Rock & Indie 333 Items

This reissue comes on 180g. Right Track is a specialized music label based in Beirut - Lebanon. As an IFPI certified member they are the exclusive Licensee and distributor of multiple international and regional labels in addition to a range of Lebanese Artists. From Omar Khorshid’s arabian-funk to Fairuz’s eerie songs, from Ziad Rabani’s proto-disco to lebanese traditional Wadih Al Safi compositions, Right Track is committed to re-releasing the Immortal Arabic music repertoire on 180 g vinyls, delivering the highest possible quality from remastered audio to satisfy the demanding audiophile connoisseurs.

The latest release in Now-Again’s Reserve Series is Hunger – Strictly From Hunger: the band’s preferred version of the album, unedited, fuzz-guitar heavy late 60s psych-rock, restored and remastered from a rare test press. Hunger arrived in L.A. from Portland in late 1967 as the Outcasts, a teenage cover band, but within a six months they had signed with a connected manager, played all over Los Angeles, embraced psychedelia and signed on to record an album of original music for the label their manager founded for them: Public! Records. They showed tremendous promise – and their producers invested heavily into a band that was going to be the next marquee act at the Whiskey A Go-Go, bringing in members of Strawberry Alarm Clock, including future Lynyrd Skynyrd star Ed King, to produce an album. But Hunger broke up before their album’s release and their entry in rock’s canon was shadowed for years. This is the definitive Reserve Edition reissue of a late ‘60s psych–rock classic, overseen by Hunger’s band members John Morton, Steve Hansen and Mike Lane: the band’s preferred, unedited, fuzz-guitar heavy version of the album, restored and remastered from a rare test press. This is the first time that band’s vision for the album has been issued in full on vinyl. Contains an extensive booklet by Jim Cherry, Eothen Alapatt and Clark Faville that corrects many factual inaccuracies told over the record’s celebrated past three decades as one of rock’s holy grails. The booklet is filled with never-published photos from lead guitarist John Morton’s archive. Here’s an example of what’s in store – the full version of “Open Your Eyes” featuring Ed King’s lead guitar lines – all but absent on the Public! Records issue – and nearly double the length of the issued version! Download card for WAV files and bonus tracks – including the full Public! Records version of the album and 7” single tracks – included.

Shine On Brightly is the second studio album by English rock band Procol Harum. The title of the epic "In Held 'Twas in I" is an acrostic, taking the first word from the first movement as well as the first word from a verse later in the movement as well as the first word from each of the three successive movements as shown in the track listing.

Breezy Sunshine-Pop / Soft-Rock / Psych-Pop from California, 1970, featuring Peter Clark a.k.a Chet DeMilo.

Crystal clear recording, awesome vocal harmonies, superb musicianship, bossa & blue-eyed-soul-jazz touches,folk-rock moves…

In 1969 Chet Demilo was appearing at Donkin's Inn, Marina Del Rey, where he met Arnie Marcus and Ray Hames, who together were to become part of an incredible slice of history. Donkin's became the hottest and most famous destination in Southern California for the next seven years, and Chet was the magnet that started the new singles scene in Los Angeles with Marina Del Rey as ground zero.

Arnie sat in on bongos with Chet from time to time, and Ray, who was managing an apartment complex that housed 200 flight attendants, just happened to have a unit available!! Chet moved in, and he and Ray started working on songs together. Chet suggested forming a vocal group with Arnie and SST was born. For three months they practiced the intricate vocal harmonies and in early 1970 cut the album, "Soft Soul Transition". A thousand records were pressed, and an album release party was held at Donkins where SST gave their one and only performance that night!

There was interest in the project at Burt Bacharach's Blue Seas Music, but it was not to be and SST faded away...until more than 20 years later when the SST album was discovered by a new generation of DJs and collectors looking for cool and groovy sounds from the 60s-70s.

Bob B. Soxx & The Blue Jeans’ star burned hot and fast, they were together only two short years, and recorded just this lone LP, but the group of Bobby Sheen, Darlene Love (of The Crystals fame), and Fanita James, are responsible for one of the most immortal hits of Phil Spector’s career, the teen anthem “Why Do Lovers Break Each Other’s Heart”. Rounded out with 11 more tracks that feature the unbelievably talented team of Phil Spector production, Jack Nitzsche arrangements, and Billy Strange and Glen Campbell on guitar. A Spector classic reissued by Cornbread on 180 gram vinyl with download code.

UK psychedelia moved into prog rock with spices of hard rock in the late sixties, some even coined a new label to describe the strong textures resulting of the mixture of rockier blues sounds, jazz, revolutionized freakbeat and the hardest side of popsike - ‘heavy psych’. Amongst the best works of the era were the two splendid LPs recorded by Welsh band Eyes Of Blue.

The Eyes Of Blue where formed in 1966 and soon won the Melody Maker Beat Contest, a fact that secured them a recording deal with Deram records. The label issued their first 45s, they were good but -due to company pressure- more Blue Eyed Soul or even bubblegum oriented. By the time they released their first LP, on Mercury, their real sound had surfaced, showing influences by some of the coolest bands from the US West Coast like The Doors or Love, and also counted on the help of Graham Bond, who penned some of the most significant tunes on the album. Heavily Hammond organ driven athmospheres taking things one step further than The Nice, guitar pyrotechnics, an excellent vocal work, some eastern influenced guitar raga, a great taste in choosing cover versions and strong songwriting make Crossroads Of Time one of the best progressive LPs from 1968.

First ever legit vinyl reissue, in a limited run of only 500 copies, in remastered sound and featuring an insert with photos and liner notes.

180 gram pressing!

Mapache is proud to present the first ever vinyl reissue of The Chuck & Mary Perrin album: Brother and Sister. Recorded in 1968, this gemm is one of the biggest secrets of US folk. Full of amazing melodies and beautiful songs, this is one of the hardest to find records for collectors of folk, psych and singer/songwriters style records. Includes covers by Donovan or John Sebastian plus stunning originals like "Commencement", "Mornings" or "Babe can you see" .

Only 500 copies were pressed, originals of this rarity have been sold for more than $1.000. It is one of the highest rated albums on record collectors guides.

Remastered from the original tapes, this reissue comes with an additional insert. Includes previously unseen pictures and comes in a gatefold tip on jacket, exact replica of the original record issued on Chuck's own label, Websters Last Word.

Four Sail is the fourth album by the American Rock band Love, released in 1969. By mid-1968, Arthur Lee was the only remaining member of the Forever Changes line-up of Love. Three LPs worth of material were recorded in a makeshift studio in a Los Angeles warehouse, released as Four Sail and the Blue Thumb LP Out Here. This expanded edition of Four Sail includes three bonus tracks.

180g vinyl.

Limited to 500 copies. Monster rare USA private pressing from 1968, rated with 6 stars in the Hans Pokora 3001 Record Collector's Dreams book. The Yays & Nays were a groovy, hip group (says so on the original LP jacket!) comprised of three guys and three girls. Theirs is a truly unique sounding album, full of creative songwriting and vocal arrangements and a style that defies categorization. There's garage folk-rock-the opening track 'Gotta Keep Traveling' is really astounding!, tracks with vocals in a kind of 'Kicking Against the Pricks"-era Nick Cave-channelling-Tony-Joe-White-meets-Johnny Cash vein, a little country flair, and some cuts of an ''Incredible Strange Music'' type. Weird and wonderful, in it's own peculiar way. Reissued for the first time, in collaboration with band members, and with original artwork.

One of very few indie label releases on Spin Magazine's list of 100 top counter-cultural music, ahead of legends like Mulatu Astatke, Brigitte Fontaine, Pärson Sound, Ornette Coleman, Sun Ra and His Solar Arkestra, Harry Partch, and Os Mutantes. Zowie! "In 1965, eight guys from London, Ontario, decided to start a free-improv group — 'free' to the point of building their own instruments, which they decided couldn't be set up to produce specific pitches... Their vocalist, schoolteacher Bill Exley, banged on a cooking pot and bellowed hilariously about stupidity and destruction and Canada. They didn't treat what they were doing as an advanced, visionary form of experimental music, but as a big, stupid, fun, ecstatic noise. By the '90s, noise artists finally recognized NSB as their ancestors — and, almost 50 years after they started, the surviving members of the Nihilist Spasm Band still play every Monday night while their children haunt loft spaces the world over." —Spin

Remastered from the original tapes, 180g vinyl!

180 gram vinyl!

180 Gram Vinyl

180 Gram Vinyl

180 Gram Reissue!

Signed By Simeon

180g vinyl double vinyl reissue in gatefold sleeve

Colored Vinyl

limited edition analogue 180 gram vinyl reisue ... sampled by Run DMC, Public Enemy, ODB, ...