; in times of upheaval, you always notice bad weather.

“Occasional Rain” is the sequel to Bob Stanley and Pete Wiggs’ highly successful “English Weather” collection (“Really compelling and immersive: it’s a pleasure to lose yourself in it” - Alexis Petridis, the Guardian). This is the sound of young bands experimenting in a period of flux, feeling for a new direction, exploring jazz and folk – as many songs are led by mellotron, piano and flute as they are by guitar. Lyrically, there are two themes that crop up regularly: the search for a home that isn’t there anymore – the certainties of the optimistic 60s, the physical reality of terraced streets – and the rain. For the former, there’s Cressida’s gentle, keening ‘Home And Where I Long To Be’, while Duncan Browne’s shape-shifting ‘Ragged Rain Life’ feels like a decent summary of Britain in both 1970 and 2020.

“Occasional Rain” puts the era’s bigger names (Traffic, Yes, Moody Blues) and the lesser known (Mandy More, Shape Of The Rain, Tonton Macoute) side by side. Like its predecessor “English Weather”, it evokes the turn of the new decade, a beautiful state of fuzzy confusion, and the feel of a wet Saturday afternoon at the dawn of the 70s spent flicking through the racks, wondering whether to buy the new Tull album or maybe take a chance on that Christine Harwood album in the bargain bin (go on, you won’t regret it).

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LP | 1969 | DE | Original (Chess)

Blues News

6,99 €*

Release: 1969 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

White vinyl

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LP | 1988 | UK | Original (Big Beat)

Blues In The Bottle

4,99 €*

Release: 1988 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Blue Moon & Bella Records

10" | 2021 | EU | Original (Bear Family Productions)

Release: 2021 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Munster)

Blow My Mind!

Release: 2024 / EU – Original

Genre: Rock & Indie

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Bloodstains Across Virginia

LP | 2017 | EU | Original (Prompt Critic Productions)

19,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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Bloodstains Across Northern Ireland

LP | 2016 | EU | Original (Bloodstains)

16,99 €*

Release: 2016 / EU – Original

Genre: Rock & Indie

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Bloodstains Across Australia

LP | 1998 | US | Reissue (Bloodstains)

35,99 €*

Release: 1998 / US – Reissue

Genre: Rock & Indie

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Reissue of the classic Australian punk compilation of tracks from 1977-1982. Featuring Bodysnatchers, Skunks, Young Identities, Proles, Public ExecutioN, Press, Thought Criminals, Wrong Kind Of Stone Age, Vacant Lot, Sputniks, Just Urbain, Tactics, Quick And The Dead, Z-Cars, Section Urbane, Rejex, and Chosen FeW.

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Bliss Out: For Days Crystal Clear Vinyl Edition

LP | 2024 | US | Original (Numero Group)

35,99 €*